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Disobey
An image of a man wearing black tactical gear, holding an assault rifle. The band's logo appears on the helmet and the man's left shoulder.
Studio album by
Bad Wolves
ReleasedMay 11, 2018 (2018-05-11)
Recorded2017
Studio
Genre
Length49:14
LabelEleven Seven
Producer
Bad Wolves chronology
Disobey
(2018) 		N.A.T.I.O.N.
(2019)
Singles from Disobey
  1. "Toast to the Ghost"
    Released: November 2, 2017
  2. "Zombie"
    Released: January 18, 2018
  3. "Hear Me Now"
    Released: April 20, 2018
  4. "Remember When"
    Released: June 21, 2018[4]

Disobey is the debut studio album by the American heavy metal band Bad Wolves. The album peaked at number 23 on the US Billboard 200 chart.

The first single, "Toast to the Ghost", was released on November 2, 2017. They are also known for "Zombie", a cover of the 1994 song originally performed by The Cranberries, which was released on January 18, 2018, as the second single. The third single, "Hear Me Now", was released on April 20, 2018. The fourth and final single, "Remember When" was released on June 21, 2018.

Music videos have also been released for "Learn to Live" and "No Masters".

Promotion

[edit]

On April 17, 2018, the band announced a co-headlining U.S. tour with From Ashes to New in June, beginning at The Annex in Madison, Wisconsin and finishing in Oklahoma City's Diamond Ballroom.[5] On August 14, they were announced on select October shows as a supporting act on Three Days Grace's fall European tour supporting their sixth album Outsider, starting at Portsmouth's Pyramids Centre and concluding in Warsaw's Progresja.[6] On October 2, lead singer Tommy Vext was hospitalized during a show in Nottingham after suffering from "a severe viral bronchial infection" that he further explained on his Instagram page.[7] Vext reached out to fellow Eleven Seven label mates As Lions and Bang Bang Romeo to take his band's place on the tour while he recovered.[8]

Critical reception

[edit]
Professional ratings
Review scores
SourceRating
Blabbermouth.net8/10[9]
New Noise MagazineStarStarStarStar[2]

Jay H. Gorania of Blabbermouth.net praised the band's musicianship for creating various sounds that aren't retreads of their former respective acts, giving note of their use of simplistic musical conventions to create an approachable yet hard-hitting record, concluding that, "[T]here has been a massive void on the contemporary side of heavy music in recent times. Bad Wolves is poised to move in for the kill."[9] Nicholas Senior of New Noise Magazine said that despite the album's lengthy runtime, he lauded the band for crafting melodic groove metal tracks that don't dilute their sound to be accessible for mainstream rock radio, concluding that "Disobey, despite some startlingly political lyrics, have the hooks and riffs that should appeal to rock and metal fans aplenty."[2]

Chart performance

[edit]

Disobey debuted and peaked at number 23 on the Billboard 200 the week of May 26, 2018,[10] before dropping sixty-eight spots to number 91 the week of June 2 and leaving the next week.[11] The album debuted at number 9 in Australia before dropping to number 35 the next week and leaving the chart completely.[12] It did not fare as well in Switzerland, Austria and the UK, entering at numbers 24, 39 and 51 for one week.[12]

Track listing

[edit]
Standard edition
No.TitleLength
1."Officer Down"3:29
2."Learn to Live"3:40
3."No Masters"3:53
4."Zombie" (The Cranberries cover)4:15
5."Run for Your Life"3:32
6."Remember When"3:29
7."Better the Devil"3:02
8."Jesus Slaves"3:39
9."Hear Me Now" (featuring DIAMANTE)3:39
10."Truth or Dare"3:33
11."The Conversation"3:38
12."Shape Shifter"3:50
13."Toast to the Ghost"5:30
Total length:49:14
Vinyl-only bonus tracks[13]
No.TitleLength
14."I Swear"3:31
15."Pacifico"3:46
16."Blood 'N' Bone"4:05
Total length:60:36
B-sides
No.TitleLength
14."Zombie" (acoustic)4:19
15."Hear Me Now" (featuring DIAMANTE; acoustic)3:43
16."Remember When" (acoustic)3:29
17."Truth or Dare" (acoustic)3:31
Note

The acoustic version of "Truth or Dare" is available only to members of the band's Patreon page.

