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Kala Bazaar
Kala Bazaar
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Kala Bazaar
Vinyl Record Cover
Directed byRakesh Roshan
Written byRavi Kapoor
Mohan Kaul
Kader Khan (dialogue)
Produced byVijay Soorma
StarringAnil Kapoor
Jackie Shroff
Farha Naaz
Kimi Katkar
CinematographyPushpal Dutta
Edited bySanjay Verma
Music byRajesh Roshan
Production
company
Vidyashree Pictures
Distributed byVidyashree Pictures
Release date
  • 6 October 1989 (1989-10-06)
CountryIndia
LanguageHindi

Kala Bazaar (transl. The Black Market) is a 1989 Indian Hindi-language action film directed by Rakesh Roshan.[1][2][3] It stars Kader Khan, Anil Kapoor and Jackie Shroff.[4] This film deals with the socio-political issues of corruption, primarily in the form of bribery in government offices in the Indian society of the 1980s.[5][6] The film was a remake of Tamil film Panam Paththum Seiyum and was also remade in Kannada as Lancha Lancha Lancha. The film did not do well at the box office.[6]

Plot

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The film opens at the municipal building and construction department office (Mumbai, India). The superintendent of the office, Thakur, gets a telephone call from the industrialist Ranbir Gupta. Ranbir asks if his construction permits have been approved. Thakur is flustered, but informs him that a newly appointed clerk in his office is holding up the file.

The film introduces the new clerk, Kimtilal Saxena (Kadar Khan). When an ordinary guy approaches him with plans to extend the perimeter of his home (and, in accordance with prevalent practice, offers him a bribe), Kimtilal flatly refuses. The guy insists, so Kimtilal asks him to send up a cup of tea (with 2 spoonfuls of sugar) from the small shop opposite the office. The guy approaches the tea stall run by the eccentric tea vendor Kutti (Johny Lever), only to discover that each spoonful of sugar is 200 rupees (the bribe for Kimtilal). The guy is surprised, but Kutti explains that one must change with the times. The guy pays Kutti and duly gets his permits. Kimtilal settles accounts with Kutti every evening, and that Kutti receives a small cut. The money trail touches everyone at the office.

One evening, a couple of thugs grab Kimtilal and bring him before three other guys: Ranbir Gupta, a real estate developer; Sampath Seth, a licence officer; and Jagan Dhamaliya, a fearsome thug. Ranbir and Sampath require various permits and licences (that routinely require approvals from Kimtilal's office), and Jagan provides muscle to ensure there are no interruptions. They offer Kimtilal a fat bribe and enter an arrangement with him to pay him off regularly for all their needs. Kimtilal is only too glad to accept this offer.

The young Kimtilal thus moves along. On the personal front, he makes a happy home with his wife and son Kamal. Kimtilal is good friends with fellow clerk Girdharilal, and their sons Kamal and Vijay become friends as well. We discover that Kamal fancies Kamini (but nobody is aware that Kamini is Sampath's daughter), and Vijay has a girlfriend in a bar owner, Sona.

Things take a turn when a cop from the anti-corruption squad arrives to investigate suspicious activities between the government office and the offices of Gupta and Sampath. This officer is killed (by Jagan). Kimtilal's manager, Thakur, is also concerned that Gupta and Sampath are beginning to seek aggressive permits (for buildings that grossly exceed known structural limits). Kimtilal assures Thakur that they need not burden themselves about this because they are merely the intermediate rungs of a ladder that extends much higher and involves many other, more powerful, people. Thakur is not wholly convinced, but signs off on Gupta's new enterprise, Nirmal building, in spite of the structural faults.

Around this time, Kamini asks her father's permission to marry Kamal. Sampath is enraged (with the thought that Kamal somehow seduced or deceived his daughter to marry so far below her own station). Sampath storms into Kimtilal's home and angrily rebukes Kimtilal. Kimtilal is neither a fool nor a sycophant. He points out that it was Kamini (herself a headstrong girl) who brought forth the proposal; that he (Kimtilal) was not aware of it; and that if the children have decided upon each other, then the parents had best give it their blessing. Sampath, however, stands fast on his notion of status, insults Kimtilal and leaves. Kimtilal is now incensed. He stops the permits for Nirmal building. Sampath and Gupta confer. Gupta advises Sampath that the losses associated with Nirmal building are too great to ignore, and that Kamal is otherwise a likeable boy. Sampath grudgingly agrees. Kimtilal exacts an elaborate wedding and a separate apartment for Kamal as part of the arrangement.

