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Key Information

Ghostpoet (born Obaro Ejimiwe; 18 January 1983) is a British vocalist, songwriter and musician.[1] He released five critically acclaimed albums with two being nominated for the prestigious Mercury Prize.[2][3] Based in Berlin,[4] he has expanded his work to include fine art since 2021.[5]

Ejimiwe was born in South London to a Nigerian father and a Dominican mother.[6] At the age of 18, he enrolled at Coventry University[7][8] and joined a grime/MC collective there.[8][9] After moving back to London, he received two Mercury Prize nominations, for Peanut Butter Blues & Melancholy Jam (2011)[2] and for Shedding Skin (2015).[3] Other critically acclaimed albums are Some Say I So I Say Light (2013), Dark Days + Canapés (2017), and I Grow Tired But Dare Not Fall Asleep (2020).[10] Since 2021, Ejimiwe has expanded his artistic practice into sound art, sculpture, installation, photography and video.[11] He lives and works in Berlin, Germany.[4]

History

[edit]

Ghostpoet's first known recordings were on the two mixtapes from 2009 Filthy Friends by Micachu and Kwesachu Mixtape Vol.1 by Kwes and Micachu.[12]

In June 2010, Ghostpoet self-released his first EP, The Sound of Strangers, and was later featured in The Guardian's "New Band of the Day".[13]

Ghostpoet's first single, "Cash & Carry Me Home", was released on 24 January 2011, followed by the debut album on 7 February 2011, Peanut Butter Blues & Melancholy Jam. His single "Survive It" was launched in Rough Trade East Record store, on London's Brick Lane on 9 May 2011.[14][15]

In 2011, he supported Metronomy[16] and Jamie Woon[17] on their tours and performed at Glastonbury,[18] Sónar,[19] Latitude,[20] Secret Garden Party,[21] and Bestival,[22] among others. Ghostpoet was among the nominees for the 2011 Mercury Prize.[2]

In 2012, Ghostpoet's track "Finished I Ain't" appeared in the soundtrack of Sleeping Dogs[23][24] and the EP "Meltdown", with guest vocals by Woodpecker Wooliams, was released in April 2013.[25]

Ghostpoet's second album, Some Say I So I Say Light, was released on 6 May 2013.[26] The album was preceded by the single "MSI musmiD", made available as a free download from SoundCloud.

His third album, Shedding Skin, was released on 2 March 2015. The album featured guest appearances by Nadine Shah, Etta Bond, Mélanie De Biasio, Lucy Rose and Paul Smith. The album was shortlisted for the 2015 Mercury Prize.[3]

In 2016, Ghostpoet was featured on Massive Attack's song "Come Near Me", the B-side to "The Spoils".[27] In the same year, Ghostpoet curated the West Balkans edition of the British Council's interactive music project Mix the City, travelling around the region to record samples with various local musicians, and creating his own mix for the region.[28]

In April 2017, Ghostpoet released the single "Immigrant Boogie" via Play It Again, Sam. The track was produced by Leo Abrahams and mixed by Leo and Kristofer Harris. The track is the first from the album Dark Days + Canapés.[29]

Ghostpoet released his fourth studio record, Dark Days + Canapés on 18 August 2017. His fifth album, I Grow Tired But Dare Not Fall Asleep, was released on 1 May 2020.

In November 2022, Obaro Ejimiwe received an Honorary Doctorate of Art by Coventry University in recognition of his extensive contribution to the arts.[5]

In 2023, he performed on a new version of Massive Attack's "Paradise Circus" for the feature-length film Luther: The Fallen Sun.[30]

In May 2024, Ghostpoet released his third EP entitled 'Am I the Change I Wish to See?' on his own independent label Modern Revenge Records via his Bandcamp page.[4] In the same year, he composed the music for the short film 'Ataraxy 33' by Curtis Essel, in which the Brazilian dancer Noan Alves from the Stuttgart Ballet plays the leading role.[31][32]

Influences

[edit]