Personnel

[edit]

Adapted credits from the liner notes of Disobey.[14]

Bad Wolves
  • Tommy Vext – lead vocals
  • Doc Coyle – lead guitar, backing vocals
  • Chris Cain – rhythm guitar
  • Kyle Konkiel – bass guitar, backing vocals
  • John Boecklin – drums
Additional musicians
  • DIAMANTE – guest vocals on "Hear Me Now"
  • Philip Naslund – additional instrumentation ("Zombie", "Hear Me Now")
  • Max Karon – additional guitars
Production
  • Kane Churko – mixing, mastering ("Zombie", "Remember When")
  • Joseph McQueen – mixing ("No Masters", "Hear Me Now"), vocal engineering and mixing
  • Kristoffer Folin – additional vocal recording
  • Mark Lewis – drum engineering and producing
  • Matt Brown – drum technician
  • James Thatcher – drum technician
  • John Douglas – mix assisting
Artwork
  • Zoltan Bathory – cover art
  • Trevor Niemann – package design
  • Stephen Steelman – photography

Charts

[edit]

Certifications

[edit]
Region Certification Certified units/sales
Canada (Music Canada)[27] Gold 40,000‡

‡ Sales+streaming figures based on certification alone.

References

[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Disobey

View on Grokipedia
from Grokipedia

Disobey is the debut studio album by the American heavy metal band , released on May 11, 2018, through Eleven Seven Music.
The album, comprising 13 tracks, showcases the band's aggressive sound blended with melodic elements, drawing from the members' prior experiences in groups such as and affiliates. Key singles include the band's rendition of ' "," which achieved significant radio play and streaming success, alongside originals like "" and "Remember When." Disobey marked the band's breakthrough, debuting at number 23 on the US and topping the Albums chart, reflecting strong initial commercial reception in the heavy music scene. While praised for its heavy riffs and vocal delivery, the record faced mixed critical responses, with some highlighting its accessibility and others critiquing formulaic elements common in modern . The album's themes often explore defiance, personal struggle, and societal critique, encapsulated in its title track's ethos of resistance against conformity.

Background and development

Band formation and influences

Bad Wolves formed in 2017 in , , initiated by drummer John Boecklin following his departure from in 2014, during which he began composing material that would form the basis of the band's debut album. Boecklin, seeking to return to a heavier metal sound after brief explorations in non-metal genres, first recruited guitarist , then vocalist (formerly of Snot and ), whose aggressive vocal style helped solidify the project's direction. Guitarist Doc Coyle (ex-Bad Seed Rising) and bassist Kyle Konkler completed the initial lineup, with members having prior connections through the metal touring circuit dating back to 2004–2009. The band's core material for Disobey was primarily developed by Boecklin and Vext prior to the full ensemble assembling, emphasizing raw aggression and directness over experimental detours. This approach stemmed from Boecklin's desire for a "heavier" sonic palette, drawing from groove metal's rhythmic drive and nu-metal's blend of heavy riffs with melodic hooks, as reflected in reviews noting verse structures alternating pop-rap influences with crushing drops. The ethos underpinning the formation prioritized , with the album title Disobey symbolizing resistance to industry-prescribed norms and unsolicited advice, rather than broader political or anti-authority motifs. Influences also echoed contemporaries like , whose groove-oriented heaviness and mainstream metal appeal aligned with Bad Wolves' aim for accessible yet potent songcraft.

