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Annette Andre
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Annette Andre (born 24 June 1939)[1] is an Australian actress best known for her work on British television throughout the 1960s and 1970s.[2]
Key Information
Early life and early career
[edit]The daughter of an upholsterer, Annette Andre was born in Drummoyne,[1] Australia, as Annette Christine Andreallo.[1] She was raised in Sydney[2] and educated at Brigidine College, Sydney.[citation needed]
She began work as a ballet dancer at the age of 4 at an academy linked to the Australian Ballet. At the age of 15, she decided to quit ballet and pursue acting. Because she realised that she was not yet 16, the legal age to work in acting, Andre enrolled in a radio training school, and her first radio role was in the serial radio drama called Kid Grayson Rides the Range.[3] Her first role was in the television movie If It's a Rose. Her other Australian television performances included Slaughter of St Teresa's Day.[4]
Later career
[edit]She moved to the UK in 1963 and was cast in Emerald Soup.[5]
Her first film role was in This Is My Street (1964), in which her performance was described as "superb."[6] Her other film credits include The Heroes of Telemark (1965), He Who Rides a Tiger (1965), Up Jumped a Swagman (1965), with Frank Ifield, and the Charlie Drake comedy Mister Ten Per Cent (1967). She also played Philia, a beautiful virgin concubine from the house of procurer Marcus Lycus (Phil Silvers) in the 1966 film version of the Broadway musical A Funny Thing Happened on the Way to the Forum. She played in the stage musical Vanity Fair in London's West End.[7]
Her longest running role was as Marty Hopkirk's widow Jeannie Hopkirk in the ITC series Randall and Hopkirk (Deceased) (1969–70).[8][9] She also made guest appearances in other shows such as Whiplash, The Human Jungle, The Avengers, The Saint, Adam Adamant Lives!, The Troubleshooters, The Baron, The Brothers and The Prisoner.
During the 1970s, Andre guest starred in episodes of The Persuaders!, The New Avengers and Return of the Saint. In the 1980s, she appeared in the soap opera Crossroads as well as returning to Australia to play Jennifer Brent in Taurus Rising and Camilla Wells in Prisoner (retitled Prisoner: Cell Block H in the US and UK).
During 1985 and 1986, she appeared onstage in London's West End in the mystery thriller The Business of Murder at the Mayfair Theatre.[citation needed]
Andre is now semi-retired from acting, and devotes much of her time to animal welfare issues. She spearheads the new BFF Support Group and, with her producer husband Arthur Weingarten, works closely with Virginia McKenna of the Zoo Check campaign.[10] She made one of her rare appearances at the Mid-Atlantic Nostalgia Convention in Aberdeen, Maryland, US in September 2007.
Personal life
[edit]She was once linked romantically with George Best, the footballer.[11]
In the early 1960s, she turned down a proposal of marriage from Benny Hill.[12]
She has a daughter. She chose not to reveal the identity of the father.[13]
Memoir
[edit]In 2018, Andre published her memoir Where Have I Been All My Life,[14] with a foreword by Sir Roger Moore and an appreciation by her Randall & Hopkirk (Deceased) co-star, Kenneth Cope.[citation needed]
Filmography and works
[edit]Television
[edit]| Year | Title | Role | Type |
|---|---|---|---|
| 1957 | The House on the Corner | TV series | |
| 1958 | If It's a Rose | Anna | TV movie |
| 1959 | Act of Violence | ||
| Wuthering Heights | Isabella[15] | ||
| 1960 | The Slaughter of St Theresa's Day | Thelma | |
| Stormy Petrel | Ann Bligh | TV series, 4 episodes | |
| 1961 | The Merchant of Venice | Jessica | TV movie |
| Martine | Martine | ||
| Whiplash | Fiona Merrick Cassie Charlene |
TV series, 3 episodes | |
| Consider Your Verdict | The Other Woman | TV series, episode: Queen Versus Regan | |
| 1962 | Boy Round the Corner | Carrie | TV movie |
