Collision Course (EP)
View on Wikipedia
| Collision Course | ||||
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| EP / video album by Jay-Z and Linkin Park | ||||
| Released | November 30, 2004 | |||
| Recorded | July 16–19, 2004 | |||
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Collision Course is a mash-up EP from American rapper Jay-Z and American rock band Linkin Park, released on November 30, 2004, by Roc-A-Fella, Machine Shop, Warner Bros. and Def Jam.[4] From Linkin Park's catalog, Collision Course features three songs from Meteora and four from Hybrid Theory. From Jay-Z's catalog, it features three songs from The Black Album, one from Vol. 3... Life and Times of S. Carter, one from Vol. 2... Hard Knock Life and one from The Blueprint. Before the album, Jay-Z had released collaborations with The Roots and R. Kelly, and Linkin Park had collaborated with various artists on their remix album Reanimation.
The album was inspired by The Grey Album by Danger Mouse, which was a mash-up album between Jay-Z and The Beatles. MTV had originally planned on mashing up only one or two songs, but the project was eventually expanded to a six-song album. The production on the album was mostly handled by Mike Shinoda and Jay-Z, and it was recorded between July 16 and July 19. The album spawned one single, "Numb/Encore" which won Best Rap/Sung Collaboration at the 48th Grammy Awards. The album received generally mixed reviews from music critics but despite that was a commercial success. It debuted at number one on the US Billboard 200 chart, selling 368,000 copies in its first week.[5]
Overview
[edit]Due to its short running time at 21:18, with six tracks in total included on the disc, the release has been identified as an EP. All of the tracks included are mashups combining songs by both artists.
The DVD contains behind-the-scenes new footage of the making of the album, as well as the second take of all of the Collision Course songs at The Roxy Theatre on July 18, 2004. Also included are the five scenes from the concert shown on MTV Ultimate Mash-Ups and a picture gallery.
The first single released from the EP, "Numb/Encore", achieved significant airplay on the charts, and stayed on six months after its release. "Points of Authority/99 Problems/One Step Closer" was also released to the radio in the US, but was never featured on the Billboard Charts – the videos for both that track and "Jigga What/Faint" were also seen on Kerrang! in the UK. "Izzo/In the End" was also heavily promoted on the official Linkin Park websites.
Background and production
[edit]Mike Shinoda revealed that he would be mashing up with Jay-Z for a record under MTV's Mash Ups show.
The network allowed Jay-Z to choose a group or artist for the mash-up. Jay contacted Shinoda, who began experimenting with mixing the tracks before sending some examples to him. As a result, Jay-Z began working with Shinoda through email. The two decided that instead of combining the existing tracks for the live performance on MTV, they wanted to re-work and re-record parts of the songs to make them fit better. Shinoda explains, "Jay and I realized it's better to re-perform the rap vocals if you're gonna do it to a new beat because the vibe changes and you have to deliver your verse a little differently."[7] Shinoda asked his bandmates to re-record instrumental and vocal tracks as well, and ultimately both parties decided they wanted to release the studio tracks.[7] The entire album was put together within four days.[8]
Sometimes, behind-the-scenes audio can be heard within the album, such as Jay-Z saying "You're wasting your talent, Randy!" before "Big Pimpin'/Papercut", or Shinoda saying "This is fun" before "Izzo/In the End".
Collision Course was the first album of Linkin Park that contained a Parental Advisory sticker, since most of Jay-Z's verses contain profanity (although Shinoda and Chester Bennington are also heard using vulgar language on the album). This album was also made in an edited/censored version. However, the clean version of the album left the words "bitch", "ass", and "hoes" uncensored, which means that "Izzo/In the End" is the same on the clean and explicit versions.
A year after the release of Collision Course, Jay-Z was the executive producer on Mike Shinoda's solo effort Fort Minor's The Rising Tied. Also, the song "High Road" from the same record talks about how some critics negatively received Collision Course.
