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Died Pretty
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Died Pretty, sometimes The Died Pretty, were an Australian alternative rock band founded by mainstays Ron Peno (lead singer) and Brett Myers (lead guitarist and backing vocalist) in Sydney in 1983. Their music started from a base of early electric Bob Dylan with psychedelic influences, including The Velvet Underground and Television. They were managed by John Needham, who is the owner of Citadel Records, their main label.
Key Information
Died Pretty's 1990s albums, Doughboy Hollow, Trace and Sold, appeared on the Australian Recording Industry Association (ARIA) Albums Charts but they had more success on the alternative scene. According to rock music historian Ian McFarlane they "unashamedly plundered rock's past to arrive at an original sound that was always passionate, atmospheric and uplifting ... produced some of the most inspirational rock music heard in Australia". The group formally disbanded in 2002 but the members reunited on a number of occasions for short tours in Australia. They undertook a joint national tour with Radio Birdman in June and July 2017.
History
[edit]1983–1989: Formation and early years
[edit]Died Pretty was formed in 1983 in Sydney.[1] Peno had been a member of Sydney punk band The Hellcats (as Ronnie Pop, 1977), and followed with The 31st (in Brisbane, 1979–1981) and Screaming Tribesmen (Brisbane then Sydney, 1981–1983).[1][2] In April 1983, music journalist and keyboardist Frank Brunetti of Super K had formed a duo with lead guitarist and vocalist Brett Myers from The End (in Brisbane then Sydney).[1][3] Myers was a fan of American group Velvet Underground and the duo modelled themselves after experimental New York protopunk band Suicide.[1] Brunetti suggested Peno join as singer and their first five performances were in Brisbane under the name Final Solution, after the song by Pere Ubu.[4] Peno provided the name Died Pretty, and on drums, they recruited Rob Younger (Radio Birdman, Super K) for two months.[1][4] After various bass guitarists, Jonathan Lickliter joined and Younger was replaced by Colin Barwick both from The End with Myers.[4] Younger concentrated on his career as producer for Citadel Records.[1][3] Died Pretty signed with Citadel and were managed by the label's owner John Needham.[1] Their music started from a base of early electric Bob Dylan with psychedelic influences, including The Velvet Underground and Television.[1][4] According to rock music historian, Ian McFarlane, they "unashamedly plundered rock's past to arrive at an original sound that was always passionate, atmospheric and uplifting ... produced some of the most inspirational rock music heard in Australia".[1]
The band came to the attention of the Australian independent music scene and inner city circuit.[1] In January 1984 they recorded "Out of the Unknown", with Younger producing, which was released on Citadel as their first single.[4] Before touring to Melbourne, Lickliter was replaced on bass guitar by Mark Lock (The Phantom Agents, End).[3][4] In August they recorded a 10-minute psychedelic epic "Mirror Blues" (issued split over a 7" in Australia and intact on 12" in the United Kingdom). Barwick was dissatisfied with Died Pretty and the band tried to recruit Chris Welsh (The 31st, Screaming Tribesmen) but initially could not finance a drum kit for him.[4] With Welsh finally on board, they recorded the extended play (EP), Next to Nothing, released in August 1985.[1][4] It held a top ten position on the alternative charts for nearly 12 months, starting their career with critical attention and three alternative chart No. 1 hits in a row.[1] UK label, What Goes On, compiled their early singles as The Died Pretty on a three-track EP and French label Closer released Next to Nothing in 1985. Three releases achieved 'Single of the Week' in UK music weekly Melody Maker, though the band did not achieve a great deal of popularity or notice by the UK public. The next single "Stoneage Cinderella" was released in June 1986, taken from their first album Free Dirt, produced by Younger, which followed in August. Free Dirt was released internationally by What Goes On and Citadel.[1][3] The band went on its first tour to Europe and the United States in October, which included two weeks in France with drummer Andrew Edge filling-in for Welsh, who had broken his foot in London. Died Pretty became a popular attraction in France and Italy.[1][4]
The second album, Lost, was released in June 1988 on the Blue Mosque label, an offshoot of Citadel and major label Festival Records, and outside Australia through Beggars Banquet and Closer.[1][3] It was the second highest selling alternative album for the year and peaked at No. 3 in Italy.[1][4] Myers produced two albums for Citadel label mates Porcelain Bus.[5] Lock departed after recording Lost but before its release – he had grown weary of touring – and was replaced on bass guitar by Steve Clark (The Glass, 30/40 Purple).[3][4] Died Pretty undertook their second tour of US and Europe. Lost provided three singles – "Winterland", "Towers of Strength" and "Out of My Hands".[1] Brunetti had left in April 1988 – his last recording, "Everybody Moves", was released as a single in 1989 – and was replaced by John Hoey, (Thought Criminals, X-Men, New Christs) on keyboards.[3] The band went on a third tour of Europe and US, but remained in Los Angeles at tour's end to prepare for their next album.[1]
1990–2002: Second phase
[edit]Died Pretty recorded their third album, Every Brilliant Eye, in Los Angeles with Jeff Eyrich (The Gun Club, The Plimsouls, The Blasters) producing. It was released on Blue Mosque in April 1990.[1][3] The album featured a more polished production with leaner, more rock-oriented songs – it spawned the singles, "Whitlam Square" (February), "True Fools Fall" (May) and "Is There Anyone?".[1]
Their fourth album, Doughboy Hollow, was released in August 1991 on Blue Mosque and Beggars Banquet, which peaked at No. 24 on the Australian Recording Industry Association (ARIA) Albums Chart.[6] The album was "[b]rimming with passionate, dramatic and alluring musical vistas".[1] It was produced by Englishman Hugh Jones (The Damned, Echo & the Bunnymen, Simple Minds).[3] Its singles, "Stop Myself", "D.C." and "Sweetheart", despite being "near-perfect pop", did not achieve mainstream chart success.[1][6] After recording the album, Brisbane bass guitarist Robert Warren replaced Clark. The band were nominated for two ARIA Awards in 1992.[7] Welsh was replaced by a succession of drummers, Murray Shepherd (Screaming Tribesmen), Warwick Fraser (Screaming Tribesmen) and Stuart Eadie (Clouds) before he returned at year's end.[1]
Reuniting with producer Hugh Jones, their next album, Trace was released worldwide by Sony Music in September 1993, and became their biggest-selling album to date, peaking at No. 11 on the ARIA Albums Chart.[1][6] It spun off four singles and videos, "Caressing Swine", "Harness Up", "Headaround" and "A State of Graceful Mourning'. The video for "A State of Graceful Mourning" was filmed in a forest that had been burned out by the 1994 Eastern seaboard fires. Soon after the release of Trace, long-time drummer Welsh left and became an English teacher in Thailand.[8] A CD-EP, Days was issued late in 1994 with Nick Kennedy (Big Heavy Stuff) on drums.[1] They supported R.E.M., at that band's request, on the Australian leg of their Monster Tour, in early 1995.
