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L (Death Note)
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| L Lawliet | |
|---|---|
| Death Note character | |
 L, drawn by Takeshi Obata | |
| First appearance | Chapter 1: "Boredom" (退屈, Taikutsu) (2004) |
| Last appearance | Chapter 58: "Feelings Within" (胸中, Kyōchū) (2005) |
| Created by | Tsugumi Ohba Takeshi Obata |
| Portrayed by | Kenichi Matsuyama (films) Kento Yamazaki (TV series) Teppei Koike (musical) LaKeith Stanfield (American film) |
| Voiced by | Kappei Yamaguchi (Japanese, anime) Shin-ichiro Miki (Japanese dub, 2017 Netflix film) Alessandro Juliani (English) |
| In-universe information | |
| Full name | L Lawliet (manga and anime) Lebensborn Atubia (American film) |
| Alias | Ryuzaki (竜崎, Ryūzaki) Hideki Ryuga (流河 旱樹, Ryūga Hideki) Lind L. Tailor Zeus (ゼウス, Zeus) Eraldo Coil Deneuve L-Prime (in L: Change the World) Yoshio Anderson (in the TV drama) |
| Relatives | Watari (handler) |
L Lawliet (Japanese: エル・ローライト, Hepburn: Eru Rōraito),[1] known mononymously as L, Hideki Ryuga, and Ryuzaki, is a fictional character in the manga series Death Note, created by Tsugumi Ohba and Takeshi Obata. He is an enigmatic, mysterious, and highly esteemed international consulting detective whose true identity and background is kept a secret. He communicates with law enforcement agencies only through his equally inexplicable handler/assistant, Watari, who serves as his official liaison with the authorities. Though his past is shrouded in mystery, he has gained a reputation as arguably the world's greatest detective/criminal profiler.
Throughout the series, he observes and spies on the activities of the series' protagonist, Light Yagami, a high school genius. L attempts to expose and prosecute Light as the infamous serial killer "Kira", who is responsible for massacring high-profile criminals worldwide through apparently supernatural means through a "death note". As the series progresses, the psychological mind-game between L and Light intensifies, and each becomes bent on uncovering the other's true identity through a series of intricate ploys and schemes. He serves as an ideological and visual foil to Light.
Creation and conception
[edit]Tsugumi Ohba, the writer of the series, created L as a young adult, since he believed the story would not hold much interest if L were significantly older than his opponent, Light. For L's name, he wanted to use a single letter with a lot of significance; he considered "I" and "J", but eventually he chose "L" after careful consideration.[2] Ohba left most of L's character design to Takeshi Obata, artist of the series. Obata asked Ohba if L could be "unattractive". Afterwards Ohba included ideas in his thumbnails, including L's manner of sitting, "he's part English", and "he's listless". Ohba added details regarding L's mannerisms and his interests in sweets. Ohba credits Obata for the character designs.[3] Obata commented that L's thumbnails by Ohba had no bags under his eyes, and that he had a "plain face with no expression" which was very useful. Obata drew L as an "attractive young man" until chapter 11, when the character appeared in person. After chapter 11, Obata and Ohba agreed to contrast his appearance with Light's.[4]
During the development of the early manga chapters, Obata feared L would appear "so suspicious that Light would know instantly it was L if they ever met". When Obata's editor told him that he wanted L to have a face "looking cool based on the angle", Obata added black bags under L's eyes. Obata cited Devilman's Akira Fudou when stating that he believed that black bags were appealing. In addition, Obata thought of a "dead eyes" concept, which involved L having "all-black eyes" and "mostly no eyebrows". Obata believes that black eyes usually makes a character goofier, but the bags "sharpen the character's gaze". Obata believes that the design evokes "a feeling of mystery" and that the reader cannot determine L's true thoughts. Obata also said that the bags under L's eyes were useful for inspiring speculation about his lifestyle and background. The outfit Obata designed for L was a "simple" white, long-sleeved shirt and jeans, to convey that L does not put thought into choosing his clothing. In Death Note 13: How to Read, Ohba presented an initial rough draft of L and said that, with a "cool expression" and without the bags under his eyes, L looked like a different person.[4]