Ghostpoet stated in an interview that he was inspired by musical mavericks and rule breakers, artists who have dared to swim against the current.[33] He has shown a preference for innovative musicians who push the boundaries, take risks and combine different genres.[34] As examples, he mentioned the following artists several times in interviews: Badly Drawn Boy,[33][34][35][36] Radiohead,[33][34][36] Muddy Waters,[34][35][36] Portishead,[34][37] Pharoah Sanders,[33][34] The Clash,[33][34] Captain Beefheart,[33][34] Fela Kuti,[33][34] Serge Gainsbourg,[33][38] Nick Cave & the Bad Seeds,[33][39] Little Dragon,[34][38] and Squarepusher.[34][36]

Visual art

[edit]

Since 2021, Ejimiwe has expanded his artistic practice into sound art, sculpture, installation, photography and video.[11] In 2022 Ejimiwe premiered, in collaboration with artist Luiza Prado de O. Martins, the large-scale installation and performance series Blacknuss! Technologies of Joy, Care, and Intimacy at the Kampnagel International Summer Festival, in Hamburg.[40] In his work, Ejimiwe explores themes related to African spiritualism, masculinity, identity, and Black joy.[11]

Discography

[edit]
Main article: Ghostpoet discography

References

[edit]
[edit]
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Ghostpoet

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Ghostpoet (born Obaro Ejimiwe, 18 January 1983) is a British musician, vocalist, songwriter, and renowned for his introspective, genre-blending music that fuses hip-hop, electronic, indie, and spoken-word elements to explore themes of anxiety, identity, and social reflection. Born in to a Nigerian father and a Dominican mother, Ejimiwe grew up influenced by pioneer and began creating music during his university years in , where he initially engaged with the local grime scene before developing his distinctive, "drowsy anxiety"-infused style. Ejimiwe adopted the stage name Ghostpoet and self-released his debut EP, The Sound of Strangers, in 2010, which caught the attention of tastemaker and led to his signing with Brownswood Recordings. His breakthrough came with the 2011 debut album Peanut Butter Blues & Melancholy Jam, a critically acclaimed work that earned a nomination for the and established him as a poignant voice in British alternative music. Over the following years, he released a series of innovative albums, including Some Say I So I Say Light (2013), Shedding Skin (2015, another nominee), Dark Days + Canapés (2017), and I Grow Tired But Dare Not Fall Asleep (2020), each showcasing evolving production and collaborations with artists such as Leo Taylor and members of the jazz scene. Beyond music, Ghostpoet has expanded into , performance, and broadcasting, weaving installation and image-making into his practice, and has collaborated with high-profile acts like and Damon Albarn's Africa Express project. In recent years, following a period of personal reflection, he returned in 2024 with the EP Am I the Change I Wish to See?, featuring tracks like "Oh Lord!" and "Hold The Line!", which continue his tradition of raw, socially conscious lyricism released independently via .

Early life and education

Childhood and family

Obaro Ejimiwe, professionally known as Ghostpoet, was born on 18 January 1983 in , England, to a Nigerian father and a Dominican mother. He grew up in , , in a multicultural household shaped by his parents' immigrant backgrounds, with his father from and his mother from . This diverse family environment profoundly influenced his early worldview, instilling a strong through his parents' independent businesses—an estate agency and a minicab service—while exposing him to a blend of cultural perspectives that broadened his artistic sensibilities. His heritage contributed to an eclectic approach in his creative work, merging elements like hip-hop, , and folk, and he occasionally visited , reinforcing ties to his paternal roots. From a young age, Ejimiwe's family home provided early exposure to diverse music genres, including African rhythms like Fela Kuti's , which stemmed from his father's Nigerian side and helped cultivate his appreciation for global sounds. Although music was beloved in the household, it was not viewed as a practical career path, prompting Ejimiwe to initially pursue other endeavors before fully embracing his artistic pursuits.

Studies at Coventry University

At the age of 18, Obaro Ejimiwe, known professionally as Ghostpoet, enrolled at to pursue a degree in media production, initially aiming for a career in film editing. During his studies, he became involved in the local music scene by joining a grime/MC collective, which provided his first structured platform for performance and songwriting. This collective experience marked Ejimiwe's entry into collaborative music-making, where he participated in DJing and MCing over instrumentals and popular tracks, honing his rapping skills in a group setting. Through these university-based interactions, he began experimenting with rudimentary beats and sound production, learning the basics of computer-based music creation from peers, which laid the foundation for his later artistic development. He ultimately graduated with a degree in media production, having balanced his academic pursuits with these emerging musical interests.

