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Free Wired
Studio album by
ReleasedOctober 12, 2010
Genre
Length36:09
Label
Producer
Far East Movement chronology
Animal
(2009)
Free Wired
(2010)
Dirty Bass
(2012)
Singles from Free Wired
  1. "Like a G6"
    Released: April 13, 2010
  2. "Rocketeer"
    Released: October 9, 2010
  3. "If I Was You (OMG)"
    Released: March 20, 2011
Professional ratings
Review scores
SourceRating
AllMusicStarStarStarHalf star[1]
BillboardStarStarStarStar[2]
Entertainment WeeklyB−[3]
Robert ChristgauB+[4]

Free Wired is the third album and major label debut of the American group Far East Movement, released on October 12, 2010, by Cherrytree Records and Interscope Records.

The album debuted at number 24 on the Billboard 200, with sales of 17,000.[5]

The first single "Like a G6" was released on April 13, 2010. It reached number 1 on the Billboard Hot 100. The second official single was "Rocketeer", which featured Ryan Tedder from OneRepublic. The music video for the song premiered on VEVO and YouTube on October 29, 2010.[6] "Rocketeer" reached number 7 on the Billboard Hot 100.

Background

[edit]

Speaking about the album in March 2011 to Blues & Soul, Kev Nish of Far East Movement stated: "'Free Wired' was basically a slang-word we came up with back in the day, that we'd use whenever we'd do something that was outside the box, that was original, that was fresh, and that mashed-up things that maybe shouldn't have been mashed-up! Which is why, when it came to titling this album, it made so much sense! Because it really represented our lifestyle, represented what we listen to... You know, we'd basically go in the studio and take hip hop-style drums, electronic synths, alternative-style hooks and just – as I say – mash it all up!... So yeah, with 'Free Wired' you definitely get exactly what it says in the title!"[7]

