Community hub
0 subscribers7 pages, 0 posts
Recent from talks
All channels
Be the first to start a discussion here.
Be the first to start a discussion here.
Be the first to start a discussion here.
Be the first to start a discussion here.
Contribute something
Welcome to the community hub built to collect knowledge and have discussions related to Aatmapamphlet.
Nothing was collected or created yet.
Aatmapamphlet
View on Wikipediafrom Wikipedia
| Aatmapamphlet | |
|---|---|
 Theatrical release poster | |
| Directed by | Ashish Avinash Bende |
| Screenplay by | Paresh Mokashi |
| Produced by | Bhushan Kumar Krishan Kumar Aanand L. Rai Kanupriya A. Iyer Madhugandha Kulkarni Shariq Patel |
| Starring |
|
| Cinematography | Satyajeet Shobha Shriram |
| Edited by | Faisal Mahadik |
| Music by | Saket Kanetkar |
Production companies | |
Release dates |
|
Running time | 90 minutes |
| Country | India |
| Language | Marathi |
Aatmapamphlet (transl. Autobio-Pamphlet) is an Indian Marathi-language coming of age film directed by Ashish Avinash Bende in his debut. Screenplay is by Paresh Mokashi and cinematography is by Satyajit Shobha Sriram. The film is jointly produced by T-Series, Colour Yellow Productions and Zee Studios.[1]
Atmapamplet was screened at the 73rd Berlin International Film Festival, where nominated to compete for the Generation 14plus Award.[2][3] The film was theatrically released on 6 October 2023.[4]
Ashish Bende received the Best Debut Film Director award at the 71st National Film Awards.[5]
Plot
[edit]Aatmapamphlet, a satirical biographical film, unveils 10-year-old Ashish in India of 1990s. His accidental hand-hold with Srushti sparks innocent love. Amidst socio-political shifts, the story navigates personal, familial, and societal transformations. Join Ashish's introspective quest for life's purpose, humorously presented through a child's eyes. A roller-coaster of soul-searching in a nostalgic tale.
Cast
[edit]- Om Bendkhale as Ashish
- Manas Tondwalkar as young Ashish
- Roomani Khare as Srishti
- Pranjalii Shrikant as younger Srishti
- Khushi Hajare as youngest Srishti
- Chetan Wagh as Borya
- Bhimrao Mude as Baba
- Ketaki Saraf as Aai
- Deepak Shirke as Aajoba
Production
[edit]Development
[edit]The film originated from the personal anecdotes shared by Ashish Avinash Bende, reflecting his experiences as a Dalit boy in Pune. Encouraged by Paresh Mokashi and Madhugandha Kulkarni, Bende translated these stories into a script, spurred by an ultimatum from Kulkarni.[6]
Bende drew inspiration from his own circle of friends, ensuring a genuine representation of the characters' dynamics.[6]
Filming
[edit]Principal-photography was begun in March 2021. Shooting of the film amidst the COVID-19 pandemic posed logistical challenges. Using live streaming technology, Bende remotely supervised the shoot, maintaining real-time communication with the crew. The half of shooting was completed before second lockdown. The film was shot over 36 days around 37 locations.[6]
Reception
[edit]![[icon]](https://en.wikipedia.org/wiki/File:Wiki_letter_w_cropped.svg){kind=small} | This section needs expansion. You can help by adding missing information. (September 2025) |
In the "Generation 14plus" section, the film was competed for the Crystal Bear and the film prize AG KINO GILDE 14plus.[7]
Accolades
[edit]| Year | Award | Category | Nominee(s) | Result | Ref. |
|---|---|---|---|---|---|
| 2023 | Asia Pacific Young Audience Award | Young Audience Award | T-Series, Colour Yellow Productions & Zee Studios | Won | [8] |
| 2023 | Berlin International Film Festival | Generation 14plus – Best Film | Ashish Avinash Bende | Nominated | [9] |
| 2023 | Indian Film Festival of Melbourne | Best Indie Film | T-Series, Colour Yellow Productions & Zee Studios | Nominated | [10][11] |
| Best Director | Ashish Avinash Bende | Nominated | |||
| 2024 | Filmfare Awards Marathi | Best Film | T-Series, Colour Yellow Productions & Zee Studios | Won | [12] |
| Best Director | Ashish Avinash Bende | Won | |||
| Best Story | Won | ||||
| Best Critics Movie | Nominated | ||||
| Best Dialogue | Paresh Mokashi | Won | |||
| Best Screenplay | Nominated | ||||
| Best Editing | Faisal Mahadik | Won | |||
| Best Cinematography | Satyajeet Shobha Shreeram | Nominated | |||
| Best Art Direction | Baban Adagale | Nominated | |||
| Best Background Score | Saket Kanetkar | Nominated | |||
| Best Costume Design | Sachin Lovalekar | Nominated |
References
[edit]- ^ "Marathi film 'Aatmapamphlet' to screen at Berlin International Film Festival". The New Indian Express. 19 January 2023. Archived from the original on 20 February 2023. Retrieved 4 April 2023.
