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Mica Levi
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Micaela Rachel "Mica" Levi[pronunciation?] (born February 1987), also known by their stage name Micachu, is an English musician, composer, producer, singer, and songwriter.
Key Information
Levi studied composition at the Guildhall School of Music and Drama, but left without a degree when their experimental pop band Micachu and the Shapes began to achieve early success. Their debut album Jewellery (2009) received enthusiastic reviews and was followed by several more studio albums, with the group changing their name to Good Sad Happy Bad in 2016. Levi has also released solo projects under both the Micachu moniker and their given name, and has frequently collaborated with other artists, including Kwes and Tirzah.
In the early 2010s, Levi made their debut as a film composer, creating the widely praised score for Jonathan Glazer's film Under the Skin (2013).[1][2][3] Levi received a European Film Award for Best Composer and a BAFTA Award for Best Film Music nomination, and won multiple other awards for this first movie composition. Levi then collaborated again with Glazer on his next film, the acclaimed The Zone of Interest (2023) (for which they won the Soundtrack Award at the 2023 Cannes Film Festival), and two short films. In 2017, Levi received their first Academy Awards nomination for Pablo Larraín's Jackie (2016). They also worked with director Steve McQueen on his Small Axe anthology film series.
Early life
[edit]"My granddad played violin, so I think I thought there was prestige in it. [...] He escaped from prison with his violin in the Second World War. He was a German Jew, and he was arrested, but he escaped and hid out on a farm nearby. He decided the best time to ski across to neutral territory would be New Year’s Eve, because the guards would be drunk. But he left his violin at the farm, and years later he went back to get it. [...] I think I had a certain amount of obsession with it as a child."
Micaela Rachel Levi,[5] known as Mica Levi or Micachu,[6][7][8] was born in 1987 in Guildford, Surrey, England[4][9] and grew up in Watford, near London.[4][10][11] Levi is of Ashkenazi Jewish descent; their grandfather was a German Jewish violinist who managed to escape from the Nazis during World War II and fled to the United Kingdom.[4] Levi was raised in a musical household.[4][10][11] Their father, Erik Levi, is a respected music scholar — the director of performance at Royal Holloway which is part of the University of London and an expert on music in the Third Reich — besides being a pianist.[4][8][11] Their mother, meanwhile, was a cello teacher.[4][8][10][11] Levi has a sister, Francesca, who is a video artist and has worked with them on various art projects.[12][13]
Levi began learning the violin at the age of four and also learned to play the viola as a child.[4][8][11] They then won a scholarship place at the prestigious Purcell School for Young Musicians at the age of nine and studied composition at the Guildhall School of Music and Drama in London from 2006 to 2009.[4][8][9][10][11] There, they started an experimental pop band with two friends, keyboardist Raisa Khan and drummer Marc Pell, called Micachu and the Shapes.[8][9][11] The name Micachu was a Pokémon reference.[8] They quickly took off, and Levi never finished their composition degree.[4][11] Performing as a DJ, they also released a mixtape titled Filthy Friends, which was posted on their official Myspace page.[4][8][9][14]
Music career
[edit]Micachu and the Shapes/Good Sad Happy Bad
[edit]After dropping out of university, Micachu and the Shapes signed to Matthew Herbert and Accidental Records.[4][8][11] With the Shapes, Levi's focus was experimental pop music. Most of the music prominently featured an acoustic half-guitar with various non-standard tunings, extensive distortion, and use of noise and found-object elements, as well as occasionally unusual time signatures. Despite these experimental leanings, the artist categorizes their output with the Shapes as "pop music." Their debut album, Jewellery was recorded around Levi's composition studies at Guildhall School. In the wake of growing buzz, Micachu and the Shapes were signed to Rough Trade,[15] which released Jewellery on 9 March 2009 to critical praise. The band performed with the London Sinfonietta at Kings Place, London, in May 2010, and in March 2011 released the live recording as the album Chopped and Screwed.[16] The follow-up to their debut, Never, was released on 23 July 2012. The band then released the album Good Sad Happy Bad on 11 September 2015.[17][18]
In March 2016, the band announced on social media that they were changing their name to Good Sad Happy Bad.[19] The band then expanded to a four-piece, adding multi-instrumentalist and producer CJ Calderwood and Raisa Khan becoming the band's lead vocalist.
In September 2020, the band announced their return with a new single, "Shades". The track served as the title track to Shades, the band's fourth studio album and first under the name Good Sad Happy Bad. It was released on 16 October 2020 via Textile Records.[20] Their fifth album, All Kinds of Days, was released on 8 November 2024.[21]
As a film composer
[edit]
Levi's first major film score was for Jonathan Glazer's 2013 film Under the Skin.[22] The film is based on the novel of the same name by Michel Faber and stars Scarlett Johansson. Produced at age 26 and created in collaboration with Glazer, Levi's film score themes are so tightly woven into the film[23] that they give a symbiotic quality, in which the aural feels inseparable from the visual.[24] The score was widely acclaimed for pushing the boundaries of music and sound design and Levi was nominated for multiple awards. They won Best Composer at the 2014 European Film Awards,[25] and tied with Jonny Greenwood for Best Music/Score at the 2014 Los Angeles Film Critics Awards.[26] They were also nominated for the 2015 BAFTA Award for Best Film Music.[27]
They reunited with Glazer to write the scores for two short films, The Fall (2019) and Strasbourg 1518 (2020).[28] In 2023, Levi composed the score for Glazer's fourth feature film The Zone of Interest. It won the Soundtrack Award at the 2023 Cannes Film Festival.[29]
In 2016, Levi completed their second major film score, for Pablo Larraín's Jacqueline Kennedy Onassis biopic Jackie.[30] Larraín had been a juror at the 2013 Venice Film Festival, and thought that Under the Skin deserved a film score prize. Composer Ryuichi Sakamoto, also on the jury, was enthralled by Levi's bold score for the film, and he and Larraín spoke passionately of their accomplishment,[24] which led to the collaboration on Jackie. Levi was nominated for Best Original Score at the 89th Academy Awards[31] but lost to Justin Hurwitz for La La Land.
