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Do As Infinity is a Japanese pop and rock band that formed in 1999 with three members: vocalist Tomiko Van, guitarist Ryo Owatari, and guitarist and composer Dai Nagao. The band's name is sometimes abbreviated as DAI, alluding to the fact that Do As Infinity was named after Nagao. Signed to Avex Trax, the band released their debut single "Tangerine Dream" on September 29, 1999, followed by three more singles between 1999 and 2000, which appeared on their debut album Break of Dawn (2000). In December 2000, Nagao decided to devote all his time to composing the music and no longer appeared at live events. Five more studio albums were released between 2001 with New World and 2005 with Need Your Love.

Key Information

With the release of their A-side singles compilation album Do the A-side (2005), Do As Infinity disbanded on September 29, 2005. The members continued work in the music industry, with Van pursuing a solo career, Owatari working with his band Missile Innovation formed in 2004, and Nagao continuing to work with other artists at Avex Trax. The band reformed on September 29, 2008, but Nagao did not return. Do As Infinity had their first new single release "∞1", in June 2009,[1] followed by their seventh studio album Eternal Flame (2009). The band released their 11th and latest studio album Brand New Days in February 2015.

History

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1999

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Dai Nagao started out as a composer for an amateur band. After its disbanding, Nagao continued composing songs, sending demo tapes to more than fifty record companies in Japan.[2] Nagao was eventually hired by Avex Trax to work as a composer. He was immediately given a task to compose songs for Ayumi Hamasaki and Hitomi.

Eventually, auditions were held, and he chose Tomiko Van as lead singer and Ryo Owatari as guitarist. Ryo turned up for the auditions in a red tracksuit with a Fender Jaguar and his effects pedals. He was asked to perform a small segment, but instead played three songs.[2] Tomiko sang "Heart" as a band member 42 hours after the Avex staff read her application. On September 29, 1999, the trio released their first single "Tangerine Dream", and held a live concert at the Shibuya AX.[3] They performed almost daily at a number of locations, ranging from Shibuya's 109,[3] to Yokohama Station. They additionally traveled to Fukuoka and other cities. Before "Tangerine Dream" was released, DAI and their fellow workers were giving out copies of their recordings for free to passersby.[2] At their one-hundredth concert, held at Shibuya AX for free, the members of DAI recognized that the fans were the same bunch that bothered to listen to them.[2]

The remainder of 1999 was spent performing both on the street and at in-store concerts at CD stores across the country. They also took part in choice events nationwide, including a festival in Tomiko Van's native Kumamoto Prefecture. Their streak of street concerts ended at one hundred, with a free concert for their fans, held at Shibuya Kokaido.[3] Photos of some of their street performances were compiled into a PV for the song "Field of Dreams" which can be seen on the PV Collection 8 as well as in the background of the Live in Japan during a performance of the song.

Do As Infinity released their second single, "Heart", in December. They continued to do public appearances all the way up to the year-end Avex Millennium Count Down 1999-2000 held on New Year's Eve in Roppongi's Velfarre club. Heart was written before Tangerine Dream, but was recorded together in July due to the complicated drum samples.[2] The band continued to appear on radio shows and at CD store events. Their third single, "Oasis", was released at the end of January. It was their first Top 30 hit and it was chosen as the official TV commercial song for Kanebo Cosmetics' Testimo line of products. "Oasis" was their first song to be used in an advertisement.

2000

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The next single, "Yesterday & Today" was chosen as the theme song for the drama series Nisennen no Koi,[4] which starred popular actors Miho Nakayama and Kaneshiro Takeshi and was given the primetime slot. The c/w-track, "Raven", was used as the ending song to the horror movie Uzumaki, which gathered more mainstream audiences for the band.

Their first album, Break of Dawn, debuted on number three on the Oricon album charts in March of the same year, only a month after "Yesterday & Today". They continued to make public appearances and do numerous live performances all over Japan. In August of that year, the band released the single "Rumble Fish", which was used as the theme song for the hit movie Kamen Gakuen; the cover of "Rumble Fish" was taken in Taiwan, and the trip provided the inspiration for "Shinjitsu no Uta".[2] Also in August, the single "Summer Days" was released, which would go on to become a staple at all Do As Infinity live concerts, and was used as a theme song for Fuji TV's OL Police. "Summer Days" is also notable for being Do As Infinity's most well-known all-English song (following their first, "Break of Dawn", from their debut album). During November of that same year, the band released the festive single "We Are.", which Tomiko has often said is one of her favorite DAI songs. The band would end the year with another countdown live held at the Velfarre club in Roppongi.

Nagao resigned as front member on New Year's Eve in 2000, and concentrated on composition thereafter. After that, Nagao appeared in front of their fans as a member only twice more—the performance of the third debut anniversary held in September 2002, and a guest appearance in the second encore of their last live concert held on November 25, 2005. Nagao decided to work behind the scenes as he was unable to manage both the production of music and the live performance and promotional campaign. Nagao only wrote songs after he stopped appearing in public, and he hardly participated in recording.

2001

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2001 was a whirlwind year for the band. With an album and six singles under their belts, the trio was well on their way to becoming seasoned veterans in the business, but they still had not appeared on national television. That changed with the release of their first single in the new millennium, "Desire"; "Desire" was once named M-42, which was used in their street performances.[2] The single was performed on the hit TV show "Music Station". However, for some reason Van represented the band by herself. Nevertheless, the song and the band got national exposure. The televised performance brought Do As Infinity to an even wider audience, and helped to make their new album, New World, debut at number one on the Oricon charts.

