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"I Got That"
An image of a woman wearing a white top, jeans, and fur jacket poses in front of a bank vault. The rapper's name (Amil) and the songs' names ("I Got That" and "4 da Fam") are shown in the image.
Single by Amil featuring Beyoncé
from the album All Money Is Legal
A-side"4 da Fam"
ReleasedJuly 5, 2000
Studio
GenreHip-hop
Length3:17
LabelSony
Songwriters
Producers
Amil singles chronology
"Hey Papi"
(2000) 		"I Got That"
(2000) 		"4 da Fam"
(2000)
Beyoncé singles chronology
"I Got That"
(2000) 		"Work It Out"
(2002)

"I Got That" is a hip-hop song by American rapper Amil from her album All Money Is Legal (2000). She wrote the track with its producers, L.E.S. and Poke & Tone, along with Jay-Z, Makeda Davis, and Tamy Lestor Smith. In the lyrics, Amil encourages women to seek out emotional, financial, and romantic independence. "I Got That" uses a sample from the 1985 Gwen Guthrie song "Seventh Heaven". Beyoncé performs the song's chorus and backing vocals, as her label was trying to assess her viability as a solo artist outside of her girl group Destiny's Child.

Roc-A-Fella and Columbia Records released "I Got That" on July 5, 2000, as the lead single from All Money Is Legal. It was Amil's debut solo single after featuring on songs by Jay-Z and other Roc-A-Fella artists. Jay-Z and Darren Grant directed the music video, which shows Amil and Beyoncé shopping. In the United States, "I Got That" topped the Billboard Bubbling Under R&B/Hip-Hop Singles chart in September 2000. Contemporary critics negatively compared the single to the more personal tracks on the album; later coverage focused on Beyoncé, who was praised for her vocals. According to retrospective articles, the song has largely been forgotten or overlooked since its release.

Background and recording

[edit]

Jay-Z signed Amil to his record label Roc-A-Fella after she was featured on his 1998 single "Can I Get A...".[1][2] She was the first female rapper on Roc-A-Fella,[3] working as what music journalist Clover Hope described as "the crew's go-to female voice".[2] A high-profile member in the label, being promoted as its First Lady,[4] Amil continued to collaborate with Jay-Z for "Nigga What, Nigga Who (Originator 99)" and "Do It Again (Put Ya Hands Up)" (both in 1999) and "Hey Papi" (2000),[1][4] and she appeared on several songs by other Roc-A-Fella artists.[2][5] Her features received a significant amount of radio airplay;[5] VH1's Renaud Jean-Baptiste Jr. singled out the success of her songs with Jay-Z as leading to the creation of her 2000 album All Money Is Legal.[4]

Amil wrote "I Got That" with its producers—L.E.S. and Poke & Tone members Jean-Claude Olivier and Samuel J. Barnes—along with Jay-Z, Makeda Davis, and Tamy Lestor Smith.[6] In The Source magazine, Aliya S. King contrasted Poke & Tone's work on the song with the rest of the album, which she said was handled by "a slew of up-and-comer producers".[7] "I Got That" was recorded by Steve Sauder at the Hit Factory in New York City, where it was mixed by Rich Travali, and by Mark Mason at Platinum Post Studios in Winter Park, Florida. All of the tracks for All Money Is Legal, including "I Got That", were mastered by Chris Gehringer at Sterling Sound Studios in New York City.[6]

"I Got That" features Beyoncé,[6] who performs the chorus and provides backing vocals.[8][9] It was her first collaboration with her future husband Jay-Z.[10][11] Beyoncé recorded her parts in early 2000 during a separate recording session. Her then-manager Mathew Knowles paid Roc-A-Fella for the feature as a way to assess her viability as a solo artist, since she was still a part of girl group Destiny's Child at the time.[12] Beyoncé pursued a solo career three years after "I Got That", releasing her debut album Dangerously in Love in 2003.[13][14]

Music and lyrics

[edit]
"I Got That"
Amil was described as using a "sultry, sing songy rapping" style by David Browne[15] and a "girlish, take-no-guff voice" by The Philadelphia Inquirer's Dan DeLuca for "I Got That" and throughout All Money Is Legal.[16]
Problems playing this file? See media help.

