Community hub
0 subscribers7 pages, 0 posts
Recent from talks
All channels
Be the first to start a discussion here.
Be the first to start a discussion here.
Be the first to start a discussion here.
Be the first to start a discussion here.
Contribute something
Welcome to the community hub built to collect knowledge and have discussions related to Berkanan.
Nothing was collected or created yet.
Berkanan
View on Wikipediafrom Wikipedia
| Name | Proto-Germanic | Old English | Old Norse | |
|---|---|---|---|---|
| *Berkanan | Beorc | Bjarkan | ||
| "birch" | "birch"/"poplar"? | "birch" | ||
| Shape | Elder Futhark | Futhorc | Younger Futhark | |
 | |  | ||
| Unicode | ᛒ U+16D2 | ᛒ U+16D2 | ᛓ U+16D3 | |
| Transliteration | b | |||
| Transcription | b | |||
| IPA | [β] | [b] | [b], [p] | |
| Position in rune-row | 18 | 13 | ||
Berkanan is the reconstructed Proto-Germanic name of the b rune ᛒ, meaning "birch". In the Younger Futhark it is called Bjarkan in the Icelandic and Norwegian rune poems. In the Anglo-Saxon rune poem it is called beorc ("birch" or "poplar"). The corresponding Gothic letter is 𐌱 b, named bairkan.
The letter shape is likely directly based on Old Italic 
𐌁, whence comes also the Latin letter B.
The rune is recorded in all three rune poems:
| Rune Poem:[1] | English Translation: |
|
Old Norwegian
|
|
|
Old Icelandic
|
|
|
Anglo-Saxon
|
|
See also
[edit]References
[edit]- ^ Original poems and translation from the Rune Poem Page Archived 1999-05-01 at the Wayback Machine.
 | This article about runes or other related topic is a stub. You can help Wikipedia by expanding it. |
Berkanan
View on Grokipediafrom Grokipedia
Berkanan is the reconstructed Proto-Germanic name for the b-rune (ᛒ) in the Elder Futhark runic alphabet, denoting the birch tree (Betula). The Elder Futhark, dating from the 2nd to 8th centuries AD, was the earliest runic writing system used by Germanic tribes across Northern Europe for inscriptions on stone, wood, metal, and bone.[1] Berkanan, the 18th rune in this 24-character set, represents the phonetic sound /b/ and visually consists of a vertical stem with two upward-branching points resembling leaves or branches.[1]
Its association with the birch tree stems from the tree's role as one of the first to sprout after winter, as described in medieval rune poems.[2] In Germanic folklore, the birch was revered for its medicinal properties and use in rituals, inspiring modern interpretations of Berkanan as a symbol of fertility, growth, renewal, and new beginnings, often linked to nurturing and feminine themes.[3] It belongs to Tyr's aett in later runic traditions, a grouping associated with balance and growth.[4] In the Younger Futhark (8th to 12th centuries), it evolved into Bjarkan, retaining the birch association. Beyond ancient uses for writing, Berkanan's form has influenced modern symbols, such as its combination with the Hagalaz rune in the Bluetooth logo—representing the initials of King Harald Bluetooth—symbolizing communication and connectivity.[3]
Etymology and Naming
Proto-Germanic Roots
The reconstructed Proto-Germanic name for the b-rune in the Elder Futhark is *berkanan, derived directly from the noun *berkô, denoting the "birch tree." These Proto-Germanic rune names are not directly attested but reconstructed from comparative evidence in later Germanic languages. This etymological foundation reflects the rune's association with the birch (Betula spp.), a tree prominent in northern European landscapes and folklore. The reconstruction relies on comparative analysis of later Germanic languages, where cognates such as Old English beorc and Old Norse bjǫrk preserve the core meaning of "birch."[5] The term *berkô itself traces to the Proto-Indo-European root *bherəg-, meaning "to shine" or "bright, white," alluding to the distinctive pale, gleaming bark of the birch tree. This linguistic connection underscores the birch's symbolic role in renewal and vitality, as its early spring foliation and resilient growth patterns evoked themes of rebirth in ancient Germanic contexts.[6] The process of reconstructing *berkanan began in the 19th century through comparative philology. Early work on Germanic runes was advanced by Wilhelm Grimm in Ueber deutsche Runen (1821), and later scholars used attested forms from Old English, Old High German, and Old Norse sources, applying sound laws like Grimm's Law, to infer the Proto-Germanic forms. Subsequent linguists, building on this foundation, have refined the reconstruction using additional epigraphic and lexical evidence from runic inscriptions.[7]Variations Across Germanic Languages