In the following month they would release their first promotional video collection on DVD, simply titled 9, and would go on tour throughout the month of May. After release of New World, Tomiko Van was contracted to advertise for Japanese haircare company Lavenus. Van took part in all six commercials, including one which she rode a Harley-Davidson motorbike. Van can also be seen riding the Harley-Davidson in the "Tao" promotional video. The B-side of "Tōku Made", "Signal" was used as the theme song for the first commercial. Six commercials were made in total, the other three songs included "Tsubasa no Keikaku", "Bōkenshatachi", and "Nice & Easy"; "Boukensha Tachi" was used three times.

Their ninth single was released at the end of May, "Week!". The following month would see the release of "Fukai Mori" (Deep Forest), which was chosen as the second ending theme song for the hit anime series Inuyasha. The song was a huge hit, and would soon become the band's signature song. The remainder of the year was spent in preparation for yet another live concert tour, which would begin in November, not long after the release of their eleventh single, "Bōkenshatachi", and their third album, Deep Forest, which debuted at number one on the charts.

2002

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January 2002 started with Van appearing on the Avex charity album Various Artists Featuring Songnation, and the release of the band's twelfth hit single, "Hi no Ataru Sakamichi", the following month. Then the band went global. After releasing a best album, Do the Best in March, the band traveled to Taiwan and Hong Kong in April for a special campaign. Their following overseas was almost as huge as in their own country, drawing 500 fans to their in-store event held at the HMV CD store in Hong Kong. They were nominated for the seventeenth annual Gold Disc Award in Japan for the best Rock & Pop album of the year and won. The band took a short break upon returning to Japan, but released their thirteenth single in July, the double A-sided "Under the Sun / Under the Moon". In August the band participated in Avex's A-nation tour, performing in eight venues all over Japan.

Do As Infinity's fourteenth single, "Shinjitsu no Uta", was released in October, and sparked the beginning of a new project for the band. "Shinjitsu no Uta" was also chosen to be the fifth ending theme for Inuyasha. "Shinjitsu no Uta" became famous in China in July 2002 and was also translated into Mandarin.[2] In the booklet of Do The A-side, Kawamura stated that "Shinjitsu no Uta" was actually written two years before the actual release. Dai said that he left it as a demo because he felt that something was missing in the song. Despite their success, Do As Infinity wanted to show their fans that they had not forgotten them. They advertised on their website for fans to send them short stories using the band's previous releases as themes and using the word shinjitsu (truth) somewhere in the story. Entitled Your Truth, these stories are now available in book form. The band closed out the year with another live tour, understandably titled Do As Infinity greatest year 02: All Standing, and the year-end release of their fourth album, True Song.

2003-2004

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The band got busy on the concert tour of True Song and new recordings, their fifteenth single, "Mahou no Kotoba: Would You Marry Me?" released as their first single in 2003. It became one of the most frequently played songs at weddings in Japan, becoming one of the band's most publicized singles of the year. "Honjitsu wa Seiten Nari" followed the popularity of its precedent single, it was previewed in their annual summer activity, a-nation. During this promotion period it was the first time the vocalist cut her hair short and with a bright blonde dye, she changed it back to a dark brown dye after the release of this single. The single's promotional video was filmed during their a-nation 2003 activity and combined many different a-nation 2003 visits in different areas in Japan, marking another success for the band. "Hiiragi" was released in November of the same year and the announcement of the fifth album followed. Tomiko met with famous American singer, Michelle Branch, during her visit in Japan to promote her album Hotel Paper, for a magazine interview and photoshoot. After the release of Gates of Heaven the group took a short break and performed in New York City, New York and Dallas, Texas in the summer of 2004 as a small warm-up for their next album; footage of this can be found in the DVD Live Year 2004. They performed in Korea during the Korea & Japan Friendship Week in JEJU along with jtL. Do As Infinity performed "Rakuen" as the ending theme of Inuyasha the Movie: Fire on the Mystic Island in December 2004.

2005

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In early 2005, the band were in the midst of another live concert tour, showcasing their sixth studio album Need Your Love, along with video collections and recorded live concerts. Although Dai Nagao was not as active as he was in the beginning, (he did not participate in promotional events anymore) he was still the main composer behind the band.

"Tao" became Do As Infinity's twentieth single released on July 27, 2005, and the last before disbanding later that year. The lyrics of "Tao" described about friends parting ways and this caused many rumors among the fans about the disbanding of Do As Infinity. "Tao" is also the main theme of Tales of Legendia, an RPG released in summer 2005 and developed by Namco. The band announced on September 14 that they would disband on September 29, 2005, just six years to the day of their first single, "Tangerine Dream". Their last concert was at the Nippon Budokan on November 25, 2005. Three days before the final concert, Dai Nagao released the last Do As Infinity song called "Trust" on the official website through Internet streaming. The vocals featured in this song is sung by Mizushima Kana from one of Nagao's side project artists I-lulu.

