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Finn Brothers
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The Finn Brothers are a New Zealand musical duo consisting of brothers Neil and Tim Finn. In June 1993 both members were awarded the OBE for their contribution to music.[1]
Key Information
The two brothers began making music together at a young age; later, when Neil was 18, he was invited to join older brother Tim in Split Enz.[2] Neil would go on to write one of the band's biggest hits, "I Got You". Tim released his first solo album Escapade before leaving Split Enz, and the band folded soon after. Neil started his own group, Crowded House and subsequently recorded two solo albums after Crowded House split in 1996. He reformed Crowded House in 2007, releasing four albums since then. Neil and Tim have also released a series of separate solo albums.
After working on a Finn brothers album with Neil, Tim joined Crowded House for the Woodface album in which they jointly wrote several major hits. Tim toured with Crowded House in 1991 and continued to appear as a guest musician until the band broke up in 1996.
The brothers finally released albums under the Finn Brothers moniker in 1995 and 2004.
History
[edit]Woodface and Finn
[edit]Tim and Neil intended to start the Finn brothers project after a three-week song writing spree in 1989. However, most of the songs written during this time were deemed suitable for inclusion on a Crowded House album and they appeared on Woodface, which was released in 1991 and led to Tim joining Crowded House.[3] Many of the original demo recordings from these sessions were subsequently released as B-sides on Finn Brothers singles and recently collected on a vinyl re-release of Finn. Tim left Crowded House while they were touring Europe in support of the Woodface album.
Tim and Neil reconvened in 1995, and the eclectic, lo-fi album which resulted was simply called Finn. In the UK the duo changed both their name and that of the album to Finn Brothers, to avoid confusion with a band going under the moniker Fin.[citation needed] This title was kept for all future collaborations. However re-releases of the original album in Australia and New Zealand still go by the original title Finn.
Everyone Is Here
[edit]Their second album, Everyone Is Here was released in 2004. It was recorded twice, once in upstate New York with producer Tony Visconti, bassist Bones Hillman and Ross Burge on drums, then again six months later in Los Angeles with Crowded House producer Mitchell Froom and different session musicians. Some of the songs from the first recording session were kept as B sides and later appeared on a special edition of the album. The album featured the Split Enz song "Edible Flowers", the inspiration for the music video. The music video features two people in a donkey suit, however its wearers cannot be seen. In the 2005 tour, Neil and Tim Finn wore a donkey suit onto stage for many performances also.[4]
Following the Boxing Day tsunami, The Finn Brothers appeared at the Wave Aid fundraising concert in Sydney to help raise funds for aid organisations working in disaster affected areas.[5] As well as their own material, they performed a cover of Hunters and Collectors' "Throw Your Arms Around Me."
Television and film
[edit]Their song, "Anything Can Happen" was used in the first episode of Scrubs' fifth season, My Intern's Eyes. The song was used when we first meet Keith Dudemeister (albeit through his eyes) as he walks into his first day at Sacred Heart.
This song was also used on the final session of the last day of the 2005 England vs. Australia Ashes cricket series on Channel 4 Television, at the end of the last day of cricket being shown on British terrestrial television.
The song "Anything Can Happen" was also featured in movie Aurora Borealis.[6]
Their song "Luckiest Man Alive" was played during the closing credits of the television broadcast of the 2005 Indianapolis 500.
Discography
[edit]This discography relates to releases by The Finn Brothers. See Neil Finn's discography, Tim Finn's discography, Crowded House discography and Split Enz discography for other works by the Finn Brothers.