- ^ Walid, Shayeza (23 February 2023). "Berlin Selection 'Aatmapamphlet' Details the Coming of Age of a Boy and of India". Variety. Archived from the original on 4 April 2023. Retrieved 4 April 2023.
- ^ Shackleton, Liz (20 February 2023). "Zee Studios' Shariq Patel On Push Into Web Series, Festival Films With Berlin Selections 'Brown' & 'Aatma Pamphlet'". Deadline. Archived from the original on 20 March 2023. Retrieved 4 April 2023.
- ^ "Aatmapamphlet : अतरंगी, तिरकस, विनोदी प्रेमकथा सांगणाऱ्या 'आत्मपॅम्फ्लेट'चा ट्रेलर आऊट". ABP Majha (in Marathi). 17 September 2023. Archived from the original on 19 September 2023. Retrieved 19 September 2023.
- ^ "Ashish Bende Wins Best Debut Director National Award For Aatmapamphlet, Aanand L Rai Reacts". News18. 2 August 2025. Archived from the original on 2 August 2025. Retrieved 2 August 2025.
- ^ a b c Halve, Anushka (28 March 2024). "The Director Who Worked From Home: The Making of Aatmapamphlet". Filmcompanion.in. Archived from the original on 7 April 2024. Retrieved 8 June 2024.
- ^ "Weitere Preise". www.berlinale.de (in German). Archived from the original on 17 February 2023. Retrieved 4 April 2023.
- ^ "'आत्मपॅम्फ्लेट' चित्रपटाला 'एशिया पॅसिफिक यंग ऑडियन्स अवॉर्ड', ७०हून अधिक देशांतील चित्रपटांमधून निवड". Time Maharashtra (in Marathi). 16 September 2023. Archived from the original on 15 October 2023. Retrieved 14 October 2023.
- ^ "Aanand L Rai, Bhushan Kumar, Zee Studios' Aatmapamphlet selected for Berlin International Film Festival 2023". Bollywood Hungama. 19 January 2023. Archived from the original on 4 April 2023. Retrieved 4 April 2023.
- ^ "Darlings, Kantara, Sita Ramam, Ponniyin Selvan 2 lead nominations for Indian Film Festival of Melbourne awards". The Indian Express. 14 July 2023. Archived from the original on 15 July 2023. Retrieved 14 October 2023.
- ^ "IFFM 2023 full winners list: Shah Rukh Khan's Pathaan, Rani Mukerji, Sita Ramam win top honours". Hindustan Times. 11 August 2023. Archived from the original on 29 September 2023. Retrieved 29 September 2023.
