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Van Lear Rose
Van Lear Rose
Van Lear Rose
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Van Lear Rose
full-length photo of Loretta Lynn in light blue dress with guitar in front of house
Studio album by
Loretta Lynn
ReleasedApril 27, 2004
Recordedc. January 2004
GenreCountry
Length39:00
LabelInterscope
ProducerJack White
Loretta Lynn chronology
All Time Greatest Hits
(2002) 		Van Lear Rose
(2004) 		Full Circle
(2016)
Singles from Van Lear Rose
  1. "Miss Being Mrs."
    Released: April 2004
  2. "Portland Oregon"
    Released: May 3, 2004

Van Lear Rose is the forty-second solo studio album by American country music singer-songwriter Loretta Lynn. It was released on April 27, 2004, by Interscope Records. The album was produced by Jack White. The album was widely praised by critics, peaking at No. 2 on the US Billboard Top Country Albums chart and at No. 24 on the Billboard 200, the most successful crossover album of Lynn's 60-year career at that point. The track "Portland Oregon" was listed as the 305th best song of the 2000s by Pitchfork.[1]

Background

[edit]

The album was initially intended as a musical experiment, blending the styles of Lynn and producer White. White also co-wrote one track, sings a duet with Lynn, and performs throughout the entire album as a musician. At the time of the album's release, Lynn was 72 and White was 28. The title refers to Lynn's origins as the daughter of a miner working the Van Lear coal mines.

Critical reception

[edit]
Professional ratings
Aggregate scores
SourceRating
Metacritic97/100[2]
Review scores
SourceRating
AllMusicStarStarStarStarHalf star[3]
BlenderStarStarStarStarStar[4]
Entertainment WeeklyA[5]
The GuardianStarStarStarStar[6]
MojoStarStarStarStarStar[7]
Pitchfork9.3/10[8]
QStarStarStarStar[9]
Rolling StoneStarStarStarStar[10]
SpinA[11]
UncutStarStarStarStarStar[12]

The album was released to glowing reviews and universal acclaim. It received a rating of 97 at Metacritic, the fourth highest score ever and the second-highest for a female to date.[2] Blender magazine called the album "Some of the most gripping singing you're going to hear all year .... A brave, unrepeatable record that speaks to her whole life."[4] Stephen Thomas Erlewine of AllMusic said that "The brilliance of Van Lear Rose is not just how the two approaches complement each other, but how the record captures the essence of Loretta Lynn's music even as it has flourishes that are distinctly Jack."[3] Rhapsody ranked the album No. 16 on its "Country’s Best Albums of the Decade" list.

Commercial performance

[edit]

The album debuted at No. 2 on the US Billboard Top Country Albums chart, and No. 24 on the US Billboard 200, selling 37,000 in its first week, the best sales week for Lynn in the Nielsen Soundscan era.[13] It has sold over 233,000 copies in United States as of September 2004.[14]

The album's first single, "Miss Being Mrs.", was released in April 2004 and did not chart. Its music video premiered on May 23.[15] The second single, "Portland Oregon", was released in May and did not chart. Two music videos were shot for the single, the first one was filmed on May 18[16] and was not released. The second version premiered the week of October 25.[17]

Accolades

[edit]

Grammy Awards

[edit]
Year Nominee / work Award Result
2005 Van Lear Rose Best Country Album[18] Won
"Portland Oregon" Best Country Collaboration with Vocals[18] Won
Best Country Song[19] Nominated
"Miss Being Mrs." Best Country Song[19] Nominated
Best Female Country Vocal Performance[19] Nominated

Best-of lists

[edit]
Publication Accolade Year Rank
Pop Matters The Best 100 Albums of the 2000s[20] 2014 59
Rolling Stone 50 Country Albums Every Rock Fan Should Own[21] 2015 12
CMT CMT 40 Greatest Albums[22] Unknown 18
Country Universe The 100 Greatest Albums of the Decade[23] 2009 8
Country Universe 100 Greatest Contemporary Country Albums[24] 2006 59
Paste Magazine The 50 Best Albums of the Decade[25] 2009 48
Rhapsody Country's Best Albums of the Decade[25] 2009 16

Track listing

[edit]

All tracks are written by Loretta Lynn, except where noted.

