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Shante Scott Franklin (born April 4, 1981), better known by his stage name Currensy (stylized as Curren$y), is an American rapper. Born and raised in New Orleans, Louisiana, he signed with the local record labels Cash Money Records and Young Money Entertainment in the mid-2000s, but parted ways with both without any major releases. He signed with DD172 to release four albums before signing with Warner Records to release his fifth album and major label debut, Weekend at Burnie's (2011). In February of that year, he founded the record label Jet Life Recordings.[1]

Currensy is perhaps best known for his 2015 single, "Bottom of the Bottle" (featuring Lil Wayne and August Alsina), which remains his sole entry on the Billboard Hot 100.

Music career

[edit]

2002–2008: No Limit and Young Money

[edit]

In 2002, Currensy was signed to Master P's No Limit Records and was a late addition to the 504 Boyz.[2] The song "Get Back"[3] by 504 Boyz, produced by Donald XL Robertson, was featured on the 2003 film Malibu's Most Wanted soundtrack. Currensy appeared on 5 songs in Master P's Good Side, Bad Side album.[4] Even though he was signed with No Limit, he represented C-Murder's TRU label. Currensy has several songs with C-Murder, and was featured on the late Soulja Slim's album, Years Later (2002).

In 2004, Currensy signed with Cash Money Records and Lil Wayne's Young Money Entertainment. He was featured on Lil Wayne's mixtape Dedication 2, The Suffix and several unreleased songs while with Young Money. He released a mixtape entitled Welcome Back in 2004. He was featured in Lil Wayne's "Grown Man" on Tha Carter II. While still at Young Money, Currensy created Fly Society with skateboarder Terry Kennedy, first as a clothing company, then expanding to release music. He released the song, "Where da Cash At" as the lead single for his Young Money debut, Music To Fly To, in 2006. In 2007, another mixtape was released entitled Life at 30,000 Feet. He remained with Young Money until late 2007. In 2008, Currensy released Independence Day, his first project after leaving Young Money and the first of seven mixtapes to be released that year while he struck out as an independent artist.[2]

2009–2010: This Ain't No Mixtape, Jet Files and Pilot Talk

[edit]
Currensy performing in 2010

Currensy signed with Amalgam Digital to release his debut album, This Ain't No Mixtape, in 2009.[5] This album was entirely produced by Monsta Beatz. Currensy was also selected to XXL magazine's annual "Freshman Class" list, and released his second album, Jet Files, through Amalgam Digital that same year.[6] Amalgam Digital released physical copies of This Ain't No Mixtape and Jet Files on May 31, 2010.

Currensy's third album, Pilot Talk, was released on July 13, 2010. The album featured guest appearances by Snoop Dogg, Big K.R.I.T. and Mos Def, amongst others, with most of the songs produced by Ski Beatz. Prior to the album's release, there was news of Pilot Talk being released under a newly relaunched Roc-A-Fella Records.[7] However, Currensy stated in interviews with both XXL and Complex Magazine that the album would be released under Damon Dash's DD172 record label division, BluRoc Records[8][9][10] and distributed through Def Jam Recordings. Currensy made numerous appearances on labelmate Ski Beatz' debut studio album, 24 Hour Karate School, which was released on September 21, 2010.

2010–2011: Pilot Talk II and Weekend at Burnie's

[edit]
Currensy performing in 2010

Currensy's fourth album, Pilot Talk II, was released on November 22, 2010,[11] which featured Fiend and Raekwon, among others, with many of the songs produced by Ski Beatz.[12] 2010 also saw the release of mixtape Smokee Robinson with DJ Don Cannon.

On February 1, 2011, it was announced that Currensy signed a label deal with Warner Bros. Records for his imprint, Jet Life Recordings.[13] Covert Coup was his first project on his Jet Life Recordings imprint under Warner Bros. Released for free via Currensy's official website on April 20, the album contains ten songs completely produced by The Alchemist.[14] He released a mixtape, Weekend at Burnie's on June 28, 2011, featuring his Jet-Life anthem "#JetsGo", which was produced by Rahki. The rest of the mixtape was produced by frequent collaborator Monsta Beatz.[15] In 2011, Currensy and his Jet Life crew released the album Jet World Order, under Jets International / iHipHop. Every track on this album features Young Roddy and Trademark da Skydiver. Frequent collaborators of Currensy are also featured on this album, including Smoke DZA, The Cool Kids' Mikey Rocks, Cornerboy P, Fiend, Street Wiz, and Nesby Phips. Currensy himself appears on three tracks.

2012–2013: The Stoned Immaculate and Live in Concert

[edit]

On November 10, 2011, Currensy announced through Twitter the release of a new album. Muscle Car Chronicles, a two-disc set, was released on February 14, 2012. Currensy also planned on releasing Pilot Talk III in 2013, and mentioned the possibility of it being a free album. In February 2012, Currensy released the EP Here..., and a few days later released another EP #The1st28 with Styles P.

On April 21, 2012, the track listing for The Stoned Immaculate was released.[16] In July 2012, Currensy released the EP featuring all production by Harry Fraud, Cigarette Boats. On October 31, 2012, he released the mixtape Priest Andretti.

He released a tape with Wiz Khalifa, titled Live in Concert.[17] In November 2012 Currensy gave an update on his and Wiz Khalifa's mixtape Live in Concert saying its release is being held up by sample issues.[18] In January 2013, Currensy said that due to these same legal issues, the mixtape would likely become a retail album.[19] It was released as an iTunes only EP on April 20, 2013.

On February 3, 2013, Currensy released his latest mixtape New Jet City with guest appearances from Wiz Khalifa, French Montana, Jadakiss, Juvenile, Juicy J, Trinidad James and Rick Ross among others.[20]

On October 30, 2013, Currensy released The Stage EP with Smoke DZA and Harry Fraud.[21]

2014–present: The Drive In Theatre and Pilot Talk III

[edit]

Currensy announced a new mixtape, The Drive In Theatre, in January 2014.[22] He followed up on January 26, 2014, with the release of a new single, "Godfather 4" featuring Action Bronson.[23] On February 4, 2014, Currensy took to Twitter to announce a release date for The Drive In Theatre, it was released on February 14, 2014.[24]

