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Balearic beat
Stylistic origins
Cultural originsLate 1980s, Ibiza (Spain)
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Balearic beat, also known as Balearic house, Balearic, Ibiza house or Ibizan chillout, is an eclectic blend of DJ-led dance music that emerged in the mid-1980s.[1][2] It later became the name of a more specific style[3] of electronic dance/house music that was popular into the mid-1990s. Balearic beat was named for its popularity among European nightclub and beach rave patrons on the Balearic island of Ibiza, a popular tourist destination. Some dance music compilations referred to it as "the sound of Ibiza", even though many other, more aggressive and upbeat forms of dance music could be heard on the island, such as Balearic trance.

History

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This style was popularized at Amnesia, an Ibizan nightclub, by DJ Alfredo[4] from Argentina, who had a residency there.[5][6][7] DJ Alfredo, whose birth name is Alfredo Fiorito, has been credited as the "Father of the Balearic beat".[8] Alfredo played an eclectic mix of dance music[7] with his style encompassing the indie hypno grooves of the Woodentops, the mystic rock of the Waterboys, early house, Europop and oddities from the likes of Peter Gabriel and Chris Rea. Similar music was being played at other nightclubs, including Pacha and Ku.[citation needed]

British DJs such as Nancy Noise,[9][10][11][12][13][14][15] Trevor Fung,[16][17] Danny Rampling[18] and Electra's[19][20] Paul Oakenfold[21][22] are commonly credited with having "popularised"[23] Balearic beat, especially in the UK,[24] with Fung said to be the originator of the term.[25] In 1987, after a holiday in Ibiza, Oakenfold, Fung and Ian St. Paul[26][27][28][29][30] returned to London, where they unsuccessfully tried to establish a nightclub called the Funhouse in the Balearic style.[31] Returning to Ibiza during the summer of 1987, Oakenfold[32][33][34][35] rented a villa where he hosted a number of his DJ friends, including Danny Rampling, Johnny Walker,[36][37] and Nicky Holloway.[38] Returning to London after the summer, Oakenfold reintroduced the Balearic style at a South London nightclub called the Project Club. The club initially attracted those who had visited Ibiza and who were familiar with the Balearic concept. Fueled by their use of Ecstasy and an emerging fashion style based on baggy clothes and bright colors, these Ibiza veterans were responsible for propagating the Balearic subculture within the evolving UK rave scene. In 1988, Oakenfold established a second outlet for Balearic beat, a Monday night event called Spectrum, which is credited with exposing the Balearic concept to a wider audience.[39] It was 1988[40] when Balearic beat was first noticed in the U.S., according to Dance Music Report magazine.[41] Jose Padilla was an Ibizan DJ best known for his residency at Café del Mar. Also Jon Sa Trinxa, a British DJ and Producer best known for the longest residency on Salinas Beach at Sa Trinxa defines his style as being Balearic Music.

Pitchfork traces back elements of Balearic beat music to the 1982 Indian album Disco Jazz, sung by Rupa Biswas and composed by Aashish Khan. According to Pitchfork, the Bengali language song "Aaj Shanibar" from Disco Jazz contains "touches of what would now be considered Balearic beat music, with its expansive and hypnotic musical interludes." However, the album was largely unknown until its rediscovery in the late 2010s.[42]

Style

[edit]

Two years ago, a club world constantly in search of new beats and a media constantly in search of new trends were presented with a bright bouncy new baby which answered to the name 'Balearic Beat'...the fact that the only 'rule' proposed was that "there are no rules" was ignored...Then came Mr Balearic's lucky break: Soul II Soul. A mish mash of styles (soul, hip hop, reggae) all moulded over a rock solid beat met the 'anything goes as long as it's danceable' criteria—and more importantly, it allowed the world to rediscover a BPM below 122...These days in clubland, rap, house and soul freely rub shoulders with continental beats, alternative grooves, and a whole welter of diverse sounds constructed from an even more diverse set of influences. This is what 'Balearic' was all about...Laying down rules or attempting to initiate trends is completely contrary to what the 'Balearic Spirit' was all about (if only its pioneers had explained it better at the time we might not have spent two years getting to where we are now). An effective blanket ban on house/uptempo music in a club is silly, short-sighted, and narrow minded, and it won't take long for people to see it as such...What the 'Balearic concept' has taught us is that it doesn't matter what genre the track falls into, as long as the beat 'n' groove move the feet and what's on top of 'em is pleasing to the ear.

