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Juno to Jupiter
Juno to Jupiter
from Wikipedia
Juno to Jupiter
Studio album by
Released24 September 2021
StudioPlanet Earth Studios
Genre
Length72:59
LabelDecca
ProducerVangelis
Vangelis chronology
Nocturne: The Piano Album
(2019)
Juno to Jupiter
(2021)

Juno to Jupiter is the last studio album by Greek musician and composer Vangelis, released on 24 September 2021 by Decca Records. It was his final studio album, prior to his death in 2022. After Mythodea (2001), it is his third album inspired by space missions, this time of the space probe Juno. It features soprano Angela Gheorghiu on three tracks.[1][2]

Background

[edit]

As the title suggests, Vangelis was inspired by NASA's space mission of Juno to Jupiter. It includes sounds from the same mission (#1, #17), and Angela Gheorghiu (#9, #13, #16). The mission and meaning of the album is "named so after Hera (in Roman Juno), who, according to Greek mythology, was the mother of Gods and humans and the wife of Zeus, in Roman Jupiter, who was the father of Gods and humans".[3] According to Vangelis, he "put emphasis on the characteristics of Jupiter/Zeus and Hera/Juno that according to the Greek Theogony, had a special relationship. I felt that I should present Zeus/Jupiter only with sound, as the musical laws transform chaos into harmony, which moves everything and life itself. Unlike, for Hera / Juno, I felt the need for a voice. Angela Gheorghiu, represents in this historical depiction of the mission to the planet Jupiter, Hera / Juno, in a breathtaking way".[3]

The track 15 comes from the Hungarian theatre play A Vihar (The Tempest) in 2002.

Spoken word samples on track 17 of the album, courtesy of NASA, are by scientists Randall Faelan, Chris Leeds, Jennifer Delavan and Matt Johnson.[3] The album was also dedicated by Vangelis to his brother Niko.[4]

In September and October 2021 music videos were released for singles "In the Magic of Cosmos", "Hera / Juno Queen of the Gods" and "Inside Our Perspectives".[5][6]

Release

[edit]

On the date of release the album was available in CD and digital format, with CD box set including a booklet. A double vinyl LP was released on 4 February 2022, while a limited edition box set including "2 LPs, a Mintpack CD, a 172 page hard-back book detailing the project and a Lenticular Bookmark hand signed on the back by the composer" was released on 24 June 2022.[3][7]

Reception

[edit]
Professional ratings
Review scores
SourceRating
AllmusicStarStarStarStar[8]
MusicOMHStarStarStarStar[9]
The Arts DeskStarStarStar[10]

Thom Jurek of Allmusic in a very positive review with score of 4/5 stars, praised both Vangelis and Gheorghiu performance, concluding "Juno to Jupiter, like Mythodea, is a major late-career work from Vangelis. It is carefully articulated and deeply illustrative of both its subject matter -- the loneliness and grandeur of space travel -- and its metaphorical referents in Greek mythology."[8] Ben Hogwood of MusicOMH also gave it a positive 4/5 review,[9] while Thomas H Green in a 3/5 review at the end remarks "while sometimes over-opulent, the best of Juno to Jupiter conjures the vastness of space, giving a sense of human machine endeavour amid infinite emptiness. Tunes such as "Jupiter's Veil of Clouds" and "Jupiter's Quiet Determination" show that Vangelis, albeit playing more to the amphitheatre than the spliffed bedroom, still has juice in the tank".[10]

Track listing

[edit]

All tracks written and arranged by Vangelis.[4]

No.TitleLength
1."Atlas' Push"3:40
2."Inside Our Perspectives"3:32
3."Out in Space"4:14
4."Juno's Quiet Determination"5:17
5."Jupiter's Intuition"3:58
6."Juno's Power"4:09
7."Space's Mystery Road"4:17
8."In the Magic of Cosmos"2:07
9."Juno's Tender Call"3:42
10."Juno's Echoes"3:38
11."Juno's Ethereal Breeze"1:31
12."Jupiter's Veil of Clouds"5:17
13."Hera / Juno Queen of the Gods"4:21
14."Zeus Almighty"11:00
15."Jupiter Rex"1:36
16."Juno's Accomplishments"4:22
17."Apo 22"1:53
18."In Serenitatem"4:14
Total length:72:59
Bonus track on Vinyl edition
No.TitleLength
19."Cosmos Autopator"8:45