In 2017, Levi worked with their sister, director Francesca Levi, on the soundtrack to The Colour of Chips, an experimental film conceived with Colm McAuliffe as part of The Unfilmables project, produced by Live Cinema UK.[32] That same year, Levi scored the science-fiction film Marjorie Prime and, in association with musicians Demdike Stare and Gruff Rhys, contributed to the soundtrack for artist Phil Collins' Ceremony: The Return of Friedrich Engels which was screened at the Manchester International Festival and then broadcast by the BBC.[13][33] In 2019, Levi composed the soundtrack for Colombian director Alejandro Landes's Monos. In December of that year it was announced they would be writing the score for the dark-comedy thriller film Zola which premiered at the Sundance Film Festival in 2020.
Later that same year, Levi composed the score for Mangrove, the first, feature-length episode of Steve McQueen's Small Axe series for the BBC and Amazon Studios.[34]
Musical collaborations
[edit]
Levi is also known for their various collaborations with English singer and songwriter Tirzah, a close friend they met at Purcell.[35][36] Levi notably produced the Devotion (2018), Colourgrade (2021) and Trip9love (2023) albums.[37][38]
Solo works
[edit]In 2021, Levi released their solo debut album Ruff Dog.[39]
Personal life
[edit]Besides their musical learning, Levi played a lot of football as a child and even turned up on the first day at Purcell in a football uniform with shin guards:[8] "I played midfield, although now I think I’d be a striker."[4] In 2016, Levi told in an interview that Bernard Herrmann is their favourite film composer, Bruce Langhorne's work for The Hired Hand their favourite film score of all time and Cliff Martinez's score for Spring Breakers their favourite recent film score.[40]
List of film scores
[edit]Feature films
[edit]| Year | Title | Director |
|---|---|---|
| 2013 | Under the Skin | Jonathan Glazer |
| 2016 | Jackie | Pablo Larrain |
| 2017 | Marjorie Prime | Michael Almereyda |
| 2019 | Monos | Alejandro Landes |
| 2020 | Zola | Janicza Bravo |
| 2023 | The Zone of Interest | Jonathan Glazer |
Short films
[edit]| Year | Title | Director(s) |
|---|---|---|
| 2016 | Delete Beach | Phil Collins Marisuke Eguchi |
| 2019 | The Fall | Jonathan Glazer |
| 2020 | Strasbourg 1518 |
Television
[edit]| Year | Title | Director | Notes |
|---|---|---|---|
| 2017 | Ceremony: The Return of Friedrich Engels | Phil Collins | In association with Demdike Stare and Gruff Rhys |
| 2020 | Mangrove | Steve McQueen | Small Axe anthology |
| Lovers Rock |
Discography
[edit]Studio albums
[edit]| Year | Album details |
|---|---|
| 2014 | Under The Skin (OST)
|
| 2016 | Remain Calm (with Oliver Coates)
|
Jackie (OST)
| |
| 2018 | Slow Dark Green Murky Waterfall (with Eliza McCarthy)
|
| 2019 | Monos (OST) |
| 2020 | Ruff Dog
|
| 2021 | Blue Alibi
|
Zola (OST)
|
Mixtapes
[edit]| Year | Mixtape details |
|---|---|
| 2009 | Filthy Friends
|
| 2010 | Kwesachu Mixtape Vol.1 with Kwes.
|
| 2011 | Meat Batch with Kwake Bass
|
Chopped & Screwed Mixtape with Brother May
| |
| 2012 | Kwesachu Vol. 2 with Kwes.
|
| 2014 | Feeling Romantic Feeling Tropical Feeling Ill
|
Singles / EPs
[edit]- "Taz and May Vids" (2016) (with Tirzah and Brother May)
- "Clothes Wear Me" (2016) (with KEVIN)
- "Delete Beach" (2017)
- "Obviously" (2018) (with Tirzah as Taz & Meeks)
- "Skunk Boy." (2022)
- "slob air" (2024)
Production
[edit]| Year | Artist | Title | Album | Label | Credit |
|---|---|---|---|---|---|
| 2023 | Tirzah | all tracks | Trip9love (LP) | Domino | Production |
| 2021 | Arca | "Muñecas" | Kick II (LP) | XL | Co-production with Arca |
| Tirzah | all tracks | Colourgrade (LP) | Domino | Production, co-mixing with Kwes | |
| 2019 | Wiki | 'Dame Aquí (feat. Princess Nokia)' | Oofie (LP) | Wikset | Co-production with Alex Epton, Rob Mack and Tony Seltzer |
| 2019 | Mica Levi | all tracks | Monos (OST, LP) | Invada, Lakeshore | Composer, production |
| 2019 | Brother May | all tracks | Aura Type Orange (LP) | self-released | Production on all tracks; co-production on 'Reppin' with Rob McCormack and 'Backpack Melody' with Coby Sey |
| 2018 | Tirzah | all tracks | Devotion (LP) | Domino | Production, co-mixing with Kwes |
| 2018 | Taz & Meeks | 'Obviously' | Taz & Meeks / Brother May / Coby Sey (Compilation EP); Curl Compilation (Compilation LP) | Curl | Production |
| 2017 | Mica Levi | all tracks | Delete Beach (Single) | DDS | Production |
| 2016 | Mica Levi | all tracks | Jackie (OST, LP) | Milan | Composer, production |
| 2016 | Mica Levi & Oliver Coates | all tracks | Remain Calm (LP) | Slip | co-production with Oliver Coates |
| 2016 | Good Sad Happy Bad | all tracks | Mash One / Looking Up at the Sun (Single) | self-released | co-production as part of Good Sad Happy Bad |
| 2016 | Brother May | all tracks | May & Meeks (EP) | Curl | Production on all tracks, mixing |
| 2016 | Micachu | all tracks | Taz & May Vids (EP) | DDS | Production on all tracks, mixing |