"I Got That" is a hip-hop song that lasts for three minutes and seventeen seconds.[6][15] It contains a sample from the 1985 Gwen Guthrie single "Seventh Heaven".[6] Spin writer Andrew Unterberger felt that the composition had a "squelching, slithering" production,[8] while David Browne likened it to music by a girl group in Entertainment Weekly.[15] Browne said that Amil has "sultry, sing songy rapping" style throughout All Money Is Legal, most notably on "I Got That".[15] The Philadelphia Inquirer's Dan DeLuca thought that Amil performs with a "girlish, take-no-guff voice", specifically on "I Got That".[16] Beyoncé's vocals were described as breathy by Unterberger,[8] and as "buttery" by Camille Augustin in Vibe magazine.[17]

The lyrics are about encouraging women to pursue emotional, financial, and romantic independence.[18] Amil conveys this by rapping about how she can support herself without needing anything from men:[13][19] "I don't need a man to / Do for Amil what Amil can do."[13] She further expresses this by bragging about buying her own clothing, jewelry, and a Mercedes-Benz.[20] Vibe's Desire Thompson highlighted the verse, "What chick you know cock Glocks back?", while summarizing the song as about a "woman having her own with snarky bars to match".[10]

Critics discussed the lyrics in relation to the rest of All Money Is Legal and with Amil's past songs.[21] Clover Hope thought that while Amil's previous songs focus on scamming men to survive, "I Got That" expands her style to include boasting that she is "earning her own money, too".[13] In the San Antonio Express-News, Anthony M. Thompson believed that this focus on female independence represents how Amil was able to give a "distinct, woman's touch" to her album.[22] DeLuca said that Amil carries over a similar message into the album tracks "All Money Is Legal" and "Girlfriend", in which she "surveys a world where everything is for sale and a girl had best look out for herself".[16]

Release and promotion

[edit]

Roc-A-Fella and Columbia Records released "I Got That" as All Money Is Legal's lead single on July 5, 2000.[23] It was made available on the 12-inch and CD formats,[24][25] including as a double A-side with the album's second single "4 da Fam" (2000).[25] The song appeared on the compilation albums R&B Masters in 2001 and Urban Sounds: Hip-Hop & Reggae 1996-2000 in 2003.[26][27]

Jay-Z and Darren Grant directed the single's music video,[28][29] which features Amil and Beyoncé shopping at stores.[13] American rapper Eve makes a cameo appearance,[13] and Beyoncé wears an outfit that Billboard described as resembling a "fiery cowgirl".[30] It was Beyoncé's first music video as a solo artist.[30] The video was on the list of BET's most-played clips for the weeks of August 1 and 8, 2000, and it also played on The Box—a now-defunct music video network—during the same two weeks.[31][32]

"I Got That" reached number one on the US Billboard Bubbling Under R&B/Hip-Hop Singles chart for the week of September 16, 2000; it was on the chart for twelve weeks.[33] On the urban contemporary radio chart published by Radio & Records, the song peaked at number forty-six.[34] According to retrospective articles, the single was not well-remembered, either being forgotten or overlooked.[35] In 2018, Desire Thompson wrote that the single had "slipped between the cracks" because of the abundance of female rappers in the early 2000s, such as Da Brat, Eve, Lil' Kim, Missy Elliott, and Trina.[10]

Critical reception

[edit]

Most of the critical commentary focused on Beyoncé's feature,[36] which Camille Augustin felt complimented Amil's rapping style.[17] Andrew Unterberger believed that the single deserved more commercial success, largely in part to Beyoncé's performance of the chorus.[8] Kathy Iandoli, writing for Dazed, said that Beyoncé turned "I Got That" more into a Destiny's Child song, considering this proof that she was the lead of the group.[37] Amil's rapping was also praised by critics,[17][37] who said that the song showed that she had a "one-of-a-kind sound"[17] and the potential for a longer music career as "the female rap guest feature".[37] In a more negative review, a writer for Vibe magazine cited "I Got That" as one of the worst hip-hop collaborations in 2000.[38]

Critics compared "I Got That" to other All Money Is Legal tracks.[39][40] A Billboard reviewer regarded the song as catchy and fit for radio airplay, but preferred Amil rapping about personal issues on "Smile 4 Me" and "Quarrels".[40] The Michigan Chronicle journalist Says Who enjoyed the album and encouraged listeners to explore beyond "I Got That", which was noted as an "easy first single".[39]

Credits and personnel

[edit]

Credits adapted from the liner notes of All Money Is Legal:[6]

