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Ben Silverman
Ben Silverman
from Wikipedia

Benjamin Noah Silverman (born August 15, 1970) is an American media executive. He is the co-CEO and chairman of the entertainment production company Propagate.[1]

Key Information

From 2007–2009, Silverman served as co-chairman of NBC Entertainment and Universal Media Studios.[2] He is also an Emmy and Golden Globe-winning executive producer of such shows as The Office, Jane The Virgin, Ugly Betty, Marco Polo, The Tudors and The Biggest Loser. Silverman also produced CW's praised No Tomorrow and Apple's first reality television show Planet of the Apps.[3] On July 10, 2014, The Banff World Media Festival presented Silverman with the Award of Excellence in Digital Innovation. As of the fourth quarter 2016, Silverman's most recently released feature film Hands of Stone starring Edgar Ramirez, Robert De Niro and Usher, and was released theatrically in North America on August 26, 2016 through The Weinstein Company.

Life and career

[edit]

Silverman was born in Pittsfield, Massachusetts. He was raised in a Reform Jewish family in Manhattan where he attended Rodeph Sholom School.[4][5][6] Silverman is a 1992 magna cum laude graduate of Tufts University, where he majored in history and belonged to the Epsilon Theta chapter of the Theta Chi fraternity. His mother, Mary (Delson) Silverman, was an actress and programming executive whose career included employment at the Disney Channel, BBC, USA Network, Lifetime Television, and Court TV.[7][8] His father, Stanley Silverman, is a music composer/arranger.[9]

He had summer internships at Warner Bros., and after college in 1993, worked at CBS and then worked for Brandon Tartikoff at New World Entertainment.[4] He worked for the William Morris Agency starting in 1995; Silverman was in charge of the international packaging division, where he was the company's youngest division head, packaging more than 25 television series, including Who Wants to Be a Millionaire, Weakest Link, Big Brother, and Queer as Folk.[10] He worked for William Morris Agency until 2002, when he left to found Reveille.[11]

In 2007, Silverman received the P.T. Barnum Award from Tufts University for his exceptional work in the field of media and entertainment. Silverman is involved with multiple philanthropic endeavors, including Seeds of Peace, a group helping to foster peace among young people from adversarial cultures. In addition, Silverman sits on the Cedars-Sinai Hospital board of governors. Silverman also serves on the board of directors of Best Buddies, a non-profit organization dedicated to enhancing the lives of people with intellectual disabilities by providing guidance and integrated employment.[12]

In 2008, Silverman received an Honorary Rose for lifetime achievement the Rose d'Or ceremony.[13][14]

Silverman married Jennifer Cuoco, a real estate agent, in December 2010.[15]

Reveille

[edit]

Silverman is the founder of Reveille, a television, film, and theater production and distribution company now owned by Shine Limited under News Corporation. He founded Reveille in 2002 in order to exploit international formats by selling them in the United States. Through his work at Reveille, he is the executive producer of such shows as NBC's The Office, The Restaurant, The Biggest Loser, and ABC's Ugly Betty, as well as several cable shows, including Nashville Star, on USA Network, 30 Days on FX, MTV's Parental Control and Date My Mom, Blow Out on Bravo, and House of Boateng on the Sundance TV.[16]

Journalist Michael Wolff wrote a 2001 profile of Silverman in New York Magazine a year before he founded Reveille. "In some sense, he's like those boy geniuses of the eighties and nineties who invented new financial instruments -- junk bonds and derivatives and whatnot. The discovery and marketing of a new format is really like that. It's creating something that is negotiable and transferable and that people believe in deeply -- it solves all their problems. Now, obviously, there is a certain obsolescence to these formats (with junk bonds you had inevitable bankruptcies). And Ben, of course, is already searching the world for new formats. Variety shows might be a possibility," Wolff wrote.[17]