Obata stated that the peculiar traits exhibited by L are best revealed "gradually". Obata added that if he drew L eating "mountains of sweets" before revealing his face, he would not have "much credibility as a super detective" and people would ask if he was "crazy".[5] Both Ohba and Obata chose L as their favorite character from the series, with the former noting him as the "strongest" character in the series besides Light, and the latter due to "appearance, personality, everything". Obata said that he could never have created a character like L and that he enjoyed drawing him.[6] Obata added that because of this, L was not "real" to him and that he liked that aspect of the character.[7]
L's fighting style has been described as similar to capoeira. However, Obata has denied considering this when drawing L's fights, saying that he was thinking of the most effective way to kick someone whilst handcuffed. He added that if the style resembles capoeira, then this "adds another element to it" and "that makes me happy".[4] When designing color illustrations, Obata assigned specific colors to the main characters to help "get the atmosphere right"; gold was assigned to L.[8]
In the process of adapting L into the anime, several plot elements were added to flesh out L's human aspects. Kappei Yamaguchi, L's voice actor, specifically requested certain lines be added to emphasize L's vulnerable side, especially in regard to his relationship with his handler and father figure, Watari. L's rivalry and potential desire for a friendship with Light was also emphasized in episode 25, the final episode where L appears, in which L attempts to "stab Light in the heart" with a final conversation in the rain.[9][10]
Casting
[edit]In the anime adaptation, he is voiced by Kappei Yamaguchi in Japanese,[11] and by Alessandro Juliani in English.[12] He is portrayed by Kenichi Matsuyama in the live-action film series, by Kento Yamazaki in the TV drama, and by Lakeith Stanfield in the American film.
Film adaptations
[edit]Matsuyama had trouble portraying L and worried about his performance. He reasoned that L rarely interacted with others, and so portrayed him as if he did not "quite understand other people on an emotional level" and had trouble emulating L's postures.[13] He also ate sweets like those that L would eat, and considered the details of L's signature gestures.[14] Matsuyama said that he and Tatsuya Fujiwara, the actor portraying Light, became "so immersed" in their character portrayals that they did not speak to one another while on the set; when filming ceased they conversed and "went out for a drink or two".[13] Hideo Nakata, the director of L: Change the World, told The Daily Yomiuri that he wanted to exhibit L's "human side" that was not exhibited in the Death Note series.[15]
Appearances
[edit]In Death Note
[edit]
L, who also uses the aliases Hideki Ryuga (流河 旱樹, Ryūga Hideki), Ryuzaki (竜崎, Ryūzaki), Eraldo Coil (エラルド＝コイル, Erarudo Koiru), and Deneuve (ドヌーヴ, Donūvu), the latter two for which he has developed reputations as the second- and third-best detectives in the world, is a very discreet and secretive individual and only communicates with the authorities through his assistant/representative Watari. He never shows his face to the world, instead representing himself with a capital L in blackletter font. His real name, L Lawliet, is only revealed in the guidebook Death Note 13: How to Read.
Whilst presented as an enigmatic, nameless, highly-intelligent, cunning and globally-esteemed international consulting detective, L is revealed to actually be a tall, disheveled and gaunt youth in his 20s with a pale complexion and visible dark circles around his eyes. He is a socially-inept, awkward and somewhat misanthropic recluse. He has many notable quirks and eccentricities, such as holding things with his index finger and thumb, crouching instead of sitting, mostly walking around barefoot, scratching his ankle with the toes of the other foot, and having an unnatural affinity for sweets, cakes, candies, dairy foods and confectionery foods. He is seen exclusively eating these foods but this diet has no apparent effect on his health and physiology. Even with these eccentricities, he is a highly skilled, intellectually-astute and brilliant criminologist/crime investigator. He may come off as cold and cynical and often utilizes questionable methods and mostly takes up solving cases out of boredom rather than a sense of duty. However, he does have a strict moral code, is aware of his own flaws and shortcomings and is unwilling to cross morally repugnant standards, unlike Kira.
