Hubbry Logo
CartrivisionCartrivisionMain
Open search
Cartrivision
Community hub
Cartrivision
logo
8 pages, 0 posts
0 subscribers
Be the first to start a discussion here.
Be the first to start a discussion here.
Cartrivision
Cartrivision
Cartrivision
View on Wikipedia
from Wikipedia
Cartrivision
Cartrivision
Media typeMagnetic tape cartridge, ½-inch
EncodingNTSC, PAL
StandardInterlaced video
Developed byAvco
UsageHome movies
Released1970; 56 years ago (1970)

Cartrivision is an analog video tape cartridge format introduced in 1972, and the first format to offer feature films for consumer rental.[1]

Cartrivision was produced by Frank Stanton's Cartridge Television, Inc. (CTI), a subsidiary of Avco,[2] which also owned Embassy Pictures at the time. Cartrivision was available in the form of a TV set with a built-in recorder for the format.[2] Cartrivision recorders and sets were manufactured by Avco, a company that CTI partnered with to manufacture and develop the format, as well as Admiral, Packard Bell, Emerson, Montgomery Ward, and Sears, the latter two marketing Cartrivision sets under their own brand names in their stores. While Montgomery Ward's TV used the Admiral chassis, as did all Montgomery Ward airline TVs, Admiral marketed their own Cartrivision with a different chassis.

The first model of Cartrivision-equipped TV set sold for US $1,350[3] (equivalent to $9,791 in 2025), and was the first videocassette recorder to have pre-recorded tapes of popular movies available for rent.

History

[edit]

Avco Corp. introduced Cartrivision at the Consumer Electronics Show in New York in June 1970. It was first sold in June 1972, mainly through Sears, Macy's, and Montgomery Ward department stores in the United States. Manufacture ended thirteen months later in July 1973[1] after poor sales. Later, it was found that Cartrivision tapes that had been stored in a warehouse had disintegrated due to humidity.[2]

After the demise of Cartrivision in 1973, many Cartrivision-equipped TV sets, separate recording mechanisms, tapes, and other parts and accessories were liquidated by surplus retailers, mainly in California, and many electronic hobbyists bought quite a few of the Cartrivision systems. Some made their own homebrew modifications with the hardware, such as a stand-alone Cartrivision player in its own chassis with an RF modulator to hook it up to any TV set, much like later VCRs.[4]

Design

[edit]

Like Philips' Video Cassette Recording (VCR) format (introduced at the same time in Europe), the square Cartrivision cassette had the two reels of half-inch magnetic tape mounted on top of each other, but it could record up to 114 minutes. It did so using an open loop helical scan "skip-field" form of video format that recorded every third video field and played it back three times. Citing U.S. patent 3,718,755 "the present invention (of recording and playback) represents an improvement over the prior conventional skip-field systems." Such conventional systems are described in U.S. patent 3,359,365 issued to Kihara on Dec. 19, 1967.

Retail

[edit]

Cassettes of major movies such as The Bridge on the River Kwai, Guess Who's Coming to Dinner, Dr. Strangelove, High Noon, It Happened One Night, Divorce Italian Style, The Quiet Man, The Belles of St Trinian's, Two Rode Together and Brother Rat[5] were ordered via the initial 200-movie catalog at a retailer, delivered by parcel mail, and then returned to the retailer after viewing. These rental cassettes were red, approximately 7 inches (180 mm) high by 6.5 inches (170 mm) wide by 1.5 inches (38 mm) deep (however used the same videotape used today) and could not be rewound by a home Cartrivision recorder. Rather, they were rewound by a special machine upon their return to the retailer.[6] Other cassettes on sports, travel, art, and how-to topics were available for purchase. These cassettes were black, and could be rewound on a Cartrivision recorder. An optional monochrome camera manufactured for Cartrivision by Eumig could be bought to make home videos. A color camera was in the works but never materialized before CTI's demise.