Their next album, Sold, released in February 1996, was recorded with contributions by two drummers - Kennedy had been replaced by Shane Melder (on loan from Sidewinder).[1] Sold reunited them with original producer Younger, who co-produced with Wayne Connolly. It was also mixed at the well-known Fort Apache Studios in Boston by Paul Kolderie and Sean Slade (Buffalo Tom, Radiohead, Dinosaur Jr). A rougher, harder-sounding collection than Doughboy or Trace, it gained critical acclaim and reached the Top 30.[1][6] Its singles "Cuttin' Up Her Legs" and "Good at Love" failed to chart and Died Pretty were dropped by Sony in April 1996.[1] Simon Cox (Juice) joined on as full-time drummer in May and the group signed back with Citadel, and released a four-track EP, Deeper in November. The EP has a guest appearance by Hoodoo Gurus guitarist Brad Shepherd and has Peno playing harmonica on the opening track "You Need Wings". The EP was produced by Connolly, who had become the band's producer of choice and would work on all their subsequent studio output.[1][4]
Their last two studio albums, Using My Gills As a Roadmap (1998) and Everydaydream (2000) showed the band moving away from basic guitar rock and making greater use of electronics, citing Kraftwerk, David Bowie's Low and obscure Euro dance records as influences. They released a compilation, Out of the Unknown – The Best of Died Pretty (1999), on Citadel.[1][4]
Bass guitarist Warren departed the band temporarily in December 2001 due to tinnitus. Myers and Peno – the band's main songwriters – began working on a proposed new album, but this proved difficult as Peno had moved to Melbourne. In May 2002, Died Pretty announced they would disband after a final Australian tour with Warren back on board. They released a three-track 'farewell' single, "My Generation Landslide" in August.[9]
2002–2023: Later projects and reformations
[edit]Peno joined with guitarist and vocalist Kim Salmon (The Scientists, Beasts of Bourbon) in 2005 to form country music group, Darling Downs. They recorded two albums, How Can I Forget This Heart of Mine? (2005) and From One to Another (2007).[4] In 2007, Peno and Myers recorded an independently released album as Noises and Other Voices. It included material originally written for Died Pretty's unrecorded final album,[4] along with some newly written songs. Peno and Myers played occasional 'Songs of Died Pretty Unplugged' shows in Brisbane, Sydney and Melbourne, including the Queenscliff music festival.
In February 2008, Died Pretty re-formed to perform Doughboy Hollow in its entirety as part of the All Tomorrow's Parties-curated Don't Look Back series, using that album's line-up – Clark, Hoey, Myers, Peno and Welsh – playing together for the first time in sixteen years.[4] Peno revealed that a documentary was pending – featuring interviews with band members, and rehearsal and concert footage from the Melbourne shows.[8] Doughboy Hollow was remastered, expanded and reissued by Citadel Records in February. The tour included shows in all major capital cities. The line-up continued with appearances at the 2008 Homebake Festival in Sydney and EG Awards Hall of Fame inductees on 4 December in Melbourne.[10][11] They appeared on the nationwide Big Day Out tour in January 2009, having played the inaugural Big Day Out back in 1992.[12] A 2×CD deluxe reissue of their debut album Free Dirt was released through Aztec Music in late 2008, and an expanded reissue of 1988's Lost was released in June 2013.[13] Peno & Myers performed an acoustic set at the Orient Hotel, Brisbane, on 7 November 2009 for a private party. Peno had returned to his solo career by May 2010.[14] In October 2010, Doughboy Hollow (1991) was listed in the book, 100 Best Australian Albums.[15]
In April 2012, Died Pretty performed as part of the Dig It Up! series of concerts around Australia, organised to celebrate 30 years of recorded music by fellow Australian band Hoodoo Gurus.
In March 2016, the band played across Australia as part of the 'A Day on the Green' concert series, with Hoodoo Gurus, Sunnyboys, Violent Femmes and Ratcat.[16] They also played some headline shows in clubs.
