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Dante
Manufacturer info
ManufacturerAudinate Pty. Ltd.
Development date2006; 19 years ago (2006)
Network compatibility
SwitchableYes
RoutableYes[a]
Ethernet data ratesFast Ethernet, Gigabit Ethernet
Audio specifications
Minimum latency150 μs[1]
Maximum channels per link1024 (512x512)
Maximum sampling rate192 kHz[2][3]
Maximum bit depth32 bits[4]

Dante is the product name for a combination of software, hardware, and network protocols that delivers uncompressed, multi-channel, low-latency digital audio over a standard Ethernet network using Layer 3 IP packets.[5] Developed in 2006 by the Sydney-based Audinate, Dante builds on previous audio over Ethernet and audio over IP technologies.

Like most other audio over Ethernet technologies, Dante is primarily for professional, commercial applications. Most often, it is used in applications where a large number of audio channels must be transmitted over relatively long distances or to multiple locations.

Digital audio provides several advantages over traditional analog audio distribution. Audio transmitted over analog cables can be adversely affected by signal degradation due to electromagnetic interference, high-frequency attenuation, and voltage drop over long cable runs. Thanks to digital multiplexing, the cabling requirements for digital audio distribution are almost always reduced when compared to analog audio. Dante also provides specific advantages over first-generation audio over Ethernet technologies, such as CobraNet and EtherSound. Technological advancements include native gigabit support,[6] higher channel count, lower latency, and automatic configuration.

History

[edit]
A Dante interface card installed in a sound mixer by Lawo

After Motorola closed an Australian research facility in 2003, current Audinate CEO Aidan Williams brought a team of researchers to the National Information and Communication Technology Australia (NICTA) research centre in Sydney, Australia. There, with the help of government funding, the team spent three years developing the foundations of Dante. In 2006, Williams founded Audinate and began the process of bringing Dante to the market.[7]

Audinate received funding from NICTA until negotiations concluded in 2006, at which point Audinate became NICTA's first successful spin-out company.[8] Since 2006, Audinate has also secured two rounds of A$4 million investments led by venture capital firms Starfish Ventures and Innovation Capital.[9][10] In 2009, Audinate established an office in Portland, Oregon and also has offices in Cambridge (UK)[11] and Hong Kong.[12]

As of March 2021 Audinate has licensed 350 companies, which have produced over 3000 products[13] that incorporate Dante technology.[14]

As of September 2023 Audinate has licensed 550 companies, which have produced over 3800[15] products that incorporate Dante technology.

Platforms

[edit]

Audinate offers Dante technology on a number of hardware and software platforms.

Third-party software and hardware companies that sell Dante solutions must license it from Audinate.

Notes

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See also

[edit]

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Dante (networking)

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from Grokipedia
Dante is a audio networking developed by Audinate Pty Ltd, an Australian company founded in , that enables the transmission of high-quality, uncompressed signals over standard Ethernet networks using [Internet Protocol](/page/Internet Protocol) (IP). Introduced commercially in 2006 after initial development beginning in , Dante builds on earlier audio-over-Ethernet and audio-over-IP concepts to provide low-latency, multichannel audio routing with automatic device discovery and configuration, eliminating the need for traditional point-to-point cabling in systems. The technology supports the distribution of up to hundreds of audio channels over a single Ethernet cable, with latencies as low as 150 microseconds on compatible Gigabit networks, making it suitable for live sound reinforcement, broadcast, recording studios, and installed AV systems. Key features include plug-and-play interoperability among Dante-enabled devices, support for both dedicated audio networks and shared IT infrastructures with (QoS) prioritization, and scalability from small setups to large-scale installations. Since its debut with the first Dante-equipped device in 2008—a Lake Processor—Dante has evolved to include video capabilities through extensions like Dante AV (introduced in 2019), Dante AV-H (2021), and Dante AV-A (2023), while maintaining . As of 2025, it has been licensed by 725 original equipment manufacturers (OEMs) and integrated into 4,603 networked audio and video products worldwide, establishing it as the for AV-over-IP connectivity in professional environments.