Album conception and songwriting

The conception of Disobey emerged from ' formation in 2017, as vocalist and the band's core members—guitarists Doc Coyle and , bassist Kyle Konkler, and drummer John Boecklin—collaborated on material reflecting personal resilience amid societal tensions. Vext, drawing from his upbringing, infused lyrics with observations of institutional risks and individual fortitude, exemplified in the opening track "," written to portray the human cost of duties without endorsing partisan narratives. Songwriting sessions emphasized anthemic structures blending heavy riffs with direct, confrontational messaging, as seen in "No Masters," where choruses reject imposed subservience—"So take these chains off of me / I’m not your slave / No masters"—articulating a core motif of over external control that inspired the album's title. This track and others like "" originated from collective jamming that prioritized raw emotional delivery over polished commerciality, with Vext revealing in later reflections that some ideas, such as adaptive survival themes, echoed unproduced concepts from his prior projects. The inclusion of a cover of ' "" was conceived as a modern heavy metal reinterpretation of its original anti-violence , initially planned as a with , whose scheduled vocal session occurred the day after her death on January 15, 2018, prompting the band to release it as a standalone emphasizing enduring critique of conflict's futility. Overall, the process prioritized lyrical candor on authority's burdens and personal agency, avoiding overt political alignment while addressing perceived cultural overreach through narrative-driven songs.

Recording and production

Studio process and collaborators

The recording sessions for Disobey took place across multiple studios in 2017 and early 2018, reflecting the band's collaborative approach to capturing its aggressive sound. Drummer John Boecklin and vocalist acted as primary s for most tracks (1–3, 5, and 7–13), focusing on raw intensity in riffs and vocals to evoke a live performance energy. Mark Lewis, an experienced metal and , contributed to drum production and overall mixing, leveraging his expertise in heavy genres to maintain unpolished aggression without excessive effects. Additional production support came from Wzrdbld and co-producer Philip Naslund on select elements, with some early material developed at AudioHammer Studios prior to full band assembly. The process prioritized instrumental tightness and vocal ferocity, as Boecklin handled much of the oversight to align with the album's themes of defiance. Guest vocalist Diamante collaborated on the duet "Hear Me Now," recorded during principal sessions to enhance its anthemic punch. Principal tracking wrapped in early 2018, enabling finalization ahead of the May 11 release via Eleven Seven Music. This timeline allowed the band to refine the 13-track set while preserving spontaneous, high-energy takes central to its heavy metal execution.

Technical aspects

The of Disobey was handled primarily by drummer John Boecklin and vocalist , with mixing by Mark Lewis, a specialist in heavy metal audio engineering known for achieving tight, aggressive clarity in dense instrumentation. Lewis's approach prioritized separation of elements, ensuring groove-oriented guitar riffs and double-kick drum patterns maintained punch without muddiness, as evidenced by the album's balanced low-end response and midrange definition suitable for modern playback systems. Guitar tones, crafted by Doc Coyle, drew from high-gain amplifier setups including EVH 5150 III heads and Dual Rectifiers, paired with 7-string tuned low for extended-range chugs and Pantera-inspired aggression blended with djent precision. These choices emphasized rhythmic drive over lead complexity, with minimal solos (only two per album) to focus on layering and harmonic sustain, avoiding excessive digital for a direct, amp-derived edge. Vocal engineering highlighted Tommy Vext's range, integrating raw screams with melodic cleans through targeted EQ and compression to preserve dynamics amid the rhythm section's intensity, while bass contributions from Kyle Konkler provided foundational low-end thump via DI and amp blending for seamless integration. The overall mix eschewed hyper-compression trends, retaining natural transients for an authentic, live-like aggression that enhanced listenability across streaming and physical formats.

