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Ice cube
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An ice cube is a small piece of ice, which is typically rectangular as viewed from above and trapezoidal as viewed from the side. Ice cubes are products of mechanical refrigeration and are usually produced to cool beverages. They may be made at home in a freezer with an ice tray or in an automated ice-making accessory. They may also be produced industrially and sold commercially.
Origin of production
[edit]
American physician and inventor John Gorrie built a refrigerator in 1844 to produce ice in cool air. His refrigerator produced ice which hung from the ceiling in a basin to lower the ambient room temperature. During his time, bad air quality was thought to cause disease. Therefore, in order to help prevent and treat sickness, he pushed for the draining of swamps and the cooling of sickrooms.[1]
Production
[edit]Trays and bags
[edit]
Ice cube trays are designed to be filled with water, then placed in a freezer until the water freezes into ice, producing ice cubes.[1] Ice trays are often flexible, so the frozen cubes can be easily removed by flexing the tray. "Twist ice trays" have a simple spring-loaded mechanism with a lever that is used to turn the tray upside down and flex at the same time, such that the cubes that drop are collected in a removable tray below. The spring returns the ice cube tray to its upright position without having to remove it from the freezer, which can save time and reduce accidental mess—though the tray has to be removed to be collected, the ice cube tray still has to be removed to be refilled. An alternative system is an aluminium tray with a lever that raises the ice cubes, freeing them from the tray.[2] A motorized version of this is found in most automatic ice-making freezers.[3]
While the usual shape of the ice cube is roughly cubical, some ice trays form hemispherical or cylindrical shapes; others produce blocks of ice in seasonal, festive, or other shapes. Occasionally, edible items are frozen inside ice cubes at home and in commercial production.[1]
Lloyd Groff Copeman invented a rubber ice tray after noticing that slush and ice flaked off his rubber boots rather than adhering to them while walking through some woods collecting sap for maple syrup. Recalling this 1928 incident over lunch with his patent attorney, he conducted experiments using rubber cups, which led to practical designs and patents for different types of tray; these included a metal tray with rubber separators, a metal tray with individual rubber cups which was invented in 1933, and a tray made completely of rubber.[4] Guy L. Tinkham, a household product executive, invented the first flexible, stainless steel, all-metal ice cube tray in 1933. The tray bent sideways to remove the ice cubes.[2] Commercial pre-filled disposable ice trays for home freezing are designed to provide better taste and reduce the risk of contamination.[5]
Danish inventor Erling Vangedal-Nielsen patented the single-use ice cube bag in 1978.[6] He was inspired to do so after spending a night with friends where their need for ice was in excess of that which ice cube trays could provide; he, therefore, filled standard plastic bags with water and froze them, the ice to subsequently be retrieved with a hammer.[7] The design was subsequently revised to feature individual compartments for each ice cube, with a seal at the bag's entry point. The ice cube bag has subsequently been marketed and adopted worldwide.[8]
Mechanical
[edit]
Dedicated ice-maker machines can be used to produce ice cubes for laboratories, home, and academic use. Ice cubes are also produced commercially and sold in bulk.[9]
Range of characteristics
[edit]Clear and cloudy
[edit]
Commercially made ice cubes may be clear, compared to domestically made ice cubes. Cloudy ice cubes occur when water is frozen quickly, or when the water is high in dissolved solids. When water is cooled to its freezing point, and ice starts to form, dissolved gases can no longer stay in solution and come out as microscopic bubbles. However, as ice floats in water, once there is enough ice to form a layer on the surface, the ice layer traps all bubbles within the ice cube. Commercial ice-makers use a flowing source of purified water to make ice with cooling elements at the bottom, allowing the bubbles to be washed away from the top as the cube grows.[10]
Crushed ice
[edit]Crushed ice is the term for ice cubes that are crushed or sheared into irregularly shaped flakes to provide an aesthetic effect to some cocktails. Crushed ice is also used when faster cooling is desired since the number and average radius of the ice particles govern the cooling rate. Ice is often also crushed to form slushies, which can be both alcoholic and non-alcoholic. Crushed ice melts faster than solid ice: it has a greater surface area, so heat transfer is faster than solid ice.[11]
Ice chips are small pieces of ice, which can be obtained by crushing cubes. They are often recommended before surgery or an invasive medical procedure. They may help to prevent oral mucositis or mouth sores associated with high-dose chemotherapy.[12]
Alternatives
[edit]An alternative to ice cubes for whiskey on the rocks are so-called whiskey rocks or stones. These are used to chill a drink without diluting it.[13]
See also
[edit]References
[edit]
Wikimedia Commons has media related to Ice cubes.
- ^ a b c Bjornlund, Lydia (2015). How the Refrigerator Changed History. ABDO. pp. 14–18. ISBN 9781629697710. Archived from the original on April 25, 2023. Retrieved November 1, 2020.
- ^ a b Rees, Jonathan (February 9, 2018). Before the Refrigerator: How We Used to Get Ice. JHU Press. ISBN 9781421424590. Archived from the original on April 25, 2023. Retrieved November 1, 2020.
- ^ Powell, Evan (June 1971). "How ice makers work...What to do when they don't". Popular Science. Bonnier Corporation: 87–9. Archived from the original on April 25, 2023. Retrieved November 1, 2020.
- ^ Cabadas, Joseph (July 2006). "DAC member remains forgotten Michigan inventor" (PDF). DAC NEWS. pp. 26–33. Archived (PDF) from the original on May 17, 2017. Retrieved October 4, 2010.
- ^ Bounds, Gwendolyn (July 25, 2006). "After Bottled Water? Purified Ice Cubes". WSJ. Archived from the original on February 25, 2023. Retrieved October 17, 2018.
- ^ US patent 4181285, Erling Vangedal-Nielsen, "Freezing mould bag", published January 24, 1978, issued January 1, 1980
- ^ "Danish Inventions | Costa Tropical Gazette News". April 5, 2012. Archived from the original on February 25, 2023. Retrieved July 28, 2019.
- ^ "The Icecube Bag". www.buddeschou.dk. Archived from the original on July 28, 2019. Retrieved July 28, 2019.
- ^ Oakley, Scott (January 12, 2018). Commercial Ice Machines Only: Commercial Ice Products and Systems Explained for Any Level. CreateSpace Independent Publishing Platform. ISBN 978-1-9757-4603-2. Archived from the original on April 25, 2023. Retrieved September 17, 2021.
- ^ Wirz, Dick (January 27, 2017). Commercial Refrigeration for Air Conditioning Technicians. Cengage Learning. pp. 341–2. ISBN 9781337514699. Archived from the original on April 25, 2023. Retrieved November 1, 2020.
- ^ Rauch, Jeffrey (1975). "The mathematical theory of crushed ice". Partial differential equations and related topics (Program, Tulane Univ., New Orleans, La., 1974). Berlin, New York (the state): Springer-Verlag. pp. 370–379. MR 0427863.
- ^ "Side Effects of Cancer Treatment: Mouth Sores or Mucositis". Cancerconnect. Archived from the original on September 29, 2020. Retrieved November 25, 2019.
- ^ "Whiskey Stones (All Styles and Materials)". November 15, 2022. Archived from the original on March 16, 2023. Retrieved January 8, 2024.