Overview

Definition and Core Functionality

Dante is a suite developed by Audinate, encompassing software, hardware, and network protocols designed for the transmission of uncompressed, multi-channel over standard Ethernet networks. This technology enables the routing of high-quality audio signals in applications, such as live sound, , and installed systems, by leveraging [Internet Protocol](/page/Internet Protocol) (IP) packets to distribute audio streams efficiently. At its core, Dante facilitates the transportation of audio streams using for point-to-point connections or for one-to-many distribution, with automatic device discovery achieved through (mDNS). The protocol operates by encapsulating audio payloads within IEEE 802.3 Ethernet frames, ensuring compatibility with standards for RTP-based audio transport. Synchronization across devices is maintained via the (PTP) as defined in IEEE 1588-2002, which provides precise clocking for low-latency audio delivery. Dante supports up to 512 bidirectional channels per device at a 48 kHz sample rate over a link, allowing for scalable network configurations without audio compression. This architecture allows Dante-enabled devices to integrate seamlessly into existing , transmitting uncompressed (PCM) audio at 24-bit depth while maintaining sub-millisecond latency suitable for real-time applications.

Advantages Over Traditional Audio Networking

Dante audio networking offers significant advantages over traditional systems such as point-to-point analog cabling or AES/EBU digital connections, which require dedicated wires for each audio channel, leading to complex and bulky installations. In contrast, Dante enables the transmission of up to 512 bidirectional audio channels over a single standard Ethernet cable, allowing for expansive networks that support thousands of channels across multiple devices without proportional increases in cabling infrastructure. This reduction in physical wiring simplifies deployment in large-scale environments like concert venues or corporate facilities, where traditional setups would demand extensive custom multicore snakes or proprietary digital systems. Cost efficiency is another key benefit, as Dante leverages widely available, low-cost off-the-shelf Ethernet switches and Category 5e or 6 cables, which are far less expensive and lighter than the heavy multicore cables or specialized digital snakes used in legacy audio distributions. Installation and maintenance expenses are lowered because Dante eliminates the need for proprietary hardware or custom analog interconnects, enabling integrators to use existing IT networks and reducing labor for wiring and . For instance, a single CAT5e cable can replace multiple bulky analog runs, cutting material and deployment costs while providing room for future expansions without major overhauls. The protocol's flexibility surpasses traditional audio networking by allowing remote routing and mixing through intuitive software interfaces, such as Dante Controller, which supports drag-and-drop reconfiguration without physical repatching of cables—a common bottleneck in dynamic settings like live events or multi-room installations. This digital approach facilitates seamless integration of devices from various manufacturers, enabling audio signals to be split, routed, or across the network effortlessly, which is particularly valuable in environments requiring frequent adjustments. By utilizing uncompressed transmission over IP, Dante ensures adaptability to evolving needs without the constraints of fixed analog pathways. Reliability is enhanced through Dante's deterministic delivery mechanism, which provides low-jitter performance and sample-accurate , preventing audio dropouts or degradation in real-time applications where traditional analog systems are prone to , interference, or signal loss over distance. Unlike analog cabling that suffers from or grounding issues, Dante's IP-based architecture ensures consistent, high-fidelity audio across the network, supported by automatic device discovery and fault-tolerant routing. This makes it ideal for mission-critical uses, such as broadcast or conferencing, where uninterrupted performance is essential.