Tomiko Van, the lead singer, pursued a solo career and debuted on March 29, 2006, with her album, Farewell. Ryo Owatari, the guitarist, worked with his band, Missile Innovation, and released their first single on February 1, 2006. Owatari also worked with other Avex artists such as Ayumi Hamasaki, Ai Otsuka and AAA. Dai Nagao went on to work with Amasia Landscape and other artists under the True Song Music label, writing songs for various artists.[5]

2008-present

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The band played a reunion show at the final show of 2008's A-nation, as stated on the official BBS and blog entries of supporting musicians. Reportedly, Do As Infinity rehearsed for a month. As "secret guests" during the A-nation live concert on August 30, 2008, the band announced they would officially reform on September 29, 2008, and that they would be holding a free concert in Yoyogi Park on September 30, 2008.[1][6] They would eventually embark on a nationwide tour once more to celebrate their reunion. The band released their 21st single, "∞1", on June 17, 2009; it included four new songs. On September 30, 2009, the band released their seventh studio album, Eternal Flame. Do As Infinity provided the opening theme song, "Kimi ga Inai Mirai", to Inuyasha: The Final Act in 2009; the single for "Kimi ga Inai Mirai" was released on January 20, 2010.

Do As Infinity debuted their song "Everything Will Be All Right" on December 24, 2009, as the official 2010 promotional theme song for professional Kyōtei boat racing.[7] "Everything Will Be All Right", as well as three other songs, was included on the band's 23rd single, "∞2", released on June 16, 2010. Do As Infinity released their 24th single "Jidaishin" on September 29, 2010. The single commemorated their 11-year anniversary and the physical copies were exclusively sold on the online music retailer Mu-mo, where they subsequently sold out.[8] Do As Infinity held their 11-year anniversary live convert at Shibuya AX on the same day.[9] It was broadcast live via Internet streaming through Nico Nico Douga for free.[10] The band released their eighth studio album Eight on January 19, 2011.[8] Do As Infinity released their 25th single "Chikai" (誓い) on July 27, 2011. The band's 26th single "Ariadne no Ito" (アリアドネの糸) was released on September 7, 2011. Do As Infinity's 27th single "Tasogare" (黄昏) was released on November 16, 2011. In 2012, Do As Infinity released two more studio albums: their ninth album Time Machine on February 29 and their tenth album Do As Infinity X on October 10. The band released the compilation album The Best of Do As Infinity on January 1, 2014. The band's 28th single "Mysterious Magic" was released on December 10, 2014; the song was used as an opening theme to the anime series Fairy Tail. Do As Infinity released their 11th album Brand New Days on February 25, 2015.

Credit to songs

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Under the concept of "Whoever the songwriter is, it is D.A.I", the credit was written as "D.A.I" at first, even if any other member would compose the music. After "Be Free" was collected in Do the B-side, it came to be specified who wrote a song, and, after re-formation, it came to be specified who composed as well. Tomiko Van and Ryo Owatari mainly write lyrics. Saiko Kawamura, which is a joint pen name of Jun Harada and Kayoko Shinchi, and Naoto Suzuki also write songs besides them. It seems that Dai Nagao composed almost all the music except for "Azayaka na Hana" collected in Gates of Heaven, which Ryo Owatari composed. They produced the first and the second singles by themselves, but Seiji Kameda became a joint producer from the third single; he also plays a bass guitar in recording.

Do! Creative!!

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Do! Creative!! was a semiannual contest held by Do As Infinity and Avex Trax to give Do As Infinity fans a chance to compose songs that the band later performs.[11] The first instance of Do! Creative!! was held between March 14 and April 14, 2009. Of the approximately 1000 songs received, three were chosen to be placed on Eternal Flame: "Nighter" composed by Yu, "Kitakaze" composed by Yosuke Kawashima, and "Honō" composed by Shinpei.[12] For the second contest, held between September 1 and October 31, 2009, three were selected, two of which appear on "∞2": "Everything Will Be Alright" by Shohei Ohi, and "Haruka" by Fumiyasu Sueoka;[12] the song composed by the third winner, Nobuhisa Fujii, has yet to be revealed. Of the contestants in the second contest, about 400 were from outside Japan.[12]

Members

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Current members
Former members
Producers
  • "Dai": Dai Nagao (1999–2005)
  • Seiji Kameda (2000–present) (recording bassist)

Backup bands

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Great Tour Band

The members listed below are not the only band members that DAI has gone through during their career, however, these musicians are the more notable ones because of their work for DAI.

Tour Band (2009)

  • Takumi Ishida (guitar)
  • Yukiko Shibuya (bass guitar)
  • Jun Takase (keyboard)
  • Noriyasu "Kaasuke" Kawamura (drums) (Originally he was a recording drummer from their first album Break of Dawn, and participated in the tour band from 2008.)

Discography

[edit]
Main article: Do As Infinity discography

References

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[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Do As Infinity

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from Grokipedia
Do As Infinity is a Japanese pop rock band formed in 1999, originally comprising vocalist , guitarist and backing vocalist Ryo Owatari, and composer and guitarist Dai Nagao. Signed to , the trio debuted with the single "Tangerine Dream" on September 29, 1999, following more than 100 street performances near Shibuya's Hachiko statue. Known for their blend of melodic and emotional lyrics, the band quickly rose to prominence in Japan's music scene, releasing over 30 singles and multiple studio albums, several of which achieved million-selling status. The band's early career was marked by chart-topping hits and contributions to anime soundtracks, including "Fukai Mori" as the ending theme for Inuyasha and "Mysterious Magic" as the opening for Fairy Tail Season 2. Their music often explored themes of love, longing, and resilience, resonating with a wide audience through upbeat rhythms and Van's powerful vocals. By 2005, after the release of their compilation album Do the A-side, Do As Infinity announced their disbandment on their sixth anniversary, concluding with a final concert at Nippon Budokan. In 2008, Van and Owatari reformed the band as a duo, excluding Nagao, and resumed activities with the single "Want Me!" and subsequent tours, including appearances at events like A-Nation. The reunion revitalized their career, leading to albums such as (2009), Alive (2018), and the best-of collection Do The Complete (2021), alongside international tours in , , and . As of 2025, Do As Infinity remains active, having released digital singles like "Tsumugi" (2023) and embarking on a 25th anniversary tour titled Do As Infinity LIVE TOUR 2025 〜QUARTER ∞︎︎ CENTURY〜, with performances at international events such as Anime Friends 2025 and Lalala Fest 2025, solidifying their enduring influence in .