NBC

[edit]
NBC Entertainment co-chairman Silverman in November 2008

Silverman was named co-chairman of NBC Entertainment in 2007 (along with Marc Graboff), succeeding Kevin Reilly. That same year, Silverman was the first producer since Norman Lear, 34 years earlier, to have two shows nominated for an Emmy in the best comedy category (The Office and Ugly Betty).[18] He is credited for his role in saving the critically acclaimed but low-rated NBC drama Friday Night Lights by striking an innovative deal with DirecTV.[19] The satellite television provider agreed to take on a substantial amount of the show's production budget in exchange for exclusive first-window airing rights on its 101 channel. NBC would then repurpose the episodes to be aired on the network later in the season.[20]

Electus

[edit]

On July 27, 2009, Silverman announced he was leaving NBC to form a new company, Electus, in partnership with Barry Diller's IAC/InterActiveCorp, that would produce and distribute programs across media platforms, for television, the Web and mobile devices.[21] As part of its inception, IAC partnered Electus with the interactive comedy portal CollegeHumor. In January 2010, Silverman and Electus partnered with Jason Bateman and Will Arnett to launch their sponsor-driven advertising and digital production company DumbDumb.[22] Electus also has partnerships with 5x5 and DiGa. On May 8, 2014, The CW announced a first season order for Silverman's new television show Jane The Virgin.[23]

Acting roles

[edit]

Silverman had a cameo appearance in the first episode of the fifth season of the television show Entourage. Silverman read a single line in which he expressed annoyance at Johnny Drama wasting his time.

Silverman appeared in four episodes during the ninth season of the television show The Office, starting with "Here Comes Treble"; he played Isaac, one of Jim's business partners.

Credits

[edit]
List of Silverman productions
Year Production Role
2003–2004 The Restaurant Executive producer
2003–2008 Nashville Star Executive producer
2005–2008 30 Days Executive producer
2005–2011 The Office Executive producer
2005–2011 The Biggest Loser Co-creator / Executive producer
2006–2011 Ugly Betty Executive producer
2007–2010 The Tudors Co-creator / Executive producer
2008–2009 Kath & Kim Executive producer
2010 MacGruber Co-executive producer
2011–2016 Mob Wives Executive producer
2011–2015 King of the Nerds Executive producer
2013 Get Out Alive with Bear Grylls Executive producer
2014 Killer Women Executive producer
2014–2019 Jane the Virgin Executive producer
2014–2016 Marco Polo Executive producer
2015 Breaking Greenville Executive producer
2016 Hands of Stone Executive producer
2016 No Tomorrow Executive producer
2017 Planet of the Apps Executive producer
2017–2018 Lore Executive producer
2018 November 13: Attack on Paris Producer
2018–2022 Charmed Executive producer
2018–2021 Haunted Executive producer
2019–2022 Blood & Treasure Executive producer
2019–2021 Prank Encounters Executive producer
2019–present Kings of Pain Executive producer
2020 Broke Executive producer
2021-2022 Our Kind of People Executive producer
2021-2022 American Song Contest Executive producer
2024 Reunion Producer
2024 Incoming Producer

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
Benjamin Noah Silverman (born August 15, 1970) is an American media executive and television producer renowned for developing and producing globally successful unscripted and scripted series, including the U.S. adaptation of The Office, Ugly Betty, The Biggest Loser, and Jane the Virgin. Silverman graduated magna cum laude from in 1992 with a degree in history, after which he began his career in international television distribution at and Entertainment, working on projects involving Marvel properties under former president . In 1995, he joined the as an agent, quickly rising to head its international television packaging division and office, where he specialized in acquiring and adapting international formats for the U.S. market. By 2002, Silverman founded , a backed by IAC chairman , which became a powerhouse in reality and scripted programming, producing over 1,000 hours of content and achieving hits like The Restaurant and Naked Hollywood. In 2007, Silverman was appointed co-chairman of Entertainment and Universal Media Studios alongside Marc Graboff, a role in which he oversaw programming strategies during a transitional period for the network, including deals like the partnership for Friday Night Lights. He departed in 2009 amid reported internal challenges and founded Electus, a digital-first production and distribution company in partnership with Diller's IAC, focusing on multi-platform content such as Jane the Virgin and Tanked. In 2016, Silverman reunited with longtime collaborator Howard T. Owens to co-found and lead Propagate Content, an A+E Networks-backed studio that has produced series like Marco Polo for and Running Wild with Bear Grylls, emphasizing global storytelling and talent management; in 2025, Propagate acquired the talent firm Parker Management to expand its initiatives. Throughout his career, Silverman has earned multiple accolades, including a Primetime Emmy Award for Outstanding Comedy Series (2006, for ) and Outstanding Structured Reality Program (2021, for under Propagate), as well as a Golden Globe for , recognizing his influence in elevating international formats and innovative production models in American television.