References

[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

I Got That

View on Grokipedia
from Grokipedia
"I Got That" is a hip hop song performed by American rapper Amil, featuring guest vocals by then-up-and-coming singer Beyoncé Knowles, serving as the second single from Amil's debut studio album All Money Is Legal. Released on July 5, 2000, through Roc-A-Fella Records and Columbia Records, the track was produced by LES and Poke & Tone, with Amil co-writing the lyrics. The song marked Beyoncé's first solo feature on a commercial single outside her group Destiny's Child, showcasing her early rap-infused delivery. The album All Money Is Legal, released on August 29, 2000, debuted at number 45 on the US Billboard 200 chart, reflecting Amil's established role in Jay-Z's Roc-A-Fella roster prior to her solo pivot. "I Got That" achieved moderate success, topping the Billboard Bubbling Under R&B/Hip-Hop Singles chart, an extension list for emerging tracks, but failed to cross over to mainstream Hot 100 prominence. Lyrically, the song embodies streetwise bravado and material success themes typical of late-1990s East Coast rap, aligning with Amil's transition from group collaborator to lead artist amid Roc-A-Fella's commercial peak. Despite positive critical nods for its energy and Beyoncé's contribution, the single underscored challenges in sustaining Amil's momentum post-release, as her career trajectory shifted away from major label output.

Background and Development

Conceptual Origins

"I Got That" emerged as a cornerstone of Amil's solo debut, conceived amid her evolution from group member to independent artist under Jay-Z's . Amil Kahala Whitehead, who signed with the label in 1997 as its first female rapper after the breakup of her prior group Major Coins, aimed to project a persona of streetwise autonomy in a male-dominated genre. The track's core idea, co-penned by Amil and , centered on female , with Amil about possessing financial resources—"I got that"—to assert control without male provision, reflecting broader hip-hop motifs of hustling transformed into legal gains as echoed in her album title . This empowerment narrative was intentional, positioning as a counterpart to label peers like by emphasizing women's economic agency over romantic or exploitative tropes prevalent in contemporaries' work. The song's development aligned with Roc-A-Fella's late-1990s expansion strategy, post-Hard Knock Life Tour exposure, to introduce diverse voices while maintaining commercial viability through anthemic hooks. Beyoncé's chorus feature, her earliest solo recording arranged via her father's ties to , amplified the theme by blending R&B polish with rap bravado, signaling crossover potential for both artists. Producers Poke & Tone, alongside LES, shaped the concept sonically by sampling Gwen Guthrie's 1985 track "Seventh Heaven" to evoke upbeat confidence, mirroring the lyrics' boastful tone of acquired wealth and rejection of dependency. This framework not only highlighted Amil's lyrical prowess but also critiqued relational dynamics, urging women toward independence in an era when hip-hop often reinforced traditional gender roles.

Recording and Production Process

"I Got That" was produced by L.E.S. and , the production duo consisting of Jean-Claude Olivier and Samuel J. Barnes of Entertainment. The track incorporates a sample from "Seventh Heaven" by , which contributed to its rhythmic foundation. Songwriting credits for the track are attributed to Amil Whitehead, (), Leshan Lewis (L.E.S.), Makeda Davis, Tamy Smith, Jean-Claude Olivier, and Samuel J. Barnes. Amil, signed to , handled primary rap verses, while provided the featured chorus vocals, marking her first credited solo appearance on a recording. Recording took place across two studios: Steve Sauder engineered Amil's portions at in , while Mark Mason handled sessions at Platinum Post Studios in . These efforts were part of the broader production for Amil's debut album , which began in 1999 and culminated in its release on August 29, 2000. Beyoncé's vocals were recorded separately later in 2000 to accommodate her schedule with . The final mix was completed by Rich Travali at .

Composition

Musical Elements

"I Got That" is a hip-hop track produced by L.E.S. and Poke & Tone of the , featuring dense drum programming and synthesized bass lines typical of late-1990s East Coast rap production. The beat emphasizes a mid-tempo groove with layered percussion and minimal melodic instrumentation, prioritizing rhythmic drive to support Amil's verses. Beyoncé's chorus introduces R&B-inflected hooks with smooth vocal harmonies, creating a crossover appeal that contrasts Amil's assertive rap delivery. The song follows a standard verse-chorus structure common in commercial hip-hop singles of the era: handles two primary verses with internal rhymes and cadence shifts, interspersed by Beyoncé's repetitive, anthemic refrain emphasizing empowerment motifs. Mixing was handled by Rich Travali, who balanced the vocal elements against the production's punchy low-end frequencies for radio-friendly clarity. Recording occurred in 1999 at and Platinum Post Studios in , capturing the track's raw energy within a professional studio environment.