The band undertook a joint national tour with Radio Birdman in June and July 2017.[17]
On 14 February 2019, it was announced that Ron Peno had been diagnosed with oesophageal cancer and that all upcoming Died Pretty shows would be cancelled while he underwent immediate treatment.[18] A further message on the band's Instagram page stated that he "stands strong to beat it."[19]
In August 2019, Peno successfully completed chemotherapy, and the tumour in his oesophagus was surgically removed. Medical staff are confident that all the cancer has been removed from his body.[20] In December, Died Pretty announced Australian concerts for April and May 2020.[21]
The band officially returned to the stage with a performance at the Factory Theatre in Sydney on 17 April 2021.[22]
The band released a double live album, simply titled Live, on 24 March 2023. The album was recorded during a show at Melbourne's Forum Theatre in 2008, when the band reformed to play a series of gigs across Australia to celebrate Doughboy Hollow as part of the Don't Look Back concert series.[23]
The band had intended to return to the stage for a live tour in October 2023; this was cancelled in July, however, due to both Peno and Welsh battling different forms of cancer.[24] Peno died on 10 August 2023, at the age of 68.[25]
Personnel
[edit]Final line-up
- Brett Myers – guitar, backing and occasional lead vocals (1983–2002, 2008–2009, 2012, 2016–2023)
- Ronald S. Peno – lead vocals (1983–2002, 2008–2009, 2012, 2016–2023; died 2023)
- Chris Welsh – drums, percussion (1985–1992, 1993–1995, 2008–2009, 2012, 2016–2023)
- Dr Steve Clark – bass guitar (1988–1991, 2008–2009, 2012, 2016–2023)
- John Hoey – keyboards (1988–2002, 2008–2009, 2012, 2016–2023)
Former members
- Frank Brunetti – keyboards (1983–1988)
- Rob Younger – drums (1983)
- Colin Barwick – drums (1983–1985)
- Jonathan Lickliter – bass guitar (1983–1984)
- Mark Lock – bass guitar (1984–1988)
- Robert Warren – bass guitar, backing vocals (1991–2002)
- Murray Shepherd – drums (1992)
- Warwick Fraser – drums (1992)
- Stuart Eadie – drums (1992–1993)
- Nick Kennedy – drums (1995)
- Shane Melder – drums (1995)
- Simon Cox – drums (1996–2002)
Timeline
[edit]
Additional musicians
- Louis Tillett – piano
- Graham Lee – pedal steel guitar
- John Papanis – mandolin
- Julian Watchhorn – violin
- Tim Fagan – saxophone
- Astrid Munday – backing vocals
- Don Walker – piano
- J'Anna Jacobi – violin
- Shandra Beri – backing vocals
- Gary McLaughlin – percussion
- Gonzalo Quintana III – drums
- Amanda Brown – violin
- Sarah Peet – cello
- Sunil de Silva – percussion
- Eleanor Rodgers – harmonies
- Caroline Lavelle – cello
- Jack Howard – trumpet
Discography
[edit]Studio albums
[edit]| Title | Album details | Peak chart positions |
|---|---|---|
| AUS [6] | ||
| Free Dirt |
|
185 |
| Lost |
|
– |
| Every Brilliant Eye |
|
79 |
| Doughboy Hollow |
|
24 |
| Trace |
|
11 |
| Sold |
|
29 |
| Using My Gills as a Roadmap |
|
– |
| Everydaydream |
|
– |
Live albums
[edit]| Title | Compilation details |
|---|---|
| Live Died Pretty |
|
Compilation albums
[edit]| Title | Compilation details |
|---|---|
| Pre-Deity |
|
| Out of the Unknown – The Best of Died Pretty |
|
| Something We Left Behind |
|
Extended plays
[edit]| Title | Album details | Peak chart positions |
|---|---|---|
| AUS [6] | ||
| Next To Nothing |
|
– |
| Days |
|
69 |
| Deeper |
|
– |
Singles
[edit]| Year | Single | Peak chart positions |
Album |
|---|---|---|---|
| AUS [6][26] | |||
| 1984 | "Out of the Unknown" | – | non-album singles |
| "Mirror Blues" | – | ||
| 1985 | "Final Twist" | – | Next to Nothing |
| 1986 | "Stoneage Cinderella" | – | Free Dirt |
| "Blue Sky Day" | – | ||
| 1987 | "Winterland" | – | Lost |
| 1988 | "Towers of Strength" | – | |
| "Out of My Hands" | – | ||
| 1989 | "Everybody Moves" | 154 | non-album single |
| 1990 | "Whitlam Square" | 155 | Every Brilliant Eye |
| "True Fools Fall" | – | ||
| 1991 | "Stop Myself" | 163 | Doughboy Hollow |
| "D.C." | 124 | ||
| 1992 | "Sweetheart" | 129 | |
| 1993 | "Caressing Swine" | 74 | Trace |
| "Harness Up" | 35 | ||
| "Headaround" | 96 | ||
| "A State of Graceful Mourning" | – | ||
| 1995 | "Cuttin' Up Her Legs" | – | Sold |
| "Good at Love" | – | ||
| 1997 | "Radio" | – | Using My Gills As a Roadmap |
| 1998 | "Slide Song" | – | |
| 2000 | "That Look Before"/"Misunderstood" | – | Everydaydream |
| 2002 | "My Generation Landslide" | – | non-album single |
Awards and nominations
[edit]ARIA Music Awards
[edit]The ARIA Music Awards is an annual awards ceremony that recognises excellence, innovation, and achievement across all genres of Australian music. They commenced in 1987.
| Year | Nominee / work | Award | Result | Ref. |
|---|---|---|---|---|
| 1989 | Lost | Best New Talent | Nominated | [27] |
| Robyn Stacey & Richard Allan – Lost | Best Cover Art | Nominated | ||
| 1992 | Doughboy Hollow | Album of the Year | Nominated | [28] |
| Marcel Lunam for Died Pretty – "D.C." | Best Video | Nominated |
The Age EG Awards
[edit]The Age EG Awards are an annual awards night celebrating Victorian music. They commenced in 2005.
| Year | Nominee / work | Award | Result |
|---|---|---|---|
| 2008 | Died Pretty | Hall of Fame | inductee |
References
[edit]- General
- McFarlane, Ian (1999). "Whammo Homepage". Encyclopedia of Australian Rock and Pop. St Leonards, NSW: Allen & Unwin. ISBN 1-86508-072-1. Archived from the original on 5 April 2004. Retrieved 12 December 2010. Note: Archived [on-line] copy has limited functionality.
- MacGregor, Jody. "Died Pretty > Biography". AllMusic. (Rovi Corporation). Retrieved 13 December 2010.
- Spencer, Chris; Nowara, Zbig; McHenry, Paul (2002) [1987]. The Who's Who of Australian Rock. Notes by Ed Nimmervoll. Noble Park, Vic: Five Mile Press. ISBN 1-86503-891-1.[29] Note: [on-line] version established at White Room Electronic Publishing Pty Ltd in 2007 and was expanded from the 2002 edition. As from September 2010, [on-line] version appears to have an Internal Service Error.
- Specific
- ^ a b c d e f g h i j k l m n o p q r s t u v w x y z aa ab ac ad "Whammo Homepage". 10 October 2004. Archived from the original on 10 October 2004. Retrieved 17 June 2021.
- ^ Spencer et al, (2002). 'Peno, Ron' entry.
- ^ a b c d e f g h i Holmgren, Magnus. "Died Pretty". Australian Rock Database. Passagen.se (Magnus Holmgren). Archived from the original on 16 July 2012. Retrieved 14 February 2014.
- ^ a b c d e f g h i j k l m n o p Nimmervoll, Ed. "Died Pretty". Howlspace – The Living History of Our Music. White Room Electronic Publishing Pty Ltd (Ed Nimmervoll). Archived from the original on 26 July 2012. Retrieved 22 January 2014.
- ^
- 1st edition: McFarlane, Ian (1999). "Encyclopedia entry for 'Porcelain Bus'". Encyclopedia of Australian Rock and Pop. St Leonards, NSW: Allen & Unwin. ISBN 1-86508-072-1. Archived from the original on 15 June 2004.