History

Formation and debut (1999–2000)

Do As Infinity was formed in 1999 as a project band by composer and guitarist Dai Nagao under the label, with the group's name derived from Nagao's initials, D.A.I. Nagao, already an established songwriter at avex, sought to create a new act and hosted auditions to assemble the lineup, ultimately selecting vocalist for her distinctive voice and guitarist Ryo Owatari for his versatile playing style. This trio—Nagao on guitar and composition, Van on lead vocals, and Owatari on guitar and backing vocals—marked the band's initial configuration, blending elements in their sound. The band made their debut with the single "Tangerine Dream" on September 29, 1999, which served as an introduction to their melodic, guitar-driven style and achieved modest commercial entry on the Japanese charts. Prior to and following the release, Do As Infinity built momentum through efforts, performing over 100 free street concerts primarily in front of the Hachiko statue at in , starting from August 27, 1999, and culminating in a milestone 100th free live at Shibuya Kokaido on November 22, 1999. These unannounced, high-energy shows, often drawing spontaneous crowds, helped cultivate an early fanbase and honed the band's live presence before larger venues. On March 23, 2000, the group released their debut studio album Break of Dawn, which debuted at number 3 on the and solidified their emerging presence in the scene with tracks showcasing Nagao's songwriting and the duo's vocal-guitar synergy. Early media appearances, including in-store promotions at locations like and radio events such as the NACK5 Summer Party, further expanded their visibility and fan engagement. In December 2000, Nagao withdrew from live performances to focus exclusively on composition and production, shifting the band's onstage dynamic to Van and Owatari while he continued contributing creatively from behind the scenes.

Rise to prominence (2001–2002)

Do As Infinity achieved significant commercial success with their second studio album, , released on February 21, 2001, which debuted at number one on the weekly album charts and sold over 353,000 copies in its first year. The album's lead single promotions and upbeat pop-rock sound helped solidify the band's presence in the scene, building on the moderate success of their debut Break of Dawn. This breakthrough marked their transition from emerging artists to chart dominators, with the album earning a certification from the for exceeding 200,000 units shipped. A pivotal moment came with the release of the single "Fukai Mori" on June 27, 2001, which served as the second ending theme for the popular anime Inuyasha and became one of the band's signature songs. The track peaked at number five on the Oricon weekly singles chart, selling approximately 173,600 copies and establishing Do As Infinity as a go-to act for anime soundtracks. Its evocative lyrics and melody resonated with fans of the series, contributing to the band's growing visibility beyond traditional J-pop audiences and amplifying their domestic popularity during the anime boom of the early 2000s. The band's third album, , arrived on September 19, 2001, also debuting at number one on the charts and surpassing 600,000 copies in sales, with its title and inclusion of "Fukai Mori" thematically aligning with the mystical forest settings of . This release further entrenched their chart dominance, as multiple singles from the album maintained top positions, showcasing a blend of rock-infused pop that appealed to both enthusiasts and mainstream listeners. In 2002, Do As Infinity capitalized on this momentum with their first greatest hits compilation, Do the Best, released on March 20, which topped the charts for weeks and sold over 832,000 copies, facilitating early international exposure through editions in markets like . Capping the period, the fourth studio album True Song was released on December 26, 2002, peaking at number five on the charts and reinforcing their stature with introspective tracks tied to ongoing contributions. Their success culminated in the 17th Japan Gold Disc Awards (for 2002 releases), where Do the Best won the Rock & Pop Album of the Year, highlighting their impact on the industry through soundtrack integrations and consistent chart performance. This era of rapid ascent positioned Do As Infinity as a leading act in Japan's pop-rock landscape, driven by strategic collaborations and multi-platinum domestic sales.

International expansion and peak (2003–2004)

