Venetian language

Venetian, also known as wider Venetian or Venetan (łengua vèneta [ˈɰeŋɡwa ˈvɛneta] or vèneto [ˈvɛneto]), is a Romance language spoken natively in the northeast of Italy, mostly in Veneto, where most of the five million inhabitants can understand it. It is sometimes spoken and often well understood outside Veneto: in Trentino, Friuli, the Julian March, Istria, and some towns of Slovenia, Dalmatia (Croatia) and the Bay of Kotor (Montenegro) by a surviving indigenous Venetian population, and in Argentina, Australia, Brazil, Canada, Mexico, the United States and the United Kingdom by Venetians in the diaspora.

Although referred to as an "Italian dialect" (Venetian: diałeto; Italian: dialetto) even by some of its speakers, the label is primarily political, referring to geography and not linguistics. In the realm of linguistics, Venetian is often considered a separate language from Italian, with its own local varieties. Its precise place within the Romance language family remains somewhat controversial however. Both Ethnologue and Glottolog group it into the Gallo-Italic branch (and thus, closer to French and Emilian–Romagnol than to Italian). Devoto, Avolio and Ursini reject such classification, and Tagliavini [it] places it in the Italo-Dalmatian branch of Romance.

Like all members of the Romance language family, Venetian evolved from Vulgar Latin, and is thus a sister language of Italian and other Romance languages. Venetian is first attested in writing in the 13th century.

The language enjoyed substantial prestige in the days of the Republic of Venice, when it attained the status of a lingua franca in the Mediterranean Sea. Notable Venetian-language authors include the playwrights Ruzante (1502–1542), Carlo Goldoni (1707–1793) and Carlo Gozzi (1720–1806). Following the old Italian theatre tradition (commedia dell'arte), they used Venetian in their comedies as the speech of the common folk. They are ranked among the foremost Italian theatrical authors of all time, and plays by Goldoni and Gozzi are still performed today all over the world.

Other notable works in Venetian are the translations of the Iliad by Giacomo Casanova (1725–1798) and Francesco Boaretti, the translation of the Divine Comedy (1875) by Giuseppe Cappelli, and the poems of Biagio Marin (1891–1985). Notable too is a manuscript titled Dialogo de Cecco di Ronchitti da Bruzene in perpuosito de la stella Nuova attributed to Girolamo Spinelli, perhaps with some supervision by Galileo Galilei for scientific details.

Several Venetian–Italian dictionaries are available in print and online, including those by Boerio, Contarini, Nazari and Piccio.

As a literary language, Venetian was overshadowed by Dante Alighieri's Tuscan dialect (the best known writers of the Renaissance, such as Petrarch, Boccaccio and Machiavelli, were Tuscan and wrote in the Tuscan language) and languages of France like the Occitano-Romance languages and the langues d'oïl including the mixed Franco-Venetian.

Even before the demise of the Republic, Venetian gradually ceased to be used for administrative purposes in favor of the Tuscan-derived Italian language that had been proposed and used as a vehicle for a common Italian culture, strongly supported by eminent Venetian humanists and poets, from Pietro Bembo (1470–1547), a crucial figure in the development of the Italian language itself, to Ugo Foscolo (1778–1827).