Musical style and themes

Genre classification

Disobey is principally classified as and , subgenres characterized by syncopated, riff-driven aggression and downtuned guitar work. The album employs mid-tempo crushers—riffs typically ranging from 120 to 140 beats per minute in verses to sustain intensity—and frequent breakdowns that emphasize rhythmic heft over speed. These elements align with groove metal's focus on physical groove and mosh-pit dynamics, while nu-metal influences manifest in the percussive, hip-hop-inflected rhythms and electronic undertones in select tracks. Empirical analysis of the tracklist reveals an average song duration of 3 minutes and 46 seconds across its 13 compositions, promoting concise, high-impact structures that deviate from the extended solos of traditional heavy metal in favor of repetitive, hook-laden aggression. BPM variations support this framework, with verses often accelerating to heighten tension before resolving into heavier drops, as seen in "" at 130 BPM. Compared to contemporaries like , which blend groove with more anthemic melodies, Disobey leans toward rawer, less polished choruses that prioritize and vocal strain over broad accessibility.

Lyrical content and messaging

The lyrics across Disobey recurrently champion individualism and defiance against coercive power structures, framing personal agency as the antidote to subjugation. Songs depict obedience to unaccountable elites or institutional narratives as a form of self-imposed enslavement, urging listeners to reclaim autonomy through rejection of external control. This messaging aligns with first-principles assertions of human volition, where causal chains of societal stagnation trace back to forfeited individual responsibility rather than abstract systemic forces. In "No Masters," the confronts metaphorical bondage—"Back on that , strumming along / Hammering nails so I can sing my song"—culminating in the declaration "No masters / I bow to no one," which directly contests narratives of and blind . The track's imagery of driving spikes and profound underscores a break from diabolical influences, symbolizing liberation from manipulative authorities. Vocalist has reinforced this ethos in personal commentary, decrying mental chains and advocating to "fuck the masters & break the chains inside your mind," positioning the song as a call to intellectual and spiritual independence. "Run for Your Life" extends this defiance into imperatives of , with urgent pleas like "Run! / Breaking my back until I can't even stand" evolving into "Run for your life or be a slave," prioritizing escape from exploitative dependency over sacrificial collectivism. This counters cultural emphases on communal endurance at personal expense, attributing entrapment to eroded . Band discussions reveal such draw from observations of real-world overreach, where Vext clarifies political elements as grounded in causal critiques of authority rather than ideological posturing, as seen in defenses against misreadings of tracks like "."

Release and promotion

Marketing and rollout

Disobey was released on May 11, 2018, through Eleven Seven Music, encompassing physical formats such as and vinyl records, alongside digital downloads and streaming availability. The label managed standard distribution channels for the debut album, targeting rock and metal retail outlets and online platforms to maximize accessibility. Pre-release promotion commenced in late March 2018 with official announcements of the album title and date, accompanied by calls for pre-orders shared across the band's channels. These efforts aimed to generate anticipation among heavy metal enthusiasts by previewing the project's aggressive, nonconformist ethos, positioning it as a fresh voice in a seeking raw intensity. To cultivate grassroots support, integrated the rollout with live performances, including appearances at major festivals like and Fort Rock in April 2018, just weeks before release. A co-headlining U.S. tour with was announced on April 18, 2018, providing immediate post-release touring momentum to connect with fans through high-energy sets. This strategy leveraged the band's veteran lineup to foster word-of-mouth buzz in live settings, emphasizing direct audience engagement over traditional advertising.

Singles and media

Bad Wolves released "Learn to Live" as their debut single on May 1, 2017, marking the band's initial public introduction with an accompanying official music video directed by Orie McGinness and produced by Enlighten Creative Studio. The track, featured on the Disobey album, showcased the band's heavy metal sound and served as an early indicator of their aggressive style. In November 2017, the band followed with "Toast to the Ghost" as their second single, further building anticipation ahead of the album's release. These pre-album releases helped establish the band's presence in the metal scene. The cover of ' "," released in January 2018, rapidly gained viral traction following the death of original singer , with whom the band had planned to collaborate. The single amassed over 7.7 million streams on by March 2018, amplifying awareness for Disobey through widespread online sharing and media coverage. Accompanied by a high-production depicting intense action sequences with tactical imagery and rebellion themes, it visually reinforced the album's defiant ethos. Music videos for tracks like "" emphasized thematic visuals of confrontation and resistance, utilizing dynamic cinematography to align with the album's messaging of defiance. Streaming platforms such as were leveraged for promotional pushes, with pre-release singles accumulating millions of plays to heighten listener engagement prior to the May 11, 2018 album launch. These visual and efforts focused on immersing audiences in the band's militaristic aesthetic, driving curiosity toward the full Disobey project.