| 1963 | Our Man at St. Mark's | Jackie Hawkins | TV series, episode: Holier than Thou |
| The Sentimental Agent | Betsy Ann | TV series, episode: Finishing School | |
| Emerald Soup | Penny Dalton | TV series, 3 episodes | |
| 1964 | The Avengers | Judy | TV series, episode: Mandrake |
| Crane | Petra | TV series, episode: Two Rings for Dinner | |
| Sergeant Cork | Mary Briggs | TV series, episode: The Case of the Two Poisons | |
| Story Parade | Rosie Sullivan | TV series, episode: The Little White God | |
| Emergency-Ward 10 | Sally Graham | TV series, 3 episodes | |
| The Human Jungle | Jane | TV series, episode: Dual Control | |
| 1965 | Gideon C.I.D. | Sue Young | TV series, episode: The Nightlifers |
| The Mill on the Floss | Lucy Deane | TV series, 4 episodes | |
| Front Page Story | Ingar | TV series, episode: They Don't Grow on Trees | |
| 1966 | Adam Adamant Lives! | Paula | TV series, episode: Beauty Is an Ugly Word |
| 1964-67 | The Saint | Madeline Gray Linda Henderson Madeline Dawson Carmen Annette |
TV series, 5 episodes |
| 1967 | Mogul | Tammy Gervais | TV series, episode: Home and Dry |
| The Baron | Samantha Ballard | TV series, episode: Roundabout | |
| The Dick Emery Show | Herself | TV series, episode 6.1 | |
| Half Hour Story | Angie | TV series, episode: What Will You Do About Christmas? | |
| The Revenue Men | Jane Quest | TV series, episode: Conflict of Interests | |
| The Prisoner | Monique (the watchmaker's daughter | TV series, episode: It's Your Funeral | |
| 1968 | The Guns of Will Sonnett | Leah Galt | TV series, episode: The Sins of the Father |
| Detective | Anna Pryde | TV series, episode: Cork on the Water | |
| 1969-70 | Randall and Hopkirk (Deceased) | Jeannie Hopkirk | TV series, 25 episodes |
| 1971 | The Persuaders! | Pekoo Rayne | ITV series, episode: Powerswitch |
| 1972 | Owen, M.D. | Mary Jane Phillips | TV series, 2-part episode:Saddler's Challenge |
| The Brothers | Sally Wolfe | TV series, 5 episodes | |
| Man at the Top | Tricia Kennedy | TV series, episode: Living Like a Lord | |
| 1973 | Nobody Is Norman Wisdom | Moria | TV series, episode 1.3 |
| 1975 | The Rough with the Smooth | Irene Fellowes | TV series, episode: 1.6 |
| 1976 | The New Avengers | Suzy Miller | TV series, episode: House of Cards |
| 1978 | Return of the Saint | Sandy | TV series, episode: Yesterday's Hero |
| 1980 | Company & Co. | Lucy | TV series, episode: A Little Confidence |
| 1981 | Sporting Chance | TV series, episode 6: A Perfect 10 | |
| 1982 | Taurus Rising | Jennifer Brant | TV series |
| 1982-83 | Cop Shop | Yvonne Holmes Elizabeth Bakos |
TV series, 15 episodes |
| 1984 | Prisoner: Cell Block H | Camilla Wells | TV series, 4 episodes |
| 1984-1985 | Crossroads | Sarah Alexander | TV Series |
| 1988 | Maigret | Judith Hollenbeck | TV movie |
| 2025 | The Prisoner of Portmeirion : Our Lives | Herself |
Films
[edit]| Year | Title | Role | Type |
|---|---|---|---|
| 1964 | This Is My Street | Jinny | Feature film |
| 1964 | Panic Button | Drama student | |
| 1965 | He Who Rides a Tiger | Julie | |
| 1965 | The Heroes of Telemark | Girl Student | |
| 1965 | Up Jumped a Swagman | Patsy | |
| 1966 | A Funny Thing Happened on the Way to the Forum | Philia | |
| 1967 | Mister Ten Per Cent | Muriel | |
| 2017 | Nobis | Margaret |
Music videos
[edit]| Year | Title | Artist |
|---|---|---|
| 1965 | You've Lost That Lovin' Feelin' | The Righteous Brothers[16] |
Writing
[edit]- Where Have I Been All My Life? (2018)[14]
References
[edit]- ^ a b c "Births". The Sydney Morning Herald. 1 July 1939. p. 16. Retrieved 23 November 2022.
- ^ a b Vagg, Stephen (29 August 2020). "Annette Andre: My Brilliant Early Australian Career". Filmink.
- ^ Byrne, John (18 April 2017). "My First Job: Annette Andre – 'I didn't get stage fright on radio'". The Stage. Archived from the original on 19 April 2017. Retrieved 8 April 2020.
- ^ Vagg, Stephen (19 October 2020). "Forgotten Australian TV Plays – The Slaughter of St Teresa's Day". Filmink.
