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Kim Waters
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Key Information
Kim Waters (born March 20, 1965) is an American jazz artist born in Havre de Grace, Maryland.
Early life
[edit]Waters grew up in Harford County, Maryland. Waters learned how to play the saxophone at a young age. He attended C. Milton Wright High School.[1] He played on the basketball team and was a shooting guard. Waters and his brothers formed a band early in their career.[2]
Career
[edit]Early career
[edit]In 1989 Waters debuted with his album, Sweet and Saxy. In 1991 his album Sax Appeal was released and in 1993 his album Peaceful Journey. In 1994, It’s Time for Love was released.
Shanachie Records (1997-2013)
[edit]In 1998, Waters released his first album under Shanachie Records, Love's Melody. He released several albums under Shanachie Records including In the Name of Love and You Are My Lady.
Red River Entertainment (2013-2016)
[edit]In 2013 Waters released his album, My Loves, under Red River Entertainment. The album also had appearances from Glenn Jones and Waters’ wife, Dana Pope. In his next album, Silver Soul, Waters had appearances from Zendaya and Eric Roberson.[3]
Shanachie Records (2016-present)
[edit]In 2016 Waters returned to Shanachie Records with his album, Rhythm and Romance. The album peaked at number 12 on Jazz Album charts.[4]
The Sax Pack
[edit]In 2008, Kim Waters, Jeff Kashiwa, and Steve Cole formed The Sax Pack. Their debut album, The Sax Pack, was released in 2008 under Shanachie Records. The album peaked at number 13 on the Billboard charts. In 2009, the album, The Pack is Back, was released and peaked at number 16 on Billboard Charts. In 2012, Kim Waters was replaced by Marcus Anderson in the touring band. In 2015, The Power of 3 was released with Kim Waters appearing again on the studio release.[citation needed]
Discography
[edit]Source:[5]
Solo albums
[edit]- 1989 Sweet and Saxy
- 1990 All Because of You
- 1991 Sax Appeal
- 1992 Tribute
- 1993 Peaceful Journey
- 1994 It's Time for Love
- 1994 Home for Christmas
- 1996 You Are Not Alone
- 1998 Love's Melody
- 1999 One Special Moment
- 2001 From the Heart
- 2002 Someone to Love You
- 2004 In the Name of Love
- 2005 All for Love
- 2007 You Are My Lady
- 2008 I Want You: Love in the Spirit of Marvin Gaye
- 2010 Love Stories
- 2011 This Heart of Mine
- 2013 My Loves
- 2014 Silver Soul
- 2015 My Gift to You
- 2016 Rhythm with Romance
- 2018 What I Like
- 2020 Shakedown
- 2022 That Special Touch
Albums with Sax Pack
[edit]- 2008 The Sax Pack
- 2009 The Pack is Back!
- 2015 Power of 3
References
[edit]- ^ Hiaasen, Rob (30 May 2001). "SMOOTH WATERS". baltimoresun.com. Retrieved 2020-07-05.
- ^ "Kim Waters Biography". OLDIES.com. Retrieved 2020-07-05.
- ^ "Kim Waters | Biography, Albums, Streaming Links". AllMusic. Retrieved 2020-07-05.
- ^ Rhythm and Romance - Kim Waters | Songs, Reviews, Credits | AllMusic, retrieved 2020-07-05
- ^ "The Sax Pack Albums and Discography". AllMusic.
