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Julian May
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Julian Clare May (July 10, 1931 – October 17, 2017) was an American science fiction, fantasy, horror, science and children's writer who also used several literary pseudonyms. She is best known for her Saga of Pliocene Exile (Saga of the Exiles in the United Kingdom) and Galactic Milieu Series books.
Key Information
Background and early career
[edit]Julian May grew up in Elmwood Park, Illinois, a suburb of Chicago, the oldest of four children. Her parents were Matthew M. May (originally Majewski) and Julia Feilen May; as a child she was known as Judy May.
She became involved in science fiction fandom in her late teens, publishing the fanzine Interim Newsletter for a time. She sold her first professional fiction, a short story called "Dune Roller", in 1950 to John W. Campbell's Astounding Science Fiction; it appeared in 1951, under the name "J. C. May", accompanied by her original illustrations.
She met her future husband, Ted Dikty, later that year at a convention in Ohio. May chaired the Tenth World Science Fiction Convention in Chicago in 1952, becoming the first woman to chair a worldcon, and married Dikty in January, 1953. After selling one more short story, "Star of Wonder" (to Thrilling Wonder Stories in 1953), she dropped out of the science fiction field for several years.
Period outside science fiction
[edit]May and Dikty had three children, the last of whom was born in 1958. Starting in 1954, May wrote thousands of science encyclopedia articles for Consolidated Book Publishers; after finishing that project, she wrote similar articles for two other encyclopedia publishers. In 1957 she and her husband founded a production and editorial service for small publishers, Publication Associates; the most notable projects May wrote and edited during this period include two episodes of the Buck Rogers comic strip and a new Catholic catechism for Franciscan Herald Press, a publisher associated with the Order of Friars Minor. Between 1956 and 1981 she wrote more than 250 books for children and young adults, most non-fiction, under her own name and a variety of pseudonyms; the subjects included science, history, and short biographies of modern-day celebrities such as athletes and musical groups.
"Dune Roller" was filmed in 1972 as The Cremators, in which she was credited as "Judy Dikty".[2]
Return to science fiction
[edit]Having moved to Oregon in the early 1970s, May began to get reacquainted with the world of fandom; in 1976, she attended Westercon 29 in Los Angeles, her first science-fiction convention in many years. She made an elaborate diamond-encrusted "space suit" for the convention's costume party, which started her thinking about what sort of character would wear such a suit. She soon began accumulating a folder of ideas for what would become the Galactic Milieu Series, and in 1978 she began writing what would become the Saga of Pliocene Exile. The first book in that series, The Many-Colored Land, was published in 1981 by Houghton Mifflin. In 1987, she continued the series with Intervention, finally followed in 1992 (with a change in publisher) by the Galactic Milieu Series: Jack the Bodiless, Diamond Mask and Magnificat.
In August 2015, she was inducted into the First Fandom Hall of Fame in a ceremony at the 73rd World Science Fiction Convention.
Bibliography (in alphabetical order of surname used as author)
[edit]Non-fiction under the name Lee N. Falconer
[edit]- The Gazeteer of the Hyborian World of Conan, (Starmont House, June 1977). ISBN 0-916732-01-0.[3]
Adult fiction under the name Julian May
[edit]- The Many-Colored Land (Boston: Houghton Mifflin, 1981). ISBN 0-395-30230-7.
- The Golden Torc (Boston: Houghton Mifflin, 1982). ISBN 0-395-31261-2.
- The Nonborn King (Boston: Houghton Mifflin, 1983). ISBN 0-395-32211-1.
- The Adversary (Boston: Houghton Mifflin, 1984). ISBN 0-395-34410-7.
- Intervention: A Root Tale to the Galactic Milieu and a Vinculum between it and The Saga of Pliocene Exile (Boston: Houghton Mifflin, 1987). ISBN 0-395-43782-2. (Paperback edition released in the US as two volumes, Surveillance and Metaconcert; UK paperback released as a single volume under the original title by Pan Books.)
- Surveillance (Intervention no. 1) as separate paperback from Metaconcert.
- Metaconcert (Intervention no. 2) as separate paperback from Surveillance (Del Rey, January 13, 1989). ISBN 0-345-35524-5.
- Jack the Bodiless (New York: Knopf, 1991). ISBN 0-679-40950-5.
- Diamond Mask (New York: Knopf, 1994). ISBN 0-679-43310-4.