| 2015 | Wiki | 'Cherry Tree' | Lil Me (Mixtape) | Letter Racer | Co-production with Sporting Life |
| 2015 | Tirzah | all tracks | Make It Up (Single) | Greco Roman | Production |
| 2014 | DELS | 'RGB' | Petals Have Fallen (LP) | Big Dada | Production |
| 2014 | Micachu | all tracks | Feeling Romantic Feeling Tropical Feeling Ill (Mixtape) | DDS | Composer, production |
| 2014 | Micachu and the Shapes | all tracks | Good Sad Happy Bad (LP) | Rough Trade | co-production as part of Micachu and the Shapes |
| 2014 | Tirzah | all tracks | No Romance (EP) | Greco Roman | Production |
| 2014 | Mica Levi | all tracks | Under the Skin (OST, LP) | Rough Trade, Milan | Production |
| 2013 | Tirzah | all tracks | I'm Not Dancing (EP) | Greco Roman | Production |
| 2012 | Micachu and the Shapes | all tracks | Never (LP) | Rough Trade | co-production as part of Micachu and the Shapes |
| 2012 | Kwesachu | all tracks | Kwesachu Vol. 2 (Mixtape) | self-released | Production with Kwes |
| 2011 | DELS | 'Violina', 'Melting Patterns' | Gob (LP) | Big Dada | Production |
| 2011 | Micachu hosted by Brother May | all tracks | Chopped & Screwed Mixtape (Mixtape) | self-released | Production |
| 2011 | Micachu & Kwake Bass | all tracks | Meat Batch (Mixtape) | BTS Radio | Production |
| 2010 | Micachu & the Shapes with the London Sinfonietta | all tracks | Chopped & Screwed (LP) | Remote Control and Rough Trade | co-production as part of Micachu and the Shapes |
| 2009 | Kwesachu | most tracks including 'Closer (cover of Ne-Yo's song) ft. Romy of The xx' | Kwesachu Mixtape Vol.1 (Mixtape) | self-released | Production with Kwes |
| 2009 | Micachu and the Shapes | all tracks | Jewellery (LP) | Rough Trade | co-production as part of Micachu and the Shapes w/ Matthew Herbert |
| 2009 | Micachu | most tracks | Filthy Friends (Mixtape) | self-released | Production |
As featured artist
[edit]- Speech Debelle – "Better Days" (2009)
- Baker Trouble – "Fine" (2010)
- Babyfather – "God Hour" (2016)
- Arca - "Think Of" and "Baby Doll" (2016)
- Mount Kimbie – "Marilyn" (2017)
- Stubborn – "Mid" (2020)
- bar italia – "letting go makes it stay" (2021)
Awards and recognition
[edit]See also
[edit]References
[edit]- ^ Greene, Jayson (17 April 2014). "Mica Levi: Under the Skin OST Album Review". Pitchfork. Retrieved 11 February 2024.
- ^ Weingarten, Christopher R. (29 December 2014). "20 Best Avant Albums of 2014". Rolling Stone. Retrieved 11 February 2024.
- ^ Travers, Kate (24 March 2014). "Mica Levi - Under The Skin OST". The Line of Best Fit. Archived from the original on 11 February 2024. Retrieved 11 February 2024.
- ^ a b c d e f g h i j k l m Barton, Laura (Autumn–Winter 2015). "Mica Levi". The Gentlewoman. No. 12. Archived from the original on 8 February 2024. Retrieved 8 February 2024.
- ^ "MICAELA RACHEL LEVI - Musical work". ACUM. Archived from the original on 8 February 2024. Retrieved 8 February 2024.
- ^ "Micachu Songs, Albums, Reviews, Bio & More". AllMusic. Retrieved 8 February 2024.
- ^ "Mica Levi Lyrics, Songs and Albums". Genius. Retrieved 8 February 2024.
- ^ a b c d e f g h i j k Greiving, Tim (12 December 2023). "'Zone' composer Mica Levi is creating film music like you've never heard before". Los Angeles Times. Archived from the original on 12 December 2023. Retrieved 8 February 2024.
- ^ a b c d Kretowicz, Steph. "Mica Levi: Under the Skin" (PDF). London Sinfonietta. Archived from the original (PDF) on 8 February 2024. Retrieved 8 February 2024.
- ^ a b c d Quarshie, Adam (18 November 2021). "Cover story: Mica Levi - In dreams". Crack. Archived from the original on 8 February 2024. Retrieved 8 February 2024.
- ^ a b c d e f g h i Beauman, Ned (23 February 2017). "Mica Levi's intensely unconventional film scores". The New Yorker. Archived from the original on 15 February 2023. Retrieved 8 February 2024.
- ^ "Mica Levi collaborates with her sister Francesca on a new soundtrack project". The Wire. 28 February 2017. Archived from the original on 8 February 2024. Retrieved 8 February 2024.
- ^ a b "Francesca and Mica Levi: The Colour of Chips". IFFR. Archived from the original on 8 February 2024. Retrieved 8 February 2024.
- ^ Hunt, El (12 March 2016). "Micachu teams up with Brother May for 'May And Meeks' EP". DIY. Archived from the original on 12 March 2016. Retrieved 8 February 2024.
- ^ "Rough Trade Records". Rough Trade Records. Retrieved 7 July 2016.
- ^ "Micachu and the Shapes and London Sinfonietta present: CHOPPED & SCREWED", Rough Trade Records.
- ^ "Good Sad Happy Bad critics reviews". Mertacritic.com. 10 September 2015. Retrieved 12 September 2016.
- ^ "Pop and Jazz Listings and Albums for the Fall Season". New York Times, 7 SEPT. 2015
- ^ good sad happy bad (Video). 23 March 2016. Archived from the original on 21 December 2021. Retrieved 1 April 2017.
we just wanted to tell you that rather than being a recording "good sad happy bad" is the new name of our band.
- ^ Eede, Christian. "Micachu & the Shapes Change Name To Good Sad Happy Bad". The Quietus. Retrieved 8 September 2020.
- ^ "All Kinds of Days". Bandcamp. Retrieved 14 November 2024.
