Hubbry Logo
Eric FogelEric FogelMain
Open search
Eric Fogel
Community hub
Eric Fogel
logo
7 pages, 0 posts
0 subscribers
Be the first to start a discussion here.
Be the first to start a discussion here.
Eric Fogel
Eric Fogel
Eric Fogel
View on Wikipedia
from Wikipedia

Eric Fogel (born May 11, 1969) is an American director, writer, animator, producer, and voice actor who is best known as the creator of Celebrity Deathmatch.[1] He created the TV shows The Head, Starveillance and Glenn Martin, DDS. He also directed several episodes of Daria as well as several feature films.

Key Information

Early life

[edit]

Fogel graduated from New York University's Tisch School of the Arts in 1991 with a BFA in Film/TV. During his time there he created his first animated film, titled Mutilator: Hero of the Wasteland, a film which one professor cited as being "inappropriate due to its violent content." Mutilator would go on to win NYU's Award of Excellence in Animation and became a cult favorite of Spike and Mike's Sick and Twisted Festival of Animation. Fogel continued to produce animated shorts, including a sequel to his Mutilator short. He soon had his reel come across the desk of an executive at MTV Animation, which landed him a job at the studio. Where, while working on his first series; The Head, also directed episodes of Cartoon Sushi (which featured the original Celebrity Deathmatch pilot), and Daria.[citation needed][clarification needed]

Career

[edit]

The Head

[edit]
Main article: The Head (1994 TV series)

In 1994, at age of twenty-four, Fogel created his first animated series for MTV. The Head was a series about a high-spirited alien named Roy, who survived on Earth by living inside the head of an everyman named Jim. The show, which blended sci-fi action and comedy, ran for two seasons before being canceled by MTV.

In 1996, the same year the series had been canceled; Pocket Books/Simon & Schuster published a graphic novel based on the series titled The Head: A Legend Is Born. The graphic novel was based on a script from the series that was never animated. Fogel and Gordon Barnett wrote the novel.

Celebrity Deathmatch

[edit]
Main article: Celebrity Deathmatch

Fogel's next series was made in stop-motion animation. Clay-versions of celebrities square off in a ring and proceed to beat the pulp out of one another. Celebrity Deathmatch premiered in 1998 during the Super Bowl Halftime and turned out to be the highest-rated special in the history of MTV. Fogel directed every episode from 1998 to 2002, along with voicing some characters, and the show became popular enough for Fogel to be named one of the most creative people in the TV industry by Entertainment Weekly. Four seasons and nearly a hundred episodes later, Deathmatch was known over the world and remained as one of MTV's highest-rated shows. Most of Fogel's projects have been in claymation ever since.

In 1999, a Celebrity Deathmatch soundtrack was released, the single "Astonishing Panorama of the Endtimes" by Marilyn Manson had a video directed by Fogel in the style of the show. Though no wrestling is involved, the two hosts from Celebrity Deathmatch introduce Manson and his entire band are portrayed in clay performing the song.

In 2006, Deathmatch was revived by MTV2, but Fogel decided not to get involved with the show so he could work in his new show Starveillance. Despite being replaced by Jack Fletcher and Dave 'Canadian' Thomas, Fogel was still credited as the creator and co-executive producer of the show.

Starveillance

[edit]
Main article: Starveillance

Fogel created a new claymation series called Starveillance which parodies several celebrity situations through claymation animation and debuted on January 5, 2007, on E! to positive reviews, however E! decided to cancel the series after one season due to low ratings. Fogel's production company Fogelmania Productions and Cuppa Coffee Studios produced the show.

Filmography

[edit]

Short film

Year Title Director Writer Animator
1991 Mutilator: Hero of the Wasteland Yes Yes Yes
1992 Mutilator: Hero of the Wasteland Episode II: Underworld Yes Yes Yes