L has spent most of his life dedicating himself to solving crime cases, and hunting down and apprehending notorious criminals and felons around the world. It is implied that he suffers from loneliness, internal torment and low self-esteem, even calling himself "a monster" at one point. He also possesses an unusually high intellect and uncanny skills in strategy, deduction, observation, reasoning and profiling, which have given him a high reputation amongst law enforcement agencies worldwide. At the start of the series, L carries out his own investigation of a series of mysterious serial-killings across the globe, all of which are carried out by an apparent supernatural serial-killer known as "Kira", which is the Japanese transliteration of the English word "killer". After deducing that the serial-killings are all connected and perpetrated by a single mastermind and are sourced from Japan, L allies himself with the Japanese police force and assists them in investigating the murders. Although he strongly suspects the series' protagonist, Light Yagami, a high school genius and the son of detective superintendent Soichiro Yagami, one of the primary members of the Kira investigation allied with L, to be Kira's alter-ego, he is unable to prove his theory, due to lack of evidence, but nonetheless remains suspicious of Light and carefully observes him throughout the series.
The majority of the series' initial focus is on L and Light's complex, cerebral and intricate psychological mind-game of cat and mouse, as both use their wits and intellect in an attempt to outdo the other and expose them. Though L comes very close to exposing Light as Kira, he is eventually killed by Rem before he can do so, but before his death his suspicion is confirmed that Light is Kira. Although L's death regresses the Kira investigation's progress, he had prepared a contingency plan to ensure that someone would continue the work of hunting down and apprehending Kira, by selecting two gifted child orphans to be his potential successors, one of whom eventually succeeds in exposing Light as Kira.[16][2] Although his true identity and birth name is obscured in mystery throughout the series, L utilizes a number of aliases to maintain his anonymity, such as "Hideki Ryuga" or "Ryuzaki", the latter of which he uses as his primary pseudonym throughout the Kira investigation. Ohba said that L is the most intelligent character in the entire Death Note series because "the plot requires it."[17]
In film
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L is portrayed by Kenichi Matsuyama in the 2006 live-action adaptation and its sequel, which was released on the same year. His performance and the characterization received widespread acclaim for being earnestly faithful to his original manga counterpart. In the 2008 spin-off, L: Change the World, which takes place in the 23 days that L has left before he dies, L decides to solve one last case, stopping a bio-terrorist organization led by "K" from spreading a deadly virus around the world. Along the way he meets a girl named Maki, FBI agent Suruga, and a boy whom he names Near. In the course of the film, L grew to have a close relationship with Near and Maki, and while he treats Maki like a younger sister, the girl seemingly became attracted to him. A day before his death, L made Near his successor and entrusted him to be taken care at the same orphanage where he grew up in.
In Death Note: Light Up the New World (2016), Kenichi Matsuyama reprises his role as L. He makes a cameo appearance with child Ryuzaki, who inherits his DNA, giving him a lollipop and telling him to not use the Death Note as Ryuzaki promises not to. He is also seen in a CG video that Ryuzaki created.
Lakeith Stanfield portrays L in the 2017 live-action American film adaptation. In this adaptation, he is shown as an enigmatic, skillful and highly esteemed international consulting detective. He is calm and calculating, yet socially inept and eccentric. He communicates with the authorities only through his handler/assistant, "Watari", and is affiliated with a number of law enforcement agencies such as the FBI, CIA and Interpol. He has earned a reputation for solving numerous cold cases, and takes up the task of apprehending the world-famous serial killer known as "Kira", who is responsible for massacring numerous high-profile criminals around the world through apparently supernatural means. This version of the character retains much of his manga counterpart's traits and characteristics, such as his preference to crouch rather than sit, his fondness for sweets, his socially-awkward, quirky and eccentric personality, and his tendency to hold things with his index finger and thumb. His past also originates from a secluded orphanage, though his real name is given as "Lebensborn Atubia".
