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Changdev Maharaj
Changdev Maharaj
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Changdev Maharaj (also commonly referenced in ancient texts as Changa Deva, Changadeva, or simply Changa) was a mystical yogi turned saint who is believed to have lived in the village of Vateshwar along the banks of the Tapti river for 1,400 years. Per popular belief, Changdev Maharaj achieved Bhuta Siddhi (control over the classical elements) based on his yogic powers and used these powers to perform various supernatural acts. Even though Changdev Maharaj himself is believed to have had held godly status and followers, his current following is mostly amongst Varkaris due to his association with Dnyaneshwar and Muktabai.

Key Information

Present-day Remains

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Temples dedicated to Changdev Maharaj are today mostly found in the state of Maharashtra. References to his yogic and Tantric acts can be found in various literate related to yogic and Tantric streams as well as Buddhist folklore. The word Changa itself means good, and is also the name of a particular Shiva Jyotirlinga and the deity Bhairava

In the present day, the village of Changdev which is 12 kilometers away from Muktainagar which is present in Jalgaon district of Maharashtra, is located where river Purna joins river Tapi, where Changdev Maharaj is believed to have lived for 1,400 years. This village houses an old temple dedicated to him. It is believed that the temple is about 3,000 years old. It is currently an Archeological Survey of India protected monument.

The present day Puntamba, a village along the banks of the Godavari River in Maharashtra, is believed to be the 14th and final resting place for Changdev Maharaj. The village has a mid-17th-century temple which houses the samadhi of Changdev Maharaj.

Narayanpur, a village to the south of Pune at the foothills of Purandar Fort, is believed be the native village of Changdev. It is believed that this ancient village, referred to as Pur during the Yadava Dynasty's rule, was a prosperous town. At present, it houses a 700+ year-old Narayana temple. The temple, which is Hemadpanti style, has inscriptions on its wall which preach teachings of Changdev Maharaj.

Even though not a temple by itself, the masonry wall used by Dnyaneshwar as a steed to visit Changdev (see below) is a sacred monument and is worshipped by the Varkaris visiting the holy town of Alandi.[1]

Dnyanadev and the Flying Wall

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Changdev is most commonly known today due to his popular first encounter with Dnyaneshwar, also known as Dnyanadev. As the story goes, when the four siblings of Nivruttinath, Dnyaneshwar, Sopan and Muktabai achieved glory, Changdev Maharaj wanted to test them, and hence sent them a blank note. When the siblings received this note, they laughed at the gesture and on Nivritti’s asking, Dnyaneshwar wrote 65 verses which were the quintessence of Vedanta on it. When the paper reached Changdev Maharaj, he had difficulty understanding what was written, and decided to meet the siblings to show them his yogic powers in person. For this visit he chose to ride on back of a tiger, wielding a poisonous cobra as a whip. When the siblings, then sitting on a masonry wall, saw the procession of Changdev Maharaj and thousands of his devotees walking toward their house, they decided to break his pride by humiliating him. They patted on the wall and it rose up to fly in the air. This use of an inanimate wall as a vehicle amazed everyone present. Changdev realized the greatness of these children. He became one of their disciples and overcame his pride and ego. These verses sent by Dnyaneshwar later became known as Changdev Pasashti (Pasasht means 65 in Marathi) and are one of the holy scriptures amongst followers of Dnyaneshwar.

Muktai, the spiritual guide

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Muktai, the sister of Dnyaneshwar, is believed to be the spiritual guide of Changdev Maharaj. As the legend goes, once Muktai and her brothers were sitting in the ashram when Changdev happened to pass by. Muktai was of course fully clad, but she appeared to Changdev as unclad and at once he turned away. Muktai then told him that he was not perfect as he still had a complex of sex and shame, and did not see God in every being. These words of Muktai had great effect on him and he eradicated this weakness through intense sadhana. Changdev wished to make Dnyanadev his guru, but Dnyanadev said that Muktai was the right spiritual guru instead of himself. From this point on, Changdev took Muktai as his spiritual guide, and many references to Muktai can be found in the Abhangs that he wrote.

