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Bitch Slap
Theatrical release poster
Directed byRick Jacobson
Written byRick Jacobson
Eric Gruendemann
Produced byEric Gruendemann
Rick Jacobson
StarringJulia Voth
Erin Cummings
America Olivo
Ron Melendez
William Gregory Lee
Minae Noji
Michael Hurst
CinematographyStuart Asbjornsen
Edited byJoe McFadden
Corey Yaktus
Music byJohn R. Graham
Production
company
Epic Slap[1]
Distributed byFreestyle Releasing[2]
IM Global
Summit Entertainment
Release date
  • September 14, 2009 (2009-09-14) (Toronto International Film Festival)
Running time
109 minutes
CountryUnited States
LanguageEnglish
Box office$514,537 [3]

Bitch Slap (alternate title: Before Me We Say I Do) is a 2009 American action film directed by Rick Jacobson and starring Julia Voth, Erin Cummings, America Olivo and Michael Hurst, with cameos by Lucy Lawless, Kevin Sorbo, and Renee O'Connor.[4][5]

Plot

[edit]

Three attractive and voluptuous vixens, a down-and-out stripper named Trixie, a drug-running killer and ex-convict named Camero, and a corporate powerbroker nicknamed Hel, arrive at a remote desert hideaway to extort massive riches from a ruthless sword-wielding killer named Pinky, who is also a notorious underworld figure. None of the three women are who they appear to be: each has an ulterior motive.

They kidnap a gangster called Gage and try to force him to reveal where the treasure is buried. He refuses, believing they will kill him anyway, but Hel promises he will not be harmed. Camero shoots and kills him, against the wishes of Hel, saying she made no such promise. His phone rings, and they believe Gage is connected to Pinky.

Things become more complicated when a police officer named Deputy Fuchs arrives. Unknown to them, he was in the audience five nights ago when Trixie performed as a stripper to seduce Gage. However, the three women hide the body and are able to convince Fuchs to leave. While digging for the treasure, Camero asks the girls about the best sex each has ever had, believing the answer tells her something important about their character. She admits her best sex ever was with a circus contortionist, although she did not even know the contortionist's name at the time.

During a water fight, Trixie falls onto something in the sand. They dig; however, instead of buried treasure they find the dead body of one of Hel's contacts. Trixie goes into the trailer to collect herself as Hel follows her to check on her, only for Trixie to seduce Hel into making out and going second-base with her, which leads to them having vigorous sex until Camero catches them in the act and is furious, as she apparently is in love with Hel too. They are interrupted by Hot Wire and his girlfriend Kinki, whom Camero is familiar with. At gunpoint, the two abuse the women and force them to dig for the buried treasure. Deputy Fuchs returns just as they discover the location of an underground bunker, He attempts to save the women, but instead causes a gunfight, which Hel ends with a high-powered machine gun found earlier in the nearby trailer.

Camero asks the meaning of the code Hel uses on the bunker access keypad, "75650". At closer inspection it appears that the number 1 is associated with the letter A, 2 with BCD, 3 with E, 4 is with FGH, 5 is with IJK, 6 is with LMN, 7 is with OPQ, 8 is with RST, 9 is with UVW and 0 is with XYZ. With this info the code numbers spell "PINKY" Hel and Trixie find the hidden bunker full of goods stolen from Pinky, including a mysterious weapon, diamonds, and a beautiful sword, which Trixie takes. Camero, believing she is in the midst of a double-cross, fights Hel for the diamonds. Camero overcomes Hel and sets Trixie afire along with barrels of flammable liquids. Camero leaves Hel in chains while she attempts to drive away with the diamonds; however, Hel quickly uses the super-machine gun to free herself, and fires a rocket that destroys the car Camero was driving.

Hel admits to Trixie that she is a secret agent who reports to a man named Phoenix, and that she is on a mission to retrieve the weapon they found in Pinky's lair. Camero returns and again fights Hel. After she beats Hel to the ground, Camero assumes she is dead and moves to kill Trixie. As Trixie will not fight back, Camero tries to rape her, but stops when she sees a tattoo and realizes Trixie was the shadowy contortionist from her past. Before she can kill Trixie, Camero is shot in the back and killed by Deputy Fuchs, who managed to survive the explosion. However, instead of thanking him, Trixie kills Fuchs using a hidden throwing star. Hel awakens, having survived Camero's attack. Trixie then reveals that she, in fact, is Pinky, and concocted the entire plot to retrieve the sword she took from Gage's bunker, which he had taken from her six months previously.