— Mixmag editorial, "Famous Last Words on Clubland's Class System or 'How We Learned to Love the Balearic Beat'". Mixmag: 71–73. July 1990.

Balearic beat records vary between house or Italo house and deep house influenced sounds and a slower R&B-influenced (under 119bpm) beat consisting of bass drum, snare and hi-hats (often produced with a Roland TR-909 drum machine) programmed in certain laid-back, swing-beat patterns; plus soul, Latin, African, funk and dub affectations; and production techniques borrowed from other styles of dance music that were popular at the time. Vocals were sometimes present, but much of the music was instrumental. The sounds of acoustic instruments such as guitar and piano were sometimes incorporated into Balearic beat. Having been primarily associated with a particular percussion pattern that eventually fell out of vogue, the style eventually faded from prominence and its repertoire was subsumed by the more general "chill out" and "downtempo" genres.

The style of Balearic beat is described by the original followers, as opposed to its UK followers, as the ability for the DJ to play across a broad range of styles, from early minimal New Beat to the first extended remixes of pop-songs, making Balearic DJ sets those that tend to have the sharpest turns of musical direction. While the public outside Ibiza generally describes Balearic beat as a music style, the island based community regard Balearic beat as a non-style or a healthy disrespect to style conformity and a challenge to the norm. It's a freestyle expression that seamlessly binds sporadic vinyl inspiration through technical flair on the turntables. Today, due to stylistic segregation in electronic dance music, few promoters and DJs dare to stretch the spectrum of styles that far in fear of losing identity and clients. DJ Alfredo still heralds the most diversity among Ibiza DJs, but generally the approach to mixing as well as the terminology, have been swallowed up by the Chillout scene.

Ibiza is still considered by some to have its own "sound", however, including the music of Jens Gad, co-creator of Enigma, and his new chillout-world-influenced hybrid project, Achillea, recorded in his studio in the hills overlooking Ibiza.[43] Compilations such as Global Lounge Sessions: The Balearic Sound of Ibiza, released in 2002, and Sequoia Groove's Buddha-Lounge series, continue to be released.[44] These generally feature house music and certain downtempo selections, not the old style of Balearic beat, per se. Some prefer to use the term Balearic more generally, however, to apply to all of these styles.[45]

See also

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References

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Further reading

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Revisions and contributorsEdit on WikipediaRead on Wikipedia

Balearic beat

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from Grokipedia
Balearic beat is an eclectic style of that emerged in the mid-1980s on the Spanish island of , blending influences from , , rock, , pop, and early into relaxed, atmospheric sets typically played at 90-110 beats per minute in open-air clubs. Pioneered by DJ Alfredo Fiorito (d. 2024) at venues like starting in 1983, it emphasized mood and emotional connection over strict boundaries, fostering a laid-back, sun-soaked vibe tied to 's post-hippie nightlife culture. The sound's origins trace back to Ibiza's transformation in the and as a haven for hippies and free spirits, which evolved into a vibrant club scene by the amid Spain's post-dictatorship liberalization. DJ Alfredo's residency at from 1984 onward became legendary for its after-hours sessions, mixing diverse tracks like Italo-disco, new wave, and ambient sounds to create an immersive, sunrise-oriented experience. In 1987, British DJs including , , and Nicky Holloway encountered this style during Ibiza holidays and imported it to the , launching the "Second " and influencing the acid house and movements through events like the Project Club in . Key figures in Balearic beat's development include DJ Alfredo, often called the "Father of Balearic beat," alongside contemporaries like Jean-Claude Maury at Ku club and later José Padilla at , who popularized chill-out extensions in 1991. Influential tracks from the era, such as "Sueño Latino" by Sueño Latino (1989) and "Keep On Movin'" by (1989), exemplified the genre's fusion of upbeat rhythms with melodic, worldly elements. By the early 1990s, Balearic beat had permeated rave scenes in and but waned as electronic music fragmented into subgenres; however, it experienced revivals, including a notable resurgence in 2012 with artists like and ongoing interest in 2025 through events in and . Today, Balearic beat endures as a mindset rather than a rigid genre, inspiring modern electronic artists and maintaining its association with Ibiza's terrace and beach party culture, where selections prioritize feel-good eclecticism over commercial hype.