Early life and education

Birth and family background

Benjamin Noah Silverman was born on August 15, 1970, in . Shortly after his birth, his family relocated to , where he was raised on the of . Silverman grew up in an artistic household shaped by his parents' professions in the entertainment and music industries. His mother, Mary Silverman, was a theater producer who contributed to programs for and later served as a programming executive at networks including , Lifetime, and . His father, Stanley Silverman, was a and arranger known for . Following his parents' divorce, his stepmother, a violinist, further enriched the home environment with performance and media influences. From a young age, Silverman was immersed in the world of theater and through his family's connections, often accompanying his mother to industry parties and events where he interacted with professionals. This early exposure, combined with the creative atmosphere of his upbringing, ignited his passion for and the business. Silverman was raised in a Reform Jewish family, attending the , which incorporated cultural elements of his heritage into his formative years.

Education

Silverman received his early education at Rodeph Sholom School, a private in . He later attended for high school before enrolling at , where he majored in history. At Tufts, Silverman graduated magna cum laude in 1992. During his undergraduate years, he immersed himself in media-related pursuits, including a creative writing assignment about an ambitious young man heading to Hollywood to meet , which honed his analytical skills in storytelling and entertainment formats. These academic experiences, combined with his family's deep artistic roots—such as his mother's background as an actress and programming executive, and his father's career as a —fueled Silverman's growing passion for the industry. Upon graduation, his initial aspiration was to become a , channeling early influences through the structured lens of his historical studies and creative endeavors at Tufts.

Professional career

Early career

After graduating from in 1992, Silverman entered the entertainment industry with an entry-level assistant position at , leveraging his mother's industry contacts to secure the role. He soon transitioned to a role in international program development at , gaining foundational experience in television operations. Following his time at , Silverman worked for , the former president of Entertainment, at Television, where he further honed his understanding of network programming and production coordination. This period in the mid-1990s provided him with practical insights into the mechanics of TV content creation and distribution. In 1995, at age 25, Silverman joined the as a , volunteering to relocate to its office to specialize in the international television market. There, he represented writers and producers, rapidly building a robust industry network while heading the agency's international division—the youngest to do so at the firm. Silverman's expertise in adapting foreign program formats for the U.S. market earned him recognition, facilitating key international deals that packaged global content for American networks. These successes, including early efforts to import innovative TV concepts, positioned him for independent producing ventures and informed his later entrepreneurial pursuits in content creation.