Original release (2004)
No.TitleWriter(s)Length
1."Van Lear Rose" 3:50
2."Portland Oregon" (duet with Jack White) 3:49
3."Trouble on the Line"
2:21
4."Family Tree" 3:03
5."Have Mercy" 2:35
6."High on a Mountain Top" 2:44
7."Little Red Shoes"
  • L. Lynn (lyrics)
  • Jack White (music)
3:33
8."God Makes No Mistakes" 1:45
9."Women's Prison" 4:16
10."This Old House" 1:56
11."Mrs. Leroy Brown" 3:38
12."Miss Being Mrs." 2:50
13."Story of My Life" 2:40
Third Man Records Vault Edition bonus track (2015)
No.TitleLength
14."Just to Have You Back"3:32

Personnel

[edit]
Technical
  • Brendan Benson - engineer
  • Eric McConnell - engineer
  • Stuart Sikes - mixing
  • Russ Harrington - photography

Charts

[edit]

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Van Lear Rose

View on Grokipedia
from Grokipedia
Van Lear Rose is the forty-second solo studio album by American country music singer-songwriter Loretta Lynn, released on April 27, 2004. Produced by of [The White Stripes](/page/The_White Stripes), the album consists of thirteen original songs primarily written by Lynn, blending traditional with elements and marking a creative resurgence for the then-72-year-old artist following her 2000 solo album Still Country. The album's production stemmed from Lynn's admiration for White's work with , leading to their collaboration after he approached her to record together. Recorded in Nashville, it features raw, intimate performances with White contributing vocals on the duet "" and handling instrumentation alongside a small ensemble of musicians. Themes drawn from Lynn's Appalachian upbringing and personal life dominate the tracklist, including the title song named after her mother and reflective pieces like "Miss Being Mrs." and "God Makes No Mistakes." Upon release, Van Lear Rose debuted at number two on the chart and number 24 on the , introducing Lynn to a younger audience through White's rock fanbase. It received widespread critical acclaim for its authenticity and Lynn's commanding vocals, earning a four-star rating from , which praised it as a "triumph" revitalizing her career. The album garnered five Grammy Award nominations at the in 2005, including Best Country Album and Best Country Collaboration with Vocals for "," ultimately winning two: Best Country Album and Best Country Collaboration with Vocals.

Production and background

Development

Following the release of her 2002 autobiography Still Woman Enough, sought to reconnect with the raw, autobiographical essence of her early career, moving away from the more polished, pop-influenced productions of her later albums in the and . The book, co-written with Patsi Bale Cox, revisited her hardscrabble upbringing in Butcher Holler, , and her rise as a pioneering female voice in , inspiring her to craft material that captured that unfiltered grit. In 2003, Lynn's manager, Nancy Russell, facilitated an introduction to , the 28-year-old frontman of the rock band , whose longstanding admiration for Lynn's work dated back to his band's dedication of their album White Blood Cells to her and their cover of her 1972 song "Rated 'X'". White, eager to produce an album for the 71-year-old Country Music Hall of Famer, reached out directly, leading to his agreement to helm the project despite Lynn's initial doubts about pairing her traditional country style with his rock sensibilities. As pre-production began in late 2003, Lynn shared intimate stories from her childhood in the Van Lear coal-mining community, including family hardships and personal milestones, to fuel the songwriting process and infuse the album with authentic narratives drawn from her heritage. These sessions emphasized her desire for material rooted in , with White encouraging her to pen all the tracks herself. The album's title, Van Lear Rose, derived from the opening song co-written with her daughter Patsy Lynn Russell as a to Lynn's mother, Clara "Clary" Webb, symbolizing her Appalachian roots and familial legacy.

Recording process

The recording of Van Lear Rose took place primarily in , , where captured the sessions to emphasize the album's raw, authentic country essence. White's production approach centered on live band takes with minimal overdubs, utilizing analog equipment to preserve a traditional sound while incorporating modern elements like licks and feedback. The process unfolded over two weeks in early 2004. A pivotal event was Lynn's first visit to White's Detroit studio, during which she shared unfinished songs like the title track, sparking immediate collaboration and spontaneous refinements during breaks. White, who produced, engineered, and mixed the album, played multiple instruments across the recordings, including guitar on every track, drums, piano, organ, bass, and tambourine, alongside contributions from musicians like members of the Greenhornes and Blanche. The low-budget production, reflecting White's indie ethos, prioritized vintage microphones and tape machines to evoke classic country recordings without excessive polish. This hands-on method blended traditional instrumentation—such as pedal steel and —with White's rock-infused arrangements, resulting in a cohesive that revitalized Lynn's sound.