Kamal discovers soon after that his application for the Indian Police Service has been approved. (Kimtilal is not surprised, he had arranged to pay off the admissions board.) Shortly thereafter, Kamal finds out that Vijay's application (in spite of the fact that Vijay has scored higher on the exams and physicals) has been denied. Vijay is deeply disappointed and arrives home in a drunken stupor. Kimtilal arrives to condole, but Girdharilal angrily drives him away. Girdharilal further threatens to expose Kimtilal, Thakur and anyone else. (We note that Girdharilal has remained clean over the years.)

Kimtilal, at the urging of Thakur and others, arranges to frame Girdharilal of taking a bribe. Unable to bear the shame of an arrest, Girdharilal commits suicide. He leaves a suicide note where he affirms his innocence and states that he was framed. Vijay resolves to find those who framed him.

This incident stirs trouble between Vijay and Kamal. For the first time in their lifelong friendship, Vijay asks why Kamal had such a different upbringing, culminating in admission to the police academy when Vijay clearly had better academic records. Vijay bluntly points out that Kimtilal has bathed in bribes all along. Kamal flatly denies this, but finally brings the question to his father. Vijay bands together with other like minded youth and starts a grassroots campaign to publicly identify and shame people who engage in bribery and corruption. This campaign is received very well, and its effects begin to show.

Kimtilal denies the allegations. But sometime later, Nirmal building collapses and all the residents are crushed to death. Thakur, the original signer of the permits, panics, and Jagan eventually silences him. Evidence (in the form of an inadvertent taped conversation between the tea boy Kutti and Kimtilal) reaches Kamal and Kamal now arrives home to arrest Kimtilal.

Kimtilal now comes clean. He delivers a dramatic denouement. The system is slow, overcrowded and unresponsive or unavailable to aam aadmi (common man). Kimtilal says that had he not bribed the doctor at the government hospital, his wife would have succumbed to pregnancy complications and Kamal would never have been born. Every step of Kamal's life, school, college, the police academy and his wedding, was paved with Kimtilal's paying off the relevant government and social authorities. Kamal indignantly says he never asked for this, and Kimtilal quietly points out that Kamal would not even have been born but for the bribe. Kamal angrily asks if the cost of hundreds of lives (at Nirmal building) justified the bribe. Kamal finally arrests Kimtilal. Kimtilal is prosecuted by the DA Kamini, but is able to cleverly negotiate around the evidence and exonerate himself.

Meanwhile, Vijay discovers that Kimtilal was the man who framed his father. Vijay arrives at the court house just as Kimtilal has been set free. Enraged, Vijay stabs Kimtilal. Kimtilal finally reveals the roots of the nexus (Sampath and Gupta), and succumbs to his injuries. The film ends with various improvements in society to eradicate bribery. Vijay is released from prison (with a limited term) and walks into the waiting arms of his family and friends.

Cast

[edit]

The film's cast is as follows:[7][8]

Production

[edit]

The film is one of several projects directed by Rakesh Roshan and starring Anil Kapoor.[9]

Soundtrack

[edit]

The track list is as follows:[7]

All lyrics are written by Indeevar and Payam Sayeedi; all music is composed by Rajesh Roshan.

No.TitleSinger(s)Length
1."Paisa Bolta Hai"Nitin Mukesh 
2."Jumma Jumma, Do Hi Mulaqaton Mein"Nitin Mukesh, Sadhana Sargam 
3."Kehdo Yeh Haseenon Se"Asha Bhosle, Anwar, Kumar Sanu, Sadhana Sargam 
4."Ek Tujh Mein Hi"Kumar Sanu, Sarika Kapoor 
5."Aala Re Aala Govinda Aala"Amit Kumar, Shabbir Kumar, Sadhana Sargam 

Reception and legacy

[edit]

According to the Hindustan Times, the film "had a show stealer in Kader Khan who played a government servant".[10]

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
is a 1989 Indian Hindi-language action drama film directed by , centering on themes of and familial conflict within India's bureaucratic system. The narrative follows Kamal (), an upright whose father, Kimtilal (), embodies pervasive bribery and graft to advance his interests, leading to a profound ideological clash between father and son. Starring alongside Kapoor are as a key ally, Farha Naaz as the romantic lead, and in a supporting role, with the screenplay emphasizing the erosion of integrity through and favoritism across societal layers. Composed by , the film's soundtrack includes contributions from vocalists such as , though it received mixed critical reception and holds a modest audience rating of 5.5 out of 10. Despite its focus on real-world malpractices like municipal , Kala Bazaar did not achieve major commercial or awards success, reflecting typical mid-tier Bollywood output of the era.

