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Key Information

Tim Cappello (born May 3, 1955),[1][additional citation(s) needed] also credited as Timmy Cappello,[2] is an American multi-instrumentalist, composer, and vocalist. He is primarily known for his saxophone work supporting Tina Turner in the 1980s and '90s,[3][4][5] as well as for his musical performance in the 1987 vampire film The Lost Boys.[6][7]

He is notable for his muscular physique, his sexually provocative movements during performances, and for a tendency to perform shirtless, with oiled skin and a ponytail.[1][4][6][8]

Early life

[edit]

Cappello was born and grew up in the Silver Lake neighborhood of Harrison, New York, which, at the time, had a White Plains, New York, postal address.[1][2] The youngest of three children, his Sicilian father was a local conductor and music teacher.[1] Cappello started music lessons at age 4.[1] When he was 15 years old, Cappello dropped out of high school and was accepted at the New England Conservatory of Music, playing both drums and keyboards for his audition.[1] He later studied saxophone with Lennie Tristano.[1]

Career

[edit]

Cappello studied intermittently with Lennie Tristano over a four-year span between touring with performers such as musician Eric Carmen and comedian Billy Crystal.[1] He played saxophone for Peter Gabriel on his album Peter Gabriel 2 (1978)[9] in addition to touring with Gabriel.[10][11] Cappello also toured with Garland Jeffreys in 1978, playing both saxophone and keyboards.[12] After struggling with heroin addiction, Cappello quit the drug "cold turkey" in 1979 and began bodybuilding in 1980.[1] Cappello toured with Carly Simon later that same year, once appearing on stage in a leather g-string, as well as chains and a dog leash by which Simon pulled him onto the stage.[1]

From 1981 to 1982, Cappello fronted his own pop band in New York City called The Ken Dolls[1][13]—a band that included drummer J.P. "Thunderbolt" Patterson (also of The Dictators and Manitoba's Wild Kingdom)[14] and Joe Carroll, a composer/producer who is president and founder of the Manhattan Producer's Alliance (ManHatPro).[13] Cappello's sexual stage presence was further cultivated during his work with The Ken Dolls—performing in a style dubbed "porn pop",[1] Cappello was known to perform in a g-string.[14]

In 1984, Cappello was hired by Tina Turner as her keyboardist and saxophonist.[1] Recording and touring with her over several years, Cappello's work can be heard on Turner's tracks "We Don't Need Another Hero" and "One of the Living" from Mad Max Beyond Thunderdome (1985) in addition to appearing in the music videos for both singles.[1] Cappello performed on the 1993 soundtrack album What's Love Got to Do with It, playing saxophone as well as singing Ike Turner's vocal parts in an updated version of the song "Proud Mary".[15] Cappello toured with Ringo Starr in 1992 and 1999 as a member of his All-Starr Band.[3][16][17]

At 6 feet (1.8 m) tall, and reportedly 215 pounds (98 kg) in 1985,[1] Cappello's size and appearance helped garner him roles in television and film. In 1987, he appeared in a musical performance in the film The Lost Boys where he both sang and played saxophone in a cover version of the song "I Still Believe" by The Call.[6][7] As an actor, he appeared on the television shows The Equalizer and Miami Vice in 1987, as well as in the films Hearts of Fire with Bob Dylan in 1987 and Tap with Gregory Hines in 1989.[2]

Cappello has composed music for film and television. He has worked with director Carole Langer on three occasions, composing the score for her 1987 film Radium City[2]—a documentary about the women who worked for the Radium Dial Company in Ottawa, Illinois in the 1920s[18]—for her four-hour documentary series about the Rat Pack for the A&E channel, and for her 2001 TV documentary Lana Turner... a Daughter's Memoir.[2] He joined Tina Turner at the 1993 National Rugby League Grand Final at the original Sydney Football Stadium in Sydney, Australia as part of the Half Time entertainment in front of 42,329 people. Cappello also composed the score for the A&E Biography episode titled "Jerry Lewis: The Last American Clown" which first aired in 1996.[2]