Critical reception
[edit]| Review scores | |
|---|---|
| Source | Rating |
| AllMusic | |
| Entertainment Weekly | C−[10] |
| The Guardian | |
| HipHopDX | |
| The Independent | |
| NME | 3/10[14] |
| Now | |
| RapReviews | 7.5/10[16] |
| Rolling Stone | |
| Spin | B+[18] |
Collision Course received generally mixed reviews from music critics. David Jeffries of AllMusic praised the album, calling it "awesomely fun".[9] K.B. Tindal of HipHopDX also equally praised the album, saying that the project "will open a passageway for artists who want to dare to be different as well as those who want to work hard to maintain that difference."[12] Steve Juon of RapReviews called the album "an experiment which bodes well since for the most part these two artists compliment [sic] each other."[16]
Meanwhile, Raymond Fiore of Entertainment Weekly, gave a negative review of the album, saying that the pairing of Linkin Park and Jay-Z "comes off like a sanitized nonevent."[10] At the 48th Grammy Awards, the song "Numb/Encore", a mash-up of "Numb" by Linkin Park and "Encore" by Jay-Z, won the Grammy Award for Best Rap/Sung Collaboration.[19]
Commercial performance
[edit]Collision Course debuted at number one on the US Billboard 200 chart, selling 368,000 copies in its first week, according to Nielsen Soundscan.[5] This became Jay-Z eighth US number one album and Linkin Park's second.[5] It also became the second EP ever to top the chart, preceded by Alice in Chains' Jar of Flies in 1994.[5] In its second week, the EP dropped to number nine on the chart, selling an additional 186,000 copies.[20] In its third week, the EP dropped to number ten on the chart, selling 236,000 more copies.[21] In its fourth week, the EP climbed to number eight on the chart, selling 283,000 more copies.[22] As of August 2009, the EP has sold 1,934,000 copies in the US.[23] On August 15, 2017, the EP was certified double platinum by the Recording Industry Association of America (RIAA) for combined sales and album-equivalent units of over two million units in the United States.[24]
Track listing
[edit]| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 1. | "Dirt off Your Shoulder / Lying from You" |
| 4:04 |
| 2. | "Big Pimpin' / Papercut" |
| 2:36 |
| 3. | "Jigga What / Faint" |
| 3:31 |
| 4. | "Numb / Encore" |
| 3:25 |
| 5. | "Izzo / In the End" |
| 2:45 |
| 6. | "Points of Authority / 99 Problems / One Step Closer" |
| 4:56 |
| Total length: | 21:15 | ||
Enhanced content on CD
[edit]- "Links to Bonus Content"
- "Photos"
DVD track listing
[edit]- Intro
- In the Studio
- Jay-Z Arrives
- Rehearsal
- Sound Check
- Dirt Off Your Shoulder/Lying from You (Live)
- Big Pimpin'/Papercut (Live)
- Jigga What/Faint (Live)
- Numb/Encore (Live)
- Izzo/In the End (Live)
- Points of Authority/99 Problems/One Step Closer (Live)
- End Credits
Special Features
[edit]- "MTV Ultimate Mash-Ups"
- It's Goin' Down
- Dirt Off You Shoulder/Lying from You
- Jigga What/Faint
- Numb/Encore
- Points of Authority/99 Problems/One Step Closer
- "Photo Gallery"
- "5.1 Surround Sound"
Personnel
[edit]|
Linkin Park
|
Jay-Z
|
Production
- Produced and mixed by Mike Shinoda
- Arranged by Brad Delson and Mike Shinoda
- Engineered by Mike Shinoda, John Ewing and Mark Kiczula
- Mastered by Brain "Big Bass" Gardner at Bernie Grundman Mastering
- Executive producers: Shawn Carter and Linkin Park
- A&R: Tom Whalley
- A&R coordination for Warner Bros. Records: Marny Cameron
- Marketing director: Peter Standish
- A&R coordinator: Michael "Stick" Stefrin
- Production coordinator: Ryan DeMarti
- Sample clearance: Eric Weissman for Sample Clearance Limited
- Executive producers: Rob McDermott and John Meneilly
- Creative direction for Warner Bros. Records: Ellen Wakayama
- Project art direction: THE FLEM and Mike Shinoda
- Cover art direction and design: THE FLEM
- Cover and all interior line art illustrations: David Choe
- Digipak and booklet art direction and design: Lawrence Azerrad for LAD
- Photography: Greg Watermann
DVD
[edit]- Director: Kimo Proudfoot
- Producer: Matt Caltabiano
- Editor: Kevin McCullough
- Live audio engineer: Guy Charbonneau
- Live audio mix: Mike Shinoda
- Executive producer: Janet Haase
- Head of production: Joby Barnhart
- Post production supervisor: Jason Cohon
- For Sunset Editorial: Nazeli Kodjoian, Sin Halina Sy