Within the Orphanage, named St. Martin's Orphanage, he was subjected to a series of tests and experiments as part of a clandestine government project to raise intellectually-gifted orphans into skilled black ops agents. As a result, his mental psyche was severely affected, which explains his unusual quirks and his unstable, irrational behavior in the film's second half. After his training and the institute's subsequent shutdown, L gained a reputation as an expert international detective with the help of Watari, who kept his mental stability in check and acted as a handler.[18][19]
In other media
[edit]In the light novel Another Note: The Los Angeles BB Murder Cases, L recruits FBI agent Naomi Misora to investigate a series of murders. While the story includes several phone discussions with him from Misora's perspective, he only appears in person at the end of the novel, when he goes by the name "Ryuzaki" - an alias he appropriates from the novel's serial murderer, Beyond Birthday, who masquerades as L under the alias "Rue Ryuzaki". The light novel also says that L won the aliases Eraldo Coil and Deneuve in a "detective war" with the real Coil and Deneuve.[20]
In the 2015 musical adaptation, L is portrayed by Teppei Koike in the Japanese version and Kim Junsu in the Korean version. In the demo recording, he was portrayed by Jarrod Spector.
In the 2015 live-action TV drama, L is portrayed by Kento Yamazaki. The miniseries version has a few differences with other versions. His main outfit in the ministries is a white shirt and white trousers.
Reception
[edit]
Publications from manga and anime have commended L's character. Tom S. Pepirium of IGN describes L as "the coolest, most well developed character in anime today".[21] Pepirium said that the "excellent translation" is responsible for L being a "success" in the English-language dub of Death Note.[22] Anime News Network found that the mental duels between L and Light are appealing to viewers of the series due to how each attempts to discover the identity of the other while at the same time wanting to hide their own.[23] The Hyper staff and Mania Entertainment's Julie Rosato agreed with Martin, with the latter commenting that L's and Light's rivalry as one of the best parts from the series to the point of being something "unique" in a manga.[24][25] PopCultureShock writer Carlos Alexandre also praised their rivalry, he found L to be "too smart" noting that "some careful listening and application of critical thinking will make apparent the holes in L’s supposedly superhuman logic, holes that simply, given L’s character, should not be there".[26] While reviewing the manga's third volume, Mania Entertainment concludes the article by saying that L "wins this volume; he really drove it forward" due to how close he gets to Light in such little time, which makes Light lose his temper after meeting him despite how calm he normally is.[27] Pepirium adds that Alessandro Juliani, L's voice actor, portrays his slurping and gulping sweets as "somehow non-irritating".[28] Theron Martin has also repeatedly praised Juliani's work, noting that he "captures the eccentric brilliance of L".[23][29] IGN ranked him as the 12th greatest anime character in 2009, saying that "Every good lead character needs a challenge, and L provided the opposition that the Death Note series required to captivate fans."[30] and ranked him as the 19th greatest anime character in 2014. Manga artist Katsura Hoshino, a former assistant of Takeshi Obata, has said that she likes the way the L is often drawn as he gives the appeal of a chill character.[31]
In January 2007, Oricon made a poll in which they asked Japanese fans from manga and anime which characters from any series they would most like to see in spinoff series. The overall winner from the poll was L, who also ranked first in the women's poll and second in the men's poll.[32] In the Society for the Promotion of Japanese Animation Awards (SPJA) from 2008 Alessandro Juliani was the winner in the category "Best Voice Actor (English)" for his work as L.[33] Kappei Yamaguchi was the winner in the category "Best Voice Actor (Japanese)" from the 2009 SPJA Industry Awards for his work as L. L also won in the category "Best Male Character".[34] In the NEO Awards 2007 from Neo, L won in the category "Best Manga Character".[35]
See also
[edit]
References
[edit]- ^ Ohba, Tsugumi and Takeshi Obata. "Character File 2: L." Death Note: How to Read 13. Viz Media. 10.
- ^ a b Ohba, Tsugumi (2008). Death Note 13: How to Read. Viz Media. p. 61. ISBN 978-1-4215-1888-6.
- ^ Ohba, Tsugumi (2008). Death Note 13: How to Read. Viz Media. p. 62. ISBN 978-1-4215-1888-6.
- ^ a b c Ohba, Tsugumi (2008). Death Note 13: How to Read. Viz Media. p. 127. ISBN 978-1-4215-1888-6.
- ^ Ohba, Tsugumi (2008). Death Note 13: How to Read. Viz Media. p. 119. ISBN 978-1-4215-1888-6.
- ^ Ohba, Tsugumi (2008). Death Note 13: How to Read. Viz Media. p. 190. ISBN 978-1-4215-1888-6.
