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Del Casher
Del Casher
Del Casher
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Del Casher (born Delton Kacher, 1937, Hammond, Indiana) is an American guitarist and inventor. He invented the wah-wah pedal,[1] the Ecco-Fonic, and the Fender Electronic Echo Chamber. He was the first to introduce the Roland Guitar Synthesizer for the Roland Corporation.

Life and career

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Casher is an alumnus of the University of Pittsburgh where he majored in communications. After college, he moved to Hollywood and was invited to perform as the guitar and banjo soloist on the Lawrence Welk TV show. At that time, he also toured with "The Three Suns", RCA recording artists who were well known for their hit song "Twilight Time".

While on tour for their album The Three Suns in Japan he introduced his new invention, the Ecco-Fonic,[2] a tape echo device that was portable and could create echo effects that were previously possible only in the studio using large, expensive tape machines. He became friends with Ikutaro Kakehashi, who was the founder of the Roland Music Corporation of Japan. Kakehashi, as chairman of Roland, invited him to Japan to perform and introduce the first Roland guitar synthesizer. He signed with Japan Victor and Japan's Union Records as a featured artist on more than 16 hit albums.

Casher was a popular studio guitarist in Hollywood. Paramount Pictures hired him to appear with Elvis Presley in his movie Roustabout. Presley invited him for future engagements. Casher received a contract to appear on Gene Autry's Melody Ranch TV show. During this part of his career, he played with a diverse assortment of musicians, including Eddy Arnold, Connie Francis, Bobby Vinton, Sonny and Cher, and the Mothers of Invention.

Inventing the Wah-Wah pedal

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In the mid-1960s Thomas Organ Company acquired the Vox amplifier name from Jennings Musical Instruments of the UK. Casher was a guitarist and consultant for Vox and often performed with the Vox Amplifonic Big Band in California. The solid state engineering staff at Thomas Organ (headed by Stan Cutler) assigned Brad Plunkett to convert the UK Vox amplifier into the US Vox solid state amplifier. To save costs, Vox had the Dick Denney Mid-Range Boost Switch [clarification needed] redesigned into a variable tone control. As Casher worked on the project, he discovered that when he moved the tone control from left to right on the amplifier, it created a "wah" sound similar to a harmonica player cupping his hands around the microphone and harmonica. This was the new sound that he had been looking for. It enabled him to express a better bluesy feeling on the electric guitar

Casher asked the engineering team to have a breadboard with that circuit installed into a Vox organ volume pedal. This enabled him to play his guitar while moving the pedal. However, with the rich harmonics of the guitar, the sound was too harsh in the "bright" position and too muddy in the "mellow" position. With a little experimenting, Casher and the Vox engineering staff were able to create a sound similar to a trumpet "wah" mute.

Vox saw no use for a "wah" sound for the guitar, believing it would be better for the electric trumpet. In 1967, after some negotiating, Vox agreed to have Del compose and release a record using the new Wah-wah pedal.

Film and TV performances with the pedal

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Universal Pictures hired Casher to be the featured artist on three movies using his prototype Wah-wah pedal: The Ghost and Mr. Chicken, The Shakiest Gun in the West, and The Traveling Saleslady. MGM hired him for the Tony Curtis film Don't Make Waves. In the meantime, Vox was unsuccessful in its efforts to promote the pedal for use on the electric trumpet.

His playing also appears on the theme for NBC Nightly News and is the longest running TV news theme.[3]

Later activities

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In 1972, he was hired as Music Director for the children's TV show The New Zoo Revue. He produced over 200 shows as well as over 200 children's music, educational, and dance albums for Activity Records of New York. His music is heard in public schools that use Hap Palmer's educational materials.

He has composed a classical work in three movements: Americana Suite for Orchestra. He is also the producer of the Japanese anime television series, in English, Love Hina, Tenchi Muyo!, and Sakura Wars.