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Kim Waters
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Early life and education
Family background and upbringing
Kim Waters was born on March 20, 1965, in the small town of Havre de Grace, Maryland.[7] He grew up in nearby Harford County in a musically inclined household that fostered his early interest in performance.[8] Waters was raised by his parents, Brenda and James Waters, who provided strong support for his artistic development, with his mother serving as a primary inspiration and close confidante.[9][10] His family included an older sister, Joyce, whose musical preferences later influenced some of his song selections, as well as two older brothers, James and Eric, both accomplished musicians with whom he shared a deep talent pool and early collaborative experiences.[8][4][11] The Waters home emphasized music as a central family activity, featuring regular performances among siblings and encouragement from parents that created an immersive environment for creative expression.[4] This dynamic laid the foundation for Waters' lifelong engagement with jazz and saxophone, transitioning into more structured training during his youth.[11]Musical training and early influences
Kim Waters began his musical journey in the third grade at age eight, starting with the violin before switching to the saxophone around age 12, initially focusing on straightahead jazz as his foundational style.[8] Growing up in a musical family in Harford County, Maryland, he received strong support from his relatives, who provided instruments and encouraged consistent practice to nurture his emerging talent.[11] This family-guided environment helped him develop technical skills and a deep appreciation for the instrument's melodic potential early on. After graduating from C. Milton Wright High School in Bel Air, Maryland, where he was an honors student, saxophone soloist, and standout basketball player who lettered in the sport during the early 1980s, Waters attended Harford Community College for approximately 1.5 years, studying music.[1] He left college to pursue professional opportunities. During his high school years, Waters honed his abilities performing at school assemblies. He formed a jazz band called Phase with his brothers James and Eric, which allowed him to explore ensemble playing and refine his improvisational techniques in local settings.[8] Additionally, in his teens, Waters collaborated with pianist Cyrus Chestnut and tenor saxophonist Mickey Fields, both from the Baltimore area, participating in early gigs that backed lounge singer Byrd Pressley at hotels and casinos across the United States.[12] Waters' formative influences during this period drew heavily from jazz masters known for their emotive and blues-inflected tones, including alto saxophonists Charlie Parker and Cannonball Adderley, tenor players Sonny Stitt and Stanley Turrentine, and Grover Washington Jr., whose blend of jazz and R&B resonated with Waters' growing interest in the saxophone's romantic expressiveness.[2] Local figures like alto saxophonist Gary Bartz and Chestnut further shaped his straightahead jazz roots, emphasizing technical precision and soulful phrasing before he transitioned to broader professional pursuits.[2]Professional career
Early recordings and breakthroughs (1989–1996)
Kim Waters launched his recording career in 1989 with the release of his debut album, Sweet and Saxy, on the independent label Warlock Records. Self-produced by Waters, the album showcased his alto saxophone in a collection of romantic, mellow smooth jazz tracks, including originals like the title song and covers such as "Soul Serenade." This effort marked his entry into the contemporary jazz scene, earning early recognition for its accessible, soulful sound.[13][14] Building on this foundation, Waters issued All Because of You in 1990, followed by Sax Appeal in 1991 and Tribute in 1992, all via Warlock, expanding his repertoire with tracks blending smooth jazz and R&B influences. Sax Appeal included "Sax Appeal" and "Bring the Troops Back Home," receiving favorable reviews for its melodic hooks and production. In 1993, Peaceful Journey followed, featuring collaborations like "Late Night Hour" with vocalist Miles Jaye, and it continued to highlight Waters' signature warm tone and rhythmic grooves. Critics noted its serene vibe as a natural progression in his catalog.