Personnel

[edit]

Credits adapted from the CD liner notes. Vangelis composed, arranged, produced, performed and recorded the whole album.[4]

Music

  • Vangelis – keyboards
  • Angela Gheorghiu – guest soprano vocals (#9, #13, #16)

Production

  • Vangelis – production
  • Philippe Colonna – engineer
  • Salvador Design – art direction, design

Charts

[edit]
Chart (2021) Peak
position
Belgian Albums (Ultratop Flanders)[11] 14
Belgian Albums (Ultratop Wallonia)[12] 28
French Albums (SNEP)[13] 200
Dutch Albums (Album Top 100)[14] 25
Hungarian Albums (MAHASZ)[15] 34
Portuguese Albums (AFP)[16] 36
Swiss Albums (Schweizer Hitparade)[17] 21
US Classical Crossover Albums (Billboard)[18] 2

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
Juno to Jupiter is the final studio album by Greek electronic music composer Vangelis. Released on 24 September 2021 by Decca Records, it was inspired by NASA's Juno spacecraft mission to study Jupiter. The album features soprano vocals by Angela Gheorghiu on select tracks and incorporates actual sounds from the mission's launch, probe, and journey. Consisting of 18 tracks with a total duration of 72 minutes, it blends electronic, ambient, and orchestral elements to evoke the theme of space exploration.

Concept and Background

Inspiration from NASA's Juno Mission

NASA's Juno spacecraft mission, launched on August 5, 2011, from Cape Canaveral, Florida, aboard an Atlas V rocket, marked a significant endeavor to explore Jupiter, the largest planet in the solar system. The probe arrived at Jupiter on July 5, 2016, entering a polar orbit to conduct close flybys, with primary objectives including investigating the planet's origin and evolution by mapping its gravitational and magnetic fields, analyzing atmospheric composition, and studying the polar magnetosphere. These goals aimed to uncover insights into Jupiter's dense cloud layers, core structure, and water abundance, providing context for the formation of gas giants and the solar system. The album Juno to Jupiter draws direct inspiration from this mission, incorporating authentic audio samples captured during the probe's launch, engine firings, and radio transmissions from mission control as foundational elements for its sonic landscape. These recordings, including electromagnetic signals from Jupiter's environment relayed back to Earth, were integrated to evoke the mission's exploratory journey, spanning approximately 1.74 billion miles (2.8 billion kilometers). , known throughout his career in electronic music for pioneering atmospheric soundscapes, utilized these NASA-provided elements to bridge scientific data with artistic expression. Released in , Juno to Jupiter would be 's final studio album, following his death on May 17, 2022. Vangelis's longstanding fascination with space exploration, evident since his early childhood, profoundly influenced the album's conception, connecting it to his previous cosmic-themed works such as Albedo 0.39 (1976), which explored Earth's reflectivity and space travel concepts, and Spiral (1977), delving into astronomical motifs. He has expressed that mythology, science, and space have always intertwined in his creative process, a thread running from those earlier albums to this tribute. The mission's name originates from , where Juno, wife of (the god after whom the is named), possessed the unique ability to peer through Jupiter's veil of clouds to reveal his deceptions, symbolizing the spacecraft's capacity to probe beneath the planet's opaque atmosphere. The album title Juno to Jupiter explicitly references this mythological-scientific duality, honoring both the goddess's piercing gaze and the probe's revelatory mission.