Studio albums
[edit]| Year | Title | Peak chart positions | Certifications (sales thresholds) | ||||
|---|---|---|---|---|---|---|---|
| NZ [7] |
AUS [8] |
BEL (Fla) [9] |
NED [10] |
UK [11] | |||
| 1995 | Finn | 8 | 14 | — | — | 15 | |
| 2004 | Everyone Is Here | 1 | 2 | 27 | 62 | 8 | |
| "—" denotes a recording that did not chart or was not released in that territory. | |||||||
Singles
[edit]| Year | Title | Peak chart positions | Album | |||
|---|---|---|---|---|---|---|
| NZ [7] |
AUS [8] |
UK [11] |
US AAA [14] | |||
| 1995 | "Suffer Never" | 12 | 70 | 29 | — | Finn |
| "Angel's Heap" | 24 | — | 41 | — | ||
| 2004 | "Won't Give In" | 16 | 75 | 26 | 8 | Everyone Is Here |
| "Nothing Wrong with You" | 35 | — | 31 | — | ||
| 2005 | "Anything Can Happen" | — | — | 32 | — | |
| 2005 | "Part of Me, Part of You" | 18 | — | 32 | — | |
| "—" denotes a recording that did not chart or was not released in that territory. | ||||||
References
[edit]- ^ "No. 53334". The London Gazette (Supplement). 11 June 1993. p. 38.
- ^ Chunn, Mike (1992). Stranger Than Fiction: The Life and Times of Split Enz. Wellington, N.Z.: GP Publications. ISBN 1-86956-050-7. OCLC 31240332.
- ^ Bourke, Chris (1997). Something So Strong. South Melbourne: Macmillan. ISBN 0-7329-0886-8. OCLC 38406050.
- ^ Button, James (30 March 2005). "The show goes on in memory of Hester". The Age. Retrieved 21 April 2013.
- ^ "WAVEAID - The Artists". WAVEAID. Archived from the original on 21 March 2012. Retrieved 21 April 2013.
- ^ Crust, Kevin (22 September 2006). "'Aurora Borealis' shines a true light". Los Angeles Times. Retrieved 21 April 2013.
- ^ a b "charts.nz > The Finn Brothers in New Zealand Charts". Hung Medien. Retrieved 19 July 2017.
- ^ a b Australian (ARIA) chart peaks:
- Top 50 peaks: "australian-charts.com > The Finn Brothers in Australian Charts". Hung Medien. Retrieved 19 July 2017.
- Top 100 peaks to December 2010: Ryan, Gavin (2011). Australia's Music Charts 1988–2010. Mt. Martha, VIC, Australia: Moonlight Publishing.
- "Suffer Never": "The ARIA Australian Top 100 Singles Chart – Week Ending 10 Dec 1995". Imgur.com (original document published by ARIA). Retrieved 19 July 2017. N.B. The HP column displays the highest peak reached.
- ^ "Ultratop Vlaanderen > The Finn Brothers in Ultratop Vlaanderen" (in Dutch). Hung Medien. Retrieved 19 July 2017.
- ^ "dutchcharts.nl > The Finn Brothers in Dutch Charts" (in Dutch). Hung Medien. Retrieved 19 July 2017.
- ^ a b UK chart peaks:
- Finn, "Suffer Never" and "Angel's Heap": "Official Charts > Finn". The Official UK Charts Company. Retrieved 19 July 2017.
- Everyone Is Here, "Won't Give in", "Nothing Wrong with You", and "Edible Flowers": "Official Charts > Finn Brothers". The Official UK Charts Company. Retrieved 19 July 2017.
- ^ Ryan, Gavin (2011). Australia's Music Charts 1988–2010. Mt. Martha, VIC, Australia: Moonlight Publishing.
- ^ "BPI > Certified Awards > Search results for 'Finn' (from bpi.co.uk)". Imgur.com (original source published by British Phonographic Industry). Retrieved 19 July 2017.
- ^ "The Finn Brothers - Triple A Songs". Billboard. Retrieved 6 March 2019.