History

Origins and Development

Dante originated in 2003 when Aidan Williams, an engineer with a background in networking and a passion for , founded Audinate in , to tackle the inefficiencies of audio routing in live sound environments using existing Ethernet technologies. Williams recognized that the proliferation of specialized cables, adapters, and proprietary connections for audio devices created unnecessary complexity, particularly in professional settings where reliable, scalable networking was essential. Drawing from his experiences with personal audio setups, he envisioned a solution that leveraged standard IP over Ethernet to enable seamless, low-latency audio transmission, fundamentally simplifying professional audio workflows. Between 2004 and 2005, Williams and his team at Audinate developed the initial prototype of Dante, specifically designed to overcome the limitations of earlier audio-over-Ethernet protocols such as CobraNet and EtherSound. These predecessors suffered from high complexity in setup, inconsistent synchronization across devices, and dependence on dedicated hardware that restricted integration with standard , making them less suitable for dynamic live applications. The Dante prototype prioritized intuitive plug-and-play functionality, precise , and efficient use of off-the-shelf Ethernet switches to deliver uncompressed, multi-channel audio with minimal latency, setting it apart as a more accessible and robust alternative. Dante made its official debut in 2006 at the InfoComm in , signifying the technology's public announcement and introduction to the professional audiovisual industry, with the first commercial deployment occurring in 2008. From its inception, Dante focused exclusively on audio networking, providing high-fidelity distribution over standard networks without requiring specialized cabling or converters. Audinate established itself as the sole licensor of the Dante technology, controlling its development and licensing to ensure consistent quality and across implementations.

Key Milestones and Evolution

Following its initial launch in , Dante's evolution has been marked by strategic enhancements that expanded its , software capabilities, and integration with emerging standards and media types. In 2008, Audinate introduced its program for Dante-enabled devices, beginning with the Dolby Lake Processor as the first certified product, which ensured consistent performance and seamless across hardware from multiple manufacturers. By 2012, the release of Dante Controller software version 3.0 brought advanced routing features, including improved signal management and network visualization tools, enabling more efficient configuration of complex audio setups. In 2015, Audinate added initial support for the standard through firmware updates, allowing Dante networks to interoperate with other audio-over-IP protocols and broadening compatibility in professional environments, with further expansions in subsequent years. The platform continued to mature with hardware solutions for legacy integration; in 2018, Dante AVIO adapters were introduced for connecting non-Dante devices to the network, facilitating easier adoption in mixed environments. This was followed in 2019 by the expansion to video transport through Dante AV, which extended the protocol's low-latency capabilities to distribution over IP networks, with Dante AV-H added in 2021. From 2023 to 2025, Dante Domain Manager evolved to include advanced management features, with Dante Director—a cloud-based SaaS for remote device oversight—launched in , enhancing scalability for large-scale deployments. During this period, Dante deepened integrations with AV-over-IP solutions in corporate and broadcast sectors, culminating in 4,603 certified products as of 2025, reflecting its widespread ecosystem growth.

Technical Specifications

Protocol Mechanics

Dante operates within Layers 2 and 3 of the , utilizing Ethernet for physical and transmission while employing IP at the network layer to route audio and control data across standard IT networks. Audio transport relies on UDP over IP, enabling low-latency, connectionless delivery suitable for real-time applications. This architecture allows Dante to integrate seamlessly with existing Ethernet infrastructure without requiring dedicated hardware, as the protocol leverages and IP addressing for efficient distribution. The packet structure for audio in Dante encapsulates digital audio samples within UDP payloads, forming "flows" that bundle multiple channels—up to four in flows—for optimized bandwidth usage. Each packet includes sequence numbers to facilitate error detection and reordering at the receiver, ensuring reliable playback even in imperfect network conditions. While the native format is proprietary, it mirrors RTP () conventions in its timestamping and sequencing, particularly when interoperating with standards like , where full RTP encapsulation is employed for streams. support further enhances efficiency by allowing a single transmitter to deliver audio to multiple receivers without duplicating traffic, using reserved ranges such as 239.255.0.0/16. Clock synchronization in Dante employs the Precision Time Protocol (PTP) as defined by IEEE 1588, primarily using PTPv1 in multicast mode for native operations to achieve precise timing across devices. A master-slave hierarchy is established through the Best Master Clock Algorithm (BMCA), where a grandmaster clock—elected based on factors like connection speed, external clock inputs, and device priority—is selected to distribute timing information to follower clocks via periodic PTP messages. This setup ensures sub-microsecond accuracy, typically within ±1 μs, enabling sample-accurate audio alignment network-wide and supporting diverse clock sources such as onboard oscillators or external word clocks. For interoperability with AES67 or SMPTE ST 2110, Dante devices can switch to PTPv2 (IEEE 1588-2008) unicast mode, maintaining the same hierarchical structure while enhancing scalability in mixed environments. Device discovery occurs automatically via mDNS (multicast DNS), a zero-configuration protocol that enables Dante-enabled devices to announce and locate each other on the local network without manual IP configuration. Operating over UDP port 5353 to the multicast address 224.0.0.251, mDNS facilitates service discovery through DNS Service Discovery (DNS-SD) records, allowing tools like Dante Controller to enumerate and connect to devices dynamically. This mechanism supports rapid network bootstrapping, particularly in single-subnet environments, and can be supplemented with unicast DNS for larger, multi-subnet deployments.