- ^ Ohba, Tsugumi (2008). Death Note 13: How to Read. Viz Media. p. 181. ISBN 978-1-4215-1888-6.
- ^ Ohba, Tsugumi (2008). Death Note 13: How to Read. Viz Media. p. 117. ISBN 978-1-4215-1888-6.
- ^ Death Note A Animation Official Analysis Guide. Shueisha. 2007. pp. 104–105. ISBN 9784088741970.
- ^ Death Note A Animation Official Analysis Guide. Shueisha. 2007. p. 114. ISBN 9784088741970.
- ^ Madhouse (October 10, 2006). "l対決". Death Note. Episode 2. Nippon Television.
- ^ Madhouse (October 28, 2007). "Confrontation". Death Note. Episode 2. Cartoon Network.
- ^ a b "The stars Archived September 24, 2015, at the Wayback Machine." The Star. Sunday October 29, 2006. Retrieved on December 3, 2009.
- ^ "CAST." Sinchew. Retrieved on December 3, 2009.
- ^ Kan, Saori. "23 days to live Archived May 2, 2008, at archive.today." The Star. Sunday March 23, 2008. Retrieved on January 25, 2010.
- ^ Ohba, Tsugumi (2008). Death Note 13: How to Read. Viz Media. p. 10. ISBN 978-1-4215-1888-6.
- ^ Ohba, Tsugumi (2008). Death Note 13: How to Read. Viz Media. p. 191. ISBN 978-1-4215-1888-6.
- ^ Kroll, Justin (June 10, 2016). "'Short Term 12's' Keith Stanfield to Star With Nat Wolff in Netflix's 'Death Note'". Variety. Retrieved June 11, 2016.
- ^ "\'Death Note\' Netflix movie: Official cast revealed; Production begings". July 4, 2016.
- ^ Isin, Nisio (2008). Death Note Another Note: The Los Angeles BB Murder Cases. Viz Media. ISBN 978-1-4215-1883-1.
- ^ Pepirium, Tom S. "Death Note: "Matsuda" Review". IGN. Retrieved February 20, 2023.
- ^ Pepirium, Tom S. "Death Note: "Unraveling" Review". IGN. Retrieved February 20, 2023.
- ^ a b Martin, Theron (December 27, 2007). "Death Note DVD 1". Anime News Network. Retrieved February 20, 2023.
- ^ "Death Note: Volume 1". Hyper (173). Next Media: 79. March 2008. ISSN 1320-7458.
- ^ Rosato, Julie (September 5, 2006). "Death Note Vol. #07". Mania Entertainment. Retrieved February 20, 2023.
- ^ Alexandre, Carlos (March 10, 2008). "Anime Review: Death Note, Vol. 3". PopCultureShock. Archived from the original on August 8, 2008. Retrieved February 20, 2023.
- ^ Rosato, Julie (January 11, 2006). "Death Note Vol. #03". Mania Entertainment. Archived from the original on October 29, 2013. Retrieved November 23, 2009.
- ^ Pepirium, Tom S. "Death Note: "Ally" Review". IGN. Retrieved February 20, 2023.
- ^ Martin, Theron (June 10, 2009). "Death Note DVD - Box Set 2". Anime News Network. Retrieved February 20, 2023.
- ^ Isler, Ramsey (February 4, 2014). "Top 25 Greatest Anime Characters". IGN. Retrieved March 13, 2014.
- ^ D.Gray-man Illustrations: NOCHE. Viz Media. 2011. p. 111. ISBN 978-1-4215-4124-2.
- ^ Mays, Jonathan (January 8, 2007). "Oricon: Fans Want L, Char Aznable Spinoffs". Anime News Network. Retrieved February 20, 2023.
- ^ "Anime Expo 2008 Announces the 2008 SPJA Award Winners". Anime News Network. July 4, 2008. Retrieved July 4, 2009.
- ^ Loo, Egan (July 3, 2009). "SPJA Industry Award Winners Announced at Anime Expo". Anime News Network. Retrieved July 3, 2009.
- ^ "NEO Awards 2007". NEO Magazine (40). Uncooked Media: 06–11. January 2007. ISSN 1744-9596.