Film work

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(Selective)
Title Role Director Year Notes #
Our Town Composer George Schaefer 1977 TV movie
24 Hours to Midnight Composer Leo Fong
George Chung 		1985
Terror Night Re-recording mixer
Performer: "Biker's Beat"
Writer: "Biker's Beat" 		Nick Marino
André De Toth 		1987
Nightmare Sisters Composer David DeCoteau 1988
Deadly Embrace Composer George Schaefer 1989
Action U.S.A. Composer John Stewart 1989
Murder Weapon Composer David DeCoteau 1989
Dadda Connection Composer Toby Russell 1990
Tropical Heat Composer Jag Mundhra 1993
Showdown Composer: additional music Leo Fong 1993
White Cargo Composer Daniel Reardon 1996

Other sources

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  • "An Oral History of the Wah-Wah Pedal" in Wax Poetics magazine. Vol. 42, July/August 2010

References

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[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Del Casher

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from Grokipedia
''Del Casher'' is an American guitarist and inventor known for his pioneering work in early guitar effects and his career as a professional session musician in Hollywood. He is particularly recognized for his work with the Ecco-Fonic tape echo unit and contributing significantly to the development of the wah-wah pedal, innovations that influenced the evolution of electric guitar sounds in popular music. Born December 28, 1938 in Hammond, Indiana, as Delton Kacher, he adopted the stage name Del Casher and established himself in the Los Angeles music scene by the 1960s. As a guitarist, he performed on various recordings and appeared alongside Elvis Presley in the 1964 film ''Roustabout''. Casher also developed other effects devices, including the Ecco-Fonic tape echo and the Fender Electronic Echo Chamber, and played a key role in introducing the Roland guitar synthesizer. His contributions extended to film and television soundtracks, where he provided guitar work and effects for numerous projects, helping to popularize innovative guitar tones across rock, pop, and media productions. Casher's dual legacy as a performer and inventor has made him a notable figure in the history of music technology and studio musicianship.

Early life

Del Casher was born Delton Kacher in 1938 in Hammond, Indiana, United States. Growing up in Hammond, he received his earliest musical instruction from his father, who worked as an arranger and composer for string music and served as his first teacher, providing a strong foundation in music reading and theory. This family influence fostered an interest in music during his childhood and teenage years, particularly in playing the guitar. Casher began performing professionally as a guitarist around the age of 14, marking the start of his involvement in music before pursuing broader opportunities. He later adopted the professional name Del Casher under which he became known. He eventually moved to Los Angeles to expand his career (see Music career).

Music career

Early performances and television work

Del Casher began his professional music career as a teenager in Hammond, Indiana, where he established himself as a skilled guitarist in local dance bands while still in high school, often serving as the youngest member reading charts for popular tunes. At age 16, he hosted his own radio show on WJOB, performing live melodies over pre-recorded multi-tracked guitar parts inspired by Les Paul, and later produced radio commercials for Chicago stores. During his time at the University of Pittsburgh, he performed with the Pittsburgh Tamburitzans, becoming the first to introduce electric guitar to their traditional ethnic ensemble and incorporating jazz and rock elements into summer concerts. After college, Casher relocated to Los Angeles seeking broader opportunities in the music industry, aided by his brother who was already working there. Shortly after arriving, he joined the established instrumental pop trio The Three Suns as their guitarist after auditioning successfully following a performance he attended at the Coconut Grove nightclub. He toured with the group, including a 1959 engagement in Japan, playing a Gibson ES-5 Switchmaster and contributing to their live and recorded sound. In the early 1960s, Casher gained national television exposure as lead guitarist on Gene Autry's Melody Ranch TV show, a program featuring the singing cowboy's western music and performances. He also served as a featured soloist on The Lawrence Welk Show, highlighting his versatile guitar work on the popular variety program. These early television and live group engagements established his reputation as a capable performer before he shifted focus to intensive Los Angeles studio session work.

Los Angeles session career

Del Casher established himself as a top session guitarist in the city's thriving studio scene. He became a sought-after player for recording dates, often working alongside members of the legendary Wrecking Crew, though he was not a formal member of the group. His versatility across styles made him a valuable contributor to numerous sessions during the 1960s and beyond. Casher recorded extensively for Motown, where the sessions allowed him to showcase his technical and creative abilities on guitar. He also participated in film scoring work, including contributing to the soundtrack for Elvis Presley's 1964 motion picture Roustabout, where he appeared on camera performing guitar alongside Presley. In February 1967, he took part in a session at Universal Studios with composer and conductor Vic Mizzy. In 1966, Casher performed as a guitarist in the promotional Vox Amplifonic Orchestra, a group formed to demonstrate Vox equipment. Throughout the 1960s, he remained intimately involved in the Southern California music industry as a fixture in Los Angeles studios, contributing to a broad range of recordings and cementing his status as a reliable session musician over multiple decades.