Performance Characteristics

Dante's latency is configurable and typically ranges from 0.15 to 1 for hardware devices, enabling real-time audio applications where delays remain far below human auditory perception thresholds of approximately 10-20 . This sub-millisecond performance is achieved through precise buffering and network timing, with the default setting at 1 sufficient for large networks. Software implementations, such as Dante Virtual Soundcard, support higher latencies up to 40 to accommodate variable computer performance. In terms of bandwidth usage, Dante transmits uncompressed audio at approximately 1.15 Mbps per mono channel for 24-bit/48 kHz PCM, scaling to about 2.3 Mbps for a stereo pair, though practical flows bundle up to four channels and consume around 6 Mbps including protocol overhead. The protocol supports up to 512 bidirectional channels at 48 kHz over a single link, utilizing a fraction of the available 1 Gbps capacity— for instance, 64 channels require only about 74 Mbps. While compatible with 100 Mbps Ethernet, such networks limit channel counts to fewer than 512 due to bandwidth constraints, with Gigabit infrastructure recommended for full-scale deployments. Audio fidelity in Dante is preserved through uncompressed PCM transmission at 24-bit depth and 48 kHz sample rate as standard, ensuring lossless digital quality equivalent to professional studio standards, with optional support for 96 kHz in compatible devices. This format delivers exceeding 144 dB theoretically, with plus noise (THD+N) performance in end-to-end systems often below -120 dB, limited primarily by analog converters rather than the network protocol itself. For jitter and error handling, Dante employs IEEE 1588 (PTP) to achieve with under 1 , maintaining phase alignment across devices even in large networks. is provided through dual-network topologies, where primary and secondary streams enable seamless with minimal disruption, typically within milliseconds, to mitigate or link failures.

