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"Invisible Sun"
Single by the Police
from the album Ghost in the Machine
B-side"Shambelle"
Released18 September 1981 (1981-09-18)[1]
Recorded1981
GenreNew wave
Length3:44
LabelA&M – AMS 8164
SongwriterSting
Producers
The Police singles chronology
"De Do Do Do, De Da Da Da"
(1980) 		"Invisible Sun"
(1981) 		"Every Little Thing She Does Is Magic"
(1981)
Alternative cover
Dutch 7-inch cover
Music video
"Invisible Sun" on YouTube

"Invisible Sun" is a song by the English rock band the Police, released as a single in Europe on 18 September 1981 by A&M Records.[2] It was the first single to be released in the United Kingdom from the band's fourth studio album Ghost in the Machine and it reached No. 2 on the UK singles chart. The song also reached No. 5 in Ireland and No. 27 in the Netherlands. It was not released as a single in the United States. In most other territories, "Every Little Thing She Does Is Magic" was chosen as the lead single from the album.

Background

[edit]

Sting said of writing "Invisible Sun":

I actually wrote the song in Ireland, where I was living at the time. It was during the hunger strikes in Belfast. I wanted to write about that but I wanted to show some light at the end of the tunnel. I do think there has to be an "invisible sun". You can't always see it, but there has to be something radiating light into our lives.

— Sting, Revolver, 2000[3]

The song's lyrics stem from songwriter Sting's pondering how people living in war-torn and/or impoverished countries find the will to go on living, and despite the dark music and often morbid lyrical statements, the song carries an uplifting and optimistic message. The song was deeply personal for drummer Stewart Copeland, whose hometown of Beirut in Lebanon was being heavily bombed at the time of the song's recording:

For me, the song was about Beirut, where I'd grown up, which at that point was going up in flames. My hometown was being vilified by the media as a terrorist stronghold, and it was being blasted by bombs and napalm. Twenty thousand Lebanese were killed that year. And the Lebanese must have been feeling some heat from the invisible sun, because they were keeping their peckers up.

— Stewart Copeland, Revolver, 2000[3]

Bono performed duets of it with Sting when U2 and the Police appeared at the same concerts: the first such instance was in 1982 at a festival in Gateshead, England, and two subsequent instances occurred at the last two shows of Amnesty International's A Conspiracy of Hope tour in 1986.[4]

The song is a departure from Police songs before it; "Invisible Sun" contains a dark, looping synthesizer beat, and powerful, haunting lyrics. Among other things, the lyrics refer to the ArmaLite rifle used by paramilitary organisations, but mainly by the Provisional Irish Republican Army (IRA).[5] The music video for "Invisible Sun" features a collection of video clips taken from the conflict in Northern Ireland. Owing to its subject matter, the video was banned by the BBC.[3]

In 1998, Sting recorded a new version of "Invisible Sun" with the British reggae group Aswad. The song was revised as a duet between Sting and vocalist Tony "Gad" Robinson with an upbeat tempo and a prominent horn section. The track was featured in The X-Files: The Album, a promotional soundtrack album released to accompany the film The X-Files: Fight The Future.

Composition

[edit]

"Invisible Sun" is composed in the key of E-flat major/C minor with the verses alternating between these keys. The verses give off an ominous and desperate feeling. The chorus is in G major and is heavier and more bombastic.[6]

Track listings

[edit]

7-inch: A&M / AMS 8164 (UK)

  1. "Invisible Sun" – 3:35
  2. "Shambelle" – 5:42

7-inch: A&M / AMS 8164 (NL)

  1. "Invisible Sun" – 3:35
  2. "Flexible Strategies" – 3:42

Personnel

[edit]

Charts

[edit]
Chart (1981–1982) Peak
position
Australia (Kent Music Report)[7] 89
Ireland (IRMA)[8] 5
Netherlands (Single Top 100)[9] 27
UK Singles (OCC)[10] 2

Certifications

[edit]
Region Certification Certified units/sales
United Kingdom (BPI)[11] Silver 250,000^

^ Shipments figures based on certification alone.