[15][16] By 1994, It's Time for Love arrived, incorporating house and soul elements in songs like the title track, alongside the holiday release Home for Christmas, further demonstrating Waters' versatility. His final Warlock album, You Are Not Alone (1996), capped this period with more romantic instrumentals.[17][18] During this period, Waters elevated his profile through live performances alongside established artists, including Al Green, Isaac Hayes, Patti LaBelle, Phyllis Hyman, Teddy Riley, and Guy, which exposed his saxophone work to broader audiences in R&B and soul circuits. These opportunities helped cultivate a dedicated fanbase in the smooth jazz community. Through consistent output on Warlock Records, Waters achieved initial chart placements on contemporary jazz radio surveys, laying the groundwork for his breakthrough in the genre.[19][20]First Shanachie Records period (1997–2013)
In 1997, Kim Waters signed with Shanachie Records, marking the beginning of a significant phase in his career characterized by consistent releases and growing commercial success in the smooth jazz genre.[12] His debut album for the label, Love's Melody (1998), showcased a blend of romantic ballads and upbeat tracks, with the single "Nightfall" becoming one of the biggest smooth jazz radio hits of the year.[12] The album highlighted Waters' signature alto saxophone tone, drawing on R&B influences to create accessible, melody-driven instrumentals that appealed to a broad audience. Waters followed with One Special Moment (1999), which featured collaborations with vocalists like Meli'sa Morgan and guitarist Chuck Loeb, further solidifying his reputation for soulful, crossover jazz arrangements.[21] The title track and "Am I the Same Girl (Soulful Strut)" earned airplay on smooth jazz stations, contributing to his rising profile.[22] By 2001, From the Heart continued this momentum, incorporating guest appearances from Dru Hill and Walter Beasley, and emphasizing heartfelt themes that resonated with listeners seeking romantic jazz fare. Tracks like "After Midnight" demonstrated Waters' ability to fuse contemporary jazz with pop sensibilities, achieving strong sales and radio rotation. He then released Someone to Love You (2002), delivering lush, love-themed compositions. The mid-2000s saw Waters' output intensify, with In the Name of Love (2004), his fourth Shanachie release, which celebrated 15 years in the industry with covers and originals like the title track, reinforcing his focus on emotional, accessible jazz.[23] Subsequent albums such as All for Love (2005) and You Are My Lady (2007) maintained this trajectory, with singles like "Waterfall" topping smooth jazz charts and underscoring Waters' prolific hit-making streak.[24][25] This was followed by I Want You: Love in the Spirit of Marvin Gaye (2008) and Love Stories (2010), before concluding with This Heart of Mine (2011). Throughout this era, Waters' production style shifted increasingly toward romantic, crossover jazz, incorporating tighter arrangements, guest vocalists, and R&B grooves to broaden his appeal beyond traditional jazz audiences.[26] Albums like these not only garnered multiple #1 smooth jazz airplay singles but also established Shanachie as a key platform for his melodic, feel-good aesthetic, culminating in sustained chart presence by 2013.[12]Independent label phase (2013–2015)
In 2013, after concluding his initial tenure with Shanachie Records following the release of This Heart of Mine in 2011, Kim Waters transitioned to the independent label Red River Entertainment, seeking greater artistic autonomy in his productions.[7] This move marked a brief exploratory phase in his career, allowing him to handle much of the creative process at home, including playing multiple instruments and selecting tracks that reflected his personal vision.[27] Waters' debut album under Red River, My Loves, arrived in June 2013 and emphasized intimate, romantic themes drawn from his life, blending smooth jazz grooves with R&B elements. The record featured collaborations with vocalist Glenn Jones on the track "I Wanna Love You" and his wife, Dana Pope, contributing vocals that added a familial warmth to several songs.[7] Tracks like "My Loves (Kayla & Kimberly)" highlighted personal dedications to his daughters, underscoring the album's focus on love and family during this transitional period. Despite the challenges of independent distribution, such as limited mainstream promotion compared to major labels, My Loves achieved notable success by charting on the Billboard 200, Urban Albums, Contemporary Jazz Albums, and Top Independent Albums charts.