External links
[edit]Finn Brothers
View on GrokipediaBackground
Early life and family
Tim Finn, born Brian Timothy Finn on June 25, 1952, in Te Awamutu, New Zealand, was the second of four children in the family of Dick and Mary Finn.[9][10] His younger brother, Neil Mullane Finn, was born on May 27, 1958, in the same rural Waikato town.[11][12] The siblings grew up alongside their older sister Carolyn and younger sister Judy in a household where music played a central role.[13] The Finn parents fostered creativity in their children, with Dick instilling a passion for music and Mary contributing musical talent through her piano playing and singing.[14] Family singalongs and gatherings were common, providing early encouragement for the brothers' interests.[15] Mary's devout Catholic faith also exposed the family to church music, while local performances and radio broadcasts in Te Awamutu introduced them to broader sounds.[16] Tim and Neil shared a close bond during childhood, often listening to music together and experimenting with simple instruments and songs in the 1960s.[17] Tim's early enthusiasm influenced Neil, who began piano lessons and self-taught guitar amid these familial activities.[18] Their shared experiences laid the foundation for a lifelong musical partnership. In the early 1970s, the brothers moved to Auckland for educational opportunities, with Tim attending Sacred Heart College and later the University of Auckland around 1969, followed by Neil enrolling at Sacred Heart in 1971.[9][19] This relocation opened new avenues for their musical pursuits in the city.Pre-Finn Brothers careers
Tim Finn co-founded the art rock band Split Enz in 1972 in Auckland, New Zealand, initially under the name Split Ends alongside high school friend Jonathan Chunn and Phil Judd, before renaming it to emphasize their national identity.[20][21] The group began with acoustic folk influences but evolved toward progressive rock, releasing their debut album Mental Notes in 1975, which showcased their experimental sound.[22] Neil Finn joined Split Enz in 1977 at age 18 as lead guitarist and co-vocalist, replacing departing co-founder Phil Judd and infusing the band with a more accessible pop sensibility.[21][23] His contributions proved pivotal, particularly on the 1980 album True Colours, where he wrote and sang the lead on the international hit single "I Got You," which topped charts in Australia and New Zealand and marked the band's breakthrough.[24][25] Split Enz disbanded in 1984 following the release of their final album See Ya Round, amid shifting dynamics and commercial pressures.[20] In the wake of Split Enz's dissolution, Tim Finn pursued a solo career, releasing his debut album Escapade in 1983 while still technically affiliated with the band; it featured the New Zealand number-one single "Fraction Too Much Friction."[20] He followed this with Big Canoe in 1986, an eclectic work incorporating orchestral elements and addressing social issues, such as the track "No Thunder, No Fire, No Rain" inspired by the Bhopal disaster.[20][26] Meanwhile, Neil Finn formed Crowded House in 1985 in Melbourne with drummer Paul Hester and bassist Nick Seymour, drawing from his Split Enz experience to craft a more streamlined rock sound.[27] Their self-titled debut album arrived in 1986, propelled by the global hit "Don't Dream It's Over," which reached number two on the US Billboard Hot 100 and established the band internationally.[28] The brothers' paths reconverged in the late 1980s through brief collaborations, including Tim providing backing vocals on several tracks from Crowded House's 1988 album Temple of Low Men, adding harmonic depth to songs like "Sister Madly."[29][30]Career
Woodface collaboration