On January 17, 2013, Currensy announced on Twitter that he and Ski Beatz began the process of making Pilot Talk III.[25] The album has been in development ever since, with Currensy, in various interviews, naming possible guest appearances from Lil Boosie,[26] Lil Wayne,[27] Wiz Khalifa, Ab-Soul, French Montana, Action Bronson,[28] Jadakiss, Styles P, and Riff Raff, with a majority of the production handled by Ski Beatz, along with some production from Cool & Dre.[29] On January 19, 2015, Currensy posted the album's possible artwork on his Instagram account, created by David Barnett, who was also responsible for the artwork of the first two Pilot Talk albums.[28] On March 1, 2015, DJ Skee released the first single "Alert" featuring Styles P and produced by Ski Beatz.[30] On March 15, 2015, Currensy announced that he'll be releasing Pilot Talk III exclusively on a $100 USB drive, "bundled with a Jet Life shirt and Pilot Talk 3 look book" with accompanying music videos. However, he also hinted at the album may be up for streaming.[31] The bundle was available for pre-order on the Jet Life website, which also confirmed that it will not be released on iTunes.[32] It was set for release on April 4, 2015.[29] He released 12 mixtapes in 2016.[33]

In June 2023, Currensy released Vices, a joint album with producer Harry Fraud.[34]

Jet Life Recordings

[edit]
Jet Life Recordings
Founded2011
FounderCurrensy (CEO)
StatusActive
DistributorsiHipHop Distribution
Empire Distribution
Atlantic Records
GenreHip-hop
Country of originU.S.
LocationNew Orleans, Louisiana[35]
Official websitehttp://www.jet-life.com/

On February 1, 2011, Currensy started his imprint Jet Life Recordings.

Current artists

[edit]

Pilot Talk lawsuit

[edit]

In March 2012, news surfaced of legal action being taken against Damon Dash by Currensy. In the lawsuit, the rapper claimed that he never legally signed to Dash's DD172 label, and the record executive released the pair of albums (Pilot Talk I and Pilot Talk II) as well as Muscle Car Chronicles without authorization. Currensy demanded that Dash immediately stop releasing his music for profit, and pay $1.5 million in damages.[38] On October 6, 2015, Currensy was awarded $3 million in settlement stemming from the 2012 lawsuit against Dash for releasing material of his music without his consent.[39]

Discography

[edit]
Main article: Currensy discography
See also: 504 Boyz discography
Studio albums
Collaboration albums

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Currensy

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Shante Scott Franklin (born April 4, 1981), better known by his stage name Curren$y, is an American rapper and singer from New Orleans, Louisiana, renowned for his smooth, laid-back delivery, witty wordplay, and themes centered on cannabis culture, luxury cars, and entrepreneurial independence. Raised in the city's Third Ward and Eastside neighborhoods, Franklin draws from local funk traditions and broader hip-hop influences like N.W.A. and 1970s blaxploitation films, crafting a non-regional sound that blends Southern drawl with pop culture references. His career spans over two decades, marked by affiliations with major labels, a prolific independent output exceeding 40 mixtapes and numerous albums, and the founding of his Jet Life Recordings imprint in 2011, which promotes a "fly" lifestyle aesthetic. Curren$y's early career began in the early when he joined Master P's as part of the group , contributing to their regional hit albums amid New Orleans' burgeoning rap scene. In 2004, he signed with Birdman and Lil Wayne's and its Young Money sublabel, appearing on high-profile projects like Lil Wayne's (2005) and the (2006) with tracks such as "Where da Cash At." Disillusioned with major-label constraints, he departed Young Money at the end of 2007, co-founding the Fly Society collective with skateboarder Terry Kennedy to focus on apparel and music, setting the stage for his DIY ethos. This period solidified his reputation as a survivor of the and blog eras (roughly 2007–2012), where he released seven free projects in 2008 alone, building a dedicated fanbase through platforms like . Transitioning to independence allowed Currenytoflourish,withbreakthroughreleaseslikethecollaborativemixtape∗HowFly∗(2009)withWizKhalifa,producedbyDJDonCannon,andhissolodebut∗ThisAin′tNoMixtape∗(2009)viaAmalgamDigital.[](https://mokbpresents.com/artist/curreny/)[](https://www.elevation27.com/tm−attraction/curreny/)Keystudioalbumsfollowed,includingthecriticallyacclaimed∗PilotTalk∗(2010)and∗PilotTalkII∗(2010)withSkiBeatz,∗WeekendatBurnie′s∗(2011),and∗TheStonedImmaculate∗(2012)onWarnerBros./DefJam,whichpeakedatNo.8ontheBillboard200.[](https://www.elevation27.com/tm−attraction/curreny/)HiscollaborationsextendtoartistslikeFreddieGibbsandTheAlchemist(e.g.,∗Continuance∗,2022),andHarryFraud(e.g.,∗Vices∗,2023),alongsideprojectswithJermaineDuprifor∗ForMotivationalUseOnly,Vol.1∗(2023),and∗Radioactive∗(2024)withMonstaBeatz.[](https://mokbpresents.com/artist/curreny/)By2023,Curreny to flourish, with breakthrough releases like the collaborative mixtape *How Fly* (2009) with Wiz Khalifa, produced by DJ Don Cannon, and his solo debut *This Ain't No Mixtape* (2009) via Amalgam Digital.[](https://mokbpresents.com/artist/curreny/)[](https://www.elevation27.com/tm-attraction/curreny/) Key studio albums followed, including the critically acclaimed *Pilot Talk* (2010) and *Pilot Talk II* (2010) with Ski Beatz, *Weekend at Burnie's* (2011), and *The Stoned Immaculate* (2012) on Warner Bros./Def Jam, which peaked at No. 8 on the Billboard 200.[](https://www.elevation27.com/tm-attraction/curreny/) His collaborations extend to artists like Freddie Gibbs and The Alchemist (e.g., *Continuance*, 2022), and Harry Fraud (e.g., *Vices*, 2023), alongside projects with Jermaine Dupri for *For Motivational Use Only, Vol. 1* (2023), and *Radioactive* (2024) with Monsta Beatz.[](https://mokbpresents.com/artist/curreny/) By 2023, Curreny had established himself as a cult figure in hip-hop, expanding Jet Life into merchandise, cannabis ventures, and partnerships with entities like NASCAR and the New Orleans Pelicans, embodying a self-sustained "high life" empire without compromising his artistic vision. He continued this trajectory into 2025 with releases including 7/30, 8/30, 9/15, and 10/15.