See also

[edit]

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Cartrivision

View on Grokipedia
from Grokipedia
Cartrivision was an early consumer (VCR) system introduced in the United States in June 1972, marking the first technology to offer prerecorded color tapes for both purchase and rental. Developed by the San Jose-based startup Cartrivision Corporation (also known as Cartridge Television, Inc.), the system utilized large, square cartridges measuring approximately 8 inches on each side, with stacked reels inside to enable up to two hours of recording or playback time using a helical skip-field scanning process. It predated more successful formats like Sony's (1975) and JVC's (1976), pioneering features such as time-shifted TV recording via a built-in and the ability to play Hollywood films, educational content, and even adult titles at home. The Cartrivision player was typically integrated into a console , such as a 25-inch model sold through retailers like and , with the full unit priced at around $1,600—equivalent to over $11,000 in today's dollars. Blank cartridges for recording cost about $15 for 15 minutes of footage, while the prerecorded library initially included over 100 titles for sale (priced $13–$40) and up to 200 for rental ($3–$6 per title), distributed via mail through UPS for a "Netflix-like" service that anticipated modern video-on-demand. Rental tapes employed an early form of analog (DRM), lacking a rewind function to enforce single-use viewing; users had to return them to dealers for professional rewinding and reuse. Despite these innovations, the system supported only 10 frames per second recording speed, resulting in lower image quality compared to professional formats like Sony's , and it included stereo audio capabilities. Commercially, Cartrivision achieved limited success, with sales hampered by the high cost, bulky hardware, frequent tape defects, and logistical challenges in tape distribution. The company faced financial strain, including a $1 million for faulty inventory, and ceased operations in July 1973 after just 13 months on the market, selling fewer than 20,000 units. Although it failed to establish a dominant standard, Cartrivision's vision of home movie rentals and time-shifting laid foundational groundwork for the VCR revolution and the broader home entertainment industry.

Development and Introduction

Origins and Development

Cartridge Television, Inc. (CTI) was formed in 1969 as a partnership between entrepreneur Frank Stanton, formerly of PlayTape Inc., and Avco Corporation along with its subsidiary Embassy Pictures, with the goal of developing a consumer-grade video recording system. Avco, a diversified manufacturing and financial services company, provided significant investment, including millions of dollars to establish production facilities in San Jose, California, for both recorder-players and video cartridges, positioning CTI as a subsidiary focused on bringing videotape technology to home entertainment. Stanton's vision, building on his prior experience with portable audio formats, emphasized an "all-American" approach to video, adapting professional videotape recording principles—such as those pioneered in the 1950s by Ampex Corporation's transverse scanning innovations—for affordable consumer use with 1/2-inch tape standards. Early engineering efforts at CTI centered on creating prototypes that integrated recording, playback, and pre-recorded content capabilities into television consoles, with testing phases conducted from 1969 to 1971 to refine reliability and compatibility for household settings. These prototypes drew from established professional broadcast equipment, scaling down bulky reel-to-reel systems into cartridge-based designs suitable for non-expert users, while addressing challenges like tape durability and signal stability during home operation. To accelerate production, CTI forged partnerships with major manufacturers including , Teledyne , Emerson, , and , who licensed the technology to produce branded units and handle distribution scaling. The system's first public unveiling occurred at the Consumer Electronics Show in New York in June 1970, where Frank Stanton demonstrated a working Cartrivision prototype, showcasing its ability to record and play color video content and attracting significant industry attention as the earliest consumer VCR with pre-recorded programming potential. This demonstration highlighted the format's innovative cartridge loading and time-shifting features, setting the stage for commercial rollout despite high development costs that would later impact pricing.