- ^ Levi, Mica (15 March 2014). "How Mica Levi got Under The Skin of her first film soundtrack". the Guardian. Retrieved 6 July 2016.
- ^ "Mica Levi: Under the Skin OST Album Review | Pitchfork". pitchfork.com. Retrieved 25 January 2017.
- ^ a b Tapley, Kristopher (19 October 2016). "'Arrival,' 'Jackie' Composers Push Boundaries of Music and Sound Design". Variety. Retrieved 25 January 2017.
- ^ NME.COM (28 December 2014). "Mica Levi on scoring 'Under the Skin': 'I dreamt the world came out of Scarlett Johansson's face' | NME.COM". NME.COM. Retrieved 6 July 2016.
- ^ "LAFCA". LAFCA. Archived from the original on 30 December 2014. Retrieved 10 January 2017.
- ^ "Mica Levi earns BAFTA nomination for Under The Skin score". FACT Magazine: Music News, New Music. 9 January 2015. Retrieved 6 July 2016.
- ^ Monroe, Jazz (9 July 2020). "Mica Levi Scores New Jonathan Glazer Short Film Strasbourg 1518". Pitchfork. Retrieved 11 February 2024.
- ^ a b "'Zone of Interest', film on Auschwitz commandant, wins 2nd-highest prize at Cannes". The Jerusalem Post. 28 May 2023. Retrieved 29 May 2023.
- ^ "Mica Levi scores Jackie Kennedy biopic starring Natalie Portman". 16 August 2016. Retrieved 10 October 2016.
- ^ Beauman, Ned (23 February 2017). "Mica Levi's Intensely Unconventional Film Scores". The New Yorker. Retrieved 1 April 2017.
- ^ McAuliffe, Colm (5 August 2024). "'The Unfilmables". Colm McAuliffe. Retrieved 5 August 2024.
- ^ "FULL PROGRAMME ANNOUNCED FOR MANCHESTER INTERNATIONAL FESTIVAL 2017" (PDF) (Press release). Manchester, England: Manchester International Festival. 9 March 2017. Archived from the original (PDF) on 8 February 2024. Retrieved 8 February 2024.
- ^ Debruge, Peter (25 September 2020). "'Mangrove' Review: Steve McQueen's British Courtroom Drama Does Justice to a Landmark Case Against Black Activists". Variety. Retrieved 26 November 2020.
- ^ Hannan, Thomas (10 July 2015). "Micachu and Tirzah shine at Greco Roman showcase in London". The Line of Best Fit. Retrieved 11 February 2024.
- ^ Lamm, Olivier (6 August 2018). "Tirzah, loin de la soul déchaînée". Libération (in French). Retrieved 11 February 2024.
- ^ Julliand, Briac (1 October 2021). ""Colourgrade", l'album magnétique du moi et des émois de Tirzah". Les Inrockuptibles (in French). Retrieved 11 February 2024.
- ^ Monroe, Jazz (5 September 2023). "Tirzah Releases New Album Trip9love…???: Listen". Pitchfork. Retrieved 11 February 2024.
- ^ Gordon, Arielle (8 January 2021). "Mica Levi: Ruff Dog Album Review". Pitchfork. Retrieved 11 February 2024.
- ^ Stolze, Eric (2 December 2016). "The Score: Mica Levi". FLOOD Magazine. Archived from the original on 8 February 2024. Retrieved 8 February 2024.
- ^ Lamm, Olivier (22 December 2020). "Mica Levi, de fond en décombres". Libération (in French). Retrieved 8 February 2024.
- ^ Vincent, Alice (11 November 2013). "British Independent Film Awards: Dame Judi Dench and Scarlett Johansson nominated". The Daily Telegraph. Retrieved 11 April 2015.
- ^ Beaumont-Thomas, Ben (9 January 2015). "Bafta nominations 2015: full house for Grand Budapest Hotel but Mr Turner and Selma snubbed". The Guardian. Retrieved 11 April 2015.
- ^ Gire, Dann (4 December 2014). "Reel life: Dann & Raymond aim for the stars". Chicago Daily Herald. Retrieved 12 December 2014.
- ^ Barraclough, Leo (13 December 2014). "Pawel Pawlikowski's 'Ida' Wins Best Film at the European Film Awards". Variety. Retrieved 11 April 2015.
- ^ White, White (18 January 2015). "Boyhood Takes Three At The London Critics' Circle Film Awards". Empire. Retrieved 11 April 2015.
- ^ Bloom, David (7 December 2014). "'Boyhood' Wins Best Picture, Three Other Awards From L.A. Film Critics". Deadline Hollywood. Retrieved 11 April 2015.
- ^ Patches, Matt (7 December 2014). "'Birdman,' 'Boyhood' lead Washington DC critics awards nominations". HitFix. Retrieved 11 April 2015.
- ^ Brosnan, Seán (27 February 2015). "Irish composer Patrick Cassidy nominated for ASCAP Award for 'Calvary' score". Irish Film and Television Network. Retrieved 24 May 2019.
- ^ "Oscars: Musical 'La La Land' Ties Record with 14 Oscar Nominations". PicaPica News. 24 January 2017. Retrieved 25 October 2023.
- ^ Miller, Neil (15 December 2016). "2016 Austin Film Critics Awards Nominees, 'Moonlight' and 'Arrival' lead the way in AFCA's 2016 nominations". Medium.com. Archived from the original on 22 June 2017. Retrieved 15 December 2016.
- ^ Shanley, Patrick (11 December 2016). "'La La Land' Named Best Picture by Boston Society of Film Critics". The Hollywood Reporter. Archived from the original on 12 December 2016. Retrieved 11 December 2016.
- ^ Ritman, Alex (9 January 2017). "BAFTA Awards: 'La La Land' Leads Nominations". The Hollywood Reporter. Archived from the original on 10 January 2017. Retrieved 10 January 2017.
- ^ "The 2016 Chicago Film Critics Association Award Nominees". Chicago Film Critics Association. 11 December 2016. Archived from the original on 20 December 2016. Retrieved 12 December 2016.
