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The Slicer
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| "The Slicer" | |
|---|---|
| Seinfeld episode | |
| Episode no. | Season 9 Episode 7 |
| Directed by | Andy Ackerman |
| Story by | Gregg Kavet & Andy Robin & Darin Henry |
| Teleplay by | Gregg Kavet & Andy Robin |
| Production code | 907 |
| Original air date | November 13, 1997 |
| Guest appearances | |
| |
"The Slicer" is the 163rd episode of the NBC sitcom Seinfeld. This was the seventh episode of the ninth and final season.[1] It first aired on November 13, 1997.[2] In this episode, George gets a job with an incompetent industrial firm, but an old photo of his boss with him in the background and Jerry's feuding with his dermatologist girlfriend put George at risk of getting fired, while Kramer's fondness for having his own meat slicer proves to be a source of help.
Plot
[edit] | This article's plot summary may be too long or excessively detailed. (August 2021) |
George gets a job with Kruger Industrial Smoothing. He sees himself in the background of a photo from a 1989 beach trip Kruger keeps in his office. On the trip, George returned from swimming to find all his things gone. Believing Kruger's two sons had taken them, George screamed at the boys and threw their boombox into the ocean. Moments later, he found his things in the water and concluded that they had been taken by the tide. Kruger demanded George pay for the boombox, and George evaded it by giving him a fake address. George fears he will be fired once Kruger recognizes him from the photo. Kramer suggests sneaking the photo out and getting George's image airbrushed out. However, the clerk mistakenly airbrushes out Kruger's image instead. The only way to restore Kruger's image is to get a photo of him without his shirt on (as he was in the photo).
Kramer is dissatisfied at the meat in his sandwiches, so he buys a meat slicer. Elaine cannot sleep because her neighbor forgot to turn off the alarm clock before leaving for Paris. To fix the problem, Kramer inserts a paper clip into a socket to blow her neighbor's circuit. Elaine hears constant meowing and realizes her neighbor's cat cannot eat because Kramer shut off power to its automatic feeder. Kramer uses the slicer to cut meat thin enough to slip under the door for the cat. Impressed, Elaine borrows the slicer. She slices her shoe heels to even them out, gets a piece of heel stuck in the slicer, and dings up the blade removing it. When Kramer picks it up, she slams the door before he can complain about the damage. Trying to get back in, he accidentally pulls off her doorknob, trapping her inside. To drown out the cat's meowing, Elaine turns up her stereo. She calls a locksmith to fix her door. A neighbor yells at her to turn down her stereo, before getting fed up and blowing Elaine's circuit, cutting off her call.
Jerry dates a doctor, Sara Sitarides, who irks him by boasting about saving lives. When Elaine tells him that Sara is a dermatologist, Jerry becomes indignant, not seeing how a dermatologist could save lives. At George's suggestion, Jerry takes Sara on a "revenge date" and mocks her profession. A man thanks Sara for saving his life from skin cancer. Elaine explains to Jerry that Sara goes to offices screening people for skin cancer. Hearing this, George sets up a screening at Kruger's so he can get a photo of Kruger with his shirt off.
Jerry apologizes to Sara to get her to agree to do the cancer screening at Kruger, and she condescendingly pats his cheek. Jerry gets hives on his jaw. Kramer suggests Sara gave it to him when she patted his cheek as revenge. Jerry goes to the screening and accuses Sara. She storms out. Seeing Kramer in a white butcher's coat (for using his slicer), Kruger mistakes him for the doctor. At George's urging, Kramer accordingly takes Sara's place. He takes a photo of Kruger, but finds a mole on Kruger's shoulder.
George gets the photo fixed and Kramer gets into dermatology. While flipping through Kramer's medical book, Jerry learns hives can be caused by benzene, commonly used in metal cleaner. Kramer had been using Jerry's hand towel with metal cleaner to clean his slicer, and gave him hives. Jerry sees another dermatologist who prescribes aloe for his hives. George suggests Kruger see a dermatologist about his mole, but Kruger reasons that because the mole looks the same in the 1989 photo, it cannot be harmful. Kruger then recounts to George that on the day of the photo, he and his sons took his things and threw them into the ocean. Enraged, George boasts about how he removed himself from the photo. Kruger is surprised but indifferent to George's deception, and keeps him as an employee.