Early life

Upbringing in New Orleans

Shante Scott Franklin, known professionally as Curren$y, was born on April 4, 1981, in New Orleans, , where he spent his formative years immersed in the city's vibrant cultural landscape. Raised primarily in the —a notorious public housing complex in the Third Ward—he experienced the raw energy of urban life in a neighborhood that produced several influential hip-hop figures. His family home in East New Orleans served as a social hub, often hosting card games that exposed young Shante to a mix of locals and transient visitors, fostering his early sense of community and street savvy. Alongside his older brother, rapper Mr. Marcelo (born Jisaidie Hicks), who also grew up in the , Franklin navigated the challenges of a high-crime environment marked by poverty and violence. Franklin's mother played a pivotal role in shaping his worldview and interests during this period. She introduced him to classic films like Super Fly and The Godfather, which sparked his fascination with style, cars, and aspirational narratives, while gifting him Hot Wheels toys that ignited a lifelong passion for automobiles. Musically, she exposed him to soul and funk artists such as the Commodores, Rufus, and Grover Washington Jr., blending seamlessly with his growing affinity for West Coast rap acts like N.W.A. and Slick Rick. These influences contrasted with the gritty realities of his surroundings; at age 12, on the first day of seventh grade, Franklin witnessed the murder of his friend Derek, broadcast live on local news, an event that instilled survivor's guilt and underscored the pervasive danger of his upbringing. His mother's encouragement, however, instilled resilience, convincing him that he could transcend his circumstances—whether by becoming a dinosaur or pursuing bigger dreams. Everyday experiences in New Orleans further colored Franklin's youth, from chaperoned school field trips ending at local staples like Bud's Broiler—a simple burger joint that became a cherished ritual—to idolizing hometown rap pioneers. He admired Master P, C-Murder, Birdman (Baby), and Master P's brother Slim, drawing inspiration from the rise of independent labels like No Limit and Cash Money, which demonstrated pathways to success from within the city's projects. Early bonds formed with artists like C-Murder and the late Soulja Slim, whom he met through neighborhood connections, hinted at his budding involvement in hip-hop. Franklin also dabbled in basketball during elementary school, emulating players like Kenny Anderson for their flair, though he shifted focus by high school upon realizing his physical limitations for professional aspirations. These elements—family guidance, cultural immersion, and local mentorship—laid the foundation for his artistic identity amid New Orleans' resilient spirit.

Entry into hip hop

Curren$y first explored as a teenager amid the vibrant local hip hop scene of the late 1990s and early 2000s. Growing up in the city's Third Ward, he was exposed to influential Southern rap acts and drew inspiration from the entrepreneurial spirit of labels like . However, after a close friend was murdered, he temporarily abandoned music to work at a Toys "R" Us store, stepping back from his creative pursuits. His reentry into hip hop came through a pivotal encounter with New Orleans rapper , a key figure in the No Limit collective. Recognizing Franklin's potential, encouraged him to pursue music seriously, reportedly telling him, “Man, you missin’ out, bruh. Come to my house tomorrow.” This interaction led to Curreny′ssigningwith[NoLimitRecords](/page/NoLimitRecords)in2002,whereheadoptedthestagenameCurreny's signing with [No Limit Records](/page/No_Limit_Records) in 2002, where he adopted the stage name Curreny (stylized with a ) and began contributing as a "soldier" in Master P's roster. Upon joining No Limit, Currenyquicklyintegratedintogroupprojects,mostnotablyasamemberofthe504Boyzsupergroup,whichfeaturedNewOrleans−affiliatedartistsfromthelabel.Heappearedontheirtrack"GetBack,"agrittyanthemreflectingthecity′sstreetculture,markinghisdebutonamajorplatformwithinSouthernhiphop.HisearlycontributionsalsoincludedfeaturesonMasterP′s2004album∗GoodSide,BadSide∗,whereheshowcasedalaid−backflowamidthelabel′shigh−energy,bass−heavysound.TheseinitialreleasesestablishedCurreny quickly integrated into group projects, most notably as a member of the 504 Boyz supergroup, which featured New Orleans-affiliated artists from the label. He appeared on their track "Get Back," a gritty anthem reflecting the city's street culture, marking his debut on a major platform within Southern hip hop. His early contributions also included features on Master P's 2004 album *Good Side, Bad Side*, where he showcased a laid-back flow amid the label's high-energy, bass-heavy sound. These initial releases established Curreny as an emerging voice in New Orleans rap, blending local slang and themes of resilience with the collective's bombastic style.

Personal life

Family

Currensy, born Shante Scott Franklin on April 4, 1981, in New Orleans, Louisiana, was raised in a household where his mother played a pivotal role in shaping his early cultural influences, exposing him to soul and funk records by artists such as the Commodores, Rufus, and Grover Washington Jr., as well as films like Super Fly and The Godfather trilogy. His sister further influenced his musical tastes by favoring LL Cool J over Kool Moe Dee during their formative years. He has an older brother, the rapper Mr. Marcelo (born Jisaidie Hicks), with whom he shares a close familial and professional bond, having collaborated on tracks like "From Above", recorded during sessions for his 2015 album Canal Street Confidential. The siblings both emerged from New Orleans' hip-hop scene, with Mr. Marcelo gaining early recognition on in the late 1990s. In his , Currensy has been in a long-term relationship with Laiken Joy, whom he began dating prior to 2018. The couple welcomed their first child, a son named Cruz Franklin, on November 6, 2018, marking Currensy's entry into fatherhood; he has since shared glimpses of their bond through and , such as in the 2020 track "Gold and Chrome," where he reflects on parenting.

Interests and lifestyle

Curren$y maintains a laid-back lifestyle deeply intertwined with his Jet Life brand, emphasizing relaxation, entrepreneurship, and personal indulgences centered in New Orleans, where he resides in a custom compound featuring a media room, arcade, RC racetrack, and home studio. His daily routine reflects a "chill" ethos, influenced by past hardships like utility shutoffs, which he credits for grounding his independence and family priorities, including living across the street from his mother. This unpretentious approach has positioned him as a pioneer of "lifestyle rap," blending music with everyday luxuries. A prominent aspect of his interests is his extensive car collection, which totals 47 vehicles as of 2025, including vintage models inspired by , a 1992 Mercedes-Benz 600SEL, a , and a rare 1999 Ferrari 355 Spyder featured in The Boiler Room. He personally maintains lowriders, often sharing cleaning sessions on , and stores some cars in his mother's driveway, underscoring his hands-on passion for automotive culture that permeates his lyrics and visual aesthetics. Cannabis plays a central role in Curren$y's lifestyle and business ventures; he is a self-described enthusiast who handpicked the Andretti OG strain for his Andretti Cannabis Co., an indoor-grown line launched to reflect his preferences after extensive testing. The brand embodies the Jet Life of "good vibes and even better ," with strains like Andretti OG becoming sought-after products available through select dispensaries. He frequently references in his music and interviews, viewing it as integral to creativity and relaxation. Beyond cars and , Curren$y enjoys stoner movies and car-chase films, which inspire projects like his 2025 Never Catch Us, and draws from pop culture staples such as and for lyrical nods. He is an avid sports fan, regularly attending games and forming a bond with player , and maintains a hobby collecting , complete with a dedicated racetrack in his home where he hunts for rare models at local stores. Family time is a priority, particularly with his son , involving activities like playing with Hot Wheels and break-dancing sessions that highlight his role as an engaged father.

