Hubbry Logo
Intimate GamesIntimate GamesMain
Open search
Intimate Games
Community hub
Intimate Games
logo
7 pages, 0 posts
0 subscribers
Be the first to start a discussion here.
Be the first to start a discussion here.
Intimate Games
Intimate Games
from Wikipedia

Intimate Games
Directed byTudor Gates
Written byTudor Gates
Produced byGuido Coen
Starring
CinematographyFrank Watts
Edited byPat Foster
Music byRoger Webb
Production
company
Podenhale Productions
Distributed byTigon Film Distributors
Release date
  • June 1976 (1976-06)
Running time
90 minutes
CountryUnited Kingdom
LanguageEnglish
Budget£60,000[1]

Intimate Games (also known as Sex Games of the Very Rich) is a 1976 British sex comedy directed by Tudor Gates and starring George Baker, Anna Bergman and Ian Hendry.[2][3] It was written by Gates.

Plot

[edit]

Professor Gottlieb pairs his psychology students and instructs them to write down each other's sexual fantasies. The students then decide to put their desires into practice, and later send Gottlieb their accounts. Back in class, Gottlieb imagines the girls naked and is driven away in an ambulance foaming at the mouth.

Cast

[edit]

Production

[edit]

The film was shot at Twickenham Studios and on location in Oxford.[citation needed]

Critical reception

[edit]

The Monthly Film Bulletin wrote: "A cast of fresh-faced girls and clean-limbed young men cavort through this grindingly unfunny British sex comedy in apparent ignorance of the debilitating constraints of its coy, assembly-line plot. The discomfort of troupers like George Baker and Ian Hendry at participating in this tedious nonsense is, however, as apparent as the absence of passion from the decorous, dimly-lit lesbian love-making. A half-hearted attempt at placing the movie in a scientific context (by a last-minute voice-over warning against abnormal fantasies) is as strikingly unconvincing as all the permutations of sexual mimicry which have gone before."[4]

Screen International wrote: "It is a thought to ponder on that all the heterosexual confrontations and couplings are given the nudge-nudge guffaw treatment while the tenderness and tasteful photography that make for true eroticism are reserved for the lesbian scene. The film is an uncomfortable bringing together of schoolboy rudery, girlie film nudity, time-wasting location filming, and a down-beat tragic ending. The one delight is Joyce Blair's dance. The young actors have vitality and charm. The guest stars have my sympathy."[5]

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
Intimate Games is a 1976 British sex comedy film directed by Tudor Gates and and written by Tudor Gates. The story centers on a professor, played by George Baker, who assigns his male and female students to pair up and explore each other's sexual fantasies during a holiday break, resulting in a series of interconnected vignettes depicting their encounters. The film features a cast including , , , , and , and runs approximately 90 minutes. Produced during the era of British softcore cinema, it exemplifies the genre's focus on titillating humor and lighthearted exploration of subjects, though it received mixed reviews and holds an rating of 4.8 out of 10 based on user votes.

Synopsis and Characters

Plot

Intimate Games is a British sex comedy that centers on a class where Professor assigns his students a provocative holiday project. He instructs them to form mixed-gender pairs and, over the break, act out and document each other's sexual fantasies as part of their academic exploration into . The narrative unfolds through a series of individual fantasy sequences enacted by the students, blending comedic and erotic vignettes that highlight , , and absurd scenarios. Representative examples include a young woman imagining herself stripping during a to test her interviewer's focus, a father's bizarre daydream of caressing a woman's backside while tending to racing pigeons, and a choir girl's innocent yet playful encounter in a church setting, as portrayed by . These interludes reveal the diverse and often unexpected nature of personal desires, ranging from the romantic to the ridiculous. As the students reconvene after the holiday to present their findings, tension escalates when one inquires about Professor Gottlieb's own fantasies, portrayed by George Baker. Overwhelmed, he begins hallucinating his female students as naked during the class presentation, triggering a public breakdown that results in his removal by ambulance. This climactic event underscores the film's brief thematic nod to the precarious line between fantasy and reality in . The 90-minute runtime is structured with an initial classroom setup introducing the assignment, extended fantasy interludes comprising the bulk of the story, and a swift resolution centered on the professor's unraveling.

