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Bigram John Zayas (born July 11, 1978), professionally known as DVLP or Develop, is an American record producer, songwriter and disc jockey (DJ). Hailing from New York City, DVLP initially embarked on his career in music as one-half of the production team Doe Boys, alongside his cousin Matthew "Filthy" Delgiorno. Working primarily in the hip hop, pop, and Latin genres, he has produced over 25 songs for American rapper Lil Wayne, including the songs "Fireman" (2005) and "Blunt Blowin" (2011). In 2013, he gained major recognition when he produced the Eminem single "Rap God", which went on to reach number seven on the US ’’Billboard’’ Hot 100 chart.

Early life

[edit]

Zayas was born in New York City.[1] He never had any formal musical training, although his family is involved in music.[2] He first started DJing at the age of 11, using house and freestyle records. He went on to make mixtapes and perform at high school parties.[2]

Career

[edit]

Turntablism

[edit]

While traveling around the world as a founding member of the turntablist collective The Allies (which also included Craze, J-Smoke, Spictakular, Infamous, A-Trak and Klever), he went by the moniker Develop. His emphasis was on beat juggling.[1][2] In 1998, he won the ITF Beat Juggling Championship, defeating Total Eclipse of The X-Ecutioners in the finals.[3] In 1999, he won the ITF Team Championship, and he was runner-up at the New York DMC Regional in 1998.[2] In 2000, The Allies released an EP, D-Day.[2]

Beginnings in Production

[edit]

In 2000, DVLP decided to end his career as a competitive DJ, in order to focus on producing and songwriting.[4] Shortly afterwards, he began collaborating with Filthy (his cousin, Matthew Delgiorno). The duo were known as the Doe Boys.[4] After taking a few years off to hone his production skills,[2] his first major production work was on the 2004 Grafh song "Damage is Done." He went on to produce four tracks on Juelz Santana's What the Game's Been Missing! (2005), also assisting with recording and engineering.[1]

DVLP has gone on to write and produce for Shells, The Diplomats (aka Dipset), Kelly Rowland, Fabolous, Cam'ron, DJ Clue?, Fat Joe, Jennifer Lopez, Pitbull, Nicki Minaj, Rick Ross, John Legend and others.[1][2][4][5]

Work with Lil Wayne

[edit]

DVLP started working with Lil Wayne in 2005, after Juelz Santana introduced them at his studio.[6][7] The Doe Boys produced three tracks on Tha Carter II, including the album's lead single, "Fireman,"[4] which reached #10 on the Billboard Rap chart[8] and #32 on the Billboard Hot 100.[9] "Fireman" was Lil Wayne's first single following his split from former producer Mannie Fresh.[10] After Tha Carter II, DVLP continued working with Lil Wayne;[10] he has produced over 25 songs for him through 2013.

In 2011, he dropped the vowels from his moniker and became DVLP.[11] That year, for Tha Carter IV, he produced "Blunt Blowin," which reached #33 on the Billboard Hot 100 charts.[12] Lil Wayne recorded the track on his first day back in the studio after being released from prison.[13] Other notable tracks DVLP has produced for Lil Wayne include "What's Wrong With Them" featuring Nicki Minaj, from 2010's I Am Not a Human Being,[14] and "Beat The Shit" featuring Gunplay, from the 2013 album I Am Not a Human Being II.[15]

Work with Eminem

[edit]

DVLP produced Eminem's "Rap God", released October 15, 2013, as the third single off The Marshall Mathers LP 2.[16] DVLP first created the track in 2011, without any particular artist in mind. His manager, Stephen Hacker of Hebrew Hustle, sent the track to Eminem in 2012 after Eminem's management team reached out to Hacker for tracks for his upcoming album. DVLP has since said that he can't imagine any other rapper on the track.[17][18] The song, about Eminem's history and the rappers who have inspired him,[19] was praised as being in line with the quality of Eminem's best offerings.[19][20][21][22] It reached #1 on the Billboard Rap chart[23] and #7 on the Hot 100 charts.[24] At the inaugural YouTube Music Awards in 2013, Eminem shot a live video for "Rap God."[17] An official music video for the song, shot in Detroit, was released in November 2013.[25]