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L (Death Note)
View on GrokipediaCreation and conception
Development
Tsugumi Ohba initially conceived L as a brilliant yet eccentric detective designed to rival the intelligent high school student Light Yagami, creating a dynamic contrast between the two protagonists. Ohba explained that portraying L in a quirky manner was intentional, stating, "I wanted L to be an extremely unorthodox character to contrast with Light, who is supposed to be a brilliant and outstanding student." This rivalry formed the core of the manga's narrative, with Ohba planning the L-Light confrontation as the primary focus during the early serialization stages in December 2003.[1] In interviews, Ohba emphasized L's role as a counterbalance to Kira's vigilante ideology, evolving the character to drive the story's intellectual battles through successive tricks and countermeasures. Ohba noted that the first part of the series centered on this opposition, with L's development ensuring real emotional depth in their interactions rather than superficial plot devices. The character's morally ambiguous methods, such as manipulating suspects and bending legal boundaries, reflected Ohba's broader approach to justice themes, though Ohba admitted limited deep exploration of concepts like good versus evil, prioritizing entertainment value.[1] L's backstory evolved through supplementary materials, revealing origins tied to an orphanage environment that shaped his detective prowess. In Death Note 13: How to Read, Ohba detailed L's upbringing at Wammy's House, a facility founded by Watari to cultivate gifted children into potential investigators, positioning L as its most accomplished product and underscoring his isolation and genius from a young age. This concept, expanded in related one-shots, highlighted L's transformation from an orphaned prodigy into the world's top detective, balancing Kira's ideological threat with institutional support.Design
Takeshi Obata, the illustrator of Death Note, designed L with a deliberately disheveled and unattractive appearance to contrast sharply with the polished protagonist Light Yagami, emphasizing L's eccentric and oddball nature.[4] This includes baggy, sloppy clothing such as an oversized white shirt and loose jeans, dark circles under his eyes to highlight his vacant, "dead" gaze and chronic insomnia, and a perpetually hunched posture that conveys listlessness and poor sleep habits.[4][5] Writer Tsugumi Ohba contributed initial ideas for L's barefoot walking and unusual sitting position—often with knees drawn up—to underscore his quirky detachment, while Obata added the eye bags and unkempt attire to enhance the visual eccentricity.[5] These elements carry symbolic weight, blending childlike innocence with intellectual brilliance; for instance, L's habit of stacking sugar cubes or consuming sweets in excessive quantities serves as a visual motif for his sugar-fueled mental acuity and playful genius, evolving into a recurring gag that humanizes his otherwise aloof demeanor.[5] The barefoot stance and casual disarray further evoke a sense of unbridled curiosity untethered from societal norms, mirroring his role as an unconventional detective.[5] During the manga's serialization from 2003 to 2006, Obata iterated on L's design through character sheets, gradually amplifying his strangeness—starting with a more neutral expression and posture before settling on the fully androgynous, unassuming silhouette that masks his formidable intellect and threat level.[4] Early drafts featured less exaggerated features, but Obata refined them to balance subtlety with visual impact, ensuring L appeared non-threatening at first glance while hinting at underlying intensity. In the 2006 anime adaptation by Madhouse, L's design retains Obata's core aesthetics but introduces color, rendering his baggy shirt in stark white with subtle gray shading for depth and his jeans in faded blue tones, diverging from the manga's monochrome style to accentuate his pallid, shadowy presence amid the series' otherwise vibrant palette.[6]Portrayals
Animation
In the 2006 anime adaptation of Death Note produced by Madhouse, L is voiced by veteran Japanese actor Kappei Yamaguchi, whose performance delivers a distinctive monotone and analytical tone that underscores the character's intellectual detachment and subtle eccentricity.[7] Yamaguchi, known for roles in series like One Piece and Inuyasha, brings a youthful yet composed quality to L, aligning with the detective's enigmatic persona while emphasizing his logical precision in dialogue.[8] The English dub, released starting in late 2007 by Viz Media, features Alessandro Juliani as L, whose portrayal introduces greater emotional inflection and dynamic range compared to the original, adapting the role for Western viewers by heightening the character's underlying intensity and vulnerability.