- ^ "TV serial a multi-nation affair". The Australian Women's Weekly. Vol. 31, no. 21. Australia. 23 October 1963. p. 17. Retrieved 29 August 2020 – via National Library of Australia.
- ^ Vagg, Stephen (21 January 2025). "Forgotten British Moguls: Nat Cohen – Part Three (1962-68)". Filmink. Retrieved 21 January 2025.
- ^ Brian Gibson (30 June 1965). "Annette's in top gear". The Australian Women's Weekly. National Library of Australia. p. 7. Retrieved 7 June 2014.
- ^ Chapman, James (2002). Saints and avengers: British adventure series of the 1960s. Popular Television Genres, I.B.Tauris. p. 202. ISBN 1-86064-754-5.
- ^ Porter, Toby (1 November 2018). "Sixties movie and TV star Annette Andre talks about her life on both screens". London News Online. Archived from the original on 2 November 2018. Retrieved 8 April 2020.
- ^ Plays and players, Issues 382–387. Hansom Books. 1995.
- ^ "George Best not worried by 'sacking'". The Canberra Times. Vol. 47, no. 13, 300. Australian Capital Territory, Australia. 7 December 1972. p. 36. Retrieved 29 August 2020 – via National Library of Australia.
- ^ Today newspaper, 23 April 1992
- ^ "Annette Andre: Combining the roles of actress and single parent". The Australian Women's Weekly. Vol. 50, no. 12. Australia. 8 September 1982. p. 21. Retrieved 29 August 2020 – via National Library of Australia.
- ^ a b Andre, Annette (2018). Where Have I Been All My Life? A Memoir. Quoit Media Limited. ISBN 9781911537106. Retrieved 23 November 2022.
- ^ Vagg, Stephen (13 February 2026). "Forgotten Australian Television Plays: Wuthering Heights (1959)". Filmink. Retrieved 13 February 2026.
- ^ "The Righteous Brothers – You've lost that loving feeling 1965". archive.org.
External links
[edit]Annette Andre
View on GrokipediaBiography
Early life
Annette André, born Annette Christine Andreallo on 24 June 1939 in Sydney, New South Wales, Australia, was the daughter of an Italian immigrant father who worked in the local upholstery business and an Australian mother.[6] Her family provided a supportive environment in Sydney, where her mother's encouragement played a pivotal role in fostering her early interest in the performing arts.[1] No siblings are documented in available records, and the household dynamics centered on her parents' modest working-class life, which emphasized resilience and opportunity despite limited resources.[2] Raised in Sydney, André experienced a childhood marked by both challenges and early exposure to the arts, including attendance at Brigidine College, a local school that offered a structured education before she pursued performance training.[6] At age three, she was diagnosed with a serious lung condition that confined her to limited activity, with doctors in Sydney predicting a restricted future and little prospect for recovery; however, her mother's proactive care, including enrollment in physical activities, helped her regain strength and inspired a lifelong determination.[1] This illness impacted her physical development during her early years but ultimately fueled her drive to overcome adversity through disciplined pursuits. André's initial foray into the performing arts began at age four, when her mother enrolled her in ballet classes at the training academy affiliated with the Australian Ballet Company, linked to London's Sadler's Wells.[1] She demonstrated an immediate passion, training rigorously for twelve years and becoming obsessed with dance, which her mother had introduced without anticipating the depth of her commitment.[2] By age fifteen, having fully recovered and built exceptional resilience, she was offered a full-time position with the company, marking her transition to professional ballet aspirations, though legal restrictions on child labor delayed formal employment until she turned sixteen.[1]Career beginnings in Australia
Annette Andre began her professional performing career in Australia as a ballet dancer, having trained intensively from the age of four at the academy affiliated with the Australian Ballet Company. At 15, she became the youngest dancer ever selected for a full-time position with the company, marking her professional debut, though legal restrictions on employment for minors delayed her official start and ultimately led her to abandon ballet shortly thereafter.[1] Around the age of 17, Andre transitioned to acting, enrolling in a radio training school and securing her first professional role in the long-running serial drama Kid Grayson Rides the Range, a Western series broadcast on Australian radio stations. This marked her entry into voice work, where she collaborated with established performers such as Don Pascoe and Grant Taylor, honing her skills in an era before television dominated the industry. She soon expanded into theatre in Sydney, taking on minor roles and understudy positions, including as the understudy in The Reluctant Debutante and early appearances like Cobweb in a production of A Midsummer Night's Dream during her childhood, though her professional stage work intensified post-radio.