Hubbry Logo
When the Pawn...When the Pawn...Main
Open search
When the Pawn...
Community hub
When the Pawn...
logo
8 pages, 0 posts
0 subscribers
Be the first to start a discussion here.
Be the first to start a discussion here.
When the Pawn...
When the Pawn...
When the Pawn...
View on Wikipedia
from Wikipedia

When the Pawn...
Studio album by
Fiona Apple
ReleasedNovember 9, 1999
Recorded1998–1999
Studio
  • Andora Studio
  • Chateau Brion Studio
  • NRG Recording Studios
  • Ocean Way Studio
  • One On One South
  • Presence Studios
  • Woodwinds
Genre
Length42:39
Label
ProducerJon Brion
Fiona Apple chronology
Tidal
(1996) 		When the Pawn...
(1999) 		Extraordinary Machine
(2005)
Singles from When the Pawn...
  1. "Fast as You Can"
    Released: October 5, 1999
  2. "Limp"
    Released: February 15, 2000[2]
  3. "Paper Bag"
    Released: June 2000

When the Pawn...[a] is the second studio album by the American singer-songwriter Fiona Apple, released by Epic Records in the United States on November 9, 1999.[3] It was produced by Jon Brion.

The album received a Grammy Award nomination for Best Alternative Music Album.[4] In 2010, Spin named the album the 106th-greatest of the last 25 years,[5] and Slant Magazine named it the 79th best album of the 1990s.[6] In 2020, Rolling Stone ranked When the Pawn... at number 108 on its "500 Greatest Albums of All Time" list.[7]

Title

[edit]

The album's title is a poem Apple wrote in response to unfavorable reactions from readers to a Spin cover story about her.[8] Richard Harrington of The Washington Post called it Apple's version of Chumbawamba's "I get knocked down, but I get up again".[8] "It came from being made fun of," she said, "and then, of course, it becomes a thing I'm being made fun of for."[9]

Upon its release, When the Pawn... broke the record for longest album title at 444 characters (previously held by a volume in The Best... Album in the World...Ever!),[10][11] though this record was subsequently broken.[b] The full title is:

When the pawn hits the conflicts he thinks like a king
What he knows throws the blows when he goes to the fight
And he'll win the whole thing 'fore he enters the ring
There's no body to batter when your mind is your might
So when you go solo, you hold your own hand
And remember that depth is the greatest of heights
And if you know where you stand, then you know where to land
And if you fall it won't matter, cuz you'll know that you're right

Conception

[edit]

When the Pawn… came off the success and controversy of Tidal, her debut album. She had faced a lot of public scrutiny, specifically for her 1997 VMA speech, where she famously stated, "this world is bullshit". The speech urges viewers to be themselves and not compare or change themselves because of the media they are consuming. This outburst came as a response to backlash from her "Criminal" music video.[13] She would continue to have a negative attitude towards the media. Fiona stated that writing music began as a response to fighting with her parents but became cathartic in her life. Apple writes her own music about past experiences she has dealt with. Many songs on the album speak about tumultuous relationships with others as well as with herself. The tumultuous relationship that inspired many of the songs on this album is thought to be with Paul Thomas Anderson.[14] The two were together from 1997-2000 (during the making of this album). The couple began doing drugs together, where Apple would then start a long road of addiction and later recovery which affected later albums.[15] When the Pawn… reflected all these circumstances around the production.

Music and lyrics

[edit]

According to Katherine St. Asaph of Pitchfork: "When the Pawn… is about knowing your patterns, knowing the rubble they’ve made of your life—and knowing you’ll do it again." Asaph also said: "[Apple's] vocal roles are larger-than-life: precise and unsingably fast, fit for a technical rapper, or open-throated and dramatic, like a stage diva commandeering an encore."[16]

Release

[edit]

The first single, "Fast as You Can", was fairly popular and received moderate radio and video airplay. It reached the top 20 on the US Billboard Modern Rock Tracks chart and became Apple's first top 40 hit on the UK Singles Chart. The follow-up singles, "Limp" and especially "Paper Bag", which was nominated for a Grammy Award, were less successful. Apple's boyfriend at the time, filmmaker Paul Thomas Anderson, directed the videos for all three singles.[17]

In 2019, Apple collaborated with King Princess on a cover of "I Know". The song was released for Spotify's RISE program on January 25.[18]

A reissue by Vinyl Me Please was announced in 2020 featuring a new cover chosen by Fiona herself, marking the album's first ever vinyl pressing.[19]