Legends associated with Changdev Maharaj

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  • Changdev Baba followed the path of Non-Duality in the Nath-Panth order. He followed Lord Adinath (who is said to be an incarnation of Lord Para Shiva).
  • Changdev Maharaj was a Mahayogi who lived in his mortal coil for 1400 years. He had complete knowledge of and control over all the five elements (water, air, fire, earth, and ether).
  • By his yogic powers, he gathered light and formed a real Jyotirlinga which he worshiped as Jyotir Shiva. He was also an occultist and used to worship Mahabhairav in the Jyotir Shiva Linga manifested by him.
  • By his yogic powers, he resurrected many dead people back to life.

References

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Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
Changdev Maharaj, also known as Changa Deva, was a 13th-century and from , , renowned for his profound spiritual practices within the Nath tradition and his purported mastery of siddhis (supernatural powers), including control over the five elements of nature. According to hagiographical accounts, he is believed to have lived an extraordinary 1,400 years in the village of Changdev along the banks of the , residing in what is now taluka in , embodying ascetic ideals that blended yogic discipline with devotion. His legacy is tied to the sect, where he is venerated as a disciple of the young Dnyaneshwar Maharaj and his sister , marking a pivotal shift from esoteric to accessible devotion toward Lord Vitthal. The most notable episode in Changdev Maharaj's hagiography involves his encounter with Dnyaneshwar's family around the late 13th century, when he, riding a tiger and using a cobra as a whip to demonstrate his yogic prowess, sought to assert superiority over the child saints. In response, Muktabai humbled him by causing a masonry wall to move swiftly toward him, revealing the limits of his powers compared to pure devotion; this led to his surrender and initiation into bhakti, after which Dnyaneshwar composed 65 verses known as the Changdev Pasashti to guide him spiritually. This transformative meeting underscores his role as a bridge between the Nath yogic lineage and the emerging Varkari bhakti movement, emphasizing humility over siddhis. Changdev Maharaj's enduring influence is preserved at the ancient Changdev Temple, believed to date back several centuries and featuring intricate carvings, which serves as a key pilgrimage site for Warkaris undertaking the annual Palkhi procession. His life, steeped in legend, highlights themes of spiritual evolution and the integration of with devotional worship, inspiring generations in Maharashtra's cultural and religious landscape.

Biography and Historical Context

Origins and Early Life

Changdev Maharaj, a prominent within the Nath Sampradaya of medieval , is traditionally believed to have been born in the 13th century CE. Hagiographic accounts vary on his origins: some place his birthplace in the village of Changdev in present-day , near the confluence of the Tapi and rivers, while others, such as the Bhaktavijaya, describe him as born at Punyastamba (modern Puntamba) on the to aged parents Vithoba and . From an early age, Changdev exhibited inclinations toward , receiving initiation into foundational yogic practices such as and , which were central to the Nath path of self-discipline and inner mastery. At age eight, he was invested with the sacred thread and later married, before renouncing worldly ties. He immersed himself in the rigorous austerities that defined his early spiritual journey amid the cultural and religious ferment of Yadava-era .

Yogic Training and Siddhis

Changdev Maharaj, a prominent figure in the Nath yogic tradition, underwent rigorous training under Nath gurus, emphasizing practices that involved breath control, physical postures, and meditation on the to awaken energy. These techniques, rooted in tantric rituals, aimed at alchemical transformation of the body for and spiritual power, including manipulations of the cakra centers to channel for immortality. His mastery extended to the fourteen vidyas (branches of knowledge) and sixty-four kalas (arts), which he acquired through disciplined asceticism, solidifying his status as a wandering in the Śaiva-Siddha lineage founded by Gorakhnāth in the . Through these practices, Changdev attained the eight major siddhis, or supernatural powers, including anima (the ability to become as small as an atom) and mahima (expanding to immense size), which demonstrated his command over the subtle energies of the body. Particular emphasis in Nath lore falls on his bhuta siddhi, granting control over the five classical elements (earth, water, fire, air, ether) and animals, allowing feats such as commanding wild beasts or manipulating natural forces. He also exhibited powers like levitation through willpower and instant manifestation of blessings, all achieved by positioning his soul at the crown chakra (sahasrara) to transcend mortality. Changdev's legendary lifespan of 1,400 years—debated as possibly referring to multiple figures sharing the name—was attributed to kayakalpa techniques—yogic and tantric methods of body rejuvenation that reversed aging and defied death on multiple occasions through repeated alchemical revitalization. As a wandering ascetic, he resided in hermitages and caves near the village of Changdev in Jalgaon's taluka, along the banks of the Tapi River, where he meditated and instructed over 1,400 disciples in yogic knowledge before his curiosity about emerging paths drew him toward other spiritual figures.

