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Free Wired
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| Free Wired | ||||
|---|---|---|---|---|
| Studio album by | ||||
| Released | October 12, 2010 | |||
| Genre | ||||
| Length | 36:09 | |||
| Label | ||||
| Producer | ||||
| Far East Movement chronology | ||||
| ||||
| Singles from Free Wired | ||||
| ||||
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic | |
| Billboard | |
| Entertainment Weekly | B−[3] |
| Robert Christgau | B+[4] |
Free Wired is the third album and major label debut of the American group Far East Movement, released on October 12, 2010, by Cherrytree Records and Interscope Records.
The album debuted at number 24 on the Billboard 200, with sales of 17,000.[5]
The first single "Like a G6" was released on April 13, 2010. It reached number 1 on the Billboard Hot 100. The second official single was "Rocketeer", which featured Ryan Tedder from OneRepublic. The music video for the song premiered on VEVO and YouTube on October 29, 2010.[6] "Rocketeer" reached number 7 on the Billboard Hot 100.
Background
[edit]Speaking about the album in March 2011 to Blues & Soul, Kev Nish of Far East Movement stated: "'Free Wired' was basically a slang-word we came up with back in the day, that we'd use whenever we'd do something that was outside the box, that was original, that was fresh, and that mashed-up things that maybe shouldn't have been mashed-up! Which is why, when it came to titling this album, it made so much sense! Because it really represented our lifestyle, represented what we listen to... You know, we'd basically go in the studio and take hip hop-style drums, electronic synths, alternative-style hooks and just – as I say – mash it all up!... So yeah, with 'Free Wired' you definitely get exactly what it says in the title!"[7]
Track listing
[edit]- All songs were written by Jae Choung, James Roh, Kevin Nishimura and Virman Coquia. Additional writers are noted below.
| No. | Title | Writer(s) | Producer(s) | Length |
|---|---|---|---|---|
| 1. | "Girls on the Dance Floor" (featuring the Stereotypes) | The Stereotypes | 3:54 | |
| 2. | "Like a G6" (featuring the Cataracs and Dev) | The Cataracs | 3:36 | |
| 3. | "Rocketeer" (featuring Ryan Tedder) |
|
| 3:31 |
| 4. | "If I Was You (OMG)" (featuring Snoop Dogg) |
|
| 3:25 |
| 5. | "She Owns the Night" (featuring Mohombi) |
| The Stereotypes | 4:02 |
| 6. | "So What?" |
| The Stereotypes | 3:24 |
| 7. | "Don't Look Now" (featuring Keri Hilson) |
| The Stereotypes | 3:33 |
| 8. | "Fighting for Air" (featuring Vincent Frank) |
|
| 3:45 |
| 9. | "White Flag" (featuring Kayla Kai) |
| Martin "Cherry Cherry Boom Boom" Kierszenbaum | 3:48 |
| 10. | "2gether" (with Roger Sanchez featuring Kanobby) |
| Roger Sanchez | 3:05 |
| No. | Title | Producer(s) | Length |
|---|---|---|---|
| 11. | "Go Ape" (featuring Lil Jon and Colette Carr) | The Stereotypes | 3:30 |
| No. | Title | Producer(s) | Length |
|---|---|---|---|
| 11. | "2 Is Better" (featuring Natalia Kills and Ya Boy) | The Stereotypes | 3:19 |
| No. | Title | Writer(s) | Producer(s) | Length |
|---|---|---|---|---|
| 1. | "Girls on the Dance Floor" (featuring the Stereotypes) |
| The Stereotypes | 3:54 |
| 2. | "Like a G6" (featuring the Cataracs and Dev) |
