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Mann Vannda KCM (Khmer: ម៉ាន់ វណ្ណដា, Khmer pronunciation: [man ʋan.ɗaː]; born 22 January 1997), known mononymously as Vannda (stylized in all caps), is a Cambodian rapper, singer, songwriter, and record producer. He rose to prominence with his 2021 single "Time to Rise", featuring Kong Nay, which became a cultural milestone in Cambodian popular music. He has since been described by NME as "one of Cambodia's most exciting contemporary artists".[1]

Key Information

Childhood

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VannDa (Khmer: វណ្ណដា) was born on 22 January 1997, in Sihanoukville, Preah Sihanouk Province, Cambodia.[2] VannDa's father Mann Bunnheng and mother Kang Kimseak run a family-run coconut-shaving business in Psar Leur, a local market in the middle of Sihanoukville city. VannDa has two older siblings, Sophy and VannDy. VannDa has had a passion for music from a young age and has always dreamt of being a star.[3] VannDa grew up discovering music online and considers music as his friend that takes him away from dark paths.[4] VannDa looks up to rapper Kanye West and Kid Cudi.[5]

Career

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Vannda performance in 2024

After several independent releases from 2016 to 2018, In 2019, VannDa joined Baramey Production, a Cambodian talent management and music production company founded by Cambodian-American singer-songwriter Laura Mam that champions the Khmer original music movement.[6]

"Time to Rise"

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Originally released as part of a marketing campaign for mobile network, Cellcard,[7] "Time to Rise" blends traditional Khmer instrumentation and singing with hip-hop. The song features celebrated chrieng chapei artist Master Kong Nay, who contributes chapei playing and sings verses. The lyrics serve as a call to arms for Cambodian youth to preserve the traditions and knowledge of the past and carry the torch into the future, bringing originality and creativity to Cambodia's modern cultural scene. The song quickly became a legitimate pop hit,[8] surpassing one-million views in three months.

The music video was filmed at the National Museum of Cambodia in Phnom Penh, showcasing the building's unique architecture, and features VannDa and Master Kong Nay in traditional Khmer clothing.

In October 2022, the music video for "Time to Rise" reached 100 million views on YouTube,[9] a first for a Cambodian artist.

On 25 October, VannDa announced a 100 million riel (approx. US$25,000) fundraising campaign to support Kong Nay,[10] whose health has seen decline in 2022.

In 2024 VannDa performed alongside Phoenix, Angèle, Ezra Koenig and Kavinsky at the 2024 Summer Olympics closing ceremony in Paris.

Achievements

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  • First Cambodian musical artist to reach 100 million views on YouTube[11]
  • Time To Rise named Best Video of the year (2021) by LiFTED Asia[12]
  • Ranked #6 in LiFTED Asia's Top 50 artists of 2022[13][14]
  • Ranked #6 in LiFTED Asia's Top 50 artists of 2023

Discography

[edit]

Singles:

Albums:

  • $kull the Album (2020)
  • Skull 2: Season 1 (2021–2022)
  • Album Iii: The Treyvisai (ត្រីវិស័យ » Compass) Trilogy (2025–present)

Collaborations

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VannDa has collaborated with various Cambodian artists including label mate and rising rising R'n'B singer Sophia Kao, La Cima Cartel, Khmeng Khmer [km], as well as Thai rappers F.Hero, 1MILL[15] and OG Bobby.[16]