Career

Early releases and debut (2009–2011)

Ghostpoet's earliest professional recordings appeared in 2009 on two mixtapes produced by collaborators in the London music scene. He contributed to Filthy Friends, a genre-spanning mixtape curated by Micachu and released on February 9, 2009, via Rough Trade Records, which featured a diverse array of emerging UK artists blending grime, hip hop, and experimental sounds. Later that year, on June 5, 2009, Ghostpoet appeared alongside DELS on the track "Freefire" for Kwesachu Mixtape Vol.1, a self-released collaborative project by producers Kwes and Micachu that showcased underground talent from the capital's creative circles. Building on this exposure, Ghostpoet self-released his debut EP, The Sound of Strangers, on June 1, 2010, marking his first project as a lead artist and comprising four tracks that introduced his spoken-word delivery over atmospheric beats. The EP garnered immediate attention, earning him a feature in 's "New Band of the Day" column on June 2, 2010, where he was highlighted as a promising voice transitioning from university-era grime collectives to broader electronic influences. In early 2011, Ghostpoet issued his breakthrough single "Cash & Carry Me Home" on January 24, followed shortly by his debut studio album, Peanut Butter Blues & Melancholy Jam, released worldwide on February 7 via Brownswood Recordings. The album, produced with contributions from Kwes and others in the Brownswood circle, solidified his presence in the UK independent scene and was shortlisted for the 2011 Mercury Prize on July 19, recognizing it among the year's most innovative British releases alongside acts like PJ Harvey and James Blake. That summer, Ghostpoet embarked on his first major tours, supporting and across the and , which helped build his live reputation through intimate performances emphasizing his rhythmic lyricism. He also made his debut on June 24, 2011, at the Stage, sharing the bill with emerging electronic and alternative acts in a slot that underscored his rising profile.

Mid-period albums (2013–2017)

Ghostpoet's second studio album, Some Say I So I Say Light, was released on 6 May 2013 through Play It Again Sam Records. Building on the experimental foundation of his debut, the album incorporated more electronic and ambient elements, featuring collaborations with producers like Richard Formby. Recorded in , it explored themes of urban alienation and personal introspection through layered spoken-word delivery over intricate beats. In 2015, Ghostpoet issued his third album, Shedding Skin, on 2 March via the same label. This release marked a shift toward a more band-oriented sound, with live instrumentation from musicians including Leo Taylor on drums and Jim Sclavunos on percussion, emphasizing raw emotional delivery. The album earned a nomination for the 2015 , highlighting its artistic evolution and broader appeal. Ghostpoet's fourth album, Dark Days + Canapés, arrived on 18 August 2017, again under Play It Again Sam. Produced with Leo Taylor and featuring guests like EERA and (of ), it blended influences with hip-hop rhythms, addressing societal tensions and personal resilience. During this period, Ghostpoet's live performances evolved from intimate club shows to prominent festival slots, enhancing his international profile. He toured extensively in the UK and , appearing at events such as Pitch Festival in the (2013), Beacons Festival in (2013), in (2015), Tramlines in (2015), Positivus in (2015), Maifeld Derby in (2015), on the Isle of Wight (2016), and Siren Festival in (2017). These appearances showcased a dynamic stage presence, often incorporating visual elements and guest performers to mirror the albums' experimental depth.

Later works (2020–2024)

In 2020, Ghostpoet relocated from the to , , describing the move as a radical life change that coincided with the onset of the and shaped his subsequent creative explorations. This relocation provided a new environment for introspection and artistic expansion, particularly as global lockdowns limited traditional touring and production routines. His fifth studio album, I Grow Tired But Dare Not Fall Asleep, arrived on 1 May 2020 via PIAS Recordings, capturing a dystopian urgency reflective of the era's uncertainties. The record, produced primarily by Ghostpoet, overstretched his earlier experimental boundaries, building on the critical success of his mid-period work to embrace bolder sonic risks. On 11 November 2022, Ghostpoet received an Honorary Doctorate of Art from Coventry University, recognizing his contributions to music, poetry, and broader cultural discourse. In 2023, he provided additional vocals for a reimagined version of Massive Attack's "Paradise Circus" (Fallen Sun Version), featured on the soundtrack for the Netflix film Luther: The Fallen Sun. Ghostpoet's output continued into 2024 with the self-released EP Am I the Change I Wish to See? on 31 May via his independent label Modern Revenge Records, comprising three tracks that delved into themes of personal agency and societal reflection. That same year, he composed the original score for Ataraxy 33, a short directed by Curtis Essel and featuring dancer Noan Alves of the Ballet, which examined motifs of sanctuary and transformation. Throughout this period, Ghostpoet maintained active DJ engagements, including curated listening sessions and sets in Berlin's vibrant club scene, such as his performance at in February 2024. In 2025, he appeared as a guest on Tony Njoku's album All Our Knives Are Always Sharp.