| The Cataracs | 3:36 |
| 3. | "Rocketeer" (featuring Ryan Tedder) |
|
| 3:31 |
| 4. | "If I Was You (OMG)" (featuring Snoop Dogg) |
|
| 3:25 |
| 5. | "She Owns the Night" (featuring Mohombi) |
| The Stereotypes | 4:02 |
| 6. | "So What?" |
| The Stereotypes | 3:24 |
| 7. | "Don't Look Now" (featuring Keri Hilson) |
| The Stereotypes | 3:33 |
| 8. | "Fighting for Air" (featuring Vincent Frank) |
|
| 3:45 |
| 9. | "White Flag" (featuring Kayla Kai) |
| Martin "Cherry Cherry Boom Boom" Kierszenbaum | 3:48 |
| 10. | "2 Is Better" (featuring Natalia Kills and Ya Boy) | The Stereotypes | 3:19 |
| No. | Title | Writer(s) | Producer(s) | Length |
|---|---|---|---|---|
| 1. | "Girls on the Dance Floor" (featuring the Stereotypes) |
| The Stereotypes | 3:54 |
| 2. | "Like a G6" (featuring The Cataracs and Dev) |
| The Cataracs | 3:36 |
| 3. | "Rocketeer" (featuring Ryan Tedder) |
|
| 3:31 |
| 4. | "If I Was You (OMG)" (featuring Snoop Dogg) |
|
| 3:25 |
| 5. | "She Owns the Night" (featuring Mohombi) |
| The Stereotypes | 4:02 |
| 6. | "So What?" |
| The Stereotypes | 3:24 |
| 7. | "Don't Look Now" (featuring Keri Hilson) |
| The Stereotypes | 3:33 |
| 8. | "Fighting for Air" (featuring Vincent Frank) |
|
| 3:45 |
| 9. | "White Flag" (featuring Kayla Kai) |
| Martin "Cherry Cherry Boom Boom" Kierszenbaum | 3:48 |
| 10. | "2 Is Better" (featuring Natalia Kills and Ya Boy) | The Stereotypes | 3:19 | |
| 11. | "Go Ape" (featuring Lil Jon and Colette Carr) | The Stereotypes | 3:30 | |
| 12. | "Make It Bump" (featuring Koda Kumi) | 4:05 | ||
| 13. | "Rocketeer (DJ Kaori's Party Mix)" (featuring Ryan Tedder) |
| DJ Kaori | 3:22 |
Samples and interpolations
[edit]"So What?"
- Contains elements of "So Whatcha Want" by Beastie Boys
"Don't Look Now"
- Contains additional vocals recorded by Bryan "The Beard" Jones
"Fighting For Air"
- Contains additional recording by Justin "Kanobby" Keitt
Charts
[edit]| Chart (2010) | Peak position |
|---|---|
| Australian ARIA Albums Chart[12] | 65 |
| Canadian Albums Chart[13] | 16 |
| UK Albums Chart[14] | 63 |
| UK R&B Chart[15] | 8 |
| US Billboard 200 | 24 |
| US Billboard Top Rap Albums[16] | 4 |
References
[edit]- ^ Jeffries, David Review: Free Wired. AllMusic. Retrieved on 2010-10-29.
- ^ "Far East Movement Free Wired". Billboard. October 15, 2010.
- ^ Vozick-Levinson, Simon (October 6, 2010). "Free Wired Far East Movement". Entertainment Weekly. Archived from the original on October 16, 2010. Retrieved January 21, 2011.
- ^ "Expert Witness: December 2010". The Village Voice.
- ^ Kaufman, Gil (October 20, 2010). "Lil Wayne's I Am Not A Human Being Tops Billboard". MTV News. MTV Networks. Archived from the original on October 22, 2010. Retrieved October 20, 2010.
- ^ "Rocketeer". YouTube. October 29, 2010. Archived from the original on December 21, 2021.
- ^ "Far East Movement:Everybody Dance". 'Blues & Soul'. March 2011. Archived from the original on September 26, 2012.
- ^ "Free Wired". iTunes Store.
- ^ "Free Wired". iTunes Store.
- ^ "Far East Movement's Secret Agent '2 Is Better Than 1' Shoot with Natalia Kills, Colette Carr & Frankmusik". Cherrytree. Archived from the original on October 6, 2011. Retrieved January 14, 2011.
- ^ "Far East Movement/Free Wired". HMV.