[28] Building on this momentum, Waters released Silver Soul in September 2014, a celebratory project marking 25 years in the music industry and further showcasing his emphasis on personal milestones and collaborations.[29] Produced independently under Red River, the album incorporated contributions from family members, including Dana Pope on "Anything You Need" and daughter Kayla Waters on piano for "Dreaming of You," alongside guests like Eric Roberson and Zendaya on "Fireflies."[27] Themes of artistic journey and relational bonds dominated, with Waters crafting each track as a potential standalone single to capture broad appeal.[27] The independent release faced distribution hurdles typical of smaller labels but succeeded commercially, reaching number three on the Billboard Contemporary Jazz Albums chart and earning strong radio play on smooth jazz stations.[30][31] In 2015, he released the Christmas album My Gift to You, featuring holiday standards and originals with family vocals, including tracks with Kayla and Dana Waters. This period of self-directed output reinforced Waters' reputation for melodic, soulful saxophone work while experimenting with greater creative control before his return to a major label structure.Return to Shanachie Records (2017–present)
In 2016, Kim Waters returned to Shanachie Records after a period of independence, marking a transitional phase that bridged his earlier tenure with the label and his renewed productivity. His comeback album, Rhythm and Romance, released that year, featured a blend of smooth jazz and R&B influences, peaking at number 12 on the Billboard Jazz Albums chart. Waters continued his momentum with What I Like in 2018, an album that showcased his signature alto saxophone work alongside contemporary covers and originals, including a rendition of Bruno Mars' "That's What I Like." The release highlighted his ability to fuse romantic melodies with upbeat grooves, solidifying his chart presence in smooth jazz.[32][33] By 2020, Waters issued Shakedown, which included a notable cover of Ella Mai's hit "Boo'd Up," reimagined as an instrumental saxophone feature with subtle vocal accents to evoke intimacy and playfulness. This track, alongside originals like the title song, emphasized family-inspired themes of connection and joy, drawing from Waters' personal life. The album received praise for its uplifting energy amid global challenges.[34] In 2022, marking 35 years since his debut recording, Waters released That Special Touch, his 25th solo album and a reflective celebration of his career longevity. Featuring tracks like "Joy Dance" and a cover of Adele's "Easy on Me," it blended nostalgia with fresh interpretations, underscoring his enduring romantic style.[6] Waters' latest project, Time 2 Groove, arrived in April 2025 as his 26th solo album and 16th for Shanachie, comprising 10 original tracks that prioritize melodic saxophone lines and rhythmic vitality to inspire movement and positivity.[35][36] Throughout this period, Waters maintained an active touring schedule, often performing alongside his daughter, pianist and vocalist Kayla Waters, in duo sets that combined their talents for intimate jazz experiences at venues like Blues Alley and festivals such as the Oxnard Jazz Festival. These collaborations highlighted generational continuity in smooth jazz.[37][38] By 2025, Waters had sold over one million records across his career, a milestone affirming his status as one of contemporary jazz's top-selling instrumentalists.[39]Involvement with The Sax Pack
Kim Waters joined forces with fellow smooth jazz saxophonists Jeff Kashiwa and Steve Cole to form The Sax Pack in 2004, a supergroup founded by Kashiwa and inspired by the camaraderie and showmanship of the Rat Pack era.[40][41] The trio's formation capitalized on the rising trend of all-star smooth jazz collaborations in the early 2000s, allowing established artists like Waters to merge their individual talents into a collective ensemble focused on energetic, audience-engaging performances.[42] The Sax Pack's debut album, The Sax Pack, arrived in 2008 via Shanachie Records, showcasing the members' seamless saxophone harmonies on tracks like "Fallin' For You" and a cover of "The World Is a Ghetto," which emphasized their shared affinity for groove-oriented smooth jazz.