Network Implementation

Hardware Requirements

Dante networks operate over standard Gigabit Ethernet infrastructure adhering to IEEE 802.3 specifications, enabling compatibility with conventional IP-based networking equipment without requiring proprietary hardware. While unmanaged switches suffice for small-scale, dedicated audio deployments, managed Layer 3 switches are recommended for larger or mixed-use environments to implement Quality of Service (QoS) prioritization and Internet Group Management Protocol (IGMP) snooping, which optimize handling of multicast audio traffic and prevent network congestion. QoS is particularly essential on 100 Mbps or hybrid speed networks to ensure low-latency performance, though it remains beneficial even on all-Gigabit setups sharing bandwidth with other traffic. IGMP snooping, meanwhile, is advised for networks with substantial multicast flows, such as those involving multiple audio subscriptions, to filter unnecessary traffic and enhance efficiency. Cabling for Dante follows standard Ethernet guidelines, utilizing Category 5e or higher twisted-pair copper cables for runs up to 100 meters, which supports the protocol's Gigabit speeds and ensures reliable signal integrity. For installations exceeding this distance, multimode or single-mode fiber optic cabling can be employed via compatible transceivers, extending connectivity while maintaining Dante's performance characteristics. Many Dante-compatible endpoints also leverage (PoE) per IEEE 802.3af/at standards, allowing devices like adapters and interfaces to draw power directly from the network cable, thereby simplifying deployment and reducing the need for separate power supplies. Endpoint devices in a Dante network must incorporate Dante-enabled hardware, typically featuring RJ-45 Ethernet ports for connectivity, with a minimum requirement of 100 Mbps full-duplex operation to handle basic audio flows. However, for applications involving higher channel counts—such as 32x32 or more at 48 kHz sampling rates— (1000 Mbps) interfaces are essential to avoid bottlenecks and support the protocol's full capacity. Examples include audio interfaces, digital mixers, and signal converters from certified manufacturers, all of which integrate Dante chipsets to encode and transmit uncompressed audio packets over the network. To enhance reliability in critical applications, Dante supports redundancy through dual network ports on compatible devices, designating one as the primary path and the other as secondary for in case of cable or switch failure. These redundant interfaces operate on physically separate networks, often isolated via VLANs, ensuring seamless audio without interruption and minimizing in live or broadcast scenarios.

Software Configuration

Dante Controller is a application developed by Audinate for managing Dante networks on Windows and macOS platforms. It enables device discovery by automatically detecting all Dante-enabled devices on , allowing users to view and configure them through an intuitive interface. Key functionalities include clock configuration, where users can designate a Preferred Leader clock, enable to external word clocks, and manage (PTP) settings to ensure low-latency audio transport. The software supports matrix routing via a drag-and-drop patching system, where audio channels from transmitters can be easily subscribed to receivers in a visual grid, facilitating quick setup of complex routing schemes without manual IP addressing. Dante Virtual Soundcard (DVS) is a licensed software solution that transforms a standard computer into a Dante-enabled device, emulating a multi-channel audio interface compatible with /WDM on Windows or on macOS. The standard edition allows up to 64 bidirectional channels at 44.1/48 kHz sample rates, reducing to 32 channels at 88.2/96 kHz and 8 channels at 176.4/192 kHz, depending on network bandwidth. As of January 2025, Audinate introduced Dante Virtual Soundcard Pro, which expands support to up to 128 bidirectional channels at 96 kHz, along with features like compatibility and clocking for high-performance applications. By integrating directly with digital audio workstations (DAWs) such as Cubase, , or , DVS enables seamless transmission and reception of high-quality, uncompressed audio over Ethernet, making it ideal for recording, playback, and processing in software-based workflows without requiring additional hardware interfaces. For larger-scale deployments, Dante Domain Manager (DDM) serves as an enterprise-grade tool for overseeing secure, multi-domain Dante networks, supporting up to 250 devices across multiple subnets in its edition. It provides user authentication via local accounts or integration with LDAP/, role-based access controls, and encrypted control traffic to isolate and organize devices logically by site or function. DDM facilitates bridging for interoperability with non-Dante devices, allowing configuration of and session management per domain, while also enabling centralized updates for enrolled devices through an integrated updater tool. The web-based interface offers real-time monitoring, alerts, and audit logs to maintain network integrity. The typical configuration workflow for a Dante network begins with launching Dante Controller to discover devices and assign roles, designating specific channels as transmitters (sources of audio) or receivers (destinations) via the Routing View's Transmit and Receive tabs. Sample rates are then set uniformly across the network—commonly 48 kHz for —through the Device Config tab, with options for pull-up or pull-down adjustments to match external sources like video frame rates. can be enabled for media flows on supported devices (firmware v4.0+), using AES-128 or AES-256 standards via DDM's policy settings to secure audio transmission; as of June 2025, built-in AES-256 media encryption is available through updates on Dante products for direct protection of audio content without interception. Finally, built-in diagnostics in Dante Controller monitor performance, displaying latency histograms (default 1 ms, adjustable down to 150 µs) and metrics in the Latency tab, with color-coded indicators (green for stable, red for issues) to identify and resolve packet delays or losses proactively.