- ^ "The ARIA Report: Issue 1098" (PDF). webarchive.nla.gov.au. August 23, 2006. Archived from the original (PDF) on May 30, 2011. Retrieved February 16, 2012.
- ^ https://www.billboard.com/artist/far-east-movement/chart-history/canadian-albums
- ^ "Official UK Albums Top 100 – 12th March 2011". The Official Charts Company. Retrieved March 6, 2011.
- ^ "R&B Albums Top 40 - 18th February 2012". Official Charts. Archived from the original on January 1, 2011. Retrieved February 16, 2012.
- ^ "Rap Albums". Billboard.com. Retrieved February 16, 2012.
Free Wired
View on GrokipediaDevelopment and recording
Background and concept
Far East Movement, an American electro-hop group, was formed in 2003 in Los Angeles' Koreatown by childhood friends Kev Nish (Kevin Nishimura), Prohgress (James Roh), and J-Splif (Jae Choung), with DJ Virman (Virman Coquia) joining later as the group's DJ.[8][9] Their early work drew from the vibrant Koreatown club scene, blending hip-hop, electronic, and pop elements to create party-oriented tracks that laid the foundation for their signature sound.[10] Prior to their major label breakthrough, the group released music independently, including their debut studio album Folk Music in 2006 and Animal in 2009, both issued without major label backing to build a grassroots following in the underground electro-hip-hop circuit.[11][12] In early 2010, Far East Movement transitioned to a major label deal with Cherrytree Records, an imprint of Interscope Records, marking their shift from independent artists to mainstream contenders.[13] This signing was propelled by pre-album buzz, particularly from the track "Like a G6" (featuring the Cataracs and Dev), which they uploaded to their YouTube channel on November 4, 2009, amassing viral attention and helping secure the contract.[14] The album's title, Free Wired, originated as slang coined by Kev Nish to describe the group's approach to music-making, emphasizing originality, freshness, and fearless genre-mashing that mirrors their high-energy party lifestyle and the free-flowing, collaborative vibe of their studio sessions.[15] This concept encapsulated Far East Movement's ethos of "geeking out" without boundaries—staying connected to diverse influences while encouraging authentic self-expression through eclectic sound fusion.[16] The electro-hip-hop roots from their Koreatown beginnings directly informed this direction, positioning Free Wired as a major label extension of their underground experimentation.[17]Recording and production
Recording for Free Wired took place from late 2009 to mid-2010 across multiple studios, including Cherrytree Recording Studios in Los Angeles, Island Life Studios in Ibiza, Spain, Paradise Studios, Purple Reign Studios in Inglewood, California, and Short Bus Studios in North Hollywood, California.[18] The sessions emphasized a collaborative environment that blended electronic production techniques with live instrumentation to capture the group's high-energy vision. Key producers included The Cataracs, who handled "Like a G6" featuring Dev's vocals, and The Stereotypes, who contributed to several tracks such as "Rocketeer."[18][19] Mixing occurred at Levcon Studios in Hollywood, California, with engineers like Ari Levine overseeing elements of the final sound.[18] Featured artists played significant roles in shaping the album's tracks: Ryan Tedder of OneRepublic provided the lead vocals and ballad-style chorus for "Rocketeer," adding emotional depth to the production.[20] Snoop Dogg contributed rap verses to "If I Was You (OMG)," infusing hip-hop flair into the electronic framework. Dev's featured performance on "Like a G6" delivered the song's signature pop hooks. The overall production style focused on high-energy electronic beats, hip-hop rhythms, and infectious pop hooks, resulting in a standard edition runtime of 36:09.[21]Musical style and themes
Genre influences