Music career

No Limit Records and Young Money (2002–2008)

In 2002, Currensy, born Shante Scott Franklin, signed with 's at age 21, marking his entry into the professional hip-hop scene. He quickly became a member of the label's group , contributing to their second album , released that same year under New and Universal. The project featured the minor hit single "Tight Whips," showcasing Currensy's early style amid the group's Southern rap sound, though No Limit's declining fortunes following the label's 2003 bankruptcy limited broader exposure. During his tenure, which lasted until 2004, Currensy also appeared on features with No Limit artists like and , but released no solo material as the label struggled post-Hurricane Katrina in 2005. Seeking greater opportunities, Currensy departed No Limit in 2004 and joined , aligning with Lil Wayne's newly formed imprint, where Wayne had known him since elementary school in New Orleans. Announced publicly by Wayne in a October 2006 Vibe magazine feature as Young Money's first signee, Currensy contributed to several label projects during his three-year stint. Notable appearances included the track "Grown Man" on Lil Wayne's (2005) and "Where Da Cash At," a 2006 single featuring Wayne and that interpolated Wayne's "3 Peat," peaking at No. 73 on the Billboard Hot R&B/Hip-Hop Songs chart. He also featured on Wayne's mixtape (2006) and co-released the mixtape G Series Vol. 1 with and DJ Smallz that April, distributed via Fear Factor Music but tied to Young Money. In 2007, Currensy issued the mixtape Life at 30,000 Feet through Cash Money, blending laid-back flows with themes of luxury and street life, though it received limited promotion. Despite recording a full album titled Music to Fly To for the label, internal delays and creative differences stalled its release. By late 2007, amid rumors reported by XXL magazine, Currensy amicably left Young Money to pursue independence, citing a desire for artistic control as the imprint geared up for expansion with artists like Drake and Nicki Minaj. This period solidified his connections in New Orleans rap circles but highlighted the challenges of major-label affiliation without a breakout solo project.

This Ain't No Mixtape and Pilot Talk (2009–2011)

Following his departure from Young Money Entertainment, Curreny,bornShanteScottFranklin,enteredaphaseofindependentoutputin2009,markingashifttowardself−directedprojectsthatemphasizedhislaid−back,cannabis−infusedlyricismcenteredonluxurycars,aviation,andstreetentrepreneurship.Thisperiodbeganwiththereleaseofhisdebutstudioalbum,∗ThisAin′tNoMixtape∗,onApril21,2009,distributeddigitallythroughAmalgamDigital.[](https://genius.com/albums/Curren−y/This−ain−t−no−mixtape)ProducedentirelybyMonstaBeatz,the16−trackprojectfeaturedahazy,SoutherntrapsoundwithcontributionsfromguestslikeDeeLowandJeanLePhareon"GetItYaSelf,"showcasingCurreny, born Shante Scott Franklin, entered a phase of independent output in 2009, marking a shift toward self-directed projects that emphasized his laid-back, cannabis-infused lyricism centered on luxury cars, aviation, and street entrepreneurship. This period began with the release of his debut studio album, *This Ain't No Mixtape*, on April 21, 2009, distributed digitally through Amalgam Digital.[](https://genius.com/albums/Curren-y/This-ain-t-no-mixtape) Produced entirely by MonstaBeatz, the 16-track project featured a hazy, Southern trap sound with contributions from guests like Dee Low and Jean LePhare on "Get It Ya Self," showcasing Curreny's ability to blend introspective verses with party anthems. The album's cover art drew inspiration from Grand Theft Auto: Vice City, reflecting Curren$y's affinity for video game aesthetics and 1980s nostalgia. While it did not achieve mainstream chart success, the release solidified his growing fanbase among underground hip-hop listeners, capping a prolific 2008 mixtape run and establishing Amalgam Digital as a key partner for his early solo endeavors. Later in 2009, Currenyexpandedhiscatalogwith∗JetFiles∗,anotherAmalgamDigitalreleasethatblurredthelinebetweenalbumandmixtape,featuringraw,unpolishedbeatsandcollaborationsthatpreviewedhis"JetLife"persona.[](https://www.billboard.com/music/music−news/curreny−keeps−climbing−with−new−mixtape−and−merchandising−deal−469837/)Healsoteamedupwith[WizKhalifa](/page/WizKhalifa)forthecollaborativeEP∗HowFly∗onAugust9,2009,under[RostrumRecords](/page/RostrumRecords),whichhighlightedtheirsharedaffinityforweed−centric,melodicflowsoverproducerslikeMonstaBeatzandCrazyMike.ThisEP′ssuccess,includingtrackslike"ThePlan,"helpedCurreny expanded his catalog with *Jet Files*, another Amalgam Digital release that blurred the line between album and mixtape, featuring raw, unpolished beats and collaborations that previewed his "Jet Life" persona.[](https://www.billboard.com/music/music-news/curreny-keeps-climbing-with-new-mixtape-and-merchandising-deal-469837/) He also teamed up with [Wiz Khalifa](/page/Wiz_Khalifa) for the collaborative EP *How Fly* on August 9, 2009, under [Rostrum Records](/page/Rostrum_Records), which highlighted their shared affinity for weed-centric, melodic flows over producers like MonstaBeatz and Crazy Mike. This EP's success, including tracks like "The Plan," helped Curreny gain traction beyond New Orleans, fostering a cross-regional alliance in the emerging stoner rap scene. The year 2010 brought Curreny′sbreakthroughwith∗PilotTalk∗,releasedonJuly13throughDamonDash′sDD172imprintundertheBluRoclabel.[](https://pitchfork.com/reviews/albums/14474−pilot−talk/)PrimarilyproducedbySkiBeatz—knownforhisworkonJay−Z′s∗ReasonableDoubt∗—the12−trackalbumincorporatedliveinstrumentation,includingguitars,pianos,organs,andhorns,creatingawarm,atmosphericvibethatcomplementedCurreny's breakthrough with *Pilot Talk*, released on July 13 through Damon Dash's DD172 imprint under the BluRoc label.[](https://pitchfork.com/reviews/albums/14474-pilot-talk/) Primarily produced by Ski Beatz—known for his work on Jay-Z's *Reasonable Doubt*—the 12-track album incorporated live instrumentation, including guitars, pianos, organs, and horns, creating a warm, atmospheric vibe that complemented Curreny's nonchalant delivery. Standout tracks like "Address" (featuring Stalley), "King Kong," and "Skybourne" evoked imagery of private jets and high-end escapism, with guest appearances from Mos Def, Jay Electronica, Big K.R.I.T., Smoke DZA, Wiz Khalifa, and Snoop Dogg adding depth to the project's eclectic roster. Clocking in at just over 40 minutes, Pilot Talk received widespread critical acclaim for its cohesive, summery feel; Pitchfork awarded it an 8.4 out of 10, designating it "Best New Music" and praising Ski Beatz's lush production as a perfect foil for Curren$y's "everydude stoner" persona. The album debuted at number 39 on the Billboard 200, though its influence extended to live performances, where the tracks were re-recorded with a full band for enhanced energy. Building on this momentum, Currenyreleased∗PilotTalkII∗onNovember22,2010,againhelmedbySkiBeatzandmaintainingtheseries′jazzy,introspectivetemplatewithfeaturesfromJustBlaze,BigSean,andCornerboyP.Thesequeldebutedatnumber39ontheBillboard200,selling14,000copiesinitsfirstweek,andfurtherentrenchedthe"PilotTalk"aestheticasacornerstoneofhisdiscography.Additional2010outputincludedthemixtape∗SmokeeRobinson∗,anodtotheMotownlegend,whichexperimentedwithsmoother,sample−heavybeats.In2011,Curreny released *Pilot Talk II* on November 22, 2010, again helmed by Ski Beatz and maintaining the series' jazzy, introspective template with features from Just Blaze, Big Sean, and Cornerboy P. The sequel debuted at number 39 on the Billboard 200, selling 14,000 copies in its first week, and further entrenched the "Pilot Talk" aesthetic as a cornerstone of his discography. Additional 2010 output included the mixtape *Smokee Robinson*, a nod to the Motown legend, which experimented with smoother, sample-heavy beats. In 2011, Curreny issued Weekend at Burnie's, his first Warner Bros. Records-backed album on June 28, featuring production from The Bizness and guests like 2 Chainz and Young Jeezy, though it faced distribution hurdles and debuted at number 22 on the Billboard 200. This era also saw the formal launch of Jet Life Recordings in 2011, Curreny′sindependentlabelthatwouldhousefutureprojectsandsignartistslikeTrademarkdaSkydiverandYoungRoddy,signalinghispivottowardentrepreneurialcontrol.[](https://www.billboard.com/music/music−news/5−hip−hop−artists−that−went−against−industry−norms−to−achieve−success−8467582/)Overall,the2009–2011stretchtransformedCurreny's independent label that would house future projects and sign artists like Trademark da Skydiver and Young Roddy, signaling his pivot toward entrepreneurial control.[](https://www.billboard.com/music/music-news/5-hip-hop-artists-that-went-against-industry-norms-to-achieve-success-8467582/) Overall, the 2009–2011 stretch transformed Curreny from a regional talent into a cult figure in alternative rap, with This Ain't No Mixtape and Pilot Talk serving as foundational works that prioritized vibe and consistency over commercial bombast.