[7] Juliani's approach contrasts with Yamaguchi's restraint, incorporating subtle shifts in pitch to convey L's rare moments of doubt or amusement, enhancing accessibility without altering the core analytical demeanor.[9] Madhouse's animation style for L incorporates fluid, exaggerated movements to capture his idiosyncratic habits, such as the signature hunched sitting posture and habitual consumption of sweets, which are rendered with smooth line work to emphasize his unconventional physicality.[6] During key deduction sequences, the studio employs close-up shots with intensified facial expressions—wide eyes and subtle smirks—to visually amplify L's deductive prowess, drawing from the manga's original design influences for a faithful yet stylized portrayal. This technique contributes to the series' overall cinematic quality, blending realistic shading and dynamic camera angles to make L's presence both quirky and imposing.[10] L's portrayal extends to the Madhouse-produced spin-off specials Death Note: Relight (2007–2008), where Kappei Yamaguchi reprises the role with expanded introspective monologues that provide deeper insight into L's mindset and motivations.[11] These specials recast events from L's perspective, allowing Yamaguchi's voice work to explore the character's isolation and strategic depth through reflective narration, maintaining the monotone delivery while adding layers of quiet contemplation.Live-action
Kenichi Matsuyama portrayed L in the 2006 Japanese live-action films Death Note and Death Note: The Last Name, directed by Shusuke Kaneko. His performance captured the character's reclusive genius through distinctive slouched posture, wide-eyed stares, and habitual consumption of sweets, earning praise for its fidelity to the manga's eccentric depiction.[12] Matsuyama prepared by immersing himself in the role, aiming to embody L's mannerisms during filming to convey the detective's unconventional brilliance./Films) He reprised the role in a brief cameo in the 2016 film Death Note: Light Up the New World, appearing alongside a young successor.[13] LaKeith Stanfield played L in the 2017 Netflix American adaptation Death Note, directed by Adam Wingard and set in Seattle. Stanfield drew from the manga, anime, and prior live-action versions for inspiration, collaborating with the director to infuse personal touches while adapting L's quirks—such as squatting and sugar obsession—to a localized, contemporary American context.[14] His interpretation emphasized L's awkward eccentricity and intellectual intensity, incorporating subtle improvisations in delivery to highlight the character's isolation.[15] Critics noted contrasts in the actors' approaches due to live-action constraints and cultural adaptations. Matsuyama's portrayal relied on restrained, subtle physical tics and minimal emotional variance to evoke L's detached intellect, aligning closely with the source's stoic demeanor.[12] In contrast, Stanfield's performance allowed for a broader emotional range, including visible frustration and vulnerability, which humanized L but deviated from the original's impassivity to suit the film's faster pacing and Western narrative style.[16] In the 2015 Japanese television drama Death Note, Kento Yamazaki took on the role of L across 11 episodes, portraying a more youthful and digitally savvy version of the detective in a modernized investigation. Yamazaki's casting brought a fresh intensity to L's cat-and-mouse dynamic with Light Yagami, though it received mixed feedback for altering some canonical traits.[12]Other media
L has been portrayed in several video games that highlight his role as a brilliant detective through interactive mechanics focused on deduction and strategy. In Death Note: Kira Game (2006), a Nintendo DS title developed by Konami, players can assume L's role in a turn-based social deduction format, navigating dialogue trees and decision points to unmask Kira, thereby reflecting his analytical and psychological tactics. The game uses visual likenesses derived from Takeshi Obata's manga artwork, without voice acting, to emphasize L's enigmatic presence.[17] Similarly, in DEATH NOTE Killer Within (2024), an online social deduction game by Bandai Namco Entertainment, L serves as the central investigator role, where players must identify Kira through discussion and evidence gathering, underscoring his methodical approach in multiplayer sessions supporting up to 10 participants.[18] The character's depiction extends to live stage performances in Death Note: The Musical, which premiered in Tokyo in 2015 with music by Frank Wildhorn. Actor Teppei Koike embodied L, delivering his lines and songs with physical mannerisms like the signature slouch and intense gaze, while the production employed dynamic lighting, video projections, and ensemble choreography to visualize his investigative processes and the psychological cat-and-mouse dynamic with Light Yagami.[19] The musical has seen revivals, including a 2025 Japanese production at Brillia Hall in Ikebukuro featuring Hiroki Miura as L, and a Korean production running from October 2025 to May 2026 with Kim Sungkyu, Sandul, and Tang Jun-sang alternating in the role.