  • Gamer អត់លិត (ft. Sok Neng) (2015) [1]
  • ភ្លៀងហើយអូន - (ft. Song Song) (2016) [2]
  • Player - (feat. Temp Tris, Rawyer, Snooga, Reezy Khmer: អ្នកលេង ft. ថេមប៉ូ ទ្រីស, រ៉យើរ, ស៊្នូហ្គា, រុីហ្សុី) (2018) [3]
  • J+O (Remix) ft. Reezy & Khmer1Jivit (2019) [4]
  • ម្តាយ (MAMA) - (feat. ក្មេងខ្មែរ) (2020) [5]
  • Follow Ma Dance - (feat. ប៉ូឡារិច, ឡូរ៉ាម៉ម, ក្មេងខ្មែរ) (2020)
  • Be With You - (ft. Laura Mam & Polarix) (2020) [6]
  • HIK HIK - (ft. BAD BOY BERT) (2020) [7]
  • ALL3RGY - LA CIMA NIGHT (feat. VannDa, SONGHA, RXTHY, YCN RAKHIE) (2020)
  • Time - (feat. Sophia Kao) (2021)
  • Time To Rise - (feat. Master Kong Nay) (2021) [8]
  • MONSOON - (feat. Songha) (2021)
  • RUN THE TOWN - (feat. F.HERO, 1MILL & SPRITE) (2022)
  • Young Man - (feat. OG Bobby) (2022)
  • BONG - (feat. OG Bobby) (2022)
  • កម្លោះស្រុកខ្មែរ - (Khmer Gentlemen) (feat. Vanthan) (2023)
  • ចងចាំសាវតារ - (Legacy) (Baramey Crew) (2023)
  • VannDa - 6 Years in the Game (feat. AWICH) (2024)[9]
  • Kwan - មេឃបើកថ្ងៃ (feat. VannDa) (2024)
  • Mesa - ដូចមេ [Doch May - Like a Boss] (feat. VannDa) (2024)
  • Vanthan - មិនអាចវិលវិញ - Point of No Return (feat. VannDa) (2024)
  • Norith - ក្រមុំស្រុកណា (feat. VannDa) (2024)
  • Zedes - Sidequest feat. VannDa (2024) [10]
  • Awich, Jay Park, Kr$na, Masiwei & VannDa - Asian State of Mind (Prod. Diego Ave) (2025) [11]

References

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[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
Vannda (Khmer: វណ្ណដា; born Mann Vannda on January 22, 1997) is a Cambodian rapper, singer, songwriter, and record producer renowned for fusing traditional Khmer musical elements with contemporary hip-hop to promote Cambodian cultural pride and heritage. Born and raised in Sihanoukville, Cambodia, Vannda was introduced to hip-hop by his older brother and draws inspiration from his family's experiences, including his mother's survival during the Khmer Rouge era, which informs his lyrical themes of resilience and identity. Vannda began pursuing music seriously around 2016, rising to prominence with his 2021 single "Time to Rise," a collaboration with traditional musician Master Kong Nay that amassed over 129 million views on YouTube and became the highest-streamed Cambodian song on the platform. His style often incorporates Khmer folk instruments, oldies, and pop alongside Western rap influences, as seen in tracks like "Asian State of Mind" featuring artists such as Awich, KR$NA, Masiwei, and Jay Park. In 2024, Vannda achieved a historic milestone as the first Southeast Asian artist to perform at the Paris Olympics Closing Ceremony, joining French band Phoenix on stage to showcase Cambodian sounds globally. By 2025, Vannda had solidified his status as a leading figure in Cambodian music, releasing the ambitious Treyvisai Trilogy—comprising Treyvisai I: The Search for Light (March 14), Treyvisai II: Burn Like the Sun (March 21), and Treyvisai III: Return to Sovannaphum (May 1)—which explore themes of cultural revival and personal growth. In August 2025, Vannda faced controversy when Coca-Cola ended his brand ambassadorship over political social media comments amid the Thai-Cambodian border dispute, sparking boycott calls in Cambodia. With over 5 million YouTube subscribers (as of November 2025) and performances including a showcase at the Asian Art Museum in San Francisco in July 2025, Vannda continues to bridge Cambodian traditions with modern global music scenes.

Early Life

Childhood and Family

Vannda, born Mann Vannda on January 22, 1997, in Sihanoukville, Cambodia, grew up in a modest traditional Khmer family amid the coastal city's vibrant seaside environment. His parents operated a family-run coconut-shaving business, providing a stable yet demanding foundation for the household. Vannda has two older siblings, with whom he shared close family ties during his formative years. From a young age, Vannda assisted his parents at the shop, immersing himself in the rhythms of local commerce and community life in Sihanoukville, a port city recovering from the lingering effects of the Khmer Rouge era through everyday resilience and cultural continuity. This upbringing exposed him to the blend of Khmer traditions and coastal influences, shaping his early sense of identity. Family dynamics offered both support and challenges; his parents prioritized conventional paths like medicine or law, reflecting post-conflict aspirations for stability, while his mother's unspoken strength from surviving the Khmer Rouge instilled in him a deep respect for perseverance. These experiences, including financial modesty and familial expectations, fueled personal inspirations that later guided his pursuits beyond Sihanoukville.