Ice cube
View on Grokipediafrom Grokipedia
O'Shea Jackson Sr. (born June 15, 1969), known professionally as "Ice Cube", is an American rapper, actor, filmmaker, and entrepreneur whose career spans pioneering gangsta rap, blockbuster films, and professional sports ventures.[1][2] He gained prominence as a founding lyricist and performer in the hip-hop group N.W.A., contributing to their seminal 1988 album Straight Outta Compton, which depicted the realities of South Central Los Angeles street life, police interactions, and gang culture.[3] Ice Cube departed N.W.A. in late 1989 amid financial disputes with management, prompting a successful solo trajectory beginning with his debut album AmeriKKKa's Most Wanted released on May 16, 1990, which established his individual voice in conscious and confrontational rap.[4][5]
Transitioning to cinema, Ice Cube made his acting debut as Doughboy in John Singleton's Boyz n the Hood (1991), a role that showcased urban youth struggles and launched his film career alongside writing and directing efforts in comedies like the Friday franchise.[6] In 2017, he co-founded the BIG3, a professional 3-on-3 basketball league emphasizing veteran players and innovative formats, expanding his influence into sports entrepreneurship.[7] Ice Cube's work, marked by raw portrayals of socioeconomic conditions and critiques of authority, has drawn both acclaim for authenticity and criticism for lyrical content promoting violence and misogyny, reflecting unfiltered observations of inner-city dynamics rather than prescriptive ideals.[8]
These projects reflect Ice Cube's emphasis on profitable, culturally resonant content, with several achieving significant box office returns despite mixed critical reception in mainstream outlets.[194][195]
Early Life
Childhood in South Central Los Angeles
O'Shea Jackson, professionally known as Ice Cube, was born on June 15, 1969, in the Baldwin Hills neighborhood of South Central Los Angeles.[9] His mother, Doris Benjamin Jackson, worked as a hospital clerk and custodian, while his father, Hosea Jackson, was employed as a machinist and groundskeeper at the University of California, Los Angeles.[10][2] The family belonged to the working class, and Jackson was primarily raised by his mother in this environment of modest means.[11][12] South Central Los Angeles in the 1970s and early 1980s, where Jackson spent his childhood, faced escalating challenges including poverty, drug proliferation, and gang-related violence that transformed the area into a high-crime zone.[13] Known locally for his athleticism during youth, Jackson navigated these surroundings amid a backdrop of systemic urban decay.[14] A pivotal personal tragedy occurred in 1981, when he was 12 years old: his half-sister, Beverly Jean Brown, was shot and killed by her husband in their home just miles from the Jackson residence, deepening his early exposure to familial loss and community perils.[15][16] This incident, occurring in a murder-suicide, contributed to his later reflections on anger toward institutional responses to such violence.[17]Initial Involvement in Hip-Hop
O'Shea Jackson, known professionally as Ice Cube, first engaged with hip-hop during his high school years in the early 1980s. While attending George Washington Preparatory High School in Los Angeles, he began composing rap lyrics after a friend challenged him to do so in ninth grade.[18] This early experimentation included writing the track "Boyz-n-the-Hood," which he later provided to Eazy-E around age 16.[19] Jackson continued developing his skills at William Howard Taft High School, where he wrote raps during keyboarding classes and connected with aspiring musician Tony Wheatob, known as Sir Jinx.[12] By 1984, at approximately age 15, he co-founded the rap trio C.I.A. (Cru' in Action), featuring Sir Jinx and Darrell "K-Dee" Johnson.[20] The group drew from electro-rap influences, performing at local parties and receiving production from Dr. Dre, who incorporated TR-808 beats reminiscent of early West Coast styles.[21] C.I.A. recorded demos and released limited independent material, including tracks showcasing Jackson's emerging lyrical focus on street life in South Central Los Angeles, though the group achieved minimal commercial traction.[22] Internal dynamics and Jackson's growing opportunities led to the trio's dissolution by 1986, as he shifted attention toward collaborations that would form N.W.A.[12] This period marked his foundational exposure to hip-hop production and performance, honing skills in rhyme schemes and narrative delivery grounded in personal observations of urban realities.Musical Career
N.W.A. Era and Group Formations (1986–1989)
Prior to fully committing to N.W.A., Ice Cube participated in the short-lived hip-hop group C.I.A. (Cru'In Action!), which evolved from the earlier Stereo Crew and included members Sir Jinx and K-Dee.[23] The group recorded material produced by Dr. Dre, including the track "She's a Scag" released on Epic Records, but failed to achieve commercial success and disbanded around 1986.[24] This experience connected Cube to the emerging West Coast scene, paving the way for his recruitment into N.W.A.[25] N.W.A. formed in 1986–1987 under the Ruthless Records label founded by Eazy-E, initially comprising Eazy-E, Dr. Dre, and Arabian Prince, with Ice Cube joining as a teenager to bolster the lyrical content.[26] DJ Yella soon added production support, and MC Ren was recruited later for additional verses.[27] The group's debut compilation, N.W.A. and the Posse, released in November 1987, featured early tracks like "Panic Zone" co-written by Cube, introducing their raw depictions of street life in Compton.[28] The seminal album Straight Outta Compton, released on August 8, 1988, via Ruthless and Priority Records, solidified N.W.A.'s influence, with Ice Cube contributing lyrics to standout tracks such as the title song, "Gangsta Gangsta," and "Boyz-n-the-Hood."[29] Produced primarily by Dr. Dre and DJ Yella, the album's unfiltered portrayal of gang culture, police brutality, and urban violence pioneered gangsta rap, selling over three million copies despite an explicit content warning that limited radio play.[26] Cube's verse on the title track, declaring "Straight outta Compton, crazy motherfucker named Ice Cube / From the gang called Niggaz With Attitudes," encapsulated the group's defiant ethos.[30] Tensions escalated by late 1989 when Ice Cube accused manager Jerry Heller of financial mismanagement and unequal royalty distribution, prompting his departure from N.W.A. in December.[31] Despite Eazy-E's denial of wrongdoing, Cube's exit highlighted internal inequities, as he claimed the group received minimal compensation relative to the label's profits from Straight Outta Compton.[30] This rift foreshadowed further diss tracks but marked the end of Cube's tenure with the group during this formative period.[32]Solo Debut and Black Nationalist Themes (1990–1992)
Following his departure from N.W.A. in December 1989 amid disputes over royalties and management by Jerry Heller, Ice Cube pursued a solo career to gain greater artistic and financial control.[31][30] He relocated to New York City, collaborating with the Bomb Squad production team from Public Enemy, whose militant style aligned with his evolving focus on systemic oppression.[33] Ice Cube released his debut solo album, AmeriKKKa's Most Wanted, on May 16, 1990, via Priority Records.[33] The 16-track project featured aggressive critiques of American institutions, including police brutality and racial injustice, framed through a lens of black self-reliance and resistance, drawing parallels to Public Enemy's political rap.[34] Tracks like "AmeriKKKa's Most Wanted" and "The Nigga Ya Love to Hate" emphasized black empowerment against perceived white supremacy, reflecting influences from black nationalist ideologies that prioritized community autonomy over integration.[35] The album debuted at number 20 on the Billboard 200 and achieved platinum certification by November 1990, signaling commercial viability for politically charged gangsta rap.[33] In December 1990, Ice Cube issued the EP Kill at Will on December 18, which expanded on debut themes with tracks addressing street violence and institutional betrayal, such as "Endangered Species" featuring Public Enemy's Chuck D.[36] The seven-song release, produced partly by Sir Jinx, reinforced black nationalist undertones by portraying urban black life as a battle against predatory systems, achieving gold status and peaking at number 34 on the R&B/Hip-Hop Albums chart.[37] Ice Cube's second studio album, Death Certificate, arrived on October 29, 1991, structured as a "death certificate" for American society followed by a "birth certificate" for black renewal.[38] Produced primarily by Sir Jinx and DJ Pooh, it intensified black nationalist rhetoric, incorporating Nation of Islam perspectives via an intro speech by Khalid Abdul Muhammad critiquing Jewish influence in black communities and Korean American merchants.[39] Songs like "Black Korea" warned of retaliation against exploitative shop owners, while "No Vaseline" dissed former N.W.A. colleagues, tying personal grievances to broader calls for black unity and economic independence.[40] The album debuted at number 2 on the Billboard 200, sold over one million copies by December 1991, but drew backlash from the Simon Wiesenthal Center for antisemitic undertones and from Korean American groups for inciting violence.[41][39] Ice Cube defended the content as reflective of South Central Los Angeles realities, prioritizing unfiltered advocacy for black self-determination over mainstream sensitivities.[35]Mainstream Crossover and Westside Connection (1993–1998)