Free Wired primarily blends electro-hop with dance-pop and synth-pop elements, marking an evolution from Far East Movement's earlier underground club sound to a more polished, mainstream aesthetic.[22][23][24] The album incorporates influences from high-energy electronica and European dance music, featuring heavy synthesizer layers and electronic beats designed for party environments.[23][25] Key production techniques include prominent 808 basslines and pounding bass hits, particularly evident in tracks like "Like a G6," which uses a repetitive synth hook built from three or four notes alongside a non-stop barrage of snares and bass for an infectious, club-ready drop.[26][24] Auto-tuned vocals and EDM-style drops further enhance the electro-hop foundation, creating layered, high-octane anthems that fuse hip-hop rhythms with pop accessibility.[22][27] Songs such as "Girls on the Dance Floor" emphasize dance-floor energy with catchy, upbeat electronic structures, while "Rocketeer" shifts toward R&B-infused balladry through soulful crooning and piano accents, providing a melodic contrast within the album's party-centric vibe.[23][22][24] The album's cohesive sound reflects a major-label refinement of the group's underground roots, with 10 tracks averaging around 3-4 minutes each to maintain relentless momentum and broad appeal.[24][1] This structure prioritizes synthesizers, snares, and dynamic production to craft party anthems that bridge hip-hop, pop, and electronic genres seamlessly.[23][22]Lyrical content
The lyrical content of Free Wired centers on themes of hedonism, aspiration, and cultural identity, reflecting the experiences of Asian-American youth in Los Angeles. Tracks like "Like a G6" exemplify party culture and luxury, with lyrics celebrating the jet-set lifestyle through references to Gulfstream G6 private jets, popping bottles of champagne, and feeling euphoric like being airborne, portraying an uninhibited night of excess as a core element of the group's worldview.[28][29] In contrast, "Rocketeer" shifts to romance and perseverance, serving as a dedication to loved ones amid challenges, with verses expressing a desire to escape hardships, chase dreams together, and overcome odds like underdogs from LA's streets, evoking emotional vulnerability and commitment.[30] This slower, heartfelt track highlights aspiration, inspired by the group's own journeys as downtown LA kids pursuing success against barriers.[28] Social commentary emerges in songs like "If I Was You (OMG)", where Snoop Dogg's verses boast about the perks of fame—such as self-admiration upon waking and dominating the club scene—while subtly underscoring the envy and superficiality it attracts, tying into broader narratives of celebrity allure and its isolating effects.[31] The album as a whole emphasizes Asian-American pride and LA street life, drawing from the group's roots in Koreatown and multicultural influences to portray a "free wired" ethos of blending geeky authenticity with urban grit, as seen in references to late-night taco trucks and diverse cultural fusion.[28][24] Songwriting credits are primarily held by Far East Movement members Kev Nish, Prohgress, J-Splif, and DJ Virman, who co-wrote most tracks, with contributions from collaborators like Ryan Tedder on "Rocketeer" and The Cataracs on "Like a G6", incorporating urban slang such as "slizzard" and "sizzurp" alongside occasional nods to Asian linguistic flair in their delivery.[32] This mix of English slang and subtle multicultural elements underscores the album's uninhibited expression, contrasting upbeat club anthems with introspective ballads to capture the highs and lows of ambition.[33]Release and promotion
Singles
The lead single from Free Wired, "Like a G6" featuring The Cataracs and Dev, was released on April 13, 2010, and served as the breakout hit that generated significant buzz for the album.[34] Produced by The Cataracs, the track quickly climbed the charts, debuting at number 92 on the Billboard Hot 100 in late August 2010 before reaching number one for three non-consecutive weeks in October and November.[35][36] It was certified 4× Platinum by the RIAA, reflecting over 4 million units sold and streamed in the U.S.[37] The music video, directed by Matt Alonzo, features the artists in a high-energy, futuristic party setting aboard a private jet, amplifying the song's luxurious, escapist theme.[38] Following the success of "Like a G6," the second single "Rocketeer" featuring Ryan Tedder was released on October 9, 2010, offering a slower, more melodic contrast to the album's party anthems. Produced by The Stereotypes in collaboration with The Smeezingtons, it peaked at number seven on the Billboard Hot 100.