Reception

[edit]
Professional ratings
Aggregate scores
SourceRating
Metacritic79/100[20]
Review scores
SourceRating
AllMusicStarStarStarStarHalf star[21]
Chicago Sun-TimesStarStarStarHalf star[22]
Entertainment WeeklyA[23]
The GuardianStarStarStar[24]
The IndependentStarStarStar[25]
Los Angeles TimesStarStarStarHalf star[26]
NME5/10[27]
Pitchfork8.0/10 (1999)[28]
9.4/10 (2019)[29]
QStarStarStarStar[30]
Rolling StoneStarStarStarHalf star[31]
Slant MagazineStarStarStar[32]
Spin8/10[33]
The Village VoiceA−[34]

In comparison to Apple's debut album Tidal, Harrington stated, "When the Pawn is a decidedly more mature work that trades in youthful melodrama for somber ruminations on shattered relationships and romantic obsession".[8] In The New Rolling Stone Album Guide, Jenny Eliscu states that Pawn is "more musically complex and melodically advanced" than the previous album, while focusing on Apple's "sultry voice and moody piano playing".[3] Rob Sheffield of Rolling Stone gave the album three-and-a-half out of five stars, calling it "richer, deeper and stronger than Tidal, in every way", with "a far more muscular approach to both the songs and the singing".[31]

Entertainment Weekly's David Browne awarded the album an A grade, praising Jon Brion's production as well as Apple's songwriting: "Apple hasn't gained much in psychic confidence following the success of Tidal. On When the Pawn..., Apple presents herself as a mental shambles, and she's more than happy to tell us about it."[23] Pitchfork originally gave the album a score of eight out of ten, with reviewer Chip Chanko praising Apple's lyrics, writing: "[Apple] seems older. Her voice is full of a heartfelt soul that seems almost timeless. While Billie Holiday would never have considered the possibility of lines like, 'It won't be long till you'll be/ Lying limp in your own hand,' Apple executes them flawlessly with a modern passion."[35] Amy Linden of Vibe wrote: "When the Pawn... is full of images that resonate. Apple's a sad, sultry woman with a sense of who she is—even if that person isn't someone she wants to be. Once again, her pain brings us joy."[36] In contrast, Piers Martin of NME rated it a 5 out of 10, calling it Apple's "second album of Amos-aping MTV-branded Lilith Fair fodder."[27]

On the U.S. Billboard 200, When the Pawn... debuted and peaked at number 13 with 103,000 copies sold in first week.[37] On March 26, 2020, When the Pawn.. was certified Platinum by the Recording Industry Association of America.[38]

Track listing

[edit]

All tracks are written by Fiona Apple; arrangements and orchestration by John Bainbridge.

No.TitleLength
1."On the Bound"5:22
2."To Your Love"3:40
3."Limp"3:29
4."Love Ridden"3:22
5."Paper Bag"3:39
6."A Mistake"4:56
7."Fast as You Can"4:38
8."The Way Things Are"4:16
9."Get Gone"4:07
10."I Know"4:55
Total length:42:39
Japanese Edition Bonus Tracks
No.TitleLength
11."Across the Universe"5:06
12."Never is a Promise (Live)"6:12
Total length:53:57

Personnel

[edit]

Musicians

[edit]
  • Fiona Apple – vocals, piano
  • Jon Brion – "all other instruments"[c] (except "Love Ridden")
  • Mike Elizondo – bass (except "I Know")
  • Matt Chamberlain – drums, percussion (except "A Mistake", "I Know")
  • Mike Breaux – woodwinds (1, 3, 7)
  • Patrick Warren – Chamberlin (2, 3, 7, 9), Wurlitzer (3, 7)
  • Charlie Bisharat, Eve Butler, Susan Chatman, Armen Garabedian, Berj Garabedian, Gerardo Hilera, Peter Kent, Brian Leonard, Robert Peterson, Michele Richards, Edmund Stein, John Wittenberg – violin (4, 9, 10)
  • Robert Becker, Denyse Buffman, Scott Haupert, Maria Newman – viola (4, 9, 10)
  • Larry Corbett, Paula Hochalter, Suzie Katayama, Daniel Smith – cello (4, 9, 10)
  • Greg Cohen – bass guitar (10)
  • Jonathan "Butch" Norton – drums, percussion (2, 3)
  • Jim Keltner – drums (10)
  • Wendell Kelly, Jean Martinelli, John Noreyko, Paul Loredo – horns (5)

Technical personnel

[edit]
  • Jon Brion – producer, mixing engineer, assistant engineer
  • Rich Costey – mixing engineer
  • Eddy Scheyer – mastering engineer
  • Ian Sefchick – mastering engineer (2020 LP)
  • Tom Banghart, Rob Brill, Greg Collins, Bryan Jackson, Steve Mixdorf, John Tyree – assistant engineer
  • Fiona Apple – design, cover art concept

Charts

[edit]

Certifications

[edit]
Region Certification Certified units/sales
Japan (RIAJ)[47] Gold 100,000^
United Kingdom (BPI)[48] Silver 60,000‡
United States (RIAA)[49] Platinum 1,000,000‡

^ Shipments figures based on certification alone.
‡ Sales+streaming figures based on certification alone.