Controversies

"Zombie" cover backlash

Bad Wolves had originally planned a collaboration with Dolores O'Riordan on their cover of The Cranberries' 1994 song "Zombie," with O'Riordan scheduled to record vocals on January 15, 2018—the same day she died of accidental drowning due to intoxication in a London hotel. The band proceeded to release the track without her contribution on January 19, 2018, as a tribute, featuring lead vocalist Tommy Vext's rendition and donating all proceeds from the single to O'Riordan's three children. The cover achieved rapid commercial success, debuting at number one on the Billboard Mainstream Rock Airplay chart on January 31, 2018, and reaching number one on the US iTunes sales chart in March 2018, while also entering the at number 77; it was later certified platinum by the RIAA. In contrast, the original version topped several European charts in 1994–1995 and the US Alternative Airplay chart but peaked at only number 82 on the upon re-entry after O'Riordan's . No legal disputes arose, as O'Riordan had personally approved the cover prior to her death and expressed enthusiasm for it via voicemail to the band, but it drew public criticism for its timing shortly after her passing. In January 2020, surviving Cranberries members Noel Hogan, Mike Hogan, and Fergal Lawler described the release as "seemed insensitive" and occurring "a bit too soon," with Noel Hogan stating, "I didn't really like it. It wasn't my cup of tea," while acknowledging O'Riordan's prior blessing but emphasizing the emotional rawness of the period. The band's intent as a respectful homage, coupled with the donation exceeding $250,000 to O'Riordan's family by June 2018, contrasted with these sentiments, fueling online debates about the ethics of repurposing a late artist's work amid grief versus honoring it through renewed visibility.

Band image and authenticity debates

Bad Wolves cultivated a rugged, paramilitary-inspired image for their debut album Disobey, featuring visuals of tactical gear and weaponry that emphasized themes of defiance and strength. This aesthetic, evident on the album cover depicting a figure in combat attire bearing the band's insignia, aligned with their heavy metal sound but drew scrutiny over its authenticity amid the band's rapid assembly. Critics and fans questioned whether the imagery represented genuine rebellion or a stylized construct to appeal to a market seeking aggressive, anti-establishment rock. The band's formation as a supergroup of metal veterans— including drummer John Boecklin from , guitarist Doc Coyle from , and vocalist Tommy Vext from Snot and —fueled accusations of being a label-manufactured project under (formerly Eleven Seven). Detractors argued that the quick coalescence and promotional push suggested commercial opportunism rather than organic evolution, with some viewing it as a calculated effort to revive nu-metal tropes for profitability. In contrast, proponents highlighted the members' longstanding scene connections and shared touring histories, positing that their collaboration stemmed from mutual respect and prior informal jams rather than top-down orchestration. Debates intensified around perceived political undertones in the band's presentation and Vext's outspoken views, with Disobey's exploring anti-authority motifs that some interpreted as right-leaning challenges to societal norms and institutional . Vext affirmed causal connections between these themes and real-world policy shortcomings, such as economic disruptions from , which he publicly criticized as overreach eroding personal freedoms. This stance polarized supporters, with defenders praising the band's merit-based output as an authentic metal resurgence uncompromised by trends, while skeptics dismissed it as performative edginess exploiting post-nu-metal for gain.