Television

Year Title Director Writer Creator Executive
Producer 		Voice Notes
1994 The Head Yes Yes Yes Yes Yes Also creative supervisor
1997–1998 Cartoon Sushi Yes Yes No Co-executive No 2 episodes
Daria Yes No No No No 9 episodes
1998–2002 Celebrity Deathmatch Yes Yes Yes Yes Yes Also creative supervisor
2004 Jammin' in Jamaica Yes No No No No TV short
2006 Starveillance Yes Yes Yes Yes No
2009–2011 Glenn Martin, DDS No Yes Yes No Yes Also character designer
2013 Team Smithereen No No No Yes No Failed pilot
2014–2015 Wallykazam! Yes No No No No 9 episodes
2016–2017 Descendants: Wicked World Yes No No No No 15 episodes
2017–2021 Archibald's Next Big Thing Yes Yes No Yes No
2024 Megamind Rules! No Yes No Yes No

Feature film

Year Title Notes
1998 General Chaos: Uncensored Animation
2000 Clayton Also writer
2005 My Scene Goes Hollywood: The Movie
2006 The Barbie Diaries
2024 Megamind vs. the Doom Syndicate Also executive producer and voice of Polly 227

Later projects

[edit]

From 2004 to 2006, Fogel directed several movies based on Mattel dolls: My Scene: Jammin' in Jamaica, My Scene Goes Hollywood: The Movie, and The Barbie Diaries.

In 2008, Fogel starting producing a series of 2-3-minute shorts called Anton & Crapbag for MTV2 that started airing on April of that year. The series was produced using rod puppetry and 2D animated mouths. The series revolves around two slackers who try various Jackass-esque stunts that inevitably end in disaster. Fogel has uploaded most of the shorts to his YouTube channel.

Fogel's latest series; Glenn Martin, DDS, which he co-created with Alex Berger and Michael Eisner premiered on Nick at Nite in the United States and Citytv in Canada in 2009. The show lasted for two seasons, and ended in 2011. The series followed the adventures of Glenn Martin, a road doctor, and his family. The show generated some controversy due to its inappropriate content (sexual references) and time slot, which aired following SpongeBob SquarePants. The series was produced by Cuppa Coffee Studios and The Tornante Company's animation division, Tornante Animation and distributed by Rogers Communications.

In 2013, Fogel started a Kickstarter campaign to raise money for his new short film called Havoc, loosely based on his short film, Mutilator. The short is about a lone warrior facing off against mutants in a post-apocalyptic setting. While funding for the short was unsuccessful, Fogel later alluded on his Twitter that he still had plans to produce the short, saying; Havoc will live on![2] In 2015, Fogel uploaded an animatic of the short to his YouTube channel.[3] Fogel was also an executive producer for the Team Smithereen pilot, which was released in 2013.

Recently, from 2014 to 2015, Fogel directed 9 episodes of the Nickelodeon series Wallykazam!.

Also in 2015, another revival of Deathmatch was ordered by MTV2. With Fogel, Paul Ricci, and Chris McCarthy behind the project. The revived series would be re-envisioned for a social media world and hourly Twitter wars, but was later scrapped in December 2016 due to MTV not ordering a pilot to the series. In 2018, MTV announced yet another revival of the show was set to air in 2019 with Ice Cube serving as co-executive producer and host. Despite that, nothing official ever surfaced and is speculated to have been cancelled.[4]

In 2017, Eric began work on Archibald's Next Big Thing. Based on the children's book by Tony Hale, the show was produced by DreamWorks Animation where it ran for two seasons.

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Eric Fogel

View on Grokipedia
from Grokipedia
Eric Fogel is an American animator, director, writer, and producer renowned for creating the claymation series for , which ran for six seasons and became the network's highest-rated animated special. With over 25 years in the animation industry, Fogel has contributed to numerous television projects, blending stop-motion techniques with satirical humor and innovative storytelling. Fogel earned a (BFA) in Film and Television from New York University's Tisch School of the Arts, where he honed his skills in before entering the field. At age 23, he created his first series, The Head, a surreal animated show that aired for two seasons and developed a , later inspiring a adaptation. Building on this success, Fogel pitched Celebrity Deathmatch in 1997, launching it in 1998 as a violent, comedic parody featuring celebrity lookalikes in wrestling-style battles; the series produced 93 episodes and influenced pop culture with its irreverent take on fame. Throughout the 2000s and 2010s, Fogel expanded his portfolio across networks, producing Starveillance for E! and serving as for projects like , a quirky family sitcom that earned him two for Best and Best Director, along with an Annie Award nomination. He also directed episodes of Wallykazam! for and contributed to Disney's The Descendants: Wicked World. In recent years, Fogel joined as an and showrunner, overseeing (2019–2020), which received a Daytime Emmy nomination for Outstanding Promotional Announcement, and Megamind Rules!, an Emmy-nominated series streaming on Peacock. Fogel's latest high-profile work includes directing and executive producing the 2024 Netflix film Megamind vs. The Doom Syndicate, a sequel to the 2010 DreamWorks hit, alongside the companion series Megamind Rules!, showcasing his ongoing evolution in feature and episodic animation. In 2025, Fogel expressed interest in rebooting Celebrity Deathmatch for a modern audience. His career highlights a consistent focus on bold, character-driven narratives that push the boundaries of animated entertainment for both adult and family audiences.