- ^ "La La Land Leads with 12 Nominations for the 22nd Annual Critics' Choice Awards". Critics' Choice. 1 December 2016. Archived from the original on 30 November 2016. Retrieved 1 December 2016.
- ^ "DFW Film Critics Name 'Moonlight' Best Film of 2016". Dallas–Fort Worth Film Critics Association. 13 December 2016. Archived from the original on 20 December 2016. Retrieved 13 December 2016.
- ^ "Justin Timberlake & Alexandre Desplat Among Winners At Hollywood Music In Media Awards". Deadline. 18 November 2016. Archived from the original on 19 November 2016. Retrieved 18 November 2016.
- ^ "Houston Film Critics Nominations for 2016 Films". MovieAwardsPlus.com. 13 December 2016. Archived from the original on 20 December 2016. Retrieved 15 December 2016.
- ^ "'Moonlight' and 'Love and Friendship' Lead London Film Critics' Circle Nominations". Variety. 20 December 2016. Archived from the original on 21 December 2016. Retrieved 20 December 2016.
- ^ "42nd Annual Los Angeles Film Critics Association Awards 2016 Winners". Los Angeles Film Critics Association. 4 December 2016. Archived from the original on 21 December 2016. Retrieved 5 December 2016.
- ^ "The 2016 WAFCA Awards Nominations". 3 December 2016. Archived from the original on 31 January 2016. Retrieved 4 December 2016.
- ^ "Premios Platino Xcaret 2020: "Dolor y gloria" y "La casa de papel", las grandes triunfadoras" (in Spanish). Retrieved 29 June 2020.
- ^ Alter, Rebecca (20 December 2020). "The L.A. Film Critics Association Names Small Axe Their Best Picture of 2020". Vulture. Retrieved 22 December 2020.
External links
[edit]Mica Levi
View on GrokipediaEarly life and education
Family and upbringing
Micaela Rachel Levi was born in February 1987 in Guildford, Surrey, England.[6][7] Levi grew up in Watford, a commuter town northwest of London, in a household centered on music, with both parents actively involved as professional musicians.[8][5] Levi's mother worked as a cello teacher, while their father, Erik Levi, served as a professor of music, pianist, and scholar specializing in Third Reich-era compositions.[6][4] This environment provided early exposure to instruments and performance, prompting Levi to begin playing and composing music by age four through informal household experimentation rather than structured lessons.[7] Levi's initial musical encounters included repeated viewings of Disney films, where the orchestral scores left a lasting impression amid the familial emphasis on classical and scholarly music traditions.[8]Formal musical training
Mica Levi began formal musical training at the Purcell School for Young Musicians, England's oldest specialist music school, where they studied violin, viola, and composition, establishing early proficiency in string performance and basic compositional techniques.[9][10] In 2006, Levi enrolled at the Guildhall School of Music and Drama, a leading conservatory, to pursue advanced composition studies under faculty including Diana Burrell and Emily Hall, emphasizing rigorous classical methods, theory, orchestration, and ensemble collaboration.[5][8][11] This curriculum provided foundational exposure to canonical repertoire and performance practices, cultivating technical skills in harmonic structure and instrumental voicing that underpinned Levi's later deviations into unconventional forms.[12] Levi departed Guildhall in 2009 without completing a degree, having prioritized emerging experimental interests over formal certification, though the institution's classical rigor demonstrably informed their command of musical architecture.[5][8]Performing and indie music career
Micachu and the Shapes
 Micachu and the Shapes formed in 2008 when Mica Levi collaborated with keyboardist Raisa Khan and drummer Marc Pell to create an experimental indie band drawing from Levi's classical training and interest in unconventional sounds.[13] The group's debut album, Jewellery, released in March 2009 and co-produced by electronic musician Matthew Herbert, blended punk energy, hip-hop rhythms, and classical composition elements into short, chaotic tracks featuring altered guitars and electronic drones.[14][15][16] Band performances emphasized a DIY approach, incorporating household items like vacuum cleaners for percussive and textural effects, as heard in recordings such as "Turn Me Well" and observed in live sessions with added industrial and homemade instruments.[17][18][19] Over time, the ensemble evolved by integrating more modified toys and custom-built devices, evident in their 2015 album Good Sad Happy Bad, which sustained the core experimental pop dynamics while expanding textural playgrounds through hip-hop-inflected indie structures.[20][21][22]Early collaborations and releases
Levi released the mixtape Filthy Friends under the Micachu moniker in early 2009, compiling remixes, original tracks, and guest features from artists such as Ghostpoet, Kwes, Brother May, Jack Peñate, and Golden Silvers.[7] Distributed for free via MySpace, the 33-track project drew from UK garage, grime, indie rock, and hip-hop influences, exemplifying Levi's early experiments in cross-genre sampling and production.[23][24] That same year, Levi initiated a collaborative series with producer Kwes, starting with Kwesachu Mixtape Vol. 1, which extended the eclectic, beat-driven style of Filthy Friends through joint DJ sets, remixes, and contributions from shared networks in London's urban music scene.[25] A follow-up, Kwesachu Mixtape Vol. 2, appeared around 2011, incorporating further guest spots and emphasizing improvised electronic and hip-hop fusions.[26] In 2011, Levi collaborated with the London Sinfonietta on Chopped & Screwed, an orchestral reinterpretation of Houston-style hip-hop techniques like slowed tempos and pitch-shifting, performed with custom instruments alongside classical ensembles.[27][28] Recorded live at venues including King's Place and the Queen Elizabeth Hall, the project underscored Levi's approach to bridging avant-garde composition with street-level production methods, predating more formalized scoring ventures.[29]Transition to film composition
Debut film score: Under the Skin