Applications

Live Sound and Events

In live sound and events, Dante networking facilitates stagebox integration by replacing traditional analog multicore cables with Dante-enabled input/output (I/O) racks, enabling front-of-house (FOH) to stage audio routing over standard Ethernet cables exceeding 100 meters. This setup leverages Dante's IP-based architecture to transmit multiple channels of uncompressed, without signal degradation, allowing sound engineers to position I/O racks near performers while centralizing mixing at FOH positions far from the stage. Devices such as the Yamaha Rio or Tio series stageboxes exemplify this, providing remote preamp control and seamless integration with compatible digital consoles for dynamic event environments. Wireless extensions enhance Dante's flexibility in mobile live setups through compatible microphone systems that interface via adapters or native Dante outputs, supporting performer mobility without compromising audio fidelity. For instance, Sony's DWX series and Sennheiser's EW-DX systems incorporate Dante connectivity, allowing wireless mics to feed directly into the network for real-time routing to consoles and monitors during concerts and tours. These integrations enable hybrid wired/wireless networks, where Dante handles distribution of signals from roaming performers to fixed stage elements, minimizing cable clutter on transient stages. Dante has been widely adopted in major tours and large-scale events, often paired with consoles from manufacturers like Yamaha and , to manage quick setups and teardowns while supporting over 128 channels in venues accommodating thousands. On Zach Bryan's 2025 tour, for example, a Dante network integrated 40 wireless channels across multiple consoles, facilitating efficient signal sharing for FOH and monitors during high-stakes performances. Similarly, Swedish artist LÉON's tour utilized systems with Dante for streamlined routing in arenas, reducing physical cabling needs and enabling rapid reconfiguration between shows. These implementations highlight Dante's role in handling complex, multi-channel demands for bands and events, with low latency ensuring in real-time applications. By addressing key challenges in live production, Dante significantly reduces the weight and setup time associated with traditional analog snakes, which can weigh hundreds of pounds and require hours to deploy over long runs. In contrast, a single Cat6 Ethernet cable carries dozens of channels, cutting labor and costs for touring productions while enabling scalable hybrid networks that combine wired stageboxes with elements for greater adaptability. This efficiency has made Dante indispensable for events demanding mobility, such as festivals and arena tours, where downtime must be minimized.

Installed and Broadcast Systems

In corporate audiovisual (AV) environments, Dante facilitates the routing of high-fidelity audio signals across rooms and expansive campuses, integrating seamlessly with ceiling-mounted speakers and processors (DSPs) to enable precise zoned control. This setup allows for dynamic distribution of audio from sources like and media players to multiple zones, such as boardrooms or open-office areas, using standard Ethernet cabling without the need for dedicated analog wiring. For instance, Dante-enabled DSPs process signals for echo cancellation and mixing before delivery to networked amplifiers and speakers, ensuring consistent audio quality in multi-room setups. In broadcast workflows, Dante integrates with video switchers to provide synchronized audio embedding and de-embedding, supporting operations in outside broadcast (OB) vans and production studios. This capability allows audio to be transported alongside video signals over IP networks, with Dante AV extending support to uncompressed 4K video distribution while maintaining low-latency synchronization essential for live transmissions. Recent enhancements, such as expanded ST 2110-30 compliance, enable direct configuration of audio flows within Dante Controller, bridging traditional broadcast equipment with modern IP-based video infrastructure for streamlined production. For permanent installations in venues like theaters and houses of worship, Dante enables distributed audio processing through wall-plate endpoints and matrix mixers, allowing flexible signal routing across large spaces without extensive cabling runs. In such systems, endpoints capture inputs from stage microphones or instruments, routing them to central matrix mixers for processing and output to amplifiers and speakers in auditoriums or overflow rooms. A notable example is in , where over 150 Dante endpoints, including wall plates connected to Yamaha consoles, support orchestral performances and services by distributing processed audio to multiple facilities via VLANs. These applications highlight Dante's benefits in fixed environments, where its IP-based infrastructure supports future-proofing by allowing upgrades to additional channels or devices without rewiring, accommodating over 512 channels in large-scale facilities like media headquarters. This , demonstrated in deployments handling thousands of connections, ensures long-term adaptability for evolving AV needs in corporate, broadcast, and institutional settings.