[7][2] Andre's television career commenced in 1957 with minor roles in local Australian series and plays, reflecting the nascent state of the medium in the country. Her debut came in the ATN-7 serial The House on the Corner, where she portrayed a Hungarian girl across four episodes, followed by a lead role as Anna in the ABC live production If It's a Rose, a two-hander adaptation of an Italian play directed by Ray Menmuir. Subsequent appearances included Isabella in Wuthering Heights (1959, ABC), a significant part in the modern drama The Slaughter of St. Teresa's Day (1960, ABC), and the role of Captain Bligh's daughter in the historical miniseries Stormy Petrel (1960), the first Australian TV production of its kind. She also featured in Whiplash (1960–1961), an American-Australian co-production, guest-starring in multiple episodes, as well as The Merchant of Venice (1961, ABC) as Jessica and the mute protagonist in Martine (1961). These roles, often in live broadcasts, showcased her versatility in drama and classics but were limited to supporting parts in a developing industry.[2][8][9] While Andre built a foundation in radio, theatre, and early television, opportunities in Australian film remained scarce during the early 1960s, with her work confined to small on-screen roles in TV miniseries like Stormy Petrel rather than feature films. The constrained local production landscape, characterized by limited budgets and a focus on live TV, presented significant challenges, including inconsistent employment and few avenues for advancement beyond minor characters. These limitations prompted her decision to emigrate in 1962, seeking greater prospects abroad after her experiences in Whiplash opened doors to international work.[2][9]Breakthrough in the UK
After establishing her career in Australian television and theatre, Annette Andre emigrated to London in 1962 at the age of 23, seeking greater opportunities in the international acting scene.[2] Upon arrival, she faced the typical challenges of a newcomer, including auditions for minor roles and securing an English agent, which led to her first West End appearance in the musical Vanity Fair.[9] Her initial UK work consisted of small parts in films and television, marking a period of building visibility through supporting roles rather than leads.[10] Andre's early film roles helped solidify her presence in British cinema. In 1964, she appeared in This Is My Street, a drama directed by Sidney Hayers, playing a supporting character in a story of marital tension and urban life. This was followed by her role as Philia in the 1966 film adaptation of A Funny Thing Happened on the Way to the Forum, a comedic farce where she portrayed the courtesan sought by multiple suitors, showcasing her versatility in light-hearted ensemble pieces alongside stars like Zero Mostel and Phil Silvers. These performances, though not starring, provided crucial exposure and connected her to the burgeoning British film industry.[1] Her breakthrough came in television with the role of Jeannie Hopkirk in the ITC supernatural detective series Randall and Hopkirk (Deceased) (1969–1970), appearing in all 26 episodes. In the show, private investigator Jeff Randall teams up with the ghost of his murdered partner Marty Hopkirk to solve crimes, while Jeannie, Marty's grieving widow and Jeff's secretary, provides emotional support and practical assistance to the agency, often reacting to the eerie supernatural elements with a mix of skepticism and resilience.[11] This character dynamic highlighted Andre's ability to blend warmth, wit, and vulnerability, cementing her as a recognizable face in British TV.[9] Complementing this success, Andre made notable guest appearances in several iconic 1960s series, further establishing her reputation. She featured in The Saint in 1967 as Laura in the episode "The Best Laid Schemes," working alongside Roger Moore's Simon Templar and beginning a professional rapport with the star through multiple collaborations across the series. In The Avengers (1967), she played Suzy in "The Positive-Negative Man," contributing to the show's blend of espionage and sci-fi intrigue.[12] Her role as the Watchmaker's Daughter in The Prisoner (1968) episode "It's Your Funeral" added to her portfolio in dystopian thriller territory. These appearances, often in spy and thriller genres, allowed her to network with industry figures like Moore and Patrick McGoohan, carving out a niche in high-profile action-adventure programming.[11]Later career and retirement