- Additional footage produced by Lenny Santiago
- 5.1 mixed of Roxy Performance
- DVD post producer: David May
- Associate producer: Raena Winscott
- Menu design: Sean Donelly
- 5.1 mix producer: David May
- 5.1 mix engineer: Ted Hall
- Assistant engineer: Bruce Balestier
- Audio mix: Mix Magic
- Colorist: Dave Hussey
- Title graphics: Carlos
- Authoring: Cinram
- Live performance filmed July 18, 2004 at The Roxy Theatre, West Hollywood, CA
- Original concept by Michele Megan Dix and Jesse Ignjatovic
Charts
[edit]
Weekly charts[edit]
|
Year-end charts[edit]
|
Certifications
[edit]| Region | Certification | Certified units/sales |
|---|---|---|
| Australia (ARIA)[63] | Platinum | 70,000^ |
| Austria (IFPI Austria)[64] | Gold | 15,000* |
| Brazil (Pro-Música Brasil)[65] | Gold | 50,000* |
| Canada (Music Canada)[66] | 2× Platinum | 200,000^ |
| Denmark (IFPI Danmark)[67] | Gold | 20,000^ |
| France (SNEP)[68] | Gold | 100,000* |
| Germany (BVMI)[69] | Platinum | 200,000^ |
| Ireland (IRMA)[70] | 2× Platinum | 30,000^ |
| Japan (RIAJ)[71] | Gold | 100,000^ |
| New Zealand (RMNZ)[72] | 2× Platinum | 30,000‡ |
| Portugal (AFP)[73] | Gold | 20,000^ |
| Switzerland (IFPI Switzerland)[74] | Platinum | 40,000^ |
| United Kingdom (BPI)[75] | Platinum | 300,000^ |
| United States (RIAA)[24] | 2× Platinum | 2,000,000‡ |
|
* Sales figures based on certification alone. | ||
References
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Collision Course (EP)
View on GrokipediaBackground and development
Origins of the project
The origins of the Collision Course EP trace back to the underground success of Danger Mouse's The Grey Album in early 2004, a bootleg mashup that blended a cappella vocals from Jay-Z's The Black Album (2003) with instrumental samples from The Beatles' The White Album (1968). This unauthorized project gained widespread acclaim and viral distribution despite legal challenges from EMI over Beatles copyrights, prompting Jay-Z to publicly endorse it through his label Roc-A-Fella Records, which expressed support and highlighted its innovative fusion of hip-hop and rock elements. Jay-Z's enthusiasm for such fan-driven creativity stemmed from his interest in official collaborations that could legitimize and expand the mashup format, blending his rap style with rock influences to create accessible crossover content.[7][8][4] MTV capitalized on this momentum by launching its Ultimate Mash-Ups series, seeking high-profile artist pairings to produce live performances and recordings that merged genres for a new audience. The network approached Jay-Z, who had recently announced his retirement from performing following the release of The Black Album, but was planning a farewell tour that summer. Jay-Z specifically selected Linkin Park for their dynamic nu-metal sound, which he admired for its energy and potential synergy with his lyrics, leading to the project's greenlight.[4][3] The collaboration was formally announced in the summer of 2004, aligning with Jay-Z's retirement tour promotions and Linkin Park's elevated status in the rock scene after their sophomore album Meteora (2003), which solidified their position as a leading act in the nu-metal genre. This timing allowed the EP to serve as a celebratory bridge between hip-hop and rock, drawing on established tracks from both artists' catalogs as foundational material without delving into new compositions at the outset. The initiative reflected broader industry trends toward genre-blending experiments, positioning Collision Course as an official extension of the mashup phenomenon sparked by The Grey Album.[3][4]Collaboration inception
The collaboration between Jay-Z and Linkin Park for Collision Course originated from MTV's initiative in early 2004 to create an official mashup project following the underground success of unofficial blends like Danger Mouse's The Grey Album, which paired Jay-Z's The Black Album with The Beatles' The White Album.[3] Jay-Z, approached by MTV to select a collaborator, chose Linkin Park due to their overlapping fanbases—spanning hip-hop and rock audiences—and the band's incorporation of rap-rock elements in albums like Hybrid Theory and Meteora, which complemented his lyrical style.[9] This selection was influenced by Linkin Park's prior experience blending genres, including remixes with underground rappers on their Reanimation project, positioning them as an ideal partner for a high-profile crossover.