Pop Work

[edit]

DVLP has collaborated with producer RedOne on records by a variety of pop artists. They co-produced Paulina Rubio's 2012 single "Me Gustas Tanto,"[26] which reached #1 on the Billboard Hot Latin Songs chart[27] and #2 on the Billboard Latin Pop Songs chart;[28] and Pitbull's 2012 single "Get It Started" featuring Shakira,[29] which reached #28 on the Billboard Latin Pop Songs chart,[30] #89 on the Billboard Hot 100,[31] and was certified gold in Canada.[32] In 2011, as a member of the DJ duo The WAV.s (with Bilal the Chef), DVLP worked on Enrique Iglesias's single "I Like How It Feels" featuring Pitbull,[33] which reached #1 on the Billboard Dance/Club Play Songs chart,[34] #74 on the Billboard Hot 100,[35] and was certified platinum in Canada[36] and gold in Australia.[37] DVLP and Bilal the Chef were featured in the song's video, directed by Iglesias.[33]

In 2010, DVLP formed the band Mad Ave Boys, now known as Dameht, producing their debut EP Electric Tape. He also played bass and synth on the release.[38]

Reggaeton

[edit]

Around 2015, DVLP began producing Latin music for artists including Fuego, J Balvin, Justin Quiles, Matt Hunter and Jencarlos Canela.[39] He produced two songs on J Balvin's album Energia, which reached number 1 on the Billboard Top Latin Albums chart[40] and won Best Urban Music Album at the 2016 Latin Grammy Awards.[41] DVLP also produced "Ay Mi Dios" by IAmChino, Pitbull, Yandel and Chacal, which reached number 1 on the Billboard Latin Airplay and Tropical Airplay charts.[42]

Transcend.ent

[edit]

In 2017, DVLP launched the record label and management company Transcend.ent, which is partnered with Universal Music Group. Their first signing was Matt Hunter.[43]

Looplabs

[edit]

DVLP is a partner in Looplabs, a cloud-based music studio collaborative allowing musicians to create and share tracks and compositions. In 2016, Looplabs partnered with Beatport to provide loops, sounds and samples to Looplabs users with Beatport accounts, and to allow these users to publish tracks to Beatport's streaming platform.[44]

Discography

[edit]