Notes

[edit]

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

When the Pawn...

View on Grokipedia
from Grokipedia
When the Pawn... is the second studio by American Fiona Apple, released on November 9, 1999, through . The album's full title is a 90-word poem written by Apple herself: When the Pawn Hits the Conflicts He Thinks Like a King What He Knows Throws the Blows When He Goes to the Fight and He'll Win the Whole Thing 'Fore He Enters the Ring There's Nobody to Batter When Your Mind Is Your Might So When You Go Solo You Hold Your Own Hand and Remember That Depth Is the Greatest of Heights and If You Know Where You Stand Then You Know Where to Land and If You Fall It Won't Matter Cuz You'll Know That You're Right. Entirely written by Apple, it was produced by and features her piano-driven compositions blended with orchestral arrangements, exploring themes of heartbreak, resilience, and personal turmoil. The album consists of 10 tracks, including the singles "Paper Bag" and "Fast as You Can," which received significant radio play and charted on alternative rock formats. "Fast as You Can" peaked at number 20 on the US Billboard Modern Rock Tracks chart, marking Apple's first entry on that ranking. Commercially, When the Pawn... debuted at number 13 on the Billboard 200, selling 103,000 copies in its first week, and ultimately achieved platinum certification from the RIAA for one million units sold in the United States. By 2009, US sales had reached approximately 913,000 copies according to Nielsen SoundScan. Critically, the album was praised for Apple's mature songwriting, intricate instrumentation, and raw emotional delivery, with reviewers highlighting tracks like "A Mistake" and "Get Gone" for their intensity and wit. Publications such as awarded it an A grade, commending Brion's production and Apple's lyrical depth. It earned a nomination for Best Alternative Music Album at the in 2001. Over the years, When the Pawn... has been recognized as a landmark in Apple's discography, influencing subsequent alternative and indie artists with its blend of pop accessibility and confessional artistry.

Background

Conception

Following the commercial success of her debut album Tidal in 1996, which achieved multi-platinum status and established as a rising star in alternative pop at the age of 18, she began work on her sophomore effort at 19, riding a wave of critical acclaim and industry expectations. Apple's songwriting for the album drew heavily from her ongoing experiences and the emotional turbulence of her personal life, including a tumultuous relationship with filmmaker that began around 1998 and infused the material with themes of vulnerability, self-doubt, and relational strain. Having been in since childhood to address issues like obsessive-compulsive disorder and family conflicts, Apple channeled these sessions into raw, introspective lyrics that explored heartbreak and psychological conflict, with the rocky dynamics of her romance providing specific inspiration for songs about unfulfilled love and emotional chaos. In 1997 and 1998, Apple composed much of the album's material at , often drawing from direct interpersonal exchanges; for instance, "" emerged from her reflections on self-deprecating comments made by romantic partners, capturing feelings of inadequacy in , while "Fast as You Can" addressed the frantic pace of emotional avoidance during relational tension. Building on their successful partnership for Tidal, Apple decided to reunite with producer , presenting him with nearly complete demos and instructing him to expand on the orchestral richness of her debut to better suit the album's intricate emotional layers.

Recording and production

Studio sessions

The recording sessions for When the Pawn... spanned several months in 1999, primarily at in Hollywood, with additional work conducted at Chateau Brion Studio, , Andora Studios, and One on One South. Under producer Jon Brion's guidance, the sessions followed an iterative structure that began with Apple laying down solo and vocal tracks to a , followed by Brion's overdubs of guitars, drums, keyboards, and other elements. This method inverted traditional band-first approaches, allowing Apple's core performances to anchor the arrangements; daily three-hour sessions enabled her to review and refine Brion's contributions each evening, fostering a collaborative evolution of the material. Apple entered the process with a folder of ten handwritten songs, which Brion expanded through experimentation, including trials with drummers and . Apple's drive for precision presented challenges, requiring Brion to build deep trust to match her intuitive vision amid the pressure of following her debut album's success. The production prioritized a warm, organic tone via live band recordings and strategic overdubs, incorporating vintage instruments and analog techniques for depth.

