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Kay Ryan
Kay Ryan (born September 21, 1945) is an American poet and educator. She has published seven volumes of poetry and an anthology of selected and new poems. From 2008 to 2010 she was the sixteenth United States Poet Laureate. In 2011 she was named a MacArthur Fellow and she won the Pulitzer Prize.
Ryan was born in San Jose, California, and was raised in several areas of the San Joaquin Valley and the Mojave Desert. After attending Antelope Valley College, she received bachelor's and master's degrees in English from University of California, Los Angeles. Since 1971, she has lived in Marin County, California, and has taught English part-time at the College of Marin in Kentfield. Carol Adair, who was also an instructor at the College of Marin, was Ryan's partner from 1978 until Adair's death in 2009.
Her first collection, Dragon Acts to Dragon Ends, was privately published in 1983 with the help of friends. While she found a commercial publisher for her second collection, Strangely Marked Metal (1985), her work went nearly unrecognized until the mid-1990s, when some of her poems were anthologized and the first reviews in national journals were published. She became widely recognized following her receipt of the Ruth Lilly Poetry Prize in 2004, and published her sixth collection of poetry, The Niagara River, in 2005.
In July 2008, the U.S. Library of Congress announced that Ryan would be the sixteenth United States Poet Laureate for a one-year term commencing in Autumn 2008. She succeeded Charles Simic. In April 2009, the Library announced that Ryan would serve a second one-year term extending through May 2010. She was succeeded by W.S. Merwin in June 2010.
She is a lesbian, and was the first openly lesbian United States Poet Laureate.
The Poetry Foundation's website characterizes Ryan's poems as follows: "Like Emily Dickinson and Marianne Moore before her, Ryan delights in quirks of logic and language and teases poetry out of the most unlikely places. She regards the 'rehabilitation of clichés,' for instance, as part of the poet’s mission. Characterized by subtle, surprising rhymes and nimble rhythms, her compact poems are charged with sly wit and off-beat wisdom." J. D. McClatchy included Ryan in his 2003 anthology of contemporary American poetry. He wrote in his introduction, "Her poems are compact, exhilarating, strange affairs, like Satie miniatures or Cornell boxes. … There are poets who start with lived life, still damp with sorrow or uncertainty, and lead it towards ideas about life. And there are poets who begin with ideas and draw life in towards their speculations. Marianne Moore and May Swenson were this latter sort of artist; so is Kay Ryan."
Ryan's poems are often quite short. In one of the first essays on Ryan, Dana Gioia wrote about this aspect of her poetry:
"Ryan reminds us of the suggestive power of poetry–how it elicits and rewards the reader’s intellect, imagination, and emotions. I like to think that Ryan’s magnificently compressed poetry – along with the emergence of other new masters of the short poem like Timothy Murphy and H.L. Hix and the veteran maestri like Ted Kooser and Dick Davis – signals a return to concision and intensity."
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Kay Ryan
Kay Ryan (born September 21, 1945) is an American poet and educator. She has published seven volumes of poetry and an anthology of selected and new poems. From 2008 to 2010 she was the sixteenth United States Poet Laureate. In 2011 she was named a MacArthur Fellow and she won the Pulitzer Prize.
Ryan was born in San Jose, California, and was raised in several areas of the San Joaquin Valley and the Mojave Desert. After attending Antelope Valley College, she received bachelor's and master's degrees in English from University of California, Los Angeles. Since 1971, she has lived in Marin County, California, and has taught English part-time at the College of Marin in Kentfield. Carol Adair, who was also an instructor at the College of Marin, was Ryan's partner from 1978 until Adair's death in 2009.
Her first collection, Dragon Acts to Dragon Ends, was privately published in 1983 with the help of friends. While she found a commercial publisher for her second collection, Strangely Marked Metal (1985), her work went nearly unrecognized until the mid-1990s, when some of her poems were anthologized and the first reviews in national journals were published. She became widely recognized following her receipt of the Ruth Lilly Poetry Prize in 2004, and published her sixth collection of poetry, The Niagara River, in 2005.
In July 2008, the U.S. Library of Congress announced that Ryan would be the sixteenth United States Poet Laureate for a one-year term commencing in Autumn 2008. She succeeded Charles Simic. In April 2009, the Library announced that Ryan would serve a second one-year term extending through May 2010. She was succeeded by W.S. Merwin in June 2010.
She is a lesbian, and was the first openly lesbian United States Poet Laureate.
The Poetry Foundation's website characterizes Ryan's poems as follows: "Like Emily Dickinson and Marianne Moore before her, Ryan delights in quirks of logic and language and teases poetry out of the most unlikely places. She regards the 'rehabilitation of clichés,' for instance, as part of the poet’s mission. Characterized by subtle, surprising rhymes and nimble rhythms, her compact poems are charged with sly wit and off-beat wisdom." J. D. McClatchy included Ryan in his 2003 anthology of contemporary American poetry. He wrote in his introduction, "Her poems are compact, exhilarating, strange affairs, like Satie miniatures or Cornell boxes. … There are poets who start with lived life, still damp with sorrow or uncertainty, and lead it towards ideas about life. And there are poets who begin with ideas and draw life in towards their speculations. Marianne Moore and May Swenson were this latter sort of artist; so is Kay Ryan."
Ryan's poems are often quite short. In one of the first essays on Ryan, Dana Gioia wrote about this aspect of her poetry:
"Ryan reminds us of the suggestive power of poetry–how it elicits and rewards the reader’s intellect, imagination, and emotions. I like to think that Ryan’s magnificently compressed poetry – along with the emergence of other new masters of the short poem like Timothy Murphy and H.L. Hix and the veteran maestri like Ted Kooser and Dick Davis – signals a return to concision and intensity."