Musical content

Songwriting and themes

Van Lear Rose features 13 original songs, all penned or co-penned by , marking her first of entirely new material in over a decade. Drawing from more than 60 years of life experiences, Lynn's songwriting process was revitalized through her collaboration with producer , who encouraged her to compose freely and infuse the tracks with personal candor. Many songs originated from Lynn's notebooks of unpublished lyrics, including older compositions rediscovered during sessions, resulting in a deeply autobiographical collection that recasts familiar motifs from her career with fresh emotional depth. The album's predominant themes revolve around personal hardship, family life, and Lynn's coal-mining roots in . Tracks like "Miss Being Mrs." grapple with the grief of losing her husband Oliver "Doolittle" Lynn in 1996, portraying vulnerability and longing after decades of a tumultuous , while "Women's Prison" confronts themes of and confinement through a of incarceration as for life's traps. Family dynamics emerge in songs such as "Story of My Life," which chronicles her early at 13 and motherhood with six children by age 20, blending hardship with resilience born from her Appalachian upbringing. The title track serves as a to Lynn's Clara "Van Lear Rose" Webb, recounting her father's stories from the Van Lear camp; its chorus evokes family names and enduring strength with lines like "You'll never ever hold the Van Lear Rose," symbolizing her mother's unyielding beauty amid rough circumstances. Lyrically, the duet "" with explores relational complexities through a tale of lovers connecting over "sloe gin fizzes and drunk lovin'," highlighting fleeting intimacy against a backdrop of travel and temptation. Musically, the songs blend honky-tonk swagger, bluesy introspection, and energy, evoking Lynn's early career while departing from the polished of her work toward a raw, unpolished authenticity featuring riffs, , and . This gritty style underscores the thematic grit, amplifying the album's reflection of Lynn's lived authenticity without gloss.

Track listing

All tracks on Van Lear Rose are original compositions written by Loretta Lynn, with co-writing credits on select songs as noted below. The album contains 13 tracks and runs for a total of 39:01. The standard track listing for the original 2004 CD release on Interscope Records is presented in the following table:
No.TitleWriter(s)Length
1"Van Lear Rose"Loretta Lynn3:50
2"Portland, Oregon" (featuring Jack White)Loretta Lynn3:49
3"Trouble on the Line"Loretta Lynn, Oliver V. Lynn Jr.2:21
4"Family Tree"Loretta Lynn3:03
5"Have Mercy"Loretta Lynn2:35
6"High on a Mountain Top"Loretta Lynn2:44
7"Little Red Shoes"Loretta Lynn, 3:34
8"God Makes No Mistakes"Loretta Lynn1:45
9"Women's Prison"Loretta Lynn4:16
10"This Old House"Loretta Lynn1:56
11"Mrs. Leroy Brown"Loretta Lynn3:38
12"Miss Being Mrs."Loretta Lynn, Ann Bruce, Philip John Russell, Maggie Vaughn2:50
13"Story of My Life"Loretta Lynn2:40
The album was also issued on vinyl in a 2011 reissue by . Digital versions are available on streaming platforms such as , with no alterations to the track listing or addition of bonus tracks from the initial release.

Personnel

produced Van Lear Rose and contributed as a , playing guitar on all tracks as well as drums and keyboards on several, while also providing backing vocals throughout and lead vocals on the duet "Portland, Oregon". sang lead vocals on every track, drawing from her personal experiences in the songwriting. The core backing band consisted of musicians from the garage rock group , who would later form with White, emphasizing a raw, collaborative sound during the living-room recording sessions. Family ties influenced the project, with Lynn's late husband "Doo" Lynn receiving co-writing credit on "Trouble on the Line".

Musicians

Technical staff

  • Eric McConnell – recording engineer
  • – additional engineer (track 7: "Little Red Shoes")
  • – engineer
  • Matt Lawrence – engineer
  • John Netti – assistant engineer
  • Mark Chalecki – mastering engineer
  • Nancy Russell – art direction

Release and promotion

Commercial release

Van Lear Rose was commercially released on April 27, 2004, by in the United States, representing Loretta Lynn's first major-label in 15 years following her previous releases on independent labels. The standard edition was issued as a featuring 13 tracks, with the list price set at $17.98. International markets received the album in May 2004, including releases in on May 25 and in and shortly thereafter. A limited-edition vinyl version of the album was subsequently made available in 2015 through . The packaging included artwork depicting Lynn in sepia-toned portraiture reminiscent of vintage photography, evoking her Appalachian heritage. Initial promotion involved listening parties for industry insiders and media, alongside Lynn's television appearances to mark the launch.