Track listing

[edit]
  • All songs were written by Jae Choung, James Roh, Kevin Nishimura and Virman Coquia. Additional writers are noted below.
Standard edition
No.TitleWriter(s)Producer(s)Length
1."Girls on the Dance Floor" (featuring the Stereotypes)The Stereotypes3:54
2."Like a G6" (featuring the Cataracs and Dev)The Cataracs3:36
3."Rocketeer" (featuring Ryan Tedder)
3:31
4."If I Was You (OMG)" (featuring Snoop Dogg)
  • The Stereotypes
  • The Smeezingtons
3:25
5."She Owns the Night" (featuring Mohombi)
  • J. Yip
  • J. Reeves
  • R. Romulus
  • Malcolm McDaniel
The Stereotypes4:02
6."So What?"The Stereotypes3:24
7."Don't Look Now" (featuring Keri Hilson)
The Stereotypes3:33
8."Fighting for Air" (featuring Vincent Frank)
  • Fernando Garibay
  • DJ White Shadow
3:45
9."White Flag" (featuring Kayla Kai)Martin "Cherry Cherry Boom Boom" Kierszenbaum3:48
10."2gether" (with Roger Sanchez featuring Kanobby)
  • Roger Sanchez
  • J. Yip
  • J. Reeves
  • R. Romulus
Roger Sanchez3:05
iTunes Store U.S. bonus track[8]
No.TitleProducer(s)Length
11."Go Ape" (featuring Lil Jon and Colette Carr)The Stereotypes3:30
International bonus track[9][10]
No.TitleProducer(s)Length
11."2 Is Better" (featuring Natalia Kills and Ya Boy)The Stereotypes3:19
UK edition[11]
No.TitleWriter(s)Producer(s)Length
1."Girls on the Dance Floor" (featuring the Stereotypes)
  • Bruno Mars
  • Jonathan Yip
  • Jeremy Reeves
  • Ray Romulus
The Stereotypes3:54
2."Like a G6" (featuring the Cataracs and Dev)
  • David Singer-Vine
  • Niles Holowell-Dhar
The Cataracs3:36
3."Rocketeer" (featuring Ryan Tedder)
  • B. Mars
  • J. Yip
  • J. Reeves
  • R. Romulus
  • Philip Lawrence
  • The Stereotypes
  • The Smeezingtons
3:31
4."If I Was You (OMG)" (featuring Snoop Dogg)
  • B. Mars
  • J. Yip
  • J. Reeves
  • R. Romulus
  • Calvin Broadus
  • The Stereotypes
  • The Smeezingtons
3:25
5."She Owns the Night" (featuring Mohombi)
  • J. Yip
  • J. Reeves
  • R. Romulus
  • Malcolm McDaniel
The Stereotypes4:02
6."So What?"
  • J. Yip
  • J. Reeves
  • R. Romulus
  • Michael Diamond
  • Adam Horovitz
  • Adam Yauch
The Stereotypes3:24
7."Don't Look Now" (featuring Keri Hilson)
  • Heather Bright
  • J. Yip
  • J. Reeves
  • R. Romulus
The Stereotypes3:33
8."Fighting for Air" (featuring Vincent Frank)
  • Fernando Garibay
  • Michael Warren
  • J. Yip
  • J. Reeves
  • R. Romulus
  • Fernando Garibay
  • DJ White Shadow
3:45
9."White Flag" (featuring Kayla Kai)
  • Martin Kierszenbaum
  • J. Yip
  • J. Reeves
  • R. Romulus
Martin "Cherry Cherry Boom Boom" Kierszenbaum3:48
10."2 Is Better" (featuring Natalia Kills and Ya Boy) The Stereotypes3:19
Japanese edition
No.TitleWriter(s)Producer(s)Length
1."Girls on the Dance Floor" (featuring the Stereotypes)
  • Bruno Mars]]
  • Jonathan Yip
  • Jeremy Reeves
  • Ray Romulus
The Stereotypes3:54
2."Like a G6" (featuring The Cataracs and Dev)
  • David Singer-Vine
  • Niles Holowell-Dhar
The Cataracs3:36
3."Rocketeer" (featuring Ryan Tedder)
  • B. Mars
  • J. Yip
  • J. Reeves
  • R. Romulus
  • Philip Lawrence
  • The Stereotypes
  • The Smeezingtons
3:31
4."If I Was You (OMG)" (featuring Snoop Dogg)
  • B. Mars
  • J. Yip
  • J. Reeves
  • R. Romulus
  • Calvin Broadus
  • The Stereotypes
  • The Smeezingtons
3:25
5."She Owns the Night" (featuring Mohombi)
  • J. Yip
  • J. Reeves
  • R. Romulus
  • Malcolm McDaniel
The Stereotypes4:02
6."So What?"
  • J. Yip
  • J. Reeves
  • R. Romulus
  • Michael Diamond
  • Adam Horovitz
  • Adam Yauch
The Stereotypes3:24
7."Don't Look Now" (featuring Keri Hilson)
  • Heather Bright
  • J. Yip
  • J. Reeves
  • R. Romulus
The Stereotypes3:33
8."Fighting for Air" (featuring Vincent Frank)
  • Fernando Garibay
  • Michael Warren
  • J. Yip
  • J. Reeves
  • R. Romulus
  • Fernando Garibay
  • DJ White Shadow
3:45
9."White Flag" (featuring Kayla Kai)
  • Martin Kierszenbaum
  • J. Yip
  • J. Reeves
  • R. Romulus
Martin "Cherry Cherry Boom Boom" Kierszenbaum3:48
10."2 Is Better" (featuring Natalia Kills and Ya Boy) The Stereotypes3:19
11."Go Ape" (featuring Lil Jon and Colette Carr) The Stereotypes3:30
12."Make It Bump" (featuring Koda Kumi)  4:05
13."Rocketeer (DJ Kaori's Party Mix)" (featuring Ryan Tedder)
  • B. Mars
  • J. Yip
  • J. Reeves
  • R. Romulus
  • P. Lawrence
DJ Kaori3:22

Samples and interpolations

[edit]

"So What?"

"Don't Look Now"

  • Contains additional vocals recorded by Bryan "The Beard" Jones

"Fighting For Air"

  • Contains additional recording by Justin "Kanobby" Keitt

Charts

[edit]