Early life and education

Family background

Eric Fogel was born on May 11, 1969, on , New York. He grew up in Long Beach, a coastal community on the island known for its suburban setting and proximity to , which provided a typical middle-class American upbringing during the and 1980s. Details about Fogel's immediate family remain limited in public records, with no widely documented information on his parents or siblings. However, he has described himself as a latchkey child, often returning home to an empty house after school, which fostered independence during his formative years. This environment on , surrounded by a blend of urban influences from nearby Manhattan and local recreational opportunities, contributed to his early creative development. Fogel's childhood exposures to media played a pivotal role in igniting his passion for and storytelling. Raised on classic cartoons such as , , , and , he was particularly drawn to their violence, precise timing, and exaggerated narratives, which left a lasting impression on his sense of humor and visual style. Additionally, he developed a strong affinity for stop-motion from an early age, captivated by films from and segments on television, sparking his interest in the medium's tactile, hands-on craft. These early influences on set the foundation for Fogel's pursuit of formal training, leading him to enroll at New York University's Tisch School of the Arts.

Academic training

Eric Fogel earned a (BFA) in Film and Television from New York University's Tisch School of the Arts in 1991, where he honed his skills in and through rigorous coursework in and . The program's emphasis on experimental and narrative-driven provided a foundational framework for his later professional work, though specific instructor influences on his techniques remain undocumented in available sources. During his final year at NYU, Fogel created the short animated film Mutilator: Hero of the Wasteland (1991), a post-apocalyptic action-adventure featuring a lone with a who battles orc-like monsters and confronts injustice in a desolate wasteland. Rendered in hand-drawn 2D with a gritty, adult-oriented style blending dark humor and visceral violence, the film showcased Fogel's early command of dynamic character design and fluid action sequences. It screened at the NYU and won the university's Award of Excellence in , recognizing its technical innovation and narrative boldness. The film's success extended beyond campus, marking an early professional breakthrough when Fogel licensed it for screening at Spike and Mike's Sick and Twisted Festival of Animation, where it resonated with audiences for its irreverent tone and marked his first paid animation sale. This exposure helped bridge his academic training to the commercial animation industry, demonstrating the viability of his NYU-developed techniques in a festival circuit known for edgier, independent works.