The reconstructed Proto-Germanic name for the b-rune, *berkanan, meaning "birch," underwent phonetic shifts in descendant Germanic languages, reflecting dialectal divergences such as vowel changes and consonant developments.[8] In Old English, the form beorc emerged, used both as the rune name and a common term for the birch tree.[9] The Anglo-Saxon Rune Poem (c. 8th–9th century) illustrates this with the stanza: "Beorc byþ bleda leas, bereþ efne swa ðeah / tanas butan tudder, biþ on telgum wlitig, / heah on helme hrysted fægere, / geloden leafum, lyfte getenge," translated as "The birch bears no fruit; yet without seed it brings forth shoots, a splendid tree, its branches beautifully adorned, it reaches to the skies," portraying the birch as a joyful, resilient symbol of growth.[9] In Old Norse, the name shifted to bjarkan, particularly in the context of the Younger Futhark as recorded in Icelandic and Norwegian traditions, where the /e/ vowel umlauted to /ja/ and the medial /k/ remained stable.[9] The Old Norwegian Rune Poem (c. 12th century) references it as: "Bjarkan er laufgrønstr líma; / Loki bar flærða tíma," translated as "Birch has the greenest leaves of any limb; Loki was fortunate in his deceit," evoking the birch as a limb-healing tree with vibrant, restorative branches.[9] These variations highlight broader Germanic sound laws, such as i-umlaut in Old Norse and West Germanic diphthongization in Old English, while preserving the core association with the birch across dialects.[8]Phonetics and Form
Sound Value
Berkanan (ᛒ) serves as the rune for the voiced bilabial stop /b/ within the Elder Futhark, the earliest runic alphabet used by Germanic tribes from approximately the 2nd to 8th centuries CE, corresponding directly to the Proto-Germanic phoneme *b as an unmarked plosive consonant derived from the Roman letter B.[10] This sound value reflects the phonological system of Proto-Germanic, where /b/ functioned as a voiced counterpart to the voiceless /p/, without the later shifts seen in some descendant languages.[10] In the standard ordering of the Elder Futhark, known as the futhark sequence after its initial six runes (f, u, þ, a, r, k), Berkanan holds the eighteenth position, following Tiwaz (t) and preceding Ehwaz (e), which underscores its role in the alphabetic structure rather than an early sequential placement.[10] This positioning facilitated its use in transcribing Proto-Germanic words containing the /b/ sound, particularly in personal names and short phrases on portable artifacts. Ancient inscriptions demonstrate Berkanan's practical application for initial /b/ sounds in words. For instance, the 6th-century Beuchte fibula from Niedersachsen, Germany, bears the inscription buirso, transliterated as *burisō and interpreted as a feminine ō-stem personal name meaning something like "she-bear," where the initial Berkanan rune clearly denotes the /b/.[11] Similarly, the Freilaubersheim fibula from Germany, dated to the late 6th century, includes boso, a masculine personal name using Berkanan for the onset /b/ sound, highlighting its consistency in naming conventions across Continental Germanic runic texts.[12] The Vadstena bracteate from Sweden (ca. 500 CE) also incorporates Berkanan within a near-complete futhark row alongside an incantatory sequence, exemplifying its integration into both alphabetic lists and functional writing for /b/.Graphical Representation