In 1990, Neil Finn invited his brother Tim to contribute songs to what was intended as Crowded House's third studio album, marking a pivotal shift from an earlier Finn Brothers project that had been in development.[31][32] This collaboration arose after initial songwriting sessions for the brothers' joint effort, with Neil proposing to integrate several tracks into Crowded House's material to revitalize the band's direction.[31] Tim agreed and temporarily joined the band, co-writing eight songs with Neil, which, along with Neil's solo contributions and other material, formed the core of the album from a pool of over 20 recorded tracks.[32] Recording took place across multiple locations, beginning with preliminary sessions at Neil's home in Auckland in 1989, followed by principal work at Platinum Studios in Melbourne and A&M Studios in Los Angeles in 1990.[32] The process, produced by Mitchell Froom and Neil Finn, blended the Finn brothers' material with existing Crowded House songs, resulting in 14 tracks for the final album, though tensions emerged among band members over song selection and creative priorities.[33] These frictions, including debates on which tracks to prioritize, led to Tim's eventual departure from the band during a 1991 tour, after which Crowded House reverted to its core trio.[33] Woodface was released on July 8, 1991, by Capitol Records, achieving strong commercial performance with a peak of number 6 on the UK Albums Chart, where it spent 93 weeks in the top 100, number 1 in New Zealand, and number 2 in Australia, eventually earning platinum certification there.[34][35] Key singles included "Weather with You," which became a major hit in Australia and New Zealand, and "Chocolate Cake," the lead single that faced mixed reception but highlighted the album's eclectic style.[36] Critics lauded Woodface for the Finn brothers' signature sibling harmonies and intricate songcraft, with tracks like "Weather with You" and "Four Seasons in One Day" exemplifying their melodic precision and lyrical depth.[36] The album's blend of pop-rock accessibility and emotional nuance was seen as a high point in Crowded House's catalog, contributing to global sales of approximately 785,000 copies and solidifying the band's international appeal, particularly in Australasia and Europe.[36][37]Finn album
Following their collaboration on Crowded House's Woodface album in 1991, brothers Tim and Neil Finn decided to record a standalone duo project without the involvement of the band. In mid-1994, they reconvened for a month of intensive songwriting and began recording sessions at York Street Studios in Auckland, New Zealand, from November 1994 to March 1995, with the brothers handling most instruments themselves. This marked their first independent effort as the Finn Brothers, emphasizing a close familial creative bond.[38][39] The self-titled album Finn was released in October 1995 by Parlophone Records, featuring 11 co-written tracks that highlight an acoustic, lo-fi, and introspective sound distinct from their prior pop-oriented work. Produced by Tchad Blake alongside the Finns, the record captures raw, bedroom-like sessions with eclectic arrangements, including piano, guitar, drums, and occasional contributions like bass from Dave Dobbyn on one track. Standout songs such as "Only Talking Sense" and "Eyes of the World" delve into personal introspection and familial dynamics, reflecting the brothers' shared history and emotional depth.[40][41][6] The album garnered positive critical reception for its intimate chemistry and songcraft, with reviewers praising its unpolished charm and the siblings' harmonious interplay as an "instant classic." It achieved commercial success in their home market, peaking at number 3 on the New Zealand album charts. To promote the release, the Finn Brothers embarked on a tour across Australia, Europe—including shows in England and Ireland—and New Zealand in late 1995 and early 1996, performing in venues like Sydney's Metro Theatre and Melbourne's Dallas Brooks Hall.[42][43][44][18]Everyone Is Here