Musical style and influences

Style and themes

Ghostpoet's music is characterized by a distinctive blend of experimental hip hop, electronic elements, delivery, and alternative genres, often creating a hazy, atmospheric sound that defies conventional categorization. His approach incorporates and hip-hop foundations with trip-hop rhythms and indie influences, resulting in tracks that feature mumbled or spoken vocals over quirky, manipulated beats. This fusion draws from diverse sonic palettes, including glitchy electronics and sparse production, to evoke a sense of and unease. Lyrically, Ghostpoet's work recurrently explores themes of melancholy, , urban alienation, and personal , grounding abstract emotions in everyday observations. His narratives often depict the inner lives of ordinary individuals—heartbroken recluses, reluctant workers, and those grappling with societal disconnection—while addressing broader issues like and global unrest. These motifs are delivered in a laconic, understated that invites listeners to project their own experiences, emphasizing emotional without overt . Ghostpoet's production has evolved from raw, lo-fi aesthetics in his early releases to more polished, atmospheric soundscapes in subsequent works, reflecting a shift toward collaborative and layered arrangements, continuing into later albums like I Grow Tired But Dare Not Fall Asleep (2020), which blends , , and trip-hop with spoken-word elements to heighten themes of introspection and defiance, and the 2024 EP Am I the Change I Wish to See?, preserving raw, socially conscious lyricism. Initial efforts featured "shitty home production" with electronics and minimalistic beats, giving way to fuller band integrations of guitars, , and bass for a richer, more dynamic texture. This progression maintains an experimental edge, as seen in albums like Shedding Skin, where mournful guitar tones and propulsive rhythms enhance the depressive undertones. Central to his technique is the use of sampling, looping, and non-traditional structures, which disrupt linear narratives and build immersive, fragmented compositions. Glitchy intros and looped motifs create tension, often prioritizing mood over verse-chorus conventions, while incorporating unusual elements like violins or noisy guitar squalls to underscore thematic depth. This approach, evident in early tracks from Peanut Butter Blues & Melancholy Jam, evolves into more structured yet unconventional forms, blending spoken-word flows with instrumental builds for a hypnotic effect.

Influences

Ghostpoet's musical influences draw from a diverse array of genres, reflecting his exposure to , trip-hop, , and during his formative years in South East London and . Among his primary inspirations, stands out for its experimental structures, particularly evident in Ghostpoet's admiration for the track "" from the album Amnesiac (2001), which he credits with demonstrating bravery in redefining musical frameworks and subtly informing his own genre-blending compositions. Fela Kuti's rhythms profoundly impacted Ghostpoet, with the song "Sorrow Tears and Blood" from (1976) highlighting Kuti's fearless political lyricism and rhythmic complexity, elements that contribute to Ghostpoet's rhythmic innovation without direct imitation. Nick Cave's narrative depth, particularly in tracks like "People Ain't No Good" from (1997), inspires Ghostpoet's exploration of dark, introspective storytelling, emphasizing constant evolution in artistry as a core principle. Beyond these key figures, Ghostpoet's youth immersed him in the grime, electronic, and scenes of the , including broadcasts and acts like , whose album Original Pirate Material (2002) blended , jungle, drum 'n' bass, and bassline with relatable narratives, fostering his genre-defying ethos. Electronic influences such as Four Tet's Rounds (2003) and Burial's "Homeless" from Untrue (2007) informed his minimalist, emotive production, while elements from ' "Upper Egypt and Lower Egypt" and Brazilian traditions expanded his rhythmic palette, all converging to create a sound that transcends imitation and embraces eclectic fusion.