Education and Early Interests

Vannda attended high school in his hometown of Sihanoukville, where he first began exploring music as a creative outlet. During his teenage years, he developed a passion for hip-hop and rapping, influenced by his older brother who introduced him to the genre through tracks like Twista's "Overnight Celebrity." He started writing songs as early as 2009, at age 12, drawing inspiration from personal experiences and Western artists such as Lil Wayne, Eminem, J. Cole, and Kendrick Lamar. His early exposure to music production came through frequent visits to local internet cafes, where he downloaded and experimented with a cracked version of , also known as Fruity Loops. Self-taught via tutorials, Vannda honed his skills in beat-making and recording as hobbies. Despite familial encouragement toward professions like or , Vannda decided to prioritize , relocating to shortly after high school around age 18 to chase his aspirations. This move, made with limited funds, marked his commitment to turning his teenage interests into a full-time pursuit, supported in part by his brother's early influence on his creative path.

Career

Beginnings (2014–2018)

Vannda entered the music scene as a teenager, releasing his debut single "" in 2014 at the age of 17. This track marked his initial foray into Cambodian rap, showcasing his emerging talent as a self-taught who had begun experimenting with as early as age 12. Drawing from influences like , whose innovative production style resonated with him, Vannda crafted beats independently, often blending Khmer and English lyrics to reflect his cultural roots and global aspirations. Over the following years, Vannda continued his independent efforts with a series of singles that built on his experimental approach. In 2016, he released "ហត់" and "គេជាអ្នកណា," both of which explored personal themes through rhythmic flows and minimalistic production using , a he downloaded and mastered via internet cafes. The next year saw the release of "ឈឺទេ" in 2017, further demonstrating his ability to fuse emotional Khmer storytelling with hip-hop elements. By 2018, Vannda issued "Back In The Day" and "ចាប់ផ្ដើម&បញ្ចប់ Start & Stop," tracks that highlighted his growing versatility in songwriting and beat-making without formal training. These early releases were accompanied by initial local performances in , where Vannda began gaining recognition through live shows that energized small audiences. Simultaneously, he cultivated a modest online following by sharing his music on platforms like , allowing fans to discover his self-produced work and fostering a grassroots connection within the Cambodian community. This period laid the foundation for his development, emphasizing experimentation over commercial polish as he honed his unique sound.

Rise to Prominence (2019–2021)

In 2019, Vannda signed with Baramey Production, a Cambodian label founded by Laura Mam, marking a pivotal shift from his independent beginnings to structured professional support that amplified his reach within the local music scene. This affiliation provided access to better production resources and distribution, allowing him to build on his early self-production skills honed through self-taught software like . The following year, Vannda released his debut album under the label, $kull the Album, in June 2020, which showcased his fusion of hip-hop with Khmer cultural elements across 18 tracks. Standout collaborations included "Life Is a Bitch" featuring Dash Gvme, blending gritty street narratives with trap beats, and "No More" featuring Songha, which explored themes of resilience through melodic flows. These regional partnerships with fellow Cambodian artists helped solidify his presence in the domestic hip-hop community, drawing initial media coverage for revitalizing Khmer rap. Vannda's breakthrough came in with the single "Time to Rise" featuring Master Kong Nay, released on March 28, which rapidly gained traction for its uplifting message and integration of traditional Khmer instrumentation with modern production. The track's official , directed by Jeremiah Overman, amassed over 100 million views on by October 2022, marking a historic milestone as the first Cambodian song to achieve such viewership and elevating Vannda to national prominence. This success spurred growing media attention in , with outlets highlighting his role in bridging generational gaps in music and fostering pride in Khmer heritage through initial local performances and interviews.