Kramer, George and Jerry camp outside Elaine's apartment, feeding her under the door until the locksmith arrives.
Production
[edit]Writers Gregg Kavet and Andy Robin wanted to give George a job again, as they had a number of work-based ideas for the character that they had come up with during his stint with the New York Yankees management.[3] The beach photo idea was inspired by an incident that happened to Jerry Seinfeld while he was vacationing in Mexico with friends. A local offered to take an instant photo of them for a fee. The chemicals in the photo mixed incorrectly, causing Seinfeld's face to be completely blurred out. The photographer told them he would fix it, and returned minutes later with Jerry's face hand-drawn onto the photo.[3]
Darin Henry, who joined the Seinfeld crew as a production assistant during its fourth season before writing a handful of episodes during its last two seasons, contributed Elaine's alarm clock problem. When going on trips, Henry would always worry he had forgotten to shut off his alarm, and thought it would be funny to have a story which looked at that scenario from the other perspective.[3]
The scene where George discusses other possible jobs with Jerry was a deliberate imitation of scenes from the season two episode "The Revenge".[3]
In the scene where she is in her bedroom folding clothes, Elaine reprises her dance from "The Little Kicks" to Foghat's "Slow Ride."
References
[edit]- ^ "Seinfeld Season 9 Episodes". TV Guide. Retrieved December 14, 2021.
- ^ "The Slicer" - TV.com
- ^ a b c d Kavet, Gregg; Robin, Andy; Henry, Darin (2007). Seinfeld Season 9: Audio Commentary - "The Slicer" (DVD). Sony Pictures Home Entertainment.
External links
[edit]- "The Slicer" at IMDb
The Slicer
View on GrokipediaEpisode Overview
Synopsis
In the cold open, Elaine has a nightmare in which she shares a bed with Jerry, George, and Kramer, only to be awakened by her neighbor's alarm clock ringing at 3:30 a.m. after the neighbor departs for Europe.[4] Kramer, dissatisfied with the thick slices at the local deli, purchases a professional meat slicer to make his own thin-cut sandwiches, trading his old sausage press in the process.[4] To silence the alarm, Kramer and Elaine short-circuit the neighbor's power using a paperclip, but this halts the cat's automatic feeder, leading to nonstop meowing; they resolve to slice meat thin enough to slide under the door, with Elaine borrowing the slicer and accidentally damaging it by catching her shoe heel in the blade.[4] Jerry begins dating dermatologist Sara Sitarides but offends her with jokes about her profession, such as claiming she makes him "feel smooth," prompting an apology dinner that temporarily reconciles them.[4] Meanwhile, George starts a new job at Kruger Industrial Smoothing and panics upon seeing a framed 1989 beach photo featuring himself in an unflattering light alongside his boss, Mr. Kruger; he steals the photo and attempts to airbrush himself out, but successive failures leave him with a ruined image, including one where Kruger is inadvertently erased.[4] Desperate for a replacement photo, George organizes a free skin cancer screening at the office, inviting Sara and enlisting Kramer—who has been studying medical books—to pose as a dermatologist named Dr. Van Nostrand, complete with a fabricated backstory of training at Juilliard.[4] During the screening, Kramer examines Kruger and spots a suspicious mole on his back, nearly using the meat slicer to biopsy it before George intervenes, referring Kruger to a real specialist instead.[4] Elaine, meanwhile, becomes trapped in her apartment when Kramer removes her doorknob to investigate a door malfunction, forcing her to call a locksmith for rescue after hours of confinement, during which Kramer slides thin-sliced meats under her own door to sustain her.[4] Jerry develops hives, initially accusing Sara of causing them out of spite, but discovers they stem from an allergic reaction to benzene Kramer used to clean the slicer; after consulting a book and a real dermatologist who prescribes aloe, Jerry apologizes to Sara, though she ends their relationship.[4] In the climax, George confronts Kruger about the beach photo, learning that Kruger's family stole George's clothes in retaliation for a perceived boombox theft, but Kruger decides not to fire him, valuing the company's chaotic inefficiency; the episode closes with the locksmith freeing Elaine, echoing the themes of her opening nightmare.[4]Cast
The principal cast of "The Slicer," the seventh episode of the ninth season of Seinfeld, features the series' core quartet in roles central to the episode's interpersonal dynamics.- Jerry Seinfeld as Jerry Seinfeld, a stand-up comedian navigating a new relationship with a dermatologist while dealing with personal health concerns that highlight tensions in his romantic interactions.[1]