Visual art

Beginnings in visual art

Around 2021, Obaro Ejimiwe, professionally known as Ghostpoet, transitioned into , extending his established musical career into territory. This shift marked an intentional broadening of his creative output, incorporating elements like , , installation, , and video to complement his sonic explorations. Ejimiwe's entry into this field was highlighted by his selection for the Nigeria's Lagos-Berlin program, where he was introduced as an emerging visual artist alongside his musical identity. The motivations for this expansion were deeply intertwined with reflections emerging from the COVID-19 pandemic, a period that profoundly shaped Ejimiwe's introspective worldview as evidenced in his 2020 album I Grow Tired But Dare Not Fall Asleep. The album's dystopian themes of societal unease and personal vigilance, crafted amid global lockdowns, mirrored the era's uncertainties and fueled a yearning for more holistic, interdisciplinary forms of artistic engagement. This desire allowed Ejimiwe to transcend the constraints of music alone, weaving visual and performative dimensions to address broader existential and cultural inquiries. Ejimiwe's initial forays emphasized and , which naturally extended the thematic core of his musical work—poetic meditations on , relationships, , and . These experiments blurred auditory and tactile boundaries, using sculptural forms infused with sonic components to amplify narratives of identity and resistance, thereby enriching the conceptual layers of his practice without departing from its foundational .

Notable projects

In 2022, Ghostpoet, whose real name is Obaro Ejimiwe, premiered the collaborative large-scale installation and performance series Blacknuss! Technologies of Joy, Care, and Intimacy alongside artist Luiza Prado de O. Martins at the Kampnagel International Summer Festival in . This performative work investigates the transformative power of joy and care practices within and Indigenous diasporas, integrating , , and interactive elements to foster spaces of community, memory, and resistance against colonial legacies. As part of the same festival, Ejimiwe presented Sonic Explorations 001, a performance that disrupts Eurocentric categorizations of music, merging introspective with experimental sonic landscapes to explore identity and cultural boundaries. From 2021 to 2024, Ejimiwe's further addressed themes of identity, African , and environmental through approaches involving sound, image-making, and , often developed during international residencies such as his 2021 Artists-in-Residence at Nigeria and 2023 IASPIS residency in . These projects frequently incorporated collaborations that fused visual components with live performances, exemplified by Blacknuss!'s activation through percussion and communal rituals, emphasizing collective healing and environmental interconnectedness in postcolonial contexts.

Critical reception and legacy

Critical response

Ghostpoet's work has been widely praised for its innovative fusion of spoken-word poetry, electronic beats, and alternative rock, often highlighting the emotional depth in his explorations of personal and societal anxieties. Critics have commended his ability to create claustrophobic yet compelling soundscapes that capture the malaise of modern life, with The Guardian describing his output as "superbly textured" and marked by "brittle, anxious interior monologues." Similarly, NME has lauded his evolution as a "triumph of agitated beats, jazzy keyboards and slurred rap," emphasizing the raw, introspective quality that sets him apart in British music. His debut album, Peanut Butter Blues & Melancholy Jam (2010), was celebrated for its fresh, lo-fi aesthetic and homemade vibe influenced by trip-hop, earning acclaim for introducing a voice in alternative hip-hop with its tales of regret and urban alienation. Reviewers noted its atmospheric production and hook-laden tracks as a breakthrough, building to a "fascinating climax" that encapsulated hungover introspection. By contrast, Shedding Skin (2015) received praise for demonstrating artistic maturity, venturing into Radiohead-tinged alt-rock territory with more universal themes of loss and tentative hope, marking a bold shift from earlier sparse electronics. Later works, such as I Grow Tired But Dare Not Fall Asleep (2020), have been highlighted for their timely on issues like the far right's rise and systemic injustices, blending righteous anger with melancholic defiance to underscore ongoing relevance. While generally acclaimed, some critiques point to occasional inaccessibility stemming from experimental elements, such as glacial beats that can feel repetitive or overly minimal, potentially alienating listeners seeking more variation. For instance, shifts toward eclectic instrumentation in later albums have been noted as innovative yet sometimes challenging, with piano-led moments creating lulls amid the intensity. Overall, Ghostpoet is regarded as a genre innovator in British alternative music, defying conventions through his genre-blending approach and persistent thematic depth, influencing a wave of introspective, boundary-pushing artists.