Origins and Development

Emergence in Ibiza

Balearic beat originated as an eclectic, DJ-led dance music style in the mid-1980s on the island of Ibiza, particularly through extended sunrise sets at the Amnesia nightclub that blended diverse genres including Italo-disco, new wave, soul, pop, and early house to create a relaxed, euphoric atmosphere for clubbers transitioning from night to day. This sound was pioneered by Argentinian DJ Alfredo Fiorito, widely recognized as the "Father of Balearic beat," who began his residency at Amnesia around 1983, experimenting with freeform selections that prioritized emotional flow over rigid genre boundaries. Alfredo's sets, often lasting until midday, emphasized a "sunrise vibe" with varied tempos typically ranging from 90 to 110 BPM, fostering a hedonistic, immersive experience amid the club's open-air terrace. In the , Ibiza's club scene emerged from a backdrop of post-Franco liberalization in , transforming the island into a countercultural haven that attracted hippies, artists, and an influx of British tourists seeking escape from mainland conservatism. Amnesia's hedonistic environment, characterized by foam parties, diverse crowds mixing social classes, and a tolerant atmosphere free from musical snobbery, encouraged experimental DJing that reflected the island's blend of Mediterranean relaxation and escapist revelry. This social context, fueled by the arrival of young British visitors in growing numbers during the , amplified the scene's vibrancy, with Amnesia's after-hours sessions becoming synonymous with uninhibited freedom and sensory overload. Key early events included Amnesia's seasonal opening parties in the mid-1980s, where DJs like and Leo Mas curated non-mainstream tracks in marathon sets, drawing crowds eager for the genre-defying mixes that defined the nascent Balearic sound. These gatherings solidified the style's local popularity, with the term "Balearic" later coined by visiting British DJs to describe the eclectic selections they encountered. By emphasizing slower, groove-oriented rhythms around 90-110 BPM in later evolutions of the sets, the music captured the essence of Ibiza's dawn transitions, prioritizing vibe over high-energy propulsion.

Spread to the UK and Global Influence

In 1987, a group of British DJs including , Trevor Fung, , and Nicky Holloway traveled to , where they were exposed to the eclectic Balearic sound at clubs like , inspiring them to import the style back to the . Upon their return, Oakenfold launched a Balearic-influenced night at the Project Club in Streatham, , marking one of the first attempts to recreate the island's vibe in the British capital. This event helped transition the loose, genre-blending Balearic approach into the 's emerging club scene, blending it with imported tracks to form the foundation of parties. By 1988, the influence expanded through nights like Spectrum at Heaven in London, co-founded by Oakenfold, which became a pivotal venue for acid house infused with Balearic eclecticism and drew crowds seeking the hedonistic energy from Ibiza. These sessions bridged Balearic's diverse selections—ranging from soul and funk to early house—with the squelching synths of Chicago acid tracks, fueling the UK's acid house explosion during the Second Summer of Love from 1988 to 1989. The period saw unlicensed raves proliferate across the country, with Balearic elements contributing to the cultural shift toward inclusive, drug-fueled dance events that united diverse crowds. The sound's global reach became evident by 1988, as Balearic compilations like Oakenfold's Balearic Beats introduced the style internationally, influencing early scenes through cross-Atlantic exchanges in circles. This importation helped spark parties beyond the , though by the mid-1990s, Balearic beat waned in popularity amid the commercialization of clubbing, as superclubs prioritized more structured genres over its freeform ethos.

Musical Characteristics

Core Elements and Production Techniques

Balearic beat is defined by its laid-back range of 90–110 BPM, which fosters relaxed grooves emphasizing atmosphere and subtle movement rather than intense energy. This slower pace, combined with a swinging, insistent often derived from patterns, creates a solid yet unhurried foundation suitable for extended listening or sunset sessions. Production techniques in Balearic beat rely heavily on electronic tools like drum machines, which provide percussive elements such as bass drums, snares, and hi-hats programmed in swing-inflected patterns for a loose, organic feel. These drum patterns are layered with deep basslines and synthesized keyboards to form the rhythmic core, often polished for clarity in club environments. A distinctive feature is the integration of acoustic instruments, including Spanish guitar for melodic flourishes, for chunky chord progressions, and flute or similar wind instruments like panpipes for airy, organic textures that evoke Mediterranean influences. These elements contrast with the electronic backbone, adding warmth and eclecticism, as heard in tracks featuring yearning Spanish guitar riffs or contemplative lines. Structurally, Balearic beat tracks are predominantly , with extended builds that gradually layer elements, followed by atmospheric breakdowns and seamless transitions optimized for DJ mixing. This format prioritizes melodic development and immersive soundscapes over prominent vocals, allowing for fluid progression across sets. Early Balearic productions frequently employed dub-inspired effects like delays and reverb to enhance spatial depth, alongside sampling from non-dance sources such as or pop-rock to infuse eclectic, narrative qualities. For example, reverb treatments on guitars and delays on percussion create elongated, epic textures, as seen in extended mixes that elongate motifs for hypnotic effect.