Career

MTV projects

Eric Fogel's work at in the 1990s marked his entry into professional , where he developed innovative series blending , , and adult humor that helped define the network's emerging adult block. His projects emphasized experimental and visual styles, drawing from his background in film school . These efforts not only showcased his creative vision but also influenced 's shift toward serialized, edgy content aimed at young adults. Fogel created and directed The Head, a 2D animated sci-fi that premiered on in 1994 and ran for two seasons until 1996 as part of the "MTV's Oddities" programming block. The series follows Jim Matthews, a trade school who, after a bizarre lab accident, develops a massively enlarged, detachable head inhabited by a wisecracking alien named Roy; together, they combat an interstellar invasion while evading government agents. Produced on a modest budget typical of early , the show featured serialized episodes with ongoing plot arcs, a departure from standalone sketches prevalent at the time. In 1996, published a 96-page adaptation, The Head: A Legend Is Born, written by Fogel and Gordon Barnett, which expanded on an unproduced episode and included a die-cut pop-up cover. Building on The Head's success, Fogel created, wrote, directed, and provided voice work for , a stop-motion series that debuted on in 1998 and aired through 2002, spanning four seasons. The show parodied by pitting celebrities against each other in grotesque, over-the-top fights narrated in a sports-announcer style, using custom-built puppets for visceral, blood-soaked combat sequences. Its debut special, "Deathbowl '98," aired as counterprogramming during halftime on January 25, 1998, drawing 2.2 million viewers and becoming 's highest-rated original special to date. The labor-intensive stop-motion process posed significant production challenges, including puppet durability issues—such as fragile arms that frequently broke during —and the need for a dedicated studio setup, which Fogel oversaw while pushing weekly episode output. Attempts to revive the series included two additional seasons on from 2006 to 2007, a planned 2015 that was ultimately scrapped, a 2018 iteration developed by Studios with executive producer , which was cancelled before airing on , and discussions in July 2025 where Fogel floated ideas citing modern celebrity feuds as ideal material. Fogel also contributed to MTV's Daria by directing several episodes, including the season 1 installment "Café Disaffecto" (1997) and season 2's "Monster" (1998), where he helped craft the show's signature dry wit and social commentary through precise timing. The innovative techniques in Fogel's MTV projects, particularly the application of stop-motion to fast-paced, satirical content in Celebrity Deathmatch, set a benchmark for adult-oriented on television, influencing MTV's expansion into edgier fare like Beavis and Butt-Head and paving the way for serialized adult shows on the network. His earlier NYU student film Mutilator: Hero of the Wasteland (), a short animated of post-apocalyptic tropes, foreshadowed this bold, violent aesthetic.

Network television series

Following the success of Celebrity Deathmatch, which established Fogel as a prominent creator in stop-motion animation, he expanded into network television with satirical and family-oriented projects. In 2007, Fogel created Starveillance for E!, a series that premiered on January 5 and parodied through exaggerated, hidden-camera-style vignettes depicting twisted behind-the-scenes scenarios like marriage proposals and off-camera antics. The half-hour episodes featured multiple segments produced by Fogelmania Productions and in , blending humor with seismic Tinseltown recreations. Despite its innovative premise, the show was cancelled after six episodes due to low ratings. Fogel then co-created and served as executive producer on (2009–2011) for , a stop-motion developed with Alex Berger and under Tornante Animation. The series followed dentist Glenn Martin and his family on a cross-country in a beat-up Winnebago after their home burns down, blending adventure with comedic family dynamics across 40 half-hour episodes over two seasons. Fogel contributed in supporting roles and oversaw production, which involved weekly travel between and to direct animation and character designs using a mix of stop-motion and CGI elements. This project marked a pivot toward more accessible, family-adventure storytelling compared to his earlier adult satire. During this period, Fogel also took on guest directing credits, including as senior director for nine episodes of Nickelodeon's Wallykazam! (2014–2015), a CGI-animated series where he helmed stories like "Great Galloping Goblins" and "The Picnic Impossible!" focusing on magical wordplay and troll adventures. He directed the second season of Disney's Descendants: Wicked World (2016–2017), a short-form continuing the story from the 2015 Descendants film, featuring villain kids navigating Auradon. Transitioning from adult-oriented content on networks like MTV to family audiences on E! and Nick at Nite presented challenges for Fogel, including adapting satirical edge to broader appeal, learning CGI workflows on the fly amid industry shifts away from stop-motion, and navigating production demands across family-friendly platforms.

DreamWorks animations

Eric Fogel joined DreamWorks Animation Television in February 2017 as an executive producer, marking the beginning of his tenure focused on developing family-oriented animated content for streaming platforms. During this period, he contributed to Emmy-nominated promotional efforts, leveraging his animation expertise to support high-profile series and films. Fogel served as executive producer, writer, and director for Archibald's Next Big Thing, a stop-motion animated series that premiered on Netflix in September 2019 and ran for two seasons until 2020. The show follows Archibald Strutter, an optimistic chicken who embarks on whimsical adventures, incorporating educational themes centered on learning life lessons through curiosity and problem-solving. Fogel also provided voice work for select characters, enhancing the series' playful tone. The program earned a Daytime Emmy nomination for Outstanding Promotional Announcement in 2020, highlighting its innovative blend of stop-motion techniques with heartfelt storytelling. This was followed by the sequel series Archibald's Next Big Thing Is Here! (2021), with four seasons on Peacock, continuing the adventures in a similar vein. In 2024, Fogel expanded his DreamWorks role with the Megamind franchise, writing, directing, and executive producing the direct-to-streaming film Megamind vs. the Doom Syndicate and the accompanying series Megamind Rules!, both released on Peacock. These projects continue the story from the 2010 Megamind film, where the reformed reunites with his former Doom Syndicate team to thwart a greater threat while maintaining his heroic facade. Produced using 3D , the film and series emphasize dynamic action sequences and humor suited for young audiences, though they received mixed reception upon release, with critics noting a departure from the original's charm. Fogel voiced the character in both, adding a personal touch to the . Throughout his DreamWorks tenure, Fogel's style evolved from his earlier claymation roots—briefly applying that tactile expertise to modern stop-motion and CG formats—toward creating tech-advanced, family-friendly animations that prioritize emotional growth and visual innovation.