Launch and Initial Marketing

Cartrivision officially launched in June 1972, marking the debut of consumer recording in the United States. The system was initially introduced through 18 stores in the area as a , before expanding nationwide via major retailers including , , and . Priced at approximately $1,350 to $1,600 for a combined television and recorder console unit, it targeted middle-class households seeking integrated home entertainment solutions. Marketing efforts positioned Cartrivision as the vanguard of a "home video revolution," emphasizing its ability to time-shift television broadcasts and provide on-demand access to prerecorded , thereby offering unparalleled convenience compared to theater visits. Promotional materials and advertisements highlighted features like recording favorite shows for later viewing and renting Hollywood films from a catalog of over 100 titles, such as classics including The Bridge on the River Kwai, without leaving home or enduring crowds and commercials. The campaign underscored the system's role in transforming living rooms into private theaters, appealing to families with slogans evoking a "time machine" for . Initial production plans aimed for 25,000 units to capitalize on this hype. To build consumer awareness, Cartrivision featured live demonstrations, including a notable appearance on the syndicated What's My Line? in 1972, where company representative Art Rosenblatt showcased the device by recording and instantly playing back a segment of the episode itself, eliciting enthusiastic audience applause. These infomercial-style promotions aimed to demystify the technology for a public unfamiliar with . However, early adoption faced hurdles due to the novelty of the concept, with limited prior exposure to VCRs contributing to slow uptake despite the buzz.

Technical Specifications

Format and Recording Technology

The Cartrivision format utilized 1/2-inch-wide magnetic tape wound on two coaxial reels mounted one above the other within a plastic cartridge measuring approximately 7.25 by 6.625 by 1.5 inches for the standard model, enabling a compact design for home use. The reels counter-rotated during operation, with the tape stretching 180 degrees around a rotary head drum via guide arms, facilitating insertion into the player without manual threading. This cartridge housed flexible magnetic tape with transparent leaders at each end, connected to reel hubs featuring engagement teeth for drive spindles in the recorder. Recording capacity reached up to 114 minutes per side on the larger cartridges, achieved through a skip-field technique that recorded every third video field while playing it back three times to extend playback time without excessive tape speed reduction. The system employed a helical-scan mechanism with three video heads spaced 120 degrees apart on a 10-inch rotary assembly spinning at 1200 rpm, scanning oblique tracks on the tape at a linear speed of 3.8 inches per second. This adaptation from professional video tape recorders like the allowed for interlaced video signals at standard broadcast speeds of approximately 30 frames per second, capturing 262.5 lines per field across 268.5 lines per track with a tape wrap of about 123.6 degrees. The tapes were one-sided by design, necessitating manual flipping of the cartridge midway through playback for full content access, with a pivotal hinged closure and integrated unit to secure the tape when not in use. Audio was recorded on dedicated linear tracks alongside the video, supporting sound, while color fidelity provided basic color reproduction though described as coarse and inferior to broadcast quality, with visible artifacts in playback. To deter unauthorized copying, rental cartridges incorporated anti-piracy features such as a proprietary locking mechanism that prevented rewinding, rendering the tape non-reusable without a special player tool or counter device, distinct from rewritable black purchase cassettes. This design locked the supply reel, ensuring tapes could only play sequentially in approved units.