Production Discography

[edit]
Year Artist Album Songs Details
2004 The Diplomats Diplomatic Immunity 2 "Stop-N-Go" ft. Cam'ron & JR Writer Producer, Writer
Grafh Black Hand America "Damage is Done" Producer, Writer
2005 Lil Wayne Tha Carter II "Fireman"
"Hit 'Em Up"
"Feel Me" 		Producer, Writer
The Diplomats The Diplomats Present: Dipset More Than Music Vol. 1 "Santana's Town Part 2" ft. Juelz Santana
"So What's It Gonna Be" ft. Juelz Santana & Fabolous 		Producer, Writer
Juelz Santana What The Game's Been Missing! "Intro"
"Gangsta Shit"
"Freaky"
"Make It Work For Ya" ft. Lil Wayne & Young Jeezy 		Producer, Writer
2006 DJ Clue? The Professional 3 "Clear The Scene" ft. Lil Wayne, Rick Ross & Ransom
"Fuck Off" ft. Young Jeezy & Juelz Santana 		Producer, Writer
JR Writer History in the Making "My Life"
"Grill Em"
"Byrd Call" ft. Cam'ron & Lil Wayne
"Stomp"
"The Heist" 		Producer, Writer
Young Dro Best Thang Smokin' "100 Yard Dash" Producer, Writer
Cam'ron Killa Season "Man Up" ft. JR Writer Producer, Writer
DJ Khaled Listennn... the Album "MIA" ft. Lil Wayne Producer, Writer
2007 Cash Money Millionaires 10 Years of Bling Vol. 1 "The Only Reason" ft. Lil Wayne, T Streets & Sizzla Producer, Writer
2008 Lil Wayne The Leak "Talk About It" Producer, Writer
2010 Lil Wayne I Am Not a Human Being "What's Wrong With Them" ft. Nicki Minaj Producer, Writer
Kid Sister Fools Gold Vol. 1 (compilation) "Don't Stop Movin" Producer, Writer
Mad Ave Boys Electric Tape (EP) "Gonzo"
"Dance Tonight"
"Police State"
"Pink Gun" 		Producer, Bass, Synth
2011 Lil Wayne Tha Carter IV "Blunt Blowin" Producer, Writer
Paulina Rubio Brava! / Bravísima! "Me Gustas Tanto"
"Say the Word" 		Producer, Writer
2012 Rick Ross God Forgives, I Don't "Rich Forever" ft. John Legend Producer, Writer
Pitbull Global Warming "Get It Started" ft. Shakira Producer, Writer
2013 Lil Wayne I Am Not a Human Being II "Beat The Shit" ft. Gunplay Producer, Writer
Eminem The Marshall Mathers LP 2 "Rap God" Producer, Writer
2015 Lil Wayne Free Weezy Album "Post Bail Ballin'" Producer, Writer
Pitbull Dale "El Party" ft. Micha
"Mami Mami" ft. Fuego
"No Puedo Mas" ft. Yandel 		Co-Producer, Writer
Matt Hunter "Mas Que Tu Amigo" Co-Producer, Writer
Dougie F "On Purpose" ft. Pitbull & 40 Cobras Producer, Writer
2016 IAmChino "Ay Mi Dios" ft. Yandel, Pitbull and El Chacal Producer, Writer
Justin Quiles La Promesa "Si Ella Quisiera" Producer, Writer
J Balvin Energia "Veneno"
"Snapchat" 		Producer, Writer
Fuego Fireboy Forever II "Me Voy"
"Cien" 		Producer
2017 Matt Hunter "Amor Real" Producer, Writer
Jencarlos Canela "Dure Dure" Producer, Writer
2018 Anitta "Indecente" Producer, Writer
Sharlene, Fuego "Me Siento Bien" Producer, Writer
Matt Hunter, Lele Pons "Dicen" Producer, Writer
C. Tangana "Bien Duro" Producer, Writer
Jesse Baez, Fuego "Grasa" Producer, Writer
Juanes "Pa Dentro" Producer, Writer
Fuego Libre: Fireboy Forever "Flex"
"Fireboy Live"
"Reconoce"
"Gold Rush"
"Como Yo" 		Producer, Writer
Lele Pons "Celoso" Producer, Writer
Fuego, Nicky Jam "Good Vibes" Co-Producer, Writer
2023 Jackson Wang & Ciara Non-album single "Slow" Producer, Writer

Non-Commercial Release Discography

[edit]
  • Lil Wayne, "Yeah Develop"
  • Lil Wayne, "Brand New"
  • Lil Wayne, "When They Come For Me"
  • Lil Wayne, "Side Bitch"
  • Lil Wayne, "305"
  • Lil Wayne, "Done It"
  • Lil Wayne, "She's A Rider"
  • Lil Wayne, "Nigga Wit Money"
  • Lil Wayne, "Pump That Bass"
  • Lil Wayne, "Damage Is Done"
  • Lil Wayne ft. Mack Maine, "Workin' Em"
  • Lil Wayne ft. Mack Maine & Boo, "Open Shop"
  • Lil Wayne & Juelz Santana, "I Can't Feel My Face"
  • Lil Wayne & Juelz Santana, "Welcome to the Concrete Jungle"
  • Lil Wayne ft. Juelz Santana, "Always Strapped" (original)
  • Lil Wayne & Juelz Santana, "Pick & Roll"
  • Lil Wayne & Juelz Santana, "Favorite Things"
  • Lil Wayne ft. Mike Tyson, "American Dream"
  • The Allies – D-Day (2000)
  • "Banoodles," Turntablist Revolution Vol. 1 compilation (1999, as DJ Develop)