See also

[edit]

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Invisible Sun

View on Grokipedia
from Grokipedia
Invisible Sun is a surreal fantasy designed by and published by Monte Cook Games in 2018. In it, players assume the roles of vislae, exceptionally powerful magic-users who abandon a drab, mundane "shadow" world to return to their true home: the opulent, hidden city of Satyrine in a realm lit by an invisible sun, where they pursue profound personal secrets and confront cosmic enigmas. The game's setting spans multiple layers of reality along the "Path of Suns," including eight distinct realms each governed by a colored sun that influences magic and existence. Central to Invisible Sun's is a flexible system emphasizing narrative depth over rigid combat simulation, with character creation involving elaborate backstories, patrons, and "houses" that evolve through play. Magic is handled through four primary orders—Vances (who command raw power), Makers (who craft artifacts), (who manipulate probabilities), and Goetics (who summon spirits)—or as unbound Apostates, rendering spellcasting unpredictable, creative, and tied to themes of risk and wonder rather than formulaic lists. The game includes unique tools like a Sooth Deck for and between-session advancement to foster ongoing campaigns. Presented as an elaborate boxed set with four ornate tomes, over a thousand cards, and prop-like components, Invisible Sun stands out for its physical production quality and ambition to evoke the feel of forbidden arcane tomes. It has garnered acclaim in circles for revitalizing the portrayal of magic as mysterious and integral to character identity, though it has faced critique for its steep initial price—often exceeding $200—and perceived overreach in promising to redefine RPG paradigms. A revised edition, Invisible Sun: , was announced in subsequent years to refine accessibility while preserving core innovations.

Origins and Production

Recording Process

The recording sessions for "Invisible Sun" formed part of the production for The Police's album , which incorporated s, horns, and keyboards to expand the band's sound beyond its reggae-influenced roots. Sting prepared demos featuring synthesizer parts prior to the full band sessions, establishing the track's core looping motif. The final version relied heavily on this repetitive synthesizer riff, generated using an keyboard, which provided the song's ominous, cyclical foundation. Producer oversaw the engineering, emphasizing layered atmospheric elements to heighten tension, with Stewart Copeland's drums and ' restrained guitar supporting Sting's bass and lead vocals. The track's production marked an evolution in the band's studio approach, prioritizing electronic textures over live trio interplay to underscore its thematic gravity.

Songwriting and Inspiration

Sting composed "Invisible Sun" as the primary songwriter for , handling both and music during sessions for their 1981 album . He described the track originating from a simple chord sequence he was experimenting with at the time.) The draw direct inspiration from the violence of in , particularly the 1981 hunger strikes in , amid streets "patrolled by armored cars" and haunted by conflict, as Sting explained in his 2007 book . References to the ArmaLite rifle—a weapon associated with paramilitary groups like the —underscore this context, reflecting Sting's awareness of the region's unrest, compounded by his then-wife Frances Tomelty's origins. Sting later revealed in a 2000 interview that the song's theme of elusive hope amid despair also stemmed personally from his strained relationship with his father, offering a layer beyond the contemporaneous political interpretation.)

Musical and Lyrical Analysis

Composition and Instrumentation

"Invisible Sun" is structured around a of 120 beats per minute, employing a that primarily utilizes and in its verses, shifting to elements of G Mixolydian in other sections for a modal tension that underscores the song's ominous tone. The composition follows a conventional verse-chorus form with an intro on guitar that establishes a reggae-inflected groove, building through layered percussion and sparse guitar arpeggios to evoke restraint and underlying urgency. The track relies on The Police's core power trio instrumentation: Sting providing lead vocals and bass lines that anchor the harmonic foundation, delivering clean, echoing guitar tones with minimal distortion to maintain clarity, and on drums emphasizing forceful, militaristic percussion patterns, including prominent cymbal crashes that punctuate the rhythm and amplify the theme of oppression. No additional synthesizers or session musicians are featured, preserving the band's signature stripped-down sound amid the experimental leanings of their era.

Lyrics and Thematic Elements

The lyrics of "Invisible Sun" convey a profound aversion to perpetual violence and confinement, with the narrator rejecting a life evading "the barrel of an ," a emblematic of paramilitary armament during in . Subsequent verses depict urban desolation under "factory smoke and acetylene light," yielding a melancholic "t of blues" amid colors "painted bright, vivid orange and green"—a veiled to the sectarian banners of Protestant Unionists and Catholic Nationalists. The song culminates in imagery of wordless shootings channeling communal "rage on the street," underscoring the dehumanizing toll of conflict on civilians, including personal fears for loved ones. At its core, the refrain posits an "invisible sun" as an indispensable force: "There has to be an invisible sun / It gives its heat to everyone / There has to be an invisible sun / That gives us hope when the whole day's done." This metaphor represents an intangible yet vital source of solace—potentially , inner resilience, or collective endurance—sustaining inhabitants through unrelenting "dark all day" , whether from gunfire, economic hardship, or ideological strife. Sting, the lyricist, crafted these lines while residing , drawing from observations of how individuals in beleaguered regions muster the fortitude to persist amid existential threats. Thematically, "Invisible Sun" grapples with the psychology of survival in protracted ethno-nationalist violence, extending beyond to broader human suffering in war zones, as Sting contemplated the mechanisms enabling people to "find the will to go on living" despite impoverishment and peril. It eschews explicit partisanship, instead emphasizing universal hope as a counter to despair, with the "invisible sun" evoking religious or spiritual undercurrents that divided yet unified communities in the region. Sting later affirmed the song's roots in 's unrest, including the era's hunger strikes and street-level atrocities, framing it as a meditation on obscured amid visible chaos.