Cast

[edit]
Voth and Cummings at the 2009 Toronto International Film Festival

Music

[edit]

John R. Graham composed the musical score and the soundtrack was released in 2009; featuring 29 songs.[2] The film also features songs by AM Conspiracy, Rebel Vengeance and Eagles of Death Metal.

Release

[edit]

The film was released in the United States on January 8, 2010, in theaters and video-on-demand. It received a limited run of three weeks in three theaters and closed January 21.

The film grossed $17,365 at the domestic (US and Canada) box office and $199,436 foreign.[3]

Home media

[edit]

An unrated DVD was released on March 2, 2010, in the United States.[6]

Critical response

[edit]

On review aggregator Rotten Tomatoes, the film holds an approval rating of 29% based on 17 reviews, with an average rating of 4.55/10.[7] On Metacritic, the film has a weighted average score of 19 out of 100, based on 5 critics, indicating "overwhelming dislike".[8]

In Daily Variety, IM Global's Stuart Ford described Bitch Slap as "a pure exploitation pic — chicks, boobs, guns and bad guys, in that order".[9] In Variety, Joe Leydon wrote "Overblown and underwhelming, 'Bitch Slap' is a desperately unfunny attempt to satirically recycle cliches and archetypes from sexploitation actioners of the 1960s and '70s."[10] Amy Biancolli of the San Francisco Chronicle wrote "The idea is to amuse anyone who's not offended by all the over-baked violence, bad acting and slapping babeage, but it's so heavy-handed and hyper-stylized that any extant wit gets smacked into submission. It's just not any fun."[11] Mark Olsen in the Los Angeles Times noted that, "Despite its obsession with décolletage, Bitch Slap is surprisingly puritanical (much teasing, no pleasing)."[12]

Inspiration

[edit]

The film is described as "a post-modern, thinking man's throwback to the 'B' Movie/Exploitation films of the 1950s–70s as well as a loving, sly parody of the same".[13] The film is inspired by the Dragstrip Girl, Faster, Pussycat! Kill! Kill!, Kung Fu Nun, the pantheon of blaxploitation and other exploitation films which had a renewal in popularity after the cult success of Grindhouse in 2007.[14]

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Bitch Slap

View on Grokipedia
from Grokipedia
Bitch Slap is a American written and directed by , centering on three women—a down-and-out stripper, a ruthless , and a cunning corporate powerbroker—who arrive at a remote hideaway to extort $200 million in diamonds from an underworld kingpin, only for shifting allegiances and escalating betrayals to spiral the heist into chaos. The film stars as Trixie, the struggling stripper; as Hel, the manipulative executive; as Camero, the deadly courier; and as Gage, the sadistic crime boss, with supporting roles filled by actors including Ron Melendez as Deputy Fuchs and as Hot Wire. Produced by Bombshell Pictures and distributed by , it premiered at the on September 14, 2009, before a on January 8, 2010, and features a runtime of 104 minutes. Known for its over-the-top violence, non-linear narrative structure, and satirical homage to 1970s exploitation cinema, the movie incorporates elements of campy humor and stylized action sequences set against a gritty desert backdrop. Critically, Bitch Slap garnered mixed-to-negative reception for its gratuitous content and stylistic excess, earning a 33% approval rating from critics on based on 18 reviews, alongside an audience score of 29%. It holds a 4.5 out of 10 rating on from over 14,000 user votes and a score of 19 out of 100 from five critics, often praised for its unapologetic B-movie flair but criticized for shallow characters and predictable plotting. Despite its modest of $17,400, the film has cultivated a among fans of genre cinema for its bold, female-led ensemble and cameos by alumni from the Hercules: The Legendary Journeys and : Warrior Princess series.