Hardware Components and Features

The Cartrivision system was primarily distributed as a large console unit that integrated a (VTR) with a receiver, forming a self-contained TV-VCR combination typically measuring around 25 inches diagonally for the screen and occupying substantial space suitable for furniture. These consoles were built with wooden to house the and tape mechanism, emphasizing durability for home use but resulting in a bulky design that weighed over 50 pounds due to the mechanical components and . The main VTR deck featured a mechanical scanner mounted upright, connected via multi-wire cables to a separate electronic module known as the "fish tank," which handled and required user assembly during initial setup. Key functionalities included a built-in for scheduling recordings in the user's absence, allowing unattended capture of broadcast television programs. The system supported RF input and output ports for seamless integration with existing televisions or antennas, enabling off-air recording and playback through standard connections, though some setups necessitated RF modulators for compatibility with non-composite TVs. Basic editing controls were provided, such as play, stop, pause, and fast-forward/rewind functions, operated via front-panel buttons to facilitate simple tape management without advanced splicing capabilities. The skip-field recording method, which omitted every third video field to extend tape duration, was a core feature implemented in the hardware to optimize playback time up to 114 minutes per cartridge. An optional accessory was the Eumig , a lightweight device weighing approximately 3 pounds and powered by an 18-volt supply, designed for directly into the Cartrivision system via plug-in connections to the electronic module. This camera, manufactured by the Austrian firm Eumig, required ample for acceptable performance and produced black-and-white footage, with plans for a color version that were ultimately abandoned. Despite its innovations, the hardware suffered from reliability challenges inherent to the cartridge loading mechanism, where counter-rotating reels within the cassette often caused tape sticking, squealing noises during playback, and sudden freezing that halted operation. These issues stemmed from tape misalignment off the hubs or inadequate tension control, frequently necessitating manual intervention or head cleaning, as the video heads were prone to clogging and required periodic replacement. Power requirements were standard for the era, operating on 110-120 volt AC household current via a user-assembled , with setup involving connection to an external antenna or cable for signal reception and alignment using a dedicated test tape to calibrate the heads and .

Commercial Deployment

Retail Sales and Distribution

Cartrivision hardware launched in at a price of approximately $1,350 to $1,600 per unit for the integrated television-VCR console, equivalent to about $10,500 in 2025 dollars, establishing it firmly as a luxury product accessible primarily to affluent households. To mitigate the high upfront cost, Avco Broadcasting Corporation, the primary manufacturer, partnered with retailers to offer four-year consumer financing options, allowing buyers to spread payments over time. Additionally, initial purchases often included promotional bundles featuring free movie rentals or a starter of pre-recorded tapes to enhance immediate and appeal. Distribution was handled exclusively through major U.S. department store chains, including (where units were displayed in dedicated demonstration areas), , and , with in-store setups allowing customers to experience playback of sample content firsthand. The rollout began as a in 18 Sears stores across the area before expanding to select locations in other major cities such as New York and , though availability remained confined to urban centers without any international deployment. Overall sales were modest, with estimates indicating only around 2,500 units sold nationwide by early 1973, reflecting limited consumer adoption amid the format's niche positioning.

Content Availability and Rental System

Cartrivision launched with an initial library of approximately 200 feature films available for rental, sourced primarily from major Hollywood studios including MGM, Paramount, Columbia Pictures, United Artists, and Avco Embassy Pictures. Notable titles in the catalog included classics such as The Bridge on the River Kwai and Doctor Zhivago. This represented a total of around 311 pre-recorded titles at launch, with 200 red-coded cartridges for rental (mostly feature films) and 111 black-coded for purchase (instructional and cultural programs), emphasizing the format's focus on entertainment content over blank media. The system, operated through Cartridge Rental Systems, Inc., introduced an innovative distribution model designed to combat while facilitating access. Red-coded cartridges, priced at $3 each, were engineered without home rewinding capability, locking after playback to prevent unauthorized copying; users returned them to retailers or centralized hubs for professional rewinding using specialized equipment. These tapes were typically mailed via UPS or U.S. mail from participating dealers like , with a standard 30-day period allowing time for shipping and viewing, though a deposit system was often required to cover potential loss or damage. In contrast, black-coded purchase tapes granted full home control, including rewinding, and were sold at prices up to $24.98 for longer feature-length content, enabling permanent ownership without return obligations. Beyond films, Cartrivision's ecosystem included 111 general interest programs such as instructional videos and sports highlights at launch, with plans to expand into TV show recordings. However, format constraints like tape length limitations and the skip-field recording technique restricted broader adoption of episodic television content, keeping the focus on self-contained features. This infrastructure, while forward-thinking, relied on logistical coordination through a national network of over 100 dealers for fulfillment and returns.