In 2003, Do As Infinity released their fifth studio album, , on November 27, marking a shift toward more experimental sounds compared to their earlier pop-rock style. The album featured tracks like "Azayaka na Hana," described as an experimental piece with refreshing changes in melody and structure, incorporating lighter, soaring pop elements alongside oriental flute influences in other songs. This release debuted at No. 3 on the and sold approximately 250,000 copies in , with year-end figures reaching 293,835 units, reflecting the band's sustained commercial momentum. The period solidified Do As Infinity's peak popularity, with singles from contributing to strong chart performance. For instance, "Azayaka na Hana," released as a single on September 3, 2003, reached No. 11 on the , while follow-up "Machi" peaked at No. 2 in November 2003, underscoring the album's role in maintaining high visibility. In 2004, the live album Live in Japan, recorded during their domestic tour and released on March 31, entered the chart at No. 23 and sold 17,000 copies, capturing the energy of their performances at that height. These metrics highlighted the band's commercial peak, with overall sales in the period demonstrating robust demand amid evolving musical experimentation. International expansion became a key focus, as Do As Infinity ventured beyond with tours that broadened their global reach. In summer , they performed in the United States, including shows at in New York on June 8 and the Hotel in on June 4, where setlists emphasized hits like "Under the Sun" and tracks from Gates of Heaven. Earlier, in 2003, they appeared in during the Korea-Japan Friendship Week on alongside jtL, further extending their Asian presence. These outings, documented in the 2005 DVD Do As Infinity LIVE YEAR 2004 (Overseas Version), showcased their adaptability to international audiences and helped grow their fanbase overseas. The band's earlier hit "Fukai Mori," tied to the anime Inuyasha, continued to influence their global appeal during this era, drawing in international fans through anime media exposure. This period saw notable fanbase expansion, fueled by tour successes and media tie-ins, with commercial endorsements emerging in Japan, such as theme songs for events like a-nation 2003 ("Honjitsu wa Seiten Nari"). While specific international collaborations were limited, the tours and live releases enhanced their media presence beyond Japan, solidifying their status at the height of their original run.

Disbandment era (2005)

Do As Infinity released their sixth and final studio album, Need Your Love, on February 16, 2005, through , marking the culmination of their original run with a blend of pop-rock tracks that reflected their established sound. The album featured contributions from core members on vocals, Ryo Owatari on guitar, and composer Dai Nagao, and it peaked at number three on the weekly charts, underscoring the band's sustained popularity. This release served as a poignant endpoint to their creative output during the original era, allowing them to bow out amid commercial success from prior years. On September 13, 2005, the band announced their disbandment effective September 29, exactly six years after their debut single "," with the stated reason being a desire to conclude activities at their creative and commercial peak rather than risk decline. Accompanying the announcement was the release of their final single "" on August 24, 2005, which served as the opening theme for the video game and topped the charts, followed by the two-disc compilation Do the A-side on September 28, collecting all their A-side singles for a comprehensive retrospective. The split evoked widespread media attention in Japanese outlets, highlighting the band's influence on and rock fusion, while fans expressed shock and sorrow online and in fan communities, viewing it as an abrupt end to a defining act. The era closed with the farewell concert Do As Infinity -Final- on November 25, 2005, at Tokyo's , where the trio reunited onstage for a two-hour set drawing approximately 10,000 attendees in an emotionally charged performance captured on a live album released in 2006. The event symbolized a graceful exit, with delivering heartfelt renditions of hits like "Fukai Mori" amid tears from performers and audience alike, as reported in press. Following the disbandment, launched her solo career with the album FAREWELL on March 29, 2006; Owatari formed the band Missile Innovation and pursued production collaborations with Avex artists; and Nagao continued composing for various acts under , including contributions to other projects.

Reunion and revival (2008–2015)

Do As Infinity announced their reunion on , 2008, during a surprise guest appearance at the a-nation '08 festival in , marking the band's ninth anniversary since their formation in 1999. The core duo of vocalist and guitarist Ryo Owatari reformed without original member Dai Nagao, who had been instrumental in their earlier songwriting but chose not to participate. This revival emphasized a renewed focus on live performances, with the duo adopting a format supported by session musicians to sustain their dynamic sound. Their first post-reunion live event, a free titled "Do As Infinity FREE LIVE - FREE SOUL! FREE SPIRITS!" at on September 30, 2008, drew around 10,000 fans and officially confirmed the band's return on September 29, 2008. The duo's initial releases included the single "∞1" on June 17, 2009, which served as their first original material since disbanding in 2005 and peaked at No. 10 on the charts. This was followed by their seventh studio album, , released on September 30, 2009, to coincide with their tenth anniversary; the album debuted at No. 9 on and featured themes of perseverance and renewal reflective of the band's journey. In 2009, Do As Infinity launched the "Do! Creative!!" fan songwriting project in collaboration with , a semiannual contest inviting fans to submit lyrics and compositions for potential inclusion on future releases, fostering deeper audience engagement. The project debuted with entries incorporated into Eternal Flame and continued to influence subsequent works. Subsequent albums solidified the duo's revival, including Eight (their eighth studio album) on January 19, 2011, which explored introspective themes through tracks like "1/100." Time Machine, the ninth album, arrived on February 29, 2012, peaking at No. 14 on and emphasizing nostalgic elements in its songwriting. Later that year, on October 10, 2012, they released Do As Infinity X, their tenth studio album, which broke from traditional naming conventions and reached No. 15 on the charts, highlighting collaborative production with external composers. The eleventh album, Brand New Days, came out on February 25, 2015, marking a period of creative maturation with fan-involved tracks from the ongoing "Do! Creative!!" initiative. Anniversary celebrations underscored the band's emphasis on live performances, including the 14th "Dive At It Limited Live 2013" at Maihama Amphitheater on September 29, 2013, a one-off event capturing their evolution as a duo. The 15th "Dive At It Limited Live 2014" at Public Hall further highlighted this shift, with recordings released to document the intimate, high-energy shows supported by session players. These events, part of the broader "Dive At It" tour series, reinforced Do As Infinity's commitment to fan interaction and stage presence over studio-heavy production during this era.