Compatibility and Ecosystem

Interoperability Standards

Dante's adherence to open interoperability standards enables seamless integration within diverse (AV) ecosystems, particularly through its support for since 2015. This compliance facilitates multicast audio exchange between Dante devices and other AES67-based protocols, including , Livewire, and Q-SYS, utilizing RTP for transport and allowing SIP for session initiation where applicable. By aligning with AES67's specifications, Dante ensures low-latency audio routing across mixed networks without requiring proprietary gateways, promoting broader adoption in professional broadcast and live production environments. For precise timing synchronization, Dante incorporates IEEE 1588 PTPv2 in and SMPTE ST 2110 modes, providing compatibility with AVB and TSN frameworks that rely on PTPv2 for deterministic delivery. However, Dante defaults to its proprietary PTPv1 implementation with extensions to minimize network overhead and simplify deployment on unmanaged switches, prioritizing ease of use over full AVB/TSN hardware requirements. This hybrid approach allows Dante networks to coexist with PTPv2 grandmasters while maintaining internal clock stability through custom best master clock algorithm attributes. Extending beyond audio, Dante AV incorporates subsets of SMPTE ST 2110 standards to support visually lossless video transport using compression, including up to 4K at 60p with over IP networks, as enabled by updates since 2019. This integration, combined with ST 2110-20 for video essence and ST 2110-30 for audio, allows Dante to bridge AV and broadcast workflows, supporting redundancy via ST 2022-7 and direct configuration in Dante Controller for 96 kHz sample rates. In September 2025, Audinate announced expanded support for ST 2110-30 and , enabling direct configuration in Dante Controller, 96 kHz sample rate support, and enhancements for high-channel-count devices via updates available beginning fall 2025. Audinate's automated testing process verifies device , ensuring minimal in hybrid setups, while Dante Connect provides bridging capabilities for third-party protocols in cloud-based remote production.

Device and Platform Support

Dante's ecosystem encompasses a vast array of certified hardware and software platforms, with over 4,000 products from more than 600 manufacturers as of mid-2025, spanning , integration, and consumer applications. This widespread support underscores Dante's role as a for networked AV, enabling seamless integration across diverse endpoints from high-end mixing consoles to embedded solutions. In , Dante is natively integrated into digital mixing consoles from leading manufacturers, such as Yamaha's CL and QL series, which utilize Dante cards for multichannel audio routing over Ethernet. Similarly, Allen & Heath's and SQ series consoles support Dante connectivity through expansion cards, facilitating low-latency audio distribution in live environments. DiGiCo consoles, including the SD and Quantum series, incorporate Dante as a core networking option for stagebox and I/O integration. Audio interfaces from , like the RedNet series, provide Dante I/O for studio and broadcast setups, while RME's MADIface and Digiface models offer Dante compatibility via USB and PCIe for flexible digital workflows. For video applications, Dante AV extends support to audiovisual hardware, including PTZOptics' Link series cameras, which leverage Dante AV for video and audio transmission over IP networks. Audinate's adapters provide bridging for /SDI signals to Dante networks, enabling hybrid AV-over-IP systems in production environments. Embedded platforms further democratize Dante adoption through compact, cost-effective solutions like Audinate's Ultimo chip family, which integrates Dante connectivity into microcontrollers and small-form-factor devices for low-channel-count endpoints such as wireless microphones and smart speakers. Support extends to single-board computers like , where Dante functionality is achieved via USB adapters from manufacturers such as RME or third-party modules, allowing hobbyist and embedded developers to prototype networked audio systems. Complementing hardware, Dante's software ecosystem includes mobile applications for and Android, such as the Dante Controller app, which enables remote device configuration, routing, and monitoring on smartphones and tablets for on-the-go management in AV installations. This mobile support enhances usability across the platform's certified products in pro audio, IT, and consumer AV sectors.