[43] This release was followed by The Pack Is Back in 2009, an effort that peaked at number 16 on the Billboard Jazz Albums chart and further solidified their appeal through polished, radio-friendly arrangements blending R&B, funk, and jazz elements.[44] Throughout their active years together, the group toured extensively across the United States, performing at jazz festivals and venues that highlighted their interactive stage dynamics and the genre's relaxing yet upbeat vibe.[45] Waters played a pivotal role in The Sax Pack as the alto and soprano saxophonist, infusing the ensemble with his melodic, soulful phrasing that complemented Kashiwa's and Cole's tenor lines to create a unified yet diverse smooth jazz sound.[43] Their live shows often featured spirited improvisations and banter, drawing crowds with the fun, accessible energy that bridged each member's solo careers in contemporary jazz.[46] Waters remained a core member until 2012, when Marcus Anderson joined as his replacement for subsequent touring and the 2015 album Power of 3.[47]Musical style and influences
Signature style elements
Kim Waters is renowned for his emphasis on romantic, melodic lines played on alto and soprano saxophone, characterized by a warm, expressive tone that evokes intimacy and emotion. His phrasing often features lyrical, flowing melodies that prioritize beauty and accessibility, drawing listeners into a sensual soundscape typical of smooth jazz. This approach is evident in his preference for "pretty tone and melody," as he has stated in interviews, where the saxophone serves as a vehicle for romantic expression rather than technical virtuosity alone.[5][48][49] Central to Waters' style are insatiable grooves and hooks that create anthemic, radio-friendly tracks blending R&B, jazz, and pop elements. He crafts infectious rhythms with a strong backbeat, often described as "in-the-pocket" grooves, paired with memorable, hook-filled melodies that make his music instantly recognizable and commercially appealing. This fusion results in contemporary jazz pieces that feel both sophisticated and approachable, appealing to broad audiences through their urban polish and melodic catchiness.[50][51][52][53] In production, Waters favors sensual reinterpretations of covers alongside original timeless melodies, employing state-of-the-art techniques to enhance the romantic allure of his work. His arrangements often transform classic R&B or soul standards into smooth jazz vehicles, infusing them with lush, atmospheric production that highlights the saxophone's seductive qualities. This method underscores his commitment to creating enduring, groove-oriented soundscapes that evolve naturally from his straightahead jazz roots into crossover smooth jazz, maintaining melodic integrity while embracing broader pop sensibilities.[51][54][52]Key musical influences
Kim Waters' early musical development was profoundly shaped by exposure to bluesy jazz and soulful R&B, genres that instilled in him a deep appreciation for emotive expression and rhythmic groove.[7] Throughout his career, Waters has drawn significant inspiration from jazz legends such as Cannonball Adderley and Charlie Parker, whose bebop innovations and melodic flair formed the bedrock of his saxophone technique.[55] He has also cited Sonny Stitt, Stanley Turrentine, and Grover Washington Jr. as pivotal figures, blending their improvisational prowess with smooth jazz sensibilities to create his signature romantic tone.[56] Waters' sound further evolved through collaborations with R&B icons including Al Green, Isaac Hayes, Patti LaBelle, Phyllis Hyman, Teddy Riley, and Guy, whose soulful vocals and urban grooves influenced his fusion of jazz with contemporary R&B elements.[57] These interactions not only expanded his stylistic palette but also informed his approach to jazz-fusion and cinematic pop arrangements.[57] As a smooth jazz pioneer, Waters has been inspired by genre forebears like Grover Washington Jr. and peers such as Gerald Albright, incorporating their crossover appeal into his work, while pop and soul influences are evident in tributes like his 2008 album I Want You: Love in the Spirit of Marvin, honoring Marvin Gaye's sensual melodies.[3] These lifelong inspirations continue to guide his song selections, from heartfelt covers to personal dedications that reflect emotional depth and rhythmic vitality.[57]Personal life
Family and relationships