Influences and Genre Blending

Balearic beat drew from a wide array of musical sources prevalent in the and 1980s, including Italo-disco, new wave, ambient, , pop, early house, , R&B, , Latin, , and dub. These influences were rooted in the eclectic DJing practices that emerged on the island during the , particularly through figures like Jean-Claude Maury, whose sets in discos and early residencies at venues such as Glory’s and Ku blended , , , , and pop, laying foundational groundwork for the genre's non-purist ethos. The blending philosophy of Balearic beat emphasized an "anything goes" approach in DJ sets, prioritizing emotional vibe and contextual flow over strict genre boundaries to create immersive, sun-drenched experiences. This eclecticism manifested in juxtapositions such as transitioning from tracks by to or Latin funk by , or weaving Soul II Soul's R&B grooves with and dub elements, fostering a "Balearic " of seamless, unexpected pairings that evoked and . Such selections, often including pop-soul like Sade alongside Euro electronica or , reflected a deliberate against musical constraints, adapting to the island's bohemian atmosphere. By the late 1980s, this fusion evolved into the subgenre of Balearic house, incorporating deeper house rhythms and electronic elements while retaining the core eclectic spirit, as seen in tracks like "Keep On Movin’" by that bridged R&B with dancefloor energy. This development solidified Balearic beat's role as a DJ-led aesthetic rather than a rigid style, influencing broader electronic music through its emphasis on diverse, vibe-driven selections from the era's global sounds.

Key Figures and Venues

Pioneering DJs and Producers

DJ Alfredo, born Alfredo Fiorito in Argentina in 1953, immigrated to Ibiza in 1976 and became a resident DJ at Amnesia nightclub starting in 1983. He is widely credited with inventing the core Balearic beat sound through his extended sets, typically lasting six to eight hours, which blended eclectic genres including soul, funk, and emerging house music to create an immersive, sunrise-oriented experience. Alongside him, Leo Mas served as a co-resident DJ at Amnesia from 1985 to 1988, helping to define the Balearic aesthetic through their collaborative, genre-blending sessions. His innovative transitions during the open-air "sunrise" sessions at Amnesia seamlessly fused disparate tracks, fostering a euphoric, genre-defying vibe that defined the Balearic aesthetic and influenced global dance music. Alfredo died on December 24, 2024. In the UK, the Balearic sound was popularized by a group of DJs inspired by their 1987 Ibiza trips, who adapted it for London club culture. Paul Oakenfold organized the Spectrum club night in 1988, where he played early Balearic mixes that introduced eclectic selections to British audiences, later compiling the seminal Balearic Beats album with collaborators. Danny Rampling drew from his Amnesia experiences to launch Shoom in 1987, a pivotal venue that emphasized Balearic influences alongside acid house, shaping the UK's underground scene through its intimate, ecstatic atmosphere. Trevor Fung, an early Ibiza regular since 1982, contributed to the Balearic sound's spread by DJing at Spectrum and co-compiling Balearic Beats, helping bridge Italian and British electronic styles. Nicky Holloway, along with collaborators, launched Balearic nights at The Project Club in Streatham in late 1987, promoting sets that captured the Ibiza spirit and fueled the acid house explosion in London. Other key figures expanded the Balearic ethos beyond the clubs. Jean-Claude Maury, a at Ku Club in the early , influenced the genre's eclectic fusions with his selections of leftfield pop and electronic sounds, inspiring contemporaries like . José Padilla, at from 1991, developed the signature sunset sound with , ambient-infused selections that complemented the Balearic beat's chillout elements. Jon Sa Trinxa curated early Balearic compilations, such as Balearic Beach Session in 2008, preserving and evolving the genre's beachside, eclectic roots through mixes blending global influences. As one of the scene's prominent female DJs, Nancy Noise performed at foundational nights like and in the late , bringing a distinctive Balearic sensitivity to floors with her deep, emotive selections. Early producers and labels played a crucial role in disseminating Balearic-influenced tracks. Italian imprint Flying Records, active in the mid-1980s, released and electronic cuts like those from Klein & M.B.O. that informed the genre's fusion of , , and synth elements. Oakenfold's work on the 1988 Balearic Beats compilation exemplified production innovations, sequencing tracks to evoke the free-spirited vibe and establishing a blueprint for future mixes.