Establishment and International Recognition (2022–present)

Following the success of his breakthrough single "Time to Rise," which blended traditional Khmer elements with modern hip-hop and garnered widespread acclaim, Vannda solidified his position as a pivotal figure in Cambodian through a series of ambitious releases and high-profile global appearances. In July 2022, he released Skull 2: Season 1, his sophomore album that expanded on the experimental trap and hip-hop sounds of his debut while incorporating storytelling across 15 tracks, including singles like "Bok Kalo" and "Parenthesis." The project, distributed by , maintained strong streaming performance and critical praise for its innovative production and cultural depth. This album marked Vannda's deepening commitment to evolving Khmer hip-hop on an international scale. Vannda's international breakthrough accelerated in 2024 with landmark performances that elevated Cambodian music's visibility. He made his U.S. debut as a headliner at Sabaidee Fest in Chino, California, on June 14, 2024, performing alongside artists like Vanthan and Sophia Kao to an audience celebrating Asian cultural heritage, drawing thousands and marking the first major inclusion of Cambodian headliners at the event. Later that year, on August 11, 2024, Vannda became the first Southeast Asian artist to perform at the Paris Olympics closing ceremony, joining French band Phoenix for a rendition of "Time to Rise" alongside classics like "If I Ever Feel Better," captivating a global audience of millions and highlighting Khmer resilience. These appearances not only boosted his streaming numbers but also fostered connections with overseas Cambodian diaspora communities, emphasizing themes of cultural pride and unity. In 2025, Vannda launched the Treyvisai trilogy—a conceptual three-part mini-album series titled TREYVISAI I: THE SEARCH FOR LIGHT (released March 14), TREYVISAI II: BURN LIKE THE SUN (March 21), and TREYVISAI III: RETURN TO SOVANNAPHUM (May 1)—exploring Khmer mythology, identity, and heritage through hip-hop, traditional instrumentation, and collaborations with regional artists like Thai rapper . The trilogy featured standout singles such as "U Know U Know" from the first installment, which addressed and , and "សុវណ្ណភូមិ (GOLDEN LAND)" from the finale, accompanied by a cinematic evoking 's ancient legacy. Distributed via his partnership with , the series achieved rapid acclaim for its narrative ambition and cultural fusion. Later that year, on August 1, 2025, Vannda released the standalone single "១ សីហា (August 1st)", a reflective track on historical resilience. Complementing these releases, Vannda conducted tours across , including major concerts at venues like Koh Pich and Morodok Techo Complex, while extending outreach to through festival appearances and diaspora events, further bridging Khmer communities abroad and reinforcing his role as a global ambassador for Cambodian music.

Musical Style and Influences

Style and Themes

Vannda's musical style is characterized by a distinctive fusion of traditional Cambodian elements with contemporary Western hip-hop influences, creating a sound that bridges and modern urban rhythms. He incorporates Khmer lyrics and instrumentation, such as the chapei dang veng (a traditional plucked ), alongside hip-hop staples like 808 basslines and trap-inspired beats, as exemplified in tracks like "Time to Rise," which features collaboration with traditional musician Master Kong Nay. This blend honors Khmer musical traditions while adapting them to global genres, often drawing on references to historical figures like and Ros Sereysothea to evoke a sense of cultural continuity. Lyrically, Vannda employs bilingual Khmer-English flows to enhance and depth, delivering incisive, poetry-like verses that mix with rhythmic delivery. His production style is experimental and self-taught, utilizing software like to layer traditional Khmer pop and oldies samples over and hip-hop beats, resulting in tracks that feel both raw and innovative. This approach fosters honest storytelling, where personal narratives unfold through evocative flows that prioritize emotional authenticity over conventional structures. Thematically, Vannda's work explores personal struggles, the recovery of Khmer heritage, love, and social issues tied to post-genocide identity, emphasizing resilience and national pride. Songs like "Khmer Blood" address the pain of historical loss while celebrating cultural revival and hope for a new era, often framing identity as a source of strength amid adversity. His lyrics frequently invoke themes of preservation through innovation, urging younger generations to reconnect with traditions in a globalized context. Over time, Vannda's sound has evolved from raw, indie hip-hop experiments—marked by simpler beats and personal ballads—to more polished productions that deeply honor cultural roots, as seen in the 2025 "Treyvisai Trilogy," which delves into self-doubt, , and triumphant identity. This progression reflects a maturation in his artistry, balancing experimental edge with broader thematic resonance.