Historical and Political Context

The Troubles and Northern Ireland Conflict

The Troubles encompassed a protracted ethno-nationalist conflict in spanning from the late to 1998, pitting Irish nationalists—predominantly Catholic and seeking unification with the —against unionists—predominantly Protestant and committed to remaining part of the . The conflict arose from longstanding grievances following the , which left with a Protestant majority amid systemic discrimination against the Catholic minority in employment, housing, and electoral . Tensions escalated in 1968 when the organized nonviolent marches protesting these inequalities, but police responses and counter-demonstrations by unionists triggered riots, notably in Derry on October 5, 1968, marking the onset of widespread violence. By 1969, sectarian clashes had intensified, prompting the British Army's deployment on August 14 to restore order, initially welcomed by many Catholics but soon viewed with suspicion as it imposed curfews and supported local security forces. The , formed in December 1969 as a splinter from the Official IRA, adopted an armed campaign of bombings, shootings, and assassinations targeting British forces, unionist paramilitaries, and civilians perceived as collaborators, responsible for approximately 1,700 deaths overall. Loyalist groups like the retaliated with their own paramilitary attacks, killing around 400, while British security forces faced accusations of excessive force, including the January 30, 1972, Bloody Sunday incident in Derry where 13 unarmed civilians were shot dead by paratroopers during a protest march. without trial, introduced in August 1971, further alienated nationalists and swelled IRA recruitment, contributing to a cycle of reprisals that peaked in the 1970s with events like the 1974 by loyalists, killing 34 civilians. The conflict's intensity in the early , contemporaneous with the release of "Invisible Sun," highlighted paramilitary entrenchment and prison protests. A failed in late 1980 preceded the 1981 strike led by IRA prisoners in the Maze Prison, demanding political status over criminal categorization; , the IRA's imprisoned leader, began refusing food on March 1, 1981, and died after 66 days on May 5, followed by nine others by October, galvanizing republican support and leading to Sands's posthumous election as a British MP on April 9. These events underscored the IRA's strategy of using civilian casualties and media attention to advance political aims, amid over 100 deaths that year alone. Overall, the Troubles resulted in 3,532 deaths—about 52% civilians, 32% paramilitaries, and 16% —and over 47,000 injuries, with violence concentrated in urban areas like and Derry. Republican and loyalist paramilitaries together accounted for roughly 90% of fatalities through indiscriminate bombings and sectarian killings, while state responses, though aimed at , included controversial tactics like shoot-to-kill policies that eroded trust. The era's pervasive fear, checkpoints, and bombings created a climate of existential uncertainty, directly informing cultural reflections on survival amid unrelenting threat.

Song's Relation to Contemporary Events

The release of "Invisible Sun" as a single on September 18, 1981, occurred amid the escalating violence of the Troubles in Northern Ireland, a conflict marked by paramilitary activities, bombings, and sectarian clashes that had intensified throughout the year. The song's lyrics, penned by Sting during a period of residence in Ireland, reflect on the psychological resilience required to endure such turmoil, drawing directly from observations of daily life under threat in Belfast and surrounding areas. Sting has described the inspiration as stemming from the paradox of finding hope—symbolized by an "invisible sun"—in regions overshadowed by perpetual conflict, with specific nods to the overcast skies and underlying despair in Northern Ireland. A pivotal contemporary event linking to the song's themes was the in the Maze Prison, where Provisional IRA prisoners, led by , protested for recognition as political prisoners rather than criminals. Sands commenced his fast on March 1, 1981, and died on May 5 after 66 days, followed by nine other strikers who perished by late summer, galvanizing republican support and sparking riots across that resulted in over 60 additional deaths that year. The strikes heightened IRA recruitment and bombings, including high-profile attacks in London and , creating a climate of unrest that permeated the song's recording and release; music analysts have noted "Invisible Sun" as evoking the strikes' atmosphere of defiance and hidden optimism amid suffering. The music video, directed by Derek Burbidge and released concurrently, amplified this connection by incorporating authentic footage of Northern Ireland's conflict, including urban unrest and military presence, which underscored the song's commentary on heroism and endurance without explicit partisan endorsement. This visual alignment with real-time events contributed to the track's resonance, as it captured the post-strike polarization, where Sands' election to as a candidate in April 1981 symbolized republican gains amid British government intransigence under Prime Minister . While not overtly propagandistic, the song's oblique references to internal fortitude ("There's a if you look inside your heart") mirrored the strikers' narrative of moral resistance, as interpreted in contemporaneous music discourse.