Key collaborators

Jon Brion served as the primary producer for When the Pawn..., overseeing the album's intricate orchestration and arrangements that blended orchestral elements with pop structures to enhance Fiona Apple's piano-driven compositions. His contributions included layering strings, brass, and unconventional instrumentation, creating a richly textured sound that amplified the emotional depth of the tracks. Brion also performed on multiple instruments throughout the album. Drummer brought dynamic and versatile rhythms to several songs, notably powering the upbeat drive of "Fast as You Can" (track 7) and the swinging groove of "" (track 5), contributing to the album's rhythmic variety and energy. His performances on percussion across tracks 1–5 and 7–9 helped anchor Brion's elaborate arrangements with a sense of propulsion and immediacy. Other key contributors included multi-instrumentalist Patrick Warren on keyboards and , adding atmospheric textures during the recording sessions at Ocean Way in Hollywood, where improvisational elements informed the collaborative dynamics. maintained strong leadership throughout production, providing direct input on arrangements and exercising power over mixes to preserve her artistic vision, ensuring the final product aligned closely with her intentions.

Composition

Musical style

When the Pawn... blends elements of , , and , creating a sound that is both introspective and dynamic. The album's genre influences draw from piano-driven traditions while incorporating art pop's experimental edges and 's rhythmic nuances, resulting in a plush, moody atmosphere that emphasizes emotional depth over straightforward pop structures. Brion's contributions help unify these diverse styles into a cohesive, darkly romantic texture, avoiding clichés through intricate layering that enhances the album's intimate yet expansive feel. Central to the album's sonic identity is Apple's prominent playing, which serves as the rhythmic and melodic foundation across tracks, often contrasted with orchestral elements like swelling strings and for cinematic swells. Instrumentation includes smoky guitars, funk-infused , hazy synths, upright bass, and unconventional percussion such as brushed snares, adding textural variety and a sense of propulsion. Brion's arrangements introduce rock grooves that lighten the compositions, juxtaposing Apple's raw, throaty vocals with lush, traditionalist undertones to create a muscular from her debut. Specific tracks highlight the album's stylistic range: "Paper Bag" features jazzy swing rhythms with light, high-pitched piano chords evoking a laid-back R&B-soul vibe, while "Fast as You Can" delivers aggressive rock energy through driving beats and viper-like guitar stabs. In contrast, "Love Ridden" leans into balladry with sparse and looming strings, building to emotional swells that underscore the album's plush moodiness. These production choices by Brion emphasize orchestral drama against Apple's vocal intensity, fostering a sound that feels both personal and grandly arranged.

Lyrics and themes

The lyrics of When the Pawn... delve deeply into themes of vulnerability, self-doubt, tumultuous relationships, feminist empowerment, and struggles, often drawing from Apple's personal experiences to create a narrative. Apple has described her songwriting as an unflinching exploration of emotional rawness, a sentiment that permeates tracks reflecting her battles with insecurity and relational turmoil. These themes are framed through a feminist lens, emphasizing agency amid pain, as seen in songs that critique toxic dynamics and assert . Apple's lyrical style is poetic and introspective, blending dense with raw confessionals that evoke literary depth. Her use of and double entendres adds layers of , such as in "Get Gone," where phrases like "get gone" play on departure from a relationship while hinting at ecstatic release, underscoring the complexity of desire and rejection. This approach avoids straightforward , instead weaving emotional to mirror the messiness of human connections. Specific songs highlight these elements vividly. In "Criminal," Apple grapples with guilt and seductive complicity in a flawed romance, portraying herself as both perpetrator and victim in a cycle of self-sabotage that ties into broader struggles. "" captures and self-doubt, with lyrics that dissect obsessive thoughts in love. Overall, the album's words form a therapeutic outlet, transforming private anguish into universal commentary on resilience and emotional truth.

Release and promotion

Commercial release

When the Pawn... was released on November 9, 1999, by Clean Slate/Epic Records in the United States. The album was initially issued in CD and cassette formats, with the cover artwork depicting Fiona Apple in a dramatic standing pose against a stark background. Limited vinyl pressings were not available until a 2020 reissue. As a follow-up to the multi-platinum success of her debut Tidal, Epic Records—under Sony Music—invested in a significant marketing push, emphasizing broad U.S. distribution through major retail channels before an international rollout in early 2000.

Marketing and singles

The marketing strategy for When the Pawn... faced unique challenges due to the album's full title—a 90-word poem spanning 444 characters—which set a Guinness World Record for the longest album title at the time and proved difficult to accommodate in advertisements, album spines, and promotional materials. Epic Records typically shortened it to When the Pawn... for practicality in marketing efforts. The lead single, "Fast as You Can," was released on October 5, 1999, shortly before the album's launch, to build anticipation. Its , directed by Fiona Apple's then-boyfriend , employed experimental techniques including a vintage hand-cranked camera with multiple lenses for a distinctive, dreamlike visual style. Subsequent singles included "," released on February 15, 2000, and "," released in June 2000, both accompanied by music videos directed by Anderson. The "Limp" video featured surreal, narrative-driven imagery, while "Paper Bag" paid homage to musicals with choreographed dancers and stylized sets. Promotional activities encompassed television appearances, such as Apple's performance of "Limp" on on February 19, 2000, hosted by , which highlighted her live piano-driven delivery and helped sustain media buzz. Apple also supported the album with a dedicated tour in 2000, performing tracks like "Fast as You Can" and "Paper Bag" across North American venues to connect with fans through intimate, jazz-influenced sets.