Influences

Vannda has identified several Western influences, including for his groundbreaking production innovations that push the boundaries of hip-hop soundscapes, and Kid Cudi's emphasis on introspective and emotionally vulnerable lyrics. He has also drawn inspiration from and for their rapid flows and style, as well as , , and . On the local level, Vannda draws inspiration from Cambodia's traditional music traditions, many of which were devastated and nearly erased during the era (1975–1979), when countless artists and cultural artifacts were destroyed. This connection is evident in his collaborations with survivors like Master Kong Nay, who incorporates the traditional chapei dang veng lute into tracks that revive these endangered sounds. He is also embedded in Cambodia's emerging modern Khmer rap scene, which fuses street-level storytelling with local rhythms to address contemporary youth experiences. His work actively honors the vibrant pre-1975 Cambodian music heritage, a "golden era" of rock, pop, and psychedelic sounds that blended Khmer traditions with global influences before the regime's cultural purge. These diverse inspirations culminate in Vannda's signature style: a seamless integration of Western hip-hop structures with Khmer sonic elements, creating an original sound that pays homage to roots without direct imitation and resonates globally. This blend is notably applied in his Treyvisai trilogy, where traditional motifs underscore modern narratives of identity and perseverance.

Achievements

Awards and Rankings

Vannda's music video for "Time to Rise," featuring Nay, was named Best Video of 2021 by LiFTED Asia, recognizing its innovative blend of traditional Khmer elements and modern hip-hop visuals that propelled the track to international attention. In 2022, he was ranked #6 on LiFTED Asia's Top 50 Asian Hip-Hop Artists , highlighting his breakout success and role in elevating Cambodian rap on the regional stage. The following year, Vannda maintained his momentum by securing the same #6 position on the 2023 LiFTED 50, underscoring his consistent output, including the album Skull 2: Season One, and growing influence across . He continued this streak, ranking #6 for the fourth consecutive year in both the 2024 and 2025 LiFTED 50 lists, further cementing his status in Asian hip-hop. At the inaugural What's Awards in , Vannda received the LiFTED Asian Flow Award in 2022 for his distinctive lyrical delivery and cultural fusion in tracks like "Time to Rise," marking a key nod to his rising prominence in Asian hip-hop circles. Vannda's impact on the music industry earned him a spot on Asia's 30 Under 30 list in the Entertainment & Sports category for 2023, where he was celebrated for pioneering Khmer hip-hop's global reach and inspiring national pride through his bilingual artistry and philanthropy.

Notable Milestones

In October 2022, Vannda became the first Cambodian artist to achieve 100 million YouTube views with his single "Time to Rise," featuring the late Master Kong Nay, marking a historic breakthrough for Cambodian hip-hop on global platforms. On August 11, 2024, Vannda made history as the first Southeast Asian artist to perform at the Paris Olympics closing ceremony, joining French band Phoenix to deliver a rendition of "Time to Rise" before an international audience of millions. In June 2024, Vannda headlined Sabaidee Fest in , as a prominent Cambodian representative, debuting his live performance in the United States and drawing thousands of Southeast Asian diaspora attendees to celebrate Khmer culture through music. In 2025, Vannda released the Treyvisai TrilogyTreyvisai I: Rise from the Shadows (March 14), Treyvisai II: Burn Like the Sun (March 21), and Treyvisai III: Return to Sovannaphum (May 1)—exploring themes of cultural revival and personal growth, marking a significant milestone in his discography. He also performed at the in in July 2025, bridging Cambodian traditions with global audiences. On November 7, 2025, he held his first concert in at . As of November 2025, Vannda had approximately 160,000 monthly listeners on , underscoring his growing influence within the Cambodian diaspora and broader Southeast Asian communities worldwide.