The Stoned Immaculate and major label era (2012–2015)

In early 2012, Currenyreleasedhismajorlabeldebutalbum,∗TheStonedImmaculate∗,throughWarnerBros.RecordsinpartnershipwithhisimprintJetLifeRecordings.TheprojectfeaturedproductionfromMonstaBeatzandPharrellWilliams,alongsideguestappearancesfromartistsincludingBigK.R.I.T.,2Chainz,Estelle,YoungJeezy,WizKhalifa,andWale.[](https://pitchfork.com/reviews/albums/16699−the−stoned−immaculate/)ReleasedonJune5,2012,thealbumdebutedatnumber8ontheBillboard200chart,selling36,000copiesinitsfirstweek,markingCurreny released his major label debut album, *The Stoned Immaculate*, through Warner Bros. Records in partnership with his imprint Jet Life Recordings. The project featured production from Monsta Beatz and Pharrell Williams, alongside guest appearances from artists including Big K.R.I.T., 2 Chainz, Estelle, Young Jeezy, Wiz Khalifa, and Wale.[](https://pitchfork.com/reviews/albums/16699-the-stoned-immaculate/) Released on June 5, 2012, the album debuted at number 8 on the Billboard 200 chart, selling 36,000 copies in its first week, marking Curreny's highest-charting release at the time. Critics praised its languid, jazz-infused beats and Curren$y's precise, laid-back delivery focused on themes of luxury, weed culture, and street life, though some noted the formulaic nature of his output risked blending into prior works. Following The Stoned Immaculate, CurrenymaintainedaprolificpacewithseveralmixtapesandcollaborativeprojectsunderJetLife,leveragingthevisibilityfromhisWarnerBros.dealtoexpandhisreach.In2013,heissued∗NewJetCity∗,a28−trackcompilationfeaturinghisJetLiferosterincludingTrademarkdaSkydiverandYoungRoddy,emphasizinggroupdynamicsandconsistentproductionstylesrootedinsmoky,instrumental−heavyhip−hop.[](https://djbooth.net/features/2016−09−07−currensy−projects−ranked/)Laterthatyear,∗RedEye∗,acollaborativetapewithTheAlchemist,showcasedelevatedlyricismovergritty,sample−drivenbeats,furthersolidifyingCurreny maintained a prolific pace with several mixtapes and collaborative projects under Jet Life, leveraging the visibility from his Warner Bros. deal to expand his reach. In 2013, he issued *New Jet City*, a 28-track compilation featuring his Jet Life roster including Trademark da Skydiver and Young Roddy, emphasizing group dynamics and consistent production styles rooted in smoky, instrumental-heavy hip-hop.[](https://djbooth.net/features/2016-09-07-currensy-projects-ranked/) Later that year, *Red Eye*, a collaborative tape with The Alchemist, showcased elevated lyricism over gritty, sample-driven beats, further solidifying Curreny's reputation for high-volume, quality-controlled releases during his major label affiliation. By 2014, Curren$y continued this momentum with The Drive-In Theater, another extensive mixtape that highlighted his affinity for cinematic, relaxed flows paired with smooth R&B and funk samples. The project, distributed digitally through Jet Life, included standout tracks like "The Revival," which underscored his ongoing evolution in blending personal anecdotes with aspirational imagery. These efforts, while not major label retail releases, benefited from Warner's promotional support and helped maintain fan engagement amid his transition toward more polished . Curreny′smajorlabeleraculminatedin2015with∗CanalStreetConfidential∗,releasedonDecember4via[AtlanticRecords](/page/AtlanticRecords)—a[WarnerMusicGroup](/page/WarnerMusicGroup)subsidiary—inconjunctionwithJetLife.Thealbumfeaturedguestssuchas[Future](/page/Future),Lloyd,and[AugustAlsina](/page/AugustAlsina),withproductionemphasizingatmospheric,nocturnalvibesinspiredbyNewOrleansstreetculture.[](https://www.billboard.com/music/rb−hip−hop/currensy−canal−street−confidential−interview−6792612/)Itdebutedatnumber30onthe[Billboard200](/page/Billboard200),reflectingsustainedbutmodestcommercialtractioncomparedtohis2012breakthrough.[](http://musicchartsarchive.com/artists/currensy)Receptionhighlightedtheproject′scohesivemoodandCurreny's major label era culminated in 2015 with *Canal Street Confidential*, released on December 4 via [Atlantic Records](/page/Atlantic_Records)—a [Warner Music Group](/page/Warner_Music_Group) subsidiary—in conjunction with Jet Life. The album featured guests such as [Future](/page/Future), Lloyd, and [August Alsina](/page/August_Alsina), with production emphasizing atmospheric, nocturnal vibes inspired by New Orleans street culture.[](https://www.billboard.com/music/rb-hip-hop/currensy-canal-street-confidential-interview-6792612/) It debuted at number 30 on the [Billboard 200](/page/Billboard_200), reflecting sustained but modest commercial traction compared to his 2012 breakthrough.[](http://musicchartsarchive.com/artists/currensy) Reception highlighted the project's cohesive mood and Curreny's unwavering commitment to his stoner-rap aesthetic, though some critiques pointed to repetitive themes limiting broader appeal. This release effectively bridged his major label period, paving the way for a return to fully independent output.