Marketing and singles

The marketing campaign for Van Lear Rose capitalized on the high-profile collaboration between and , aiming to bridge and rock audiences by highlighting White's production role and his duet appearance on one of the singles. Advertisements appeared in publications like and targeted outlets to promote the album's raw, autobiographical sound and intergenerational appeal. Promotional efforts focused on radio and Lynn's live performances, including tour dates and festival appearances, rather than major television specials. The lead single, "Miss Being Mrs.," was released in April 2004 ahead of the album, accompanied by a that premiered on May 23. The second single, "Portland, Oregon"—a with chronicling a tale of and —was released on May 3, 2004, following the album launch. A directed by White accompanied the track, featuring moody visuals that emphasized the song's narrative tension and earned heavy rotation on , helping introduce Lynn to younger viewers. The video's rock-infused aesthetic aligned with White's involvement, broadening the single's reach beyond traditional country radio. With only two official singles in an era when digital distribution was emerging but limited for country releases, the strategy emphasized physical formats and live engagements over extensive digital tie-ins.

Commercial performance

Chart performance

Van Lear Rose debuted at number 2 on the US Billboard Top Country Albums chart on May 8, 2004, marking Loretta Lynn's highest peak on that tally since her 1975 album Back to the Country reached number 3. The album simultaneously entered the Billboard 200 at number 24, becoming Lynn's highest-charting entry on the all-genre ranking to that point in her career. It remained on the Billboard 200 for a total of 24 weeks. Internationally, the album peaked at number 92 on the , spending one week in the top 200. It also reached number 1 on the UK Country Artists Albums Chart. The album's chart success reflected its sustained presence among country catalog titles in subsequent years.

Sales figures

In its debut week, Van Lear Rose sold 37,000 copies in the United States, marking Loretta Lynn's strongest opening sales week in the Nielsen SoundScan era. By September 2004, the album had sold 233,000 units domestically, contributing to its chart success on the Billboard 200. The album's commercial performance received a significant lift from its success at the in 2005, where it won Best Country Album and Best Country Collaboration with Vocals for "" (with ), enhancing its catalog value and sustained interest over time. Digital sales remained limited during the mid-2000s physical media dominance, and access was further restricted starting in March 2021 when the album was removed from major streaming and download platforms amid a family dispute over publishing rights held by Lynn's children, but has since been re-added to major streaming platforms including as of 2025. Reissues have bolstered ongoing physical sales, particularly on vinyl; Third Man Records' 2016 Vault Series edition, including gold vinyl and bonus material, has appealed to collectors and driven strong demand in the format.

Critical reception

Contemporary reviews

Upon its release in April 2004, Van Lear Rose received widespread critical acclaim for revitalizing Loretta Lynn's career through her collaboration with , earning an average score of 97 out of 100 on based on 27 reviews. Rolling Stone awarded the album 4 out of 5 stars, praising its raw energy and Lynn's commanding voice, with critic Parke Puterbaugh noting that the record features "the toughest, meanest, fiercest, warmest and sexiest voice in country music" backed by a fresh indie-rock sensibility that makes it soar with modesty and immediacy. gave it 4.5 out of 5 stars, with Thom Jurek highlighting how White's production stripped away excess to reveal Lynn's raw power, effectively revitalizing her sound and allowing her autobiographical songwriting to shine through unadorned. Pitchfork rated the album 9.3 out of 10, lauding its bold honesty and celebratory tone as a triumphant for Lynn, though it noted occasional dated elements in the arrangements that echoed her classic era a bit too closely. Some critics pointed to an over-reliance on garage-rock style as occasionally overshadowing Lynn's traditional , creating a fusion that felt uneven in places. of assigned a *** grade, commending the album's autobiographical depth in tracks like "Story of My Life" and "Red Shoes," which captured Lynn's life experiences with spunky authenticity suited to a Nashville legend's late-career renewal. The album was also featured prominently in , where it was celebrated for its crossover appeal, blending Lynn's heritage with White's rock edge to draw in younger audiences and bridge genres.