Awards and honors

Ghostpoet, whose real name is Obaro Ejimiwe, has garnered significant recognition in the music industry, particularly through nominations for the prestigious . His debut album, Peanut Butter Blues & Melancholy Jam (2010), was nominated for the 2011 , highlighting his innovative blend of spoken-word poetry and electronic music. Similarly, his third album, Shedding Skin (2015), received a nomination for the 2015 , acknowledging his evolving artistry and collaborations with producers like Richard Formby and Leo Taylor. In addition to these nominations, Ejimiwe has been honored for his broader contributions to music and . In November 2022, awarded him an Honorary Doctorate of Art in recognition of his extensive impact on , , and cultural discourse.

Discography

Studio albums

Ghostpoet's debut studio album, Peanut Butter Blues & Melancholy Jam, was released on 4 2011 by Brownswood Recordings. Characterized by its lo-fi production, the album was primarily self-produced by Obaro Ejimiwe (Ghostpoet's real name) in a DIY style that emphasized raw, intimate soundscapes. His second album, Some Say I So I Say Light, followed on 6 May 2013 via Play It Again Sam. This release expanded through collaborations, including co-production with Richard Formby and guest appearances by artists such as Tony Allen and , broadening its sonic palette beyond the debut's minimalism. Shedding Skin, Ghostpoet's third studio album, arrived on 2 March 2015, also on Play It Again Sam. Co-produced with Leo Abrahams, it marked a genre-shifting emphasis on electronic elements, blending rock and in a more structured, band-oriented approach compared to prior works. The fourth album, Dark Days + Canapés, was issued on 18 August 2017 by Play It Again Sam. Produced by Leo Abrahams, it conveyed thematic urgency through explorations of modern anxieties and societal tensions, delivered in a fuller, guitar-driven sound. Finally, I Grow Tired But Dare Not Fall Asleep was released on 1 May 2020 under PIAS Recordings. Self-produced by Ghostpoet with additional contributions, the album reflected introspective themes influenced by the emerging , incorporating and electronic textures to address personal and global unease.

Other releases

Ghostpoet's extended plays (EPs) represent key early and recent explorations of his spoken-word hip-hop style blended with electronic elements. His debut EP, The Sound of Strangers, was released on June 1, 2010, by Brownswood Recordings as a free digital download comprising four tracks that showcased his rhythmic lyricism over atmospheric beats, marking his introduction to broader audiences following features. More than a decade later, Am I the Change I Wish to See? arrived on May 31, 2024, self-released via Modern Revenge Records and available on ; this three-track EP, featuring "Oh Lord!", "Who Knows?", and "Hold The Line!", delves into introspective themes with minimalist production, reflecting his evolution toward more vulnerable, ambient soundscapes. Early in his career, Ghostpoet contributed to collaborative mixtapes that highlighted London's underground scene. He appeared on Micachu's Filthy Friends: Mix Tape Volume 1, released on February 9, 2009, by Rough Trade Records, a genre-spanning 33-track compilation blending grime, hip-hop, and experimental pop where his verses added raw, poetic intensity to the eclectic mix. Similarly, on Kwesachu Mixtape Vol.1 by Micachu and Kwes, issued on June 5, 2009, as a self-released digital project, Ghostpoet collaborated with DELS on the track "Freefire," delivering urgent flows over glitchy, electronic backdrops that underscored the mixtape's innovative fusion of production and live elements. Among his standalone singles, "Cash and Carry Me Home" stands out as a pivotal release on Brownswood Recordings, featuring three versions including an original and remixes that fused and 'n' bass rhythms with his introspective , earning acclaim for its vivid portrayal of urban alienation. Other notable singles, such as those tied to his cycles like "Survive It" from , further exemplified his ability to craft concise, narrative-driven tracks with guest producers, though these often served as precursors to full-length projects. Ghostpoet has also made significant guest appearances, particularly in soundtracks. In 2023, he provided vocals for "Paradise Circus (Fallen Sun Version)" by (featuring Massive Attack's Grant Marshall), released on February 24 as part of the film Luther: The Fallen Sun soundtrack; his brooding delivery reimagined the original track with a darker, cinematic edge suited to the thriller's tone. In 2025, Ghostpoet contributed vocals to "The Slipstream" on Tony Njoku's album All Our Knives Are Always Sharp, released July 11 by Studio Njoku, blending his poetic style with Njoku's electronic and classical influences in a track exploring fate and personal agency.