Inventions

Inventions and technical innovations

Del Casher made significant contributions to music technology through his development and promotion of several innovative guitar effects devices. In the late 1950s, at age 21, he helped develop the Ecco-Fonic tape delay machine, a portable echo effect unit that allowed guitarists to control variable delay live using a rotating flywheel drum for stable tape performance. This device was licensed to Fender and released as the Fender Electronic Echo Chamber, though it proved short-lived due to maintenance issues with record heads. In 1967, Casher played a pivotal role in creating the wah-wah pedal by adapting Vox's transistorized midrange boost circuit into a foot-operated format, sourcing a suitable pedal mechanism from a Vox organ and assembling a prototype in his Hollywood Hills garage. He produced the first promotional demonstration recording for Vox in February 1967, showcasing its expressive capabilities across genres, and used it on early film soundtracks that year. By sharing the device with Frank Zappa, Casher helped introduce the wah-wah effect to rock music, as Zappa then provided one to Jimi Hendrix, who popularized its dramatic use in rock performances. In the 1970s, Casher collaborated with Roland Corporation founder Ikutaro Kakehashi on the GR-500 guitar synthesizer. He tested the prototype in his Los Angeles studio, recorded multi-track demonstration material to showcase its polyphonic capabilities, advised on selecting a Les Paul-style guitar body, and was invited to Japan to introduce the device to the press and public, as well as presenting it at the 1977 NAMM show. This work helped advance the integration of synthesizer technology with guitars.

Film and television work

Composer and producer credits

Del Casher has composed music for a variety of independent films and television projects, primarily in the low-budget horror, action, and exploitation genres during the 1980s and 1990s. His credits include 24 Hours to Midnight (1985), Nightmare Sisters (1988), Deadly Embrace (1989), Action U.S.A. (1989), Murder Weapon (1989), Lethal Games (1991), White Cargo (1996), and Savage Lagoon (1999). He also provided music for animated television, composing for seven episodes of KaBlam! (1996) and the TV movie Life with Loopy Birthday Gala-Bration (1998). In addition to composing, Casher has worked as a producer on English-language versions of Japanese anime series in the 2000s. These include producer roles for Love Hina (2000–2001, 24 episodes), Sakura Wars (2000), Tenchi Muyô! GXP (2002, 1 episode), and the broader Tenchi Muyo! franchise (1992–2021). He is credited in the music department for Mysteries of Route 66. Earlier in his career, he contributed as composer to The Party at Kitty and Stud's (1970, as Kay Leodel) and Our Town (1977, uncredited TV movie).

Legacy

Legacy and influence

Del Casher's most significant legacy lies in his pioneering contributions to guitar effects technology, particularly his instrumental role in developing the wah-wah pedal into a transformative tool for electric guitarists. By advocating for the adaptation of a midrange boost circuit into a foot-controlled pedal rather than a knob-operated device for horns, Casher helped create an expressive, vocal-like effect that expanded the sonic possibilities of the guitar. The Vox Wah-Wah pedal, released in 1967 following his prototype demonstrations and persistence with Thomas Organ engineers, quickly gained widespread adoption and became one of the most iconic and imitated guitar effects of the rock era. Prominent artists including Jimi Hendrix, Eric Clapton, and Frank Zappa embraced it, with Hendrix's use on recordings and at Woodstock solidifying its place in psychedelic and blues-rock sounds. Vintage Guitar magazine has celebrated Casher as the "Papa of the Wah-Wah Pedal," crediting his vision with giving the electric guitar one of its most enduring and expressive effects, even though he received no patent credit or direct financial benefit. Casher's influence extended to early echo and delay technologies through his conceptualization and promotion of the Ecco-Fonic tape-delay unit in the late 1950s and early 1960s. His innovative design ideas, including a cylindrical tape system to maintain fidelity and adjustable head spacing for delay variation, addressed limitations in prior echo devices and helped introduce portable, high-quality echo to professional performance and film scoring. The NAMM Oral History project recognizes his important role in these early guitar effects innovations, including both the wah-wah and Echo-Phonic products. His broader contributions to music technology also include his involvement in introducing guitar synthesis capabilities, notably through collaboration with Ikutaro Kakehashi on the Roland GR-500 guitar synthesizer in the mid-1970s and earlier testing of Roland's mini guitar. Vintage Guitar has described his persistent pursuit of such innovations—from echo to wah-wah to MIDI guitar—as an admirable legacy that ushered in a new era of guitar sounds and effects still resonating today. Casher's work bridged traditional session musicianship with technological advancement, earning him recognition as an unsung hero in the recording industry whose developments profoundly shaped the evolution of the electric guitar's sonic landscape.
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