Critical reception

Positive assessments

Reviewers praised Disobey for its high-energy execution and visceral aggression, which aligned with the album's thematic call to defiance. highlighted the record's "extreme aggression and heaviness," crediting crushing downtuned guitars and mechanical rhythms influenced by bands like and for delivering a shamelessly heavy metal sound. Antihero Magazine commended the production's clarity, noting how tracks like "" balanced heavy elements with clean mixes, while "No Masters" featured a grounding bass line that amplified its bold, lofty energy. The album's hooks and vocal delivery received particular acclaim for revitalizing both original anthems and covers. Antihero Magazine described the chorus of "" as "almost too good" in its bold adaptation to ' style, and praised "STFU" for its smooth, stout hooks. lauded Tommy Vext's dynamic vocals—ranging from powerful growls to accessible cleans—as underrated and effective, elevating tracks like "No Masters" and "" with strong, memorable hooks. Critics recognized the lyrical content's unfiltered realism, focusing on themes of personal struggle, religion, and violence that critiqued authority without compromise. Sputnikmusic noted the lyrics' weight and impact, portraying a dark realism that resonated as authentic and bold. Metal outlets, including Sputnikmusic's 3.5/5 rating, contributed to an average score of approximately 3.5/5, reflecting approval for the band's execution in delivering relevant, high-octane metal anthems.

Negative critiques

Some reviewers criticized Disobey for its formulaic approach to heavy metal songwriting, with riffs and structures heavily echoing those of , leading to perceptions of derivativeness rather than originality. The album's aggregate critic score stood at 55 out of 100 on Album of the Year, based on limited professional assessments that highlighted its competence but lack of propulsion toward mainstream breakthrough. One critique labeled the guitar work as "generic, dad-rock sort of sound," underscoring complaints of insufficient innovation in riffing and overall execution. Vocal delivery drew flak for overreach in aggressive tracks, where Tommy Vext's style was seen as straining for intensity without adding depth, contributing to an unremarkable listening experience despite solid production. Lyrical content faced accusations of simplistic messaging, with themes of societal discontent dismissed as "cringe" pandering to alienated audiences, particularly in politically charged songs like that opened with provocative language. These elements were viewed by detractors as prioritizing aggression over nuance, aligning with broader media tendencies to undervalue straightforward metal in favor of more experimental forms.

Commercial performance

Chart positions

Disobey debuted and peaked at number 23 on the US chart in May 2018. It simultaneously reached number 1 on the Hard Rock Albums chart. In the , the album peaked at number 51 on the Official Albums Chart for one week but topped the Official Rock & Metal Albums Chart, spending a total of 10 weeks there. The album entered the German Albums Chart at number 55 on May 18, 2018.
Chart (2018)Peak position
US 23
US Hard Rock Albums1
Albums51
Rock & Metal Albums1
German Albums55

Sales figures and certifications

Disobey achieved approximately 20,000 equivalent album units in its first week of release , according to Nielsen SoundScan data reported contemporaneously with the album's launch. This figure encompassed pure sales, track equivalents from singles, and streaming activity, reflecting robust initial demand driven primarily by the "." Despite this performance and subsequent longevity in niche digital consumption metrics within the heavy metal genre, the album has not received certifications from the (RIAA) or equivalent major accrediting bodies as of October 2025. Individual tracks from the album, however, have garnered recognition, including RIAA for "" in 2018 based on 1,000,000 units.

Album content

Track listing

No.TitleWriter(s)Length
1."Officer Down"3:29
2."Learn to Live"3:40
3."No Masters"3:53
4."Zombie"4:15
5."Run for Your Life"3:32
6."Remember When"3:00
7."Better the Devil"3:23
8."Jesus Slaves"3:53
9."Hear Me Now"3:25
10."Truth or Dare"3:14
11."Feral"4:19
12."Crying Game"3:47
13."Heaven So Heartless"4:13
The standard edition contains 13 tracks, with "Zombie" being a cover of the 1994 song by . No significant variants or digital bonuses are noted across major releases.