Key Encounters with Bhakti Saints

Interaction with Dnyaneshwar and his siblings

In the 13th century CE, during the formative phase of the Varkari movement in —a devotional centered on to and worship of Vitthal that promoted spiritual equality across castes—the young saint (c. 1275–1296 CE) and his siblings , , and engaged in a pivotal encounter with the yogi Changdev Maharaj. This movement, which emphasized personal devotion () over ritualistic orthodoxy, marked a shift toward vernacular Marathi expressions of faith, contrasting with the dominant Sanskrit-based yogic and philosophical traditions. Changdev, celebrated for his advanced siddhis attained through intense yogic discipline, approached the saints in to gauge their spiritual stature. Mounting a and wielding a live snake as a whip to showcase his command over nature, he sought to assert the superiority of practices. Awestruck by the display of (detailed in legends as the flying wall incident), Changdev dismounted and bowed, his yogic arrogance yielding to humility. In the initial exchange that followed, gently critiqued the limitations of power-driven spirituality, inviting Changdev to their abode for deeper teachings on surrender to , thereby initiating his gradual alignment with principles. In response to Changdev's surrender, composed the Changdev Pasashti, 65 verses offering profound guidance on and spiritual surrender.

Spiritual Guidance from Muktabai

Muktabai, the younger sister of and a realized saint in the Varkari tradition, recognized Changdev Maharaj's inner spiritual potential despite his legendary age of over 1,400 years and mastery of yogic siddhis. As a young woman of profound wisdom, she transcended conventional hierarchies of age and power to guide the elderly toward deeper realization. Following his humbling encounter with and his siblings, Changdev sought initiation from the family, but directed him to as his true . In a pivotal teaching moment at the , Changdev's approach to —while she was bathing—revealed his lingering ego and sexual complexes, as he perceived her as unclad despite her being fully clothed, prompting him to avert his gaze in shame. astutely pointed out that this distorted vision stemmed from his inner impurities and lack of a genuine , urging him to cultivate the sight of in all forms and surrender his ego to overcome these barriers. This interaction led to Changdev's profound realization that bhakti's devotional path surpassed the attainments of siddhis, prompting him to prostrate at Muktabai's feet and formally accept her guidance. He integrated her teachings by embracing surrender and , marking a shift from isolated yogic to heartfelt devotion. Under Muktabai's influence, Changdev composed numerous abhangs extolling her wisdom and the transformative power of , thereby blending devotional poetry with his yogic heritage and enriching his spiritual practice.

Legends and Miracles

The Flying Wall Incident

The Flying Wall Incident, a pivotal legend in the bhakti tradition of , is chronicled in the 18th-century Bhaktavijaya by Mahipati, where it exemplifies the triumph of devotional surrender over yogic prowess. In the narrative, Changdev Maharaj, leveraging his siddhis to ride a while wielding a as a whip and accompanied by 1,400 disciples, approached to test the spiritual stature of and his siblings after a delayed arrival prompted by his elaborate display. Seated casually on a masonry wall, Dnyaneshwar commanded it to move to greet the approaching yogi, upon which the wall rose and flew swiftly toward Changdev, covering the distance in moments. The Bhaktavijaya describes the wall's path as direct and rapid, landing gently under a banyan tree (now known as the Vishrantvat) where the saints converged, with eyewitness accounts in the text noting the astonishment of local observers who witnessed the inanimate structure animate and traverse the ground as if alive. Muktabai further humbled Changdev by highlighting the superiority of devotion. This miracle humbled Changdev, who dismounted and prostrated before , acknowledging the superiority of bhakti's . Symbolically, the wall embodied immovable rooted in devotion, contrasting Changdev's ego-driven, mobile siddhis like the tiger ride, highlighting how true spiritual power arises from surrender rather than control. In bhakti lore, the incident represents divine play (lila), where the wall's flight transcends physical barriers, serving as a enduring metaphor for bhakti's ability to elevate the ordinary to the miraculous and foster humility among seekers. The event's cultural resonance persists in Warkari pilgrimages, with the Alandi site venerated for illustrating devotion's boundless potential.