- ^ a b c d e f g Australian (ARIA) chart peaks:
- Top 50 peaks: "Discography Died Pretty". Australian charts portal. Hung Medien. Archived from the original on 24 October 2012. Retrieved 14 December 2010.
- Top 100 peaks from January 1990 to December 2010: Ryan, Gavin (2011). Australia's Music Charts 1988–2010. Mt. Martha, VIC, Australia: Moonlight Publishing.
- "Days" EP: "The ARIA Australian Top 100 Singles Chart – Week Ending 26 Feb 1995". Imgur.com (original document published by ARIA). Retrieved 13 December 2016.
- ^ "ARIA Awards – History: Winners by Year 1992: 6th Annual ARIA Awards". Australian Recording Industry Association (ARIA). Archived from the original on 26 September 2007. Retrieved 15 December 2010.
- ^ a b "Ron Peno of Died Pretty on the Don't Look Back reunion shows". I-94 Bar. 15 January 2008. Archived from the original on 16 December 2010. Retrieved 15 December 2010.
- ^ MacGregor.
- ^ "Previous Winners". Music Victoria. Archived from the original on 31 July 2019. Retrieved 13 August 2020.
- ^ Donovan, Patrick (17 October 2008). "Died Pretty to live again at EG awards night". The Age. Fairfax Media. Retrieved 15 December 2010.
- ^ "Second artist lineup announced for Big Day Out!". Music News. Access All Areas (AAA Entertainment Pty Ltd). 5 November 2008. Archived from the original on 2 October 2009. Retrieved 15 December 2010.
- ^ "Died Pretty - Lost". Archived from the original on 17 February 2017. Retrieved 11 February 2017.
- ^ Cashmere, Paul (1 May 2010). "Ron Peno Goes Solo as RSVP". Undercover News. Undercover Network Pty Ltd. Archived from the original on 20 March 2012. Retrieved 15 December 2010.
- ^ O'Donnell, John; Creswell, Toby; Mathieson, Craig (October 2010). 100 Best Australian Albums. Prahran, Vic: Hardie Grant Books. ISBN 978-1-74066-955-9.
- ^ "Hoodoo Gurus, Sunnyboys & More Lead A Day On The Green Announce". The Music. 15 October 2015. Retrieved 17 June 2021.
- ^ "Radio Birdman and Died Pretty are touring the country together soon". Tonedeaf.thebrag.com. 6 February 2017. Retrieved 17 June 2021.
- ^ "Died Pretty's Ron Peno announces cancer diagnosis". Tonedeaf.thebrag.com. 14 February 2019. Retrieved 17 June 2021.
- ^ "Unfortunately, Ron has been diagnosed with oesophageal cancer, but stands strong to beat it. Ron thanks you for all your support during this difficult time". Instagram. Retrieved 17 June 2021.
- ^ "A new update on Ron's treatment". Facebook. Retrieved 6 September 2023.
- ^ "Died Pretty Tickets at the Triffid (Newstead, QLD) on Friday, 17 April 2020". Archived from the original on 28 February 2020. Retrieved 30 November 2019.
- ^ "Died Pretty : Factory Theatre". Themusic.com.au. Retrieved 17 June 2021.
- ^ "Album Review: The legendary Died Pretty release 'Live At The Forum 2008′: a spectacular journey back to the gothic pop visionaries' classic 'Doughboy Hollow' and greatest material, with a tour dates announced". Backseat Mafia. 24 March 2023. Retrieved 6 April 2023.
- ^ Varvaris, Mary. "Died Pretty Cancel October Australian Tour As Two Members Fight Cancer". theMusic.com.au. SCG Media. Retrieved 12 August 2023.
- ^ "Died Pretty frontman Ron S Peno dies in Melbourne after battle with cancer". ABC News. Australian Broadcasting Corporation. Retrieved 12 August 2023.
- ^
- "Everybody Moves":"Bubbling Down Under Week Commencing 24 April 1989". Retrieved 21 June 2022.
- "Stop Myself":"Bubbling Down Under Week Commencing 10 June 1991". Retrieved 21 June 2022.
- "DC":"Bubbling Down Under Week Commencing 23 September 1991". Retrieved 25 September 2022.
- "Sweetheart":"Bubbling Down Under Week Commencing 2 March 1992". Bubbling Down Under. Retrieved 4 March 2023.
- ^ "ARIA Awards – History: Winners by Year: 3rd Annual ARIA Awards". Australian Recording Industry Association (ARIA). Archived from the original on 10 February 2012. Retrieved 26 October 2020.
- ^ "Winners by Year 1992". Australian Recording Industry Association (ARIA). Archived from the original on 26 September 2007. Retrieved 4 December 2013.
- ^ Who's who of Australian rock / compiled by Chris Spencer, Zbig Nowara & Paul McHenry. National Library of Australia. 2002. ISBN 9781865038919. Retrieved 12 December 2010.