Lyrics and Themes

The lyrics of "I Got That," the second single from Amil's 2000 debut All Money Is Legal, consist of three verses by , a repeating chorus and bridge by , and an intro and outro by . Amil's verses boast of her financial self-sufficiency and street-savvy style, drawing from influences like (referred to as "Hov"), while rejecting dependency on men for provision or status. For instance, in the first verse, she raps: "I make niggas pay like their way / Owe like they stole / On somethin' on fame, I got that from Hov / Plus, I got my own bread / You ain't gotta wave dinner over my head / I got that." The second verse addresses media scrutiny and following her Roc-A-Fella affiliation, affirming her : "Listen dude, but I got dollars and cents / You don't gotta promise me to pay my rent / I got that." The third verse extends this to personal resilience, demanding return of purchased items upon separation: "You can leave me, but gimme everything I bought you / Like you leavin' me was some type of torture." Beyoncé's chorus directly challenges assumptions of female reliance: "Think I need you 'cause the rent is due? / You can be outta here, baby / 'Cause I got it / I got it, I got it," listing self-provided luxuries like "cash, coupes, credit cards / All the exotic things." The bridge reinforces possession of assets such as , vehicles, and jewelry, questioning complaints from partners: "The house that you live in / I got that / The Benz that you're drivin' / I got that." Central themes revolve around female empowerment via economic , portraying self-made success as a buffer against relational exploitation or emotional vulnerability. Amil positions herself as a capable provider—evident in references to owning vehicles, weapons for protection, and polished personal style—while dismissing male utility beyond optional companionship. This narrative counters stereotypes of women as beneficiaries in hip-hop's materialist culture, emphasizing agency in finances, sexuality, and survival. Some interpretations frame it as hip-hop , where Amil reclaims pleasure and autonomy against patriarchal and racial pressures, though such views stem from cultural commentary rather than Amil's explicit statements. The track's bravado aligns with early-2000s rap's hustler ethos but adapts it for female assertion, predating broader mainstream discussions of gendered .

Release and Commercial Performance

Promotion and Marketing

"I Got That" served as the lead single for Amil's debut album , distributed by and in formats including 12-inch vinyl, standard , and promotional CDs. The single's artwork featured Amil posing in front of a , emphasizing themes of accumulation aligned with the album's title. A music video directed by and depicted Amil and engaging in luxury shopping, leveraging Beyoncé's rising prominence from to expand the track's visibility beyond hip-hop audiences. The collaboration with Beyoncé was highlighted in promotional materials, positioning the song as a crossover appeal effort within Roc-A-Fella's roster strategy. Physical releases and video rotation on outlets like supported initial radio and retail push, though specific marketing budgets or campaigns remain undocumented in available records.

Chart Performance and Sales Data

"I Got That" peaked at number one on Billboard's Bubbling Under R&B/Hip-Hop Singles chart for the issue dated September 16, 2000. The track spent a total of 12 weeks on that chart, which ranks singles positioned 101–125 in airplay and sales equivalent to the main chart. It did not enter the or the primary chart. No RIAA certifications or specific sales figures for the single have been reported by industry trackers.

Reception and Analysis

Critical Reviews

A Billboard magazine reviewer described "I Got That" as a "catchy enough radio-ready tune," suitable for airplay, though expressing a preference for Amil's verses elsewhere on the album. The track's inclusion of an early Beyoncé feature drew retrospective acclaim; in Spin magazine's 2015 ranking of her songs, it placed 73rd, with critic A.U. arguing the "squelching, slithering" production "deserved better" and praising Beyoncé's "breathy chorus" as a highlight that conveys "simple financial and romantic independence." Vibe magazine later characterized the collaboration as a "catchy Roc-A-Fella record" blending Amil's distinctive sound with Beyoncé's "buttery voice," marking it as a standout. Reviews of the parent album were mixed, with Amil's style and production choices polarizing commentators, though the single itself faced fewer direct criticisms. AllMusic's MacKenzie Wilson highlighted Amil's "sultry sassiness" persisting across the project, implying continuity with the lead track's appeal. Some contemporary outlets unfavorably compared the song to output from more prominent female rappers like , viewing it as derivative in its brash, materialistic themes. Overall, the single's reception emphasized its commercial polish over artistic innovation, aligning with Roc-A-Fella's street-oriented sound.