- ^ Filmfare Awards Marathi 2024 at IMDb
External links
[edit]Aatmapamphlet
View on Grokipediafrom Grokipedia
Synopsis
Plot overview
Aatmapamphlet chronicles the coming-of-age of Ashish, a young Dalit boy in 1990s India, who develops an intense infatuation with his classmate Srushti after an accidental hand-holding incident.[1] The story spans his school years from fourth to ninth grade, during which he struggles to muster the courage to confess his feelings while confronting societal barriers rooted in caste differences, as Srushti hails from a Brahmin family.[6][7] Set primarily in Maharashtra amid India's economic liberalization starting in 1991, the narrative interweaves Ashish's personal emotional turmoil and family dynamics with broader national shifts, including political upheavals and cultural transformations.[8] His innocent pursuit of love exposes hypocrisies in social norms, school hierarchies, and inter-caste interactions, often through humorous and satirical lenses.[9] The film draws from semi-autobiographical elements, portraying Ashish's growth from naive childhood affection to adolescent awareness of identity and prejudice, without resolving into conventional romantic triumph.[10]Cast
Lead actors
Om Bendkhale stars as Ashish, the film's central protagonist, depicting the character's experiences from sixth to ninth grade amid personal and socio-economic upheavals in 1990s rural Maharashtra.[11] Pranjali Shrikant portrays Srishti, Ashish's classmate and object of his youthful infatuation, whose role anchors the narrative's coming-of-age romance elements.[11] [12] Child actors Manas Tondwalkar and Khushi Hajare play the younger iterations of Ashish and Srishti, respectively, capturing the story's early childhood phases around age eight.[11] [13] These performances emphasize the film's semi-autobiographical focus on the director Ashish Bende's own formative years, with the leads selected for their authenticity in embodying regional Marathi youth dynamics.[14]Supporting roles
Bhimrao Mude plays Baba, Ashish's father, depicted as a resilient Dalit patriarch employed in a factory amid India's economic liberalization in the 1990s.[1][15] Ketaki Saraf portrays Aai, Ashish's mother, who embodies familial stability and cultural traditions during periods of social upheaval.[1][15] These parental roles underscore the film's exploration of caste dynamics and household resilience.[1] Chetan Wagh appears as Borya, Ashish's schoolmate and confidant, contributing to scenes of youthful camaraderie and minor conflicts reflective of peer influences in a changing rural-urban interface.[11][16] Makarand Mukund features in a recurring supporting capacity, likely as a relative or community figure, aiding the narrative's depiction of extended family networks.[1] Additional ensemble members include Poonam Kayal as the 4th-grade teacher, who facilitates early educational motifs, and Kunal Jadhav as the 4th-grade thief, highlighting petty mischief in school settings.[15] Shiva is cast as the school peon, representing institutional undercurrents, while Deepak Shirke enacts a boisterous, alcohol-dependent character, adding layers to neighborhood interactions and adult follies.[15][17] Praful Sawant and Chitra Patasakar play Nana and Mami, respectively, evoking generational and maternal influences in Ashish's upbringing.[15] These roles collectively amplify the socio-economic satire without overshadowing the protagonists' arcs.[1]Production
Development
The development of Aatmapamphlet began with personal anecdotes from director Ashish Avinash Bende's life as a Dalit youth in 1990s Pune, which he initially drafted into a script despite initial reluctance.[18] Longtime collaborator Madhugandha Kulkarni provided the impetus by issuing an ultimatum to Bende to commit the stories to writing, marking the project's spark.[18] Screenwriter Paresh Mokashi, known for films like Harishchandrachi Factory (2009), refined Bende's draft into a more abstract, personal, and comedic screenplay, which Bende ultimately selected over his own commercial-oriented version.[18] [19] This iteration emphasized satirical elements drawn from socio-economic shifts, contrasting with earlier drafts that had attracted temporary producer interest but lacked the final's depth.[18] Securing production proved challenging, as multiple producers approached after reading commercial drafts but withdrew upon reviewing the more personal script.[18] Aanand L. Rai of Colour Yellow Productions committed within five minutes of reading the finalized version, leading to a joint production with T-Series and Zee Studios.[18] Bende's prior industry experience, including work with Mokashi, informed the project's evolution toward a debut feature focused on uncompromised narrative integrity.[18]Casting process