References

[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
Free Wired is the third studio album and major label debut by the American hip hop and electronic music group Far East Movement, released on October 12, 2010, through Cherrytree Records and Interscope Records. The album blends hip-hop, electro house, and pop genres, featuring high-energy tracks with rave-inspired production, vocoders, and Auto-Tuned vocals, often compared to the style of the Black Eyed Peas. It includes prominent guest appearances from artists such as Snoop Dogg, Ryan Tedder of OneRepublic, Dev, The Cataracs, Keri Hilson, and Mohombi, contributing to its party-oriented sound. Far East Movement, an Asian-American quartet from consisting of Kev Nish, Prohgress, J-Splif, and DJ Virman, formed in 2003 and gained initial recognition in the underground club scene before signing with a major label. Free Wired marked a breakthrough for the group, propelled by the lead single "" featuring and Dev, which debuted on the album and became their first number-one hit on the , making the first Asian-American act to achieve this milestone. Follow-up singles "Rocketeer" (featuring ), which peaked at number seven on the Hot 100, and "If I Was You (OMG)" (featuring ) further boosted its visibility. The album debuted and peaked at number 24 on the chart, selling 17,000 copies in its first week, and reached number four on the Top Rap Albums chart. Its tracklist emphasizes upbeat, danceable songs like "Girls on the Dance Floor" (featuring ), "She Owns the Night" (featuring ), and "2gether" (featuring Kanobby and ), alongside more introspective cuts such as "Fighting for Air" and "White Flag." Overall, Free Wired sold over 118,000 copies in the United States by early 2011 and helped establish as a key player in the electro-hip-hop crossover scene.

Development and recording

Background and concept

, an American electro-hop group, was formed in 2003 in ' by childhood friends Kev Nish (Kevin Nishimura), Prohgress (James Roh), and J-Splif (Jae Choung), with DJ Virman (Virman Coquia) joining later as the group's DJ. Their early work drew from the vibrant club scene, blending hip-hop, electronic, and pop elements to create party-oriented tracks that laid the foundation for their signature sound. Prior to their major label breakthrough, the group released music independently, including their debut studio album Folk Music in 2006 and Animal in 2009, both issued without major label backing to build a grassroots following in the underground electro-hip-hop circuit. In early 2010, Far East Movement transitioned to a major label deal with Cherrytree Records, an imprint of Interscope Records, marking their shift from independent artists to mainstream contenders. This signing was propelled by pre-album buzz, particularly from the track "Like a G6" (featuring the Cataracs and Dev), which they uploaded to their YouTube channel on November 4, 2009, amassing viral attention and helping secure the contract. The album's title, Free Wired, originated as slang coined by Kev Nish to describe the group's approach to music-making, emphasizing originality, freshness, and fearless genre-mashing that mirrors their high-energy party lifestyle and the free-flowing, collaborative vibe of their studio sessions. This concept encapsulated Movement's ethos of "geeking out" without boundaries—staying connected to diverse influences while encouraging authentic self-expression through eclectic sound fusion. The electro-hip-hop roots from their beginnings directly informed this direction, positioning Free Wired as a major label extension of their underground experimentation.

Recording and production

Recording for Free Wired took place from late 2009 to mid-2010 across multiple studios, including Cherrytree Recording Studios in , Island Life Studios in , , Paradise Studios, Purple Reign Studios in , and Short Bus Studios in North Hollywood, . The sessions emphasized a collaborative environment that blended electronic production techniques with live instrumentation to capture the group's high-energy vision. Key producers included , who handled "" featuring Dev's vocals, and , who contributed to several tracks such as "Rocketeer." Mixing occurred at Levcon Studios in Hollywood, , with engineers like Ari Levine overseeing elements of the final sound. Featured artists played significant roles in shaping the album's tracks: of provided the lead vocals and ballad-style chorus for "Rocketeer," adding emotional depth to the production. contributed rap verses to "If I Was You (OMG)," infusing hip-hop flair into the electronic framework. Dev's featured performance on "" delivered the song's signature pop hooks. The overall production style focused on high-energy electronic beats, hip-hop rhythms, and infectious pop hooks, resulting in a standard edition runtime of 36:09.

Musical style and themes

Genre influences

Free Wired primarily blends electro-hop with and elements, marking an evolution from Far East Movement's earlier underground club sound to a more polished, mainstream aesthetic. The album incorporates influences from high-energy and European , featuring heavy layers and electronic beats designed for party environments. Key production techniques include prominent 808 basslines and pounding bass hits, particularly evident in tracks like "Like a G6," which uses a repetitive synth hook built from three or four notes alongside a non-stop barrage of snares and bass for an infectious, club-ready drop. Auto-tuned vocals and EDM-style drops further enhance the electro-hop foundation, creating layered, high-octane anthems that fuse hip-hop rhythms with pop accessibility. Songs such as "Girls on the Dance Floor" emphasize dance-floor energy with catchy, upbeat electronic structures, while "Rocketeer" shifts toward R&B-infused balladry through soulful crooning and piano accents, providing a melodic contrast within the album's party-centric vibe. The album's cohesive sound reflects a major-label refinement of the group's underground roots, with 10 tracks averaging around 3-4 minutes each to maintain relentless momentum and broad appeal. This structure prioritizes synthesizers, snares, and dynamic production to craft party anthems that bridge hip-hop, pop, and electronic genres seamlessly.