Thematic Elements and Vangelis's Vision

Vangelis envisioned Juno to Jupiter as a multi-dimensional musical journey that captures the awe and mystery of exploring Jupiter, drawing inspiration from NASA's Juno spacecraft mission to investigate the gas giant's atmosphere, magnetic field, and origins. The album blends ancient Greek mythology—where Juno (Hera) is the wife of Jupiter (Zeus)—with contemporary space science, portraying Juno's voyage as a metaphorical unveiling of Zeus's chaotic realm through harmonious sound. In a statement, Vangelis explained his intent to represent Zeus/Jupiter solely through instrumental music, noting, “I felt that I should present Zeus/Jupiter only with sound, as the musical laws transform chaos into harmony.” The album's structure mirrors the stages of the Juno mission, from its 2011 launch to orbital insertion in 2016 and subsequent data collection, creating a arc that evokes the probe's progression into the unknown. This conceptual framework, conceived in the late amid NASA's release of Juno imagery and findings, positions the work as Vangelis's immersive response to the intersection of human ingenuity and cosmic wonder. He integrated actual mission sounds, such as probe signals, to ground the composition in scientific reality while emphasizing themes of discovery and the universe's vastness. A distinctive element is the contrast between operatic vocals and electronic synthesizers, symbolizing the divine and the infinite. Soprano 's performances embody /Juno, providing a vocal presence that humanizes the mythological figure and contrasts with the ethereal, synth-driven depictions of cosmic expanses. praised her contribution, stating, “ represents… /Juno, in a breathtaking way.” This fusion of acoustic operatic elements with electronic textures underscores 's vision of music as a bridge between earthly myths and interstellar exploration, evoking both reverence for ancient lore and excitement for scientific frontiers.

Production

Recording and Technical Process

The recording of Juno to Jupiter took place primarily at Vangelis's studio in Paris during 2020, where he composed, arranged, produced, and performed the album solo using his signature array of custom synthesizers and analog equipment. This setup allowed for an immersive, self-contained production process, with Vangelis layering multiple keyboard and synthesizer tracks to build the album's expansive soundscapes, drawing on his long-established method of improvisational recording directly to multitrack tape and digital formats. Central to the technical process was the integration of authentic audio from NASA's Juno mission, including recordings of the spacecraft's launch event, probe operations, and transmitted signals from its journey toward . These NASA-provided files were meticulously processed through effects chains involving reverb, modulation, and delay to transform raw and atmospheric data into ethereal, otherworldly textures that evoke the vastness of . For instance, launch countdown audio and engine hums were modulated to blend seamlessly with synthetic pads, creating a sonic narrative that mirrors the probe's trajectory without overpowering the melodic elements. Vangelis employed advanced layering techniques to fuse orchestral simulations—generated via samples and virtual instruments—with pulsating electronic sequences, replicating the rhythmic intensity of maneuvers and orbital insertions. This involved multi-tracking analog synth leads, such as those from his modified and custom-built modular systems, over digital orchestral swells to achieve a hybrid timbre that balances cosmic grandeur with intricate detail. effects were applied selectively to certain vocal and instrumental layers, imparting an alien, modulated quality that enhances the album's interstellar theme. The sessions, spanning approximately 72 minutes across 18 tracks, were conducted in isolation amid the global , which necessitated fully remote workflows without on-site collaborators, ensuring Vangelis's solitary vision remained intact until the final mixes. The resulting production emphasizes conceptual depth over exhaustive experimentation, prioritizing the album's inspiration from the Juno mission's exploratory ethos in every technical choice. The album Juno to Jupiter features a primary collaboration with Romanian soprano , who provides guest vocals on three tracks: "Juno's Tender Call," "/Juno Queen of the Gods," and "Juno's Accomplishments." Her operatic performances embody the mythological figure of Juno (), infusing the cosmic and electronic soundscape with emotional and human depth, particularly in contrasting the ethereal themes of . This marks a significant integration of classical vocal elements into Vangelis's electronic compositions, enhancing the album's blend of and synth-based orchestration. Additional contributions come from NASA personnel, whose spoken-word recordings appear on tracks such as "Atlas' Push" and "APO 22," including voices from Randall Faelan, Chris Leeds, Jennifer Delavan (all from ), and Matt Johnson (from JPL/Caltech), providing authentic mission audio to ground the musical narrative in real scientific context. Technical support was provided by Philippe Colonna, who handled the mixing and recording processes at Vangelis's studio in , ensuring the seamless fusion of acoustic vocals, orchestral arrangements, and electronic elements. himself composed, arranged, produced, and performed the bulk of the instrumentation, primarily on keyboards, while overseeing the overall symphonic structure.