- Julia Louis-Dreyfus as Elaine Benes, an executive assistant grappling with apartment maintenance challenges and temporary pet-sitting responsibilities that underscore her resourcefulness amid everyday frustrations.[1]
- Michael Richards as Cosmo Kramer, Jerry's eccentric neighbor who owns a prized meat slicer acquired through a trade and assumes a makeshift medical persona, injecting chaotic energy into group schemes and neighborly disputes.[1]
- Jason Alexander as George Costanza, an employee at Kruger Industrial Smoothing anxious about his professional standing due to a compromising past photograph, amplifying his characteristic paranoia in workplace relations.[1]
- Marcia Cross as Dr. Sara Sitarides, Jerry's girlfriend and a dedicated dermatologist whose professional expertise in life-saving skin screenings clashes with Jerry's dismissive mockery of her occupation.[1]
- Daniel von Bargen as Mr. Kruger, George's hapless and incompetent boss at Kruger Industrial Smoothing whose oblivious behavior inadvertently exposes a key workplace secret tied to the stolen photo.[1]
- Larry B. Scott as Arthur Milano, a colleague at George's office who participates in the dermatology screening event, contributing to the episode's professional ensemble dynamics.[1]
- David Moreland as Mr. Parry, a minor figure in the office setting involved peripherally in the screening process.[1]
Production
Development
The episode "The Slicer" credits Darin Henry with the story, while Gregg Kavet and Andy Robin penned the teleplay, marking a collaborative effort that integrated multiple subplots exploring themes of deception and entrapment, including George's attempts to erase his past from company records and Elaine's battle against a neighbor's relentless alarm. This teamwork built on Kavet and Robin's prior Seinfeld contributions, where they co-wrote episodes blending everyday annoyances into interconnected absurdities. Key inspirations stemmed from the creators' real-life experiences. Jerry Seinfeld recounted a vacation in Mexico where a photographer captured a blurry passport-style photo and airbrushed it into an idealized beach portrait, directly influencing the subplot of George's unflattering company headshot being professionally retouched to project a more appealing image.[5] Similarly, Darin Henry's anecdote about a neighbor departing without disabling their alarm clock, leading to persistent buzzing, shaped Elaine's disruptive subplot involving the same issue after her neighbor relocates.[6] In the script's development, the meat slicer evolved into a pivotal prop that unified Kramer and Elaine's arcs: Kramer acquires it to achieve precise deli cuts for his sandwiches, only for Elaine to repurpose it to cut thin meat slices to feed the neighbor's cat under the door after Kramer shorts the circuit to stop the alarm, which disables the cat's automatic feeder. This element amplified the episode's humor through escalating mishaps, while deliberate callbacks enhanced continuity, such as Kramer's phobia of clowns surfacing in his slicer-related antics and a reference to his prior marking of George's medical chart in "The Package."[6] Designated as production code 907, "The Slicer" aired as the seventh episode of Seinfeld's ninth and final season, a period noted for intensifying narrative absurdities to push character dynamics into increasingly outlandish territories.[7]Filming
The episode "The Slicer" was directed by Andy Ackerman, who helmed 89 episodes of Seinfeld across seasons 4 through 9, including all of season 9.[8] Ackerman's direction emphasized efficient coordination of the episode's multiple subplots, employing quick cuts to transition between Jerry's date with dermatologist Sara Sitarides, George's efforts at Kruger Industrial Smoothing, and the escalating chaos in Elaine's apartment involving Kramer's meat slicer.[9] Filming took place primarily on the standing sets at CBS Studio Center in Los Angeles, utilizing the permanent interiors for Jerry's apartment on Stage 9, Monk's Café adjacent to it, and George's office at Kruger Industrial Smoothing, which was constructed as a recurring set for season 9.[10] Exterior shots included a recreation of the beach photobomb scene, likely filmed on a Southern California beach to mimic the original vacation photo's setting, and the sequence at Elaine's building door, captured using Los Angeles facades that stood in for New York exteriors.[11][12] As part of season 9's production block, "The Slicer" was shot in late 1997 ahead of its November 13, 1997, airdate, following the standard Seinfeld process of filming entire episodes in one or two nights before a live studio audience to capture authentic reactions to the subplots' absurd escalations, such as the meat slicer's unconventional applications.[13] Writers provided minor on-set adjustments to refine comedic timing during rehearsals, as noted in their DVD commentary.[14]Reception