Production

Development

Rick Jacobson, an experienced television director known for helming episodes of series such as Baywatch, Xena: Warrior Princess, Hercules: The Legendary Journeys, La Femme Nikita, She Spies, and Cleopatra 2525, brought his background in crafting stories around strong female characters to his feature film directorial efforts, having previously worked on low-budget projects for producer Roger Corman. The screenplay for Bitch Slap was co-written by Jacobson and producer Eric Gruendemann, who had previously collaborated on . Development began in March or April 2006 as a self-financed, low-budget concept limited to few locations and practical daytime shoots, starting with a 12-page treatment by Jacobson that drew from his personal affinity for and B-movies and exploitation cinema. Over the next year and a half, the duo refined the script through extensive revisions, finalizing it around late 2007 to ensure fully fleshed-out characters and narrative twists before entering in 2007 and continuing into 2008, which included planning for action sequences via storyboards and . Financed independently through Bombshell Pictures—a company formed by Jacobson and Gruendemann—the production operated on a modest estimated between $1 million and $10 million, reflecting challenges in raising funds for a female-led amid a market favoring male-dominated genres, and relied on the filmmakers' personal investments alongside connections from their television work with figures like and . Key pre-production decisions emphasized authenticity in action, with the hiring of stunt coordinator and fight choreographer (a alum) to oversee practical stunts inspired by westerns and John Carpenter's , while incorporating green-screen techniques and over 640 visual effects shots for backgrounds to balance cost and visual ambition without over-relying on CGI for core action elements.

Filming

for Bitch Slap commenced on March 16, 2008, and wrapped on April 1, 2008, primarily in the area. Filming locations included , for the remote desert hideout sequences, capturing the arid landscape essential to the story's tense confrontations. Urban flashbacks depicting the characters' backstories were shot on location in , utilizing city streets and industrial sites, while interior bunker scenes made use of abandoned warehouses to evoke a gritty, confined atmosphere. The desert exteriors, intended to convey sweltering heat, were actually filmed during mid- to late-March when temperatures were cool and comfortable, requiring post-shoot adjustments to achieve the desired parched visual tone. The production employed cinematographer Stuart Asbjornsen to helm the visuals, with a significant portion of the film—approximately 75%—utilizing green screen technology to composite dynamic action and backgrounds efficiently on a limited budget. Practical effects were prioritized where possible, influenced by budgetary constraints that favored cost-effective stunts over extensive CGI. One of the key challenges during was coordinating the film's elaborate fight sequences and stunts, overseen by stunt coordinator Zoe Bell. The lead actresses, including , , and —many of whom had limited prior experience with intense physical action—required hands-on training in punch throws, falls, and combat choreography to ensure and authenticity. Bell addressed their initial fears of by building trust through personalized instruction, compensating for the low-budget production's lack of additional specialists like a dedicated fight choreographer or rigger. Desert shoots also presented logistical hurdles, such as managing equipment in the remote Palmdale , though the cooler spring weather mitigated some environmental risks. In post-production, editors Joseph McFadden and Corey Yaktus assembled the footage with an emphasis on rapid, kinetic cuts to amplify the film's high-energy action and structure.

Inspiration

The film Bitch Slap draws primary inspiration from 1960s and 1970s exploitation cinema, particularly Russ Meyer's Faster, Pussycat! Kill! Kill! (1965), which influenced its portrayal of fierce female anti-heroes engaging in high-stakes action and betrayal in a setting. Director and producer Eric Gruendemann explicitly referenced watching Meyer's films during development, aiming to capture their bold, over-the-top style while updating it for contemporary audiences. This foundation also extends to other low-budget exploitation staples, such as Corman's productions, emphasizing limited locations, explosive action, and a small ensemble of strong women. Additional influences include and Robert Rodriguez's (2007), evident in the film's retro aesthetic, faux-vintage film scratches, and playful nods to fake trailers through its opening credit sequence. These elements homage the double-feature grindhouse experience, blending pulpy violence with tongue-in-cheek humor to evoke the era's vibe. In its cultural context, Bitch Slap offers a post-modern reinterpretation of feminist revenge narratives, merging female empowerment—highlighted by its all-female lead trio and fight choreography by —with of through exaggerated cleavage shots, water fights, and self-aware sensuality that prompts viewers to question exploitation versus agency. Specific homages appear in dialogue echoing B-movie bravado and visual callbacks to icons like Pam Grier's roles in Foxy Brown (1974) and (1973), integrated via montage clips in the credits to celebrate tough, vengeful women protagonists. Jacobson's intent was to craft a "guilty pleasure" that subverts exploitation tropes by infusing them with modern irony and "thinking man's" narrative twists, such as a non-linear structure, while honoring the genre's unapologetic fun without descending into mere .