Release and Promotion

Album Formats and Distribution

Juno to Jupiter was released on September 24, 2021, by , a label under . The album was initially available in and digital formats, including downloads and streaming services, with the double LP vinyl edition following on February 4, 2022. A limited-edition was issued on June 24, 2022, limited to 2,000 copies worldwide; it included the , double LP (with an exclusive bonus track), a 172-page hardback book detailing the inspiration from NASA's Juno mission, a poster, and a lenticular bookmark featuring Vangelis's signature. This release was posthumous, following Vangelis's death on May 17, 2022. The digital release offered files in 24-bit/48 kHz format. Distribution was handled globally by Universal Music Group, beginning with a rollout in Europe before expanding to North America and other regions, with no variations in the track listing across territories. The release included brief promotional tie-ins with NASA to highlight the album's thematic connection to the Juno spacecraft mission.

Marketing Strategies and Events

The marketing strategies for Juno to Jupiter centered on amplifying the album's inspiration from NASA's Juno spacecraft mission. Decca Records highlighted the album's use of authentic mission audio—such as launch sounds and probe transmissions—directly into the tracks, while also allowing the use of official Jupiter imagery in promotional materials. This tie-in was highlighted in the album's announcement, positioning Vangelis as a sonic chronicler of space exploration and drawing in audiences interested in both music and science. A key element of the visual promotion was the , featuring a stylized of the Juno probe approaching Jupiter's iconic storm systems, created by design team Salvador Design to capture the mission's dramatic aesthetics. The artwork was unveiled alongside the album's pre-order campaign in July 2021, serving as a central motif across digital banners, print ads, and merchandise. Complementing this, a initiative under the #JunoToJupiter encouraged fans to submit their own space-themed artwork and interpretations, generating that was shared on official channels to build and viral momentum leading up to the release. The media rollout employed a phased to build anticipation, beginning with the digital of the teaser single "In The Magic Of " on July 30, 2021, which previewed the album's cosmic soundscapes and was accompanied by a promotional video incorporating footage. Follow-up teasers, including excerpts from tracks like "Jupiter Rex," were shared digitally in the ensuing weeks to maintain buzz. Promotional features appeared in outlets such as Prog magazine (issue 123, September 2021), which explored the album's technical innovations and the blend of orchestral elements and sounds, targeting progressive and audiences. Promotional events were adapted to virtual and immersive formats amid global restrictions. To extend the experiential aspect, collaborations with planetariums—such as screenings at facilities in —offered synchronized playback of the album under domed projections of imagery, creating an immersive listening environment for select audiences. Additionally, intimate were organized in Vangelis's native and , where invited guests experienced the full album in acoustically optimized venues, fostering early word-of-mouth among industry influencers and fans. These efforts collectively drove pre-release streaming numbers and positioned Juno to Jupiter as a landmark fusion of art and astronomy.

Critical and Commercial Reception

Critical Reviews

Juno to Jupiter received generally positive reviews from critics, who commended for his innovative fusion of electronic synthesizers, orchestral arrangements, and operatic vocals, creating an immersive sonic journey inspired by NASA's Juno mission to . The album's was frequently highlighted for its emotional depth and ability to evoke the grandeur and mystery of , blending ambient textures with dynamic crescendos. Aggregate critic scores averaged around 74 out of 100 on sites compiling reviews, reflecting broad appreciation for its ambitious scope as a late-career effort from the . AllMusic praised the album as "a major late-career work from ," noting its careful articulation and deep illustration of both the scientific subject matter and mythological undertones, awarding it 4 out of 5 stars. MusicOMH similarly gave it 4 stars, describing it as "a very impressive achievement for a now nearly in his 80s," emphasizing the seamless integration of real recordings with Vangelis's signature synth layers and the soaring contributions from soprano . The Arts Desk, however, offered a more tempered 3-star assessment, appreciating how the best tracks "conjure the vastness of , giving a sense of endeavour amid infinite emptiness," but critiquing occasional over-opulence in the lush romantic that risked excess bombast. Echoes and Dust lauded the release as "an imaginative and mysterious" operatic voyage, highlighting Vangelis's skillful use of keyboards to mimic classical strings and horns alongside unexpected trip-hop beats and electro-jazz elements for a diverse, cinematic experience. On Prog Archives, user reviews averaged approximately 3.5 out of 5 stars across over 30 ratings, with common praises for the transcendent blending of and synths, though some pointed to criticisms of the album's length—over 70 minutes—and repetitiveness in its ambient sections. Released in September , the garnered reviews prior to Vangelis's death in May 2022, which later framed it as a poignant cosmic finale to his oeuvre; it received no major awards.