Commercial performance

Chart positions

Upon its release in November 1999, When the Pawn... achieved moderate commercial success on various international charts, reflecting Fiona Apple's growing but niche appeal following her debut album Tidal. The album debuted and peaked at number 13 on the US in December 1999, selling 103,000 copies in its first week, marking her highest charting position to date at the time and spending a total of 18 weeks on the chart. It also appeared on year-end tallies, ranking number 169 on the 2000 . Internationally, the album had more limited impact. In the , it reached a peak of number 46 on the Official Albums and spent two weeks in the top 200. In , it peaked at number 54 on the Albums .
(1999–2000)Peak position
Australian Albums ()54
UK Albums (OCC)46
US 13
The album's singles contributed to its radio presence, particularly on alternative formats. Lead single "Fast as You Can" peaked at number 20 on the US Billboard Alternative Songs chart. Follow-up "Paper Bag" reached number 20 on the Alternative Airplay chart, benefiting from video rotation on MTV. In the years following its initial release, When the Pawn... experienced long-tail performance through the rise of streaming platforms in the 2010s and 2020s. The album has amassed over 292 million streams on Spotify as of 2025, driven by renewed interest in Apple's catalog. A notable resurgence occurred in 2024 when "Paper Bag" was featured in the film The Idea of You, boosting streams and introducing the track to new audiences via social media and playlists.

Sales and certifications

When the Pawn... has sold over 1 million copies worldwide. , reached approximately 913,000 copies by according to Nielsen SoundScan, with stronger performance in compared to , where it achieved modest chart placements but limited . The (RIAA) certified the album on February 7, 2000, recognizing shipments of 500,000 units, and on March 26, 2020, for 1,000,000 units (including streaming equivalents). received a boost from streaming in the post-2020 era, contributing to renewed interest and equivalent unit certifications. The album's commercial performance allowed it to recover its production budget—reportedly elevated due to extended studio sessions—and satisfied Epic Records, affirming Apple's viability as an artist despite creative risks.

Critical reception

Contemporary reviews

Upon its release in November 1999, When the Pawn... received widespread critical acclaim for its artistic advancement over Fiona Apple's debut album Tidal, with reviewers highlighting her increased maturity and emotional depth. Rolling Stone awarded the album four out of five stars, with critic David Fricke praising Apple's "deeper, more fiercely swinging voice" that pushes melodies toward genuine emotion, describing the record as "richer, deeper and stronger than Tidal, in every way." Similarly, Spin magazine gave it a 9 out of 10, commending the lyrical depth and Apple's portrayal of herself as both victim and provocateur in a "therapy session set to music," emphasizing the album's bold exploration of personal turmoil. Other positive responses echoed this sentiment; Entertainment Weekly assigned an A grade, lauding the "searing honesty" in tracks like "Paper Bag," while Q magazine rated it four out of five stars for its "witty, literate" lyrics that balanced confession with cleverness. However, some reviews were mixed, critiquing elements of overproduction and accessibility. In the Village Voice, Robert Christgau gave the album an A- in his Consumer Guide, acknowledging its ambition and maturity but finding it "more self-conscious and less fun" than Tidal, with dense arrangements occasionally overshadowing the emotional core. NME offered a middling 5 out of 10, arguing the elaborate production sometimes hindered the songs' raw appeal, making them feel less immediate for casual listeners. The original Pitchfork review scored it 8.0 out of 10, appreciating the emotional honesty but questioning the album's occasional opacity in blending jazz-inflected complexity with pop structures. Aggregating 17 reviews, reported an average score of 79 out of 100, reflecting broad consensus on the album's emotional honesty and Apple's lyrical prowess, though debates persisted over its accessibility compared to the more straightforward Tidal. Critics generally agreed that When the Pawn... marked a pivotal step in Apple's development, prioritizing introspective intensity over commercial polish.