{{cite book}}:|work=ignored (help)
External links
[edit]- Died Pretty Official Site
- Died Pretty discography at Discogs
- Died Pretty at IMDb
| International | |
|---|---|
| National | |
| Artists | |
Died Pretty
View on GrokipediaHistory
1983–1989: Formation and early years
Died Pretty was formed in Sydney in late 1983 by vocalist Ron Peno and guitarist Brett Myers, following the breakup of Peno's previous band, The 31st, a hard rock outfit he had fronted in Brisbane during the early 1980s.[6][4] Peno, a veteran of Sydney's punk scene through earlier groups like The Hellcats, sought to explore a more atmospheric sound influenced by post-punk and garage rock.[7] They initially operated under the name Final Solution before settling on Died Pretty, recruiting keyboardist Frank Brunetti—who had played with Peno in The 31st—and drummer Rob Younger, the frontman of punk pioneers Radio Birdman, for the band's earliest rehearsals and performances.[6][4] Bassist Jonathan Lickliter soon joined, with Mark Lock replacing him on bass in 1984 to solidify the lineup. Drummer Colin Barwick played from 1983 to 1985, after which Chris Welsh joined in 1985.[8][9] The band quickly established a presence in Sydney's vibrant post-punk and alternative scene through energetic live shows at inner-city pubs and venues, where Peno's charismatic and unpredictable stage presence—often described as magnetic and intense—drew crowds with its chaotic passion.[7][4] In early 1984, under the management of Citadel Records owner John Needham, they recorded their debut single "Out of the Unknown"—co-written by Peno and Myers and produced by Younger—which was released in April on the independent Citadel label, marking their entry into recording.[6][7] This was followed by early interstate tours to Melbourne, building their reputation among underground audiences for raw, demented performances that blended jagged guitars with brooding atmospheres.[4] By 1985, Died Pretty had signed distribution deals with UK indie label What Goes On, releasing their first EP, Next to Nothing, which captured their evolving sound and garnered initial critical acclaim in alternative music circles for its haunting melodies and dynamic energy.[7] Their debut album, Free Dirt, arrived in 1986 on Citadel, again produced by Younger, and further solidified their standing in Australia's indie scene with its blend of post-punk urgency and psychedelic edges.[6][4] These releases paved the way for key early international tours, including a European jaunt in 1987 that exposed their frenetic live shows to broader audiences and enhanced their cult following.[6] In 1988, significant lineup changes occurred with keyboardist Frank Brunetti and bassist Mark Lock departing; John Hoey joined on keyboards and Steve Clark on bass. Their second album, Lost, was released that year. Throughout this period, the band's onstage intensity, driven by Peno's commanding yet erratic delivery, became a hallmark, distinguishing them in the competitive Sydney underground.[7][4]1990–2002: Commercial peak and disbandment
With the lineup of Peno, Myers, Hoey, Clark, and Welsh, Died Pretty signed with the UK-based major label Beggars Banquet for international distribution, marking their transition toward mainstream exposure.[10] Their third album, Every Brilliant Eye, recorded in Los Angeles with producer Jeff Eyrich, was released that year through Beggars Banquet outside Australia and Blue Mosque domestically, showcasing a polished alternative rock sound amid growing international interest.[10] The following year, Died Pretty achieved their first notable commercial success with Doughboy Hollow, produced by Hugh Jones and released via Beggars Banquet/RCA, which peaked at No. 24 on the ARIA Albums Chart.[11][10] The album's singles "D.C." and "Sweetheart" received significant airplay on Australian radio, particularly Triple J, contributing to the band's rising profile and earning a nomination for Album of the Year at the 1992 ARIA Awards.[11] This period saw further lineup adjustments, with bassist Steve Clark replaced by Robert Warren, while drummer Chris Welsh remained until around 1993.[12] By 1993, the band signed with Columbia Records (a Sony Music imprint), amplifying their commercial push.[11] Their fifth album, Trace, peaked at No. 11 on the ARIA Albums Chart, their highest position to date, driven by singles like "Harness Up" and "Caressing Swine."[11] Accompanying this breakthrough were extensive tours, including dates across the US and UK, where they built a cult following through high-energy performances and media appearances, such as MTV sessions in London.[13] Subsequent releases like Sold (1996, peaking at No. 29 on ARIA) and Paraphernalia (1997) sustained moderate chart presence but faced challenges from shifting music industry trends and internal fatigue.[8] As the decade turned, mounting pressures from relentless touring and diminishing returns eroded band cohesion.[14] In May 2002, Died Pretty announced their disbandment following a farewell Australian tour, with original bassist Robert Warren rejoining for the dates.[8] They capped the era with the three-track single My Generation Landslide, serving as a final statement before parting ways, citing exhaustion from "a lot of hard work for little emotional return."[14][15]2002–2023: Reunions and final activities
Following the release of their final studio album in 2000, Died Pretty entered an indefinite hiatus in 2002, with core members pursuing individual projects outside the band. Lead singer Ron Peno formed Ron S. Peno & the Superstitions in the mid-2000s, releasing albums that blended alternative rock with experimental elements, while guitarist Brett Myers contributed to various Australian indie recordings.[7][4] The band first reunited in 2008 for select performances. On December 4, Died Pretty were inducted into The Age EG Hall of Fame in Melbourne, recognizing their contributions to Victoria's music scene, with the original lineup performing a set celebrating their catalog. This was followed by an appearance at the Homebake Festival in Sydney on December 6, where they played alongside acts like Crowded House and Sneaky Sound System.[16][17] Reunions continued sporadically, with the band joining the Big Day Out national tour in January 2009, marking their return to major festival stages after a 17-year absence from the event. In April 2012, they performed at the Dig It Up! festival in Melbourne, delivering a set of early material that drew strong crowds.[18][19] From 2016 onward, Died Pretty reformed more consistently for Australian tours, starting with a March run as part of the A Day on the Green series alongside Hoodoo Gurus, Sunnyboys, Violent Femmes, and Ratcat. The following year, they co-headlined a national tour with Radio Birdman, and additional dates followed in 2021. These outings featured the lineup of Ron Peno on vocals, Brett Myers on guitar, John Hoey on keyboards, Steve Clark on bass, and Chris Welsh on drums, a configuration that echoed their late 1980s and early 1990s era.[20][19] In April 2023, the band released their first live album, Live, recorded during a 2008 Don't Look Back performance in Melbourne and capturing the energy of their reunion shows; it was accompanied by announcements of an East Coast theatre tour for later that year. However, the October dates were cancelled in July due to health challenges for Peno and Welsh. Peno, who had been diagnosed with oesophageal cancer in 2019, died from the illness on August 11, 2023, at age 68 in Melbourne, effectively ending the band's activities.[19][21][7][4]Musical style