Personnel

Bad Wolves' lineup for Disobey consisted of on lead vocals, Doc Coyle on lead guitar and backing vocals, on rhythm guitar, Kyle Konkiel on bass and backing vocals, and John Boecklin on drums. Production duties were shared by band members Vext and Boecklin, along with external collaborators Mark Lewis and (credited as WZRD BLD). Mark Lewis additionally handled drum engineering and contributed to mixing. Mixing and mastering were primarily managed by Kane Churko, assisted by Joseph McQueen on mixing. These contributions reflect a collaborative effort involving both the band's core musicians and established industry professionals, with recording occurring in 2018 across facilities including those utilized by Lewis in Nashville.

References

  1. https://badwolves.bandcamp.com/album/disobey
  2. https://blabbermouth.net/reviews/disobey
  3. https://www.billboard.com/pro/bad-wolves-remember-when-number-1-mainstream-rock-songs/
  4. https://www.sonicperspectives.com/album-reviews/bad-wolves-disobey/
  5. https://thebandindex.com/band/bad-wolves
  6. https://live-metal.com/2018/06/22/interview-john-boecklin-of-bad-wolves/
  7. https://loudwire.com/bad-wolves-tommy-vext-interview-five-finger-death-punch/
  8. https://medium.com/wirednoise/i-think-that-right-now-we-are-at-the-beginning-of-our-prime-interview-with-bad-wolves-e9a5d76427fe
  9. https://loudwire.com/bad-wolves-tommy-vext-calls-out-snowflake-keyboard-warriors-officer-down/
  10. https://klaq.com/bad-wolves-on-their-new-album-controversial-song-officer-down/
  11. https://alookintomusic.wordpress.com/2018/05/15/bad-wolves-disobey-album-review/
  12. https://www.ultimate-guitar.com/news/general_music_news/bad_wolves_reveal_song_they_originally_wrote_for_car_commercial_it_was_a_big_payoff.html
  13. https://www.loudersound.com/news/bad-wolves-cover-zombie-by-the-cranberries-in-memory-of-dolores-oriordan
  14. https://ultimatemetal.com/threads/hear-bad-wolves-zombie-cover-dolores-oriordan-was-set-to-appear-on-before-death.1235830/
  15. https://newnoisemagazine.com/reviews/review-bad-wolves-disobey/
  16. https://www.discogs.com/release/12090286-Bad-Wolves-Disobey
  17. https://marklewis.audio/discography
  18. https://genius.com/albums/Bad-wolves/Disobey
  19. https://blabbermouth.net/news/bad-wolves-team-up-with-diamante-for-hear-me-now-surprise-duet
  20. https://www.musicradar.com/features/i-now-understand-drums-in-such-a-different-way-bad-wolves-john-boecklin-talks-going-back-to-basics
  21. https://www.guitarchalk.com/bad-wolves-doc-coyle-amp-settings/
  22. https://www.espguitars.com/articles/2010781-artist-spotlight-doc-coyle-bad-wolves
  23. https://www.guitarworld.com/features/doc-coyle-bad-wolves-dear-monsters
  24. https://concertcrap.com/album-review-bad-wolves-disobey/
  25. https://rateyourmusic.com/release/album/bad-wolves/disobey/
  26. https://badwolves.bandcamp.com/album/disobey/
  27. https://tunebat.com/Info/Learn-To-Live-Bad-Wolves/6zROcM9OvgYBjvnOnJ6nHE
  28. https://www.sputnikmusic.com/review/77230/Bad-Wolves-Disobey/
  29. https://genius.com/Bad-wolves-no-masters-lyrics
  30. https://genius.com/Bad-wolves-run-for-your-life-lyrics
  31. https://www.theprp.com/2018/06/25/news/bad-wolves-tommy-vext-slams-snowflake-key-board-warriors-over-officer-down-misinterpretations/
  32. https://www.discogs.com/release/11974804-Bad-Wolves-Disobey