Decline and Aftermath

Factors Leading to Failure

The high cost of Cartrivision systems, priced at approximately $1,600 for the integrated television-VCR console (equivalent to over $11,000 in 2025 dollars), created a significant barrier for average consumers, particularly during the economic pressures of the early , including high and the onset of the oil crisis. This pricing targeted upscale buyers at retailers like and , but failed to appeal to the broader middle-class market seeking affordable home entertainment upgrades. Technical shortcomings further undermined Cartrivision's viability, as the half-inch tapes suffered from degradation over time, with stored cartridges disintegrating due to humidity exposure, leading to unplayable media even shortly after production. Reliability issues plagued the hardware, including faulty mechanisms that caused jams and tape breakage, while the video quality was inferior to broadcast television, exhibiting noticeable artifacts and lower resolution compared to professional formats like Sony's U-matic. These problems not only frustrated early users but also eroded confidence in the system's durability for home use. Market missteps compounded these challenges, as Cartrivision offered no standalone VCR option, forcing consumers to purchase the expensive all-in-one unit rather than an add-on player for existing sets, limiting . Content availability remained stagnant, with only around 100 to 200 titles—primarily instructional and cultural programs for sale, and a smaller selection of Hollywood films for rental—failing to expand rapidly enough to sustain interest, despite the innovative but cumbersome mail-order rental model that required dealer rewinding. Emerging competition from Sony's , already established in professional markets since 1971 and showing consumer potential, further diluted Cartrivision's position by offering superior quality without the integrated requirement. By July 1973, after just 13 months of availability, Avco halted Cartrivision production due to dismal sales of fewer than 20,000 units that fell far short of projections, resulting in a substantial surplus and a $48 million financial write-off for the company. This abrupt end highlighted the format's inability to capture market share amid these intertwined issues. In the broader pre-VHS and era of the early , the absence of industry-wide standards for consumer video formats—exemplified by the coexistence of Cartrivision, , and other incompatible systems—fostered widespread consumer confusion and hesitation, as buyers faced uncertainty over long-term compatibility and support for their investments.

Legacy and Collectibility

Cartrivision played a pioneering role in the development of home video rentals, introducing the concept over a decade before the establishment of major services like Blockbuster in 1985 and in 1997. By offering pre-recorded feature films such as and for rent at $3 to $6 per night through a mail-order system via and other retailers, it enabled consumers to access Hollywood content at home for the first time, using proprietary red cartridges designed for single-view playback that required return for rewinding. This model anticipated the rental economy of distribution, demonstrating the viability of time-limited home entertainment despite its short lifespan. The format's brief commercial run provided key lessons for the industry, particularly in pricing strategies and the dynamics of format wars. Its high cost—$1,600 for a combined TV-VCR unit in 1972, equivalent to about $11,900 in 2025 dollars—underscored the need for affordable, modular hardware, a factor that later favored JVC's over Sony's in the late 1970s and . Cartrivision's efforts to secure Hollywood partnerships, despite initial studio resistance to , influenced legal precedents like the 1984 "Betamax case" (Sony Corp. of America v. Universal City Studios, Inc.), which affirmed the right to time-shift television broadcasts. These experiences highlighted the risks of systems in fragmented markets, paving the way for open-licensing approaches that propelled to dominance. Following its discontinuation in 1973 after just 13 months on the market, Cartrivision's parent company, Cartridge Television Inc. (a of Avco), liquidated remaining stock at steep discounts, allowing some units to reach hobbyists and tinkerers. However, many tapes stored in warehouses degraded due to high humidity, becoming sticky and brittle, which has made surviving pre-recorded and blank cassettes extremely rare today. In modern times, Cartrivision holds significant appeal among vintage technology collectors and restoration enthusiasts, who value it as an early artifact of innovation. Hobbyists, such as those documented in ongoing projects, have successfully revived non-functional units by reforming electrolytic capacitors, replacing degraded drive belts, and addressing mechanical issues like tape threading and back tension to enable playback. Online communities facilitate the sharing of modifications, including conversions of the integrated TV-VCR systems into standalone players by repairing power supplies and RF modulators, often using original schematics and collaboration with former employees. These efforts preserve a format that recorded up to two hours of color video but suffered from fuzzy picture quality due to its technology. Culturally, Cartrivision is frequently portrayed in retro technology media as a "forgotten forerunner" to the VCR era, emblematic of ambitious early experiments in on-demand . Publications and documentaries highlight its visionary yet flawed , such as the "watch once and return" mechanism, which echoed later concepts like the short-lived format of the . It is often cited for proving the consumer demand for time-shifted viewing, with developers describing it as a "time machine" that brought desired content "whenever you want to see it."