After nearly a decade apart following their 1995 debut album, brothers Tim and Neil Finn reunited for collaborative work in 2003, driven by a desire to recapture their sibling synergy amid respective solo endeavors. The gap had been filled with individual pursuits, including Neil's continued leadership of Crowded House and Tim's explorations in alternative projects, but the brothers' shared history in Split Enz and earlier joint efforts inspired a return to duo songwriting during informal sessions at Neil's Roundhead Studios in Auckland. This reunion marked a deliberate effort to blend their matured perspectives, focusing on themes of family, loss, and connection, ultimately solidifying the Finn Brothers as a lasting musical partnership.[45][46] The album Everyone Is Here was produced primarily by the Finn Brothers alongside Mitchell Froom, emphasizing spacious arrangements and lush string sections recorded in London to enhance emotional depth. Initial demos were cut in upstate New York with Tony Visconti but scrapped in favor of fuller band sessions at Cello Studios in Los Angeles from February to March 2004, featuring drummer Matt Chamberlain, bassist Sebastian Steinberg, and contributions from Jon Brion; mixing was handled by Bob Clearmountain. Released on August 23, 2004, by Parlophone in the UK and Nettwerk elsewhere, the 12-track record highlights songs like "Disembodied Voices," an introspective reflection on childhood memories, and "Luckiest Man Alive," showcasing their signature harmonious interplay.[7][45][47] Commercially, Everyone Is Here debuted at number one on the New Zealand charts, reflecting strong local support, and reached number eight on the UK Albums Chart, where it spent six weeks in the top 100. Critically, the album was praised for its mature songwriting and delicate vocal harmonies, with reviewers noting its resonance as a more polished evolution from their earlier work, evoking comparisons to classic sibling acts like the Everly Brothers. To promote the release, the Finns undertook a world tour starting with a six-week US leg in late 2004, followed by New Zealand shows in November and extending into 2005 with performances at venues like London's Royal Albert Hall; the tour included festival appearances that highlighted their revitalized chemistry.[48][49][47] Promotional efforts featured music videos for tracks like "Won't Give In" and "Part of Me, Part of You," directed to capture the brothers' intimate dynamic, alongside extensive interviews where they discussed the project's role in reconciling past creative tensions and honoring their family legacy. In one such conversation, Tim emphasized the album's exploration of broader love themes beyond romance, while Neil reflected on how the collaboration healed longstanding fraternal rifts through shared vulnerability. These efforts underscored the album's significance in cementing the Finn Brothers' enduring influence on pop songcraft.[50][45][46]Later projects and reunions
Following the release of Everyone Is Here in 2004, the Finn Brothers engaged in sporadic collaborations, primarily through guest appearances on each other's solo projects. In 2017, Tim Finn contributed vocals to the track "Alone" on Neil Finn's album Out of Silence, a piano-led ballad that highlighted their signature harmonic interplay. This marked one of their few direct musical partnerships in the ensuing decade, emphasizing emotional depth over full duo efforts. No new joint studio album has materialized as of 2025.[45] Live reunions have been infrequent, limited to select performances rather than extended tours. The duo made a notable appearance together at the 2005 Wave Aid benefit concert in Sydney, performing tracks from their catalog alongside Crowded House material.[51] In the 2010s, they occasionally shared stages at family-oriented or anniversary events, such as Neil's 2015 solo concert at Auckland Town Hall, where Tim joined for encores including "Weather with You."[52] These moments underscored their enduring chemistry but did not lead to broader touring commitments. Interviews in the mid-2010s revealed ongoing discussions about potential future projects, though none advanced beyond conceptual stages by 2025.[53] Individually, Neil Finn pursued high-profile endeavors that occasionally intersected with themes central to the Finn Brothers' work, such as familial bonds and introspective songwriting. He formed Pajama Club in 2011 with his wife Sharon Finn on drums, releasing a self-titled album of raw, groove-oriented rock that echoed the experimental edge of early Finn collaborations.) From 2018 to 2020, Neil served as guitarist and co-lead vocalist for Fleetwood Mac, contributing to their final tour before the band's disbandment in 2022; this stint infused his writing with broader ensemble dynamics, potentially enriching future duo explorations.