Iconic Clubs and Events

Amnesia, originally opened in 1976 as a finca-style venue in San Rafael, , emerged as a pivotal hub for Balearic beat starting in 1985, when resident DJs like Leo Mas and began curating sets on its expansive outdoor terrace that extended into sunrise hours. The club's open-air atmosphere, characterized by starry nights and panoramic views, fostered an immersive experience that blended music with the island's natural elements, drawing crowds for all-night sessions. Complementing Amnesia's terrace-driven energy, other Ibiza venues contributed distinct facets to Balearic beat's development. Pacha, established in 1973 as one of the island's earliest superclubs, integrated Balearic elements into its eclectic programming by the mid-1980s, hosting sets that mixed soulful grooves with emerging house influences amid its intimate, cherry-blossom-adorned interiors. Ku Club, operating in the same era, provided an underground alternative with its raw, unpretentious spaces that emphasized live acts and experimental sounds, attracting a niche crowd seeking the genre's edgier expressions. Meanwhile, , founded in 1980 overlooking Sant Antoni's sunsets, laid groundwork for Balearic's chillout dimension through laid-back bar sessions featuring ambient and tracks, predating the full club evolution of the sound. The migration of Balearic beat to the UK began with the Project Club in South London, launched in late 1987 by promoters including Trevor Fung and Ian St Paul, which introduced Ibiza-inspired eclecticism—fusing pop, soul, and early house—to British audiences as the scene's inaugural import. This paved the way for Spectrum, which debuted on April 11, 1988, at Heaven nightclub in London under Paul Oakenfold and collaborators, blending Balearic's melodic diversity with the raw energy of acid house in weekly Monday-night events that quickly became a cornerstone of the emerging rave culture.

Cultural Impact and Legacy

Role in Shaping Dance Music Culture

Balearic beat played a pivotal role in catalyzing the UK's scene during the Second in 1988, as DJs like and imported the eclectic sound from Ibiza's clubs, blending it with imported tracks to fuel ecstatic, all-night parties enhanced by use. This fusion transformed underground gatherings into mass events, such as the warehouse s and early nights at venues like and , marking a rapid shift from niche clubbing to a mainstream youth phenomenon that drew thousands by late 1988. The genre promoted a of , inclusivity, and , embodying Ibiza's "love generation" ethos that intertwined with the island's booming in the late , where open-air clubs like encouraged uninhibited, multi-sensory experiences. This mindset fostered unity across social divides, with events welcoming a "mish-mash" of attendees in a shared "one " atmosphere, while staples like baggy clothing, face T-shirts, and Converse sneakers symbolized the rejection of rigid norms in favor of communal freedom. By prioritizing atmospheric mood over relentless tempo, Balearic beat laid foundational groundwork for and chillout subgenres, influencing through acts like , whose early works, including the 1989 track "A Huge Ever Growing Pulsating Brain That Rules from the Centre of the Ultraworld," were shaped by their diverse DJ sets in London's chillout rooms at venues like , blending Balearic and other influences to create mellow, sample-heavy soundscapes suited for post- recovery. Early Orb works, blending dub, , and elements, popularized this evolution, as seen in their 1991 album The Orb's Adventures Beyond the Ultraworld, which charted and expanded chillout's accessibility. Socially, Balearic beat contributed to desegregating clubs by uniting , skinheads, and diverse ethnic groups in inclusive spaces, challenging prevailing attitudes on race, , and sexuality through collective euphoria during the late raves. By the early , its global spread via Ibiza's club scene accelerated EDM's commercialization, inspiring variants in Europe and beyond, with hits and festivals turning the once-underground sound into a billion-dollar industry.