In 2018, Cappello played saxophone on the Netflix variety show The Break with Michelle Wolf during a segment called "Saxophone Apologies" during which Wolf addressed the lack of apologies from both Bill Clinton and the press for their treatment of Monica Lewinsky in relation to the Clinton–Lewinsky scandal.[19]

In 2018, Tim was featured, along with singer Indiana, on the British Synthwave band GUNSHIP's single "Dark All Day" from the album of the same name. The album rose to number 1 in the Electronic charts in the US, UK, and Canada.

He also released his first solo album, Blood on the Reed, in 2018 and toured to support the album in 2019 and 2020 until COVID-19 hit.

In 2021 Tim was featured in the Netflix docuseries Worn Stories in which he tells about his relationship to his codpiece, first given to him by Tina Turner, as a symbol of strength in the face of the ups and downs of the music business and the saxophone's regard (or lack thereof) in popular music.

In 2021 and 2022, Timmy appeared as one of the rock experts on the AXS show 'The Top 10 Revealed, Starring Katie Daryl', appearing in four episodes in 2021 and again in 2022.

He made an appearance in June 2022 in a 35 minute video concert collaboration between Stranger Things and Doritos called 'Live From The Upside Down' starring Charli XCX, The Go-Go's, Corey Hart, and Soft Cell.

Cappello toured the US all through 2022 in support of his album Blood on the Reed.

In September 2022, Cappello was featured in the season 2 finale of the FX series Reservation Dogs. Cappello appears in the closing scene singing and playing saxophone to "I Still Believe" with White Jesus.

In September 2023, GUNSHIP released the "Unicorn" album, in which Cappello is featured in 'Monster in Paradise', 'Empress of the Damned' and 'Tech Noir 2' alongside other featured artists.

In December 2024, Cappello was once again featured alongside GUNSHIP in 'China in Your Hand'.

[edit]

Actor Jon Hamm portrayed a pony-tailed, shirtless saxophonist named "Sergio" in an SNL Digital Short titled "The Curse", which aired on Saturday Night Live (SNL) on January 30, 2010.[6][20] In the short, Andy Samberg's character is cursed by Sergio, who appears out of nowhere playing his saxophone at inopportune times.[6][20] Sergio's dancing and appearance resembled Cappello's performances in the film The Lost Boys and in the video for Tina Turner's 1985 single "One of the Living" from the Mad Max Beyond Thunderdome soundtrack.[1][6][7][20]

In 2011, a video of a saxophone player interrupting college classes, and other public scenes, while repeatedly playing the saxophone riff from the 1984 pop ballad "Careless Whisper", was circulated on social media websites such as BuzzFeed[21] and Urlesque.[22] The saxophonist in the video, also known as Sexy Sax Man, is shirtless, long-haired and is named Sergio Flores, echoing both Cappello's image and Jon Hamm's character's in the SNL parody.[21][23] Paste magazine ranked the video #3 on their list of the 10 best viral videos of 2011.[24]

Discography

[edit]

Studio albums

[edit]
  • Blood on the Reed (2018)

Guest appearances

[edit]

Filmography

[edit]
Film
Year Title Role Notes
1987 The Lost Boys Beach Concert Star
1987 Hearts of Fire Nico
1989 Tap Harry Uncredited
1993 What's Love Got to Do with It Keyboard Player
Television
Year Title Role Notes
1987 Miami Vice Arzola Episode: "Theresa"
1987 The Equalizer Shopkeeper Episode: "A Place to Stay"
1987 The Equalizer Roadie Episode: "Inner View"
2021 Worn Stories Himself
2022 Reservation Dogs Himself Episode: "I Still Believe"