The standard form of the Berkanan rune in the Elder Futhark is ᛒ, characterized by a vertical stem line from which two short branches extend upward to the right at roughly equal intervals, creating a visual resemblance to the Latin capital letter B. This configuration allows for efficient carving on wood, stone, or metal, with the branches typically diverging at an acute angle from the stem to ensure balance and readability in linear inscriptions. The rune represents the phoneme /b/ and appears consistently in this shape across the core corpus of Elder Futhark artifacts dating from the 2nd to 8th centuries CE.[13] The graphical design of Berkanan likely derives from influences of Mediterranean scripts, particularly the Latin B, which shares the bilateral branching structure adapted to the angular, straight-line aesthetic of runic writing to suit Germanic carving traditions. Proto-Runic precursors, evident in the earliest inscriptions from the 1st-2nd centuries CE, suggest an evolutionary refinement from these alphabetic models, with the rune's form stabilizing by the Migration Period as Germanic tribes interacted with Roman-influenced regions. This adaptation prioritized simplicity and symmetry, distinguishing it from more curved Italic letters while retaining phonetic utility.[13][14] Inscriptional variations of Berkanan occur due to regional carving styles and material constraints, with the branches sometimes rendered more acutely angled in Scandinavian examples for emphasis in multi-line texts, or straighter and more parallel in continental finds to accommodate finer detailing on metal objects. These glyphic differences, while minor, reflect local scribal preferences without altering the rune's core identifiability, as documented in typological studies of older Futhark scripts. Such variations underscore the script's flexibility across diverse archaeological contexts, from Denmark to the Rhine region.[13]Symbolic Interpretations
Associations with Birch and Nature
The Berkanan rune derives its name from the Proto-Germanic *berkanan, referring to the birch tree (Betula spp.), a species native to northern Europe and central to ancient Germanic symbolism of growth and vitality. In the Old English Rune Poem, an 8th- or 9th-century text preserved in the Exeter Book manuscript, the birch (beorc) is depicted as bearing no fruit yet producing splendid, seedless twigs and leaves that reach toward the heavens, underscoring its aesthetic beauty and capacity for renewal without traditional reproduction.[9] Similarly, the Norwegian Rune Poem praises the birch for having the greenest leaves among shrubs, evoking its early awakening in the landscape.[9] Ecologically, the birch stands out as one of the first trees to leaf in spring across Germanic regions, often emerging while snow lingers, thereby embodying the transition from winter's dormancy to seasonal rebirth. This pioneering trait aligns with the rune's thematic emphasis on natural cycles, where the tree's rapid colonization of barren soils after fires or clearings further symbolizes resilience and fresh starts in harsh northern environments. Botanically, Betula pendula and related species produce catkins and leaves as early as March in temperate zones, marking the end of frost and heralding warmer months. In ancient Germanic culture, the birch served practical roles that reinforced its symbolic ties to sustenance and craftsmanship. Birch bark, prized for its waterproof and flexible qualities, was harvested for writing surfaces, roofing huts, and crafting containers, with archaeological evidence from Scandinavian sites showing its use in everyday artifacts from the Iron Age onward. The tree's sap, tapped in early spring, was collected and allowed to ferment naturally into a mildly alcoholic beverage, a tradition documented in ethnographic records of Nordic folk practices that parallels the rune's renewal motif. Meanwhile, birch wood, lightweight yet durable, was fashioned into tools such as spoons, handles, and skis, as evidenced by Viking-era finds in Norway and Denmark. Mythologically, the birch connects to broader Germanic concepts of cosmic structure and abundance, occasionally identified as a localized variant of the world tree Yggdrasil in regional lore, despite the primary Eddic descriptions portraying Yggdrasil as an ash. In some continental Germanic traditions, birch trees marked sacred groves or burial sites, linking them to themes of life's continuity and the earth's regenerative forces. These associations extend to fertility motifs, where birch branches featured in spring rituals evoking prosperity, though detailed ties to deities like Freyr remain interpretive rather than explicit in surviving texts.Feminine and Nurturing Themes