Kim Waters has frequently cited his family as his primary source of inspiration throughout his musical career, shaping both his personal life and artistic dedications. His mother, Brenda Waters, served as a profound influence, embodying kindness and generosity that he credits for guiding his values and those of his children; in recognition of her impact, Waters dedicated the track "A Pure Heart (For My Mother)" on his 2025 album Time 2 Groove, describing it as a tribute to her enduring role as his best friend and moral compass.[2][56] As a devoted father to twin daughters, Kayla and Kimberly, Waters has embraced his role as a "girl dad," emphasizing how they have taught him lessons in love, sincerity, and honesty. He honored them with the upbeat R&B track "Their Smile (Song For My Twins)" on Time 2 Groove, capturing the joy they bring to his life.[2] His younger daughter, Kayla Waters, has carved out a successful career as a pianist, composer, and producer, debuting with her 2017 album Apogee and achieving multiple Billboard Jazz chart-toppers, including a record six-week #1 run for a single.[58][59] Waters and Kayla frequently collaborate on stage and in the studio, with her serving as a special guest keyboardist on his tours and recordings, such as their joint appearance at the Buffalo State PAC in 2023. Their familial bond extends to shared professional milestones, including top-charting singles in 2024 that landed on Smooth Jazz Network's year-end TOP 20, and Kayla's feature on his recent projects under Shanachie Records.[60][61] His older daughter, Kimberly, pursues talents in makeup artistry and interior design, contributing to the family's creative legacy outside of music.[2] Family ties also influence Waters' song selections, as seen in his cover of Ella Mai's "Boo'd Up" on the 2020 album Shakedown, a track chosen partly because it was a favorite of his sister Joyce.[8]Residences and later years
In the later stages of his career, Kim Waters relocated from his longtime home in Maryland to the Atlanta area in Georgia, establishing a base that supports his continued musical endeavors and family life. This move, occurring after years of residence near his birthplace in Havre de Grace, allowed him to immerse himself in a vibrant Southern music scene while maintaining close ties to his professional network.[62][2] Waters' family remains a cornerstone of his later years, with his wife and twin daughters—Kayla, a pianist and frequent collaborator, and Kimberly, an artist—providing a supportive foundation amid his demanding schedule. This familial structure has enabled him to balance personal milestones, such as his 60th birthday on March 20, 2025, with ongoing creative output, marking a reflective period in his life as he approaches six decades.[2][63] Post-50s, Waters has sustained a rigorous touring schedule, performing at venues across the United States and internationally, including multiple 2025 dates at jazz clubs like the Jazz Kitchen in Indianapolis and Middle C Jazz in Charlotte. His commitment to live performances underscores a career maintenance strategy focused on direct audience engagement and adaptability, evident in his release of the 26th solo album Time 2 Groove in April 2025, which he recorded at his Georgia home studio.[64][35] In Georgia, Waters contributes to local community life as part owner of the Kim Waters Jazztones Café in nearby Conyers, a venue dedicated to live jazz performances Thursday through Sunday, fostering an accessible space for music lovers and emerging artists in the Atlanta metropolitan area.[65][4]Discography
Solo studio albums
Kim Waters has released 26 solo studio albums since his debut in 1989, achieving over 1 million in sales worldwide and securing 13 number-one positions on the Billboard Jazz Albums chart.[39] These recordings showcase his evolution in smooth jazz, blending alto and soprano saxophone with R&B, funk, and contemporary influences, often featuring cover versions alongside original compositions. Representative chart-topping albums include Love's Melody (1998), From the Heart (2001), and Shakedown (2020), which highlight his consistent commercial success.[12] The following table lists his solo studio albums chronologically, including release years, labels, and notable chart performance where applicable. Chart data refers to peak positions on the Billboard Jazz Albums chart unless otherwise noted.| Year | Album Title | Label | Chart Position |
|---|---|---|---|