Lyrical content

The lyrical content of Free Wired centers on themes of , aspiration, and , reflecting the experiences of Asian-American youth in . Tracks like "" exemplify party culture and luxury, with lyrics celebrating the jet-set lifestyle through references to Gulfstream G6 private jets, popping bottles of champagne, and feeling euphoric like being airborne, portraying an uninhibited night of excess as a core element of the group's worldview. In contrast, "Rocketeer" shifts to romance and perseverance, serving as a dedication to loved ones amid challenges, with verses expressing a desire to escape hardships, chase dreams together, and overcome odds like underdogs from LA's streets, evoking emotional vulnerability and commitment. This slower, heartfelt track highlights aspiration, inspired by the group's own journeys as downtown LA kids pursuing success against barriers. Social commentary emerges in songs like "If I Was You (OMG)", where Snoop Dogg's verses boast about the perks of fame—such as self-admiration upon waking and dominating the club scene—while subtly underscoring the and superficiality it attracts, tying into broader narratives of allure and its isolating effects. The album as a whole emphasizes Asian-American and LA street life, drawing from the group's in and multicultural influences to portray a "free wired" ethos of blending geeky authenticity with urban grit, as seen in references to late-night taco trucks and diverse cultural fusion. Songwriting credits are primarily held by members Kev Nish, Prohgress, J-Splif, and DJ Virman, who co-wrote most tracks, with contributions from collaborators like on "Rocketeer" and on "", incorporating urban slang such as "slizzard" and "sizzurp" alongside occasional nods to Asian linguistic flair in their delivery. This mix of English slang and subtle multicultural elements underscores the album's uninhibited expression, contrasting upbeat club anthems with introspective ballads to capture the highs and lows of ambition.

Release and promotion

Singles

The lead single from Free Wired, "Like a G6" featuring and Dev, was released on April 13, 2010, and served as the breakout hit that generated significant buzz for the album. Produced by , the track quickly climbed the charts, debuting at number 92 on the in late August 2010 before reaching number one for three non-consecutive weeks in October and November. It was certified 4× Platinum by the RIAA, reflecting over 4 million units sold and streamed in the U.S. The music video, directed by , features the artists in a high-energy, futuristic party setting aboard a private jet, amplifying the song's luxurious, escapist theme. Following the success of "," the second single "Rocketeer" featuring was released on October 9, 2010, offering a slower, more melodic contrast to the album's party anthems. Produced by in collaboration with , it peaked at number seven on the Hot 100. The accompanying , directed by , presents an emotional narrative of aspiration and romance, with the group reflecting on personal journeys through dreamlike sequences and heartfelt visuals. The third single, "If I Was You (OMG)" featuring Snoop Dogg, was released as a digital single on March 20, 2011, though the track appeared on the album upon its October 2010 launch. Produced by The Stereotypes, showcasing the group's hip-hop roots with Snoop Dogg's laid-back verse. The music video, shot at La Cita bar in Downtown Los Angeles, emphasizes the band's origins in the area, blending club scenes with nostalgic nods to their hometown upbringing. This release strategy positioned "Like a G6" as the explosive opener to propel album awareness, while subsequent singles diversified the sound to sustain momentum.

Marketing and tours

The marketing campaign for Free Wired emphasized the group's "free wired" lifestyle, blending urban energy, electronic music, and global appeal through targeted pre-release initiatives and label partnerships. In October 2010, launched the "Live Free, Stay Wired," a promotional effort produced in collaboration with The Mighty Fifty, featuring episodic content that showcased their creative process and roots, with the debut episode centering on Downtown LA as their "home base." Cherrytree Records, under the leadership of Martin Kierszenbaum, played a central role in the album's promotion, leveraging the imprint's reputation for artist development to position Free Wired as a major label breakthrough that captured a vibrant, multicultural party ethos. This involvement facilitated broader outreach, aligning the album with a that encouraged fans to embrace high-energy, boundary-crossing experiences without specific commercial tie-ins dominating the rollout. Post-release, the group supported the album with live performances, including appearances at the 2011 (SXSW) festival in , where they delivered sets highlighting tracks from Free Wired amid a diverse lineup of hip-hop and electronic acts. They also secured opening slots on major tours, such as Lil Wayne's I Am Still Music Tour alongside artists like and , exposing the album to larger audiences across in summer 2011. The dedicated Free Wired Tour further amplified the campaign, commencing in early 2011 with dates in —including stops in , , the , and during March and April—to capitalize on the region's enthusiasm for electro-pop fusion. An extension to and a subsequent leg rounded out the international push, with European releases timed to ride the momentum of ""'s worldwide chart success. The Japanese edition, distributed by Universal Music, included additional to tailor the for local markets.