References

  1. http://www.cedmagic.com/history/cartrivision.html
  2. https://www.fastcompany.com/3050535/how-cartrivisions-1972-vcr-foresaw-and-forfeited-the-time-shifted-future/
  3. https://www.wired.com/2008/07/1972-vcr-offere/
  4. https://www.friktech.com/btls/tapes/playtape.pdf
  5. https://www.angelfire.com/alt/cartrivision/history.html
  6. https://ethw.org/Magnetic_Videotape_Recording
  7. https://www.labguysworld.com/CTV_PrototypeTape.htm
  8. http://www.labguysworld.com/VTR_TimeLine.htm
  9. https://www.worldradiohistory.com/Archive-All-Audio/Archive-HiFI-Stereo/SPECIALS/Stereo-Review-Tape-Guide-1972.pdf
  10. https://homevideohistory.org/home-video-timeline/
  11. https://miapnyu.org/program/student_work/2012fall/12f_2920_Dieringer_a2_y.pdf
  12. https://www.nytimes.com/1972/03/12/archives/home-tv-recording-progress-but-hurdles-remain-compatible-factor-is.html
  13. https://afflictor.com/2016/07/24/pandemonium-broke-out-with-wild-clapping-and-cheering/
  14. https://www.labguysworld.com/VTR_FAQ_006.htm
  15. https://patents.google.com/patent/US3665114A/en
  16. https://patents.google.com/patent/US3718755A/en
  17. http://www.lionlamb.us/quad/format.html
  18. https://cartrivision.com/
  19. https://www.angelfire.com/alt/cartrivision/memories.html
  20. https://cartrivision.com/?ID=15
  21. https://www.labguysworld.com/Cartrivision_MCA-0001.htm
  22. https://time.com/archive/6840255/new-products-television-on-a-disk/
  23. https://collider.com/movies-home-rental-cartrivision/
  24. https://www.sportsvideo.org/2016/07/26/its-the-end-of-an-era-but-which/
  25. http://www.retro-daze.org/site/article/id/9656
  26. https://www.totalrewind.org/revolution/R_cart.htm
  27. https://www.labguysworld.com/Museum017.htm
  28. https://www.angelfire.com/alt/cartrivision/documents.html
  29. https://homevideohistory.org/videocassettes-timeline/
  30. https://mediapres.commons.msu.edu/2023/11/07/the-hardware-software-necromancer-cartrivision-the-long-forgotten-forerunner-to-the-vcr/
  31. https://www.extremetech.com/gaming/182183-the-worst-storage-mediums-of-all-time
  32. https://www.popularmechanics.com/technology/gadgets/g3075/the-forgotten-media-of-yesteryear/
  33. https://www.worldradiohistory.com/Archive-All-BC/Broadcasting-Magazine/BC-1973/1973-07-09-BC.pdf
  34. https://spectrum.ieee.org/revisiting-the-vcrs-origins
  35. https://elixistechnology.com/technology/cartrivision-another-attempt-to-curtail-home-viewing/
  36. https://www.labguysworld.com/Museum018.htm
Add your contribution
Related Hubs
User Avatar
No comments yet.