Prolific independent releases (2016–present)

Following his departure from in 2015, Currensy fully committed to independent artistry through his Jet Life Recordings imprint, marking a period of exceptional output that solidified his reputation as one of hip-hop's most consistent creators. This era emphasized self-distribution via digital platforms like and , allowing direct fan engagement and creative freedom without major label constraints. His releases often blended laid-back, weed-infused lyricism with jazz-rap production, themes of luxury, and collaborations with like-minded producers and artists. The pinnacle of this productivity came in 2016, when Currensy released 12 mixtapes in as many months, a deliberate strategy to maintain momentum and build his brand. Titled Andretti [Month]/30 (e.g., Andretti 1/30 in January and Andretti 12/30 in December), these projects were primarily solo efforts or featured Jet Life affiliates like Corner Boy P and T.Y., distributed free via Jet Life. This marathon output, exceeding a dozen projects in a single year, exemplified his work ethic and fan loyalty, with tracks emphasizing entrepreneurial hustle and Southern lifestyle. Complementing the series were standout collaborations like The Carrollton Heist with The Alchemist, a heist-themed EP praised for its cinematic beats and Currensy's vivid storytelling. Building on this foundation, Currensy sustained an annual pace of multiple releases through the late 2010s and 2020s, often alternating between solo albums, EPs, and joint projects. In 2017, he issued The Jetlanta EP with Corner Boy P and Fiend, capturing Atlanta influences, alongside Jet Life Allstars, a crew showcase highlighting his label's roster. The 2018 collaborative album Fetti with Freddie Gibbs and The Alchemist debuted at number eight on the Billboard 200, blending sharp bars over soulful samples and demonstrating commercial viability in independence. Pilot Talk III (2019), the long-awaited sequel to his acclaimed early series, featured guest spots from Jadakiss and Gunplay, reinforcing his jazz-rap roots with smooth, introspective flows. Pheno Grigio (2019) with Berner and B-Real explored luxury and vice themes. Into the 2020s, Currensy's output remained robust, adapting to streaming dominance while expanding collaborations. The OutRunners (2020) with reflected on fatherhood amid the , earning praise for its reflective tone. Vices (2023) with drew Miami Vice inspiration. Key 2022–2023 works included Continuance with The Alchemist, a sequel to their 2011 project, and For Motivational Use Only, Vol. 1 with , focusing on uplifting anthems. By 2024–2025, releases like Radioactive with Monsta Beatz, Never Catch Us (March 2025) with , and the album 8/30 (August 2025, featuring and ) continued the streak, underscoring Jet Life's enduring role in fostering Currensy's independent empire. This phase has yielded over 40 projects since 2016, prioritizing quality consistency over mainstream breakthroughs.

Pilot Talk lawsuit

In 2010, Damon Dash's DD172 label released Curreny′salbums∗PilotTalk∗and∗PilotTalkII∗underanagreementthatCurreny's albums *Pilot Talk* and *Pilot Talk II* under an agreement that Curreny claimed was never finalized. Curren$y, whose real name is Shante Scott Franklin, alleged that the releases interfered with his subsequent signing to Warner Bros. Records in 2011, as Dash continued to exploit the masters without permission. The dispute escalated into a federal lawsuit filed by Curreny against Dash and DD172 in March 2012 in the U.S. District Court for the Southern District of New York, seeking $1.5 million in damages for breach of contract, unauthorized use of his music, and tortious interference.[](https://pitchfork.com/news/45935-damon-dash-responds-to-curreny-lawsuit/)[](https://respect-mag.com/2012/03/curreny-sues-dame-dash-for-1-5-million/) Dash responded by countersuing Curreny, Warner Bros., and others for over $5 million, alleging breach of a 2009 partnership deal, fraud, and interference with his business interests. A federal judge denied Curren$y's request for a preliminary injunction on March 15, 2012, allowing the albums to remain available for sale. In May 2012, Curren$y publicly announced a reconciliation with , stating he had dropped the to resolve their differences amicably and learn from the experience as a "." However, the legal proceedings continued, with Dash pursuing counterclaims and filing additional suits related to the failed deal, including against his own former lawyer. By 2014, Curren$y amended his complaint, increasing the damages sought to $2.9 million plus $95,000 in legal fees, citing ongoing unauthorized sales and exploitation of the series. The case was settled out of court in October 2015 for an undisclosed amount, with terms sealed, effectively ending the decade-long partnership fallout.