References

  1. https://www.tunefind.com/artist/ghostpoet
  2. https://www.prsformusic.com/m-magazine/features/interview-ghostpoet
  3. https://nataal.com/ghostpoet
  4. https://www.allmusic.com/artist/ghostpoet-mn0002576177
  5. https://www.bbc.co.uk/news/entertainment-arts-14717576
  6. https://www.bbc.co.uk/news/entertainment-arts-34528483
  7. https://www.konstnarsnamnden.se/en/international-programmes-and-residencies/iaspis-international-programme-for-visual-and-applied-arts/iaspis-digital-archive/obaro-ejimiwe/
  8. https://ghostpoet.bandcamp.com/album/am-i-the-change-i-wish-to-see
  9. https://www.discogs.com/artist/1835598-Ghostpoet
  10. https://www.the-independent.com/arts-entertainment/music/features/ghostpoet-interview-i-d-do-music-for-a-cheese-and-onion-sandwich-10060068.html
  11. https://www.gq.com.au/entertainment/music/ghostpoet-on-how-he-became-a-musician/news-story/1e878e361ebd63b5c7a3c7a25838bd18
  12. https://www.theguardian.com/music/2011/aug/28/ghostpoet-mercury-prize-interview
  13. https://www.wsj.com/articles/music-review-of-shedding-skin-by-ghostpoet-a-haunting-mix-of-styles-1426627535
  14. https://beat.com.au/ghostpoet/
  15. https://www.theguardian.com/music/2010/jun/02/new-band-ghostpoet
  16. https://www.discogs.com/release/5259406-Micachu-Filthy-Friends-Mix-Tape-Volume-1
  17. https://rateyourmusic.com/release/mixtape/micachu/filthy-friends/
  18. https://www.discogs.com/release/3376677-Kwes-Micachu-Kwesachu-Kwesachu-Mixtape-Vol1
  19. https://soundcloud.com/brownswood/sets/ghostpoet-the-sound-of-strangers-ep-free-download
  20. https://www.discogs.com/release/5018634-Ghostpoet-Cash-And-Carry-Me-Home
  21. https://www.allmusic.com/album/peanut-butter-blues-and-melancholy-jam-mw0002104507
  22. https://brownswood.ochre.store/release/214433-ghostpoet-peanut-butter-blues-and-melancholy-jam
  23. https://www.bbc.com/news/entertainment-arts-14717576
  24. https://www.setlist.fm/festival/2011/glastonbury-festival-2011-53d6bf01.html
  25. https://www.allmusic.com/album/some-say-i-so-i-say-light-mw0002511939
  26. https://ghostpoet.bandcamp.com/album/some-say-so-i-say-light
  27. https://ghostpoet.bandcamp.com/album/dark-days-canap-s
  28. https://www.concertarchives.org/bands/ghostpoet?year=2013
  29. https://www.concertarchives.org/bands/ghostpoet?year=2015
  30. https://www.concertarchives.org/bands/ghostpoet?year=2017
  31. https://diymag.com/news/ghostpoet-slaves-sugarhill-gang-to-play-tramlines-festival-2015
  32. https://diymag.com/news/watch-ghostpoet-i-grow-tired-but-dare-not-fall-asleep-video
  33. https://www.musicboard-berlin.de/en/ghostpoet/
  34. https://ghostpoet.bandcamp.com/album/i-grow-tired-but-dare-not-fall-asleep
  35. https://www.theguardian.com/music/2020/may/02/ghostpoet-i-grow-tired-but-dare-not-fall-asleep-review-obaro-ejimiwe-dark-but-defiant
  36. https://www.coventry.ac.uk/news/2022/inspiring-individuals-set-to-be-honoured-by-coventry-university/
  37. https://www.radiotimes.com/movies/luther-the-fallen-sun-soundtrack/
  38. https://www.nowness.com/topic/dance/ataraxy-33-curtis-essel-stuttgart-ballet
  39. https://deeds.news/2024/02/berlin-beats-warm-up-kick-off-with-ghostpoet-hamburger-bahnhof-29-02-2024/