Ice Cube's fourth studio album, Lethal Injection, marked a stylistic evolution toward G-funk production, featuring smoother, synth-heavy beats and funk samples that broadened its appeal beyond the raw aggression of prior works like Death Certificate. Released on December 7, 1993, via Priority Records, the album included contributions from producers such as DJ Pooh and Bobcat, with tracks emphasizing party anthems and street narratives.[42][43] Singles "You Know How We Do It" and "Bop Gun (One Nation)" drove its commercial performance, with the former peaking at number 1 on the Billboard Hot Rap Singles chart and achieving mainstream radio play through its laid-back, infectious hook. Lethal Injection debuted at number 5 on the Billboard 200, selling over 500,000 copies and earning platinum certification, reflecting Ice Cube's transition to a more accessible sound amid the West Coast G-funk dominance led by Dr. Dre's influence.[44][45] In 1996, Ice Cube co-formed the supergroup Westside Connection with rappers WC and Mack 10 to assert West Coast unity and counter East Coast rivalries in hip-hop. Their debut album, Bow Down, released October 22, 1996, on Lench Mob and Priority Records, embodied aggressive gangsta rap with production from Bud'da and Sir Jinx, peaking at number 2 on the Billboard 200 and certified platinum by the RIAA for shipments exceeding one million units.[46][47] The title track "Bow Down" reached number 21 on the Billboard Hot 100 and number 1 on the Hot Rap Singles chart, its confrontational lyrics targeting perceived industry inferiors like Cypress Hill, while other singles such as "Gangstas Make the World Go Round" reinforced the group's territorial bravado. The album's success solidified Ice Cube's role as a West Coast elder statesman, blending solo crossover gains with collective muscle.[48][49] Ice Cube paused solo releases post-Lethal Injection to focus on group dynamics and acting, returning in 1998 with War & Peace Vol. 1 (The War Disc), a double-album concept split thematically, issued November 17, 1998, via Priority. Featuring guests like K-Dee and production from E-A-Ski, it debuted at number 3 on the Billboard 200, extending his mainstream viability with hits like "Pushin' Weight" alongside Mack 10, though critics noted diluted intensity compared to his early 1990s output.[50][51]Mid-Career Albums and Reunions (1998–2006)
In November 1998, Ice Cube released War & Peace Vol. 1 (The War Disc), his fifth solo studio album, through Lench Mob Records and Priority Records.[52] The project emphasized aggressive, confrontational themes rooted in West Coast gangsta rap, with production from collaborators including Bud'da and E-A-Ski, and guest appearances from artists such as Krayzie Bone and Mack 10.[53] Key tracks like "Pushin' Weight" highlighted Cube's lyrical focus on street life and industry critique, reflecting his established persona amid a shifting hip-hop landscape dominated by East Coast influences.[54] The album's follow-up, War & Peace Vol. 2 (The Peace Disc), arrived on March 21, 2000, also via Lench Mob and distributed by Priority, shifting toward more reflective and socially conscious content while retaining hardcore elements.[55] It featured production from Rockwilder and contributions from guests like Snoop Dogg and Dr. Dre on "Hello," marking a rare collaboration that underscored Cube's enduring ties to early West Coast pioneers.[56] The disc debuted at number three on the Billboard 200 and topped the R&B/Hip-Hop Albums chart, demonstrating sustained commercial viability despite mixed critical reception for its length and stylistic blend.[57] During this period, Ice Cube reunited with Westside Connection—comprising himself, WC, and Mack 10—for their second album, Terrorist Threats, released on December 9, 2003, through Hoo-Bangin' Records and Universal.[58] The project revived the group's territorial anthems, with singles like "Gangsta Nation" (featuring Nate Dogg) produced by Fredwreck, peaking at number 43 on the Billboard Hot 100 and embodying post-9/11 bravado in gangsta rap.[59] Internal tensions over Cube's acting commitments contributed to the supergroup's dissolution shortly after, limiting further output.[60] Ice Cube concluded the era with Laugh Now, Cry Later, his seventh solo album, independently released on June 6, 2006, via Lench Mob Records after parting with major labels.[61] The record featured collaborations with Westside Connection remnants like WC and production from Scott Storch, critiquing fame, politics, and hip-hop commercialization through tracks such as "Why We Thugs." It reached number two on the Top Rap Albums chart, affirming Cube's relevance into his mid-career pivot toward independence.[62]Recent Releases and Supergroups (2006–Present)
Ice Cube released his seventh studio album, Laugh Now, Cry Later, on June 6, 2006, through his independent label Lench Mob Records.[63] The project marked his first solo release in six years and debuted at number 15 on the Billboard 200 chart, eventually achieving gold certification from the RIAA for shipments exceeding 500,000 units.[64] On August 19, 2008, Ice Cube issued Raw Footage via Lench Mob Records, featuring production from DJ Muggs and contributions from artists including The Game and Young Maylay.[65] The album addressed political and social themes, with the lead single "Gangsta Rap Made Me Do It" critiquing external blame placed on hip-hop culture.[66] It peaked at number 11 on the Billboard 200.[67] Ice Cube's ninth studio album, I Am the West, followed on September 28, 2010, also under Lench Mob Records, emphasizing West Coast rap identity through tracks like "Life in California" featuring Jayo Felony and WC.[68] The release included collaborations with Doughboy and E-40, reinforcing regional pride amid a shifting hip-hop landscape.[69] After an extended delay from its initial 2013 announcement, Ice Cube dropped Everythang's Corrupt on December 7, 2018, distributed by Lench Mob and Interscope Records.[70] The album contained 16 tracks produced primarily by Cube and DJ Pooh, tackling corruption in media, politics, and entertainment.[71] In late 2020, Ice Cube co-formed the supergroup Mount Westmore with Snoop Dogg, E-40, and Too Short, representing veteran West Coast rappers.[72] Their debut album, [Snoop, Cube, 40, hort](/page/Snoop_Cube_40_hort), launched via blockchain technology in mid-2022 before wider streaming availability, featuring 19 tracks of collaborative funk-infused gangsta rap.[73] Ice Cube released his eleventh solo studio album, Man Down, on November 22, 2024, comprising 19 tracks via Lench Mob Records.[74] The project, his first in six years, delivers unfiltered commentary on contemporary issues, continuing his tradition of confrontational lyricism.[75]Film and Television Career
Breakthrough Acting Roles (1991–1995)
Ice Cube's acting career began with his portrayal of Darryl "Doughboy" Baker in Boyz n the Hood (1991), directed by John Singleton in his feature debut. The film, set in South Central Los Angeles, depicts the lives of three young Black men navigating gang violence, family pressures, and aspirations amid urban decay, with Doughboy as the hot-tempered, gang-affiliated brother of aspiring football player Ricky. Drawing on Cube's real-life experiences from the same neighborhood and his N.W.A. persona, the role required minimal preparation, as Singleton cast him for authenticity after Cube auditioned with raw intensity. Released on July 12, 1991, the film earned $56.1 million against a $6.5 million budget and received two Academy Award nominations for Best Director and Best Original Screenplay, with critics praising Cube's debut for its gritty realism and emotional depth, establishing him as a credible dramatic actor beyond music.[76][77][78] Building on this momentum, Cube took a supporting role as Savon Dobbins in Trespass (1992), an action thriller directed by Walter Hill. In the film, two Arkansas firefighters (Bill Paxton and William Sadler) stumble upon stolen gold in an abandoned East St. Louis factory controlled by rival gangs led by Ice-T's King James, with Cube's Savon as a volatile, trigger-happy enforcer clashing internally amid the chaos. Shot in a confined warehouse setting to heighten tension, the October 9, 1992 release featured Cube alongside fellow rapper Ice-T, blending high-stakes heist elements with gang warfare; though it underperformed commercially at $13.1 million domestically, Cube's performance showcased his range in fast-paced, adversarial dynamics.[79][80] By 1995, Cube expanded into ensemble dramas with his role as Jason "Fudge" Turner in Higher Learning, again directed by Singleton. Fudge is a charismatic, politically radical senior at the fictional Columbus University who mentors freshman Malik Williams (Omar Epps) on Black separatism, identity, and resistance to systemic racism, amid campus tensions involving race, sex, and extremism. Premiering January 11, 1995, the film grossed $38.3 million worldwide and featured a diverse cast including Laurence Fishburne and Michael Rapaport; Cube's depiction of Fudge as a streetwise ideologue drew mixed reviews for its intensity but reinforced his ability to embody militant archetypes rooted in his rap lyrics on social injustice.[81][82]Franchise Success and Comedic Turns (1995–2005)