Cast and characters

Principal cast

The principal cast of Bitch Slap consists of three lead actresses portraying the film's central trio of women entangled in a high-stakes desert confrontation. plays Trixie, the manipulative and cunning stripper who serves as the group's leader, masking her ruthless ambitions behind a facade of . A Canadian model-turned-actress born in 1985, Voth transitioned from print modeling to shortly before landing the role, which marked her debut; she prepared intensively by working with an acting coach and enduring the physical demands of filming in the , including stunts amid harsh sandstorms and cold nights while wearing minimal clothing. Erin Cummings portrays Hel, the driven and businesslike mastermind with a secretive past, acting as the group's strategic enforcer and protector. Known for her role as Sura in the Starz series Spartacus: Blood and Sand (2010), Cummings drew on her background in theater, dance, and journalism to embody the character; for the film's intense fight scenes, she trained under renowned stunt coordinator Zoe Bell, leveraging her dance training from the Kilgore College Rangerettes to master the choreographed action sequences. America Olivo stars as Camero, the volatile and feral drug runner whose explosive temper and loyalty drive much of the conflict, serving as the wildcard in the trio. A singer-actress with a degree in Opera Theatre from The Juilliard School, Olivo's musical background directly influenced her performance, particularly in a scene where she performs a sultry rendition of "Ave Maria" as a stripper, adapting her classical vocal training to fit the character's raw edge. The casting emphasized actresses who combined striking beauty and athletic prowess to homage 1970s exploitation cinema, with auditions prioritizing on-screen chemistry among the leads to ensure dynamic interactions in the film's action and dialogue-heavy sequences; director selected Voth after a callback reading, Cummings following a traditional agent submission and test, and Olivo directly after spotting her in a stage production.

Supporting cast and cameos

Ron portrays Deputy Fuchs, a determined lawman who pursues the three principal female characters through the desert after their criminal activities draw official attention. , a veteran with credits in television series such as , brings a gritty intensity to the role, emphasizing Fuchs's relentless drive in key chase and confrontation sequences. William Gregory Lee plays Hot Wire, a secondary aligned with the criminal elements in the story, appearing in action-heavy desert confrontations alongside his partner Kinki. Known for his leading role as Sean Renier in the Fox series Dark Angel (2000–2002), Lee's background in science fiction and action genres adds a familiar edge to his performance as a tough, wired enforcer. Minae Noji appears as Kinki, Hot Wire's fierce companion in a brief but memorable bunker scene, where she wields a razor-blade in a violent skirmish against the protagonists. Noji, recognized for roles in (2007–2009) and Teenage Mutant Ninja Turtles (2012), delivers a high-energy portrayal that highlights the film's over-the-top exploitation style. The film features notable cameos from Hercules: The Legendary Journeys and Xena: Warrior Princess alumni, serving as fan service nods to cult television audiences. Lucy Lawless briefly appears as Mother Superior, a commanding figure in a hallucinatory sequence; Kevin Sorbo plays Mr. Phoenix, a shadowy authority in the criminal underworld; and Renée O'Connor is cast as Sister Batrill, contributing to the film's blend of action and absurdity. These appearances leverage the actors' genre legacy to enhance the movie's self-aware, B-movie homage. Michael Hurst stars as Gage, the central antagonist and ruthless kingpin whose hidden cache of diamonds drives the plot's central extortion scheme. A prominent figure from : The Legendary Journeys as , Hurst's involvement extends the film's ties to 1990s fantasy-action television, with his character anchoring several intense fight and interrogation moments that propel the narrative.

Music

Score

The original score for Bitch Slap was composed by John R. Graham, a seasoned composer with credits for major studios including , Universal, and Warner Brothers, as well as a 2008 Just Plain Folks award for his work on Long Flat Balls II. Graham crafted an electronic-orchestral hybrid score featuring pulsing synths, rock elements like guitar anthems, and thunderous underscores to capture the film's aesthetic and of 1970s B-movies. This style provides tension-building cues for desert action scenes while amplifying the exaggerated, humorous tone of the exploitation narrative. In close collaboration with director —who requested a retro sound to match the film's stylistic homage—Graham developed motifs that blend legitimacy with , enhancing the balance of violence, betrayal, and campy energy. The score was recorded in 2009 and seamlessly integrated during , with standout tracks including the main title "Bitch Slap Theme" (3:36), action chase motif "Pinky's Ride," and parody-driven cues like "Hel No" and "Kinki Spank!" (4:07).