Reveille

Ben Silverman co-founded in 2002 alongside Howard T. Owens, with initial backing from Barry Diller's USA Networks, aiming to establish an independent American production studio focused on adapting and trading international television formats for the U.S. market. The company's model emphasized content exchange, on Silverman's prior experience in international packaging to successful overseas concepts and customize them for American audiences, which positioned Reveille as a pioneer in the burgeoning format trade business. This approach allowed Reveille to bridge European and U.S. production ecosystems, fostering a pipeline of both scripted and unscripted programming that capitalized on global trends. Under Silverman's leadership as CEO, Reveille quickly built a portfolio of high-profile productions, blending scripted dramas with reality formats to achieve commercial success across networks. Key scripted hits included the U.S. adaptation of the BBC's (2005–2013), which aired on and became a cultural phenomenon with its style, and (2006–2010) on ABC, an adaptation of the Colombian that earned multiple Emmy nominations and Golden Globe wins for its satirical take on fashion industry stereotypes. In unscripted programming, Reveille produced reality staples like (from a British format) and Top Gear (U.S. version), while venturing into premium cable with the historical drama (2007–2010) for Showtime, which ran for four seasons and attracted a devoted audience through its lavish portrayal of Tudor . These projects exemplified Reveille's dual focus on accessible and prestige content, generating significant revenue through domestic syndication and international licensing. Reveille expanded rapidly into international markets by leveraging its format-trading expertise, establishing offices in and securing distribution deals that amplified its global footprint and turned it into a blueprint for agile, format-driven studios in the evolving TV landscape. This growth culminated in its 2008 acquisition by Elisabeth Murdoch's for an upfront payment of $125 million, with the total deal value potentially reaching $200 million through performance-based earn-outs, allowing Silverman to transition toward a network executive role while cementing Reveille's legacy as a transformative force in format adaptation.

NBC Entertainment

In May 2007, Ben Silverman was appointed co-chairman of Entertainment and Universal Television Studio alongside veteran executive Marc Graboff, reporting to Universal CEO , with the mandate to revitalize the network amid declining ratings and competition from cable and emerging digital platforms. His arrival marked a shift toward injecting fresh, internationally inspired content into 's lineup, leveraging his background in global formats through , whose production pipeline—including hits like —directly fed into network programming. During his tenure, Silverman spearheaded several key initiatives to diversify NBC's offerings and adapt to changing viewer habits. He championed spin-offs from the successful mockumentary series The Office, notably greenlighting in 2009 as a complementary workplace comedy to expand the franchise's appeal. To bolster unscripted programming, he pushed for expansions of reality formats like , advocating for extended episode lengths up to 90 minutes or more to capitalize on advertiser interest and fill airtime efficiently. Silverman also embraced digital experiments, supporting NBC's multi-platform strategies such as free streaming of pilot episodes and contributing to the broader rollout of , the joint venture with . launched earlier that year to distribute network content online. Silverman's leadership faced significant challenges, including criticism for high-profile flops like the 2008 Knight Rider reboot, which suffered from low ratings and creative missteps despite heavy promotion as a nostalgic revival. The 2007–2008 Writers Guild of America strike further exacerbated ratings struggles, shortening the development cycle and forcing reliance on reality shows and repeats, which failed to stem 's slide to fourth place among broadcast networks. He departed in July 2009 amid ongoing network turmoil, with facing financial pressures and internal shakeups, though his exit was framed as a mutual decision to pursue independent ventures. Despite mixed results, Silverman's time at NBC contributed to the network's early transition toward multi-platform content distribution, emphasizing integration of traditional with and mobile viewing to engage younger audiences and secure in a fragmenting media landscape. His focus on global formats and digital accessibility laid groundwork for 's future adaptations, even as scripted programming successes remained elusive during his era.

Electus

In the wake of his tenure at Entertainment, Ben Silverman channeled his entrepreneurial vision into launching a new venture focused on the evolving media landscape. Electus was founded by Silverman on , , in partnership with Barry Diller's IAC/InterActiveCorp, which provided significant financial backing to establish it as a next-generation studio. The company emphasized , integration, and short-form content, aiming to unite producers, creators, advertisers, and distributors in an integrated multimedia model. This approach positioned Electus to produce content optimized for online platforms, including branded entertainment and web-native series, reflecting Silverman's foresight into the shift from traditional to digital ecosystems. Under Silverman's leadership as founder and chairman, Electus developed several key projects that bridged digital and linear television. A prominent example was the adaptation of , a dramedy series that premiered on in 2014 and ran through 2019, earning critical acclaim and multiple award nominations for its innovative storytelling. The studio also produced YouTube channels and , such as partnerships with creators for niche comedy content, and pursued acquisition strategies to sign emerging talent like actors and for digital ad-integrated projects. In March 2016, Silverman sold his stake in the company to his partners and stepped down as chairman, allowing him to redirect his efforts toward new opportunities in the industry. Electus pioneered hybrid TV-digital models by creating content that seamlessly transitioned between platforms, serving as a vital bridge between traditional media and emerging digital spaces through initiatives like sponsored short-form videos and multi-platform distribution deals. This innovative structure enabled the studio to capitalize on social media virality and advertiser integrations, influencing how entertainment companies adapted to audience fragmentation.