Tales of Immortality and Powers

Legends surrounding Changdev Maharaj emphasize his extraordinary , attributed to advanced yogic practices that preserved his physical body over an immense span. Folklore holds that he lived for 1,400 years, defying death 42 times through mastery of siddhis, particularly by maintaining vital energies and transcending the cycle of rebirth. This prolonged existence is said to have centered in Changdev village, where he resided as a Nath , embodying the tradition's focus on through disciplined and . Central to these tales is Changdev's attainment of bhuta siddhi, granting complete control over the five classical elements—earth, water, fire, air, and ether—as well as living beings. This power enabled him to manipulate natural forces, such as taming wild beasts; he is depicted in anecdotes riding a tiger while using a serpent as a whip, symbolizing dominion over ferocious animals and reptiles. Stories also credit Changdev with reviving the dead, both humans and animals, as a manifestation of his command over life forces. These acts, drawn from Nath oral traditions and regional hagiographies, portray him restoring vitality to deceased creatures through mantras and pranic manipulation, reinforcing his status as a near-immortal figure. However, these narratives culminate in his eventual embrace of , leading to a voluntary entry into , where yogic powers yielded to devotional surrender.

Legacy and Modern Reverence

Samadhi Site and Remains

The of Changdev Maharaj is located in the village of Puntamba in Rahata taluka, Ahmadnagar district, , situated on the western banks of the . This site, distinct from the Changdev Temple in his birthplace village of in , is regarded as his final resting place after a legendary lifespan of 1,400 years and multiple periods of across various locations. The temple complex enclosing the samadhi was constructed in the mid-17th century, featuring a simple yet enduring stone architecture that reflects the yogi's ascetic legacy. The remains consist of a modest samadhi shrine built with well-dressed black stone, measuring approximately 6 feet by 4 feet and paved with marble. At its center is a raised platform bearing two marble footprints (padukas), symbolizing the saint's presence, covered by a small 4-foot dome. The shrine is positioned behind the garbhagriha idols of Vitthal and Rakhumai and is accessed separately via a short flight of steps, emphasizing its sanctity and separation from the main worship area. Legends of his immortality are said to underscore the enduring preservation of this site through yogic siddhis. As a protected heritage monument under the , the site receives regular maintenance to preserve its original structure, including the surrounding 100-by-70-foot enclosure wall of mud and stone. The temple's , measuring 50 by 30 feet and supported by ten uncarved wooden pillars under a corrugated iron roof, remains functional for devotees despite its modest design. Pilgrims visit year-round, with peak activity during the annual fair in the month of Kartik (October-November), attracting around 25,000 people for rituals and celebrations. The site is easily accessible by road from nearby towns like (12 miles northwest) and via the Daund-Manmad railway line, with Puntamba railway station in close proximity; basic facilities for visitors, including resting areas, are available within the compound.

Role in Warkari Tradition

Changdev Maharaj's integration into the Warkari tradition occurred following his transformative encounters with the family, positioning him as a revered figure who bridged the ascetic Nath yogic lineage with the devotional focus on Vitthala . Initially rooted in the Nath Panth's emphasis on and siddhis, Changdev's shift toward devotion aligned him with the Varkari sampradaya's egalitarian principles, where he is honored as a who exemplified the harmony between yogic discipline and emotional surrender to the divine. This synthesis enriched the tradition by incorporating elements of non-dual philosophy into popular Vitthala worship, making him a pivotal connector in Maharashtra's spiritual landscape. Devotees in the community commemorate Changdev through annual fairs at his site, which feature palanquin processions and communal gatherings that reinforce his legacy within the framework. These events, often aligned with auspicious Hindu months, draw pilgrims who participate in kirtans and singing, fostering a sense of continuity with the tradition's emphasis on and collective devotion. Such celebrations highlight Changdev's role in sustaining the Varkari ethos of accessibility to beyond or yogic exclusivity. Changdev's literary contributions to the tradition include abhangs that praise and , reflecting his gratitude for their guidance and integrating themes of humility and into devotional poetry. These verses, composed post his spiritual awakening, emphasize the superiority of over mere siddhis and are preserved in compilations of Marathi saint literature, serving as inspirational texts for Varkari practitioners. By articulating personal transformation through devotion, Changdev's works exemplify the tradition's poetic expression of inner realization. In modern reverence, Changdev's association with underscores the Varkari tradition's promotion of gender-inclusive , influencing later saints like who echoed themes of universal devotion transcending social barriers. His legacy continues to inspire contemporary Varkari pilgrims and scholars, who view him as a model for blending yogic insight with inclusive worship, thereby contributing to the movement's enduring appeal across diverse demographics.

References

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