Filmography

Television directing and writing

Fogel directed seven episodes of the MTV animated series Daria from 1997 to 1998, contributing to its distinctive blend of sharp social commentary and stylized 2D animation. Notable examples include "Café Disaffecto" (season 1, episode 4, aired March 24, 1997), where he helmed the direction of Daria and Jane's misadventures at a coffee shop, and "Road Worrier" (season 1, episode 11, aired July 7, 1997), focusing on a family road trip's tensions. His involvement extended to three episodes in season 2, showcasing his ability to maintain the show's wry pacing and character-driven humor. In (1998–2002), Fogel served as a writer and director for multiple episodes of the stop-motion series he co-created, emphasizing exaggerated violence and celebrity parodies through meticulous techniques. He also provided for various minor characters across the show's run, adding to its chaotic, satirical tone. Fogel's writing credits include episodes of (2009–2010), where he contributed scripts blending family comedy with absurd dental-themed adventures, and he voiced several supporting roles in the series. As senior director for Wallykazam! (2014–2017) on , he oversaw nine episodes of the interactive children's CGI series, such as "Great Galloping Goblins" (season 1, episode 13, aired July 26, 2014) and "The Nice Ninjas" (season 2, episode 6, aired May 1, 2015), prioritizing engaging wordplay and vibrant visuals for young audiences. Later, Fogel directed and executive produced episodes of Descendants: Wicked World (2015–2017) for , adapting the live-action franchise into 2D animation with musical elements. He wrote and directed for (2019–2021) on , earning an Emmy nomination for his contributions to its heartfelt, lesson-driven storytelling. In Megamind Rules! (2024), Fogel handled writing, directing, and executive producing duties, voicing the character Polly 227 in the Peacock series. Beyond series, Fogel executive produced the 2013 TV pilot Team Smithereen, a puppetry-CGI hybrid comedy about a quirky team of inventors. Fogel's television work demonstrates a versatile directing approach, transitioning from the irreverent, fast-paced satire of adult-oriented shows like and to the playful, interactive style of children's animation in Wallykazam! and beyond, often emphasizing character expressiveness and genre-specific pacing.

Film contributions

Eric Fogel directed several animated films for between 2004 and 2006, focusing on the and doll lines to appeal to tween girls through contemporary narratives involving friendship, self-discovery, and everyday teen challenges. His work in this series includes My Scene: Jammin' in Jamaica (2004), a 25-minute story following a group of friends entering a music contest in , blending adventure with themes of teamwork and cultural exploration; My Scene: Masquerade Madness (2004), where the characters prepare for a masquerade-themed to benefit an , emphasizing creativity and community; and My Scene Goes Hollywood: The Movie (2005), an 82-minute story where the characters navigate fame and friendship on a film set, drawing on doll line backstories while incorporating Hollywood to highlight perseverance and loyalty. Fogel collaborated with Elise Allen on the latter, who helped tailor the scripts to emphasize for young female viewers, diverging from earlier adaptations' fairy-tale focus toward realistic high school scenarios. Fogel's work culminated in The Barbie Diaries (2006), a 70-minute motion-capture animated teen drama that he directed, centering on Barbie forming a rock band and confronting popularity pressures at school. Adapted loosely from the interactive diary toy line created by Ruth Handler, the film innovated by using motion capture for expressive character animation, targeting preteens with messages about authenticity and peer relationships rather than traditional princess tropes. These films collectively showcased Fogel's ability to translate toy-based properties into narrative-driven animations, prioritizing emotional growth over action to resonate with a maturing demographic. Later, Fogel directed the feature-length CG-animated film Megamind vs. the Doom Syndicate (2024), an 83-minute superhero comedy produced by and released on Peacock. In this sequel to the 2010 , Fogel helmed the direction and executive production, overseeing a story where the titular hero balances his new role as protector against his villainous past allies, utilizing advanced CG techniques for dynamic action sequences and character designs. His DreamWorks affiliation, stemming from prior television projects, facilitated this film's integration into a with the spin-off series Megamind Rules!. Fogel's extensive television background influenced his film contributions by applying efficient episodic pipelines to feature production, enabling cinematic visuals within budget constraints through streamlined CG workflows and rapid iteration on character arcs. This approach allowed for broader expressive animation in films like Megamind vs. the Doom Syndicate, where TV-honed techniques for humor and pacing enhanced the narrative flow in longer formats.