Background and Development

Origins and Inspirations

Kala Bazaar originated as an independent production by Vijay Soorma, with recruited to direct following the commercial success of his debut film in 1987. This marked Roshan's transition to helming external projects after establishing his directorial credentials through a narrative centered on revenge and family dynamics in , which grossed over ₹4 against a modest budget. The screenplay was crafted by and Mohan Kaul, with additional dialogue contributions from , focusing on a municipal worker's descent into corruption amid systemic graft. Thematically, the film drew from the entrenched socio-political of 1980s India, particularly in bureaucratic offices and the proliferation of s for essential goods and services, including cinema tickets. This mirrored real-world practices where employees often supplemented meager salaries through illicit means, a amplified by the era's debates and reports of widespread malfeasance in and licensing. The narrative's emphasis on a protagonist's moral compromise via dealings echoed broader cinematic explorations of ethical decay, though without direct adaptation from prior works, positioning Kala Bazaar as a on individual agency within flawed institutions.

Casting and Pre-Production

was signed to direct Kala Bazaar following the commercial success of his previous film (1987), marking his involvement in producer Vijay Soorma's independent project focused on the for cinema tickets. The screenplay was developed by writers , Mohan Kaul, and , emphasizing themes of corruption and bribery in the film industry. Anil Kapoor was cast in the lead role of Vijay Girdharilal, a principled municipal employee drawn into illegal activities, while portrayed the corrupt Inspector Kamal Kimtilal, replacing Chunky Pandey who was originally slated for the part. Farha Naaz played the dual roles of Kamini Sampat and Kamini K. Kimtilal, with appearing as the bar owner; took on a prominent antagonistic role as the deeply corrupt Kimtilal, leveraging his experience as a on the project. Pre-production proceeded under Soorma's oversight, with Roshan handling direction to align the with real-world observations of ticket scalping practices prevalent in theaters.

Synopsis

Plot Summary

Kala Bazaar centers on Kimtilal (Kader Khan), a clerk in the Bombay Municipal Corporation whose career and personal milestones are advanced through persistent bribery, reflecting the entrenched corruption in 1980s Indian bureaucracy. From paying a gynecologist to induce his wife Shanti's premature labor for the birth of their son Kamal, to donating funds for the child's school admission, Kimtilal navigates systemic graft as a necessity for survival and success. Kamal (Anil Kapoor), raised amid these practices, matures into an idealistic and incorruptible officer committed to upholding the law and combating . The core narrative tension emerges from the irreconcilable values between father and son, as Kamal confronts Kimtilal's complicity in the very he vows to dismantle, straining familial bonds and forcing ethical reckonings. Supporting characters, including Kamal's friend Suraj (), introduce subplots involving camaraderie, romance, and further instances of and favoritism prevalent across Indian society from to . The storyline illustrates how permeates offices, , and daily transactions, portraying a causal chain where individual compromises sustain broader institutional decay.

Production

Filming Process

Kala Bazaar was filmed in 1989 under the direction of , who handled for Vijay Soorma. This marked Roshan's inaugural directorial assignment for external producers, following his self-produced [Khoon Bhari Maang](/page/Khoon Bhari Maang) (1988). During the production phase, casting adjustments occurred, with replacing in a key role. had turned down an offer to star, deeming the script inadequate. , playing a central character, expressed strong personal affinity for the project amid its making, even contemplating assigning his own film Jaahil to Roshan, though this did not proceed due to Amitabh Bachchan's announced retirement. Specific details on shooting schedules, locations, or technical hurdles remain sparsely documented in available production records.