Retrospective assessments

In the years following its release, Van Lear Rose has been reevaluated as a in Loretta Lynn's , often regarded as the pinnacle of her career for revitalizing her songwriting and performance at age 72. Critics and music historians highlight how the album captured Lynn's raw, unfiltered voice amid personal reflections on family, loss, and resilience, marking a triumphant return after a long hiatus from original material. This consensus positions it as a defining late-career achievement, blending her roots with fresh energy that extended her influence into new audiences. Anniversary retrospectives have underscored the album's enduring appeal, with Pitchfork commemorating its 20th anniversary in 2024 as a "triumphant" work that introduced Lynn's poise and compassion to younger listeners. Similarly, a 2024 Observer feature described it as blooming "as beautifully as ever," emphasizing its timeless quality amid discussions of its and cultural . These pieces frame Van Lear Rose as a bridge between traditional storytelling and alt-rock experimentation, crediting Jack White's production for innovating Lynn's sound through raw, analog techniques like eight-track recording, which amplified her elemental delivery without overpowering it. Cultural and academic analyses further praise the album for empowering older female artists in a male-dominated genre, portraying Lynn as a feminist icon whose self-penned tracks reclaimed agency over themes of womanhood and aging. It is seen as a pivotal fusion of country authenticity and alternative sensibilities, challenging genre boundaries and inspiring subsequent collaborations between veteran performers and rock producers. The album's inclusion in decade-end lists, such as topping Uncut's best country albums and Pitchfork's top country releases of the 2000s, reflects this growing acclaim for its role in redefining alt-country. Van Lear Rose was temporarily removed from streaming platforms in for undisclosed reasons but has since been re-added and is available as of 2025, increasing its accessibility to digital audiences. However, physical formats, with vinyl editions through , remain sought-after collector's items due to their limited reissues and the album's out-of-print status on major labels.

Accolades and legacy

Awards and nominations

At the held on February 13, 2005, Van Lear Rose received five nominations and secured two wins, marking Loretta Lynn's first Grammy victories in 33 years since her 1972 win for Best Country Vocal Performance by a Duo or Group with for "After the Fire Is Gone." The album won Best Country Album, recognizing its production by and Lynn's raw songwriting. It also won Best Country Collaboration with Vocals for the track "," a with White that blended Lynn's traditional country style with his rock influences. Additional nominations included Best Female Country Vocal Performance for "Miss Being Mrs." and Best Country Song for both "Portland, Oregon" and "Miss Being Mrs.," highlighting the album's standout singles and their lyrical depth. Beyond the Grammys, Van Lear Rose earned critical acclaim in year-end polls, placing third on The Village Voice's 2004 Pazz & Jop Critics' Poll, behind Kanye West's The College Dropout and Brian Wilson's SMiLE. This ranking underscored the album's crossover appeal, bridging country roots with broader music journalism recognition.

Cultural impact and reissues

The album Van Lear Rose has had a profound cultural impact, particularly in bridging generational divides within music and revitalizing interest in traditional country among younger audiences. Its collaboration between 72-year-old country legend Loretta Lynn and 28-year-old rock producer Jack White exemplified intergenerational synergy, drawing rock fans into country music and earning acclaim for revitalizing Lynn's career at a late stage. This partnership not only introduced Lynn to new listeners but also influenced the emergence of the Metamodern Country genre, which blends traditional sounds with modern sensibilities and has been credited with inspiring a resurgence of authentic country storytelling. The album's legacy extends to inspiring contemporary female country artists, with singers like citing it as a pivotal influence on their raw, personal songwriting and bold performances. , a artist, has performed tracks from Van Lear Rose such as "" alongside and paid tribute to the album during Lynn's memorial events, highlighting its role in empowering women in country music. Elements of the album have appeared in retrospectives on Lynn's life, including a 2015 documentary DVD featuring interviews with Lynn and White reflecting on its creation, included in the deluxe reissue. Van Lear Rose has seen three notable reissues since its 2004 debut, enhancing its accessibility and collectible appeal. In 2011, released a standard vinyl edition, mastered from the original analog tapes on 180-gram vinyl. The 2015 Vault #24 package offered a deluxe edition on gold vinyl, accompanied by a previously unreleased track from the sessions, "Just to Have You Back," a 7-inch single of covers of Lynn's "Rated X" and "Whispering Sea," and the aforementioned 2015 documentary DVD. Its cultural footprint grew more pronounced amid accessibility challenges, as the album was removed from streaming platforms like in 2021 due to licensing disputes, making physical copies and reissues increasingly rare and sought-after. In , marking the 20th , numerous articles celebrated its enduring influence and , underscoring how it sustained Lynn's relevance through her final years until her death in 2022.