Following her breakthrough roles in the 1960s, Annette Andre continued to secure guest appearances on British television throughout the 1970s, including as Pekoe Rayne in The Persuaders! (1971), Suzy Miller in The New Avengers (1976), and Sandy in Return of the Saint (1978).[10] These roles built on her established presence in action and adventure series, though opportunities in film and stage began to diminish by the late 1970s, with her last major film appearance in A Funny Thing Happened on the Way to the Forum (1966).[10] Her work during this period reflected a shift toward episodic television, as the industry increasingly favored ensemble casts and shorter commitments over lead film parts.[13] In the 1980s, Andre returned to Australia for roles such as Jennifer Brent in the soap opera Taurus Rising (1982) and Camilla Wells in Prisoner: Cell Block H (1984), marking a reconnection with her roots after years in the UK.[10] She also took on the recurring part of Sarah Alexander in the British soap Crossroads (1984–1985), one of her final sustained television engagements.[13] By the mid-1980s, her on-screen output tapered significantly, aligning with broader industry trends that limited roles for women over 40, though Andre has noted in interviews that she remained open to projects amid these changes.[11] Andre entered semi-retirement in the late 1980s, prioritizing personal life over full-time acting while making occasional appearances, such as a supporting role in the short film Nobis (2017).[13] In a 2019 interview, she clarified that she was not fully retired but selective about work, citing a desire for balance after decades in the profession.[11] Her most recent public involvement came in 2025 with an appearance in the BBC documentary The Prisoner of Portmeirion: Our Lives, where she reflected on her early career alongside fellow cast members from The Prisoner.[14] This sporadic engagement underscores her transition from regular performing to selective contributions, influenced by evolving personal priorities and the challenges of age-related typecasting in acting.[11]Personal life
Relationships and family
Annette Andre was romantically linked to footballer George Best in 1970, though she later described their connection as merely a couple of dates that the press exaggerated into a full relationship.[6] Earlier, in the 1960s, she had a brief romance with Spanish bullfighter Manuel Benítez 'El Cordobés'.[15] In the early 1960s, comedian Benny Hill proposed marriage to Andre, whom he admired professionally and personally; she respectfully declined, viewing him as a "wonderful, shy, lonely, eccentric" friend rather than a romantic partner.[6] Andre married American producer and writer Arthur Weingarten in 1989, after meeting him during the production of a 1988 television film adaptation of Maigret.[10] The couple divided their time between London, Los Angeles, and a home in New York's Hudson Valley, where they enjoyed a stable life focused on creative projects and family.[1] Weingarten passed away from kidney failure on October 30, 2021.[16] Prior to her marriage, Andre became a single mother at age 40 when her daughter Anouska was born in 1979; she has chosen not to disclose the father's identity publicly, noting that their relationship had ended before the birth and that he had once proposed marriage, which she turned down.[17] The pregnancy was unplanned, and Andre briefly considered termination but ultimately embraced motherhood alone, returning to Australia in the early 1980s to raise her daughter amid her acting commitments.[17] This period marked a significant career interruption, as she balanced single parenthood with selective roles before semi-retiring after her marriage to prioritize family.[6] As of 2025, Andre resides in south-west London, close to her daughter Anouska and two grandchildren, Jake and Nia, maintaining a stable post-retirement life centered on family proximity and personal pursuits like painting.[18][19]Activism and philanthropy
Following her semi-retirement from acting, Annette Andre has devoted much of her time to animal welfare advocacy. She began hands-on volunteering with the Born Free Foundation in England during the 1990s and continued this work after relocating to the United States.[11] The Born Free Foundation, co-founded in 1984 by actors Bill Travers and Virginia McKenna to promote wildlife conservation and oppose animal exploitation in captivity, aligned closely with Andre's lifelong passion for animal protection.[20] She also volunteered with the Amanda Foundation in Los Angeles, focusing on animal rescue and rehabilitation efforts.[11] Andre collaborated extensively with her husband, producer Arthur Weingarten, whom she married in 1989, on animal rights initiatives until his death in 2021. Together, they worked closely with Travers and McKenna, contributing to advocacy campaigns aimed at raising awareness about captive wildlife and supporting conservation projects through donations and organizational involvement.[21] In 2017, Andre announced her role in spearheading a new support group for the Born Free Foundation to bolster fundraising and volunteer engagement.[22] Throughout the 2000s and 2010s, Andre participated in media appearances and interviews to highlight animal rights issues, including discussions on the ethical treatment of animals in entertainment and the need for stricter wildlife protection laws. For instance, in a 2019 interview, she emphasized her ongoing commitment to these causes, stating, "Animal Welfare did take up my time for a number of years working as a hands-on volunteer."[11] Her efforts extended into the 2020s, with continued public endorsements of conservation amid growing environmental concerns.[23] As of 2025, Andre's activism has been recognized for amplifying the voices of smaller conservation organizations, contributing to broader awareness of animal welfare challenges, though she has not received formal awards for these efforts. Her work has inspired fellow artists to engage in humanitarian causes, blending her entertainment background with advocacy for sustainable wildlife practices.[23]Works and legacy