[9] Initial contact occurred through Jay-Z's management reaching out to Linkin Park shortly after MTV's proposal, leading to Mike Shinoda, Linkin Park's rapper and producer, preparing early demos such as mashups of "Dirt Off Your Shoulder" with "Lying from You" and "Numb" with "Encore."[10] Jay-Z's enthusiastic response to these demos fostered mutual excitement, culminating in his visit to the band's NRG Studios in West Hollywood in July 2004, where the partnership was quickly solidified during informal discussions.[10] The rapid commitment stemmed from shared creative visions, with both parties recognizing the potential to innovate beyond simple sample overlays. Contractually, the project was structured as a joint release under Jay-Z's Roc-A-Fella Records and Linkin Park's Warner Bros. Records (via Machine Shop), with Def Jam also involved, ensuring equitable ownership and distribution.[4] Mike Shinoda was designated as the lead producer, overseeing the integration of elements from Jay-Z's The Black Album and Linkin Park's Meteora. Anticipated challenges included harmonizing Jay-Z's live rap delivery with Linkin Park's restructured instrumentals, often requiring a cappella re-recordings to maintain rhythmic flow, as well as re-recording key vocal and instrumental parts to circumvent potential sampling lawsuits by securing clearances for original masters rather than unauthorized edits.[1] These logistical setups bridged the project's conceptual origins to its production phase, emphasizing creative control and legal diligence.Production
Recording sessions
The recording sessions for Collision Course occurred over an intensive four-day period from July 16 to 19, 2004, at NRG Recording Studios in Los Angeles, California.[3][4] This compressed timeline was driven by the collaborative nature of the project, with Jay-Z and Linkin Park convening in the studio after preliminary preparations, allowing them to finalize the EP's six mashups efficiently. Mike Shinoda served as the primary producer, overseeing the integration of elements from both artists' catalogs as stipulated in their collaboration agreement.[4] The workflow centered on blending pre-existing material with fresh recordings to create seamless mashups. Jay-Z's vocals were primarily sourced from a cappella versions of his 2003 album The Black Album, with some verses re-recorded in the studio, which Shinoda synchronized with Linkin Park's re-recorded instrumentals by aligning the beats per minute (BPMs) of the tracks.[4] Linkin Park re-recorded their instrumental beds and select vocals drawn from Hybrid Theory (2000) and Meteora (2003), ensuring the arrangements felt dynamic and cohesive while adapting to the mashup format.[11] This process involved real-time adjustments during the sessions, where initial track pairings were selected and refined on the spot to capture spontaneous creative energy.[12] Notable among the tracks refined during the sessions was "Numb/Encore," mashing Jay-Z's "Encore" with Linkin Park's "Numb," which originated as one of Shinoda's early demos and became the EP's defining track and lead single.[4] The inclusion of Jay-Z's explicit language necessitated a Parental Advisory label on the release, marking the first such sticker for a Linkin Park project.[2]Production techniques
The production of Collision Course emphasized the use of original instrumental masters from Jay-Z's The Black Album and Linkin Park's Hybrid Theory and Meteora where possible, supplemented by re-recorded elements to ensure synchronization and legal clearance.[10][3] To align the tracks, tempos were adjusted—such as increasing those from Jay-Z's roughly 90 BPM hip-hop beats to match Linkin Park's faster 100+ BPM rock rhythms—while re-recording vocals and beats prevented mismatched phrasing and avoided unauthorized sampling.[10] This approach was crucial to sidestep legal challenges similar to those faced by Danger Mouse's The Grey Album, a Jay-Z mashup with The Beatles that relied on uncleared samples and faced cease-and-desist orders from EMI.[10] Mike Shinoda served as the primary producer, creating initial mashup demos on a laptop during Linkin Park's tour in under two days before the collaborative sessions.