| 1989 | Sweet and Saxy | Warlock Records | #13 |
| 1990 | All Because of You | Warlock Records | #8 |
| 1991 | Sax Appeal | Warlock Records | #3 |
| 1992 | Tribute | Warlock Records | #5 |
| 1993 | Peaceful Journey | Warlock Records | #4 |
| 1994 | It's Time for Love | Warlock Records | #6 |
| 1994 | Home for Christmas | Warlock Records | N/A |
| 1996 | You Are Not Alone | Warlock Records | N/A |
| 1998 | Love's Melody | Shanachie Records | #1 |
| 1999 | One Special Moment | Shanachie Records | N/A |
| 2001 | From the Heart | Shanachie Records | #1 |
| 2002 | Someone to Love You | Shanachie Records | #2 |
| 2004 | In the Name of Love | Shanachie Records | #1 |
| 2005 | All for Love | Shanachie Records | N/A |
| 2007 | You Are My Lady | Shanachie Records | N/A |
| 2008 | I Want You: Love in the Spirit of Marvin Gaye | Shanachie Records | N/A |
| 2010 | Love Stories | Shanachie Records | N/A |
| 2011 | This Heart of Mine | Shanachie Records | N/A |
| 2013 | My Loves | Red River Entertainment | N/A |
| 2014 | Silver Soul | Red River Entertainment | N/A |
| 2015 | My Gift to You | Shanachie Records | N/A |
| 2016 | Rhythm and Romance | Shanachie Records | #12 |
| 2018 | What I Like | Shanachie Records | N/A |
| 2020 | Shakedown | Shanachie Records | #1 |
| 2022 | That Special Touch | Shanachie Records | #3 |
| 2025 | Time 2 Groove | Shanachie Records | #2 (as of November 2025) |
Albums with The Sax Pack
The Sax Pack, the smooth jazz supergroup comprising Kim Waters on alto saxophone, Jeff Kashiwa on soprano and tenor saxophone, and Steve Cole on tenor and soprano saxophone, debuted with their self-titled album The Sax Pack on Shanachie Records in 2008.[66] The release peaked at number 13 on the Billboard Jazz Albums chart and featured a blend of original compositions and covers, with the group sharing production credits alongside engineer Chris "Big Dog" Davis.[67] Key tracks included the lead single "Fallin' For You," which held the number one position on the smooth jazz radio airplay chart for ten consecutive weeks, and the title track "The Sax Pack," showcasing Waters' fluid alto leads in a high-energy ensemble setting.[43] In the album's dynamics, Waters often anchored the rhythmic foundation with his warm tone, complementing Kashiwa's brighter soprano lines and Cole's robust tenor, creating a balanced interplay that defined the group's early sound.[68] The follow-up album The Pack Is Back! arrived in 2009, also on Shanachie, and reached number 16 on the Billboard Jazz Albums chart.[67] Produced collaboratively by the trio with additional engineering from Davis and Paul Brown, it expanded on their debut's groove-oriented style with ten tracks emphasizing infectious hooks and live-band energy.[69] Standout selections were "Wanna Get Closer" and "Can't Help Myself," both of which received significant radio play and highlighted the members' rotational lead roles—Waters delivering soulful alto phrases on several cuts while trading solos with his bandmates to maintain the group's egalitarian vibe.[44] The album's success reinforced The Sax Pack's reputation for accessible, crowd-pleasing smooth jazz, with Waters' contributions adding emotional depth through his expressive phrasing.[70] After a six-year hiatus, the original trio reunited for Power of 3 in 2015 on Shanachie, marking the group's tenth anniversary and featuring production by the members with Davis.[71] This release delivered ten tracks of polished, upbeat material, including "Sooner Or Later" and the title track "Power Of 3," which exemplified the synergistic power of their combined saxophones in layered harmonies and call-and-response arrangements.[72] Waters played a central role in the album's cohesion, providing alto counterpoints that grounded the more adventurous soprano and tenor explorations by Kashiwa and Cole, respectively, while guest alto saxophonist Marcus Anderson appeared on select tracks to augment the ensemble texture.[73] The album received praise for recapturing the group's live-performance charisma in studio form, underscoring Waters' enduring influence in their collaborative framework.[74]| Album Title | Release Year | Label | Peak Billboard Jazz Albums Position | Key Tracks |
|---|---|---|---|---|
| The Sax Pack | 2008 | Shanachie | 13 | "Fallin' For You", "The Sax Pack" |
| The Pack Is Back! | 2009 | Shanachie | 16 | "Wanna Get Closer", "Can't Help Myself" |
| Power of 3 | 2015 | Shanachie | N/A | "Sooner Or Later", "Power Of 3" |