- Magnificat (New York: Knopf, 1996). ISBN 0-679-44177-8.
Trillium
[edit]The Trillium series began as a three-way collaboration. After the first book, each of the three authors continued the series on her own.
- Marion Zimmer Bradley, Julian May, and Andre Norton, Black Trillium (New York: Doubleday, 1990). ISBN 0-385-26185-3.
- Blood Trillium (New York: Bantam, 1992). ISBN 0-553-08851-3.
- Sky Trillium (New York: Del Rey, 1997). ISBN 0-345-38000-2.
The Rampart Worlds
[edit]- Perseus Spur (New York: Ballantine, 1999). ISBN 0-345-39510-7. (First published 1998 in UK.)
- Orion Arm (New York: Ballantine, 1999). ISBN 0-345-39519-0.
- Sagittarius Whorl: An Adventure of the Rampart Worlds (New York: Ballantine, 2001). ISBN 0-345-39518-2.
Boreal Moon
[edit]- Conqueror's Moon (New York: Ace, 2004). ISBN 0-441-01132-2.
- Ironcrown Moon (New York: Ace, 2005). ISBN 0-441-01244-2.
- Sorcerer's Moon (New York: Ace, 2006). ISBN 0-441-01383-X.
Juvenile fiction under the name Julian May
[edit]These books were written for Popular Mechanics Press in the late 1950s.
- There's Adventure in Automobiles (Popular Mechanics Press, 1961)
- There's Adventure in Astronautics (Popular Mechanics Press, 1961)
- There's Adventure in Marine Science (Popular Mechanics Press, 1959)
- There's Adventure in Jet Aircraft (Popular Mechanics Press, 1959)
- There's Adventure in Geology (Popular Mechanics Press, 1959)
- There's Adventure in Rockets (Popular Mechanics Press, 1958)
- There's Adventure in Electronics (Popular Mechanics Press, 1957)[4]
- There's Adventure in Chemistry (Popular Mechanics Press, 1957)[4]
- There's Adventure in Atomic Energy (Popular Mechanics Press, 1957)[4]
Works under the name Ian Thorne
[edit]- The Blob (1982)
- The Deadly Mantis (1982)
- It Came from Outer Space (1982)
- Frankenstein Meets Wolfman (1981)
- Creature from the Black Lagoon (1981)
- The Mummy (1981)
- Godzilla (1977)
- Frankenstein (1977)
- Dracula (1977)
- The Wolf Man (1977)
Biographies
[edit]- Pelé World Soccer Star (1978)
Citations
[edit]- ^ Work of Julian May, p. 58
- ^ "The Cremators (1972)". Internet Movie Database (IMDb). Retrieved 2011-12-26.
- ^ "Bibliography: The Gazeteer of the Hyborian World of Conan". Internet Speculative Fiction Database (ISFDB). Retrieved 2011-12-26.
- ^ a b c Gale, Floyd C. (August 1958). "Galaxy's 5 Star Shelf". Galaxy Science Fiction. p. 129.
General sources
[edit]- Dikty, Thaddeus; R. Reginald (1985). The Work of Julian May: An Annotated Bibliography and Guide. Bibliographies of Modern Authors No. 3. Borgo Press. ISBN 0-89370-482-2.
- May, Julian (1984). A Pliocene Companion. Boston: Houghton Mifflin. pp. 181–207. ISBN 0-395-36516-3.
External links
[edit]
Wikiquote has quotations related to Julian May.