While historical rune poems emphasize themes of growth and renewal associated with the birch, Berkanan's connections to the divine feminine, such as motherhood, fertility, and shelter, are primarily explored in modern runic interpretations. In these traditions, the rune is associated with earth goddesses like Nerthus, described by the Roman historian Tacitus as an earth mother figure whose cult involved processions symbolizing protection and renewal.[15] Similarly, Frigg, the Norse goddess of marriage and domesticity, is seen to reflect Berkanan's role in fostering family and emotional security, as interpreted in modern runic lore.[16] Central to Berkanan's symbolism are themes of gestation, pregnancy, birth, healing, and family bonds, drawing from the birch tree's vital qualities highlighted in traditional rune poems. The Old English Rune Poem portrays the birch (beorc) as a tree laden with splendid branches and leaves reaching toward the sky, evoking growth and renewal akin to life's nurturing cycles.[17] In Germanic folklore, the birch's medicinal uses—such as its leaves and sap for treating urinary infections, rheumatism, and skin ailments—reinforce this as a symbol of healing and regeneration, often tied to maternal care and the bonds of kinship, including the use of birch wood for cradles to protect infants.[6] Berkanan's protective qualities manifest as a shield against chaos, mirroring the encompassing shelter of a mother's embrace in folklore traditions. This rune is invoked for safeguarding growth and stability, countering disorder through its association with the birch's resilient, purifying essence that renews disturbed landscapes, much like feminine energy restoring harmony in familial and cosmic contexts.[6] Such symbolism underscores Berkanan's role in warding off adversity while promoting the gentle cycles of natural renewal.[16]Historical and Cultural Context
Role in Elder Futhark
Berkanan serves as the eighteenth rune in the Elder Futhark, the oldest attested runic alphabet employed by Germanic-speaking peoples across northern Europe from approximately the 2nd to the 8th centuries CE. Positioned as the second rune within the third aett, it follows immediately after Tiwaz and precedes Ehwaz in the sequence. This aett encompasses the final eight runes of the 24-rune system.[18] Archaeological evidence from the Elder Futhark corpus, comprising around 350 surviving inscriptions primarily on portable artifacts like fibulae, bracteates, and weapons, demonstrates Berkanan's practical utility in recording personal identifiers and incantatory phrases. These texts, often brief and formulaic, reflect the rune's integration into daily and ritual literacy among Migration Period communities. For instance, the mid-6th-century silver-gilt relief bow-fibula from Beuchte, Niedersachsen, Germany, bears the inscription fuþark gbw hjniïp z st b e m l ŋ d o followed by buirso and was discovered in a female grave context.[19]Evolution in Younger Futhark
In the Younger Futhark, the Berkanan rune evolved into the simplified form ᛒ, known as Bjarkan, which retained the primary phonetic value of /b/ while also accommodating /p/ due to the alphabet's contraction from 24 to 16 characters around the 8th century CE.[20] This reduction, characteristic of Viking Age Scandinavian runic writing, necessitated greater polyphony among the remaining runes, resulting in Bjarkan's more sparing but multifunctional application in inscriptions.[21] The name Bjarkan derives from Old Norse, denoting "birch tree," a continuity from the reconstructed Proto-Germanic *berkanan in the Elder Futhark.[20] Preserved in medieval Scandinavian rune poems, these texts illustrate the rune's symbolic ties to natural renewal and growth. The Icelandic Rune Poem, recorded in 16th-century manuscripts such as AM 687d 4° but reflecting earlier Younger Futhark traditions, describes Bjarkan as "a leafy twig and little tree and fresh young shrub," portraying it as a vibrant emblem of budding life and fertility.[22] Similarly, the Norwegian Rune Poem, surviving from a lost 13th-century manuscript via a 17th-century copy, presents Bjarkan as "the birch [with] the greenest leaves of any shrub; Loki bore the time of deceit," evoking the tree's lush vitality alongside mythological intrigue.[21]Modern Applications