Awards and recognition

Emmy nomination

In 2020, Eric Fogel received a Emmy nomination as for Outstanding Daytime Promotional Announcement – Brand Image Campaign – Network or Program for the series , shared with executive producers including Michael Vollman and , writers Jacob Moffat and Drew Champion, along with producers Rick Clifton, Seth Fowler, and others. This recognition highlighted the promotional spot's role in launching the animated series, which featured whimsical animation and voice work by Hale as the optimistic chicken protagonist Archibald . The nomination occurred as part of the 47th Annual Daytime Emmy Awards, organized by the National Academy of Television Arts & Sciences (NATAS), where Archibald's Next Big Thing: Series Launch competed in the category for promotional content across network and streaming programs. The creative elements of the announcement included vibrant, character-driven visuals that captured the show's themes of adventure and positivity, with scripting by Moffat and Champion emphasizing the series' family-friendly appeal and Netflix debut. This accolade underscored Fogel's versatility during his DreamWorks Animation tenure, demonstrating his executive oversight in promotional strategy and cross-functional production beyond his primary directing and writing roles.

Other honors

In 1990, while a student at New York University's Tisch School of the Arts, Eric Fogel's animated short Mutilator: Hero of the Wasteland earned NYU's Award of Excellence in Animation following its screening at the university's . This recognition highlighted the film's innovative use of stop-motion techniques to deliver a satirical post-apocalyptic narrative, marking a pivotal early validation of Fogel's creative vision in animation. As one of the top honors bestowed on student projects at the festival, it underscored the exceptional quality of Fogel's work among peers, providing essential exposure that bridged his academic training to professional opportunities in the industry. The short further garnered acclaim through its selection for Spike and Mike's Sick and Twisted Festival of , a prominent showcase for edgy independent that emphasized bold, unconventional storytelling. Distributed as part of the festival's lineup, achieved cult status among audiences, representing Fogel's debut paid project with a licensing fee that affirmed its commercial viability in the niche circuit. This inclusion transitioned Fogel's student honors into broader professional recognition, influencing his subsequent satirical style in . As creator and executive producer of the series Glenn Martin, DDS, Fogel shared in its 2010 Annie Award nomination for Outstanding Achievement for Production in a Television Production. The series also won a for Best Animated Program or Series at the 25th Gemini Awards in 2010. Fogel's mid-career contributions, particularly as creator of MTV's , received internal network acclaim for driving ratings success during the late 1990s programming surge. The series' of celebrity culture propelled MTV's viewership growth, solidifying Fogel's reputation for niche innovation in adult-oriented animation without major formal awards. These honors collectively emphasize Fogel's enduring impact on and satirical content, fostering a dedicated following despite the absence of broader industry prizes.