[3] He layered in Joe Hahn's turntable scratches for added texture, incorporated fresh live drumming from Rob Bourdon to reinforce the beats, and integrated harmony vocals from Chester Bennington on tracks like "Dirt Off Your Shoulder/Lying From You" and "Izzo/In the End."[10] Jay-Z contributed by re-recording select rap verses, such as in "Jigga What/Faint," and approving the final placements of his lyrics over Shinoda's reconstructed beats to maintain artistic integrity.[10] In post-production, Shinoda oversaw the final mixing at NRG Recording Studios during a compressed four-day sprint in July 2004, focusing on seamless transitions between rap and rock elements to create cohesive mashups without relying on pitch-shifting or other digital artifacts that could compromise audio quality.[3][10] This hands-on process ensured all components were newly performed or cleared, resulting in an official release that blended the artists' styles authentically while adhering to copyright standards.[10]Composition and content
Musical style and mashup approach
Collision Course represents a fusion of hip-hop and rap elements from Jay-Z with the nu-metal and rap-rock style of Linkin Park, resulting in high-energy mashups that blend aggressive lyrical delivery with heavy instrumentation. This genre integration draws on Jay-Z's rhythmic flow and storytelling from his hip-hop catalog alongside Linkin Park's intense guitar-driven sound and electronic beats, creating a hybrid that amplifies themes of conflict and resilience common to both artists. The EP's structure emphasizes compatibility between the paired elements, where Jay-Z's verses align rhythmically with Linkin Park's hooks to maintain momentum without overpowering either component.[13][4] The mashup approach centers on six tracks, each pairing one song from Jay-Z's discography with one from Linkin Park, selected for their shared thematic aggression and rhythmic synergy to ensure seamless transitions. Innovations in the arrangements include alternating verses between Jay-Z's rap lines and Linkin Park's vocal performances, layered choruses that stack harmonies over beats, and breakdowns that merge electric guitar riffs with hip-hop percussion for dynamic builds. To circumvent sampling clearance issues, certain elements were re-recorded in the studio, allowing for fresh integrations while preserving the original tracks' essence. This methodical pairing and reconfiguration highlights a deliberate creative process aimed at cross-genre cohesion.[13][14][4] With a total runtime of 21:15 across its six tracks, Collision Course qualifies as an EP despite its commercial achievements, underscoring its concise format as a focused experiment in collaborative remixing rather than a full-length album. This brevity reinforces the project's emphasis on quality over quantity, prioritizing impactful fusions that capture the high-energy intersection of rap and rock.[15][16]Track listing
All tracks on Collision Course are mashups combining elements from Jay-Z's and Linkin Park's respective catalogs, re-recorded in collaboration for seamless integration.[17]| No. | Title | Length | Mashup Description |
|---|---|---|---|
| 1 | "Dirt off Your Shoulder / Lying from You" | 4:04 | Jay-Z's chorus layered over Linkin Park's verse riffs, with Mike Shinoda's rap alternating over a slowed Jay-Z beat before transitioning to rock instrumentation.[18] |
| 2 | "Big Pimpin' / Papercut" | 2:36 | Flute sample from Jay-Z's original blended with Linkin Park's aggressive rap-rock verses, featuring Shinoda rapping over the stutter-step beat.[18][19] |
| 3 | "Jigga What / Faint" | 3:31 | Fast-paced alternation of hooks and breakdowns, with Jay-Z's flow seamlessly integrating into Linkin Park's beat and live drumming enhancing the rock crunch.[18] |
| 4 | "Numb / Encore" | 3:25 | Emotional ballad-rap fusion, with Chester Bennington's chorus elevating Jay-Z's verses in a cohesive blend of the originals.[19] |
| 5 | "Izzo / In the End" | 2:45 | Piano-driven intro leading to piano-rap harmony, incorporating "In the End" lyrics over the "Izzo" beat for a lively fusion.[19] |
| 6 | "Points of Authority / 99 Problems / One Step Closer" | 4:56 | Triple mashup with escalating intensity, starting with "Points of Authority" riffs, incorporating Jay-Z's "99 Problems," and building to "One Step Closer" aggression.[18][19] |