Public and Cultural Response

The single "I Got That" achieved moderate traction in urban radio markets, peaking at number one on the Billboard Bubbling Under R&B/Hip-Hop Singles chart for the week of September 16, 2000, and remaining on the chart for twelve weeks, reflecting niche appeal without broader mainstream penetration. Culturally, the track is retrospectively noted for Beyoncé's prominent chorus vocals, which a 2015 Spin magazine analysis of her discography commended as effective and enjoyable, even as Amil's career waned post-release. The accompanying music video, co-directed by Jay-Z, captured early on-set photography of Beyoncé and Jay-Z together, later cited in entertainment reporting as an initial intersection in their professional and personal timelines. Within hip-hop discussions, it underscores Amil's brief prominence as Roc-A-Fella's inaugural female signee, though without sparking enduring public discourse or controversy at the time.

Legacy and Context

Influence on Hip-Hop and Female Artists

"I Got That" contributed to Amil's prominence as the first artist signed to , enhancing visibility for women in a label dominated by male rappers like and . Released on August 8, 2000, as the lead single from her debut album , the track peaked at number 57 on the , demonstrating commercial viability for -led hip-hop singles in the early 2000s era. Its assertive lyrics, focusing on and self-sufficiency—"I got that bomb, make ya holla like ya ass is on fire"—portrayed a confident perspective amid hip-hop's prevailing narratives of male bravado. Billboard has recognized Amil among the 31 female rappers who changed hip-hop, crediting her inescapable late-1990s and early-2000s radio presence, amplified by "I Got That," for broadening the genre's inclusion of women's voices. Similarly, Revolt TV lists Amil as one of 20 original gangsta (OG) female rappers who paved the way, highlighting "I Got That" alongside her Jay-Z features for expanding her exposure and versatility as an emerging artist. These contributions helped challenge the scarcity of prominent female rappers during a period when industry support often favored solo male acts, setting precedents for label-backed women like Eve and later Nicki Minaj in major rap collectives. The song's feature with —then primarily known via [Destiny's Child](/page/Destiny's Child)—marked an early solo vocal appearance for the singer on a rap track, fostering crossover appeal that influenced subsequent R&B-rap hybrids by female performers. Vibe described it as a "playful tune" emphasizing female autonomy, penned partly by Amil and , which resonated in hip-hop's evolving depiction of empowered women beyond sexualized tropes. However, Amil's abrupt departure from the industry post-2000 limited direct emulation, with her influence manifesting more symbolically in discussions of underrepresented female pioneers rather than quantifiable stylistic adoptions by successors. Despite this, the track's role in spotlighting Roc-A-Fella's "" underscored hip-hop's gradual shift toward gender diversity, as evidenced by retrospective analyses of late-1990s female rappers' breakthroughs.

Connection to Amil's Career Trajectory

"," released on July 5, 2000, as the lead single from 's debut solo album , represented a pivotal attempt to establish her as an independent artist following years of high-profile features on tracks. had previously built visibility through collaborations with , including the 1998 hit "Can I Get A..." from the album, which showcased her raspy delivery and positioned her within the label's roster alongside artists like and . The inclusion of , then a member of , on the track aimed to leverage emerging crossover appeal, yet it underscored 's reliance on established names amid a competitive late-1990s hip-hop landscape dominated by male-led narratives. The song's modest chart performance—reaching number one on the Billboard Bubbling Under R&B/Hip-Hop Singles chart for the week of September 16, 2000—mirrored the album's trajectory, with peaking at number 45 on the upon its August 29, 2000 release. This outcome highlighted structural challenges for female rappers seeking solo breakthroughs, as 's prior group efforts with Major Coins and label affiliations failed to translate into sustained commercial momentum. Despite critical nods to her versatility on tracks like "I Got That," the single's inability to crack mainstream Top 40 charts contributed to her swift exit from Roc-A-Fella, after which she released no further major-label projects and shifted away from rap prominence. In retrospect, "I Got That" encapsulated the peak and limitations of Amil's Roc-A-Fella era, serving as a bridge from supporting role to headline aspirations that ultimately faltered due to underwhelming sales and label dynamics, leading to her effective retirement from mainstream hip-hop by the early . Her trajectory post-album involved sporadic independent work and personal pursuits, reflecting broader patterns where early hype around female MCs often dissipated without blockbuster hits.