The casting for Aatmapamphlet was directed by Rohan Mapuskar, who served as the film's casting director.[10][11] Mapuskar, founder of Rohan Mapuskar Casting Company, assembled an ensemble suited to the film's requirements for performers spanning childhood to adolescence, including non-professional child actors for roles depicting the protagonists in their early years.[20] Key selections included Om Bendkhale as the adult Ashish and Manas Tondwalkar as his younger counterpart, alongside Pranjali Shrikant and Khushi Hajare for the female lead Srishti across age progressions.[11] Reviews commended Mapuskar's choices for their precision in capturing the nuanced interpersonal dynamics central to the narrative, enabling effective portrayal of evolving relationships amid socio-economic shifts.[2] Director Ashish Bende, in his feature debut, collaborated on these decisions to align with the autobiographical elements drawn from his experiences, prioritizing authenticity in representing 1990s Maharashtra settings.[14]Filming and technical aspects
The film's principal photography employed digital cinematography, processed through digital intermediate, and was presented in color with a 2.35:1 aspect ratio. Cinematographer Satyajit Shobha Sriram crafted visuals that evoked the 1990s Indian socio-economic landscape, utilizing deliberate framing and lighting to heighten the satirical elements, with reviewers noting each frame as a complementary artistic element to the narrative.[1][2][21] Editing duties fell to director Ashish Avinash Bende, who maintained a runtime of 90 minutes while integrating dynamic cuts to balance personal anecdotes with broader historical commentary.[2] Production design by Baban Adagale focused on authentic recreation of period-specific sets, including school environments and urban-rural transitions reflective of 1990s Maharashtra, enhancing the film's grounded realism.[2] Sound mixing in Dolby Surround 7.1 provided immersive audio layering for dialogue, ambient effects, and subtle socio-political undertones.Themes and analysis
Personal coming-of-age elements
The film centers the personal coming-of-age of its protagonist, Ashish, a young Dalit boy navigating adolescence in 1980s and 1990s Maharashtra, through introspective diary entries that capture his evolving self-awareness and emotional milestones.[18] Ashish's journey begins with an innocent infatuation sparked by an accidental hand-hold with his upper-caste Brahmin classmate, Srushti, which evolves into a profound first love that serves as the emotional core of his maturation, blending youthful idealism with the pangs of unrequited affection and self-doubt.[2] This classic rite-of-passage element underscores his initial gravitation toward romantic longing, marking a shift from childhood naivety to adolescent vulnerability.[22] As Ashish grapples with personal identity, the narrative highlights his internal growth amid family dynamics in a lower-caste household, where he confronts subtle hierarchies and fosters resilience through self-reflection.[14] Friendships with peers from varied backgrounds provide pivotal moments of self-acceptance, enabling him to question his place in the world and cultivate a sense of individual agency beyond external constraints.[14] The first-person narration, delivered with light-hearted self-awareness, mirrors Ashish's progression from wide-eyed curiosity to a more nuanced understanding of heartbreak and personal boundaries, preventing didacticism while emphasizing authentic emotional development.[2] Key scenes, such as reflective encounters that echo personal reckonings with hypocrisy in his immediate surroundings, illustrate Ashish's upward trajectory in emotional intelligence, transforming initial infatuation into deeper self-knowledge without overt preachiness.[2] Overall, these elements portray coming-of-age not as isolated rebellion but as a gradual synthesis of love, loss, and introspection, rooted in the director's semi-autobiographical lens.[14]Socio-economic and political satire
Aatmapamphlet employs satire to critique caste-based discrimination and social divisions in 1990s India, framing these through the lens of protagonist Ashish's adolescent experiences. The narrative juxtaposes personal infatuation with broader societal tensions, highlighting absurdities in inter-caste interactions and community prejudices without overt didacticism. For instance, scenes depict everyday caste enforcements, such as restrictions on friendships or rituals, portrayed comically yet pointedly to underscore their irrationality.[8][9] The film satirizes the "us versus them" mentality prevalent in rural Maharashtra, using exaggerated character behaviors to expose how caste identities perpetuate exclusion. Critics note its bold handling of Dalit-Bahujan perspectives, presenting sociopolitical discourse through whimsical, first-person narration that avoids heavy-handed moralizing. This approach draws from 1990s economic liberalization's backdrop, where rural stagnation contrasts with urban aspirations, amplifying divides in access to education and opportunities.