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

DVLP

View on Grokipedia
from Grokipedia
The (German: Deutsche Vaterlandspartei, abbreviated DVLP) was a short-lived, far-right nationalist political organization active in the from September 1917 to early 1919, primarily aimed at mobilizing support for a decisive victory in and territorial annexations rather than compromise peace terms. Founded on 2 September 1917 in , —coinciding with the patriotic "Sedan Day" commemorating the victory—the DVLP emerged as a cross-party annexationist movement in response to the Reichstag's July 1917 peace resolution, which it viewed as a dangerous concession to weakness. Led by prominent figures including as chairman, as a key organizer and deputy, and Duke Johann Albrecht of Mecklenburg as honorary president, the party sought to unite conservative, monarchist, and elements against democratic reforms and internal divisions. Its ideology emphasized anti-democratic authoritarianism, rejection of parliamentary influence on war policy, and demands for a "Hindenburg peace" that would incorporate regions like , the Longwy-Briey basin in , and parts of the into a greater German sphere. The DVLP organized rapidly into 32 regional associations, 237 local districts, and over 2,500 towns, publishing two journals to propagate its message while avoiding direct Reichstag candidacies to maintain its supra-partisan image; membership estimates ranged from 300,000 to 800,000, drawn mainly from Protestant middle-class professionals, landowners, and Prussian civil servants, with limited appeal among workers, Catholics, or urban centers. Backed by military leaders like , the party agitated for Tirpitz's appointment as chancellor and conducted propaganda campaigns to reinvigorate the , though it faced opposition from major Reichstag parties (except conservatives) and frontline soldiers weary of prolonged conflict. The DVLP dissolved in December 1918 amid Germany's defeat and the November Revolution, formally ending on 1 February 1919, but its radical nationalist legacy persisted through former members who influenced politics, including the aborted of March 1920 led by . This episode highlighted the tensions between and emerging democratic aspirations in late Wilhelmine Germany, contributing to the polarization that shaped the interwar era.

Early life

Childhood and influences

Bigram John Zayas, known professionally as DVLP, was born on July 11, 1978, in to a family with deep ties to the music industry. His father, Bigram Zayas Sr., served as a longtime manager and executive, notably for star , who is DVLP's uncle through his paternal lineage. This familial connection immersed Zayas in music from an early age, fostering a natural curiosity about the creative process. Growing up in the multicultural neighborhoods of during the late 1970s and 1980s, Zayas was exposed to the city's pulsating hip-hop and rap scenes, which were exploding with innovation from local artists and block parties. By age eight, he began spending significant time in professional recording studios alongside his uncle , observing sessions and absorbing the intricacies of production. This hands-on environment, where he would sit before massive SSL consoles—"like sitting in front of a spaceship," as he later recalled—ignited his passion for music creation and highlighted the technical and artistic possibilities within the industry. Zayas's early years also reflected the broader influences of urban street culture, including , , and community events that emphasized and self-expression amid diversity. These elements, combined with his family's professional world, built a foundation of innovation that steered his interests toward sound manipulation and performance, though he pursued no formal training.

Entry into music

DVLP began his hands-on involvement in music at the age of 11, teaching himself the art of DJing with basic turntables and records he borrowed or scavenged from various sources. This self-directed learning marked the transition from passive interest to active skill-building, as he experimented with mixing tracks in his early years in . Between 1989 and 1994, DVLP created personal mixtapes featuring and freestyle genres, sharing them with friends to refine his style and receive informal feedback. These mixtapes served as his initial creative outlet, allowing him to blend beats and transitions without professional guidance. During this period, he attended in Jersey City, where his burgeoning music interests evolved alongside his academic pursuits. Lacking any formal music training, DVLP performed informally at school parties and local events, gaining practical experience in engaging audiences through live sets.