Critical reception

Contemporary reviews

Upon its release in October 2010, Free Wired by received mixed reviews from critics, who generally praised its energetic production and party-ready hooks while critiquing its reliance on formulaic electro-pop elements and superficial lyrics. The album's lead single was frequently highlighted for driving its commercial momentum, though some reviewers saw the overall project as prioritizing beats over substance. David Jeffries of awarded the album 3.5 out of 5 stars, commending its "slick hooks and ultra-sheen productions" for creating infectious party music that effectively baits crowds with dance-floor anthems, but he noted that the formulaic blend of dance, pop, and R&B felt predictable on their major-label debut. Billboard offered a positive assessment, emphasizing the quartet's rap roots and maximum swagger on tracks like "So What?"—a nod to the —alongside European dance influences that positioned Free Wired as a high-energy fusion well-suited for radio crossover appeal. Critics also pointed to limitations in lyrical depth, with of The Tech describing the as "catchy but unmemorable" ho-hum electro hip-hop, where beats overshadowed any content. The has an average critic score of 58 out of 100 on Album of the Year, based on three reviews from and , underscoring its strengths in commercial viability rather than artistic .

Retrospective assessments

In the years following its release, Free Wired has received reappraisals that underscore its role in bridging hip-hop and EDM for mainstream audiences. A 2024 review by RapReviews highlighted the album's party energy and the "unforgettable" synth-driven track "Like a G6" as standout elements, crediting Far East Movement's success with the single for boosting Asian-American representation in the EDM genre, though the overall score was a modest 2.5 out of 10 due to perceived lyrical shallowness. Discussions in 2020s music commentary, including user retrospectives on platforms like Album of the Year, have noted its prefiguring of EDM-hip-hop hybrids through high-energy collaborations, while acknowledging critiques of heavy use as now sounding dated; user reviews give the an average score of 42 out of 100. Overall, Free Wired is regarded as a commercial breakthrough that prioritized accessibility over depth, with lasting emphasis on its contributions to in electronic music.

Commercial performance

Chart positions

Free Wired debuted at number 24 on the US in October 2010, selling 17,000 copies in its first week. The album peaked at number 7 on the Dance/Electronic Albums chart and number 4 on the Top Rap Albums chart. It remained on the for a total of 20 weeks, bolstered by the sustained success of its singles. Internationally, the album achieved moderate success, peaking at number 16 on the Canadian Albums Chart, number 63 on the , number 18 on the Australian Albums Chart, number 4 on the Japanese , number 32 on the French Albums Chart, and number 25 on the Albums Chart.
Chart (2010)Peak position
Australian Albums (ARIA)18
Canadian Albums (Billboard)16
French Albums (SNEP)32
Japanese Albums (Oricon)4
New Zealand Albums (RMNZ)25
UK Albums (OCC)63
US Billboard 20024
US Dance/Electronic Albums (Billboard)7
US Top Rap Albums (Billboard)4

Sales and certifications

Free Wired achieved moderate commercial success, particularly in the United States, where it sold 168,000 copies as of January 2012, largely propelled by digital bundles tied to the lead single "Like a G6". While Free Wired itself received no certification from the RIAA in the United States, its singles garnered multiple accolades, including 6× Platinum status for "Like a G6" based on combined sales and streaming equivalents.

Track listing and credits

Standard edition track listing

The standard edition of Free Wired, the major-label debut album by Far East Movement, comprises ten tracks clocking in at a total runtime of 36:09, showcasing the group's fusion of electro-pop, hip-hop, and dance influences with contributions from various guest artists. Songwriting across the is primarily credited to the group's core members—Kevin Nishimura, James Roh, Jae Won Choung, and Virman Coquia—alongside collaborators such as , (Niles Hollowell-Dhar and David Singer-Vine), , and others depending on the track. Several tracks incorporate samples and interpolations from earlier works, adding layers to their party-oriented sound.
No.TitleFeatured artist(s)LengthNotes on samples/interpolations
1"Girls on the Dance Floor"3:54
2"Like a G6", Dev3:37Samples "Booty Bounce" by Dev and "U Can't Touch This" by .
3"Rocketeer"3:31Interpolates "Somebody to Love (Remix)" by ; also references the group's own "Like a G6".
4"If I Was You (OMG)"3:26
5"She Owns the Night"4:03
6"So What?"3:24Samples "So Whatcha Want" by .
7"Don't Look Now"3:34
8"Fighting for Air"Vincent Frank3:46
9"White Flag"Kayla Kai3:49
10"2gether"Kanobby, 3:05Incorporates portions of "Love Shack" by The B-52's.