[54] Meanwhile, Tim Finn focused on theater composition, scoring the 2015 musical Ladies in Black, adapted from Madeleine St John's novel, where his melodic structures supported narrative-driven songs about post-war Australian life.[55] He also revisited earlier theater contributions, including incidental music for the 1987 stage production of The End of the Golden Weather, a play by Bruce Mason that captured New Zealand childhood nostalgia—elements that paralleled the brothers' shared lyrical motifs of memory and place. These pursuits allowed each to refine their craft independently, informing the possibility of renewed Finn Brothers material through matured perspectives.[56] As of 2025, the Finn Brothers maintain an informal creative partnership, with no formal disbandment but priorities shifted toward family, health, and separate ventures. Recent statements from Tim Finn highlight the joys of occasional collaborations amid personal life, while Neil has expressed openness to future joint work in interviews tied to Crowded House's Gravity Stairs (2024).[53] Their involvement in the announced 2026 Split Enz reunion tour suggests ongoing familial musical ties that could extend to duo activities.[21]Musical style and influences
Collaborative style
The Finn Brothers' collaborative style is characterized by their signature close vocal harmonies, which blend Tim Finn's higher register with Neil Finn's mid-range to create a seamless, emotive texture often described as "creamy" and evocative of sibling chemistry akin to the Everly Brothers.[45][57] This interplay is evident in tracks like "Weather with You," where their voices converge organically during choruses to heighten the song's wistful optimism, and "Last Day of Autumn," which features layered harmonies that underscore themes of transience and familial bonds.[17][58] Their songwriting process emphasizes co-composition through iterative exchanges, frequently beginning with lyrical fragments, melody demos, or jamming sessions that draw on shared personal histories.[58] Songs often emerge from intense, daily collaborations where one brother contributes initial ideas—such as Tim's opening lines for "Weather with You"—which the other refines, resulting in over 30 co-written pieces since 1979 that explore introspection, relationships, and New Zealand identity.[17][58] This method fosters a "magic" synergy, as noted by producer Mitchell Froom, allowing themes of empathy and surreal imagery to develop naturally without rigid structures.[58] In production, the duo favors organic instrumentation, incorporating acoustic guitars, strings, and subtle percussion while minimizing electronics to preserve an intimate, live feel.[45] Their approach evolved from the rock-oriented energy of Woodface collaborations, featuring fuller band arrangements, to the stripped-back acoustic focus of Finn, and further to the orchestral swells in Everyone Is Here, where string sections arranged by Tony Visconti add emotional depth without overpowering the core duo dynamic.[45][58] Techniques like recording with minimal overdubs and quirky elements—such as a tea chest bass or repaired keyboards—enhance the raw, consonant harmonies that tap into innate emotional resonance.[58][17] Live performances reflect this intimacy through duo sets centered on acoustic guitars, where the brothers alternate leads and share storytelling anecdotes between songs to contextualize their material.[59] These moments, often drawing from childhood memories in Te Awamutu, create a conversational, fan-engaged atmosphere that mirrors their collaborative ethos, with Tim's excitable energy contrasting Neil's steady presence to amplify the harmonies' warmth.[45][59]Key influences