Mica Levi received her first film scoring commission from director Jonathan Glazer for the science fiction film Under the Skin, which premiered at the Venice Film Festival on September 2, 2013, and was released theatrically in the United Kingdom on March 14, 2014.[30] Glazer selected Levi after hearing her modern classical work Chopped and Screwed, deciding within seconds that she was the right composer for the film's alienating narrative.[30] Levi collaborated closely with Glazer during the composition process in 2013, focusing on creating a soundscape that amplified the film's themes of otherness and isolation through sparse, unsettling instrumentation primarily featuring violin and viola.[31][32] Levi's score emphasized dissonance and minimalism, employing detuned and pitch-bent strings to produce eerie, atonal textures that mirrored the protagonist's detached perspective.[33] She incorporated live and synthesized strings, along with subtle percussion and processed vocal elements, to craft a sonic environment of discomfort rather than traditional melodic cues.[34] This approach involved recording raw violin performances that were then manipulated for alienation effects, avoiding conventional orchestration to heighten the film's psychological tension.[12] The composer's technical choices, such as lingering sustains and restricted thematic development around a simple viola motif, underscored the score's restraint and its role in evoking existential dread.[35] The score marked Levi's breakthrough into film composition, earning immediate critical recognition for its innovative minimalism and contribution to the film's atmospheric impact.[36] It received a nomination for the BAFTA Award for Best Original Music in 2015 and won the European Film Award for Best Composer in 2014, highlighting its role as a pivotal shift from Levi's indie music background to cinematic work.[37][38] Additionally, the International Film Music Critics Association spotlighted Levi as an emerging talent for the score in 2014, affirming its technical and emotional efficacy.[39]
Expansion into major films
Following the critical success of her debut film score, Levi composed the music for Pablo Larraín's Jackie (2016), a biographical drama depicting Jacqueline Kennedy in the days after her husband's assassination. The score, dominated by piercing, dissonant strings performed by a chamber ensemble, underscores the film's themes of grief and isolation, with Levi drawing on bowed violin techniques to evoke raw emotional tension.[8] This work earned Levi an Academy Award nomination for Best Original Score in 2017, marking her as only the fifth woman nominated in the category's history and highlighting her rapid ascent in film composition.[40] Levi continued expanding her portfolio with experimental scores for independent features, including Alejandro Landes's Monos (2019), a survival thriller set in the Colombian mountains involving child guerrillas. Her contribution features sparse, tumultuous electronic and acoustic elements—such as whistling glass bottles and percussive bursts—that mirror the film's chaotic descent into violence, deployed judiciously to heighten urgency without overpowering the narrative.[41] Similarly, for Janicza Bravo's Zola (2020/2021), a road-trip drama based on a viral Twitter thread about sex trafficking, Levi crafted a psychedelic soundscape blending synthetic pulses, fragmented motifs, and integrated dialogue snippets to propel the story's disorienting momentum.[42] A pivotal collaboration came with Jonathan Glazer's The Zone of Interest (2023), reuniting Levi with the director of Under the Skin for a Holocaust-era drama examining domestic normalcy adjacent to Auschwitz. The score eschews conventional melodies in favor of ambient distortions—high-pitched whines, metallic scrapes, and subtle electronic throbs—designed to instill subliminal dread through technical precision rather than overt emotion, often confined to interstitial black screens to amplify the film's sound design of historical recordings.[43] At just 14 minutes in total duration, it integrates seamlessly with production sound to evoke unease, contributing to the film's critical acclaim for innovative restraint.[4]Broader compositional output
Solo and experimental works
Mica Levi released the solo album Ruff Dog on December 16, 2020, a self-produced collection of seven tracks including "Ruff Dog," "Kind of Strange," "Wings," "One Tear," "Cold Eyes," and "Flower Bed," characterized by experimental electronic and vocal elements.[44] Shortly thereafter, Levi issued Blue Alibi, another independent solo release blending abstract soundscapes with personal introspection, demonstrating technical autonomy in production without ensemble or film ties.[45] In parallel, Levi has composed standalone experimental pieces available as PDF scores, such as FLAG in 2019 and Thoughts Are Born in 2020 (revised 2025), intended for chamber or solo performance and emphasizing innovative timbres and structures.[46] These works highlight Levi's post-2010s shift toward electronics, voice manipulation, and minimalist forms, often self-distributed via platforms like Bandcamp to maintain creative control. Levi's engagements with contemporary ensembles include commissions for experimental orchestral pieces. The London Sinfonietta premiered Chopped & Screwed in 2011, an avant-garde reconfiguration of hip-hop influences for chamber forces.[5] In 2015, the same ensemble commissioned and debuted Greezy on February 27, a concise work exploring dissonant strings and unconventional rhythms.[47] These pieces underscore Levi's ability to adapt indie sensibilities to classical formats without collaborative songwriting. Earlier, Levi issued the cassette mixtape Feeling Romantic Feeling Tropical Feeling Ill on November 27, 2014, a lo-fi experimental compilation of voice and electronics under the Micachu alias, functioning as a standalone audio collage.[48] Such releases reflect a pattern of autonomous experimentation, prioritizing raw sonic exploration over commercial structures.Television and other media
Levi composed the original score for "Mangrove," the premiere episode of Steve McQueen's Small Axe anthology series, which aired on BBC One and Amazon Prime Video starting November 15, 2020.[4] The score, characterized by tense string arrangements and percussive elements, supported the episode's depiction of a 1960s London protest march and subsequent trial, adapting Levi's dissonant style to the 90-minute runtime's narrative constraints.[4] Levi also scored "Lovers Rock," another installment in the five-part series, released November 27, 2020, where her music underscored the 1970s West Indian immigrant nightlife scene with minimalist, rhythm-driven cues emphasizing isolation amid communal settings.[49] These contributions to Small Axe earned Levi a British Academy Television Craft Award nomination for Original Music in 2021, highlighting her facility with episodic structures requiring modular, repeatable motifs over extended feature-length development. In shorter-form media, Levi collaborated again with director Jonathan Glazer on The Fall (2019), a six-minute short depicting a public execution in a forest, scored with stark, echoing violin lines that amplify the film's ritualistic horror within tight temporal limits.[50] She followed with the score for Glazer's Strasbourg 1518 (2020), a 12-minute piece on the 1518 dancing plague, employing repetitive, hypnotic string patterns to evoke compulsive movement and historical frenzy in under 15 minutes of runtime.[51] Levi's work on these shorts illustrates her versatility in constrained formats, where sparse instrumentation builds dread through implication rather than elaboration, contrasting the broader canvases of her feature films.[51] Additionally, she composed for Delete Beach (2016), an animated short by Phil Collins, using glitchy electronics and fragmented melodies to mirror the film's themes of digital erasure and memory loss in a roughly 10-minute structure.[52]Artistic style and influences