Personnel

Far East Movement, the primary artists on Free Wired, consists of Kev Nish (vocals and lyrics), Prohgress (production and DJ duties), J-Splif (beats), and DJ Virman (scratches). Featured artists include Dev on vocals for "Like a G6", Ryan Tedder on vocals and lyrics for "Rocketeer", and Snoop Dogg on rap for "If I Was You (OMG)". Additional featured performers are The Cataracs on "Like a G6", Mohombi on "She Owns the Night", Keri Hilson on "Don't Look Now", Kanobby on "2gether", Roger Sanchez on "2gether", Vincent Frank on "Fighting for Air", and Kayla Kai on "White Flag". Production credits feature as producers for "", for tracks including "Girls on the Dance Floor", "If I Was You (OMG)", and "Don't Look Now", for "Rocketeer" (in collaboration with and ), and others such as for track 8, and and Dean Coleman for "2gether". Executive producers are and . Engineering and mixing personnel include Ari Levine for mixing on "Girls on the Dance Floor", Bryan "The Beard" Jones for additional vocals recording on "Don't Look Now", Justin "Kanobby" Keitt for additional recording and vocals on tracks 8 and 10, Vincent Frank for vocals recording on track 8, Jaycen-Joshua for mixing on "Don't Look Now" (assisted by Giancarlo Lino), and Robert Orton for mixing on track 8. The album was mastered by Brian "Big Bass" Gardner. A&R was handled by Martin Kierszenbaum, with A&R coordination by Andrea Ruffalo and Kelvin Chu. Management was provided by Russell Geddes for Primary Talent International. Instruments on track 9 were performed by Martin Kierszenbaum.

Legacy

Cultural impact

The release of Free Wired marked a pivotal moment for Asian-American representation in mainstream pop and (EDM), with the lead single achieving the first number-one position for an Asian-American group, thereby opening doors for subsequent artists in the genre. This breakthrough helped challenge stereotypes and elevate electro-hop—a fusion of hip-hop, electronic beats, and party anthems—as a global sound. The album's success also amplified visibility for Los Angeles' Koreatown music scene, where Far East Movement originated, fostering greater awareness of the area's vibrant Asian-American creative community and contributing to broader cultural dialogues on in urban hip-hop and EDM. Tracks from Free Wired, particularly "," became staples in media, appearing in video games such as Dance Central 2, as well as numerous fan-created sports highlight montages for NBA events, embedding the song in as a symbol of exuberant, feel-good escapism. Over the long term, Free Wired helped shape party music trends by popularizing electro-hop's infectious, bass-heavy production style, which resonated in club scenes worldwide and laid groundwork for the group's subsequent releases like Dirty Bass. This enduring influence is evident in retrospective analyses of the era's sound.

Reissues

The Expanded Edition of Free Wired was released digitally in 2010, adding the bonus tracks "Go Ape" featuring and (3:30) and "Make It Bump" featuring Kumi Koda (4:05), which incorporate high-energy electro-hop elements with Lil Jon's signature production and J-pop influences, respectively. This edition extended the original 11-track to 13 tracks, enhancing accessibility for streaming platforms shortly after the initial . The Japanese Edition, issued on CD in 2011 via Universal International (catalog UICV-1012), included region-specific bonus tracks to appeal to local audiences, such as "Make It Bump" featuring Kumi Koda (4:05), a collaboration blending J-pop influences with the group's electro style, and a of "Rocketeer" by DJ Kaori (3:22). This version maintained the core tracklist while providing exclusive content, totaling 13 tracks. On January 7, 2025, released a limited-edition vinyl exclusively through their online store, pressed on Violet-colored vinyl and featuring the original artwork from the 2010 . This LP format adhered to the standard 11-track configuration without additional bonuses, aiming to revive interest in for the electro-hip-hop project. During the 2020s, streaming platforms like and updated their catalogs with the Expanded Edition, incorporating deluxe tracks such as "Go Ape" to broaden digital availability. No significant remasters or audio enhancements have been documented for these versions, preserving the original production quality.

References

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