In 1995, Ice Cube co-wrote and starred as Craig Jones in the buddy comedy Friday, directed by F. Gary Gray, which depicted a day in the life of two friends navigating neighborhood troubles while under the influence of marijuana. Produced on a $3.5 million budget, the film opened on April 26, 1995, and grossed $27.4 million domestically, marking a pivotal shift toward comedic roles that broadened his appeal beyond gangsta rap-associated dramas.[83][84] The success of Friday spawned the franchise's sequels, Next Friday (2000), where Ice Cube reprised his role amid escalating comedic scenarios involving family and debt, grossing $57.3 million, and Friday After Next (2002), focusing on holiday mishaps and retail antics, which earned $33.3 million. These films solidified the series as a cornerstone of urban stoner comedies, collectively generating over $118 million in domestic box office revenue through Ice Cube's lead performances and creative input.[84][85] Ice Cube further expanded into ensemble comedies with Barbershop (2002), portraying barber shop owner Calvin Palmer in a story exploring community dynamics and small-business struggles, which grossed $77.1 million worldwide. The film's formula of humor laced with social commentary led to Barbershop 2: Back in Business (2004), where his character faced corporate competition, contributing to the franchise's ongoing popularity. Additionally, Are We There Yet? (2005) saw him as a single man chaperoning children on a road trip, a family-oriented comedy that achieved $98 million in global earnings, underscoring his versatility in lighter, franchise-driven fare.[86][87]Producing and Directing Ventures (2000–Present)
Cube Vision, the film and television production company co-founded by Ice Cube and Matt Alvarez in 1995, expanded its output significantly from 2000 onward, focusing on urban comedies, dramas, and hip-hop related projects.[88] Key early productions included Next Friday (2000), a sequel to the 1995 hit Friday that grossed $57 million domestically on a $11 million budget, and All About the Benjamins (2002), a buddy action-comedy starring Mike Epps that earned $26 million worldwide. Ice Cube also produced Friday After Next (2002), continuing the franchise with Mike Epps and John Witherspoon, which opened at $33.5 million and emphasized holiday-themed street humor. The company branched into ensemble casts with Barbershop (2002), produced by Ice Cube, which depicted Chicago barber shop dynamics and spawned a franchise, grossing $77 million globally and leading to sequels like Barbershop 2: Back in Business (2004). Further credits encompassed Are We There Yet? (2005), a family road-trip comedy starring Ice Cube that topped the box office with $98 million worldwide, its sequel Are We Done Yet? (2007) at $98 million, and First Sunday (2008), a heist comedy grossing $39 million. Ice Cube's producing extended to sports dramas such as The Longshots (2008), based on the true story of a youth football team, and concert-themed films like Janky Promoters (2009). In directing, Ice Cube helmed Straight Outta L.A. (2010), an ESPN 30 for 30 documentary exploring the cultural synergy between the Los Angeles Raiders' 1982–1995 tenure and South Central hip-hop's rise, narrated by Ice Cube himself and featuring interviews with Raiders players and rap figures.[89] Later producing highlights included Lottery Ticket (2010), a comedy earning $24 million, and the biopic Straight Outta Compton (2015), which chronicled N.W.A.'s origins and grossed $201 million worldwide, with Ice Cube as executive producer. Cube Vision continued with executive producing on action-comedies like the Ride Along series (2014–present), including Ride Along ($153 million global) and Ride Along 2 (2016, $132 million), alongside Ice Cube's starring roles. Recent ventures feature a first-look television development deal with Paramount Global announced on July 16, 2024, enabling projects across CBS, Paramount+, Nickelodeon, and Showtime, building on prior partnerships like a 2017 Fox Television deal.[88] This agreement underscores Cube Vision's pivot toward multi-platform content, with ongoing films like an untitled custom car culture project in development.[90]Television and Documentary Work
Ice Cube served as executive producer for Barbershop: The Series, a Showtime comedy-drama that aired its single 10-episode season from August 8 to October 3, 2005, adapting elements from the 2002 film franchise he starred in.[91] The series depicted daily life at a Chicago barbershop owned by a character inspired by his film role, emphasizing community interactions and urban challenges, with production involvement from Cube Vision alongside George Tillman Jr. and Robert Teitel.[92] Through Cube Vision, Ice Cube executive produced the TBS sitcom Are We There Yet?, which ran for three seasons from September 14, 2010, to March 5, 2013, comprising 70 episodes and expanding on the 2005 film he headlined as Nick Persons.[93] The show followed a blended family's comedic struggles after Nick marries Suzanne Kingston, portrayed by Essence Atkins; Ice Cube guest-starred in multiple episodes as Terrence Kingston, Suzanne's authoritative brother and a former military man, appearing in at least five installments to provide familial tension and resolution.[94] Ice Cube executive produced Hip Hop Squares, a VH1 game show that premiered on May 11, 2017, reimagining Hollywood Squares with hip-hop celebrities as panelists competing in tic-tac-toe style trivia; the series, hosted by DeRay Davis, ran for multiple seasons through at least 2019, featuring Ice Cube as an occasional panelist and promoter.[95] Produced in collaboration with The Firm and Jesse Collins Entertainment, it incorporated urban humor and music references, aligning with Cube Vision's focus on hip-hop themed content.[96] In documentary work, Ice Cube directed and narrated Straight Outta L.A., an ESPN 30 for 30 installment that premiered on May 11, 2010, examining the Los Angeles Raiders' 1982–1995 tenure in the city and its cultural intersection with South Central's gangsta rap scene, including N.W.A.'s rise.[97] The 51-minute film drew on archival footage and interviews with figures like Snoop Dogg and Al Davis, arguing the team's "rebel" image fueled local pride amid socioeconomic strife, marking Ice Cube's directorial debut in sports documentaries.[89] Cube Vision has produced self-reflective documentaries on Ice Cube's career, such as Ice Cube: The Making of a Don (2004), which chronicled his evolution from street performer to entertainment mogul using interviews and performance clips.[98] More recently, the company backed Ice Cube: It's My Ego (2024), a short-form exploration of his mindset and longevity in hip-hop.[99] These projects emphasize personal agency and industry navigation over external narratives.Business Ventures
Founding the Big3 League
Ice Cube co-founded the BIG3, a professional 3-on-3 basketball league, in 2017 with entertainment executive Jeff Kwatinetz, aiming to provide a competitive platform for retired NBA players beyond traditional 5-on-5 formats.[100][101] The league's announcement came on January 11, 2017, highlighting its focus on veteran athletes "itching for an opportunity to suit up and play," with games designed for entertainment through shorter half-court play and incentives for fan engagement.[102] The inaugural season launched on June 25, 2017, at the Barclays Center in Brooklyn, featuring NBA legends such as Allen Iverson and Gary Payton across eight teams, each playing a 10-game schedule culminating in playoffs.[103] Ice Cube served as the league's commissioner and primary promoter, recruiting Hall of Famers and All-Stars while introducing rule variations like a 4-point shot line to differentiate from standard basketball and appeal to spectators.[104] The venture stemmed from Cube's observation of untapped demand for professional opportunities among players in their 40s and 50s, whom he viewed as capable of high-level performance in a condensed format without the physical toll of full-court games.[101] Initial operations emphasized accessibility, with games held weekly on Saturdays across major arenas, broadcast on networks like CBS, and structured to foster rivalries among former pros.[105] By its debut, the BIG3 had secured partnerships for venue access and player contracts starting at $100,000 per draft pick, plus performance bonuses, positioning it as a viable alternative to retirement leagues.[106] Cube's hands-on role included drafting players and coaching, underscoring his commitment to building a sustainable entity independent of NBA affiliations.[107]Film Production and Media Enterprises