Core compositional techniques
Mica Levi employs detuned strings, particularly violin, to generate microtonal shifts and glissandos that evoke uncontrolled dissonance and tension, deviating from standard tuning to produce raw, material scrapes and wavering tones.[30][8] In Under the Skin (2013), this manifests in a recurring three-note motif executed on detuned violin, which begins as a seductive capture melody using major and minor triads before decaying into tormented distortion, mirroring the protagonist's psychological descent without relying on melodic resolution.[30] Levi's minimalism centers on sparse orchestration with limited palettes—such as MIDI and real strings alongside flute and percussion for about 12 musicians—and repetitive small gestures like tremolos and sustains, prioritizing subtle inflections over expansive development.[30][53] This approach contrasts conventional film scoring by eschewing emotional swells or scene-synchronized cues, instead fostering ambient restraint that integrates with narrative causality, as in Jackie (2016) where strings dominate 14 cues totaling 34 minutes with consistent, agitated textures.[53][8] Noise elements, including buzzing "beehive" effects and processed percussive sounds, form anti-melodic structures that amplify unease through subliminal disruption rather than overt harmony.[30][8] Levi incorporates found sounds and musique concrète techniques, such as manipulated zip noises in Under the Skin and digitally altered human voices or choir recordings with shouts in The Zone of Interest (2023), blending these into sparse synths and vocals to heighten realism and distance from emotive manipulation.[30][43] These methods prioritize technical precision in supporting diegetic tension, evident in the overture's distorted wall of sound and red-screen sequences where score complements location-derived ambient layers.[43]
Philosophical approach and key influences
Mica Levi's compositional philosophy centers on the deliberate erosion of genre distinctions, which they have described as a rebellion aimed at "smash[ing] up the divisions between musical genres," blending elements from punk's brevity and rebellion with classical sophistication and hip-hop's raw energy.[5] This approach rejects conventional categorization, favoring "beautiful jumbles of sounds" that incorporate conflicting influences without adherence to traditional structures, such as contrasting Western three-chord progressions with circular, Japanese-inspired philosophies.[5] Levi's principles prioritize personal conviction over polished accessibility, asserting that audiences detect inauthenticity and that creators should avoid overly safe or careful outputs, instead embracing wildness and generosity in expression.[54] Key influences stem from Levi's eclectic exposure, including classical avant-garde figures like Iannis Xenakis, whose alien-like string quartets informed dissonant textures, alongside hip-hop artists such as 50 Cent, DJ Screw, and Wu-Tang Clan, evoking screwed rhythms and sampled eclecticism.[55] Punk DIY ethos, cultivated through early projects like Micachu and the Shapes, instilled a disregard for elitism, merging "greezy" hip-hop slang and MC collaborations with orchestral performances by ensembles like the London Sinfonietta.[5] These draw from broader inspirations, including strip-club beats, euphoric club tracks, and the percussive cosmos of Art Ensemble of Chicago, often realized retrospectively in the creative process.[55] Levi's upbringing in a musical household—parents comprising a cello teacher mother and music professor father—fostered this fluid integration, supplemented by formal training at the Purcell School and Guildhall School of Music and Drama, where violin and viola studies from age four evolved into electronic experimentation.[6] This background enabled a shift from indie rebellion's lo-fi catharsis to film's structured demands, maintaining an emphasis on raw emotional truth, collaboration via graphic scores, and physicality over technological mediation, resisting boundaries between underground DIY and institutional classical realms.[6][54]Reception and impact
Critical acclaim and innovations
Mica Levi's film scores have garnered acclaim for their unconventional, often "anti-musical" approach that subverts traditional accompaniment, prioritizing dissonance and abstraction to heighten narrative tension. In a 2017 New Yorker profile, Levi's work was described as creating soundtracks that "refuse to accompany the action," emphasizing sparse, abrasive textures derived from violin scrapes and industrial noise, as exemplified in scores for Under the Skin (2013) and Jackie (2016).[8] This innovation lies in Levi's ability to integrate music as an intrusive, psychological force rather than emotional underscoring, influencing a wave of experimental film scoring in the 2010s.[56] Critics have praised Levi's technical mastery in blending dissonant elements with subtle restraint, particularly in The Zone of Interest (2023), where the score's "spare, demonically intense" motifs—featuring detuned strings and eerie harmonics—amplify the film's Holocaust-era detachment without overt sentimentality.[57] A December 2023 Los Angeles Times analysis highlighted this as "film music like you've never heard," noting how Levi's year-long collaboration with director Jonathan Glazer and sound designer Johnnie Burn fused score with ambient recordings to evoke moral numbness.[4] Such techniques earned Levi the 2023 Los Angeles Film Critics Association Best Music Score award for The Zone of Interest, with special recognition for Burn's sound integration, underscoring the score's efficacy in elevating thematic depth.[58] Levi's innovations have impacted film sound design by demonstrating music's role in perceptual disruption, prompting directors to seek boundary-pushing compositions over conventional orchestration. Glazer's repeated hiring of Levi—for Under the Skin and The Zone of Interest—exemplifies this trust in their ability to craft immersive, non-narrative audio landscapes that peers like Trent Reznor have echoed in hybrid score-sound design hybrids.[4] Reviews in outlets like Huck have credited Levi with "reshaping film scores" through wild, genre-defying soundscapes that prioritize sonic anarchy over harmony, fostering a broader shift toward experimentalism in cinema audio.[59]Criticisms and polarizing elements