[2][7] Politically, the satire targets institutional hypocrisies, such as school administrations enforcing caste norms under progressive facades, and familial pressures reinforcing endogamy. Background elements reference era-specific events like Mandal Commission implementations, which fueled reservation debates, interwoven subtly to illustrate their grassroots impact on youth. Reviewers praise this as insightful political humor, blending nostalgia with critique of persistent hierarchies despite policy shifts.[23][24] Socio-economically, the film lampoons class-caste intersections, showing how economic marginalization entrenches discrimination; Ashish's lower-caste status limits social mobility, satirized via failed attempts at upward mimicry. It avoids romanticizing poverty, instead using hyperbolic failures to reveal systemic barriers, supported by production design evoking 1990s rural decay amid national reforms. This layered commentary, per analyses, renders the satire accessible yet incisive, prompting reflection on enduring inequalities.[6][19]Historical depictions and accuracy
The film Aatmapamphlet interweaves the protagonist Ashish's personal milestones with key socio-political events in India during the late 1980s and early 1990s, particularly those affecting caste dynamics and national identity.[9][8] Prominent depictions include the implementation of the Mandal Commission recommendations in 1990, which expanded reservations for Other Backward Classes (OBCs) and sparked widespread protests and debates on affirmative action, portrayed through the lens of schoolyard rivalries and family discussions on caste privileges.[9][7] The 1992 demolition of the Babri Masjid in Ayodhya is referenced amid communal tensions, aligning with Ashish's coming-of-age experiences of riots, Hindu-Muslim clashes, and inter-caste conflicts that disrupted everyday life in Maharashtra.[9][7][25] Economic liberalization policies initiated in 1991 under Prime Minister P.V. Narasimha Rao are subtly evoked through shifts in consumer culture and aspirations, contrasting the protagonist's modest Dalit household with emerging middle-class influences like television and Bollywood tropes.[8] References to B.R. Ambedkar and Buddhism underscore the film's exploration of Dalit identity, drawing on historical figures and movements for empowerment amid ongoing discrimination.[25] These elements are not presented as exhaustive historical reenactments but as backdrop to individual memory, with montages linking personal events—such as first love or family gatherings—to national upheavals like caste-based violence and decentralization efforts.[22][2] As a semi-autobiographical satire directed by Ashish Avinash Bende, drawing from his own upbringing in 1980s-1990s rural Maharashtra, the depictions prioritize subjective authenticity over documentary precision, capturing the era's nostalgia and disruptions as experienced by a Dalit child.[26] Reviews commend the film's fidelity to period details, including school dynamics, local politics, and cultural markers like Bollywood influences, which resonate with audiences who lived through the 1990s for their relatable evocation of transformative changes without evident factual distortions.[23][2] However, the satirical framing amplifies absurdities in caste and communal interactions for comedic effect, potentially heightening dramatic tensions beyond literal recall, though grounded in verifiable historical timelines such as the Mandal agitation's peak in 1990 and Babri's aftermath in 1992-1993.[7] No major critiques of historical inaccuracy appear in contemporary analyses, attributing the film's strength to its integration of public events with private introspection rather than objective historiography.[8][9]Release
Premiere and theatrical run
Aatmapamphlet premiered at the Berlin International Film Festival on 22 February 2023, where it screened in the Generation Kplus section, highlighting its coming-of-age narrative set against 1990s India.[27] [10] The film received a wide theatrical release in India on 6 October 2023, distributed by Zee Studios and T-Series.[1] [28] Its domestic box office performance was modest, collecting approximately ₹0.43 crore net in India during its initial run, reflecting limited commercial success despite critical recognition at festivals.[29] International theatrical releases followed, including Indonesia on 25 November 2023 and Spain on 19 July 2024.[27]Distribution and availability
Following its premiere at the Berlin International Film Festival on February 22, 2023, Aatmapamphlet received a limited theatrical release in India on October 6, 2023, distributed by Zee Studios.[27][30] The film screened additionally at the Jio MAMI Mumbai Film Festival on October 28, 2023, and the Jogja-NETPAC Asian Film Festival in Indonesia on November 25, 2023, reflecting its festival circuit exposure prior to wider commercial availability.[27][31] For home viewing, the film became available on digital streaming platforms starting in late 2023. It streams on Amazon Prime Video, including ad-supported tiers, and on Zee5 with free ad-supported access.[32][3] Purchase or rental options exist on Apple TV, Google Play Movies, and platforms like BookMyShow Stream and Watcho.[33][34][35] No widespread physical media distribution, such as DVD or Blu-ray, has been reported as of October 2025.[32]Reception