Recent activities (2016–present)

In February 2018, Do As Infinity released their twelfth studio album, Alive, entirely produced by composer , marking a significant shift toward orchestral and cinematic arrangements in their sound. This was followed by the Do As Infinity LIVE TOUR 2018 -ALIVE-, which included performances at major venues such as Hall C on May 20, 2018, emphasizing the album's high-energy tracks in live settings. The band continued their output with their thirteenth self-titled studio album, Do As Infinity, on September 25, 2019, featuring collaborations like the track "Forever Young Fushichou de Aru Tame ni" with Taiwanese band In March 2021, they issued the Do The Complete on March 24, which collected fan-voted singles from "Tangerine Dream" to "Keshin no Kemono," alongside new recordings including the digital single "Anata wo Tada Aishiteiru" from 2020 and the original track "Like A Rose." Subsequent digital singles included "Tsumugi" on July 12, 2023, and "Till We End The Day" on September 29, 2024, the latter serving as the theme song for the sixth anniversary of the mobile RPG Langrisser Mobile. Marking their longevity, Do As Infinity held anniversary concerts, including the 24th Anniversary LIVE in at KT Zepp Yokohama on September 29, 2023, blending classic hits with recent material. Their 25th anniversary celebration culminated in the sold-out Do As Infinity 25th Anniversary LIVE in at Showa Women’s University Hitomi Memorial Hall on October 6, 2024, with footage from this event incorporated into upcoming releases. Ongoing tours in 2025 include a performance at Anime Friends in July, the Billboard Live Tour spanning November 21 in , November 29 in , and December 6 in , as well as appearances at LaLaLa Festival in September and Shikaoi Bunon Fes on November 16. On their official website, Do As Infinity announced their fourteenth studio —title to be determined—for release on January 28, 2026, approximately six years after their last original full-length. The will feature ten tracks, including the June 2025 digital single "Me and You, Always" as the fifth-anniversary theme for the Ikemen Prince: Beauty and the Beast's Last Love, the September 2025 theme "Negai" for Kumamoto's program Kumaroku!, and the prior digital singles "Tsumugi" and "Till We End The Day." As a duo comprising vocalist and guitarist Ryo Owatari, the band maintains an active presence through digital singles and live performances, building on their post-reunion momentum.

Members

Current members

Tomiko Van (born January 9, 1979) serves as the lead vocalist and primary lyricist for Do As Infinity. She joined the band in 1999 after being selected through auditions organized by to form the group. Following the band's initial disbandment in 2005, Van pursued a solo career, releasing her debut album FAREWELL in 2006 and continuing with additional projects until 2008. Since the 2008 reunion, she has been instrumental in the band's songwriting, contributing lyrics that reflect personal and thematic depth to their pop-rock sound. Ryo Owatari (born April 4, 1971) is the , , co-lyricist, and , having been an original member since the band's formation in 1999. He participated in the same auditions as and has remained a core creative force throughout the group's history. Post-reunion, Owatari has taken on expanded responsibilities in production and live arrangements, leveraging his experience from side projects like Missile Innovation to shape the band's output. Since reuniting as a duo in 2008 without original composer Dai Nagao, Van and Owatari have shared creative control, driving Do As Infinity's revival through collaborative songwriting and performances that blend their established styles with fresh evolutions. This partnership has sustained the band's activities, including tours and releases up to 2025.

Former members

Dai Nagao (born March 28, 1971) is a Japanese composer, , and producer who served as the founding member of Do As Infinity. He formed the band in 1999 by recruiting vocalist and Ryo Owatari through open auditions organized by . As the primary songwriter, Nagao composed and produced the majority of the band's early hits, including their debut single "Tangerine Dream" and the theme "Fukai Mori," which helped establish their pop-rock sound. He also performed as the band's during their initial live appearances and videos in 1999 and 2000. In December 2000, Nagao stepped away from live performances to focus exclusively on composition and production, no longer appearing at concerts or promotional events. This shift allowed him to prioritize songwriting over onstage duties, contributing to five additional studio albums until the band's disbandment on September 29, 2005. With the group's official end, Nagao fully departed as a member. Following the disbandment, Nagao continued his career as a composer and producer, building on prior work for artists like Ayumi Hamasaki, for whom he had written several tracks before and during his time with Do As Infinity. In 2019, Nagao was arrested for possession of illegal drugs, which drew public criticism from Van and further distanced him from the band; he had no involvement in the 2008 reunion or subsequent activities, which proceeded as a duo of Van and Owatari.

Touring and session musicians

Do As Infinity, operating primarily as a duo since their 2008 reunion, has relied on a rotating group of session and touring musicians to expand their sound for live performances and certain recordings, transforming their core guitar-and-vocals setup into a fuller rock ensemble. In the early 2000s, during their rise to prominence, the band employed the Great Tour Band for major tours, which included live arrangements captured on their 2002 Do The Best. This group featured keyboardist Jun Takase, drummer , bassist Michitaro (real name Michitaro Shimamoto), and guitarist Naoki Hayashibe, providing the rhythmic and harmonic foundation needed for arena-scale shows. Following the reunion, the band maintained a consistent touring lineup to adapt their duo format to dynamic live settings, emphasizing layered instrumentation for songs from albums like (2009). Keyboardist Jun Takase continued in this role, contributing to both recordings and tours with his arrangements on tracks such as "Piece of Your Heart," while Yukiko Shibuya handled low-end support, guitarist Takumi Ishida added textural guitar layers, and drummer Noriyasu "Kaasuke" Kawamura provided propulsion, having transitioned from session work on earlier albums like Break of Dawn (2000). These musicians enabled the duo to replicate studio complexity onstage, with Kawamura's drumming particularly vital for high-energy renditions of hits like "Fukai Mori." In more recent years, variations have appeared for specific tours and anniversary events, incorporating additional players to enhance percussion and harmonies. For the Dive At It limited live series in 2013 and 2014, the standard support band was augmented with extra guitarists like Takumi Ishida for intricate dual-guitar sections on tracks such as "For the Future." By 2023–, bassist Ryota Terasawa joined for select performances, and the 25th LIVE in featured an expanded ensemble: drummer , keyboardist Jun Takase, bassist Satoshi "Anthony" Yamada, guitarist Kenji Kawamura, percussionist and chorist Sachiko Wakamori, and chorist KAZCO. This setup underscored the band's evolution, allowing for richer arrangements in intimate venues while preserving their rock essence.