Mica Levi's score for Under the Skin (2013) drew complaints for its dissonant, screeching violin elements, which some viewers found grating and alienating during screenings, prompting calls to "turn it off."[34] The minimalist, non-melodic approach, emphasizing abstract unease over traditional harmony, contributed to perceptions of the music as cold and analytically inverted rather than emotionally engaging.[60] This stylistic choice aligned with the film's arthouse sensibilities but correlated with its niche commercial performance, grossing approximately $5.7 million worldwide against a $13.3 million budget in limited release.[61] For Jackie (2016), detractors argued the score's repetitive string motifs and lack of tonal variation rendered it sterile and disconnected from the film's dramatic arc, failing to convey resilience or hope amid despair.[53] Reviewer Jonathan Broxton of Movie Music UK described it as "awful" and "terrible," criticizing Levi's refusal to adapt to the narrative's pacing or emotional shifts, resulting in music that felt pointless and overly abstract.[53] Such critiques highlighted a broader polarization, where Levi's prioritization of visceral discomfort over melodic accessibility alienated audiences expecting conventional accompaniment, as her "anti-musical" soundtracks often resist seamless integration with on-screen action.[8] Levi's oeuvre has thus evoked divided responses, with some reception data from soundtrack platforms showing users abandoning playback due to the unrelenting intensity, underscoring its appeal to specialized rather than mass audiences.[62] This niche resonance, evident in the scores' association with indie and experimental cinema, reflects a deliberate eschewal of broad melodic comfort in favor of provocative dissonance.[8]Awards and nominations
Major recognitions
Mica Levi's score for the 2014 film Under the Skin, directed by Jonathan Glazer, earned the European Film Award for Best Composer on December 13, 2014, recognizing its innovative use of strings, percussion, and electronics to evoke alienation and dread. The composition also received a nomination for the BAFTA Award for Best Film Music in 2015, highlighting Levi's emergence as a film composer capable of blending experimental techniques with cinematic tension. For the 2016 biographical drama Jackie, directed by Pablo Larraín, Levi garnered an Academy Award nomination for Best Original Score on January 24, 2017, praised for its minimalist strings and repetitive motifs that underscore themes of grief and isolation following John F. Kennedy's assassination. The score similarly earned a BAFTA nomination for Best Film Music in 2017, as well as a Grammy Award nomination for Best Score Soundtrack for Visual Media, affirming Levi's growing international acclaim in scoring historical and psychological narratives.Recent honors (2020s)
In 2020, Levi earned a nomination for Best Music from the Los Angeles Film Critics Association for the score to the Small Axe anthology series, directed by Steve McQueen, recognizing the composer's atmospheric contributions across its episodes.[63] Levi's work on Jonathan Glazer's The Zone of Interest (2023) garnered significant recognition, including the 2023 Los Angeles Film Critics Association Award for Best Music Score, shared with special acknowledgment of sound designer Johnnie Burn for the film's integrated auditory design that amplified its themes of detachment and horror through subtle, dissonant strings and ambient recordings.[58] This honor underscored the score's role in the film's technical precision, where Levi's minimalist approach—eschewing traditional melody for creeping unease—directly supported the narrative's focus on everyday complicity amid atrocity.[64] In 2024, Levi received a nomination for Best Original Score – Motion Picture at the Golden Globe Awards for The Zone of Interest, competing against high-profile entries like Oppenheimer and highlighting the score's innovative restraint amid broader awards attention for the film.[65] That same year, Levi shared the Technical Achievement Award from the London Critics' Circle Film Awards for music and sound in the film with Johnnie Burn, affirming the score's craftsmanship in evoking psychological tension without overt emotional cues.[66] Extending into 2025, Levi was nominated for the Ivor Novello Award for Best Original Film Score for The Zone of Interest, a prestigious songwriting honor that further validated the composer's ability to craft scores blending experimental techniques with narrative potency.[67]Personal life
Identity and public persona
Mica Levi identifies as non-binary and uses they/them pronouns.[4] This self-identification became publicly noted in media coverage around 2020. Levi has described experiences of gender misjudgment, stating in a 2009 interview that people often mistake them for a boy, though they noted discomfort primarily affects observers rather than themselves.[68] Levi's public persona is characterized by a relaxed, tomboyish style, as observed in early profiles where they wore casual band T-shirts and avoided conventional fashion spending due to an unconventional lifestyle.[68] They maintain a low-profile presence, eschewing the limelight in favor of immersive creative processes, as evidenced by their reluctance to seek public attention despite critical acclaim for compositions.[10] Levi has avoided overt public activism, with interviews centering on artistic influences and technical craft rather than social or political advocacy. This focus aligns with a persona prioritizing work's intrinsic qualities over external commentary.[8]Lifestyle and collaborations
Mica Levi resides in South East London, operating from a dockside shipping container studio that reflects a modest, improvised approach to creative work.[6][69] Levi sustains a lifestyle centered on artistic output without reliance on conventional employment, having pursued music professionally since early training that began at age four.[5] Levi's collaborations often stem from longstanding personal relationships, including with sister Francesca Levi on multimedia projects such as The Colour of Chips in 2019 and The Unfilmables with Wrangler.[70][71] These ties, rooted in shared creative interests from youth, inform fluid, boundary-crossing involvements beyond formal career structures.[6] A key partnership involves longtime friend Tirzah, described as best mates, yielding poetic experimental works like the 2018 album Devotion.[72] Levi's early musical exposure shapes these ongoing, informal alliances, prioritizing intuitive collaboration over rigid professional delineations.[5] Levi maintains a notably private demeanor, with public discourse centered on artistic endeavors rather than personal habits.[69]Film scores
Feature films
- Under the Skin (2013), directed by Jonathan Glazer.[73]
- Jackie (2016), directed by Pablo Larraín.[74]
- Monos (2019), directed by Alejandro Landes.[75]
- Zola (2020), directed by Janicza Bravo.
- The Zone of Interest (2023), directed by Jonathan Glazer.[76]