Career

Turntablism achievements

In the late , John Zayas, Jr., professionally known as DVLP, adopted the alias DJ Develop as he entered the competitive scene, focusing on innovative scratching and beat manipulation techniques that highlighted his technical prowess. This moniker reflected his emerging role in the underground hip-hop community, where he quickly gained recognition for his precise control over turntables and mixers. DJ Develop's breakthrough came in 1998 when he won the International Turntablist Federation (ITF) World Beat Juggling Championship, defeating Denmark's DJ Shine in the finals held in ; the victory showcased his ability to seamlessly layer and alternate beats from multiple records, a skill that solidified his reputation among peers. The following year, in 1999, he contributed to The Allies' success by helping the crew secure the ITF World Team Championship, a collaborative performance that emphasized synchronized routines and group dynamics in . The Allies, which Develop co-founded with other notable DJs including DJ Craze and , represented a pivotal collective effort in elevating team-based competitions. Building on these accomplishments, The Allies released their debut EP, D-Day, in , a vinyl project that captured live sessions and beat manipulations, earning acclaim in underground hip-hop circles for innovating beyond traditional DJ mixes. Critics praised the EP for demonstrating the raw energy of and its potential to expand hip-hop's sonic boundaries, with tracks like those featuring Supastition underscoring the crew's technical synergy.

Early production endeavors

DVLP's initial forays into music production occurred through the formation of the Doe Boys production duo with his cousin, Matthew "Filthy" Delgiorno, around 2001–2003. This partnership marked his transition from DJing and to studio work, where he began crafting beats in hip-hop's underground scene in . The Doe Boys' debut major credit came in 2004 with their production on Grafh's track "Damage is Done," an early showcase of DVLP's emerging skills in sampling and arrangement. Building on this, they contributed to several tracks on Juelz Santana's 2005 album What the Game's Been Missing!, including "Intro" and "Freaky" (as Develop) and "Make It Work for Ya" and "Gangsta Shit" (as Doe Boyz). These efforts highlighted their raw, energetic sound rooted in East Coast hip-hop. DVLP's early style drew heavily from his turntablism background, incorporating techniques and rhythmic complexity into beats created using nascent digital audio workstations (DAWs) like early versions of and Reason. This fusion allowed for innovative layering of samples and live elements, setting the foundation for his later solo endeavors. By mid-2005, DVLP began shifting toward independent production, paving the way for broader collaborations.

Hip-hop collaborations

DVLP established a prolific partnership with Lil Wayne starting in 2005, co-producing numerous tracks that became staples in the rapper's discography. This collaboration yielded over 25 songs across multiple albums, showcasing DVLP's ability to craft beats suited to Lil Wayne's dynamic flow and lyrical style. Notable examples include "Fireman" from Tha Carter II, which peaked at No. 32 on the Billboard Hot 100 and earned double-platinum certification by the RIAA for over 2 million units sold. The track's production featured heavy bass lines and sampled elements that amplified its energetic, street-oriented vibe, contributing to its commercial impact. Another key contribution was "Blunt Blowin'" from in 2011, co-produced with Filthy, which reached No. 33 on the and received gold certification from the RIAA. DVLP's approach here emphasized booming low-end frequencies and atmospheric samples, creating a laid-back yet sound that complemented Lil Wayne's weed-infused themes. These productions highlighted DVLP's signature use of robust bass and creative sampling to drive hip-hop tracks toward chart success. In 2013, DVLP achieved a career milestone by producing Eminem's "Rap God" for The Marshall Mathers LP 2, which debuted at No. 7 on the and topped the Rap Songs chart. The beat's construction incorporated layered synths and a shifting designed to support Eminem's rapid-fire delivery, reaching speeds of 9.6 syllables per second in its iconic third verse, while earning 7x certification from the RIAA. Beyond these marquee works, DVLP contributed to other prominent hip-hop projects, including tracks for on Diplomatic Immunity 2 such as "Stop-N-Go," and collaborations with on mixtapes like . His hip-hop productions have collectively amassed multiple platinum certifications, underscoring his influence in the genre during the mid-2000s to early . This foundation in hip-hop later paved the way for DVLP's explorations into pop and crossover projects.