Musical style and songwriting

Influences and genre evolution

Do As Infinity's musical foundation was rooted in 1970s middle-of-the-road (MOR) pop and rock influences from Western acts, seamlessly blended with the melodic structures and production aesthetics of , which propelled them to prominence as a flagship act for in the early . This fusion created a distinctive sound characterized by catchy hooks, lush arrangements, and accessible emotional depth. The band's genre evolved from upbeat, synth-heavy pop-rock in their formative years to more introspective and varied expressions, reflecting shifts in production and thematic focus. Early tracks like the debut single "" (1999) exemplified energetic, optimistic pop-rock with prominent electronic elements crafted by founding composer Dai Nagao, emphasizing bright melodies and rhythmic drive. By contrast, subsequent works incorporated emotional ballads such as "Fukai Mori" (2001), a poignant piece evoking mystical forest imagery and themes of longing, which aligned closely with the woodland settings of the Inuyasha for which it served as the second ending theme. Anime integrations further shaped their evolution. Post-reunion in , after a three-year hiatus and Nagao's departure, the duo of vocalist and guitarist Ryo Owatari steered toward a guitar-driven revival, moving away from synth dominance toward rawer rock textures. This shift culminated in their 2018 album Alive, produced by , where tracks delivered a rockier edge with intensified guitar riffs and dynamic energy, marking a maturation in their pop- core while retaining melodic accessibility. Critics have commended this fusion for its versatility, highlighting Van's powerful yet emotive vocal delivery as a unifying force that bridges pop polish with intensity across their stylistic phases.

Songwriting credits and collaborations

In the band's formative years, songwriting credits were predominantly issued under the pseudonym "D.A.I.," representing compositions by founding member and producer Dai Nagao, as seen on their debut album Break of Dawn (2000), where all tracks list D.A.I. for both music and , with arrangements handled by the band and collaborator Seiji Kameda. From 2001 onward, lead vocalist and guitarist Ryo Owatari increasingly contributed , marking a shift evident in later singles and album tracks, such as those on True Song (2002), where Van and Owatari received credits alongside Nagao's compositions. Following the band's 2008 reunion as a duo of and Owatari, songwriting evolved toward more collaborative and balanced attributions, with the pair serving as primary lyricists and co-composers on key releases; for instance, the single "∞1" (2009) credits Van and Owatari for lyrics, with Owatari also contributing to the composition. This post-reunion approach emphasized their direct involvement, fostering a more personal creative dynamic without Nagao's overarching . A notable innovation came with the "Do! Creative!!" project, launched in 2009 as a semiannual fan contest organized by the band and Avex Trax, inviting submissions for lyrics and melodies to be potentially featured on official releases. The inaugural contest yielded three fan-composed tracks incorporated into the reunion album Eternal Flame (2009), while subsequent editions supported singles like "∞2" and elements of later works such as Brand New Days (2015), where select lyrics from fan entries appear alongside duo contributions. This initiative has continued into recent years, integrating fan input on singles to maintain creative vitality. External collaborations have further diversified the band's songwriting, exemplified by producer Hiroyuki Sawano's involvement on the album ALIVE (2018), where he arranged and co-composed tracks like the title song, blending the duo's lyrics with his orchestral style. Recent tie-ups highlight this openness, including "Till We End The Day" (2024), composed exclusively by Do As Infinity as the theme for the mobile RPG Langrisser's 6th anniversary. Similarly, "Me and You, Always" (2025) serves as the commemorative theme for the 5th anniversary of the game app Ikemen Ouji: Bijo to Yajuu no Barbie, incorporating the band's songwriting with project-specific thematic elements. These partnerships, alongside fan engagement, reflect an adaptive evolution prioritizing fresh perspectives in the duo's core process.

Discography

Studio albums

Do As Infinity debuted with their first studio album in 2000 and has since released twelve more, all issued by the Avex Trax label, with consistent appearances on Japan's Oricon weekly album charts. Their early albums marked the band's rise in the J-pop scene, while post-reunion releases reflected evolving production styles. A fourteenth studio album, currently untitled, was announced on October 3, 2025, and is scheduled for release on January 28, 2026; it will feature ten tracks, including "Me and You, Always," alongside 25th anniversary live footage.
Album TitleRelease DateLabelPeak Oricon Position
Break of DawnMarch 23, 2000Avex Trax#3
New WorldFebruary 21, 2001Avex Trax#1
Deep ForestSeptember 19, 2001Avex Trax#1
True SongDecember 26, 2002Avex Trax#4
Gates of HeavenNovember 27, 2003Avex Trax#1
Need Your LoveFebruary 16, 2005Avex Trax#3
Eternal FlameSeptember 30, 2009Avex Trax#10
EightJanuary 26, 2011Avex Trax#12
Time MachineFebruary 29, 2012Avex Trax#14
Do As Infinity XOctober 10, 2012Avex Trax#15
Brand New DaysFebruary 25, 2015Avex Trax#18
AliveFebruary 28, 2018Avex Trax#20
Do As InfinitySeptember 25, 2019Avex Trax#22
The peak positions reflect the highest weekly ranking on the , demonstrating the band's enduring commercial presence despite the disbandment that paused their original output.