Propagate Content

In 2016, Ben Silverman reunited with his former Reveille collaborator Howard T. Owens, joining as co-CEO and chairman of Propagate Content, a founded by Owens in 2015 and backed by A+E Networks, with a focus on developing and producing premium scripted and unscripted programming. Key expansions under Silverman's leadership included the 2018 acquisition of Electus, his prior company, along with a majority stake in Artists First, transforming Propagate into a global film and television studio capable of handling end-to-end production and distribution. This move bolstered the company's IP portfolio, enabling pursuits such as executive production on Peacock's The Paper, a spinoff of The Office executive produced by Silverman, and discussions around innovative formats tied to established franchises. As of November 2025, Silverman continues to guide Propagate through the evolving streaming landscape, where platforms prioritize data-driven decisions amid industry contraction. In a March 2025 , he critiqued executive risk-aversion, noting a reliance on "big stars, big IP, and derivative ideas" without sufficient bold , while highlighting Propagate's active of productions like the historical nonfiction series History's Deadliest hosted by for The and unscripted reality formats emphasizing adventure and cultural storytelling. Propagate's strategic vision under Silverman centers on IP development tailored for both linear television and streaming services, unlocking ancillary revenue through merchandising, music rights, and brand partnerships to navigate reduced traditional upside in a fragmented market. Recent initiatives, such as the May 2025 acquisition of digital talent firm Parker Management, further integrate creator economy elements to enhance content commerce and global reach.

Personal life

Marriage and children

Ben Silverman married Jennifer Cuoco, a broker, on December 18, 2010, in , , in a ceremony attended by 125 guests. The couple welcomed their first child, son Meyer William Silverman, on October 4, 2011, in ; he weighed 7 pounds, 11 ounces, and measured 21.5 inches at birth. Their second child, daughter Madeline Silverman, was born in early 2015. Silverman and Cuoco have maintained a low public profile regarding their children, limiting disclosures about their personal lives and upbringing to protect their privacy.

Interests and residence

In late summer 2020, amid the COVID-19 pandemic, Ben Silverman relocated from Los Angeles to Aspen, Colorado, with his wife and two young children, seeking a more outdoors-oriented lifestyle and the benefits of remote work. The family settled into a rented home on Buttermilk Mountain, drawn by Aspen's natural surroundings, strong public school system, and close-knit community, which allowed Silverman to integrate family time with professional responsibilities. Silverman's interests reflect a blend of his family's artistic heritage and Aspen's active environment. Raised in a household immersed in —his mother an opera singer and theater producer, his father a , and his stepmother a violinist—he maintains an appreciation for , including regular theater attendance and engagement with Aspen's vibrant off-slope arts scene. In , he has embraced outdoor pursuits such as , often incorporating rides on Aspen Mountain into his daily routine for both and productivity, emphasizing a balanced centered on and bonding. Public details on Silverman's philanthropy are limited, but he has expressed ongoing support for Jewish causes in response to rising anti-Semitism, serving as co-chairman of the Anti-Defamation League's Sports and Entertainment Board alongside Larry Scott. He describes himself as civic-minded and across various issues, though specific ties to alumni networks or education initiatives remain undocumented in available sources.