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Tim Cappello

View on Grokipedia
from Grokipedia
Tim Cappello (born May 3, 1955) is an American saxophonist, , , and vocalist best known for his contributions to Tina Turner's band from 1984 onward and his shirtless, oiled performance of "I Still Believe" in the 1987 film . Cappello's career highlights include playing on Turner's tracks such as "We Don't Need Another Hero" and supporting her live tours for over a decade, showcasing his skills as both a and horn player in high-energy rock and pop settings. His Lost Boys scene, featuring a muscular, pelvis-thrusting stage act amid a crowd of vampires, has endured as a defining cultural moment, blending raw physicality with musical flair and influencing subsequent media tributes. Beyond these, Cappello has collaborated with artists like and appeared in recent projects including (2024), maintaining an active presence in music and performance into his 70s.

Early life

Childhood and initial musical influences

Tim Cappello was born on May 3, 1955, in Silver Lake, a neighborhood in Harrison, New York. As the youngest of three children born to Italian-American parents, he grew up in a household shaped by his Sicilian father's profession as a local conductor and music teacher, which provided early immersion in musical performance and instruction. Cappello commenced formal music lessons at age four, laying the groundwork for his multi-instrumental development amid this familial emphasis on music. His initial musical influences drew from traditions, facilitated by his father's guidance and subsequent private study with avant-garde jazz pianist and pedagogue Lenny Tristano, whose teaching emphasized and influenced prominent saxophonists like and Warne Marsh. This early exposure to Tristano's methodology, known for its intellectual rigor and harmonic complexity, oriented Cappello toward as a primary instrument, blending technical proficiency with expressive phrasing before his pivot to rock and pop contexts in adolescence. By his early teens, these foundations propelled him into local performances, though still rooted in the jazz idioms absorbed during childhood.

Formal training and early performances

Cappello began music lessons at the age of four, initially focusing on and under the guidance of his father, a player and conductor who operated a in . Following his father's death, he transitioned to and developed an interest in , later picking up the at age 14 through self-study influenced by jazz traditions. He attended the , where he auditioned on and keyboard, though he had dropped out of high at 15. Cappello pursued advanced saxophone training under jazz pianist and educator Lennie Tristano, studying for four years to refine his technique and tone on the . Tristano, known for mentoring saxophonists like , emphasized improvisational skills that shaped Cappello's early -oriented approach. His earliest professional performance came at age 19 in 1974, serving as a and improviser backing during stand-up sets at in , New York, a gig that lasted five years. Cappello subsequently played in local clubs, leading to a stint with Eric Carmen's band in the 1970s after being scouted by Carmen's manager. He toured with through 1978 and contributed saxophone to 's debut solo albums, Peter Gabriel 1: Car (1977) and Peter Gabriel 2: Scratch (1978).

Professional career

Breakthrough collaborations and band experiences

Cappello's early professional breakthroughs came through saxophone contributions and touring with established artists in the late 1970s and early 1980s. In 1978, he performed on Peter Gabriel's second self-titled album, providing parts, and subsequently joined Gabriel's tour, marking one of his initial high-profile rock engagements. These experiences exposed him to audiences and honed his stage presence. By 1980, Cappello toured with , who selected him partly for his emerging muscular physique and energetic persona, which aligned with her performance needs. This collaboration, alongside earlier work with , built his reputation in pop and rock circles, facilitating a decade of touring that preceded his later major associations. In 1981, following his recovery from drug addiction, Cappello formed his own rock band, The Ken Dolls, which played New York venues including , where they served as an unofficial house band through 1982 before being banned, reportedly due to their provocative style. The band's tenure emphasized Cappello's shift toward a bold, physical stage act combining with rock energy, laying groundwork for his distinctive performance identity.