Cast

The cast of Intimate Games features an ensemble of established British actors alongside emerging performers, reflecting the film's blend of academic and comedic elements in a sex comedy genre. Principal roles center on the professor and his students, who form pairs to explore personal fantasies, highlighting the group's dynamic interactions. George Baker leads as Professor Gottlieb, the eccentric instructor who initiates the class's fantasy assignment, acting as the central catalyst for the ensemble's explorations. Anna Bergman plays Suzy, a who delves into her own imaginative scenarios as part of the group's paired activities. Ian Hendry appears in a supporting role as Uncle Rodney, contributing to one of the film's fantasy sequences through his interaction with a character. Among the supporting cast, portrays Beryl, featured in a notable sequence within a fantasy vignette that underscores the film's playful . has an uncredited appearance as a choir girl in one of the erotic interludes, adding to the vignette-style depictions of desires. Other students and ensemble players include Peter Blake as John, as Erica, Heather Deeley as Marion, and Felicity Devonshire as Cathy, each representing pairs that act out scenarios under Gottlieb's guidance; additional roles like Monika Ringwald as the secretary and Peppi Borza as a further populate the fantasy-driven ensemble. The casting mixes veterans like and Hendry with lesser-known actors suited to the lighthearted, risqué context of British cinema.

Production

Development

The script for Intimate Games was penned by Tudor Gates, who also took on directing duties, shaping the film's unique premise around a psychology professor assigning students to explore their sexual fantasies. During development, an alternative title, Sex Games of the Very Rich, was considered to emphasize the comedic exploration of affluent characters' desires. Key personnel included producer Guido Coen, whose involvement helped secure early backing from Film Distributors, a company known for low-budget genre films in the era. The project's budget was established at £60,000, reflecting the modest scale typical of British independent productions at the time. Gates' dual role as writer and director allowed him to maintain a cohesive vision, integrating psychological themes with lighthearted erotic elements. This approach aligned with broader industry trends following the post-1960s relaxation of , which enabled more explicit depictions in mainstream and exploitation cinema. The film was developed in the mid-1970s, positioning it amid a wave of permissive content that characterized the decade's output.

Filming

for Intimate Games took place primarily at Twickenham Film Studios in St Margarets, , , , where the majority of the interior scenes were captured to maintain control over the production environment. Exterior sequences were filmed on location in , , to establish the university setting central to the story, with additional shots at in and various landmarks including , , and station. These choices were influenced by the film's low budget, which limited extensive location work and prioritized cost-effective studio setups. The technical crew included cinematographer Frank Watts, who managed the visual style to balance comedic elements with the film's intimate and fantasy-driven sequences, employing careful lighting and framing for the mix of lighthearted and erotic shots. Roger Webb contributed the original score, designed to underscore the playful through upbeat, whimsical arrangements that complemented the narrative's exploratory tone. The production occurred in , aligning with the film's June release, and emphasized a streamlined process suited to its modest resources. Note that while Tudor Gates is the primary director, is sometimes credited as co-director in sources like . Filming faced challenges inherent to low-budget British sex comedies of the era, particularly due to censorship constraints that limited explicit content and required adjustments in depicting intimate scenes. The approach relied heavily on studio-bound vignettes, allowing for efficient shooting schedules, quick reshoots if needed, and containment of the production's logistical demands within Twickenham's facilities. This method facilitated the capture of the film's vignette-style structure while adhering to the era's censorship guidelines for such content.

Release

Distribution

Intimate Games premiered in the in June 1976, distributed by Film Distributors to select cinemas primarily targeting adult audiences in urban areas like . The rollout focused on independent theaters known for screening sex comedies and exploitation films, aligning with Tigon's portfolio of similar low-budget productions from the era. Marketing efforts positioned the film as a lighthearted sex comedy infused with psychological elements, emphasizing its exploration of sexual fantasies through provocative posters and advertisements. These materials prominently featured cast members such as , portraying her in fantasy scenarios to appeal to the era's interest in risqué British cinema, while the original poster design playfully mimicked the Olympic rings with actors' faces, though it faced potential legal challenges from the Olympic Association. The film received an X certificate from the (BBFC) for its theatrical release, indicating suitability for viewers aged 18 and over due to explicit . No significant regional variations in UK censorship were reported, but the X rating restricted exhibition to licensed adult venues nationwide. Internationally, distribution was limited, with releases in English-speaking and European markets including on April 24, 1978, on September 10, 1979, and a restricted run in starting November 28, 1979, reflecting Tigon's modest export strategy for its exploitation titles.