Retrospective appraisals

In the decades following its 1999 release, When the Pawn... has garnered heightened acclaim in retrospective reviews and rankings, often celebrated for its prescience and emotional intensity. Pitchfork's 2019 reappraisal awarded the album a 9.4 out of 10, lauding its "diamond-sharp writing that mines the depths of her psyche and emotion" and positioning it as a cornerstone of Apple's oeuvre. Slant Magazine ranked it number 79 on their 2011 list of the 100 best albums of the , highlighting its raw bitterness and captivating self-examination. Similarly, placed it at number 108 on their 2020 edition of the 500 Greatest Albums of All Time, emphasizing Apple's ability to transform personal demons into songs of anger and resilience. In the #MeToo era, the album has undergone feminist rereadings that underscore its unflinching portrayal of relational power dynamics, misogyny, and female rage, themes once dismissed as overly confessional but now viewed as prophetic. Critics have noted how tracks like "Fast as You Can" and "Paper Bag" capture the complexities of emotional manipulation and self-worth, resonating with contemporary discussions of women's experiences in patriarchal structures. A 2020 New Yorker profile contextualized Apple's early work, including When the Pawn..., within the era's emphasis on female bonding and reevaluating past traumas through fresh perspectives. Fiona Apple has reflected on the album's personal stakes in subsequent interviews, describing its creation as a confrontation with industry skepticism and her own vulnerabilities, which amplified its raw authenticity. Despite initial commercial and critical overshadowing by Apple's later releases like , When the Pawn... has experienced rediscovery in the streaming era, with anniversary retrospectives in 2023 and 2024 affirming its enduring appeal among younger listeners. As of 2025, critics continue to acclaim its influence on , crediting it with shaping a generation of female singer-songwriters through its blend of jazz-inflected , hip-hop rhythms, and introspective lyricism.

Track listing

All tracks are written by Fiona Apple.
No.TitleLength
1"On the Bound"5:23
2"To Your Love"3:40
3""3:31
4"Love Ridden"3:22
5"Paper Bag"3:40
6"A Mistake"4:58
7"Fast as You Can"4:40
8"The Way Things Are"4:18
9"Get Gone"4:10
10"I Know"4:57

Personnel

Core musicians

was the central figure among the core musicians on When the Pawn..., delivering all lead vocals, playing throughout the album, and writing every song's . Jon Brion contributed as a multi-instrumentalist (guitars, bass, drums, percussion, keyboards, vibraphone, etc.), providing string arrangements for several tracks and adding backing vocals. Mike Elizondo performed bass on tracks 1–9. Matt Chamberlain handled drums and percussion on the majority of the album's tracks (except "A Mistake" and "I Know"), including the opening "On the Bound" and the closing "Love Ridden." Jim Keltner played drums on "Limp," "Fast as You Can," and "Paper Bag." added and guitar to select tracks, enhancing the album's textural depth without dominating the arrangements.

Additional contributors

The album features an extensive string section that enriches the orchestral arrangements on multiple tracks, including "Paper Bag," "Get Gone," and "I Know." Violinists contributing to these arrangements include Armen Garabedian, Berj Garabedian, , Eve Butler, Gerry Hilera, John Wittenberg, Brian Leonard, Bob Peterson, and Edmund Stein. Cello parts were performed by Suzie Katayama, Larry Corbett, Paula Hochalter, and Daniel Smith, including on "Get Gone." Additional percussion and drum contributions were provided by Jonathan "Butch" Norton on "To Your Love," "Limp," and "Love Ridden."

Production staff

The production of When the Pawn... involved a team of engineers led by Tom Biller and , who handled recording duties across multiple studios including Ocean Way Studios, NRG Recording, Andora Studios, and One on One Recording. Costey also contributed to programming and additional engineering, while Biller focused on core tracking sessions. Mixing was primarily managed by producer and , ensuring the album's intricate arrangements translated effectively from the multi-studio recordings. Brion's involvement extended to engineering on select tracks, providing cohesive oversight for the sonic palette. Mastering was handled by Eddy Schreyer at Oasis Mastering in Studio City, California. The visual production featured art direction by Hooshik, with album cover concept and design by and Michael "Jocco" Phillips. Photography credits went to David Goggin, , and . A&R direction was provided by , who guided the project through , drawing on his experience with sophisticated pop productions.

Legacy

Reissues and availability

Following its original 1999 release on compact disc by Epic Records, When the Pawn... saw its first vinyl pressing in 2020 through a limited edition by Vinyl Me, Please, featuring 180-gram vinyl and new artwork selected by Fiona Apple. In 2023, Sony Legacy issued a widely available remastered edition on 180-gram vinyl, sourced from the original analog tapes, which became accessible through major retailers such as Amazon and Target. The album has been included in compilations, notably the 2010 Original Album Classics box set by Sony Music, which bundles it with Tidal (1996) and Extraordinary Machine (2005) on compact disc. Digitally, When the Pawn... became available for download via iTunes in the mid-2000s, with tracks featured in the 2006 iTunes Originals – Fiona Apple exclusive release, and remains permanently accessible on streaming platforms including Spotify and Apple Music. While physical copies of the original 1999 CD are often and sought after by collectors, the 2023 vinyl and ongoing digital availability ensure broad access without notable gaps.