Release and Commercial Performance

Track Details and Formats

"Invisible Sun" runs for 3:44 in its album version from Ghost in the Machine, written by Sting and produced by the band with Hugh Padgham. The single edit maintains a similar length, clocking in at approximately 3:35 on some pressings. The track was released as a single in September 1981 exclusively in Europe and select international markets by A&M Records, with no commercial single issuance in the United States. Formats were predominantly 7-inch vinyl records played at 45 RPM, featuring "Invisible Sun" as the A-side and the Andy Summers-composed instrumental "Shambelle" (duration 5:42) as the B-side.
CountryLabelCatalog NumberNotes
United KingdomA&M RecordsAMS 8164Includes misprint variants and promo sleeves
AustraliaA&M RecordsK-8562 / AMS 8164Standard 7" pressing
IrelandA&M RecordsAMS 8164Identical to UK tracklist
New ZealandA&M RecordsK 8562 / AMS 8164Regional variant
These releases originated from the A&M catalog tied to the Ghost in the Machine LP (AMLK 63730 in the UK), with mastering for the A-side at Sterling Sound and B-side at The Town House. No original 12-inch or cassette single formats were issued in 1981, though later compilations and reissues incorporated the track in digital and expanded media.

Chart Performance and Certifications

"Invisible Sun" was released as a single in the and select European markets on 18 September 1981, backed with the non-album B-side "Shambelle". In the UK, it debuted on the Official Singles Chart dated 26 September 1981, ascending to a peak of number 2 and remaining on the chart for eight weeks. The single performed strongly in , entering the on 13 September 1981, reaching number 5, and charting for six weeks. It achieved a more modest position in the , peaking at number 27 over five weeks.
CountryPeak PositionWeeks Charted
28
56
275
The track was not issued as a commercial single in the United States, precluding any entry, though the parent album reached number 2 on the 200. No certifications, such as gold or silver awards, have been reported for "Invisible Sun" as a standalone single by organizations like the or equivalents in other territories.

Reception and Controversies

Critical and Public Response

Critics praised "Invisible Sun" for its departure from The Police's lighter pop fare, highlighting its somber tone and direct confrontation of violence during . In a 1981 review of the parent album Ghost in the Machine, noted the band's increased commitment and real anger, with the track contributing to this emotional depth. Later retrospectives echoed this, describing the song as "genuinely moving" for addressing Northern Ireland's strife through lyrics evoking despair and elusive hope. The track's looped riff and brooding atmosphere were seen as innovative, exemplifying the album's dark undertones and Sting's maturing on global issues. AllMusic's overview positioned "Invisible Sun" among standout cuts that blended new wave accessibility with thematic weight, earning acclaim for avoiding preachiness while conveying urgency. Some reviewers critiqued its "" leanings and chorus shift from minor-key verses to major-key uplift as tonally jarring, yet acknowledged the ominous mood's effectiveness in underscoring civilian suffering. Public reception reflected the song's provocative subject matter, with audiences responding to its message of resilience amid Belfast's unrest, as evidenced by its peak at number two on the UK Singles Chart despite broadcast restrictions. Fans and commentators appreciated the track's non-partisan focus on hope—"There has to be an invisible sun"—as a counter to daily , though interpretations varied, including unsubstantiated claims of drug metaphors over political intent. The accompanying video, featuring real footage of riots and hunger strikers, amplified discussion but drew ire for perceived sympathy toward republican causes, fueling broader debate on art's role in conflict.