Pop and crossover projects

DVLP expanded his production portfolio into mainstream pop during the early , collaborating on tracks that fused hip-hop and urban elements with accessible pop melodies to appeal to broader audiences. A notable example is his production on Paulina Rubio's "Me Gustas Tanto," the lead single from her 2011 album Brava!. Released in September 2011, the song blends infectious pop hooks and electronic beats with urban rhythms, marking Rubio's return to the top of the Latin charts; it peaked at No. 1 on the chart for one week in February 2012. In 2012, DVLP co-produced Pitbull's "" featuring for the album Global Warming, emphasizing structures with high-energy synth lines and international flair to drive crossover success. The track peaked at No. 89 on the , showcasing DVLP's ability to craft radio-ready anthems that bridged club sounds with global pop appeal. These projects highlighted DVLP's adaptation of his hip-hop roots into more polished, synth-driven productions with layered vocal processing, setting the stage for deeper immersion in Latin genres.

Latin and reggaeton work

DVLP's entry into Latin music production marked a significant expansion of his sonic palette, blending reggaeton's infectious energy with global influences. In 2016, he contributed as a producer and writer on J Balvin's breakthrough album Energía, handling tracks such as "Veneno" and "Snapchat." The album debuted at number one on the Billboard Top Latin Albums chart, showcasing DVLP's ability to craft high-impact urban Latin sounds that resonated widely. Energía also earned a Latin Grammy Award for Best Urban Music Album at the 17th Annual Latin Grammy Awards, highlighting the collaborative success of DVLP's rhythmic foundations in elevating reggaeton to mainstream acclaim. A standout production from this era was DVLP's work on "Ay Mi Dios" by IAmChino featuring Pitbull, , and El Chacal, which he co-produced and co-wrote. Released in 2016, the track topped the Latin Airplay chart, demonstrating DVLP's knack for creating crossover hits that fused 's pulsating beats with accessible hooks. This success underscored his growing influence in the Latin urban scene, where his productions often propelled songs to commercial peaks. DVLP's style characteristically incorporates the iconic rhythm—a syncopated percussion pattern originating from Jamaican —as the core drive, layered with tropical samples and hip-hop fusions to add depth and modernity. This approach is evident in his broader Latin credits, including the 2023 single "Slow" by featuring , which he co-produced and infused with sultry, rhythm-driven elements that bridged vibes with R&B sensuality. In 2025, DVLP's ongoing impact in was recognized at the Latina Music Awards, where he was honored as a songwriter for multiple most-performed Latin songs, including contributions to tracks by artists like and . This accolade affirmed his sustained role in shaping the genre's evolution.

Label and tech ventures

In 2017, DVLP co-founded Transcend.ent, a and management company focused on developing urban and talent, in partnership with . The venture's inaugural signing was Matt Hunter, who released projects under the imprint, including collaborations that blended and pop elements to nurture emerging creators in these genres. Transcend.ent emphasized development through production resources and strategic guidance, leveraging DVLP's expertise to bridge independent talent with major label distribution. Earlier, in , DVLP became a partner in Looplabs, a cloud-based production platform designed for collaborative creation. That same year, Looplabs formed a partnership with , integrating access to professional loops, sounds, and samples to enhance user workflows. Key features include real-time multi-user editing, integrated messaging, audio/video chat, and an intuitive interface that supports loop-based composition without requiring advanced technical skills, making it accessible to beginners and professionals alike. The platform received ongoing updates through 2023, maintaining its core functionality as a browser-based studio for seamless and discovery. These ventures have contributed to democratizing music production by lowering barriers to entry and fostering global collaboration. Looplabs, in particular, facilitated remote work during the 2020s, enabling creators to co-produce tracks in real time amid travel restrictions and distributed teams. This extends to educational applications, such as integration with DVLP's training initiatives.