Ice Cube co-produced his debut film Friday in 1995 alongside his manager Patricia Charbonnet, marking his entry into film production.[108] This low-budget comedy, released by New Line Cinema, grossed $28 million domestically on a $3.5 million budget and spawned a franchise. Cube Vision, Inc., the formal production banner co-founded by Ice Cube and producer Matt Alvarez, emerged in the late 1990s and became a key vehicle for urban-oriented comedies and dramas.[109] The company produced hits including the Barbershop series (2002–2016), which collectively earned over $150 million domestically, and the Ride Along films (2014–2016), with the first installment topping the box office and grossing $153 million in North America.[110] Other notable releases encompass All About the Benjamins (2002), Next Friday (2000), Straight Outta Compton (2015)—a N.W.A. biopic that generated $201 million worldwide—and Lottery Ticket (2010).[111] Cube Vision's output has emphasized profitable, mid-budget projects targeting Black audiences, contributing to a cumulative worldwide box office exceeding $590 million across eight primary releases.[110] To fuel growth, Cube Vision secured an eight-figure investment partnership in 2017 with Hong Kong-based AID Partners, enabling expanded script acquisitions and original content development.[112] In 2022, it inked a multi-picture deal with Luminosity Entertainment for television and film projects.[113] The company signed a two-year overall deal with 20th Century Fox Television and Fox 21 in 2016, followed by an expanded first-look television agreement with Paramount Global in July 2024, prioritizing scripted content such as a project exploring Black Hollywood experiences across Paramount's networks and streaming platforms.[114][88] These alliances have positioned Cube Vision as a consistent Hollywood player focused on genre-driven, commercially viable storytelling.[115]Political Views and Activism
Development of Independent Stance
Ice Cube's political expressions began in the late 1980s with N.W.A., where tracks like "Fuck tha Police" from the 1988 album Straight Outta Compton critiqued police brutality and systemic authority, reflecting experiences from South Central Los Angeles without explicit partisan alignment.[116] His solo debut AmeriKKKa's Most Wanted (1990) expanded on black nationalist themes, influenced by collaborations with Nation of Islam affiliates and public enemy-style rhetoric emphasizing self-reliance and resistance to institutional racism.[117] These works prioritized community empowerment over party loyalty, setting a foundation for later independence, though early critiques targeted government failures broadly rather than specific ideologies. By the 2010s, Ice Cube voiced support for Barack Obama, expressing in 2016 a desire for a third Obama term amid dissatisfaction with Hillary Clinton and Donald Trump, indicating initial openness to Democratic leadership perceived as addressing black interests.[118] However, growing frustration with unfulfilled promises on economic disparity and criminal justice reform prompted a shift toward non-partisan pragmatism. He denounced Trump in 2016 but increasingly highlighted bipartisan neglect, arguing in interviews that black progress required accountability from all politicians rather than allegiance to one side.[119] The pivotal development occurred in 2020 amid racial unrest following George Floyd's death, when Ice Cube released the Contract with Black America (CWBA) on July 17, a 13-point platform demanding economic reforms like job guarantees, prison overhaul, and wealth-building initiatives for black communities.[120] Seeking cross-aisle adoption, he approached both campaigns: Democrats deferred discussion until post-election, while the Trump team engaged, incorporating elements into their "Platinum Plan" for black economic opportunity, though Ice Cube clarified no endorsement occurred and emphasized the CWBA's independence from any party.[121] This episode crystallized his stance, as he publicly urged black Americans to register as independents on October 15, 2020, stating loyalty to Democrats or Republicans hindered leverage for concrete gains.[122] Post-2020, Ice Cube reinforced this independence through dialogues with figures across the spectrum, including a 2023 interview with Tucker Carlson critiquing Democratic complacency on urban issues and a 2024 clarification rejecting MAGA labels while faulting both parties for failing black self-determination.[123] [124] His approach, rooted in empirical observation of policy outcomes over ideological purity, positions black advancement as a pragmatic, non-partisan imperative, diverging from mainstream expectations of monolithic voting blocs.[120]Contract with Black America Initiative
In July 2020, Ice Cube launched the Contract with Black America (CWBA) as part of his Truth To Power Tour, presenting it as a proposed action plan to address systemic economic and social challenges facing Black Americans, including wealth disparities exacerbated by historical injustices and contemporary events like the COVID-19 pandemic and George Floyd's killing.[125] [126] The document, a three-page manifesto, outlines 13 specific demands framed as a "Neo-Reconstruction" to redress generational economic harms, emphasizing measurable commitments from political leaders rather than vague promises, with Ice Cube conditioning Black voter support on endorsements during the 2020 election cycle.[127] [126] The CWBA's core proposals target economic equity and institutional reforms, including mandates for banks to allocate 13.4% of lending—proportional to the Black population share—to Black communities at equivalent rates to white borrowers; federal funding for "baby bonds" starting at $1,000 per newborn and scaling to $46,500 for low-wealth families for asset-building purposes; abolition of private prisons and release of nonviolent offenders; elimination of qualified immunity for police; and requirements for pension funds and the Federal Reserve to direct 13.4% of investments toward Black-owned businesses.[126] Additional elements call for judicial changes like ending mandatory minimum sentences, FCC mandates for 20% Black-produced broadcast content, removal of Confederate monuments, and a federal jobs program blending public and private sector opportunities.[126] The contract concludes with a mutual accountability clause, urging Black community self-improvement in areas like family structure and cultural messaging alongside policy changes.[126] Ice Cube positioned the CWBA as bipartisan, engaging both major U.S. political parties in 2020; he advised the Trump administration on elements incorporated into the "Platinum Plan" for Black economic uplift while critiquing Democratic platforms for lacking specificity on Black issues.[128] The initiative evolved into the Contract with Black America Institute, focusing on practical implementation. In June 2022, the NFL partnered with the institute, committing over $100 million to Black-owned businesses to narrow the racial wealth gap, with targeted increases in league spending on Black firms in finance, technology, production, and event contracting—such as allocating 25% of Super Bowl vendor contracts to them—and prioritizing Black women-owned enterprises.[129] [130] This collaboration built on the NFL's prior $125 million in such investments, aiming for verifiable economic outcomes like enhanced corporate pipelines for Black vendors.[130]Engagements with Bipartisan Figures
In 2020, Ice Cube released the "Contract with Black America," a policy proposal outlining 13 points for economic empowerment, banking access, prison reform, and other initiatives targeted at improving conditions in black communities, explicitly framed as a bipartisan effort requiring dialogue across party lines.[125] He publicly urged both the Trump and Biden presidential campaigns to review and commit to its provisions, stating that his vote would depend on such endorsements rather than party loyalty.[127] Representatives from both parties initially contacted Ice Cube following the CWBA's release, but the Democratic campaign declined to substantively engage without a prior endorsement from him, leading him to forgo a planned meeting with Joe Biden in October 2020 unless the campaign pledged support for the contract's key elements.[120] In contrast, Ice Cube's team met multiple times with Trump administration officials, including senior advisor Katrina Pierson and Jared Kushner, at locations such as the White House and Trump's Bedminster golf club, where discussions influenced the development of Trump's "Platinum Plan" announced on September 25, 2020.[131] [128] The Platinum Plan committed $500 billion in capital access for black businesses, 3 million new jobs in underserved communities, and increased opportunities in federal contracting, incorporating CWBA-inspired ideas like enhanced banking services and economic development zones.[132] Ice Cube emphasized that these interactions were policy-driven, not endorsements, tweeting on October 15, 2020: "Black progress is a bipartisan issue. When we created the Contract With Black America we expected to talk to both sides of the aisle."[133] He later reiterated in a September 2021 interview that the Trump team "took the meeting that Democrats wouldn't," highlighting frustration with partisan gatekeeping over substantive economic discussions.[134] This approach drew criticism from left-leaning outlets portraying it as tacit support for Trump, though Ice Cube maintained independence, clarifying in November 2024 that he is "not MAGA" or aligned with any candidate.[124] The engagements underscored his push for cross-aisle realism on issues like wealth-building over symbolic gestures, influencing later efforts such as the NFL's $100 million pledge to black-owned businesses in 2022, aligned with CWBA goals.[135]Controversies