Association with Tina Turner

In 1984, Cappello was recruited by Tina Turner to join her touring band as a saxophonist and keyboardist following an audition where he impressed her with a saxophone solo on the Beatles' "Help!". He contributed saxophone parts to Turner's recordings for the Mad Max Beyond Thunderdome soundtrack, including "We Don't Need Another Hero (Thunderdome)" and "One of the Living," both released in 1985, and appeared in the music videos for these tracks. Cappello remained with Turner's band for approximately 15 years, through 1999, performing on multiple world tours such as the (1984–1985), Break Every Rule Tour (1987–1988), Foreign Affair Tour (1989–1990), (1993), and (1996–1997). In these live shows, he handled saxophone solos on staples like "Private Dancer" and "The Best," while also providing percussion, keyboards, and backing vocals in later lineups. His role enhanced the high-energy rock-soul arrangements, with documented performances capturing his dynamic stage presence alongside Turner's revue-style production.

Solo endeavors and live touring

Cappello released his debut solo album, Blood on the Reed, on July 9, 2018, marking his first independent recording project after decades of session and touring work. The 11-track collection blends rock, pop, and saxophone-driven covers such as "I Put a Spell on You" (originally by Screamin' Jay Hawkins) and "Highway 61" (Bob Dylan), with originals including "I Still Believe" and "Only You." Available initially as a signed CD and MP3 download through his website, the album emphasized his signature energetic saxophone style. In July 2020, he followed with the three-track single Why I Travel Alone. To promote Blood on the Reed, Cappello launched a in 2019, performing across U.S. venues with sets featuring album material alongside career highlights like his signature piece. The tour extended into 2020 before being halted by the . Resuming live activity afterward, he has maintained a schedule of club dates, theater shows, and convention appearances, including multiple nights at the For The Love of Horror event in , , in October 2023, and U.S. performances at spots like City Winery on October 25, 2025. These outings often recreate his high-energy, shirtless persona, drawing on fan demand for nostalgic renditions of "I Still Believe."

Media appearances

Iconic role in The Lost Boys

In the 1987 vampire film , directed by , Cappello portrayed the character known as the Beach Concert Star, appearing in a brief but memorable concert sequence set on the Santa Carla boardwalk. During the scene, filmed over one night in , he performs a saxophone-driven cover of "I Still Believe," originally by The Call, which he recorded in a single take using a basic microphone in under three hours for the film's soundtrack. Cappello secured the role through an impromptu casting process at Warner Bros. studios. While auditioning for an unrelated part in Lethal Weapon, he was recognized as Tina Turner's saxophonist and redirected to Schumacher's office, where the director—having seen Cappello's image in Interview magazine and facing the band's refusal due to religious objections—offered him the gig on the spot following a 30-second meeting and a handshake agreement. He initially proposed an original song co-written with Jim Cregan, but Schumacher selected "I Still Believe" instead, aligning with the scene's high-energy vibe. For the performance, captured in two takes amid a crowd of extras, Cappello customized his attire with pink and purple leggings, a , heavy metal chains sourced from a hardware store, and body oil to accentuate his muscular physique, delivering provocative hip thrusts and jumps that emphasized his stage charisma honed from years touring with Turner. The roughly one-minute sequence, featuring interactions with protagonists like Jason Patric's character amid the frenzy, has endured as a cultural touchstone, propelling Cappello's visibility beyond music circles and inspiring parodies, fan recreations, and sustained live renditions decades later.