  40. https://www.godisinthetvzine.co.uk/2025/04/17/news-tony-njoku-announces-new-album-featuring-tricky-gaika-ghostpoet-coby-sey-james-massiah-and-space-afrika/
  41. https://www.silentradio.co.uk/09/03/interview-ghostpoet/
  42. https://dmy.co/features/ghostpoet-interview-i-mumble-over-quirky-sounds-that-s-me-in-a-nutshell
  43. https://echoesanddust.com/2017/08/ghostpoet-dark-days-canapes/
  44. https://www.rapreviews.com/2015/11/ghostpoet-shedding-skin/
  45. https://www.kcrw.com/stories/ghostpoet-love-from-london
  46. https://www.thelineofbestfit.com/features/interviews/ghostpoet-nine-favourite-songs
  47. https://www.electronicsound.co.uk/features/under-the-influence/ghostpoet/
  48. https://www.thevinylfactory.com/features/everyday-is-different-ghostpoet-picks-five-of-his-favourite-records
  49. https://www.hkw.de/en/programme/contributors/obaro-ejimiwe
  50. https://nbhap.com/stories/interview-ghostpoet-i-grow-tired-but-dare-not-fall-asleep
  51. https://www.thelineofbestfit.com/reviews/albums/ghostpoet-i-grow-tired-album-review
  52. https://kampnagel.de/en/productions/sf22-blacknuss
  53. https://www.beatsense.com/wiki/Ghostpoet-Finished-I-Ain%27t?youtube=UHUGkb7oyhk
  54. https://kampnagel.de/en/productions/sf22-ghostpoet-sonic-explorations
  55. https://www.facebook.com/goethe.nigeria/posts/4615930138456152/
  56. https://www.theguardian.com/music/2015/jan/30/ghostpoet-review-chats-palace-london
  57. https://www.nme.com/reviews/reviews-ghostpoet-14404-307727
  58. https://www.theguardian.com/music/musicblog/2011/feb/08/ghostpoet-peanut-butter-blues-stream
  59. https://www.bbc.co.uk/music/reviews/4qfd/
  60. https://www.theguardian.com/music/2015/feb/26/ghostpoet-shedding-skin-review
  61. https://www.popmatters.com/136526-ghostpoet-peanut-butter-blues-and-melancholy-jam-2496083553.html
  62. https://www.bbc.com/news/entertainment-arts-34846212
  63. https://www.discogs.com/release/5838990-Ghostpoet-Peanut-Butter-Blues-Melancholy-Jam
  64. https://www.ohjeanrecords.com/products/peanut-butter-blues-melancholy-jam
  65. https://www.broadwayworld.com/bwwmusic/article/Ghostpoet-Set-to-Release-Upcoming-LP-Today-20130923
  66. https://www.qobuz.com/us-en/interpreter/ghostpoet/551787
  67. https://www.discogs.com/release/11401630-Ghostpoet-Shedding-Skin
  68. https://spindizzyrecords.com/products/ghostpoet-dark-days-canapes-2021-repress-lp-clear-vinyl-bf2021apr-22
  69. https://transistor.blog/2017/08/24/album-review-ghostpoet-dark-days-canapes/
  70. https://www.brooklynvegan.com/ghostpoet-released-new-lp-tells-us-what-hes-been-up-to-during-quarantine/
  71. https://www.discogs.com/release/2301257-Ghostpoet-The-Sound-Of-Strangers-EP
  72. https://rateyourmusic.com/release/ep/ghostpoet/am-i-the-change-i-wish-to-see/
  73. https://music.apple.com/us/album/cash-and-carry-me-home-single/1561210688
  74. https://open.spotify.com/track/1Fg1XSeE1aSqOD0EkQAAvn
  75. https://filmmusicreporter.com/2023/02/24/new-version-of-paradise-circus-from-luther-the-fallen-sun-released/
  76. https://pitchfork.com/reviews/albums/tony-njoku-all-our-knives-are-always-sharp/
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