Memoir
In 2018, Annette André published her autobiography Where Have I Been All My Life? through Quoit Media Limited, a small independent press, in a hardcover edition of 272 pages (ISBN 9781911537106). The book was released on September 11, 2018, and is structured chronologically, beginning with a pivotal 1972 incident and tracing her journey from childhood through her ballet training, acting career, personal relationships, and eventual retirement. It features a foreword by Sir Roger Moore, who praises André's resilience and contributions to British television.[24][25][4] The memoir explores several key themes, including André's overcoming of a chronic illness in her youth that nearly derailed her aspirations, leading to her professional ballet debut at age 15. It candidly recounts the highs and lows of her acting career, from breakthrough roles in iconic British series to challenges in the industry, interspersed with personal anecdotes such as a romance with a bullfighter and a proposal from Benny Hill. Reflections on regrets over life choices, family dynamics including her daughter's birth and marriage, and her enduring passion for animal welfare—stemming from her later-life advocacy alongside her husband—form the emotional core, emphasizing themes of perseverance and self-discovery.[26][4][25] Reception for the memoir has been largely positive, with reviewers commending its honest and poignant tone. On Amazon UK, it holds a 4.5 out of 5 rating from 84 customer reviews, praised for its "arresting honesty" and engaging storytelling that balances humor with vulnerability. Goodreads users rate it 4.25 out of 5 based on 16 ratings and 6 reviews, highlighting the candid insights into her career interactions and personal growth. No significant updates or related writings by André have been published since 2018.[27][28]Filmography
Annette Andre's film career began with uncredited roles in major productions and evolved into supporting parts in British comedies and dramas during the mid-1960s, showcasing her versatility in both dramatic and light-hearted roles.[10] Her cinematic work primarily spanned 1963 to 1967, with appearances in international co-productions and UK-based features that highlighted her early breakthrough from Australian theater to international screens.[1]| Year | Title | Role | Director | Runtime | Notable Co-Stars | Description |
|---|---|---|---|---|---|---|
| 1963 | Cleopatra | Handmaiden (uncredited) | Joseph L. Mankiewicz | 192 min | Elizabeth Taylor, Richard Burton, Rex Harrison | Epic historical drama depicting the romance between Mark Antony and Cleopatra; Andre's minor role marked her entry into international film during production in Italy and England. |
| 1964 | Panic Button | Drama student | George Sherman | 82 min | Maurice Chevalier, Jayne Mansfield, Mike Connors | Italian-American comedy about a businessman funding a chaotic film adaptation of Romeo and Juliet to evade taxes, featuring Andre in a small ensemble part amid the farce at the Venice Film Festival.[29] |
| 1964 | This Is My Street | Jinny | Sidney J. Furie | 94 min | Ian Hendry, June Ritchie, John Hurt | British kitchen sink drama exploring class tensions and infidelity in a working-class London neighborhood, where Andre portrayed a key supporting character in the ensemble.[30] |
| 1965 | Up Jumped a Swagman | Patsy | Christopher Miles | 91 min | Frank Ifield, Ronald Radd, Suzy Kendall | Musical comedy following an Australian singer's misadventures in London, with Andre as the romantic interest in a lively pop-infused narrative.[31] |
| 1965 | The Heroes of Telemark | Girl student (uncredited) | Anthony Mann | 131 min | Kirk Douglas, Richard Harris, Ulla Jacobsson | World War II action film based on Norwegian resistance efforts against Nazi heavy water production, featuring Andre in a brief background role. |
| 1965 | He Who Rides a Tiger | Julie | Charles Crichton | 99 min | Tom Bell, Judi Dench, Ronald Fraser | Crime drama about a petty thief's unlikely bond with an elderly woman, where Andre played a supporting role in this character-driven British production.[32] |
| 1966 | A Funny Thing Happened on the Way to the Forum | Philia | Richard Lester | 99 min | Zero Mostel, Phil Silvers, Michael Crawford, Buster Keaton | Frenetic screen adaptation of the Broadway musical farce set in ancient Rome, with Andre as the innocent virgin courtesan central to the plot's mistaken identities and slapstick.[33] |
| 1967 | Mister Ten Per Cent | Muriel | Peter Graham Scott | 89 min | Charlie Drake, Derek Nimmo, John Le Mesurier | Comedy satirizing the British theater world, following a hapless agent's schemes; Andre appeared in a supporting role amid the ensemble of eccentric characters.[34] |