Subsequent film and television roles

Following his appearance in , Cappello took on supporting roles in several films, often leveraging his musical background. In (1987), released later that year, he portrayed Nico, a band member in the rock drama starring and Fiona Flanagan as a mentor-protégé story involving a rising singer. The film, directed by , featured Cappello in musical sequences amid its narrative of fame and rivalry. In television, Cappello appeared as a roadie in the The Equalizer episode "Inner View," which aired on October 7, 1987. The episode, from season 3, involved a predicting serial killings and centered on a rock band tour, where Cappello's character supported the performers. Cappello's film roles continued with Tap (1989), where he played Harry, a character discussing innovative tap-rock fusions in the dance drama starring as an ex-convict returning to his tap-dancing roots. His appearance was uncredited in some listings but contributed to scenes blending music and performance. In What's Love Got to Do with It (1993), the biographical film on Tina Turner's life, Cappello depicted a keyboard player, drawing from his real tenure in her band during the 1980s. The role highlighted the ensemble of musicians supporting Turner's career resurgence. Later appearances included cameo roles as himself. In the docuseries Worn Stories (2021), episode focused on personal artifacts, Cappello discussed items tied to his career. He also featured in season 2, episode "I Still Believe" (2022), performing and nodding to his legacy in a storyline where characters emulate his iconic saxophone scene. These self-referential parts underscored his enduring cult status from the 1987 film.

Cultural references and parodies

Cappello's shirtless, oiled performance of "I Still Believe" in the 1987 The Lost Boys has inspired numerous parodies emphasizing its exaggerated sensuality and spectacle. In a 2010 Saturday Night Live digital short titled "The Curse," actor portrayed "Sergio," a hyper-muscular, wall-bursting saxophonist who haunts ’s character, directly mimicking Cappello's thrusting movements and oiled physique from the scene. The sketch aired on January 30, 2010, and amplified Cappello's image as the archetype of the "sexy sax man" in comedic contexts. The performance has also generated online parodies and memes, often dubbing Cappello the original "Sexy Sax Man" predating later viral saxophone memes, with users recreating the oily, pelvic-thrusting style in videos and animations. Amateur impressions, such as comedian Pete Sekulic's 2019 YouTube parody of "I Still Believe," replicate Cappello's energetic delivery and stage presence for humorous effect. Cultural references extend to television, including a 2022 episode of where characters reference Cappello by name and discuss his appearance during a saxophone performance of a reimagined "I Still Believe," nodding to the scene's enduring camp appeal among niche audiences. These nods highlight how Cappello's , blending musical prowess with visual excess, persists as a touchstone for excess in pop culture retrospectives.

Discography

Solo releases

Cappello's debut solo album, Blood on the Reed, was self-released on July 9, 2018, as a compact disc and digital download. The 11-track recording emphasizes his saxophone performances over rock and blues covers, including "Only You" (Yazoo), "Tequila" (The Champs), "I Put a Spell on You" (Screamin' Jay Hawkins), "Highway 61 Revisited" (Bob Dylan), and a reworking of his signature "I Still Believe" from The Lost Boys.
TrackTitle
1Only You
2
3I Put a Spell on You
4Highway 61
5Wiggle
6I Still Believe
7
8
9Sax (Interlude)
10Little White Socks
11Blood on the Reed
The album runs approximately 42 minutes and was promoted through live tours in 2019 and 2020 prior to disruptions. In July 2020, Cappello followed with the three-track digital single Why I Travel Alone. No further solo full-length releases have been issued as of 2025.

Guest features and contributions

Cappello contributed saxophone to Peter Gabriel's second self-titled album, Peter Gabriel 2, released on June 2, 1978, and subsequently toured with Gabriel to support the record. Beginning in the late 2010s, Cappello collaborated with the British synthwave band GUNSHIP, providing saxophone and vocals on select tracks. On their second album Dark All Day, released October 5, 2018, he featured alongside vocalist Indiana on the title track "Dark All Day". This partnership continued with GUNSHIP's third album Unicorn, released September 29, 2023, where Cappello appeared on "Monster in Paradise", "Empress of the Damned", and "Tech Noir 2". Additional guest saxophone work includes performances on the 1993 soundtrack album What's Love Got to Do with It, where he played on multiple tracks and provided vocals for Ike Turner's parts in re-recorded versions of early Tina Turner songs.