Antisemitism Allegations and Defenses
Ice Cube has faced accusations of antisemitism stemming from lyrics in his early music career, social media posts, and associations. On the 1990 album Death Certificate, the track "No Vaseline" included lyrics targeting his former Jewish manager Jerry Heller with claims of exploitation and threats of violence, such as "Jew boy, just know who's gangsta." Similarly, "True to the Game" contained lines questioning Jewish identity and equality, drawing criticism from groups like the Simon Wiesenthal Center.[136] In 1991, Ice Cube defended these lyrics in interviews, stating, "I’m not against Jews… Saying he’s a Jew doesn’t mean I don’t like Jews."[136] Further allegations arose from a 2015 incident at the MGM Grand Detroit hotel, where Rabbi Abraham K. Taras claimed Ice Cube ordered his entourage to assault him after a perceived slight, with attackers allegedly using antisemitic epithets like "Get this Jew motherfucker out of here." Taras filed a $2 million lawsuit, though it was later settled or dismissed without admission of guilt.[136] Ice Cube's team denied the claims, attributing the altercation to a misunderstanding unrelated to religion.[136] In May 2020, Ice Cube publicly wished a happy birthday to Louis Farrakhan, leader of the Nation of Islam, an organization frequently criticized for antisemitic rhetoric, including Farrakhan's past references to Judaism as a "gutter religion" and praise for Adolf Hitler.[136] This followed by posts in June 2020, including a tweet of artist Mear One's 2012 mural depicting caricatured Jewish bankers exploiting naked Black workers on a Monopoly board, captioned to imply systemic oppression; the mural had been removed from a London wall after antisemitism complaints.[137] He also shared an image of a Star of David overlaid with a "Black Cube of Saturn," interpreted as promoting conspiracy theories of Jewish orchestration of global events like 9/11 and COVID-19.[138] Ice Cube responded to backlash by stating he was "very concerned about the table in this image" regarding the mural but did not delete it, and affirmed, "What if I was just pro-Black? ... I didn't say I was anti anybody."[137][138] In July 2020, after basketball legend Kareem Abdul-Jabbar publicly criticized Ice Cube's posts in an op-ed, Ice Cube accused Abdul-Jabbar of betrayal for "30 pieces of silver," invoking a biblical reference to Judas without directly addressing the content.[139] Following a two-hour conversation with Zionist Organization of America president Morton Klein, Ice Cube agreed to publicly condemn antisemitism and racism, stating, "I hate Antisemitism and Racism," and expressing gratitude to Jews for contributions to the NAACP's founding, Black education, and civil rights efforts.[140] In October 2022, amid Kanye West's antisemitic comments, Ice Cube rejected West's claim of his influence, tweeting, "Please leave my name out of all the antisemitic talk. I'm not antisemitic and never have been."[141] Ice Cube has maintained that his statements reflect pro-Black advocacy rather than hatred toward any group.[138]Political Independence and Media Criticism
Ice Cube has advocated for political independence among Black Americans, arguing in an October 15, 2020, TMZ interview that Black voters should register as independents to prioritize economic equality over partisan loyalty, following controversy over his engagement with the Trump administration's Platinum Plan.[122] He reiterated this stance on October 16, 2020, stating he is "not on nobody's team" and views racial inequities facing Black Americans as a bipartisan issue requiring negotiation with any administration willing to address them.[120] This approach, detailed in a Rolling Stone interview that day, emphasizes pragmatic dialogue across party lines rather than ideological alignment, positioning Black progress as independent of Democratic or Republican dominance.[121] Cube's independence has drawn media scrutiny, particularly from outlets critical of his willingness to engage conservatives, such as his July 27, 2023, appearance on Tucker Carlson's show, where he discussed vaccine mandates and entertainment industry pressures; subsequent coverage in mainstream journalistic sources framed this as alignment with fringe views, highlighting perceived media intolerance for cross-ideological discussions.[142] In a November 22, 2024, interview, he addressed ongoing misconceptions about his politics, underscoring his commitment to tangible outcomes over partisan endorsements while critiquing narratives that misrepresent his bipartisan outreach.[143] He has accused mainstream media and entertainment programs of blacklisting him due to his unaligned views, claiming in July 2023 interviews that shows like The View and Oprah have barred him for refusing to conform to expected progressive stances.[144][145] This extends to his praise for Black-owned media as a "last line of defense" for unfiltered truth, expressed in a May 28, 2020, discussion where he contrasted it with broader industry tendencies to prioritize agendas over factual representation of Black experiences.[146] Such criticisms reflect Cube's broader contention that dominant media structures penalize independence, fostering echo chambers that undervalue empirical policy impacts on communities.Recent Legal and Public Disputes
In November 2024, Westside Merchandising LLC filed a lawsuit against Ice Cube, Snoop Dogg, E-40, Too Short, and their supergroup Mount Westmore LLC, alleging fraud and breach of contract over a failed promotional tour.[147] The plaintiff claimed it advanced approximately $1.375 million for marketing efforts, including videos and event appearances, but the defendants backed out without delivering services or refunding the funds.[148] Ice Cube and his co-defendants denied the allegations, filing motions in August 2025 to quash deposition requests and dismiss parts of the suit, arguing the claims lacked merit and that they had fulfilled initial obligations.[149] As of October 2025, the case remains ongoing in Los Angeles Superior Court, with the defendants contesting the plaintiff's demands for repayment plus damages.[150] Regarding his Big3 basketball league, Ice Cube and co-founder Jeff Kwatinetz settled a long-standing lawsuit in October 2024 against a Qatari investment entity, Sport Diversified Five LLC, which they had accused of sabotaging league operations through bad-faith negotiations and interference.[151] The dispute, initiated around 2018, involved claims of $1.2 billion in damages from failed investment deals tied to Qatari nationals.[152] Terms of the settlement were not publicly disclosed, but it resolved six years of litigation without admission of liability by either side.[151] Separately, in May 2024, Big3 faced a breach-of-contract suit from former attorney Lawrence C. Hinkle II, who alleged unpaid fees exceeding $100,000 for legal services rendered between 2017 and 2020; the league countered that Hinkle's firm had conflicts of interest and overbilled.[153] On the public front, Ice Cube publicly rebutted conservative commentator Candace Owens in September 2024 after she claimed gangsta rap was a government-orchestrated plot to undermine Black communities.[154] Responding on X (formerly Twitter), he dismissed the theory outright, stating it misrepresented the genre's organic roots in street experiences and artist autonomy, without evidence of federal creation.[155] In July 2025, his Big3 league's decision to pursue a promotional deal with WNBA star Caitlin Clark over Angel Reese drew backlash from some observers, who accused him of overlooking Black athletes; Ice Cube defended the choice as financially pragmatic, citing Clark's broader market appeal for a $5 million endorsement opportunity.[156] Additionally, in August 2025, he criticized intensified ICE raids in Los Angeles under the Trump administration, arguing they excessively targeted everyday spaces like schools and churches to instill fear, though he stopped short of endorsing open borders.[157]Personal Life
Family and Upbringing Influences