Educational and entrepreneurial pursuits

Other business initiatives

In addition to his core music production work, DVLP, whose real name is Bigram Zayas, has founded several publishing and media entities to manage and expand his creative output. He established BIZA Publishing in 2003, which handles the administration of his songwriting and production copyrights, including credits on multi-platinum tracks for artists like Eminem and Lil Wayne. In 2012, Zayas launched Wishing Well Media, a production company focused on developing multimedia content, including music-related projects and artist management initiatives. Zayas has also ventured into music technology and fashion as co-founder and CEO of Gämi, founded in 2023 as a platform for creative teams. Complementing this, he co-founded roi Rebis in 2019, a blending and cultural apparel inspired by urban music scenes, targeting the intersection of hip-hop aesthetics and modern . These initiatives tie into his involvement with Looplabs, a collaborative music studio tool, where he serves as a partner to democratize access to production resources. On the philanthropy front, Zayas holds a board position at the Maestro Cares Foundation, co-founded by in 2012 to enhance educational and artistic opportunities for underprivileged youth in and the U.S., with a strong emphasis on music programs that provide instruments and training to underserved communities. Through this role, he contributes to efforts promoting cultural access and equity in the arts, leveraging his industry expertise to support initiatives that build skills in music and creative fields for disadvantaged children.

Discography

Major production credits

DVLP's major production credits span hip-hop and crossover genres, with a significant focus on high-profile commercial releases for established artists. In hip-hop, he established himself as a key collaborator with , contributing to over 25 tracks across albums and mixtapes from 2005 onward, including "Fireman" from (2005), "" also from , "Post Bail Ballin'" from (2015), "Blunt Blowin'" from (2011), and tracks from Tha Carter VI (2025). These productions helped define Lil Wayne's sound during his commercial peak, blending aggressive beats with melodic elements. DVLP also worked with on "Rich Forever" featuring from the 2012 mixtape , a track that showcased his ability to craft luxurious, orchestral hip-hop instrumentals. His most prominent hip-hop credit came in 2013 with Eminem's "" from , where DVLP handled all instrumentation and production; the single peaked at number 7 on the and has been certified 7x Platinum by the RIAA. Transitioning to pop and Latin music, DVLP expanded his portfolio with crossover projects starting in the early 2010s. For Paulina Rubio's 2012 album Bravísima!, he produced "Loud," a high-energy dance track that highlighted his fusion of electronic and pop elements. That same year, he contributed to Pitbull's Global Warming with "Get It Started" featuring Shakira, a upbeat party anthem co-produced with Sidney Samson that emphasized DVLP's rhythmic precision. In 2016, DVLP produced two tracks on J Balvin's Energía—"Veneno" and "Snapchat"—which contributed to the album's success, including its win for Best Urban Music Album at the 2016 Latin Grammy Awards. More recently, in 2023, he co-produced "Slow" by Jackson Wang featuring Ciara, a sultry R&B-infused track that marked his ongoing influence in global pop. DVLP's productions have amassed substantial certifications, reflecting their commercial impact; for instance, "" alone accounts for 7x Platinum status, while his credits appear on multi-Platinum albums like (double Platinum) and (Platinum). Although specific total certifications across his catalog are not aggregated publicly, his work has earned a Grammy nomination for Album of the Year in 2022 for co-writing and producing on Justin Bieber's , and a Latin Grammy win via Energía. These achievements underscore DVLP's role in shaping chart-topping hits across genres.