Use in Divination and Magic
In the Poetic Edda, the poem Sigrdrífumál describes "protection-runes" (bjargrúnar) to be carved on the palms and clasped around the limbs of a woman in labor to aid childbirth and invoke the dísir for assistance, representing one of the few historical references to runes used in birth rituals.[23] Although the specific runes are not named, archaeological finds like the 11th- to 12th-century bronze plates from Solberga, Öland, contain inscriptions intended to ease childbirth by expelling harmful forces, illustrating the broader tradition of runic amulets for maternal protection.[24] Modern reconstructions draw on these textual and artifactual hints to associate the Berkano rune with childbirth amulets, leveraging its symbolic ties to birch as a tree of renewal and feminine vitality. In reconstructed runic divination, the Berkano rune upright denotes growth, nurturing, rebirth, and harmonious family developments, often signaling new beginnings or the successful cultivation of ideas and relationships.[25] Reversed, it warns of stagnation, domestic discord, or suppressed emotional needs, advising patience to overcome blocks in personal development.[26] These interpretations stem from influential 20th-century works adapting Elder Futhark symbolism for casting practices, emphasizing Berkano's role in fostering inner and outer harmony. Within magical applications, Berkano features prominently in bindrunes for targeted intentions; for instance, combining it with Ingwaz enhances fertility spells by amplifying themes of gestation and potential, as seen in reconstructed rituals for conception or agricultural abundance.[27] These combinations reflect contemporary esoteric methods grounded in the rune's core attributes of protection and regeneration, often carved on talismans or visualized in meditations.Contemporary Symbolism and Revival
The revival of Berkanan, also known as Berkano, in contemporary contexts traces its roots to the 19th-century Romantic interest in Germanic mysticism, particularly through Austrian occultist Guido von List's development of the Armanen runes in 1902. List, influenced by völkisch ideology and a claimed visionary experience, reinterpreted ancient runic symbols in his 1908 work The Secret of the Runes, where Berkano represents the birch-goddess Berchta, embodying themes of fertility, growth, and feminine regenerative power. This system contributed to a broader esoteric revival of runes amid nationalist and pagan romanticism, laying groundwork for their modern symbolic use beyond historical linguistics. In the 20th century, Berkano gained prominence within the Ásatrú movement, a reconstructionist pagan tradition that officially emerged in Iceland in the 1970s as a response to cultural secularization and dissatisfaction with dominant Christianity. The Ásatrúarfélagið, founded in 1972 and recognized as a state religion in 1973, has grown steadily, with over 6,000 members as of 2025, emphasizing Norse heritage including runic symbolism for personal and communal rituals.[28][29] Within Ásatrú, Berkano retains its associations with nurturing and renewal, often invoked in modern ceremonies to symbolize life's cycles and communal bonds. Contemporary neopaganism, particularly feminist spirituality, has repurposed Berkano as a emblem of empowerment and divine feminine energy, aligning with ecofeminist principles that link it to Earth-based nurturing and the Triple Goddess archetype. In traditions like Berkano Wicca, a Hungarian variant of Wicca adapted for LGBTQ+ practitioners since the early 2000s, the rune inspires rituals challenging gender binaries and fostering personal identity through modified altars and invocations of relational wisdom.[30][31] Since the 1970s popularization of runes via Ásatrú and New Age literature, Berkano has surged in cultural media, frequently featured in jewelry, tattoos, and fantasy-inspired designs as a talisman for growth and protection. Common in Nordic-themed accessories and body art, it reflects broader neopagan resurgence, with motifs appearing in contemporary pagan publications and merchandise post-Ásatrú's institutionalization.[32]References
- https://en.wikisource.org/wiki/Rune_poems