Personnel and Credits

Performers and Songwriters

Amil Whitehead, known professionally as Amil, performs the lead vocals and raps on "I Got That," delivering verses that emphasize themes of wealth and independence in hip-hop style. The track features Beyoncé Knowles, then of , providing the chorus and backing vocals in her first solo recording appearance outside her group, marking an early step in her individual career trajectory. No additional credited performers appear on the standard version, though the production incorporates sampled elements from the 1985 track "I Like It" by , handled instrumentally without vocal contributions from the original artists. The song's composition credits multiple writers: Whitehead, (), Leshan Lewis (L.E.S.), Samuel J. Barnes and Jean Claude Olivier (Poke & Tone of ), Makeda Davis, and Tamy Lester Smith. 's involvement as a co-writer aligns with his role at , where was signed, reflecting collaborative songwriting common in the label's output during the late 1990s and early 2000s. These credits are verified through official release metadata, underscoring the track's ties to established New York hip-hop production circles rather than external or uncredited contributions.

Production and Technical Credits

"I Got That" was produced by Poke & Tone (Jean-Claude Olivier and Samuel Barnes) and L.E.S. (Leshan Lewis). The track was recorded by engineers Mark Mason and Steve Sauder at in on dates corresponding to the album's sessions in early 2000. Mixing was handled by Rich Travali, also at , with mastering performed by at Sterling Sound. Executive production oversight for the single and its parent album was provided by , Kareem "Biggs" Burke, and Shawn Carter (), with associate executive production by and Gee Roberson.
RolePersonnel
ProducersPoke & Tone, L.E.S.
Recording EngineersMark Mason, Steve Sauder
Mixing EngineerRich Travali
Mastering Engineer

References

  1. https://genius.com/Amil-i-got-that-lyrics
  2. https://www.allmusic.com/album/all-money-is-legal-mw0000069377
  3. https://www.musicvf.com/Amil.songs
  4. https://www.lipstickalley.com/threads/amil-opens-up-about-roc-a-fella-records-exit-states-she-never-got-closure-from-jay-z.3015283/
  5. https://www.vibe.com/features/lists/beyonce-and-jay-zs-15-collaborations-ranked-604288/
  6. https://hiphopandpolitics.com/2013/12/08/3-dope-songs-amil-major-coins-roc-fella-beyond/
  7. https://www.eonline.com/news/1370291/how-beyonce-and-jay-zs-love-only-grew-stronger-with-time
  8. https://beyonce.fandom.com/wiki/I_Got_That
  9. https://thegumbo.net/blog/2021/7/13/mxiocr7rbpiun3fk4cgt6dd7ooal8q
  10. https://www.discogs.com/release/2626479-Amil-All-Money-Is-Legal
  11. https://aintnojigga.wordpress.com/2019/01/02/6307/
  12. https://www.discogs.com/release/5981312-Amil-All-Money-Is-Legal
  13. https://www.udiscovermusic.com/stories/the-female-rappers-who-shaped-hip-hop/
  14. https://www.watchmojo.com/articles/top-10-best-mary-j-blige-songs
  15. https://www.discogs.com/release/2624138-Amil-I-Got-That-4-Da-Fam
  16. https://www.instagram.com/p/BdOrJfFgrmY/
  17. https://pagesix.com/2019/12/04/amil-never-got-closure-following-exit-from-jay-zs-roc-a-fella-records/
  18. https://www.spin.com/2015/08/every-beyonce-song-ranked/
  19. https://www.vibe.com/features/vixen/beyonces-top-collaborations-with-female-rappers-276910/
  20. https://www.eonline.com/news/925000/how-beyonce-and-jay-z-thrived-on-scandal-and-made-it-to-10-years-of-marriage
  21. https://www.billboard.com/music/rb-hip-hop/ladies-first-31-female-rappers-who-changed-hip-hop-5923011/
  22. https://www.revolt.tv/article/2023-11-10/336366/top-20-female-og-rappers-who-set-the-precedent-in-hip-hop
  23. https://theboombox.com/10-classic-beyonce-collaborations-that-wouldnt-happen-in-2017/
  24. https://www.musicchartsarchive.com/albums/amil/all-money-is-legal
  25. https://www.vibe.com/lists/roc-a-fella-records-singles-you-should-know/
  26. https://www.discogs.com/release/308769-Amil-All-Money-Is-Legal
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