Cultural influence

When the Pawn... has exerted a profound influence on subsequent generations of musicians, particularly in the realm of songwriting and emotional vulnerability in pop and indie music. Artists such as and have drawn from Apple's raw, introspective style, creating albums that echo the blend of fragility and defiance found on the record. For instance, Eilish's debut album When We All Fall Asleep, Where Do We Go? (2019) mirrors Apple's tradition of exploring personal turmoil through minimalist production and unflinching , positioning Apple as a foundational figure in what has been termed "sad girl pop." The album solidified Apple's status as a feminist icon, challenging industry and cultural dismissals of women's emotions through its themes of agency and critique of male entitlement. Tracks like "" and "" confront relational power dynamics with sharp wit and unapologetic rage, contributing to Apple's reputation as a voice for female empowerment in the late-1990s music landscape. This feminist lens has resonated enduringly, with the album's portrayal of emotional complexity influencing discussions on and authenticity in music. Notable covers and media uses of songs from When the Pawn... underscore its cultural permeation, especially "Criminal," which has been reinterpreted across genres and platforms. included a jazz-inflected version on her 2006 album Leaning on You, while delivered a powerful live rendition during her 2020 segment, highlighting the song's versatility and emotional depth. The track has also appeared in television series like American Horror Story: Freak Show (2014), amplifying its reach in , and Apple herself has evolved its performance live, often infusing later tours with more improvisational intensity to reflect personal growth. In Apple's career trajectory, When the Pawn... served as a pivotal bridge between the vulnerability of her debut Tidal (1996) and the experimental liberation of (2020), expanding her sonic palette with and orchestral elements while deepening her lyrical confrontation of trauma. Recent reflections, including 2024 anniversary discussions, emphasize its role in establishing her as an artist unafraid of complexity, with Apple noting in interviews how the album's creation amid personal struggles shaped her enduring commitment to authenticity. The album's themes have also fostered 21st-century readings, attracting a dedicated LGBTQ+ following through its explorations of desire, identity, and non-conformity. Apple has been celebrated in queer communities for supportive gestures, such as a letter to a young fan affirming and love beyond societal norms, which has been cited as emblematic of her inclusive ethos. Additionally, her openness about — including childhood experiences with obsessive-compulsive disorder, depression, and anxiety—ties into broader , as seen in her candid discussions that normalize these struggles and inspire listeners to confront their own.