Independent and non-commercial releases

DVLP's early involvement in led to his participation in the collective The Allies, a group of prominent DJs including , DJ Craze, and others, which released the independent album D-Day in 2000 on the Asphodel label. This project showcased innovative scratching techniques and sound manipulation, blending hip-hop elements with experimental audio effects to push the boundaries of as a . Tracks like "D-Day" and "All Hail to My Hands" highlighted the group's technical prowess, earning praise for elevating DJing to high art through dazzling, fireworks-like displays of skill. Following his turntablism phase, DVLP formed the production duo Doe Boyz with his cousin Matthew "Filthy" Delgiorno, focusing on hip-hop beats during the early 2000s. The duo's independent output included the 2003 album Yoda House Liven', a project on the small Perubian label featuring raw, street-oriented tracks that reflected New York underground influences. This release, comprising 14 songs with contributions from artists like CJ the Hustla and Lil' Zeus, exemplified Doe Boyz's niche, non-commercial approach to crafting gritty production for emerging rappers, distinct from major-label collaborations. Earlier singles like "Hood to Hood" (2001) and "Young & Restless" (2002) further demonstrated their experimental style in self-released or limited-distribution formats. In the post-2020 era, DVLP's independent activities centered on entrepreneurial ventures rather than personal music releases, with no widely documented self-released tracks or demos emerging up to 2025. His involvement in Looplabs, a cloud-based collaborative platform, supported broader creative experimentation but did not yield specific non-commercial audio outputs attributed solely to him during this period.

References

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  6. https://alchetron.com/DVLP
  7. https://www.facebook.com/iDVLP/
  8. https://www.discogs.com/artist/2576123-DVLP
  9. https://www.youtube.com/watch?v=ndtFSNUGxk8
  10. https://iamarealdj.com/spictakular/
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  12. https://www.rapreviews.com/2000/07/the-allies-d-day/
  13. https://www.popmatters.com/allies-dday-2495825248.html
  14. https://musicbrainz.org/artist/5faf2730-ab29-4e94-a377-143ed87f3fc2
  15. https://www.discogs.com/release/2189563-Diplomats-Present-Juelz-Santana-What-The-Games-Been-Missing
  16. https://hiplatina.com/latinx-music-producers-you-should-know/
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  19. https://lilwayne.fandom.com/wiki/Blunt_Blowin
  20. https://music.apple.com/us/song/blunt-blowin/1443261007
  21. https://www.billboard.com/lists/eminems-biggest-hot-100-hits/
  22. https://www.reddit.com/r/Eminem/comments/1p7yzz/song_of_the_week_22_rap_god/
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  24. https://genius.com/The-diplomats-stop-n-go-lyrics/q/producer
  25. https://www.pulserecordings.com/clients/dvlp/
  26. https://www.billboard.com/music/latin/shakira-karol-g-latina-artists-hot-latin-songs-hits-1235041269/
  27. https://genius.com/Pitbull-get-it-started-lyrics/q/producer
  28. https://www.billboard.com/music/music-news/chart-moves-mumford-sons-chart-most-simultaneous-hot-100-hits-by-a-band-1083508/
  29. https://hdfmagazine.com/ep-133-justin-garza-co-founder-of-transcend-ent-2/
  30. https://remezcla.com/features/music/matt-hunter-profile/
  31. https://maestrocares.org/Our-Team
  32. https://about.beatport.com/wp-content/uploads/sites/2/2020/12/Beatport-1212016-LoopLabs.pdf
  33. https://www.prnewswire.com/news-releases/looplabs-launches-free-collaborative-cloud-based-music-creation-platform-300179982.html
  34. https://www.looplabs.com/
  35. https://www.linkedin.com/in/bigram-zayas-39267479
  36. https://www.linkedin.com/in/bigram-zayas-021468309
  37. https://www.linkedin.com/company/maestro-cares-foundation
  38. https://genius.com/Eminem-rap-god-lyrics
  39. https://www.riaa.com/gold-platinum/?tab_active=default-award&ar=Eminem&ti=Rap+God#search_section
  40. https://lilwayne.fandom.com/wiki/Tha_Carter_VI
  41. https://genius.com/Paulina-rubio-loud-lyrics
  42. https://genius.com/albums/Pitbull/Global-warming
  43. https://www.riaa.com/gold-platinum/?tab_active=default-award&ar=Lil+Wayne&ti=Tha+Carter+II#search_section
  44. https://www.riaa.com/gold-platinum/?tab_active=default-award&ar=Lil+Wayne&ti=Tha+Carter+IV#search_section
  45. https://grammy.com/artists/Dvlp/38052
  46. https://www.discogs.com/release/8895257-The-Doe-Boyz-Yoda-House-Liven
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