Discography

Studio Albums

Vannda's debut studio album, $kull the Album, was released on June 19, 2020, and marked his entry into full-length projects with introspective explorations of , street life struggles, and personal growth amid adversity. The 18-track effort features raw lyricism on tracks like "OUT DA MUD" and "Rampage," reflecting themes of resilience and drawn from the artist's experiences in Cambodia's urban environments. His sophomore release, Skull 2: Season 1, arrived on July 1, 2022, as a serialized project spanning 2021–2022 that builds directly on the predecessor's foundation through episodic storytelling and experimental hip-hop elements. Described by Vannda as a "mental health university," the 15-track album delves deeper into emotional processing and artistic evolution, with standout singles like "Bok Kalo" and "Parenthesis" highlighting narrative progression and sonic innovation. In 2025, Vannda launched the TREYVISAI , a conceptual series translating to "compass" in Khmer, emphasizing philosophical and cultural introspection across three interconnected mini-albums. The first installment, TREYVISAI I: THE SEARCH FOR LIGHT, released on March 14, 2025, initiates the journey with high-energy tracks focused on enlightenment, personal heritage, and self-discovery, incorporating flex anthems like "Out of My Mind." The second part, TREYVISAI II: BURN LIKE THE SUN, followed on March 21, 2025, shifting to themes of resilience and transformation through chaos, portraying the turbulent phases before renewal with intense, atmospheric production. Concluding the trilogy, TREYVISAI III: RETURN TO SOVANNAPHUM, debuted on May 1, 2025 as a contemplative finale celebrating Cambodian roots, infused with , mythic symbolism, and a return to cultural origins.

Singles and EPs

Vannda's early career featured a series of independent singles that showcased his emerging rap style blended with Khmer influences. His debut single, "Y.O.U," released in 2014, marked his initial foray into music production and performance. This was followed by "ហត់" (Hort, meaning "Tired") in 2016, a reflective track on personal struggles, and "គេជាអ្នកណា" (Ke Chea Neak Na, meaning "Who Is He?") later that year, both establishing his presence in Cambodia's underground hip-hop scene. In 2017, "ឈឺទេ" (Chheu Te, meaning "Does It Hurt?") continued this trajectory with introspective lyrics, while 2018 brought "Back In The Day," a nostalgic piece, and the bilingual "ចាប់ផ្ដើម&បញ្ចប់ Start & Stop," exploring themes of beginnings and endings. A pivotal breakthrough came with "Time to Rise" in 2021, featuring traditional Khmer rapper Master Kong Nay, which fused contemporary hip-hop with cultural elements and gained widespread attention in and beyond. This single highlighted Vannda's ability to bridge generations and genres, contributing to his rising prominence. In 2025, Vannda released a prolific string of singles reflecting his matured artistry and international collaborations. These include "១ សីហា (August 1st)," a motivational ; "50-50," a collaboration with Vanthan on relational dynamics; "Let Me Love You," an R&B-infused track; "U Know U Know," emphasizing ; "Business Class," touching on ambition and luxury; "J+O Zero 3," part of an ongoing series with experimental beats. No standalone EPs have been released post-2022, with his output primarily consisting of these non-album singles that often serve as thematic precursors to full-length projects.
YearSingleNotes
2014"Y.O.U"Debut release
2016"ហត់"Reflective on fatigue and life
2016"គេជាអ្នកណា"Inquiry into identity
2017"ឈឺទេ"Exploration of
2018"Back In The Day"Nostalgic themes
2018"ចាប់ផ្ដើម&បញ្ចប់ Start & Stop"Bilingual, on cycles
2021"Time to Rise" (feat. Nay)Breakthrough collaboration
2025"១ សីហា (August 1st)"Motivational
2025"50-50" (with Vanthan)Relational balance
2025"Let Me Love You"R&B elements
2025"U Know U Know"
2025"Business Class"Ambition and success
2025"J+O Zero 3"Experimental series entry