References

  1. https://music.apple.com/us/album/when-the-pawn/153019510
  2. https://www.discogs.com/master/88826-Fiona-Apple-When-The-Pawn-Hits-The-Conflicts-He-Thinks-Like-A-King-What-He-Knows-Throws-The-Blows-Wh
  3. https://www.musicvf.com/Fiona%2BApple.alb
  4. https://musicchartsarchive.com/albums/fiona-apple/when-the-pawn
  5. https://www.ukmix.org/forum/chart-discussion/artist-chart-analysis/65880-fiona-apple-charts-sales-history
  6. https://pitchfork.com/reviews/albums/fiona-apple-when-the-pawn/
  7. https://ew.com/article/1999/11/12/when-pawn/
  8. https://www.grammy.com/artists/fiona-apple/558
  9. https://www.rollingstone.com/music/music-features/fiona-apple-when-the-pawn-20-years-later-909798/
  10. https://consequence.net/2021/07/fiona-apple-tidal-anniversary-essay/
  11. https://www.newyorker.com/magazine/2020/03/23/fiona-apples-art-of-radical-sensitivity
  12. https://www.theguardian.com/music/2020/dec/18/fiona-apple-i-finally-believed-myself-it-felt-great
  13. https://www.discogs.com/release/372268-Fiona-Apple-When-The-Pawn-Hits-The-Conflicts-He-Thinks-Like-A-King-What-He-Knows-Throws-The-Blows-Wh
  14. https://americansongwriter.com/jon-brion-on-producing-fiona-apple/
  15. https://www.godisinthetvzine.co.uk/2024/10/22/25-years-on-fiona-apples-remarkable-comeback-on-when-the-pawn/
  16. https://www.discogs.com/release/11110468-Fiona-Apple-When-The-Pawn
  17. https://rateyourmusic.com/release/album/fiona-apple/when-the-pawn/
  18. https://www.afterglowatx.com/blog/2019/11/11/album-anniversaries-20-years-of-fiona-apples-when-the-pawn
  19. https://pitchfork.com/reviews/albums/247-when-the-pawn/
  20. https://meetinmontauk.com/2009/03/10/song-of-the-day-paper-bag-fiona-apple/
  21. https://medium.com/the-riff/album-review-when-the-pawn-by-fiona-apple-d98dcf9e9b51
  22. https://www.the-solute.com/the-solute-record-club-fiona-apple-when-the-pawn/
  23. https://albumism.com/features/fiona-apple-when-the-pawn-album-anniversary
  24. https://www.allmusic.com/album/when-the-pawn-hits-the-conflicts-he-thinks-like-a-king-mw0000035134
  25. https://www.billboard.com/music/music-news/this-day-in-music-604-74914/
  26. https://www.discogs.com/release/1496915-Fiona-Apple-When-The-Pawn
  27. https://pitchfork.com/news/fiona-apple-when-the-pawn-gets-first-vinyl-release/
  28. https://www.billboard.com/music/music-news/radiohead-daydreaming-director-paul-thomas-anderson-other-music-videos-7358055/
  29. https://www.imdb.com/title/tt5094674/
  30. https://www.onesnladay.com/2020/02/06/february-19-2000-ben-affleck-fiona-apple-s25-e13/
  31. https://www.setlist.fm/stats/fiona-apple-23d6a443.html?tour=33d630d1
  32. https://www.billboard.com/artist/fiona-apple/
  33. https://bestsellingalbums.org/album/15082
  34. https://www.officialcharts.com/artist/1928/fiona-apple/
  35. https://wikipedia.nucleos.com/viewer/wikipedia_en_all_maxi_2024-01/A/When_the_Pawn...
  36. https://fionaapple.fandom.com/wiki/Discography
  37. https://kworb.net/spotify/artist/3g2kUQ6tHLLbmkV7T4GPtL_albums.html
  38. https://www.yahoo.com/entertainment/fiona-apple-paper-bag-became-203000784.html
  39. https://freefiona.com/faq.html
  40. https://fionaapple.fandom.com/wiki/When_the_Pawn...
  41. https://bestsellingalbums.org/artist/4251
  42. https://slate.com/culture/2005/04/the-fiona-apple-fiasco.html
  43. https://www.rollingstone.com/music/music-album-reviews/when-the-pawn-hits-the-conflicts-he-thinks-like-a-king-244877/
  44. https://www.rocksbackpages.com/Library/Article/fiona-apple-iwhen-the-pawni-clean-slateepic
  45. https://www.metacritic.com/music/when-the-pawn/fiona-apple/critic-reviews
  46. https://www.metacritic.com/music/when-the-pawn/fiona-apple
  47. https://www.slantmagazine.com/features/best-albums-of-the-1990s/
  48. https://www.nylon.com/fiona-apple
  49. https://spectrumculture.com/2022/03/28/revisit-fiona-apple-when-the-pawn/
  50. https://atwoodmagazine.com/fawp-fiona-apple-when-the-pawn-album-review-24-year-anniversary/
  51. https://www.discogs.com/release/6457723-Fiona-Apple-When-The-Pawn
  52. https://www.albumoftheyear.org/song/16898-get-gone/28/
  53. http://tombiller.com/bio
  54. https://www.discogs.com/release/11548137-Fiona-Apple-When-The-Pawn
  55. https://www.treblezine.com/fiona-apple-when-the-pawn-vinyl-reissue-announced/
  56. https://www.discogs.com/release/29144827-Fiona-Apple-When-The-Pawn
  57. https://www.pop-music.ca/fiona-apple-when-the-pawn-2023-remaster-vinyl.html
  58. https://www.target.com/p/fiona-apple-when-the-pawn-vinyl/-/A-90146207
  59. https://www.discogs.com/release/5128252-Fiona-Apple-Original-Album-Classics
  60. https://music.apple.com/ca/album/itunes-originals-fiona-apple/270025998
  61. https://open.spotify.com/album/3o5EnVZNJXtfPV8tCoagjI
  62. https://www.telegraph.co.uk/music/artists/world-bulls-t-fiona-apple-like-billie-eilish-defied-toxic-music/
  63. https://www.sportskeeda.com/pop-culture/fiona-apple-real-blueprint-sad-girl-pop-meaning-explained-fans-rage-billie-eilish-credited-genre
  64. https://www.today.com/popculture/watch-kelly-clarkson-s-epic-cover-fiona-apple-s-criminal-t194014
  65. https://www.rollingstone.com/music/music-news/watch-conjoined-twins-sing-fiona-apples-criminal-on-american-horror-story-180640/
  66. https://www.what-song.com/Artist/6931/Fiona-Apple
  67. https://www.albumism.com/features/fiona-apple-when-the-pawn-album-anniversary
  68. https://www.autostraddle.com/6-culturally-queer-facts-about-fiona-apple-no-reason/
  69. https://pitchfork.com/news/45983-read-a-letter-fiona-apple-wrote-to-a-young-gay-fan-in-2000/
  70. https://nevadasagebrush.com/2023/10/30/how-fiona-apple-pushed-the-boundaries-of-alternative-music/
Add your contribution
Related Hubs
User Avatar
No comments yet.