References

  1. https://www.allmusic.com/album/van-lear-rose-mw0000697728
  2. https://thirdmanrecords.com/blogs/news/introducing-vault-package-24
  3. https://www.allmusic.com/blog/post/honky-tonk-girl-loretta-lynn-1932-2022
  4. https://genius.com/albums/Loretta-lynn/Van-lear-rose
  5. https://lorettalynn.com/albums/van-lear-rose/
  6. https://www.grammy.com/videos/47th-annual-grammy-awards-best-country-album
  7. https://www.amazon.com/Still-Woman-Enough-Loretta-Lynn/dp/0786866500
  8. https://www.stereogum.com/2260699/van-lear-rose-turns-20/reviews/the-anniversary/
  9. https://variety.com/2022/music/news/loretta-lynn-manager-nancy-russell-appreciation-new-fans-jack-white-1235395193/
  10. https://www.npr.org/2004/05/03/1848263/loretta-lynns-van-lear-rose-with-jack-white
  11. https://www.songfacts.com/facts/loretta-lynn/van-lear-rose
  12. https://www.popmatters.com/lynnloretta-vanlear-2495972831.html
  13. https://thirdmanrecords.com/products/loretta-lynn-van-lear-rose-12-vinyl
  14. https://www.rollingstone.com/music/music-news/loretta-lynn-honky-tonk-woman-187968/
  15. https://www.discogs.com/release/1060223-Loretta-Lynn-Van-Lear-Rose
  16. https://www.countrythangdaily.com/van-lear-rose-loretta-lynn/
  17. https://pitchfork.com/reviews/albums/4961-van-lear-rose/
  18. https://thebluegrasssituation.com/read/canon-fodder-loretta-lynn-van-lear-rose/
  19. https://www.discogs.com/release/6918962-Loretta-Lynn-Van-Lear-Rose
  20. https://open.spotify.com/album/3mheNcbxiCqs3EcN5DcCye
  21. https://rateyourmusic.com/release/album/loretta-lynn/van-lear-rose/
  22. https://www.discogs.com/master/156217-Loretta-Lynn-Van-Lear-Rose
  23. https://tinnitist.com/2024/04/30/classic-album-review-loretta-lynn-van-lear-rose/
  24. https://www.slantmagazine.com/music/loretta-lynn-van-lear-rose/
  25. https://www.discogs.com/release/462947-Loretta-Lynn-Van-Lear-Rose
  26. https://jaybusbee.substack.com/p/why-loretta-lynn-still-matters
  27. https://www.rollingstone.com/music/music-album-reviews/van-lear-rose-187582/
  28. https://www.concertarchives.org/concerts/loretta-lynn-05a5f4da-8f4f-43fe-992b-1058a02c4a92
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  30. https://www.dallasobserver.com/uncategorized/20-years-later-loretta-lynns-van-lear-rose-is-a-rare-find-19335353/
  31. https://www.billboard.com/music/music-news/lynn-takes-two-americana-awards-66320/
  32. https://gloriousnoise.com/2004/loretta_lynn_van_lear_rose
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  35. https://www.officialcharts.com/charts/country-artists-albums-chart/20040523/21/
  36. https://www.latimes.com/archives/la-xpm-2004-may-06-wk-albums6-story.html
  37. https://savingcountrymusic.com/loretta-lynns-jack-white-produced-van-lear-rose-pulled/
  38. https://www.metacritic.com/music/van-lear-rose/loretta-lynn
  39. https://www.robertchristgau.com/get_album.php?id=12405
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  42. https://www.albumoftheyear.org/genre/18-country/2000s/pitchfork/
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  44. https://www.today.com/popculture/loretta-lynn-wins-first-grammy-33-years-wbna6964563
  45. https://www.today.com/popculture/loretta-lynn-receives-five-grammy-nods-wbna6673480
  46. https://www.robertchristgau.com/xg/pnj/pjres04.php
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  48. https://metamoderncountry.com/this-spring-marks-20-years-of-loretta-lynns-van-lear-rose/
  49. https://www.facebook.com/MargoAndThePriceTags/posts/it-meant-so-much-to-be-able-to-introduce-jack-white-and-talk-about-van-lear-rose/10160293426861460/
  50. https://www.rollingstone.com/music/music-news/jack-white-loretta-lynn-tribute-1234605478/
  51. https://www.discogs.com/release/3037627-Loretta-Lynn-Van-Lear-Rose
  52. https://pitchfork.com/news/59085-third-man-announce-white-stripes-loretta-lynn-covers-7-van-lear-rose-deluxe-reissue/
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