Media Bans and Political Backlash

The British Broadcasting Corporation () banned "Invisible Sun" from radio airplay upon its September 1981 release, citing the song's overtly political lyrics inspired by the ongoing in . The ban stemmed from concerns over references to violence, imprisonment, and resilience amid conflict, which BBC officials deemed too sensitive for broadcast during a period of heightened sectarian tensions. This decision aligned with the BBC's broader policy of restricting content that could be perceived as partisan in the Northern Ireland conflict, as evidenced by similar prohibitions on other tracks addressing the same issues. The song's music video faced an even stricter prohibition, with the refusing to air it due to its inclusion of raw footage depicting unrest in , including urban strife and military presence. Described as "overtly political," the video's visuals were seen as potentially inflammatory, risking accusations of bias toward republican perspectives amid the (IRA) hunger strikes that began in the Maze Prison that same month. Sting later reflected that the ban highlighted media caution against amplifying narratives of endurance in war-torn communities, though it did not prevent the single from reaching number 2 on the UK Singles Chart. Political reactions were muted but reflective of the era's divisions; the ban drew criticism from some commentators for stifling artistic commentary on public suffering, while unionist voices in viewed any sympathetic portrayal of conflict zones as implicitly endorsing IRA activities. No formal parliamentary backlash ensued, but the incident underscored broadcasting regulators' prioritization of neutrality over free expression in coverage of , a stance that persisted into the for similar politically charged music. In the United States, the track received limited radio play, partly due to unfamiliarity with the context, though without outright bans.

Legacy and Cultural Impact

Covers, Remixes, and Performances

Sting collaborated with the reggae band on a cover of "Invisible Sun" for his 1999 album Brand New Day, incorporating dub influences while retaining the original's thematic structure. Therapy?, the Northern Irish band, released a punk-infused cover in 1993 on their single for "Stories," reflecting the song's connection to regional conflict through their lens. , a Jamaican artist, produced a dub version in 2008 on his album Living in the Flood, emphasizing rhythmic echoes of the original's sparse arrangement. The Swedish death metal band recorded a heavier reinterpretation, initially released in the and remastered in 2024, diverging significantly into genre-specific aggression. Official remixes of "Invisible Sun" are limited, with no major electronic or dance reworks from The Police's catalog; however, surround sound mixes, such as a 5.1 version, have been included in later reissues like the 2003 Every Move You Make: The Studio Recordings box set for enhanced audio playback. The Police frequently performed "Invisible Sun" live during the Synchronicity Tour (1983–1984), including a recording from the Omni in Atlanta on November 2, 1983, featured on the Synchronicity Tour edition releases. It reappeared in their 2007–2008 reunion tour, captured on the live album Certifiable: Live in Buenos Aires from River Plate Stadium on December 1, 2007, where the setlist highlighted enduring fan demand. A guest appearance by U2's Bono joined Sting, Stewart Copeland, and Andy Summers for the song at Giants Stadium on June 15, 1986, during the Conspiracy of Hope benefit concert for Amnesty International. Sting has occasionally revived it in solo sets, such as at the Hollywood Bowl in 2023, adapting it to his orchestral arrangements.

Influence and Enduring Interpretations

The song's metaphor of an "invisible sun" has been enduringly interpreted as a symbol of latent hope persisting amid pervasive darkness, particularly in contexts of prolonged violence and despair, as Sting intended it to evoke resilience during visits to in the late 1970s. This reading emphasizes the lyrics' focus on everyday endurance—"I don't want to spend my life just waiting for the bullet to come"—as a universal acknowledgment of human capacity for optimism despite systemic threats, extending beyond to global conflicts like those in referenced in the bridge. Over time, interpretations have broadened to critique outsider perspectives on localized strife, with scholars noting "Invisible Sun" as emblematic of external artists' elliptical engagements with , often prioritizing emotional resonance over partisan advocacy, which some local observers viewed as contributing to a sense of cultural exhaustion from repetitive, non-committal anthems. In protest music analyses, it exemplifies themes of hope-seeking in Troubles-era songs, aligning with tracks like U2's "Bloody Sunday" in grasping for glimmers of resolution amid hunger strikes and bombings, though its non-Irish authorship invited scrutiny for potentially diluting authentic voices. Its influence persists in adaptations repurposing the track for contemporary crises; for instance, in the 2021 dance production "The Police & Me," director Lea Anderson recontextualized "Invisible Sun"—originally inspired by Belfast's violence—for a narrative on refugee experiences in Calais, highlighting the song's thematic portability to modern displacements while underscoring Sting's pattern of addressing geopolitical grief. High-profile performances, such as Sting and Bono's 1986 rendition at Giants Stadium during The Police's final tour, reinforced its role in Amnesty International's Conspiracy of Hope events, cementing an interpretation of quiet defiance against authoritarianism and war. This has sustained its citation in discussions of Sting's oeuvre as a bridge between personal introspection and causal commentary on conflict's human toll, influencing later works on resilience without descending into explicit activism.

References

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  30. https://www.youtube.com/watch?v=iSpTa27esN8
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  49. https://www.youtube.com/watch?v=SpGTMrfY_pA
  50. https://songmeanings.com/songs/view/5906/
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  55. https://www.denvercenter.org/news-center/the-power-and-poignancy-of-stings-songwriting/
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