Critical Response
"The Slicer" received positive audience feedback, earning an IMDb user rating of 8.3 out of 10 based on 3,670 votes (as of November 2025).[1] In fan rankings of season 9 episodes, it is often placed in the mid-tier, appreciated for its absurd humor but not among the season's top entries like "The Merv Griffin Show" or "The Serenity Now."[15][16] Critics highlighted the episode's comedic strengths in its ensemble dynamics and multi-threaded structure. The A.V. Club review praised George's ridiculous job subplot at Kruger Industrial Smoothing as "on the right side of ridiculous," noting how it intertwined effectively with Jerry and Kramer's antics for fun group interactions.[17] Podcast analyses, such as those on the Cartwright! A Seinfeld Podcast, described it as a masterclass in multi-threaded comedy, rich with callbacks that enhanced the layered storytelling.[18] Specific elements drew acclaim for their execution, including the meat slicer as a persistent running gag—particularly Kramer's ill-fated attempt to use it for a biopsy, which led to his butcher coat being mistaken for a doctor's—and the overall pettiness embodying Seinfeld's signature style.[17] However, some critiques pointed to minor weaknesses, such as Elaine's subplot involving the neighbor's cat feeling underdeveloped and slightly disconnected from the main threads, with Jerry's unconvincing imitation of George adding to the unevenness.[17] Aired on November 13, 1997, during Seinfeld's final season, "The Slicer" benefited from the show's peak popularity, with season 9 episodes averaging a 22.0 Nielsen rating and drawing 20-25 million viewers per week.[19] This strong viewership underscored its reception as a solid late-series entry, balancing absurdity and character-driven humor effectively.[17]Legacy
"The Slicer" exemplifies Seinfeld's intricate use of callbacks and continuity, particularly in its reinforcement of Kramer's longstanding clown phobia, first introduced in "The Opera" and revisited here when Elaine threatens him with clown encounters to secure his silence about a dangerous meat slicer.[20] This running gag underscores the episode's ties to the series' character-driven humor, while George's employment at Kruger Industrial Smoothing highlights season 9's recurring motif of professional deceptions and incompetence, where characters navigate absurd career mishaps amid escalating lies.[17] The episode has maintained a notable presence in fan discussions and cultural references, frequently appearing in Seinfeld rewatch podcasts such as Post Show Recaps and Seincast, where hosts analyze its tight plotting and character interplay. As of 2025, it continues to receive positive mentions in ongoing Seinfeld podcasts and online communities, with no significant changes to its rankings.[21][22] It garners varied rankings in retrospective lists, praised as a "late triumph" for its sophisticated comedy in The Guardian's top 20 episodes (ranked 7th) due to Jerry's rare self-sabotage and the ensuing caper involving a topless photo scheme, while Vulture ranks it 17th (from the worst) for its memorable introduction of the bumbling Mr. Kruger as George's foil in workplace absurdity, placing it low overall.[23][24] Memes centered on the enigmatic "industrial smoothing" and the meat slicer's chaotic use have proliferated online, capturing the episode's quotable essence in fan communities. In broader terms, "The Slicer" contributes to Seinfeld's legacy of skewering corporate incompetence through George's tenure at Kruger Industrial Smoothing, a satirical take on futile office dynamics that resonates as a precursor to later workplace comedies.[17] The guest appearance by Marcia Cross as Dr. Sara Sitarides marks an early high-profile role for the actress, predating her iconic Bree Van de Kamp on Desperate Housewives and adding to the episode's pre-finale absurdities in season 9, where escalating deceptions amplify the show's signature blend of pettiness and pathos.[25][26] Modern reevaluations in the 2020s affirm the episode's enduring appeal, with outlets like The Guardian highlighting its appreciation for tight narrative structure amid critiques of the series' later originality, and ongoing podcast revisits emphasizing its role in the canon despite the controversial finale.[23][21]References
- https://en.wikivoyage.org/wiki/Seinfeld_Tour