References

  1. https://www.eric-fogel.com/
  2. https://www.imdb.com/name/nm0283888/
  3. https://www.imdb.com/name/nm0283888/bio/
  4. https://www.awn.com/users/eric-fogel
  5. https://people.com/eric-fogel-says-celebrity-deathmatch-could-be-even-better-today-exclusive-11734767
  6. https://90scartoons.fandom.com/wiki/Celebrity_Deathmatch
  7. https://www.imdb.com/name/nm0283888/awards/
  8. https://theemmys.tv/wp-content/uploads/2020/07/Updated-Daytime-Noms-7-30-20-1600.pdf
  9. https://deadline.com/2025/07/celebrity-deathmatch-creator-reboot-idea-1236469703/
  10. https://animationscoop.com/interview-eric-fogel-on-new-megamind-movie-and-series/
  11. https://www.awn.com/blogs/blood-sweat-and-clay-celebrity-deathmatch-way
  12. https://www.linkedin.com/in/eric-fogel-5a328180
  13. https://www.imdb.com/title/tt0142675/
  14. https://www.awn.com/blog/mutilator
  15. https://www.imdb.com/title/tt0108799/
  16. https://www.abebooks.com/9780671001049/HEAD-Fogel-Eric-Barnet-Gordon-0671001043/plp
  17. https://archive.org/details/mtvs-oddities-inside-the-head
  18. https://www.mentalfloss.com/entertainment/tv/celebrity-deathmatch-mtv-history
  19. https://variety.com/2018/tv/news/celebrity-deathmatch-revival-ice-cube-1203080226/
  20. https://www.awn.com/blog/battle-celebrity-deathmatch-part-4
  21. https://www.imdb.com/title/tt0554517/
  22. https://dariawiki.miraheze.org/wiki/Monster
  23. https://www.animationmagazine.net/2008/04/eric-fogel-creator-of-celebrity-deathmatch-starveillance-and-anton-crapbag/
  24. https://www.vulture.com/2011/10/checking-in-with-the-creators-of-mtvs-animated-comedies.html
  25. https://www.commonsensemedia.org/tv-reviews/starveillance
  26. https://tv.apple.com/us/show/starveillance/umc.cmc.32ls03tpbh3g4z5t6zudn6fgk
  27. https://www.awn.com/blog/celebrity-deathmatch-those-nagging-questions-finally-answered-part-1
  28. http://www.thefutoncritic.com/showatch/starveillance/
  29. https://variety.com/2009/scene/markets-festivals/nick-goes-for-glenn-martin-dds-1118009650/
  30. https://www.awn.com/news/glenn-martin-dds-premieres-aug-17-nick-nite
  31. https://www.nickandmore.com/episode-lists/glenn-martin-dds/
  32. https://michaeljamin.com/074-dreamworks-animator-eric-fogel/
  33. https://english-voice-over.fandom.com/wiki/Glenn_Martin%2C_DDS_%282009%29
  34. https://www.eric-fogel.com/landing-page/
  35. https://www.imdb.com/title/tt4169536/
  36. https://www.imdb.com/title/tt3558554/
  37. https://disney.fandom.com/wiki/Descendants:_Wicked_World
  38. https://animationscoop.com/creator-eric-fogel-on-dreamworks-archibalds-next-big-thing/
  39. https://www.awn.com/animationworld/designing-colorful-and-wacky-worlds-archibalds-next-big-thing
  40. https://www.imdb.com/title/tt9165404/awards/
  41. https://www.imdb.com/title/tt31122323/
  42. https://www.rottentomatoes.com/m/megamind_vs_the_doom_syndicate
  43. https://www.instagram.com/p/C8XhnGoPO4Y/
  44. https://www.imdb.com/title/tt0118298/fullcredits/
  45. https://trakt.tv/shows/daria/seasons/2/credits
  46. https://www.imdb.com/title/tt0208614/fullcredits/
  47. https://www.behindthevoiceactors.com/Eric-Fogel/
  48. https://www.imdb.com/title/tt4626100/
  49. https://www.imdb.com/title/tt2663134/fullcredits/
  50. https://www.imdb.com/title/tt0855009/
  51. https://www.imdb.com/title/tt6350348/
  52. https://www.imdb.com/title/tt0484500/
  53. https://www.imdb.com/title/tt0795338/
  54. https://www.commonsensemedia.org/movie-reviews/the-barbie-diaries
  55. https://theemmys.tv/wp-content/uploads/2020/07/daytime-47th-nominations-2020-07-10-1400.pdf
  56. https://theemmys.tv/wp-content/uploads/2020/06/Daytime-Nominations-with-Credits-FINAL.pdf
  57. https://www.annieawards.com/en-us/award-history/38th-annie-awards/501.html
  58. https://nymag.com/nymetro/arts/tv/n_8081/
Add your contribution
Related Hubs
User Avatar
No comments yet.