O'Shea Jackson, known professionally as Ice Cube, was born on June 15, 1969, in South Central Los Angeles to working-class parents Doris Benjamin Jackson, a hospital clerk and custodian, and Hosea Jackson, a machinist, groundskeeper, and UCLA employee.[10][11][158] The family resided in the Crenshaw district, a neighborhood marked by socioeconomic challenges and exposure to gang activity, which shaped Jackson's early worldview amid prevalent street violence and limited opportunities.[9][159] His parents maintained strict oversight to shield him from local dangers, with Hosea Jackson particularly vigilant against the influences of the streets, fostering a household emphasis on discipline and hard work reflective of their own labor-intensive professions.[160] This parental guidance instilled resilience and a focus on personal agency, countering the chaotic environment, though Jackson later drew lyrical inspiration from the surrounding cultural and social realities.[161] He attended George Washington Preparatory High School, where academic performance provided an outlet amid the pressures of his upbringing.[162] A pivotal family tragedy occurred in 1981 when Jackson, aged 12, lost his half-sister Beverly Jean Brown, who was murdered by her husband in a domestic shooting near their home, an event that underscored the pervasive risks of interpersonal violence in his community and likely reinforced themes of caution and loss in his later artistic expressions.[15][163] Despite such hardships, the foundational family structure—rooted in parental employment stability and protective rearing—contributed to Jackson's development of self-reliance, informing his transition from adolescent rapping to professional pursuits in music and beyond.[11][160]Religious and Ideological Beliefs
Ice Cube converted to Islam in the early 1990s, following a formative encounter with an older Muslim figure who emphasized the faith's focus on knowledge-seeking, which resonated with his personal experiences.[164] [165] He has described himself as a "natural Muslim," adhering to core principles without strict orthodoxy, and noted in a 2017 interview that "Islam feels to me like a tailor-made suit for my life."[166] [165] This conversion influenced elements of his work, such as the absence of pork in the lyrics of his 1992 song "It Was a Good Day," reflecting Islamic dietary prohibitions.[167] In his early solo career during the late 1980s and early 1990s, Ice Cube promoted aspects of Nation of Islam (NOI) teachings, including black nationalist ideology centered on self-reliance, community empowerment, and critique of systemic oppression faced by African Americans.[168] The NOI's emphasis on black separatism and economic independence aligned with themes in albums like AmeriKKKa's Most Wanted (1990), where he articulated grievances against institutional racism and advocated for racial uplift through discipline and knowledge.[168] Over time, however, he characterized his faith as "mellow" and less rigidly tied to NOI militancy, prioritizing personal spirituality and practical ethics over doctrinal absolutism.[168] Ice Cube's ideological framework, shaped by his Islamic conversion, underscores causal self-determination, rejecting victimhood narratives in favor of individual agency and communal accountability, as evidenced in his public statements on faith guiding moral conduct amid adversity.[165] This perspective critiques dependency on external systems, drawing from Islamic principles of taqwa (God-consciousness) applied to real-world empowerment, though he has distanced himself from extremist interpretations prevalent in some NOI rhetoric.[168]Awards and Honors
Music Industry Recognitions
Ice Cube's pioneering role in gangsta rap earned him significant industry recognition, particularly through his work with N.W.A. and as a solo artist. As a founding member of N.W.A., he was inducted into the Rock and Roll Hall of Fame on April 8, 2016, alongside Eazy-E, Dr. Dre, MC Ren, and DJ Yella, acknowledging the group's influence in shaping hip-hop and rock music's rebellious spirit.[169] N.W.A. further received the Grammy Lifetime Achievement Award in 2024, honoring their enduring impact despite initial industry resistance. His solo albums achieved commercial certifications reflecting strong sales. AmeriKKKa's Most Wanted (1990) was certified platinum by the RIAA on September 6, 1991, for shipments exceeding one million units.[170] Death Certificate (1991) similarly reached platinum status, underscoring Cube's ability to sustain momentum post-N.W.A.[171] Cube has been honored at hip-hop-specific ceremonies, including induction into BET's I Am Hip Hop Hall of Fame in 2009 for his foundational contributions to the genre.[172] In 2014, he received the BET Honors Entertainment Award, recognizing his multifaceted music legacy.[171] Despite multiple Grammy nominations, including for N.W.A.-related work, he has not secured competitive wins, a point he attributed to the genre's outsider status in mainstream award circuits.[173]Film and Entertainment Accolades
Ice Cube earned a nomination for Most Promising Actor from the Chicago Film Critics Association for his performance as Doughboy in Boyz n the Hood (1991).[171] In 2000, he shared the Blockbuster Entertainment Award for Favorite Action Team with co-stars George Clooney, Mark Wahlberg, and Spike Jonze for Three Kings.[171] He received the Acting Award at the Urbanworld Film Festival's Mecca Movie Awards in 2002, recognizing his contributions to independent cinema.[171] In the realm of comedy and urban entertainment awards, Ice Cube was nominated for Outstanding Lead Actor in a Theatrical Film at the BET Comedy Awards in both 2004 (for Barbershop 2: Back in Business) and 2005 (for Friday After Next).[174] He secured a win at the 42nd NAACP Image Awards in 2011 for Outstanding Supporting Actor in a Comedy Series for his role as Nick Persons in the television adaptation of Are We There Yet? (2010–2013).[175] Ice Cube has garnered multiple nominations at the MTV Movie + TV Awards, including Best Comedic Performance for Next Friday (2000), Best On-Screen Duo for Ride Along (2014, shared with Kevin Hart), and others for on-screen chemistry and fight scenes in films like 21 Jump Street (2012).[176] These accolades primarily highlight his success in action-comedy genres rather than dramatic roles, with no Oscar or major critics' circle wins for acting.[174]| Award | Year | Category | Work | Outcome |
|---|---|---|---|---|
| Chicago Film Critics Association | 1992 | Most Promising Actor | Boyz n the Hood | Nomination[171] |
| Blockbuster Entertainment Awards | 2000 | Favorite Action Team | Three Kings | Win (shared)[171] |
| Mecca Movie Awards (Urbanworld) | 2002 | Acting Award | General | Win[171] |
| BET Comedy Awards | 2004 | Outstanding Lead Actor in a Theatrical Film | Barbershop 2: Back in Business | Nomination[174] |
| BET Comedy Awards | 2005 | Outstanding Lead Actor in a Theatrical Film | Friday After Next | Nomination[174] |
| NAACP Image Awards | 2011 | Outstanding Supporting Actor in a Comedy Series | Are We There Yet? (TV) | Win[175] |
| MTV Movie + TV Awards | 2000 | Best Comedic Performance | Next Friday | Nomination[176] |
| MTV Movie + TV Awards | 2014 | Best On-Screen Duo | Ride Along | Nomination (shared)[176] |
Sports and Cultural Honors
Ice Cube co-founded the Big3, a professional 3-on-3 basketball league featuring retired NBA players, in 2017 alongside entertainment executive Jeff Kwatinetz, with the inaugural season launching on June 25, 2017, in Houston, Texas.[177] The league emphasizes entertainment value, player ownership stakes, and accessibility, expanding to 10 teams by 2023 and securing broadcast deals with CBS and later Fox Sports, while prioritizing former players' career longevity and community engagement over traditional NBA competition.[178] In recognition of his contributions to basketball through the Big3, the Naismith Memorial Basketball Hall of Fame awarded Ice Cube the inaugural Ice Cube Impact Award on January 15, 2024, during Martin Luther King Jr. Day events, honoring individuals who leverage basketball for community betterment.[179] The Hall established the award in his name to annually recognize similar efforts, citing Cube's role in providing opportunities for overage players and fostering youth development via Big3 initiatives.[180] Earlier, on March 2, 2020, he received the UCLA Anderson School of Management Game Changer Award for his innovations in sports entrepreneurship, particularly in bridging entertainment and athletics.[181]Discography
Studio Albums