Compilation albums

Do As Infinity's compilation albums primarily consist of greatest hits collections, fan-voted selections, and themed retrospectives that highlight their evolution from and rock influences to more mature soundscapes. These releases often coincide with milestones like anniversaries or reunions, aggregating key singles and album tracks while occasionally introducing new material to bridge their disbandment hiatus and revival periods. The compilations have consistently performed well on the charts, underscoring the band's enduring popularity in . The band's inaugural compilation, Do the Best, was released on March 20, 2002, by as a single-disc collection of 17 tracks spanning their early singles and album cuts, such as "Summer Days" and "Desire." It debuted at number 1 on the weekly albums chart, charting for 29 weeks and selling over 800,000 copies, marking a commercial high point before their first major tour. Following their 2005 disbandment announcement, Do the A-Side arrived on September 28, 2005, as a two-disc set compiling 21 A-side singles from their career, including and "Rakuen." This farewell release peaked at number 3 on the weekly albums chart and charted for 19 weeks, serving as a comprehensive singles retrospective that captured their pop-rock essence. In celebration of their 15th anniversary, The Best of Do As Infinity was issued on January 1, 2014, featuring 30 member-selected tracks across two discs, drawing from both pre- and post-reunion eras like "陽のあたる坂道" and "Mysterious Magic." It reached number 33 on the weekly albums chart, emphasizing their stylistic breadth with remastered audio for broader accessibility. Marking their 20th anniversary and post-reunion momentum, Do The Complete was released on March 24, 2021, as a three-disc set with 36 tracks, including two new recordings: the "Anata o Tada Aishiteiru" (translated as "I Just Love You") and the upbeat "Like A ." Accompanied by a Blu-ray of music videos, it peaked at number 30 on the weekly albums chart, offering a definitive overview of their catalog from debut to contemporary works. A fan-voted variant, Do The Complete "Great Supporters Selection", followed digitally in 2021, compiling 30 tracks chosen by supporters via online poll, such as "Yesterday & Today" and "We Are," to reflect audience favorites without new content. In the 2020s, Do As Infinity issued digital-only retrospectives to engage streaming audiences during the era. Tears Selection, released on March 4, 2020, curates 17 emotional tracks like "Hand in Hand" and "深い森," themed around poignant ballads and selected by the members for introspective listening. Similarly, Powers Selection, launched on June 24, 2020, features 20 uplifting songs including "" and "冒険者たち," focused on empowering anthems to provide motivation amid global challenges. These concise digital compilations prioritize thematic cohesion over exhaustive discographies, extending the band's reach on platforms like and .

Singles

Do As Infinity has released more than 30 singles since their 1999 debut, many of which topped the charts and gained prominence through theme songs during their early career. Their singles blend pop-rock elements with emotional lyrics, often written or composed by Ryo Owatari, and have sold millions collectively, with several earning or platinum certifications from the (RIAJ). Key releases highlight their commercial peaks and media tie-ins, transitioning from physical CDs in the 2000s to digital formats in recent years. The following table summarizes select major singles, focusing on chart performance and notable associations:
TitleRelease DateOricon PeakNotes
Tangerine DreamSeptember 29, 1999#7Debut single; introduced the band's melodic rock style.
OasisMay 17, 2000#5Early hit that boosted their visibility on radio and TV.
Fukai MoriJune 27, 2001#5Theme for anime Inuyasha; best-selling single with over 1 million copies sold and RIAJ million certification.
Hi no Ataru SakamichiMarch 20, 2002#4Theme song for drama Hatsutaiken; featured dynamic guitar riffs characteristic of their early work.
Koi no Mama niJune 1, 2005#5Final original single before hiatus; emphasized vocal harmonies and romantic themes.
∞1December 17, 2008#20Reunion single post-2005 disbandment; marked a return to upbeat pop-rock.
DesireOctober 6, 2010#25Post-reunion release with introspective lyrics; part of their renewed activity under Avex.
Alive / Iron HornetJune 28, 2017#40Double A-side; "Alive" highlighted energetic live potential, while "Iron Hornet" explored heavier riffs.
To Know YouSeptember 27, 2017#45Follow-up single focusing on emotional ballads; reflected maturing songwriting.
Tsumugi (紡ぎ)2023N/A (digital)Digital single with NHK program tie-in; showcased acoustic influences in their later output.
Till We End The DaySeptember 29, 2024N/A (digital)Digital release as theme for RPG game Langrisser 6th anniversary; emphasized themes of perseverance.
Me and You, AlwaysAnnounced June 10, 2025N/A (digital/upcoming)Theme for 5th anniversary of mobile game Ikemen Prince: The Beast and the Beauty's Final Love; set for inclusion on forthcoming album.
These singles represent pivotal moments in the band's career, from breakthrough collaborations that propelled early success to contemporary digital ventures maintaining their relevance. Top performers like "Fukai Mori" not only achieved high chart status but also endured as fan favorites, with over 1 million units certified by RIAJ, underscoring the band's enduring commercial impact.

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