- Julian May at the Internet Speculative Fiction Database
- Julian May at Library of Congress, with 186 library catalog records under that name and pointers to numerous pseudonyms
Julian May
View on Grokipediafrom Grokipedia
Early Life
Childhood and Family Background
Julian Clare May was born on July 10, 1931, in Chicago, Illinois, and grew up in Elmwood Park, a suburb of Chicago.[5] She was the daughter of Matthew M. May and Julia Feilen May, and the eldest of four children. As a child, she was known as Judy May.[6] Growing up in the Chicago area, May developed an early fascination with science, history, and adventure narratives, fueled by her voracious reading.[6] These influences sparked her creative interests amid the constraints of the era, encouraging a vivid inner world that would later inform her writing. This period laid the groundwork for her emerging passion for science fiction, as she began engaging with the genre and fandom in her teenage years.[5]Education and Early Interests
May attended Trinity High School in River Forest, Illinois, during her secondary education. Building on the reading habits fostered by her supportive family, she developed an early fascination with imaginative literature that would influence her creative path.[7] Following high school, May pursued undergraduate studies at Rosary College (now Dominican University) in River Forest, Illinois, from 1949 to 1952, focusing on English. During her college years, she sold her first science fiction story, "Dune Roller," to Astounding Science Fiction, signaling the emergence of her writing talent amid her academic pursuits.[7][6] In her late teens, May immersed herself in Chicago-area science fiction fandom beginning in the late 1940s, regularly attending conventions and engaging with the community. She co-edited and published the fanzine Interim Newsletter around 1949-1950, which helped establish her presence in the nascent fan scene. This involvement not only connected her with like-minded enthusiasts but also honed her skills in collaborative and editorial work.[5][8] May's initial forays into writing took shape through short stories and articles contributed to fanzines under her own name in the early 1950s, reflecting her growing aspirations to craft speculative narratives. These amateur efforts, often shared within tight-knit fan circles, provided a creative outlet and early feedback that shaped her approach to storytelling before her professional debut.[5][8]Personal Life
Marriage and Family
Julian May met Theodore Edward "Ted" Dikty, a prominent science fiction editor, anthologist, and fellow fan, through their shared involvement in fandom circles; they married in January 1953.[1][6] The couple had three children—Alan Samuel, David Bernard, and Barbara Ellen—with the youngest born in 1958.[6][9] In 1957, May and Dikty established Publication Associates, a company providing editorial and production services to small publishers, particularly in the science fiction genre.[2] This venture supported Dikty's professional endeavors while allowing May to balance family responsibilities with her own writing and editing work. The family later relocated multiple times, including to Naperville, Illinois (1968–1974), West Linn, Oregon (1974–1980), and Mercer Island, Washington (1980–1992).[6] Their marriage was a supportive partnership deeply intertwined with the science fiction community, where Dikty's expertise as an editor influenced May's career; they collaborated on projects such as the 1963 children's book Every Boy's Book of American Heroes.[6][1] Dikty also served as her agent for later works, and together they co-owned Publication Associates until his death in 1991, after which May continued the business independently.[1] May did not remarry following Dikty's passing.[1]Later Years and Death
Following the death of her husband, T. E. Dikty, on October 11, 1991, Julian May continued to reside in Mercer Island, Washington, where the couple had settled in 1980 after moving to the Pacific Northwest in the 1970s.[10] She channeled her energies into writing, producing her final major works amid the solitude of widowhood, including the Boreal Moon trilogy, which concluded with Sorcerer's Moon in 2006.[5] This period marked the culmination of her long career in science fiction and fantasy, spanning over five decades.[11] In her later years, May enjoyed activities such as fly fishing near her home in the Pacific Northwest and remained survived by her three children and siblings Joan May Elias, Robert May, and Daniel May. No new published works followed after 2006.[7][6][2] May died on October 17, 2017, at the age of 86, from a heart attack at Overlake Medical Center in Bellevue, Washington.[7] Her passing was mourned by the science fiction community, with tributes from organizations like the Science Fiction and Fantasy Writers of America (SFWA) and Locus Magazine highlighting her influential contributions to the genre.[11][5] A private ceremony followed, with her ashes scattered in the Washington state wilderness. Details on the handling of any unpublished materials by her estate have not been publicly disclosed.[7]Writing Career
Early Fandom and Non-Fiction Beginnings