Jet Life Recordings

Founding and history

Jet Life Recordings was founded in 2009 by rapper Curreny(ShanteScottFranklin)andhisbusinesspartnerMousa[Hamdan](/page/Hamdan)asan[independentrecordlabel](/page/Independentrecordlabel)basedinNewOrleans,[Louisiana](/page/Louisiana).[](https://jetlifeapparel.com/pages/about−us)[](https://www.trapital.com/episodes/how−curreny−played−the−long−game−with−his−music−career)ThelabelemergedfromthegrowingJetLifecollective,ahip−hopgroupthatCurreny (Shante Scott Franklin) and his business partner Mousa [Hamdan](/page/Hamdan) as an [independent record label](/page/Independent_record_label) based in New Orleans, [Louisiana](/page/Louisiana).[](https://jetlifeapparel.com/pages/about-us)[](https://www.trapital.com/episodes/how-curreny-played-the-long-game-with-his-music-career) The label emerged from the growing Jet Life collective, a hip-hop group that Curreny had been cultivating since around 2010, initially focusing on releasing mixtapes and building a around themes of , luxury, and . , serving as president and COO, played a key role in operations, emphasizing sustainable growth likened to inflating a balloon to avoid overextension. In February 2011, Currenysignedadistributiondealwith[WarnerBros.](/page/WarnerBros.)Records,establishingJetLifeasanimprintunderthemajorlabelwhileretainingcreativecontrolasCEO.[](https://rapradar.com/2011/02/01/curreny−signs−deal−with−warner−bros/)Thispartnershipenabledwiderdistributionforearlyreleases,includingthecollective′sdebutalbum∗JetWorldOrder∗(2011),whichfeaturedCurreny signed a distribution deal with [Warner Bros.](/page/Warner_Bros.) Records, establishing Jet Life as an imprint under the major label while retaining creative control as CEO.[](https://rapradar.com/2011/02/01/curreny-signs-deal-with-warner-bros/) This partnership enabled wider distribution for early releases, including the collective's debut album *Jet World Order* (2011), which featured Curreny alongside Trademark da Skydiver and Young Roddy, and Curreny′smajor−labeldebut∗WeekendatBurnie′s∗(2011).Thedealfacilitatedseveralprojectsthrough2015,suchas∗TheStonedImmaculate∗(2012),butCurreny's major-label debut *Weekend at Burnie's* (2011). The deal facilitated several projects through 2015, such as *The Stoned Immaculate* (2012), but Curreny later expressed dissatisfaction with major-label constraints. By the mid-2010s, Jet Life transitioned back to full independence after Curren$y bought out the Warner Bros. partnership, regaining ownership of his masters and catalog. This shift allowed the label to expand beyond music into a multi-vertical empire, incorporating apparel, athlete management, cannabis products, a New Orleans nightclub, and even film production, while maintaining a prolific output of releases distributed through partners like Empire. In September 2024, Jet Life expanded into cannabis beverages with the launch of Jet Life THC Soda in partnership with Crescent Canna. As of 2025, the label announced plans for monthly music releases through the year's end. Today, Jet Life operates as a self-sustaining entity, prioritizing artist development within the collective and leveraging direct-to-fan strategies for longevity.

Artist roster

Jet Life Recordings' artist roster primarily consists of members from the affiliated Jet Life hip hop collective, all of whom are signed to the label, which is owned and operated by Curren$y. The collective originated in , and has evolved since its formation in 2009 to encompass a diverse group of rappers known for their laid-back, weed-influenced Southern hip hop style. The core founding members include Curren$y (Shante Scott Franklin), the label's founder and primary , alongside da Skydiver ( Washington) and Young Roddy (Roderick Brisco), who helped establish the group's early sound through collaborative projects like the 2011 album Jet World Order. Fiend (Richard Jones), a veteran New Orleans rapper and former affiliate, joined as a key signee, bringing his established presence in Southern rap to the roster. (Sean Pompey), a New York-based , became a prominent addition, contributing to multiple group efforts and solo releases under the label. Further expansions brought in Fendi P (formerly Corner Boy P; William Richardson), a close collaborator with Currenywhohasreleasedseveralprojectsviathelabel;andLey who has released several projects via the label; and Le (Lester Matthews III), a rapper whose smooth flows align with the Jet Life aesthetic. Black Cobain (Marcus Vance Gloster), often serving as a producer and occasional emcee, rounds out frequent contributors, while occasional affiliates like (of The Cool Kids) have appeared on releases, enhancing the label's crossover appeal. The roster emphasizes loyalty and frequent collaborations, as seen in compilation albums such as Welcome to Jet Life Recordings (2020) and its 2021 sequel, which feature tracks from these artists. In recent years, Jet Life Recordings has continued to sign emerging talent, including Lord Steez and Oh You Bgson in 2023, signaling ongoing growth beyond the original collective. This approach maintains the label's focus on independent, artist-driven hip hop while fostering a tight-knit "family" dynamic.

Discography

Studio albums

Curreny's studio albums primarily feature his signature laid-back, weed-infused hip-hop style, often produced by collaborators like [Ski Beatz](/page/Ski_Beatz), The Alchemist, and [Cool & Dre](/page/Cool_&_Dre), and released through labels such as DD172, [Warner Bros.](/page/Warner_Bros.), and his own Jet Life Recordings. His [discography](/page/Discography) emphasizes themes of luxury, street life, and introspection, with releases spanning major label deals in the early 2010s and a shift to independent output thereafter. While many projects blur the line between mixtapes and full-length albums, the following table lists his verified solo studio albums, including release details and notable chart performance where applicable.[](https://www.discogs.com/artist/1493214-Curreny)
TitleRelease dateLabel(s)Peak chart positions (US Billboard 200)
Pilot TalkJuly 13, 2010DD172/BluRoc Records39
Pilot Talk IINovember 22, 2010DD172/Def Jam95
Weekend at Burnie'sJune 28, 2011Warner Bros./Jet Life22
The Stoned ImmaculateJune 5, 2012Warner Bros./Jet Life8
Pilot Talk IIIApril 4, 2015Jet Life Recordings— (Limited physical release via USB; later digital availability)
Canal Street ConfidentialDecember 4, 2015Atlantic/Jet Life30
Following his major label era, Curren$y adopted a highly prolific independent approach through Jet Life Recordings, releasing multiple solo full-length projects annually, often with thematic ties to his "Jet Life" lifestyle and frequent collaborations with producers like and The Alchemist. Notable post-2015 examples include The Drive In Theatre (2016, Jet Life), which continued his cinematic production style, and a series of 2025 releases such as 7/30, 8/30, 9/15, and 10/15 (all Jet Life), reflecting his ongoing output of atmospheric, sample-heavy rap albums. These later works prioritize digital and vinyl distribution, maintaining his without consistent mainstream chart presence.