Revivals and Contemporary Relevance

In the early 2000s, Balearic beat experienced a revival through chillout compilations that extended its relaxed, eclectic ethos into . The series, initiated in 1994 and compiled by resident DJ José Padilla, gained peak popularity during this decade, featuring ambient tracks with Balearic influences like beats and fusion elements that captured sunset vibes. Padilla's own albums, such as those blending , , and , further shaped lounge aesthetics, making Balearic sounds accessible beyond club settings. The 2010s and saw a resurgence driven by a new generation of DJs revisiting and updating Balearic sounds. Producers like Balearic Mike and Kelvin Andrews released compilations such as Down to the Sea & Back Volume Tres in 2024, marking a return after a decade-long hiatus and emphasizing the genre's ongoing journey through eclectic selections. Similarly, Max Essa contributed to the nu-Balearic wave with guitar-infused tracks on labels like Is It Balearic?, aligning with the revival of Balearic and elements. In , this revival manifested in dedicated "Balearic" nights at venues like DC-10, where events such as Circoloco incorporated the genre's free-spirited programming into the 2020s club calendar. Balearic beat's contemporary relevance lies in its integration into indie dance and , influencing hybrid sets that blend its tropical and ambient textures with modern . Compilations like Buena Onda - Balearic Beats 2020, curated by Marco Gallerani and Gallo for Hell Yeah Recordings, showcased 12 tracks from emerging artists, capturing the essence of a new Balearic generation with dreamy, soulful and acid-infused sounds. Recent developments, including 2024-2025 hybrids with and ambient , highlight its adaptability in global dance scenes. In 2025, 's season featured tributes to pioneering DJ , who passed away in late 2024, including the posthumous compilation Paraíso: The True Spirit of released in , which synthesized his Balearic vision across 33 tracks. These efforts underscore Balearic beat's enduring legacy in electronic music culture.

References

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  2. https://djhistory.com/read/what-is-balearic/
  3. https://djmag.com/features/state-of-mind-story-of-balearic-beat
  4. https://www.testpressing.org/magazine/whats-it-all-about-balearic-beat-in-2012
  5. https://www.amnesia.es/en/news-info/dj-alfredo-the-man-who-gave-sound-to-the-soul-of-ibiza
  6. https://banbantonton.com/2024/12/25/alfredos-balearic-beat-classics-a-top-25/
  7. https://rateyourmusic.com/genre/balearic-beat/
  8. https://www.bbc.com/travel/article/20190131-how-ibizas-party-really-started
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  10. https://musictravelguide.net/exploring-the-birth-of-the-balearic-sound-with-dj-pioneer-leo-mas/
  11. https://www.facebook.com/groups/DarkwaveDelights/posts/2107221146138891/
  12. https://www.bbc.co.uk/programmes/b01p1097
  13. https://mixmag.net/feature/10-venues-where-genres-were-invented
  14. https://www.theguardian.com/music/2023/may/22/50-years-of-pacha-ibiza
  15. https://www.theguardian.com/music/2014/feb/23/acid-house-dawn-rave-new-world
  16. https://mixmag.net/feature/members-only-inside-vip-world-acid-house-raves-book-gallery-excerpt
  17. https://www.theguardian.com/music/2008/apr/20/electronicmusic.culture
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  22. https://crackmagazine.net/article/lists/the-20-best-british-balearic-records-ever/
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  24. https://www.craveguitars.co.uk/tag/balearic-beat/
  25. https://theshfl.com/guide/The-Balearic-Aesthetic
  26. https://grayarea.co/magazine/the-djs-who-made-ibiza-s-sunset-strip-legendary
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  37. https://banbantonton.com/2017/09/01/mix-flying-records-in-the-face/
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  39. https://www.bbc.com/culture/article/20180911-the-30-year-old-soundtrack-to-hedonism
  40. https://www.museumofyouthculture.com/acid-house/
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  42. https://www.thedjrevolution.com/the-history-of-electronic-dance-music/
  43. https://open.spotify.com/artist/7rDHusYGKfhI7ZNIGeUibU
  44. https://downtotheseaandback.bandcamp.com/album/down-to-the-sea-back-volume-tres-the-continuing-journey-of-the-balearic-beat-compiled-by-balearic-mike-kelvin-andrews
  45. https://ra.co/clubs/1273
  46. https://hellyeahrec.bandcamp.com/album/buena-onda-balearic-beats-2020
  47. https://rebirthrecordings.bandcamp.com/album/para-so-the-true-spirit-of-ibiza-selected-by-dj-alfredo
  48. https://djmag.com/news/dj-alfredo-ibiza-legend-and-father-of-balearic-beat-dies-aged-71
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