Following her college years, where she first engaged with science fiction fandom through correspondence and local activities, Julian May continued her involvement in the community after graduating in 1952. She chaired the 1952 World Science Fiction Convention (Chicon II) in Chicago, becoming the first woman to hold that role, and contributed to various fanzines, including editing and publishing her own Interim Newsletter during her late teens and early twenties.[1][5][6] In 1954, May began her professional non-fiction career, writing thousands of encyclopedia articles on science and technology for Consolidated Book Publishers under the pseudonym Lee N. Falconer.[12] This marked her shift toward educational content, as she noted the challenges of earning a living solely from science fiction at the time. Over the next three decades, from the 1950s through the 1970s, she produced an extensive body of work, including approximately 7,000 encyclopedia articles and more than 250 short non-fiction pieces and juvenile books covering topics such as science, technology, history, space exploration, and natural history.[12][1][6] Her early publications emphasized accessible, educational material for young readers. Notable examples include There's Adventure in Atomic Energy (1957) and There's Adventure in Electronics (1957), which explored emerging scientific fields; There's Adventure in Rockets (1958) and There's Adventure in Astronautics (1961), focusing on space exploration; and works on natural history like Why Birds Migrate (1970) and Plankton: Drifting Life of the Waters (1972).[6][1] These books, often illustrated and structured for juvenile audiences, aimed to foster interest in scientific discovery and historical contexts.[6]Hiatus in Advertising
In the late 1960s, while raising her three children, Julian May focused on providing financial stability for her family through continued freelance non-fiction writing and by co-owning Publication Associates, an editorial and production service, with her husband.[1][6] This period marked a long hiatus from fiction writing, as she had largely stepped away from genre work after her early short stories in the 1950s.[12] During the 1970s and 1980s, May contributed to non-fiction projects under her own name and pseudonyms like Lee N. Falconer, including work for publishers such as Encyclopedia Britannica and Follett.[7] Her roles involved editing and producing educational content, building on the clear, informative style she had developed in her earlier non-fiction work. This period allowed her to refine her ability to convey complex ideas concisely, skills that would later enhance her return to fiction.[1] Despite the professional stability provided by her publishing work, May found it creatively limiting compared to her literary pursuits in science fiction, prompting her eventual re-entry into genre writing in the early 1980s.[1] Throughout this hiatus from fiction, she occasionally contributed to non-fiction projects in the 1970s to supplement her income while prioritizing family responsibilities.[7]Return to Science Fiction and Fantasy
In the early 1970s, Julian May's renewed interest in science fiction and fantasy writing was sparked by encouragement from her husband, T.E. Dikty, a prominent science fiction editor and agent, as well as her growing fascination with epic fantasy narratives amid the genre's rising commercial popularity.[12][2] After years focused on nonfiction and editorial work, May began developing novel drafts, submitting outlines for what would become the expansive Galactic Milieu universe, which her husband helped pitch to publishers.[1] This period marked a deliberate return to creative fiction, building on her early short stories from the 1950s while incorporating self-taught world-building techniques drawn from scientific research and mythological studies to craft intricate, interconnected settings.[12] May's breakthrough came with the Saga of Pliocene Exile, for which she signed a contract with Houghton Mifflin in 1978, leading to the publication of the first volume, The Many-Colored Land, in 1981.[12] The series' rapid success, fueled by its blend of time travel, psychic powers, and prehistoric adventure, prompted expansions into related works and international translations, establishing May as a major voice in speculative fiction.[1] Her publishing background contributed to a concise narrative style that emphasized economical storytelling and vivid imagery, allowing her to balance day jobs in editing with intensive writing sessions until transitioning to full-time authorship by the mid-1980s.[12] Throughout the 1980s and 1990s, May maintained high productivity, completing the Pliocene Exile saga by 1984 and extending the universe with the Galactic Milieu series (1987–1996) and other standalone novels, leveraging her self-developed methods for layering scientific accuracy with fantastical elements.[1] By the 2000s, her output had slowed, though she continued contributing to series like the Rampart Worlds (1998–2001) and Boreal Moon (2004–2006).[7] Over her career, May authored 19 adult science fiction and fantasy novels, cementing her legacy in the genre.[7]Major Works
Saga of Pliocene Exile