  33. https://www.amazon.com/Disobey-Bad-Wolves/dp/B07BNV4FM2
  34. https://www.bestbuy.com/product/bad-wolves-disobey-vinyl-lp/J3R2ZY8F9T
  35. https://metalnerd.net/bad-wolves-announce-debut-record-disobey/
  36. https://www.facebook.com/badwolvesofficial/posts/d-i-s-o-b-e-y-may-18th-are-you-going-to-pre-order-it/1637012109721063/
  37. https://www.youtube.com/watch?v=5_VPjcFoz9o
  38. https://loudwire.com/ozzy-osbourne-foo-fighters-avenged-sevenfold-headline-2018-welcome-to-rockville-festival/
  39. https://www.govenuemagazine.com/ozzy-osbourne-and-more-to-headline-the-monster-energy-fort-rock-markham-park/
  40. https://www.therockpit.net/2018/bad-wolves-and-from-ashes-to-new-announce-co-headline-us-tour/
  41. https://www.jambase.com/band/bad-wolves/setlists/2018
  42. https://www.youtube.com/watch?v=LewUgNvsfWQ
  43. https://betternoise.com/news/bad-wolves-enters-the-billboard-hot-100-with-zombie-launches-pre-order-for-debut-album-disobey/
  44. https://www.instagram.com/reel/C6xh8jFOCSi/?hl=en
  45. https://loudwire.com/dolores-oriordan-bad-wolves/
  46. https://www.billboard.com/music/music-news/dolores-oriordan-children-bad-wolves-zombie-cover-donation-8461993/
  47. https://www.billboard.com/pro/bad-wolves-cranberries-zombie-rock-charts/
  48. https://headlineplanet.com/home/2018/03/10/bad-wolves-zombie-reaches-1-us-itunes-sales-chart/
  49. https://www.billboard.com/pro/the-cranberries-biggest-billboard-chart-hits-zombie-linger-dreams/
  50. https://www.nme.com/news/music/the-cranberries-say-us-bands-cover-of-zombie-was-released-too-soon-after-dolores-oriordans-death-2603366
  51. https://www.radiox.co.uk/news/music/cranberries-bad-wolves-zombie-cover-too-soon/
  52. https://www.heavyblogisheavy.com/2019/10/09/playlist-swap-10-9-19/
  53. https://loudwire.com/tommy-vext-sued-better-noise-copyright-infringement/
  54. https://www.forbes.com/sites/quentinsinger/2019/11/18/bad-wolves-tommy-vext-talks-new-album-nation-and-experience-in-witness-protection-program/
  55. https://www.youtube.com/watch?v=jcLXkQyPN1U
  56. https://loudwire.com/bad-wolves-tommy-vext-black-life-matter-regardless-beliefs/
  57. https://www.ultimate-guitar.com/news/general_music_news/bad_wolves_react_to_haters_theyre_only_really_upset_because_our_zombie_cover_was_successful.html
  58. https://www.antiheromagazine.com/album-review-bad-wolves-disobey/
  59. https://www.reddit.com/r/Metalcore/comments/8il2uz/bad_wolves_disobey_official_discussion_thread/
  60. https://webn.iheart.com/content/2018-05-11-bad-wolves-disobey-review/
  61. https://www.albumoftheyear.org/user/lady6ov6fire/album/110884-disobey/
  62. https://www.sputnikmusic.com/review/77101/Bad-Wolves-Disobey/
  63. https://thesoundboardreviews.com/2018/05/14/album-review-disobey-by-bad-wolves/
  64. https://www.officialcharts.com/albums/bad-wolves-disobey/
  65. https://www.offiziellecharts.de/charts/album-details-391445
  66. https://atomsplitterpr.com/bad-wolves-disobey-sees-breakthrough-first-week/
  67. https://www.govenuemagazine.com/bad-wolves-zombie-certified-platinum-by-the-riaa-first-rock-band-certified-by-riaa-in-2018-for-debut-single/
  68. https://www.discogs.com/master/1363539-Bad-Wolves-Disobey
  69. https://www.threesongsandout.com/single-post/2018/05/28/bad-wolves-disobey-album-review
  70. https://www.metalkingdom.net/lyrics-album/bad-wolves-disobey-132616
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