Technical and Creative Decisions

Kala Bazaar was filmed in color using 35mm stock with mono sound, consistent with mainstream film production standards of the late 1980s. The of 1.85:1 supported expansive framing for action sequences and crowd scenes depicting black-market dealings. maintained an average of 14.6 cuts per minute, enabling a rhythmic flow between dramatic confrontations, investigative montages, and musical interludes without relying on rapid modern techniques. Roshan's creative approach emphasized character-driven narratives over visual experimentation, prioritizing moral dichotomies of honesty versus corruption through straightforward blocking and practical set designs. This direction earned praise from co-star , who favored Roshan's handling of the material for its clarity in portraying bribery's societal toll.

Soundtrack

Composition and Release

The soundtrack for Kala Bazaar was composed by , the brother of director , marking another collaboration between the siblings following earlier projects. The music incorporated melodic structures typical of late-1980s Bollywood, blending romantic ballads with upbeat tracks to complement the film's themes of and redemption. were contributed by multiple writers, including Payam Sayeedi for songs like "Paisa Bolta Hai" and Shyamalal Babu Rai for others such as "Is Dunya Se Bhadkar Tu". Singers featured included in his early career outing, Sadhna Sargam, , , , and Anwar, reflecting a mix of established and emerging vocal talents. The , consisting of six original , was released in 1989 on vinyl LP by Venus Music, aligning with the film's theatrical premiere on October 6, 1989. Initial distribution focused on audio cassettes and records through Indian labels, capitalizing on the era's dominance of for Bollywood soundtracks, though specific pre-release sales figures remain undocumented in available records. Later compilations bundled it with tracks from other films, but the original release emphasized standalone appeal via radio airplay and music stores.

Key Songs and Impact

The soundtrack of Kala Bazaar features five primary songs composed by , blending thematic relevance to the film's critique of black marketeering with melodic variety. "Paisa Bolta Hai," sung solo by with lyrics by Payam Sayeedi, stands out for its direct allusion to money's influence, mirroring the protagonist's descent into ticket scalping; the track incorporates elements adapted from a by the . Romantic and devotional elements appear in "Jumma Jumma Do Hi Mulaqaton Mein," a duet by and (lyrics by ), and "Aala Re Aala Govinda Aala," performed by , , and (also ), which draws on folk and bhajan styles to highlight familial piety amid corruption. "Keh Do Ye Haseenon Se" (Payam Sayeedi) unites , , , and Anwar in a lively ensemble evoking social revelry, while "Ik Tujh Mein Hi Sab Kuchh Paaya Duniya Se Badh Kar Tu" (), a tender melody by and Sarika Kapoor, underscores themes of redemption and love. These tracks marked significant early credits for , whose debut in film playback singing occurred here, and , who provided vocals for two songs tailored to the lead actors and for the first time. Though contemporary chart records are sparse, the music supported the film's super-hit status, with "Paisa Bolta Hai" enduring as a motivational staple later adapted in remixes and compilations. The album's modest user-rated reception (1/5 on archival sites) reflects niche appeal rather than widespread acclaim, yet its integration of Western-inspired opening cues from composers like enhanced production polish.

Release and Commercial Performance

Theatrical Release

Kala Bazaar premiered theatrically in on 6 October 1989. The Hindi-language , directed by and produced under Vidyashree Pictures, targeted urban audiences in key markets such as , , and other metropolitan areas typical for mid-1980s Bollywood releases. No international theatrical rollout was recorded at the time, with distribution focused domestically through standard circuits. The release coincided with a period of growing multiplex absence, relying on single-screen theaters where ticket scalping—ironically central to the film's plot—remained prevalent.

Box Office Analysis

Kala Bazaar achieved modest box office returns upon its release on October 6, 1989, failing to capitalize on the star power of and . Industry assessments classify the film as a flop, reflecting underwhelming audience turnout despite its action-drama elements targeting mainstream audiences. Other evaluations describe it as an performer, indicating it recovered costs marginally but did not generate significant profits or rank among 1989's top earners. Precise collection figures remain undocumented in major tracking sources, underscoring the film's limited commercial footprint in a competitive year featuring blockbusters like . Estimates from secondary accounts suggest an net gross around ₹3.8 , with worldwide totals nearing ₹7.8 , though these lack verification from primary industry data providers. The underperformance may stem from narrative familiarity and directorial choices by , which did not resonate strongly amid shifting audience preferences for more innovative storytelling.