Personal life

Spiritual journey and name change

Cappello, born Timothy Cappello, was initially credited professionally as Timmy Cappello during his early career, including contributions to the Skatt Bros. in the late 1970s. He later adopted the name Tim Cappello without documented explanation for the shift. In 1979, at age 24, Cappello quit heroin and other drugs cold turkey following a profound personal crisis: his niece witnessed him in a severely deteriorated state, prompting deep reflection on the harm inflicted on himself and family. This marked a decisive break from addiction, which he described as cutting "so deeply that it was hard not to quit." The following year, in 1980, he began intensive bodybuilding as a disciplined alternative, transforming his physique and integrating it into his performative identity. No explicit spiritual practices or affiliations have been detailed in his accounts of this period.

Family and relationships

Cappello married Consuelo Cappello in in July 2025. In a 2015 , he described himself as having "never had a ," noting that this allowed him to pursue without dependents relying on his . No public records indicate prior marriages or children.

Reception and legacy

Musical achievements and style

Cappello established his reputation as a saxophonist through a 15-year tenure with Tina Turner's backing band starting in the mid-1980s, contributing dynamic solos to live performances and recordings during her peak commercial era, including tours supporting albums like (1984) and (1989). His work extended to collaborations with artists such as and , where he delivered extended, emotive saxophone features that blended technical proficiency with theatrical energy. In 2018, Cappello released his debut solo album Blood on the Reed, marking his first full-length project as a and , which showcased original compositions emphasizing raw expression over backing tracks. Subsequent contributions include guest appearances on tracks, such as Gunship's "Dark All Day" (2018), where his wailing solos evoked while integrating modern electronic production. Cappello's style draws from jazz foundations, having trained under pianist —a mentor to improvisers like and Warne Marsh—initially on before specializing in , which informed his fluid phrasing and harmonic sophistication. Adapted to rock and pop contexts, it features high-volume, acrobatic live delivery with physical intensity, prioritizing visceral impact and endurance over subtlety, as evident in his unaccompanied touring sets post-2018. This approach, combining multi-instrumental versatility (including vocals and composition) with a pro-wrestler-like stage persona, distinguishes his performances as both musically rigorous and visually commanding.

Public perception and criticisms

Tim Cappello is widely recognized as a cult icon for his shirtless, oiled performance of "I Still Believe" in the The Lost Boys, where his muscular physique and energetic stage antics have been described as hilariously sexualized and memorable, contributing to the scene's enduring popularity in nostalgia culture. Fans and reviewers often praise his ability to own this persona in live shows, blending genuine proficiency with theatrical flair, as evidenced by positive accounts highlighting audience engagement and his down-to-earth demeanor. His earlier work as Tina Turner's saxophonist in the 1980s and 1990s has garnered respect among musicians for his tone and versatility, with some crediting him as having one of the finest sounds in rock and pop contexts. Cappello's transition from classical training to rock performance, including to enhance his stage presence, is viewed as a deliberate evolution that amplified his appeal without detracting from his technical skill. Criticisms of Cappello's style are sparse and minor; his pre-Lost Boys band faced a ban from New York venue CBGB in the late 1970s, attributed to overtly sexual live shows that clashed with the club's norms. Broader skepticism toward saxophone solos in pop music occasionally surfaces in music commentary, but Cappello's contributions are rarely singled out negatively, with his performances instead celebrated for their unapologetic energy rather than critiqued for excess. No major controversies or widespread professional backlash appear in documented accounts of his career.