Soundtrack

The film Bitch Slap incorporates a dynamic selection of licensed rock and punk tracks to amplify its high-octane action, campy , and exploitation-style visuals, with songs strategically placed during opening sequences, fight montages, and to heighten the rebellious, gritty atmosphere. These vocal pieces, drawn from emerging and established alternative artists, contrast with the non-diegetic original score by providing diegetic energy in key scenes, such as performances and desert confrontations. Director curated the selections to match the film's punk-infused tone, emphasizing raw guitar riffs and aggressive rhythms that underscore the characters' fierce personas. Notable tracks include "Bitch Slap (Take the Ride)" by Rebel Vengeance, which blasts over the montage introducing the protagonists' chaotic arrival in the desert. "High" by AM Conspiracy plays as Hel assists Trixie in a glamorous yet tense moment, building anticipation for the ensuing drama. Eagles of Death Metal's "Chase the Devil" kicks in during the first end-credits roll, delivering a high-energy rock outro that encapsulates the movie's unapologetic vibe. Other highlights feature Blue Stahli's industrial-tinged "Scrape" amid intense between Hel and Camero, and Minae Noji's sultry "Dangerous Love" (also known as "Kinki Girl") in the second end-credits segment, tying back to the film's themes of and .
Song TitleArtistScene Usage
Bitch Slap (Take the Ride)Rebel VengeanceOpening credits montage
HighAM ConspiracyHel helps Trixie from the car
Nobody Hot as MeKUTrixie's striptease and drink-spiking
Rebel VengeanceSlow-motion digging sequence
Throw the Towel DownStank E. DigitzStrip club performance at Homeland Security
Ave Marie Divita and Kyle MackTrixie's seductive stage encounter with Gage
WeltAM ConspiracyIntimate moment between Trixie and Hel
A Long Walk HomeWalls of JerichoDeputy Fuchs confrontation and yo-yo fight
ScrapeHel vs. Camero fight montage
End credits (first song)
Dangerous Love (Kinki Girl)End credits (second song)
While no dedicated of these licensed tracks was commercially released, the film's music supervisor and director Jacobson integrated them seamlessly with the original score to create a cohesive auditory experience targeted at the movie's . The overall approach prioritized thematic fit over chart-toppers, contributing to Bitch Slap's niche appeal in the action-exploitation genre without pursuing broad commercial distribution for the songs themselves.

Release

Premiere and theatrical distribution

_Bitch Slap had its world premiere on September 14, 2009, as part of the Midnight Madness program at the . The screening drew attention for its over-the-top action and exploitation style, aligning with the festival's focus on . In the United States, the film received a on January 8, 2010, distributed by . It opened in just three theaters, reflecting its independent production scale. Internationally, Bitch Slap screened at the International on September 24, 2009, and the International in the on October 18, 2009. The film saw releases in the UK and in 2010, primarily through but with some theatrical elements in select markets. Marketing efforts emphasized the film's high-octane action sequences, strong protagonists, and campy exploitation elements through trailers and promotional materials. These were targeted at fans of B-movies and cinema, appealing to both male audiences drawn to the visual style and viewers via themes of empowerment. The campaign included early artwork and online presence to build buzz at events like Comic-Con. As an independent production, distribution faced challenges, including limited theatrical screens and reliance on festival exposure for visibility before securing domestic and foreign deals. Foreign sales provided initial momentum, but broad theatrical rollout remained constrained.

Box office performance

Bitch Slap grossed $17,365 in North America during its limited theatrical release. Internationally, the film earned $422,222 across various markets, including $240,151 in Italy, $179,710 in Russia and the CIS, and $2,361 in Ukraine, resulting in a worldwide total of $439,587. The film opened on January 8, 2010, in three theaters, generating $12,254 over its debut weekend, which accounted for approximately 71% of its entire domestic run. This modest performance occurred amid heavy competition from major releases like Avatar, which dominated the that month with over $48.5 million in its opening alone. Given its niche appeal as an independent action film with exploitation elements, Bitch Slap achieved most of its theatrical earnings overseas rather than domestically, where it played for an average of 1.7 weeks per theater. The limited U.S. distribution by contributed to its underwhelming domestic results, with the film failing to expand beyond its initial venues.

