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Tree of life
The tree of life is a fundamental archetype in many of the world's mythological, religious, and philosophical traditions. It is closely related to the concept of the sacred tree. The tree of the knowledge of good and evil and the tree of life which appear in Genesis' Garden of Eden as part of the Jewish cosmology of creation, and the tree of knowledge connecting to heaven and the underworld such as Yggdrasil, are forms of the world tree or cosmic tree, and are portrayed in various religions and philosophies as the same tree.
Various trees of life are recounted in folklore, culture and fiction, often relating to immortality or fertility. They had their origin in religious symbolism. According to professor Elvyra Usačiovaitė, a "typical" imagery preserved in ancient iconography is that of two symmetrical figures facing each other, with a tree standing in the middle. The two characters may variously represent rulers, gods, and even a deity and a human follower.
The Assyrian tree of life was represented by a series of nodes and crisscrossing lines. It was apparently an important religious symbol, often attended to in Assyrian palace reliefs by human or eagle-headed winged genies, or the King, and blessed or fertilized with bucket and cone. Assyriologists have not reached consensus as to the meaning of this symbol. The name "Tree of Life" has been attributed to it by modern scholarship; it is not used in the Assyrian sources. In fact, no textual evidence pertaining to the symbol is known to exist.
The Epic of Gilgamesh is a similar quest for immortality. In Babylonian religion, Etana, the King of Kish, searched for a 'plant of birth' to provide him with a son. This has a solid provenance of antiquity, being found in cylinder seals from the Akkadian Empire (2390–2249 BCE).
The tree of life appears in Asherah iconography, particularly on the Lachish ewer and Pithos A from Kuntillet Ajrud, where it is flanked by ibexes. The tree's design, with buds, flowers, and possibly almond drupes, resembles the menorah, which is thought to represent a stylized almond tree in Exodus 25:31-36 This suggests a continuation of Asherah's cultic representation in the temple. Scholars have explored these connections, noting parallels between sacred trees, Asherah, and the menorah.
In Urartu in the Armenian highlands, the tree of life was a religious symbol and was drawn on walls of fortresses and carved on the armor of warriors. The branches of the tree were equally divided on the right and left sides of the stem, with each branch having one leaf, and one leaf on the apex of the tree. Servants stood on each side of the tree with one of their hands up as if they are taking care of the tree.
In the Avestan literature and Iranian mythology, there are several sacred vegetal icons related to life, eternality and cure, such as Amesha Spenta; Ameretat, the guardian of plants and goddess of trees and immortality; Gaokerena or white haoma, a tree that its vivacity would certify continuance of life in the universe; the bas tokhmak, a tree with remedial attribute, retentive of all herbal seeds, and destroyer of sorrow; Mashya and Mashyana, the parents of the human race; barsom, copped offshoots of pomegranate, gaz (Tamarix gallica), or haoma that Zoroastrians use in their rituals; and haoma, a plant, unknown today, that was the source of sacred potable.
The Gaokerena is a large, sacred haoma planted by Ahura Mazda. Ahriman created a frog to invade and destroy the tree, aiming to prevent all trees from growing on the earth. As a reaction, Ahura Mazda created two kar-fish staring at the frog to guard the tree. The two fish always stare at the frog and stay ready to react to it. Ahriman is responsible for all evil, including death; Ahura Mazda is responsible for all good (including life).
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Tree of life
The tree of life is a fundamental archetype in many of the world's mythological, religious, and philosophical traditions. It is closely related to the concept of the sacred tree. The tree of the knowledge of good and evil and the tree of life which appear in Genesis' Garden of Eden as part of the Jewish cosmology of creation, and the tree of knowledge connecting to heaven and the underworld such as Yggdrasil, are forms of the world tree or cosmic tree, and are portrayed in various religions and philosophies as the same tree.
Various trees of life are recounted in folklore, culture and fiction, often relating to immortality or fertility. They had their origin in religious symbolism. According to professor Elvyra Usačiovaitė, a "typical" imagery preserved in ancient iconography is that of two symmetrical figures facing each other, with a tree standing in the middle. The two characters may variously represent rulers, gods, and even a deity and a human follower.
The Assyrian tree of life was represented by a series of nodes and crisscrossing lines. It was apparently an important religious symbol, often attended to in Assyrian palace reliefs by human or eagle-headed winged genies, or the King, and blessed or fertilized with bucket and cone. Assyriologists have not reached consensus as to the meaning of this symbol. The name "Tree of Life" has been attributed to it by modern scholarship; it is not used in the Assyrian sources. In fact, no textual evidence pertaining to the symbol is known to exist.
The Epic of Gilgamesh is a similar quest for immortality. In Babylonian religion, Etana, the King of Kish, searched for a 'plant of birth' to provide him with a son. This has a solid provenance of antiquity, being found in cylinder seals from the Akkadian Empire (2390–2249 BCE).
The tree of life appears in Asherah iconography, particularly on the Lachish ewer and Pithos A from Kuntillet Ajrud, where it is flanked by ibexes. The tree's design, with buds, flowers, and possibly almond drupes, resembles the menorah, which is thought to represent a stylized almond tree in Exodus 25:31-36 This suggests a continuation of Asherah's cultic representation in the temple. Scholars have explored these connections, noting parallels between sacred trees, Asherah, and the menorah.
In Urartu in the Armenian highlands, the tree of life was a religious symbol and was drawn on walls of fortresses and carved on the armor of warriors. The branches of the tree were equally divided on the right and left sides of the stem, with each branch having one leaf, and one leaf on the apex of the tree. Servants stood on each side of the tree with one of their hands up as if they are taking care of the tree.
In the Avestan literature and Iranian mythology, there are several sacred vegetal icons related to life, eternality and cure, such as Amesha Spenta; Ameretat, the guardian of plants and goddess of trees and immortality; Gaokerena or white haoma, a tree that its vivacity would certify continuance of life in the universe; the bas tokhmak, a tree with remedial attribute, retentive of all herbal seeds, and destroyer of sorrow; Mashya and Mashyana, the parents of the human race; barsom, copped offshoots of pomegranate, gaz (Tamarix gallica), or haoma that Zoroastrians use in their rituals; and haoma, a plant, unknown today, that was the source of sacred potable.
The Gaokerena is a large, sacred haoma planted by Ahura Mazda. Ahriman created a frog to invade and destroy the tree, aiming to prevent all trees from growing on the earth. As a reaction, Ahura Mazda created two kar-fish staring at the frog to guard the tree. The two fish always stare at the frog and stay ready to react to it. Ahriman is responsible for all evil, including death; Ahura Mazda is responsible for all good (including life).