Ice Cube's debut studio album, AmeriKKKa's Most Wanted, was released on May 16, 1990, by Priority Records and Capitol Records. Featuring production from Sir Jinx, the Bomb Squad, and others, it addressed themes of urban life, police brutality, and black nationalism, drawing from Ice Cube's experiences post-N.W.A. The album entered the Billboard 200 at number 20, reached number 6 on the Top R&B/Hip-Hop Albums chart, and sold over one million copies, earning platinum certification from the RIAA on November 27, 1990.[182] His sophomore effort, Death Certificate, followed on October 29, 1991, also via Priority Records. Entirely produced by Sir Jinx, DJ Pooh, and Ice Cube himself, it was divided into "Death" and "Life" sides, critiquing systemic issues like gang violence and media portrayals of black communities. It debuted at number 1 on the Top R&B/Hip-Hop Albums chart, peaked at number 2 on the Billboard 200, and achieved double platinum status by July 11, 1992, with U.S. sales exceeding two million units.[183] The Predator, released November 17, 1992, on Priority Records, capitalized on the L.A. riots' aftermath, with Ice Cube handling much of the production alongside DJ Pooh and Bobcat. Tracks like "It Was a Good Day" and "Check Yo Self" blended gangsta rap with introspection; it debuted at number 1 on the Billboard 200, selling over 215,000 copies in its first week, and was certified platinum within months, ultimately reaching triple platinum by 1999.[184] Lethal Injection, Ice Cube's fourth studio album, came out December 7, 1993, shifting toward G-funk influences with production from DJ Muggs, Dr. Dre, and others. It peaked at number 5 on the Billboard 200 and number 2 on the Top R&B/Hip-Hop Albums chart, achieving platinum certification on January 3, 1995, though it marked a commercial slowdown compared to prior releases.[185] After a five-year hiatus focused on film, Ice Cube returned with War & Peace Volume 1 (The War Disc) on November 17, 1998, under Priority and Virgin Records. Produced by Pooh, One Seven, and others, it featured West Coast sounds and guest spots from Mack 10 and Snoop Dogg; it reached number 2 on the Top R&B/Hip-Hop Albums but only number 30 on the Billboard 200, with no RIAA certification despite moderate sales. The sequel, War & Peace Volume 2 (The Peace Disc), arrived on March 21, 2000, completing the double album concept with introspective tracks produced by Rockwilder and others. It peaked at number 3 on the Top R&B/Hip-Hop Albums and number 7 on the Billboard 200, selling around 76,000 copies in its debut week, but lacked major certifications. Laugh Now, Cry Later, released August 22, 2006, by Lench Mob Records and Geffen, emphasized political commentary with production from Scott Storch and others. Featuring KRS-One and Snoop Dogg, it debuted at number 6 on the Billboard 200 with 144,000 units sold, marking Ice Cube's strongest chart performance in years, though it received no RIAA certification. Raw Footage followed on August 19, 2008, via Priority, with Cube producing alongside Keith David and others, addressing politics and street life. It entered the Billboard 200 at number 7, selling 50,000 copies initially, and earned a Grammy nomination for Best Rap Album in 2009. I Am the West, self-released October 26, 2010, through Lench Mob, featured E-40 and Young Maylay, peaking at number 22 on the Billboard 200 and number 1 on Independent Albums, with first-week sales of 25,000; it received mixed reviews for its regional focus. Ice Cube's most recent studio album, Everythang's Corrupt, dropped December 7, 2018, independently via Lench Mob. Produced by Cube, E-A-Ski, and others, it critiqued corruption and hip-hop commercialization, debuting at number 12 on the Billboard 200 with 26,000 equivalent units, including strong streaming performance.Group and Collaboration Projects
Ice Cube's group projects prominently feature his foundational role in N.W.A., where he served as a primary lyricist and performer on their breakthrough album Straight Outta Compton, released in 1988 by Ruthless and Priority Records.[186] The album included Cube's contributions to tracks such as the title song and "Gangsta Gangsta," establishing gangsta rap's raw narrative style.[187] Following his departure from N.W.A. in 1989, Ice Cube executive produced and collaborated with Da Lench Mob, a group he mentored, on their debut Guerillas in tha Mist, released September 22, 1992.[188] Cube produced several tracks, wrote lyrics including for the lead single, and featured on the title track alongside members J-Dee, Shorty, and T-Bone.[189] In 1996, Cube co-formed the supergroup Westside Connection with Mack 10 and WC, releasing their debut Bow Down on October 22, 1996, through Lench Mob and Priority Records.[190] The album debuted at number two on the Billboard 200, driven by the hit single "Bow Down." The group reconvened for Terrorist Threats in December 2003 via Capitol Records, which included the single "Gangsta Nation."[191]Filmography
Lead and Supporting Film Roles
Ice Cube's acting career began with a supporting role as Darryl "Doughboy" Baker in Boyz n the Hood (1991), directed by John Singleton, where he depicted a volatile gang member grappling with street life in South Central Los Angeles; the film earned Singleton an Academy Award nomination for Best Director and grossed $56.1 million worldwide on a $6.5 million budget. Following this debut, he took on lead roles in action films such as Trespass (1992), playing a treasure hunter opposite Ice-T, though it underperformed with $14.4 million in U.S. gross, and Dangerous Ground (1997), where he starred as a South African expatriate returning home amid apartheid's aftermath, earning just $2.6 million domestically. His breakthrough in lead comedy came with Friday (1995), co-written and produced by Cube, in which he portrayed Craig Jones, a unemployed young man navigating a chaotic day in Watts; the film opened to $6.6 million in its first weekend and totaled $27.9 million domestically on a $3.5 million budget, spawning a franchise including Next Friday (2000) and Friday After Next (2002), where he reprised the role. In Anaconda (1997), a supporting turn as photographer Danny Rich, he contributed to the creature feature's $136.8 million global haul despite critical panning for its effects and script. Cube balanced genres with a key supporting role as Chief Elgin in Three Kings (1999), a Gulf War heist film with George Clooney, which received praise for its satirical edge and earned $116.4 million worldwide. Transitioning to family-oriented leads, Cube starred as barber Calvin Palmer in Barbershop (2002), a role examining community tensions in Chicago that grossed $77.4 million on $12 million and led to sequels like Barbershop 2: Back in Business (2004) and Barbershop: The Next Cut (2016), where he again played the shop owner facing economic pressures. In action-comedy xXx: State of the Union (2005), he led as agent Darius Stone, replacing Vin Diesel's character in the spy thriller, which took in $71 million globally amid mixed reviews for its stunts over substance. Supporting roles persisted, such as the tough captain Dickson in 21 Jump Street (2012) and its 2014 sequel 22 Jump Street, where his banter with Jonah Hill drove comedic highlights and combined U.S. grosses exceeding $300 million. Later leads included the buddy-cop franchise Ride Along (2014), as detective James Payton mentoring his brother-in-law, grossing $153 million worldwide and spawning Ride Along 2 (2016) with $133.7 million, capitalizing on Cube's authoritative persona opposite Kevin Hart. In Lottery Ticket (2010), a supporting ensemble role as the mentor figure in a coming-of-age comedy, and Rampart (2011), as a drug dealer in Woody Harrelson's corruption drama, showcased dramatic range but limited box office success under $1.5 million each. By 2025, Cube had amassed roles in approximately 40 films, blending comedy, action, and drama, with his portrayals often drawing on authentic urban grit from his rap background.[192]Production and Directorial Credits
Ice Cube's directorial debut came with the urban drama The Players Club (1998), which he also wrote and executive produced under his company Cube Vision; the film depicts a young woman's experiences in the stripping industry and featured actors including LisaRaye McCoy and Bernie Mac.[193] His second directorial credit is the ESPN 30 for 30 documentary Straight Outta L.A. (2010), which chronicles the Los Angeles Raiders' tenure in the city from 1982 to 1995 and their cultural impact on hip-hop.[193][194] As a producer, Ice Cube has focused primarily on comedies and biopics through Cube Vision, often starring himself or collaborators from his music career, emphasizing streetwise humor and Black cultural narratives. Notable executive or co-production credits include the Friday franchise sequels Next Friday (2000) and Friday After Next (2002), both directed by Steve Carr and featuring Mike Epps; All About the Benjamins (2002), a heist comedy he co-produced and starred in; family comedies Are We There Yet? (2005) and its sequel Are We Done Yet? (2007); the ensemble comedy First Sunday (2008); the concert promoter farce Janky Promoters (2009); the N.W.A. biopic Straight Outta Compton (2015), which grossed over $200 million worldwide; and Barbershop: The Next Cut (2016).[194][195] He also executive produced The Players Club alongside his directorial role.[193]| Year | Title | Role | Notes |
|---|---|---|---|
| 1998 | The Players Club | Director, Executive Producer, Writer | Feature debut; budget $4.5 million |
| 2000 | Next Friday | Executive Producer | Sequel to 1995's Friday; grossed $57 million |
| 2002 | All About the Benjamins | Executive Producer | Co-starred with Mike Epps |
| 2002 | Friday After Next | Executive Producer | Third Friday film; grossed $33 million |
| 2005 | Are We There Yet? | Producer | Family comedy; grossed $98 million |
| 2007 | Are We Done Yet? | Producer | Sequel; grossed $50 million |
| 2008 | First Sunday | Producer | Directed by David Meyers |
| 2009 | Janky Promoters | Producer | Co-starred with Mike Epps |
| 2010 | Straight Outta L.A. | Director, Executive Producer | ESPN documentary |
| 2015 | Straight Outta Compton | Producer | Biopic; Academy Award nominations for screenplay |
| 2016 | Barbershop: The Next Cut | Producer | Sequel in franchise |