Filmography

Reveille Productions Era (2002–2008)

During his time founding and leading Reveille Productions, Ben Silverman served as executive producer on several landmark television series that blended scripted and reality formats, achieving critical and commercial success. Key credits include:
  • The Office (U.S. version, NBC, 2005–2013): Executive producer, instrumental in adapting the British series for American audiences; the show won the Primetime Emmy Award for Outstanding Comedy Series at the 58th Annual Primetime Emmy Awards in 2006.
  • Ugly Betty (ABC, 2006–2010): Executive producer, adapting the Colombian telenovela Yo soy Betty, la fea; the series received the Golden Globe Award for Best Television Series – Musical or Comedy in 2007.
  • The Tudors (Showtime, 2007–2010): Executive producer, overseeing the historical drama series that dramatized the life of King Henry VIII.
Other notable Reveille credits encompass reality formats like (NBC, 2004–2016), where Silverman acted as executive producer, contributing to its long-running success in the unscripted genre.

NBC Entertainment Co-Chairmanship (2007–2009)

As co-chairman of Entertainment, Silverman provided oversight on spin-off developments and programming, including:
  • Parks and Recreation (NBC, 2009–2015): Executive oversight on the creation of this mockumentary comedy as a spin-off from , initiated during his NBC tenure to expand the universe of ensemble workplace humor.

Electus Era (2009–2016)

With the launch of Electus, Silverman focused on digital-first and premium content, producing innovative scripted series and films:
  • Jane the Virgin (The CW, 2014–2019): Executive producer, adapting the Venezuelan Juana la Virgen into a satirical dramedy that earned critical acclaim for its meta-narrative style.
  • (Netflix, 2014–2016): on the historical action-drama series depicting the travels of explorer in the court of .
  • Mansome (2012): Producer on the documentary exploring male grooming and identity.
  • Hands of Stone (2016): on the biographical sports drama about boxer .

Propagate Content Era (2016–present)

As co-CEO and chairman of Propagate Content, Silverman has expanded into premium scripted, unscripted, and formats, with recent works emphasizing historical narratives and athlete stories up to 2025:
  • Running Wild with Bear Grylls (NBC/Nat Geo, 2014–2021): (post-2018 seasons following Propagate's acquisition of Electus), adventure reality series featuring celebrities in survival challenges; nominated for the Primetime Emmy Award for Outstanding Structured Reality Program in 2021.
  • Untold (Netflix, 2021–present): on the sports , exploring untold athlete backstories; in 2024, discussions advanced for international format adaptations.
  • History's Deadliest (The History Channel, 2025): on this 10-part unscripted historical series narrated by , examining deadly figures, places, and events throughout history.
  • I'm Chevy Chase and You're Not (Sky, 2026): on the feature-length co-produced with , chronicling the life and career of comedian .

Acting credits

Ben Silverman has made only a handful of minor appearances throughout his career, primarily in the form of brief cameos that often nod to his role as a television executive and . These roles, which total fewer than five verified credits, serve as playful self-references rather than serious pursuits in , and Silverman has not sought out major opportunities. His earliest notable cameo occurred in the HBO series Entourage, where he appeared as himself in the season 5 premiere episode "Fantasy Island," delivering a single line during a scene on a film set. This appearance aligned with his rising profile in the industry at the time, as co-chairman of Entertainment. Silverman's most prominent acting contributions came later in , a series he executive produced through . In season 9 (2013), he portrayed , one of Jim Halpert's business partners in the startup Athlead (later Athleap), appearing in several episodes to support the storyline of Jim's entrepreneurial venture. These included "Suit Warehouse" (episode 11), where Isaac joins a meeting; "Customer Loyalty" (episode 12), involving business discussions; and "Moving On" (episodes 16 and 17), amid plot developments around the company. Silverman has described these cameos as fun diversions, stemming from his involvement with the show.
YearTitleRoleNotes
2008Entourage (Season 5, Episode 1: "")HimselfBrief cameo with one line on a film set.
2013 (Season 9, Episodes 11, 12, 16–17)IsaacBusiness partner in Athlead; multiple appearances in executive producer's series.

References

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