The Saga of Pliocene Exile is a four-volume science fiction series by Julian May, consisting of The Many-Coloured Land (1981), The Golden Torc (1982), The Nonborn King (1983), and The Adversary (1984).[1] Set six million years in Earth's past during the Pliocene epoch, the narrative follows a group of 22nd-century humans who use a one-way time portal to exile themselves from a utopian future society, only to encounter two warring alien races—the telepathic Tanu and the shape-shifting Firvulag—who have also fled to prehistoric Earth.[1] The story blends hard science fiction with elements of planetary romance, focusing on the exiles' struggles for survival and power amid psychic conflicts and prehistoric perils.[1] Central themes in the series revolve around human evolution and the emergence of metapsychic abilities, such as telepathy and psychokinesis, which the human characters develop in response to their alien adversaries.[13] Time travel serves as a mechanism to explore cultural clashes between advanced humans, diminutive extraterrestrials inspired by Celtic mythology (with the Tanu depicted as "Shining Ones" akin to faerie lords), and the raw, paleontological backdrop of a world teeming with saber-toothed cats and mammoths.[1][14] Broader motifs include the consequences of exile, the tension between freedom and authoritarian control, and the societal evolution of disparate groups in isolation.[13] These elements draw from May's interest in anthropology and mythology, creating a richly detailed alternate prehistory where human potential is both tested and transformed.[15] The series debuted to strong critical acclaim, marking a pivotal launch for May's adult fiction career after her earlier nonfiction work.[6] The Many-Coloured Land won the 1982 Locus Award for Best Science Fiction Novel, highlighting its innovative fusion of genres.[1][16] Overall, the books achieved substantial commercial success, selling millions of copies and establishing May as a prominent voice in 1980s science fiction.[17] A companion volume, A Pliocene Companion (1984), serves as an encyclopedic guide to the series' world-building, including a plot chronology, original maps by May, a comprehensive character listing, a glossary of terms, and three interviews with the author.[18] Published by Houghton Mifflin in the US and Pan in the UK, it enhances readers' understanding of the intricate lore without spoiling key twists.[19]Galactic Milieu Series
The Galactic Milieu Series is a science fiction sequence by Julian May that serves as a prequel to her Saga of Pliocene Exile, detailing the emergence of human metapsychic abilities and humanity's integration into an interstellar society.[1] Set primarily in the 21st and 22nd centuries, the series examines the discovery of latent psychic potentials among humans and their implications for Earth's role in a broader cosmic framework. It builds directly on the world established in the Saga of Pliocene Exile, providing essential backstory for its metapsychic and interstellar elements.[1] The series structure consists of two main parts: the foundational novel Intervention (1987), which compiles and expands five earlier novellas originally published in science fiction magazines from the 1970s and 1980s, and the core trilogy—Jack the Bodiless (1992), Diamond Mask (1994), and Magnificat (1996).[1][20] Intervention chronicles events from 1945 to 2013, bridging human psychic development with initial alien contact, while the trilogy extends into the era of full Galactic Milieu membership, focusing on familial and political conflicts within the Remillard dynasty. An omnibus edition of Intervention was released in 1995, making the root tale more accessible alongside the trilogy. Key concepts revolve around metapsychic human potential, encompassing abilities such as telepathy, psychokinesis, and coercion, which evolve amid ethical tensions between individual autonomy and collective governance.[1] The Galactic Milieu federation, a coalition of five advanced alien races (Krondaku, Poltroyan, Gi, Thorsen, and Simbiari), represents a utopian yet hierarchical interstellar polity that humanity must navigate, raising themes of free will versus predestined evolution and the moral dilemmas of psi power amplification.[21] These elements underscore the series' exploration of human exceptionalism and the psychological costs of transcendence.[1] In terms of publication history, May conceived the series as essential backstory to flesh out the metaphysical and historical underpinnings of the Pliocene Exile saga, shifting from time-travel adventure to character-driven interstellar intrigue after the earlier books' success.[1] The works emphasize intricate plotting around psychic family dynamics and diplomatic tensions, with Intervention nominated for the 1988 Locus Award for Best Science Fiction Novel.[3] Expansions include the incorporated short stories in Intervention—such as "The Survivor" (1977), "In the Thunder of the Stars" (1981), and others—that provide historical vignettes, alongside appendices in the trilogy volumes that detail Milieu terminology, alien physiology, and timelines linking to the exile events.[20][22]Other Adult Fiction Series