Characteristics
Died Pretty's music was rooted in alternative rock, incorporating post-punk and garage rock elements to create swirling, psychedelic soundscapes that blended melody with bursts of noise.[22] The band's sound featured the interplay between guitarist Brett Myers' raw, garage-style riffs and frontman Ron Peno's distinctive, country-tinged vocals, which ranged from keening and faltering depths to soaring croons, evoking a moody yet exuberant intensity.[23][7][4] Keyboards added atmospheric layers, often through delicate organ melodies that contrasted with dark, hard-hewn guitar chords and lilting jangles, resulting in a dynamic tension between delicate prettiness and devastating loudness.[10][24] The band's live performances were energetic and theatrical, characterized by Peno's gothic, mesmerizing stage presence that drew comparisons to Jim Morrison's demented charisma, complete with cool, oozing movements that captivated audiences.[25][10][26] These shows often incorporated psychedelic projections to enhance the ethereal, atmospheric quality of their music, emphasizing passion and uplift amid the noise.[27][28] Over time, Died Pretty's style evolved from the raw, pub-oriented indie edges of their early work—marked by proto-punk grit and varied instrumentation—to a more polished alternative pop sensibility in later recordings, retaining a core of passionate drama while refining their songwriting for broader catchiness.[10][29]Influences and evolution
Died Pretty's primary influences drew from a range of pioneering rock acts, including The Velvet Underground, Television, Suicide, The Stooges, The Doors, and Bob Dylan, which shaped their raw, experimental edge.[7][1][30] These inspirations emphasized psychedelic experimentation, proto-punk intensity, and poetic lyricism, evident in the band's foundational sound.[22] In their early years during the 1980s Sydney indie rock scene, Died Pretty emerged with post-punk and indie rock roots, channeling proto-punk aggression into a distinctive alternative rock framework infused with psychedelic and gothic undertones.[22][31] This period marked a shift from the era's more angular post-punk norms toward classic rock-inflected structures, setting them apart from contemporaries while retaining an underground intensity.[31] The gothic and doomed tone in their arrangements added a layer of atmospheric depth, reflecting the shadowy lyricism of influences like Suicide.[32][7] By the mid-1990s, the band's sound evolved toward more accessible pop structures, softening their earlier rawness with polished production and melodic hooks while maintaining alternative rock core elements.[31] This refinement aligned with broader shifts in rock culture, allowing Died Pretty to broaden their appeal without fully embracing mainstream conventions.[31] In the late 1990s, Died Pretty further experimented with electronic and krautrock elements on albums such as Using My Gills as a Roadmap (1998) and Everydaydream (2000), incorporating keyboard experimentation and shifting from guitar-dominated sounds.[10][3] The band's activities concluded following frontman Ron Peno's death on August 11, 2023.[4] Died Pretty shared stylistic affinities with Sydney contemporaries like The Church, both contributing to the Australian indie rock scene through jangle-infused alternative sounds with psychedelic leanings.[33] Internationally, their post-punk gothic elements echoed the brooding intensity of acts like Joy Division, though filtered through a more rock-oriented lens.[22]Band members
Final lineup
The final lineup of Died Pretty, active from 2016 to 2023, consisted of the classic configuration from their 1991 album Doughboy Hollow, which reformed for select performances and tours during this period.[21] Brett Myers served as the lead guitarist, backing and occasional lead vocalist, and primary songwriter; as a founding member since 1983, he remained the band's creative anchor throughout the reunions, contributing to setlists drawn from their catalog during festival appearances and theater shows.[2][34] Ron Peno was the lead vocalist and charismatic frontman, driving the band's stage presence with his distinctive howl and croon; he performed with the group until his death from oesophageal cancer on August 11, 2023, at age 68, marking the end of their activities.[4][34] Chris Welsh handled drums and percussion, bringing rhythmic drive to the final era after rejoining for the 2016 A Day on the Green festival series and subsequent nationwide tours in 2017 and 2021; his tenure in this configuration ended with health challenges, including a cancer diagnosis, leading to the cancellation of a planned 2023 East Coast tour.[34][21] Steve Clark played bass, providing foundational grooves for the reunion performances, including the 2016 festival dates and 2021 club shows; he also faced health issues by 2023, contributing to the tour postponement.[2][21] John Hoey added keyboards, enhancing the atmospheric and psychedelic elements of their live sound during the 2016–2023 period, where his organ and piano work supported the band's jangle-pop and alternative rock style in theater and festival settings.[2][34]Former members
Died Pretty's early lineup featured several key contributors who shaped the band's initial sound before departing during the late 1980s and 1990s transitions.[2] Frank Brunetti served as the band's keyboardist from its formation in 1983 until 1988, providing organ and piano that added atmospheric depth to their indie rock style during the formative years.[35] As a co-founder and music journalist, Brunetti collaborated with guitarist Brett Myers to establish the group's core dynamic, contributing to early recordings such as the 1984 EP Out of the Unknown and the 1988 album Lost.[12] His departure in 1988 marked a shift toward a more streamlined lineup, after which he pursued journalism, including writing for publications like Juke magazine.[36] Mark Lock played bass from 1984 to 1988, anchoring the rhythm section through the band's first two albums, Free Dirt (1986) and Lost (1988).[37] Lock's tenure overlapped with extensive touring, which he cited as a primary reason for leaving amicably post-Lost, preferring to avoid international travel.[23] His solid, stoic playing supported the group's psychedelic influences during their Sydney indie scene emergence.[38] Rob Younger, known for his work with Radio Birdman, briefly drummed for Died Pretty in 1983 for about two months during the band's earliest rehearsals and initial performances.[8] This short involvement connected the group to Sydney's punk roots, influencing their raw energy before Younger returned to production roles, later helming albums like Free Dirt and Sold (1996).[39] Other transient members filled essential roles across the 1980s and 1990s, particularly on drums and bass, amid lineup changes. Jonathan Lickliter handled bass in the inaugural 1983–1984 period, appearing on early tracks like those from Out of the Unknown.[9] Colin Barwick drummed from 1983 to 1984, contributing to the band's debut EP and helping solidify their live presence in Sydney.[2] Chris Welsh joined on drums in 1985 and remained until 1995, providing percussion for albums including Lost, Every Brilliant Eye (1990), and Doughboy Hollow (1991), before departing during a period of personnel flux.[9] Steve Clark took over bass from 1988 to 1991, supporting the transition to international releases with Every Brilliant Eye.[40] Notable later members included Robert Warren on bass from 1991 to 2002, who played on albums such as Trace (1993) and Sold (1996), and drummers Nick Kennedy (early 1990s) and Shane Melder (1995–1996), who contributed to Sold.[2] These musicians' contributions were pivotal in Died Pretty's evolution from underground act to commercial peak, though many pursued limited post-band endeavors outside the spotlight.[12]Discography