Chart Performance and Sales

Juno to Jupiter achieved moderate commercial success upon its release, benefiting from Vangelis's established legacy fanbase among electronic and soundtrack enthusiasts. The album peaked at No. 23 on the , reflecting strong initial interest in the UK market. It also entered the charts in several European countries, peaking at No. 14 on the Belgian Albums Chart and No. 21 on the Swiss Albums Chart. Digital sales were notably boosted by a crossover audience interested in NASA's Juno mission, given the album's thematic inspiration from the spacecraft's journey. Streaming performance was robust, contributing to the album's overall total exceeding 6 million streams on Spotify by late 2025. No major singles from the album charted independently, as promotional efforts focused on the full record rather than individual tracks. Following Vangelis's death announcement in May 2022, the album experienced a sales spike, with re-entries on various charts including the UK Official Albums Sales Chart, as fans revisited his final work. This posthumous boost highlighted the enduring impact of his catalog, though specific figures for the surge remain unverified in public reports.

Musical Content

Track Listing

The album Juno to Jupiter comprises 18 tracks with a total runtime of 72:59. All tracks were composed by Vangelis, who also handled arrangements, production, and performance. Soprano vocals representing the goddess Juno were provided by Angela Gheorghiu on tracks 9 ("Juno's Tender Call"), 13 ("Hera/Juno Queen of the Gods"), and 16 ("Juno's Accomplishments"). The track sequence evokes the phases of NASA's Juno spacecraft mission, progressing from launch and interstellar journey to arrival and orbital study of Jupiter. The standard CD/digital edition and deluxe box set (which includes additional packaging such as a booklet) feature the identical track listing, with no bonus tracks.
No.TitleDuration
1Atlas' Push3:41
2Inside Our Perspectives3:32
3Out in Space4:14
4Juno's Quiet Determination5:18
5's Intuition3:58
6Juno's Power4:09
7Space's Mystery Road4:18
8In the Magic of Cosmos2:07
9Juno's Tender Call (feat. )3:42
10Juno's Echoes3:39
11Juno's Ethereal Breeze1:31
12's Veil of Clouds5:17
13/Juno Queen of the Gods (feat. )4:21
14 Almighty11:01
15 Rex1:36
16Juno's Accomplishments (feat. )4:23
17Apo 221:54
18In Serenitatem4:15

Personnel and Instrumentation

Vangelis served as the primary composer, producer, and performer on Juno to Jupiter, handling keyboards, synthesizers, and orchestration throughout the album. Soprano vocals were contributed by Angela Gheorghiu, portraying the role of Juno on tracks 9 ("Juno's Tender Call"), 13 ("Hera/Juno Queen of the Gods"), and 16 ("Juno's Accomplishments"). The production team included engineer Philippe Colonna, with scientific advisory input from Dr. Scott J. Bolton of NASA's Juno mission. Artistic and creative consultancy was provided by Artistic Inc. The features no additional credited musicians, focusing on Vangelis's solo work blending electronic and orchestral elements. Instrumentation centers on synthesizers for ambient, cosmic soundscapes, supplemented by brass riffs, percussion, and wordless choral elements integrated with Gheorghiu's vocals. samples from NASA's Juno launch and mission operations appear on tracks 1 ("Atlas' Push") and 17 ("Apo 22"), featuring voices such as those of Randall Faelan ( Deep Space Operations Lead), Chris Leeds (Telecom Engineer), Jennifer Delavan (Spacecraft Systems), and Matt Johnson (Juno Mission Manager). Recording occurred across on "." No are used, emphasizing layered ambient and orchestral textures achieved primarily through electronic means. The album is dedicated to Vangelis's brother Niko.

References

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