Home Media

Following its theatrical release, Intimate Games became available on formats starting in the late 1970s and early 1980s. A pre-certification edition was distributed by budget label Rampix (under Videomedia) in the UK, catalogued as HVM2211, catering to the growing market for low-cost adult-oriented tapes during the home video boom. In the 2000s, a standard DVD release emerged from Odeon Entertainment on September 22, 2008, featuring an 81-minute runtime in color but without restored visuals, special features, or remastering, typical of reissues for obscure comedies from the era. No high-definition Blu-ray or enhanced editions have been produced, limiting accessibility to aging analog and early prone to degradation. Digital distribution has remained niche due to the film's obscurity and adult classification. As of 2025, Intimate Games streams on specialized platforms like Cultpix and FlixFling, with options to rent or purchase digitally via FlixFling, but it lacks presence on major services such as or . This limited availability underscores the challenges in archiving and monetizing low-budget British sex films, where fragmentation and content sensitivities hinder broader digital migration. The film holds collectible appeal among enthusiasts of 1970s British sexploitation cinema, particularly for its ties to Mary Millington's brief appearance as a choir girl, which connects it to her cult-favored filmography in titles like Come Play with Me. Fan-driven releases and secondhand markets, including and specialist retailers, sustain interest, with DVD copies often traded for their rarity in complete collections of the genre. Preservation efforts face hurdles from outdated tapes susceptible to magnetic decay and the absence of institutional priorities for such marginal works.

Reception

Critical Response

Upon its release in 1976, Intimate Games received mixed to negative reviews from critics, who often highlighted its failure to deliver effective humor or genuine eroticism. The Time Out review described the film as "a tediously unfunny sex comedy masquerading (for censorship reasons?) as a spuriously moral exposure movie," criticizing the contrived fantasy sequences and dim, slow-motion sex scenes that lacked intensity or passion. Similarly, contemporary critiques pointed to the mechanical execution of the erotic elements, with sex scenes appearing perfunctory and devoid of emotional depth, undermining the film's attempt to explore sexual fantasies through a psychological lens. Praise was sparse but occasionally directed at specific performances, including Joyce Blair's energetic dance sequence, which stood out as a highlight amid the otherwise lackluster proceedings. The young was noted for bringing vitality and charm to their roles, infusing the film with a sense of youthful exuberance despite the script's weaknesses. Guest appearances by established like and elicited sympathy for their involvement in the uneven production. Aggregated user scores reflect this ambivalence, with rating the film at 4.8 out of 10 based on 320 votes as of November 2025, underscoring common period themes of superficiality in British sex comedies. Retrospective assessments have positioned Intimate Games within the broader context of British sex comedy, acknowledging its dated elements while appreciating its campy, unpretentious appeal for genre enthusiasts. The Spinning Image review characterized it as "real 70s fayre" with a weak storyline and middling acting, but commended its well-paced structure, broad awkward-situational humor, and brief that captured the era's censorship-constrained sensibilities. Modern viewers often view the film's fantasies—such as a character's pigeon-stroking reverie—as ridiculously outdated, yet they contribute to its guilty-pleasure status and nostalgic value in the sex comedy canon. The plot's fantasy framework was generally received as a flimsy pretext for titillation, though some later analyses note its mild as emblematic of the genre's playful, if mechanical, take on desire.

Legacy

Intimate Games was produced on a modest of £60,000 and generated limited returns within the 's burgeoning sex film market of the mid-1970s, a period when over 20 X-rated comedies were released in 1975 alone and hits like (1976) outperformed major Hollywood releases such as Martin Scorsese's at the . While exact earnings for Intimate Games remain undocumented, its performance aligned with the genre's typical low-to-mid-range profitability, buoyed by declining cinema attendance but sustained by permissive attitudes toward adult content. The film occupies a niche in 1970s British exploitation cinema, reflecting the era's sexual liberation amid post-1960s social shifts, including widespread contraceptive access and evolving norms. Mary Millington's appearance as a exploring fantasies cemented her status as a symbol of this period's bold , contributing to her rapid rise as Britain's preeminent sex film star before her tragic death in 1979. Her involvement highlighted themes of female agency in a male-dominated industry, though often critiqued for reinforcing . Intimate Games exemplifies writer-director Tudor Gates' signature style of infusing erotic narratives with psychological and fantastical elements, akin to his scripts for Barbarella (1968) and Hammer Horror's The Vampire Lovers (1970). It has cultivated a minor cult following among enthusiasts of vintage British smut, preserved through home media releases such as inclusion in 2020's Mary Millington Movie Collection Blu-ray box set. No remakes or direct adaptations have emerged, underscoring its status as a period-specific artifact rather than a foundational influence. The production intersected with Britain's evolving censorship landscape in the 1970s, following the British Board of Film Censors' post-1968 relaxations that permitted fuller and sexual content, as seen in approvals for films like (1969). This enabled Intimate Games to delve into psychological explorations of desire and repression within erotica, mirroring broader debates over the Obscene Publications Act and .

References

Add your contribution
Related Hubs
User Avatar
No comments yet.