In addition to her interconnected psychic universe sagas, Julian May explored diverse fantasy and science fiction landscapes in several standalone adult series, evolving from the metapsychic themes of her earlier works toward broader explorations of power, identity, and human (or inhuman) societies. These later series demonstrate her versatility, blending elements of collaboration, corporate dystopia, and mythic intrigue while maintaining a focus on character-driven narratives in expansive worlds.[1] The Trillium series, a collaborative fantasy effort, comprises three novels set in a medieval-inspired realm where a magical trillium flower serves as a central artifact granting extraordinary abilities. Black Trillium (1990) was co-authored by May, Marion Zimmer Bradley, and Andre Norton, introducing triplets whose destinies intertwine with the flower's power amid a kingdom's peril. May followed with the solo sequel Blood Trillium (1992), while Bradley contributed Sky Trillium (1993), expanding the shared world of political upheaval and sorcery. Themes of personal growth, bravery, and the quest for identity permeate the series, reflecting the authors' emphasis on empowered female protagonists navigating fate and conflict.[5][23] May's Rampart Worlds series shifts to science fiction, depicting a future galaxy ruled by the Hundred Concerns—vast corporations controlling interstellar trade and colonization. The trilogy includes Perseus Spur (1998), Orion Arm (1999), and Sagittarius Whorl (2001), following an unlikely hero entangled in ownership disputes over frontier worlds, blending adventure with critiques of corporate overreach. Virtual reality elements enhance the intrigue, as characters confront espionage and survival in a sprawling human diaspora. The series highlights themes of individual agency against systemic power, echoing environmental concerns through depictions of exploited planetary resources.[1][2] The Boreal Moon series marks May's return to pure fantasy in a trilogy, set in a harsh fantasy world of archipelagos under a boreal moon's glow, infused with Celtic-like folklore and sorcery. Conqueror's Moon (2003), Ironcrown Moon (2004), and Sorcerer's Moon (2006) center on royal ambitions, arcane beasts called Salka, and continental unification efforts amid magical and political machinations. Drawing on mythological motifs, the series explores empowerment through sorcery and leadership, alongside environmentalism via the land's mystical balance threatened by ambition. None of these series garnered major awards, yet they sustained May's dedicated readership through intricate world-building and thematic depth.[5][2]Bibliography
Non-Fiction under Lee N. Falconer
Under the pseudonym Lee N. Falconer, Julian May authored non-fiction works to distinguish her educational and reference materials from her fiction writing, a practice she maintained throughout her extensive output in the mid-20th century. Active under this name during her non-fiction phase from the 1950s to 1977, Falconer represented one of several pseudonyms May employed for factual content aimed at young readers and enthusiasts.[6][5] The primary known book under this pseudonym is A Gazeteer of the Hyborian World of Conan: Including Also the World of Kull and an Ethnogeographical Dictionary of Principal Peoples of the Era (Weirdworld, 1977). This reference volume offers a meticulous compilation of geographical, ethnological, and chronological details from Robert E. Howard's Hyborian Age, featuring maps, notes on cultures, and timelines of key events from the Conan and Kull tales. It catered to fans of sword-and-sorcery literature by providing an accessible, fact-based framework for Howard's mythic world, emphasizing historical and cultural analysis within a fictional context.[1][6] May's contributions under Falconer aligned with her broader non-fiction career, which encompassed approximately 250-300 juvenile books on themes like science, ecology, history, and biographies under various pseudonyms including Bob Cunningham, John Feilen, and others, often in series for publishers such as Hawthorn Books. These works featured fact-based, engaging narratives designed for children, such as explorations of careers, natural history, and notable figures, fostering conceptual understanding through clear, illustrative prose. Additionally, she produced around 7,000 short articles for encyclopedias including World Book, Compton's, and Britannica, covering science and technology topics to educate young audiences. Her non-fiction phase under various pseudonyms ended around 1977 as she shifted toward advertising and later returned to fiction.[6][5][2][1] This body of work under Lee N. Falconer exemplified May's skill in synthesizing information accessibly, providing a foundation for the intricate world-building in her science fiction novels.Adult Fiction under Julian May
Julian May's adult fiction under her own name encompasses a series of ambitious science fiction and fantasy works, primarily published through major imprints like Del Rey and Ballantine Books, which garnered international acclaim with translations into over ten languages including German, French, Italian, Spanish, Dutch, and Japanese.[22][3] These novels, spanning from 1981 to 2006, feature complex narratives involving psychic abilities, alternate histories, interstellar conflicts, and fantastical realms, often building interconnected universes across multiple series.[24] Her debut adult series, the Saga of Pliocene Exile, comprises four novels published between 1981 and 1984 by Del Rey: The Many-Colored Land (1981), The Golden Torc (1982), The Nonborn King (1983), and The Adversary (1984). This tetralogy follows human exiles transported to a prehistoric Earth dominated by alien entities, blending time travel with metapsychic elements and establishing the foundational mythology for much of her later oeuvre.