Studio albums
Died Pretty released eight studio albums between 1986 and 2000, primarily through independent and major labels in Australia, with production handled by a mix of in-house collaborators and notable external engineers. These recordings spanned their evolution from raw indie rock to more polished alternative sounds, often capturing unique sessions that highlighted the band's Sydney roots or international influences.| Album Title | Release Date | Label(s) | Producer(s) | ARIA Peak Position | Notes |
|---|---|---|---|---|---|
| Free Dirt | August 1986 | Citadel Records | Rob Younger | - | Recorded at Trafalgar Studios in Sydney; engineered by Alan Thorne, marking the band's debut full-length with a gritty, psychedelic edge. [41] [42] |
| Lost | June 1988 | Blue Mosque, Festival Records | Rob Younger | - | Follow-up recorded at the same Sydney studio as the debut, emphasizing atmospheric tracks with engineer Alan Thorne; became a critical favorite in indie circles. [43] [44] |
| Every Brilliant Eye | March 1990 | Blue Mosque, Festival Records | Jeff Eyrich | No. 79 | First album recorded outside Australia, in Los Angeles at Ocean Way Recording; featured new lineup changes and a roots-rock polish, engineered by Mark Ettel. [45] [46] [11] |
| Doughboy Hollow | August 1991 | Festival Records, Blue Mosque | Hugh Jones | No. 24 | Produced in Sydney with British engineer Hugh Jones at Paradise Studios; included violin contributions from Amanda Brown, capturing the band's commercial breakthrough sound. [47] [48] [11] |
| Trace | September 1993 | Columbia (Sony Music) | Hugh Jones | No. 11 | Second collaboration with Hugh Jones, recorded in Sydney; the band's highest-charting release, with mastering by Don Bartley and trumpet from Jack Howard on select tracks. [49] |
| Sold | February 1996 | Columbia | Rob Younger, Wayne Connolly | No. 29 | Reunited with original producer Rob Younger; mixed at Fort Apache Studios in Boston, featuring string arrangements by The Coda Strings for a harder-edged rock vibe. [50] |
| Using My Gills as a Roadmap | March 1998 | Citadel Records | Died Pretty, Wayne Connolly | - | Self-produced with Wayne Connolly at Sony Music Studios in Sydney; a return to indie roots post-major label, emphasizing raw band performances. [51] [52] |
| Everydaydream | October 2000 | Citadel Records | Died Pretty, Wayne Connolly | - | Final studio album, recorded at Paradise Studios in Sydney; focused on introspective songwriting with a streamlined lineup, serving as a capstone to their career. [53] [54] |
Live albums
Died Pretty released only one official live album during their career, titled Live, which captures a pivotal performance from their reunion era. Recorded on February 15, 2008, at the Forum Theatre in Melbourne during the "Don't Look Back" series of concerts, the album documents the band's full rendition of their 1991 breakthrough album Doughboy Hollow, supplemented by additional tracks from earlier works to create a career-spanning setlist. This performance highlighted the enduring energy of frontman Ron Peno and guitarist Brett Myers, with the set including staples like "D.C.", "Sweetheart", and "Satisfied" from Doughboy Hollow, alongside fan favorites such as "Doused" from their 1986 debut Free Dirt and "Stop Myself" from 1988's Lost. The recording, produced by Trevor Cronin, emphasizes the band's raw, atmospheric rock sound in a live setting, blending jangle pop influences with psychedelic edges that defined their live shows.[55][56] Issued on March 24, 2023, by Citadel Records in formats including double vinyl and CD, Live serves as a capstone to Died Pretty's discography, arriving amid their final reunion activities and just months before Peno's death in August 2023. The 17-track collection, running over 77 minutes, not only revisits the commercial peak of Doughboy Hollow—which had charted on the ARIA Albums Chart—but also underscores the band's influence on Australian indie rock through its faithful yet vibrant execution. Critics praised the release for its "pitch perfect" capture of the band's vibe, noting how it evokes the intensity of their 1980s and 1990s performances, making it a cherished document for fans. While it did not achieve notable chart success, reflecting the band's cult status, the album received positive reception for preserving a high-energy show from their 2008 Australian tour.[57][58][59]Compilation albums
Died Pretty released three compilation albums during their career, each serving a distinct retrospective purpose by aggregating material from various stages of their discography. The first, Pre Deity, was issued in 1992 by Citadel Records as a CD compilation focusing on the band's early independent era. It collects tracks from their initial singles and the 1985 Next to Nothing EP, including rarities like the extended "Mirror Blues" recorded in 1984 at Honeyfarm Studios in Sydney. The album features seven tracks: "Out of the Unknown," "World Without," "Mirror Blues," "Ambergris," "Plaining Days," "Desperate Hours," and "Final Twist," with the latter four recorded in 1985 at Trafalgar Studios. This release preserved formative material that had been out of print, highlighting the band's raw post-punk roots before their major-label phase. It was reissued on CD in 1999.[60] In 1999, Citadel followed with Outoftheunknown (The Very Best Of...), a double-CD hits collection spanning the band's 1980s and 1990s output. Released as a limited edition, it compiles 29 tracks emphasizing key singles and album cuts, such as "Desperate Hours," "Blue Sky Day," "Life to Go (Landsakes)," "Final Twist," "Stoneage Cinderella," and "Through Another Door" on the first disc, alongside deeper cuts like "Shine It Down," "Lisa," and "Round and Round" on the second. The purpose was to provide a comprehensive overview for fans and newcomers, drawing from albums like Free Dirt, Lost, and Doughboy Hollow. ℗ & © Citadel Records Australia 1999.[61] The band's final compilation, Something We Left Behind, emerged in 2016 via independent label Three Twelve Productions as a limited-edition CD (approximately 200-250 copies) exclusive to their Australian tour and "A Day on the Green" events. This release gathers 18 rare B-sides and non-album tracks, many previously unreleased or obscure, including "Shimmer Inside," "Stones in the Park," "Dazed," "Angels BC," "You Need Wings," "Apart," "Running Out," "Lisa," "Mouth Almighty," "Disagree," "Empty," "My Generation Landslide," "Take Me for a Little While," "In Love Prison," "Inside," "Sinking Low," "Try," and "Gila 77." It served to unearth overlooked material from across their career, appealing to dedicated collectors. Also available as a digital download.[62]Extended plays