Critical reviews
Critics widely praised Aatmapamphlet for its sharp socio-political satire, particularly its handling of caste discrimination through the lens of youthful absurdity and 1990s nostalgia. The film, directed by Ashish Bende and written by Paresh Mokashi, received a 4 out of 5 rating from The Times of India, where reviewer Mihir Bhanage described it as "a brilliantly written satire that's socio-political" yet noted its "brutal, funny, and fitfully entertaining" nature, qualifying it as an average one-time watch due to uneven execution despite strong thematic intent.[2] Scroll.in critic Rahul Desai lauded the film on October 6, 2023, as "one of the slyest, wickedest films about the stupidity of discrimination in recent times," highlighting its mordant script and ability to critique entrenched biases without preachiness, emphasizing the narrative's focus on a Dalit protagonist's unfiltered teenage perspective.[8] Similarly, The Hindu on March 1, 2024, commended its engagement with caste dynamics, portraying the protagonist's "happy-go-lucky" worldview as a vehicle for imagining Dalit identity free from societal constraints, blending innocence with profound social commentary.[9] International coverage from Variety following its February 2023 Berlin International Film Festival premiere underscored the film's universal appeal in depicting discrimination, with producer-actor Paresh Mokashi's involvement adding layers of authenticity to the coming-of-age story set against India's evolving social fabric.[14] Domestic outlets like Filmysasi echoed this on October 8, 2023, calling it a "warm satire set in simpler times" that prompts reflection on divisive ideologies without overt moralizing, praising its nostalgic elements and message delivery.[25] While some reviews noted minor pacing issues, the consensus affirmed its originality and relevance in Marathi cinema, with no major detractors among professional critiques.Audience and cultural impact
Aatmapamphlet garnered a mixed audience response upon its theatrical release on October 6, 2023, with limited commercial success reflected in its India net box office collection of approximately ₹0.43 crore.[29] Despite the underwhelming financial performance, the film resonated more strongly on digital platforms, where it received praise for its nostalgic 1990s setting and humorous take on socio-political themes, contributing to a cult following among viewers interested in independent Marathi cinema.[36] Audience ratings varied, with IMDb users awarding it an 8.1/10 based on over 1,000 votes, highlighting its wit, warmth, and ability to address societal biases through a child's perspective without overt preachiness.[1] In contrast, aggregated user scores on platforms like Sacnilk stood lower at 4.62/10 from 82 ratings, possibly indicating polarized reception among broader Indian audiences less attuned to its satirical edge.[37] The film's cultural footprint extends beyond metrics, sparking discussions on caste dynamics and Dalit representation in Indian cinema by portraying a Dalit protagonist unbound by stereotypical constraints, allowing audiences to envision heroic attributes typically reserved for upper-caste narratives.[9] [7] This approach, blending personal coming-of-age elements with broader socio-economic satire, positioned Aatmapamphlet as a commentary on 1990s India's liberalization and identity politics, appealing particularly to youth demographics globally for its universal themes of innocence amid change.[14] Its selection for the Berlin International Film Festival in 2023 elevated Marathi cinema's profile internationally, fostering pride within regional film communities while prompting reflections on discrimination's absurdities in contemporary discourse.[38] The film's National Award win for Best Debut Director in 2025 further amplified its influence, encouraging viewership and analysis in academic and activist circles focused on subaltern narratives.[18]Accolades
Awards won
Aatmapamphlet secured the Swarna Kamal for Best Debut Film of a Director at the 71st National Film Awards, announced on August 1, 2025, for feature films released in 2023, awarded to director Ashish Bende with a cash prize of ₹3,00,000.[39][40] At the Filmfare Awards Marathi 2024, the film won Best Film, recognizing its production by T-Series, Colour Yellow Productions, and Zee Studios.[41] It also received the Best Director award for Ashish Bende and Best Critics' Film.[41]| Award | Category | Recipient | Year | Source |
|---|---|---|---|---|
| National Film Awards | Best Debut Film of a Director | Ashish Bende | 2025 | PIB |
| Filmfare Awards Marathi | Best Film | T-Series, Colour Yellow Productions & Zee Studios | 2024 | IMDb Awards |
| Filmfare Awards Marathi | Best Director | Ashish Bende | 2024 | IMDb Awards |
| Filmfare Awards Marathi | Best Critics' Film | - | 2024 | IMDb Awards |