[39] The accompanying music video, directed by Marc Klasfeld, presents an emotional narrative of aspiration and romance, with the group reflecting on personal journeys through dreamlike sequences and heartfelt visuals.[40] The third single, "If I Was You (OMG)" featuring Snoop Dogg, was released as a digital single on March 20, 2011, though the track appeared on the album upon its October 2010 launch. Produced by The Stereotypes, showcasing the group's hip-hop roots with Snoop Dogg's laid-back verse.[31] The music video, shot at La Cita bar in Downtown Los Angeles, emphasizes the band's origins in the area, blending club scenes with nostalgic nods to their hometown upbringing.[41] This release strategy positioned "Like a G6" as the explosive opener to propel album awareness, while subsequent singles diversified the sound to sustain momentum.[42]Marketing and tours
The marketing campaign for Free Wired emphasized the group's "free wired" lifestyle, blending urban energy, electronic music, and global appeal through targeted pre-release initiatives and label partnerships. In October 2010, Far East Movement launched the web series "Live Free, Stay Wired," a promotional effort produced in collaboration with The Mighty Fifty, featuring episodic content that showcased their creative process and Los Angeles roots, with the debut episode centering on Downtown LA as their "home base."[43][44] Cherrytree Records, under the leadership of Martin Kierszenbaum, played a central role in the album's promotion, leveraging the imprint's reputation for artist development to position Free Wired as a major label breakthrough that captured a vibrant, multicultural party ethos.[45] This involvement facilitated broader outreach, aligning the album with a lifestyle brand that encouraged fans to embrace high-energy, boundary-crossing experiences without specific commercial tie-ins dominating the rollout. Post-release, the group supported the album with live performances, including appearances at the 2011 South by Southwest (SXSW) festival in Austin, Texas, where they delivered sets highlighting tracks from Free Wired amid a diverse lineup of hip-hop and electronic acts.[46] They also secured opening slots on major tours, such as Lil Wayne's I Am Still Music Tour alongside artists like Rick Ross and Keri Hilson, exposing the album to larger audiences across North America in summer 2011.[47] The dedicated Free Wired Tour further amplified the campaign, commencing in early 2011 with dates in Asia—including stops in Indonesia, Singapore, the Philippines, and Thailand during March and April—to capitalize on the region's enthusiasm for electro-pop fusion.[48][49] An extension to North America and a subsequent UK leg rounded out the international push, with European releases timed to ride the momentum of "Like a G6"'s worldwide chart success. The Japanese edition, distributed by Universal Music, included additional remixes to tailor the album for local markets.[50]Critical reception
Contemporary reviews
Upon its release in October 2010, Free Wired by Far East Movement received mixed reviews from critics, who generally praised its energetic production and party-ready hooks while critiquing its reliance on formulaic electro-pop elements and superficial lyrics. The album's lead single "Like a G6" was frequently highlighted for driving its commercial momentum, though some reviewers saw the overall project as prioritizing beats over substance. David Jeffries of AllMusic awarded the album 3.5 out of 5 stars, commending its "slick hooks and ultra-sheen productions" for creating infectious party music that effectively baits crowds with dance-floor anthems, but he noted that the formulaic blend of dance, pop, and R&B felt predictable on their major-label debut.[51] Billboard offered a positive assessment, emphasizing the quartet's rap roots and maximum swagger on tracks like "So What?"—a nod to the Beastie Boys—alongside European dance influences that positioned Free Wired as a high-energy fusion well-suited for radio crossover appeal.[25] Critics also pointed to limitations in lyrical depth, with Derek Chang of The Tech describing the album as "catchy but unmemorable" ho-hum electro hip-hop, where beats overshadowed any innovative content.[22] The album has an average critic score of 58 out of 100 on Album of the Year, based on three reviews from 2010 and 2024, underscoring its strengths in commercial viability rather than artistic innovation.[52]Retrospective assessments