The Finn Brothers' sound draws heavily from the harmonious pop innovations of The Beatles, whose intricate vocal arrangements and songcraft profoundly shaped both Neil and Tim Finn from their youth in New Zealand.[60][61] Tim Finn has cited the Beatles alongside other British Invasion acts like the Kinks as foundational to his melodic sensibilities, while Neil has acknowledged their enormous impact on his early songwriting, often emulating their blend of accessibility and emotional depth.[60] This pop foundation intersects with New Zealand's local traditions, including Māori music, which influenced Tim's rhythmic and lyrical approaches through childhood exposure to indigenous sounds from neighboring communities.[60] The brothers' work also reflects broader Pacific influences, evident in songs incorporating Māori phrases and themes of cultural connection, such as the track "Niwhai," which evokes a "Pacific sister" motif.[18] Additionally, 1970s art rock from bands like Roxy Music informed the eccentric, theatrical edge of their Split Enz roots, with producer Phil Manzanera's involvement underscoring a lasting stylistic kinship that carried into the duo's experimental textures.[62] Their genre blends—merging pop, rock, and indie elements—owe much to individual paths: Tim's extensive theater composition background, including musicals and operas, infused narrative storytelling and dramatic flair into their collaborations.[56] Neil's experience leading Crowded House brought a polished, radio-friendly sheen, enhancing the duo's melodic accessibility while preserving introspective layers.[63] Personal losses, including the deaths of family members, deepened the emotional resonance of their music, fostering a vulnerability that permeates themes of grief and resilience.[64] Over time, these influences drove an evolution from the energetic, upbeat pop of their 1990s debut album Finn to the more contemplative folk-infused reflections in the 2000s' Everyone Is Here, shaped by solo explorations that allowed each brother to refine introspective elements before reuniting.[65]Discography
Studio albums
The Finn Brothers' studio discography comprises two albums: their self-titled debut Finn (1995) and Everyone Is Here (2004). Their contributions to Crowded House's Woodface (1991) are also notable, featuring eight co-written tracks by the brothers. These releases highlight the brothers' songwriting synergy, blending pop melodies with introspective lyrics, and were produced under major labels with notable commercial success in Australasia and the UK. No additional studio albums have been released as of November 2025, though sessions for Everyone Is Here yielded unreleased material later explored in compilations.[4]Woodface (1991)
Woodface, the third studio album by Crowded House featuring significant contributions from the Finn Brothers, includes eight tracks co-written by Neil and Tim Finn during sessions originally intended for a Finn Brothers project. Released on July 2, 1991, by Capitol Records, the album was produced by Mitchell Froom and Neil Finn at A&M Studios in Los Angeles and Periscope Studios in Melbourne. It marked a pivotal fusion of Crowded House's sound with the Finns' familial harmonies, resulting in a 14-track standard edition (expanded to 21 tracks in later deluxe reissues including demos and outtakes). The album peaked at No. 2 on the Australian ARIA Albums Chart, No. 1 on the New Zealand Albums Chart (RMNZ), No. 6 on the UK Albums Chart, and No. 83 on the US Billboard 200. It achieved platinum certification in Australia (70,000 units) by ARIA in November 1991, gold in Canada (50,000 units) by Music Canada, gold in the Netherlands (50,000 units) by NVPI, platinum in New Zealand (15,000 units) by RMNZ, and 2× platinum in the UK (600,000 units) by BPI.[66][37][67]| No. | Title | Writers | Length |
|---|---|---|---|
| 1 | "Chocolate Cake" | Neil Finn | 4:02 |
| 2 | "It's Only Natural" | Neil Finn, Tim Finn | 3:32 |
| 3 | "Fall at Your Feet" | Neil Finn | 3:19 |
| 4 | "Tall Trees" | Neil Finn | 2:55 |
| 5 | "Weather with You" | Neil Finn, Tim Finn | 4:06 |
| 6 | "Whispers and Moans" | Neil Finn, Mitchell Froom | 3:40 |
| 7 | "Four Seasons in One Day" | Neil Finn, Tim Finn | 2:56 |
| 8 | "There Goes God" | Neil Finn, Tim Finn, Paul Hester, Nick Seymour | 3:50 |
| 9 | "How Will I Know" | Neil Finn | 2:43 |
| 10 | "I Hope I Never" | Tim Finn | 4:03 |
| 11 | "She Goes On" | Neil Finn | 3:17 |
| 12 | "Deep in the Heart" | Neil Finn | 3:51 |
| 13 | "Black and White Boy" | Neil Finn | 4:20 |
| 14 | "Last Chance" | Neil Finn, Tim Finn | 0:51 |
Finn (1995)