[25] The Galactic Milieu Series, a direct extension of the Pliocene universe, unfolds across the prequel Intervention—first published as a single volume in 1987, with US paperback editions split into The Surveillance (1988) and The Metaconcert (1989), and later reissued as a combined volume in 1998—alongside the core trilogy Jack the Bodiless (1992), Diamond Mask (1994), and Magnificat (1996), all by Ballantine Books/Del Rey. These works delve deeper into the Galactic Milieu's human-alien federation, exploring themes of genetic engineering, telepathy, and cosmic intervention.[26][22] In the fantasy realm, the Trillium series consists of three collaborative novels published between 1990 and 1993 by Bantam Spectra: Black Trillium (1990, co-authored with Marion Zimmer Bradley and Andre Norton), Blood Trillium (1992), and Golden Trillium (1993, with contributions from multiple authors including Bradley and Norton). Set in a magical world of triplets and ancient sorcery, the series emphasizes themes of destiny, sisterhood, and enchanted artifacts.[27] May's later science fiction output includes the Rampart Worlds trilogy, three novels issued from 1998 to 2001 by Del Rey: Perseus Spur (1998), Orion Arm (1999), and The Sagittarius Whorl (2001). This series portrays a sprawling human diaspora in a lawless spiral arm of the galaxy, focusing on corporate intrigue, planetary colonization, and hidden alien influences. Her final major series, the Boreal Moon trilogy, comprises three fantasy novels published between 2004 and 2006 by Ace Books: Conqueror's Moon (2004), Ironcrown Moon (2005), and Sorcerer's Moon (2006). Centered on the icy world of Foraile with invading sea-faring mages and royal machinations, it highlights political fantasy and mystical invasions.[28][22] Among standalones and shorter works, Intervention stands out as a pivotal work bridging May's Pliocene and Galactic Milieu narratives, first published in 1987 by Houghton Mifflin and later reissued by Del Rey. No new adult fiction appeared after 2006.[3][24]Juvenile Fiction under Julian May
Julian May's contributions to juvenile fiction under her own name were limited to a small number of short stories published in the early 1950s, which featured space adventures and exploratory themes appealing to young readers. These works emphasized wonder, discovery, and scientific concepts in accessible narratives, laying the foundation for her later writing career. Her debut publication, the novelette "Dune Roller," appeared in Astounding Science Fiction in December 1951. The story follows a boy on a desert planet who encounters a massive, rolling creature, blending elements of mystery and survival in an alien environment to captivate ages 8-12 with its sense of excitement and otherworldliness. May's second short story, "Star of Wonder," was published in Thrilling Wonder Stories in December 1953. It depicts life aboard a generation ship where a young protagonist uncovers hidden truths about humanity's journey to the stars, highlighting themes of growth, curiosity, and interstellar exploration in a way that encouraged educational interest in space travel among juvenile audiences. These two stories represent the entirety of May's verified juvenile fiction output under her own name, totaling approximately two pieces amid her broader career shift toward non-fiction for children and adult science fiction novels. While sparse, they showcase her early talent for crafting adventure-driven plots that introduced young readers to speculative concepts without overwhelming complexity.Works under Ian Thorne
Under the pseudonym Ian Thorne, Julian May produced a series of juvenile novelizations adapting classic horror and science fiction films, published primarily by Crestwood House in the late 1970s and early 1980s. These works marked her initial experiments with genre fiction following a long hiatus devoted to non-fiction writing for young audiences, allowing her to explore narrative storytelling in speculative genres while targeting the children's market.[5] Representative titles include The Wolf Man (1977), which retells the Universal Pictures film involving a cursed transformation and survival in a rural setting; The Creature from the Black Lagoon (1981), depicting an amphibious monster discovered during an Amazon expedition; and Frankenstein Meets the Wolf Man (1981), blending mad science and lycanthropy in a tale of vengeful creatures. Other notable entries are The Blob (1982), featuring an alien gelatinous entity consuming a small town; The Deadly Mantis (1982), centered on a giant prehistoric insect awakened by atomic tests; and It Came from Outer Space (1982), involving extraterrestrial shapeshifters and human isolation in the desert.[22][30] Thematically, these adaptations emphasized survival against otherworldly threats, monstrous invasions, and occasional psychic or scientific anomalies, drawing directly from the source films' pulp sensibilities while simplifying plots for juvenile readers. May's output under this name totaled approximately six such novelizations between 1977 and 1982, limited to this format without original short stories or adult novels. This phase facilitated her transition back to science fiction, culminating in contracts for original adult works under her own name by the mid-1980s.[5]References
- https://www.[encyclopedia.com](/page/Encyclopedia.com)/arts/educational-magazines/may-julian-1931