Died Pretty's extended plays were pivotal in their formative years, serving as key vehicles for introducing their atmospheric post-punk sound to the Australian indie audience following the success of their debut single "Out of the Unknown" on independent charts. Released primarily through Citadel and affiliated labels, these EPs featured production by Radio Birdman frontman Rob Younger, emphasizing raw energy and psychedelic edges that defined the band's early aesthetic. With track counts ranging from three to four, they promoted the group's evolving lineup and songwriting prowess without the scope of full albums. The band's debut EP, titled The Died Pretty EP (also known as Out of the Unknown), emerged in 1984 via What Goes On Records (WHATGOES1T) in collaboration with Citadel. Comprising three tracks—"Out of the Unknown," "World Without," and "Mirror Blues"—it was recorded at Honeyfarm Studios in Sydney during January and August 1984. This release captured the quintessence of Died Pretty's Sydney post-punk roots, blending jangling guitars and Ron Peno's haunting vocals, and helped cement their underground following.[63] In 1985, Next to Nothing followed on Citadel Records (CITEP901), marking a step forward with four tracks: "Ambergris," "Plaining Days," "Desperate Hours," and "Final Twist." Recorded at Trafalgar Studios in May 1985 and engineered by Alan Thorne, the EP highlighted Brett Myers' intricate guitar work and the band's growing confidence in melodic structures. It played a crucial role in expanding their reach beyond Sydney, contributing to sustained airplay on alternative radio and bolstering their transition toward major-label interest.[64] Later, the Live Died E.P. arrived in 1990 as a limited-edition 7-inch on Compassion Explosion! Records (DW002), limited to 600 hand-numbered copies. Featuring two live covers—"Wild Child" by Lou Reed (recorded in London, November 14, 1986) and "Final Solution" by Pere Ubu (Melbourne, March 1, 1986)—it underscored the band's dynamic stage presence and affinity for influential predecessors. This EP served as a retrospective nod during a period of lineup stability, reinforcing their cult status among fans.[65]Singles
Died Pretty issued a total of 22 singles over their active years, beginning with independent vinyl releases in the mid-1980s and shifting to major label CD singles in the 1990s. These releases often featured B-sides with non-album tracks or alternate versions, and while the band garnered critical acclaim, only a handful achieved notable chart performance on the ARIA Singles Chart during their commercial peak in the early 1990s. Formats varied from 7-inch vinyl and 12-inch records to CD5-inch singles, with several accompanied by promotional music videos, such as "D.C." which earned an ARIA Award nomination for Best Video in 1992.[2][66] The following table lists the band's singles chronologically, including titles, release years, selected B-sides or additional tracks where applicable, labels, primary formats, and ARIA chart peaks (where they entered the Top 100; many earlier independent releases did not chart nationally).| Year | Title | B-side(s)/Additional Tracks | Label | Format(s) | ARIA Peak |
|---|---|---|---|---|---|
| 1984 | Out of the Unknown | World Without | Citadel | 7" vinyl | - |
| 1984 | Mirror Blues | Wreck My Nights | Citadel | 7" vinyl | - |
| 1985 | Next to Nothing | - | Citadel | 7" vinyl, EP | - |
| 1986 | Stoneage Cinderella | - | Citadel | 7" vinyl | - |
| 1986 | Blue Sky Day | - | What Goes On | 12" vinyl | - |
| 1987 | Winterland | - | Citadel | 7" vinyl | - |
| 1988 | Towers of Strength | - | Blue Mosque / Festival | 7" vinyl, 12" vinyl | - |
| 1988 | Out of My Hands | - | Blue Mosque / Festival | 7" vinyl | - |
| 1989 | Everybody Moves | - | Blue Mosque / Festival | 7" vinyl, CD | - |
| 1990 | Whitlam Square | - | Blue Mosque / Festival | 7" vinyl | - |
| 1990 | True Fools Fall | - | Blue Mosque / Festival | 7" vinyl | - |
| 1991 | Stop Myself | Godbless | Beggars Banquet / Blue Mosque | CD5", 7" vinyl | - |
| 1991 | D.C. | - | Blue Mosque / Festival | CD5", 7" vinyl | - |
| 1992 | Sweetheart | - | Columbia | CD5" | - |
| 1993 | Caressing Swine | This Reason / A Song for Me / The Cross | Columbia | CD5" EP, 7" vinyl | 74 |
| 1993 | Harness Up | - | Columbia | CD5" | 35 |
| 1993 | Headaround | Take Me for a Little While / Lonesome Bull / For More | Columbia | CD5" | - |
| 1994 | A State of Graceful Mourning | - | Columbia | CD5" EP | - |
| 1995 | Days | - | Columbia | CD5" EP | - |
| 1995 | Good at Love | - | Columbia | CD5" | - |
| 1996 | Cuttin' Up Her Legs | - | Columbia | CD5" | - |
| 2000 | My Generation Landslide | - | Return to Sender | CD5" | - |
Awards and nominations
ARIA Music Awards
Died Pretty received several nominations at the ARIA Music Awards, Australia's premier annual music industry accolades established in 1987 to recognize outstanding achievements by Australian artists. During the band's peak in the late 1980s and early 1990s, these nominations highlighted their growing prominence in the alternative rock scene, though they did not secure any wins. In 1989, for their second studio album Lost, the band was nominated in two categories. They contended for Best New Talent, alongside acts such as Johnny Diesel & The Injectors (winners) and Go 101, reflecting ARIA's emphasis on emerging Australian talent at the time. Additionally, the album's cover art, designed by Robyn Stacey and Richard Allan, was nominated for Best Cover Art, competing with works like Nick Seymour's design for Crowded House's Temple of Low Men (winners).[67] The band's most significant ARIA recognition came in 1992, coinciding with the commercial breakthrough of their fourth album Doughboy Hollow. They were nominated for Album of the Year, facing strong competition from releases like Baby Animals' self-titled album (winners), Jimmy Barnes' Soul Deep, and Crowded House's Woodface. The same year, the video for the album's single "D.C.", directed by Marcel Lunam, earned a nomination for Best Video, nominated alongside clips such as Crowded House's "Chocolate Cake" (winners) and Yothu Yindi's "Treaty (Filthy Lucre Remix)". These nods underscored Died Pretty's artistic impact during a period when ARIA awards increasingly spotlighted diverse genres beyond mainstream pop and rock.[68]| Year | Category | Nominated Work | Result |
|---|---|---|---|
| 1989 | Best New Talent | Lost | Nominated[67] |
| 1989 | Best Cover Art | Lost (art by Robyn Stacey & Richard Allan) | Nominated[67] |
| 1992 | Album of the Year | Doughboy Hollow | Nominated[68] |
| 1992 | Best Video | "D.C." (directed by Marcel Lunam) | Nominated[68] |