The Finn Brothers' eponymous debut album, Finn, was released in October 1995 by Parlophone (EMI) in the UK and Australia, and Discovery in the US. Produced by Tchad Blake and the Finn Brothers at York Street Studios in Auckland, the 11-track record captures the duo playing most instruments themselves, emphasizing intimate, acoustic-driven pop with themes of loss and resilience. It peaked at No. 14 on the Australian ARIA Albums Chart and No. 8 on the New Zealand Albums Chart (RMNZ), while reaching No. 15 on the UK Albums Chart. The album sold over 100,000 copies worldwide, driven by singles "Suffer Never" and "Angel's Heap."[68][69]| No. | Title | Length |
|---|---|---|
| 1 | "Only Talking Sense" | 3:03 |
| 2 | "Eyes of the World" | 2:51 |
| 3 | "Mood Swinging Man" | 4:06 |
| 4 | "Last Day of June" | 3:18 |
| 5 | "Suffer Never" | 4:00 |
| 6 | "Angel's Heap" | 3:52 |
| 7 | "Niwhai" | 3:35 |
| 8 | "Where Is My Soul" | 3:52 |
| 9 | "Bullets in My Hairdo" | 3:40 |
| 10 | "Paradise (Wherever You Are)" | 4:02 |
| 11 | "Kiss the Road of Rarotonga" | 3:25 |
Everyone Is Here (2004)
Everyone Is Here, the second Finn Brothers album, was released on August 23, 2004, by Parlophone. Initial sessions were produced by Tony Visconti in upstate New York, with final production by Mitchell Froom at Cello Studios in Los Angeles; the 12-track effort explores familial bonds and mortality through lush arrangements and guest contributions from musicians like Sebastian Steinberg and Lisa Germano. A special edition included bonus tracks and a DVD of live performances. The album debuted at No. 1 on the New Zealand Albums Chart (RMNZ), No. 2 on the Australian ARIA Albums Chart, and No. 8 on the UK Albums Chart, with six weeks in the UK top 100. It received the New Zealand Music Award for International Achievement in 2005.[71][7][49][5]| No. | Title | Writers | Length |
|---|---|---|---|
| 1 | "Won't Give In" | Neil Finn, Tim Finn | 4:17 |
| 2 | "Nothing Wrong with You" | Neil Finn, Tim Finn | 4:10 |
| 3 | "Anything Can Happen" | Neil Finn, Tim Finn | 3:04 |
| 4 | "Luckiest Man Alive" | Neil Finn | 3:56 |
| 5 | "Homesick" | Neil Finn | 3:48 |
| 6 | "Disembodied Voices" | Neil Finn | 3:40 |
| 7 | "A Life Between Us" | Tim Finn | 3:53 |
| 8 | "All God's Children" | Neil Finn, Tim Finn | 3:47 |
| 9 | "Edible Flowers" | Neil Finn, Tim Finn, Eddie Rayner, Nigel Griggs, Noel Crombie | 4:51 |
| 10 | "All the Colours" | Tim Finn | 2:11 |
| 11 | "Part of Me, Part of You" | Neil Finn | 3:29 |
| 12 | "Gentle Hum" | Neil Finn, Tim Finn | 4:36 |
Singles and EPs
The Finn Brothers released a limited number of singles, primarily drawn from their two studio albums, Finn (1995) and Everyone Is Here (2004), with most serving as promotional or radio singles rather than major commercial hits. These releases often featured B-sides or remixes from the parent albums, and their chart performance was modest outside of New Zealand, where they achieved stronger local airplay. Non-album singles were rare, though promotional tracks like "Part of Me, Part of You" emerged during the Everyone Is Here era.[73][74] Notably, the brothers' collaboration extended to the Crowded House single "Weather with You" (1992), co-written by Neil and Tim Finn for the album Woodface, which peaked at No. 7 on the UK Singles Chart and became one of their most enduring shared compositions despite the band credit.| Title | Year | Album | UK Peak | Notes/B-sides |
|---|---|---|---|---|
| Suffer Never | 1995 | Finn | 29 | Includes album track remixes; limited release.[75][76] |
| Only Talking Sense | 1995 | Finn | - | B-side: "Kiss the Road"; Japan CD single. |
| Angel's Heap | 1995 | Finn | 41 | Promotional single; no major B-sides. |
| Won't Give In | 2004 | Everyone Is Here | 26 | 2 weeks on chart; B-side: live tracks.[77][78] |
| Anything Can Happen | 2004 | Everyone Is Here | - | Digital promo; includes acoustic version. |
| Nothing Wrong With You | 2004 | Everyone Is Here | 31 | 2 weeks on chart; bundled with album.[79][80] |
| Part of Me, Part of You | 2004 | Everyone Is Here | - | CD-R promo only; no commercial release.[81] |
| Edible Flowers | 2005 | Everyone Is Here | 32 | 2 weeks on chart; final single from album.[82] |