Collaborations

Key Collaborators

One of Vannda's most notable collaborations is with the late Nay, a revered Cambodian tro (lute) musician and singer who survived the era. Their 2021 single "Time to Rise" blended Vannda's rap verses with Kong Nay's traditional Khmer instrumentation, marking a pivotal fusion of contemporary hip-hop and ancestral sounds that resonated widely in Cambodian music circles. This partnership extended to other traditional elements in Vannda's work, honoring Khmer heritage through Kong Nay's contributions before his passing in 2024. In his debut album $kull the Album (2020), Vannda featured several emerging Cambodian artists, showcasing his role in elevating local talent. The track "Life Is a Bitch" included verses from Dash Gvme (also known as A-GVME), a fellow Cambodian rapper, highlighting themes of urban struggle with gritty bilingual flows. Similarly, "No More" featured Songha, a rising Khmer hip-hop artist, in a reflective piece on perseverance that underscored their shared regional influences. "Back in the Day" brought in La Cima Cartel, a Cambodian collective, for a nostalgic nod to hip-hop roots, while "Mama" spotlighted Kmeng Khmer's emotive delivery on familial bonds, blending rap with melodic hooks. Vannda's Treyvisai trilogy, a 2025 mini-album series exploring Khmer mythology and identity, incorporated regional MCs to broaden Southeast Asian hip-hop dialogues. In Treyvisai I: The Search for Light, he collaborated with Thai rapper on the lead track "Smoke Up," merging trap beats with introspective on resilience. In Treyvisai II: Burn Like the Sun, the series featured Laotian artist Thinlamphone on "Lovesick Blue," fostering cross-border connections within Asian hip-hop networks. These efforts extended to wider Asian collaborations, such as the 2025 cypher "ASIAN STATE OF MIND" with Japanese rapper , Korean artist , Indian MC KR$NA, and Chinese group's Masiwei, produced to celebrate pan-Asian hip-hop unity. Earlier ties included a 2022 track with Thai rappers F.HERO, 1MILL, and SPRITE on "Run The Town," amplifying Vannda's presence in regional circuits. Vannda strengthened bonds with overseas Cambodian communities through high-profile performances in 2024 and 2025, often featuring local artists and drawing large Khmer expatriate audiences. His rendition of "Time to Rise" at the 2024 Paris Olympics closing ceremony symbolized cultural pride for global Cambodians, performed alongside international acts. Vannda is scheduled to headline the in on December 1, 2025, with Baramey Crew, an upcoming landmark event for the European Cambodian expected to include collaborative sets blending rap and traditional elements. These appearances highlight Vannda's role in connecting scattered communities via music.

Production Work

Vannda has served as the primary producer for his own music starting with the album $kull the Album in 2020, where he co-produced tracks alongside Mut Phearin, marking the beginning of his hands-on approach to beat-making and arrangement. From this project onward, he has self-produced all subsequent albums, incorporating signature 808 bass-heavy beats that define his trap-influenced sound and experimental mixes blending raw energy with polished layers. This self-reliant production style extended to his 2025 releases under Baramey Production, including the Treyvisai trilogy of mini-albums, where he crafted the instrumental foundations to fuse cultural motifs with contemporary hip-hop rhythms. In specific singles, Vannda holds full production credits, such as for "U KNOW U KNOW" released in February 2025, which he produced, wrote, mixed, and mastered entirely on his own. Similarly, "NO DISRESPECT" from March 2025 and select tracks on the EP TREYVISAI II: BURN LIKE THE SUN—part of —feature his solo production, emphasizing aggressive trap elements and dynamic builds, though other tracks involve additional producers. These works highlight his technical versatility, often handling the entire process from beat construction to final output, as seen in earlier tracks like "6 YEARS IN THE GAME" where he also managed mixing and mastering. Vannda's production innovations particularly shine in his integration of traditional Khmer samples and sounds into hip-hop frameworks, creating a hybrid style that honors Cambodian heritage while pushing genre boundaries. This technique is central to the Treyvisai trilogy, where he layers ethnic instrumentation and vocal samples over 808-driven beats to evoke cultural narratives, as in TREYVISAI I: The Search for Light and its successors, co-produced elements notwithstanding his lead role. Across Baramey Production releases, his involvement in mixing and mastering ensures a cohesive sonic identity, often crediting himself for these post-production stages to maintain artistic control.

References

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