Mixtapes and EPs

CurrenyhasbuiltmuchofhiscareeronanextensivecatalogofmixtapesandEPs,oftenreleasedindependentlythroughplatformslike[DatPiff](/page/DatPiff)andhisJetLifeRecordingslabel,allowinghimtoconnectdirectlywithfansandexperimentwithlaid−back,weed−infusedthemescenteredonluxurycars,[aviation](/page/Aviation),andstreetlife.Asof2025,hehasreleasedover90suchprojects,manyfeaturingcollaborationswithproducerslikeTheAlchemist,[HarryFraud](/page/HarryFraud),andfellowrapperssuchas[WizKhalifa](/page/WizKhalifa)and[StylesP](/page/StylesP).Thesereleasesfrequentlyblendsmooth,sample−heavybeatswithCurreny has built much of his career on an extensive catalog of mixtapes and EPs, often released independently through platforms like [DatPiff](/page/DatPiff) and his Jet Life Recordings label, allowing him to connect directly with fans and experiment with laid-back, weed-infused themes centered on luxury cars, [aviation](/page/Aviation), and street life. As of 2025, he has released over 90 such projects, many featuring collaborations with producers like The Alchemist, [Harry Fraud](/page/Harry_Fraud), and fellow rappers such as [Wiz Khalifa](/page/Wiz_Khalifa) and [Styles P](/page/Styles_P). These releases frequently blend smooth, sample-heavy beats with Curreny's signature monotone flow, prioritizing volume and accessibility over traditional album cycles. Notable examples include early mixtapes that marked his departure from major labels, such as Fast Times at Ridgemont Fly (2008), a raw project showcasing his No Limit roots with features from local New Orleans artists like Mr. Marcelo. His 2009 output was particularly influential, with How Fly - The Mixtape alongside establishing their chemistry through tracks like "The Plan," distributed freely to build buzz. That same year, This Ain't No Mixtape and Jet Files highlighted his solo prowess, with the former earning praise for its cohesive production and tracks like "Audio Dope II." In the 2010s, Curren$y maintained a rapid pace, dropping Smokee Robinson (The Mixtape) in 2010, which leaned into smoky, introspective vibes with 16 tracks including "Monte Carlo Music." Community Service 3 (2010) continued his "Community Service" series, focusing on gritty narratives without major features. The Hangover (2010) served as a concise EP with just four tracks, capturing post-party reflections over minimal beats. Later highlights include #The1st28 (2012, with ), a short EP emphasizing veteran lyricism, and The Stage EP (2013, with ), blending East Coast and Southern styles. More recent efforts underscore his enduring productivity, such as Saturday Night Car Tunes (2014), a 16-track evoking late-night drives with laid-back flows. The Motivational Speech EP (2017, with ) marked a harder-edged , featuring booming production on tracks like the title cut. In 2020, The Director's Cut (with ) emerged as a vinyl-focused EP, remixing past material with guests like and for a cinematic feel.
YearTitleCollaborator(s)FormatNotes
2008Fast Times at Ridgemont FlyNoneEarly independent release post-No Limit.
2009How Fly - The 28 tracks; pivotal collaboration.
2009This Ain't No None14 tracks; digital/CD reissue in 2011.
2009Jet FilesNone16 tracks; aviation-themed.
2010Smokee Robinson (The )None16 tracks; introspective themes.
2010Community Service 3NonePart of ongoing series.
2010NoneEP4 tracks; concise post-party vibes.
2012#The1st28EP5 tracks; lyrical focus.
2013The Stage EPEPCollaborative project.
2014Saturday Night Car TunesNone16 tracks; drive-time aesthetic.
2017The Motivational Speech EPEPProduction-heavy collaboration.
2020The Director's Cut (prod.), , EPRemixes and new cuts on vinyl.

Singles

Curren$y's singles often serve as lead promotions for his studio albums or collaborative projects, blending laid-back flows with themes of luxury, , and street life, frequently featuring guest artists from the hip-hop and R&B spheres. While his chart performance has been modest on the mainstream —with only one entry—his tracks have fared better on genre-specific charts like , underscoring his niche appeal within rap and R&B audiences. His breakthrough mainstream single, "Bottom of the Bottle" featuring August Alsina and Lil Wayne, marked his debut on the Hot 100, peaking at number 97 in February 2016 after 12 weeks on the chart; the track, from the album Canal Street Confidential, highlighted his ability to blend smooth production with high-profile collaborations. Earlier efforts like "Where Da Cash At" (2007, featuring Lil Wayne and Remy Ma) and "What It Look Like" (2012, featuring Wale) achieved higher placements on the Hot R&B/Hip-Hop Songs chart, reflecting his early affiliations with Cash Money Records and Warner Bros. In his independent era, Curren$y has maintained a high output of singles, releasing multiple tracks in 2025 alone, such as "Voss Water" and "Sake," which continue his signature weed-and-wheel rap style without major chart pursuits. The following table summarizes his key charted singles:
TitleFeatured Artist(s)YearPeak Position (Hot R&B/Hip-Hop Songs)AlbumCitation
Where Da Cash At, 2007#2Non-album single (Cash Money era)
What It Look LikeWale2012#3The Stoned Immaculate
Bottom of the Bottle, 2016#29Canal Street Confidential

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  72. https://musicbrainz.org/release/ade2f6e9-1b54-4928-be70-42efc1a4cbec
  73. https://www.discogs.com/release/6040257-Curreny-Saturday-Night-Car-Tunes
  74. https://musicbrainz.org/artist/4ce1c576-305a-4b82-82fa-5e5359056219
  75. https://www.discogs.com/release/18285874-Curreny-Harry-Fraud-The-Directors-Cut
  76. https://www.billboard.com/artist/curreny/
  77. https://www.billboard.com/artist/curreny/chart-history/hsi/
  78. https://www.musicvf.com/Currensy.songs
  79. https://open.spotify.com/artist/6X8WdFjrNhXATMDSs26aCc
  80. https://www.billboard.com/artist/curreny/chart-history/rsi/
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