Reception

Critical Response

Critics and audiences acknowledged Kala Bazaar for its straightforward confrontation of corruption and black marketing in Indian society, themes rendered through a centered on ticket and bureaucratic . The film's drew commendation for its engaging structure, including crisp dialogues attributed to Kader Khan's contributions, which added peppery realism to scenes depicting systemic graft. Performances received particular attention, with Kader Khan's role as a principled government servant singled out for its authenticity and scene-stealing quality, elevating the film's moral undertones amid ensemble efforts by and . Kapoor's portrayal of a frustrated turning to illicit means was noted for emotional depth, while the villainous characterization by provided memorable antagonism. Direction by was viewed as solid in blending action-drama elements with social critique, though the overall execution aligned with the era's formulaic Bollywood conventions. Aggregate user-driven ratings reflect moderate critical and popular appraisal, with IMDb scoring it 5.5/10 based on 277 votes and Times of India at 3.1/5 from 12 reviews, suggesting appreciation for its topical relevance outweighed any narrative predictability. Retrospective commentary has upheld the film's value in highlighting , favoritism, and institutional decay, themes resonant with 's socio-political landscape at the time.

Audience and Commercial Reception

Kala Bazaar received lukewarm response from audiences, reflected in its user rating of 5.5 out of 10 from 277 votes, indicating divided opinions on its handling of themes amid a formulaic narrative. While some viewers appreciated the performances of and , along with Kader Khan's comedic supporting role, the overall sentiment highlighted shortcomings in pacing and originality, contributing to limited word-of-mouth appeal. Commercially, the film underperformed, classified as a flop despite an initial opening week collection of approximately ₹74 lakhs. Its India net gross reached around ₹3.80 crores, with worldwide earnings of ₹7.80 crores, failing to achieve blockbuster status in a year dominated by higher-grossing releases like . turnout diminished rapidly after the opening, underscoring the picture's inability to sustain interest amid competition from more resonant entertainers.

Legacy and Influence

Cultural and Thematic Significance

Kala Bazaar addresses the socio-political ramifications of in 1980s India, depicting as an ingrained mechanism within government that determines professional success and economic survival. The story revolves around a principled municipal officer whose refusal to accept bribes leads to and familial distress, forcing his son and associate to resort to black marketing cinema tickets—a common underground activity in driven by Bollywood's massive popularity and supply shortages. This narrative illustrates how institutional incentives under the License Raj era perpetuated a cycle where honesty disadvantaged individuals, pushing them toward illicit alternatives amid widespread , caste-based favoritism, and administrative delays. Thematically, the film explores moral dichotomies between corrupt expediency and ethical steadfastness, exemplified by the generational clash between a bribe-dependent father and his upright son who ascends to become a police officer combating the very system that marginalized his family. It portrays friendship and loyalty as anchors amid ethical erosion, with protagonists grappling over the short-term gains of black market involvement versus long-term integrity, ultimately emphasizing redemption through lawful confrontation of graft. Such elements critique the causal roots of corruption in over-regulated economies, where meritocracy yields to transactional networks, reflecting broader societal pressures on urban youth facing job scarcity—estimated at over 10% unemployment rates in the late 1980s. Culturally, Kala Bazaar captures the era's cinema obsession, where ticket scalping not only symbolized economic desperation but also intersected with , as gangs financed operations through such rackets amid high entertainment taxes and threats that prompted industry strikes in 1986-1987. By dramatizing these realities, the film contributed to awareness of governance failures in regulating leisure markets, mirroring real-world transitions from "black" to "white" ticketing during disruptions, and underscoring Bollywood's as cultural escape and economic battleground in a stratified society.

Remakes and Adaptations

Kala Bazaar (1989) has no official remakes or direct adaptations in other Indian regional cinemas or international formats. While the film drew from the 1975 Tamil movie Paṉam Pattu Seiyum, which explored similar themes of and , no subsequent productions have replicated its specific narrative of a corrupt municipal clerk's son becoming an honest confronting familial graft. Claims in some online discussions linking it to a film titled Lancha Lancha Lancha (1980) appear chronologically inconsistent, as the latter predates the Hindi version and lacks verified plot or cast overlaps confirming a relationship. No series, stage plays, or foreign-language versions based on the film's storyline have been documented.

References

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