In the years following its release, Free Wired has received reappraisals that underscore its role in bridging hip-hop and EDM for mainstream audiences. A 2024 review by RapReviews highlighted the album's party energy and the "unforgettable" synth-driven track "Like a G6" as standout elements, crediting Far East Movement's success with the single for boosting Asian-American representation in the EDM genre, though the overall score was a modest 2.5 out of 10 due to perceived lyrical shallowness.[24] Discussions in 2020s music commentary, including user retrospectives on platforms like Album of the Year, have noted its prefiguring of EDM-hip-hop hybrids through high-energy collaborations, while acknowledging critiques of heavy auto-tune use as now sounding dated; user reviews give the album an average score of 42 out of 100.[52] Overall, Free Wired is regarded as a commercial breakthrough that prioritized accessibility over depth, with lasting emphasis on its contributions to cultural diversity in electronic music.Commercial performance
Chart positions
Free Wired debuted at number 24 on the US Billboard 200 in October 2010, selling 17,000 copies in its first week. The album peaked at number 7 on the Billboard Dance/Electronic Albums chart and number 4 on the Top Rap Albums chart. It remained on the Billboard 200 for a total of 20 weeks, bolstered by the sustained success of its singles. Internationally, the album achieved moderate success, peaking at number 16 on the Canadian Albums Chart, number 63 on the UK Albums Chart, number 18 on the Australian Albums Chart, number 4 on the Japanese Oricon Albums Chart, number 32 on the French Albums Chart, and number 25 on the New Zealand Albums Chart.| Chart (2010) | Peak position |
|---|---|
| Australian Albums (ARIA) | 18 |
| Canadian Albums (Billboard) | 16 |
| French Albums (SNEP) | 32 |
| Japanese Albums (Oricon) | 4 |
| New Zealand Albums (RMNZ) | 25 |
| UK Albums (OCC) | 63 |
| US Billboard 200 | 24 |
| US Dance/Electronic Albums (Billboard) | 7 |
| US Top Rap Albums (Billboard) | 4 |
Sales and certifications
Free Wired achieved moderate commercial success, particularly in the United States, where it sold 168,000 copies as of January 2012, largely propelled by digital bundles tied to the lead single "Like a G6".[53] While Free Wired itself received no certification from the RIAA in the United States, its singles garnered multiple accolades, including 6× Platinum status for "Like a G6" based on combined sales and streaming equivalents.[54]Track listing and credits
Standard edition track listing
The standard edition of Free Wired, the major-label debut album by Far East Movement, comprises ten tracks clocking in at a total runtime of 36:09, showcasing the group's fusion of electro-pop, hip-hop, and dance influences with contributions from various guest artists.[55] Songwriting across the album is primarily credited to the group's core members—Kevin Nishimura, James Roh, Jae Won Choung, and Virman Coquia—alongside collaborators such as Ryan Tedder, The Cataracs (Niles Hollowell-Dhar and David Singer-Vine), Bruno Mars, and others depending on the track.[56] Several tracks incorporate samples and interpolations from earlier works, adding layers to their party-oriented sound.| No. | Title | Featured artist(s) | Length | Notes on samples/interpolations |
|---|---|---|---|---|
| 1 | "Girls on the Dance Floor" | The Stereotypes | 3:54 | — |
| 2 | "Like a G6" | The Cataracs, Dev | 3:37 | Samples "Booty Bounce" by Dev and "U Can't Touch This" by MC Hammer. |
| 3 | "Rocketeer" | Ryan Tedder | 3:31 | Interpolates "Somebody to Love (Remix)" by Justin Bieber; also references the group's own "Like a G6". |
| 4 | "If I Was You (OMG)" | Snoop Dogg | 3:26 | — |
| 5 | "She Owns the Night" | Mohombi | 4:03 | — |
| 6 | "So What?" | — | 3:24 | Samples "So Whatcha Want" by Beastie Boys. |
| 7 | "Don't Look Now" | Keri Hilson | 3:34 | — |
| 8 | "Fighting for Air" | Vincent Frank | 3:46 | — |
| 9 | "White Flag" | Kayla Kai | 3:49 | — |
| 10 | "2gether" | Kanobby, Roger Sanchez | 3:05 | Incorporates portions of "Love Shack" by The B-52's.[55] |