Home media

The DVD release of Bitch Slap occurred on March 2, 2010, distributed by 20th Century Fox Home Entertainment in an unrated edition. The single-disc release featured several special features, including two tracks—one with writer/producer/director and writer/producer Eric Gruendemann, and another with the principal cast members , , and —as well as a multi-part titled Behind Bitch Slap: Building a Better B-Movie. These extras highlighted the film's intentional homage to exploitation cinema, providing insights into its production process and stylistic choices. A Blu-ray edition followed on July 10, 2012, also from 20th Century Fox, offering an HD upgrade with video and retaining the same audio commentaries and documentary from the DVD. The high-definition transfer emphasized the film's vibrant visuals and action sequences, appealing to fans of its over-the-top aesthetic. By the , Bitch Slap became available for digital streaming on platforms such as and , where it streams for free with advertisements. No major re-releases or remastered editions have been announced since the Blu-ray launch. The film's home media availability contributed to its development as a favorite among B-movie enthusiasts, sustaining interest beyond its limited theatrical run.

Reception

Critical response

Bitch Slap received overwhelmingly negative reviews from critics upon its release, with a 33% approval rating on based on 18 reviews. The site's consensus describes the film as an "over-the-top -- and ultimately tiresome -- female mud-wrestling, kick-boxing and cat fights in a of old exploitation movies." On , it holds a score of 19 out of 100, based on five reviews, indicating "overwhelming dislike." Some critics praised the film's campy energy and its homage to exploitation genres, highlighting the strong performances by its female leads and high production values for a low-budget project. For instance, a review from the noted its "top-notch art design and production values," crediting the charismatic cast—including , , and —for delivering energetic action and dialogue, along with effective stunt coordination by . The described it as a "cinematic " and "harmless, high-spirited fun," positioning it as a lighthearted throwback to B-movies of the through . However, the majority of reviews criticized the film for its shallow plot, excessive violence, and heavy reliance on exploitative tropes. Variety's Joe Leydon called it "overblown and underwhelming," a "desperately unfunny attempt to satirically recycle clichés and archetypes from sexploitation actioners of the and '70s." The Hollywood Reporter review, scored at 30 out of 100 on , faulted its superficial narrative and gratuitous elements despite acknowledging its post-feminist angle on women overpowering men. Additional critiques pointed to tedious pacing and lack of deeper subtext, with one TIFF observer questioning whether it leaned more toward exploitation than . At its world premiere in the Midnight Madness section of the , reception was mixed, with appreciation for its unapologetic genre tribute and entertainment value for fans of trashy action, though some found its exaggerated and surface-level appeal limiting.

Audience reception and legacy

Upon its release, Bitch Slap elicited a polarized response from audiences, with some praising its high-octane action sequences and portrayal of empowered female protagonists, while others criticized it as exploitative due to its emphasis on sexualized imagery and thin plotting. The film holds an audience score of 29% on based on over 10,000 ratings, reflecting this divide, and a 4.5/10 average user rating on from more than 14,000 votes. Over time, the film cultivated a dedicated , particularly through home media releases like its DVD special edition and subsequent availability on streaming platforms, where fans appreciated its unapologetic embrace of B-movie tropes. It has been referenced in online discussions and lists of female-led action cinema, often highlighted for its bold, female-driven narrative amid the genre's male-dominated landscape. On , it maintains an average rating of 2.3 out of 5 from over 3,000 users, with many reviews embracing its "insane" and "trashy" charm as a deliberate homage to exploitation s. In terms of legacy, Bitch Slap has no sequels but contributed to the late 2000s revival by blending over-the-top action with retro aesthetics, influencing the style of subsequent low-budget female-centric B-movies. Director did not helm another feature until 2022's The Royal Treatment, a marking a shift from his action roots. Modern retrospectives, including post-2020 viewings, often view it positively as campy entertainment within cult cinema circles, though it has seen no major updates or revivals beyond ongoing streaming accessibility.

References

  1. https://www.rottentomatoes.com/m/10010153-bitch_slap
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