References

  1. https://www.imdb.com/name/nm0135511/
  2. https://jazzfuel.com/tim-cappello/
  3. https://www.last.fm/music/Tim%2BCappello/%2Bwiki
  4. https://gizmodo.com/the-true-story-of-the-lost-boys-sax-man-1842774832
  5. https://rateyourmusic.com/artist/tim-cappello
  6. https://www.famousbirthdays.com/people/tim-cappello.html
  7. https://www.iconvsicon.com/2015/12/15/believe-the-legendary-timmy-cappello-on-life-music-and-becoming-an-icon/
  8. https://rockwired.com/TimCappello2018.html
  9. https://www.philebrity.com/blog/tim-cappello-lost-boys
  10. https://www.concertarchives.org/bands/tim-cappello
  11. https://www.tina-turner.nl/wildestdreamstour.php
  12. https://music.apple.com/us/album/blood-on-the-reed/1414681929
  13. https://www.amazon.com/Blood-Reed-Tim-Cappello/dp/B07FQJ47GF
  14. https://secondhandsongs.com/release/337149/all
  15. https://www.facebook.com/100054163102367/posts/here-it-is-my-1st-ever-solo-album-blood-on-the-reed-is-up-on-my-website-timcappe/2171139003117127/
  16. https://www.last.fm/music/Tim%2BCappello/%2Balbums
  17. https://www.iconvsicon.com/2019/05/01/i-still-believe-legendary-sax-man-tim-cappello-announces-dates-for-blood-on-the-reed-tour/
  18. https://www.facebook.com/p/Tim-Cappello-100054163102367/
  19. https://citywinery.com/philadelphia/events/tim-cappello-cwcd1r
  20. https://www.youtube.com/watch?v=4sKWULESgRU
  21. https://www.aol.com/entertainment/lost-boys-sexy-sax-man-165737503.html
  22. https://www.imdb.com/title/tt0093163/
  23. https://www.imdb.com/title/tt0572554/
  24. https://www.themoviedb.org/person/580255-timmy-cappello?language=en-US
  25. https://www.imdb.com/title/tt3083016/
  26. https://reservationdogs.fandom.com/wiki/Tim_Capello
  27. https://www.portablepress.com/blog/2014/08/life-and-times-of-the-sexy-sax-man/
  28. https://www.rollingstone.com/music/music-news/jon-hamm-breaks-out-saxophone-ham-and-buble-on-snl-252272/
  29. https://www.nbc.com/nbc-insider/jon-hamm-snl-sergio-saxophone-the-curse-music-lost-boys
  30. https://www.youtube.com/watch?v=Y3u40JfAkn4
  31. https://www.vulture.com/article/reservation-dogs-season-2-finale-i-still-believe-saxophone-player-meaning.html
  32. https://flagpole.com/music/music-features/2020/03/04/the-lost-boys-actor-tim-cappello-is-the-real-sexy-sax-man/
  33. https://www.discogs.com/release/12267799-Tim-Cappello-Blood-On-The-Reed
  34. https://www.theaudiodb.com/album/2345687-Tim-Cappello-Blood-on-the-Reed
  35. https://open.spotify.com/artist/0HyZTRkZ8UuhJKlIqBihqn
  36. https://gunshipmusic.bandcamp.com/album/dark-all-day
  37. https://www.youtube.com/watch?v=l_ulVpYs6vg
  38. https://www.facebook.com/100054163102367/posts/gunship-is-back-baby-they-just-released-the-new-track-and-video-for-the-lead-off/763161018832661/
  39. https://rateyourmusic.com/artist/tim-cappello/credits/
  40. https://www.facebook.com/100009287684797/posts/congratulations-to-tim-cappello-and-his-new-wife-consuelo-cappello-/4275513472768200/
  41. https://www.facebook.com/FTLOHorror/posts/-huge-congratulations-to-our-dear-friend-tim-cappello-on-your-marriage-wishing-y/1055108010058713/
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  43. https://awkwardsd.substack.com/p/sax-education-with-tim-cappello
  44. https://www.thelonelynote.com/2019/07/concert-review-tim-cappello-july-26.html
  45. https://www.reddit.com/r/80s/comments/1fc0kcu/i_still_believe/
  46. http://sfreporter.com/columns/3-questions/3-questions-saxophonist-tim-cappello/
  47. https://cafesaxophone.com/threads/tim-cappello.31531/
  48. https://www.yahoo.com/lifestyle/5-great-pop-songs-were-121834700.html
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