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  42. https://www.audinate.com/learning/faqs/i-unplugged-a-network-cable-in-my-redundant-network-then-plugged-it-back-in-but-redundancy-wasnt-restored-whats-wrong
  43. https://dev.audinate.com/GA/dante-controller/userguide/pdf/latest/AUD-MAN-DanteController-4.16.x-v1.0.pdf
  44. https://audinateweb.sfo2.cdn.digitaloceanspaces.com/wp-content/uploads/2020/05/Audinate_Dante_Virtual_Soundcard_Datasheet_EN.pdf
  45. https://www.audinate.com/press/audinate-introduces-dante-virtual-soundcard-pro-for-high-performance-audio-applications/
  46. https://dev.audinate.com/GA/ddm/userguide/1.5/pdf/latest/AUD-MAN-DDM-v1-5-0_User_Guide-v1.0.pdf
  47. https://audinateweb.sfo2.cdn.digitaloceanspaces.com/wp-content/uploads/2022/11/DDM_brochure_en-web-2022.pdf
  48. https://www.audinate.com/press/audinate-announces-availability-of-built-in-aes-256-media-encryption-in-flagship-dante-products/
  49. https://www.prosoundweb.com/the-most-efficient-route-a-range-of-approaches-for-stage-interconnect/
  50. https://www.uaudio.com/blogs/ua/why-dante-is-revolutionizing-live-sound-and-foh-mixing
  51. https://www.sweetwater.com/insync/what-is-dante/
  52. https://pro.sony/en_NO/products/professional-audio/audio-over-ip
  53. https://www.shure.com/en-US/products/wireless-systems/slx_d_digital_wireless
  54. https://www.prosoundweb.com/zach-bryan-aims-for-a-record-supported-by-four-digico-consoles/
  55. https://www.prosoundweb.com/swedish-singer-songwriter-leon-tours-with-allen-heath-dlive/
  56. https://www.prosoundweb.com/factory-direct-the-role-of-dante-in-live-sound-applications/
  57. https://www.prosoundweb.com/universal-apollo-x16d-deployed-on-several-concert-tours/
  58. https://www.allwaveav.com/understanding-dante-audio-networking-for-corporate-environments
  59. https://www.audinate.com/press/dante-expands-st-2110-30-and-aes67-support-empowering-greater-interoperability-in-broadcast-workflows/
  60. https://www.prosoundweb.com/grace-community-church-in-california-expands-dante-networking-ecosystem/
  61. https://www.audinate.com/press/nfl-media-headquarters-connects-with-worlds-largest-dante-audio-network/
  62. https://go.audinate.com/hubfs/campaign/DDM/broadcast/audinate-dante-domain-manager-broadcast-aes67-smpte-2110-interoperability-wp.pdf
  63. https://www.audinate.com/press/audinate-announces-support-for-aes67-standard/
  64. https://dev.audinate.com/GA/ddm/userguide/1.1/webhelp/content/advanced_settings.htm
  65. https://audinateweb.sfo2.cdn.digitaloceanspaces.com/wp-content/uploads/2023/04/dante-av-ultra-datasheet_v1-032023.pdf
  66. https://www.getdante.com/products/network-management/dante-connect/
  67. https://www.audinate.com/press/audinate-innovations-address-the-evolution-of-av-over-ip-at-infocomm-2025/
  68. https://www.audinate.com/meet-dante/what-is-dante/
  69. https://ptzoptics.com/link-4k/
  70. https://www.audinate.com/products/software/dante-controller
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