[20][21] L appears in crossover formats, notably the 2021 collaboration between the mobile horror game Identity V and Death Note, where his character model was integrated as a playable skin for the "Prisoner" role, featuring motion-captured animations that replicate Obata's design elements such as his unkempt hair and contemplative posture during gameplay events centered on deduction and pursuit.[22] Merchandise portrayals further cement L's iconic status, with detailed figurines like Good Smile Company's Nendoroid L (2010), a posable collectible that accurately recreates his anime appearance, including accessories like sweets and a laptop to evoke his quirky habits. The 2007 novel L: Change the Wor(l)d by Nisio Isin (under the pseudonym "M"), published by Shueisha, offers a narrative expansion of L's character in an alternate storyline covering his final 23 days, introducing new allies and threats while diverging from Tsugumi Ohba's original manga oversight.Appearances
In Death Note manga and anime
L is introduced in the Death Note manga as the preeminent detective in the world, tasked with apprehending Kira, the anonymous figure behind a series of inexplicable criminal deaths by heart attack. Serialized in Weekly Shōnen Jump from 2003 to 2006 by Tsugumi Ohba and Takeshi Obata, the story positions L as a shadowy genius operating through his assistant Watari, whose true identity remains concealed to protect him from threats. In the early arcs, covering chapters 1–7, L deduces that Kira requires a name and face to execute killings, leading him to orchestrate a daring televised address from the fictional Sakura TV in the Kanto region, where he uses death row inmate Lind L. Tailor as a stand-in to taunt Kira into action. This gambit succeeds when Tailor dies on air, allowing L to pinpoint Kira's location to Japan's Kanto area based on the timing and regional broadcast, showcasing L's penchant for psychological traps and data-driven deduction. To advance the investigation, L assembles an elite Japanese task force comprising police officials, including Soichiro Yagami, father of suspect Light Yagami, to pool resources and analyze patterns in the deaths. His interactions with Light evolve into a tense intellectual duel, marked by L's growing suspicion of the prodigious student after analyzing behavioral data from the Lind L. Tailor incident and subsequent proximity tests. Supported by Watari, who manages logistics and communications, L's dynamic with the task force and Light builds through layered deceptions and proximity tests, heightening the stakes in their pursuit. These early milestones highlight L's unorthodox methods, such as surveillance and probabilistic modeling, as he navigates the ethical ambiguities of the case. The narrative arc culminates in high-stakes confrontations that test L's resolve and ingenuity against Kira's adaptability, underscoring their adversarial rapport as a battle of wits with global implications. Throughout, L's reliance on Watari provides emotional grounding, while his clashes with Light expose vulnerabilities in both, driving the plot toward irreversible turning points. This phase of the story, central to L's character, emphasizes themes of justice and deception without resolving the central conflict.[23] The 2006 anime adaptation by Madhouse, spanning episodes 1–25 for the corresponding arc, remains largely faithful to the manga's early plot but adjusts pacing for television, condensing some investigative sequences while expanding others for dramatic tension. Notably, the anime incorporates additional internal monologues for L, voicing his analytical processes and suspicions in real-time, which adds depth to his enigmatic persona absent in the manga's visual narration. These enhancements, including subtle visual cues during mind games, enhance viewer immersion without altering core events like the Tailor broadcast or task force formation.In films
In the 2006 Japanese live-action films Death Note and Death Note: The Last Name, L's arc deviates significantly from the manga by incorporating expanded action sequences, such as a tense warehouse standoff between L and Light Yagami that heightens their direct confrontations.[24] Unlike the source material, where L meets an abrupt end, the films alter his fate by having him survive the initial shinigami-orchestrated death attempt through strategic use of the Death Note, only succumbing 23 days later following Light's conviction, which extends L's investigative role into the narrative's resolution.[24] These changes emphasize L's persistence and omit successor characters like Near and Mello, streamlining the story around his central rivalry with Light.[24] Kenichi Matsuyama's portrayal of L influences the storyline through his physical transformation, adopting a slimmer, more agile build that enables added chase scenes absent from the manga, amplifying L's on-the-ground pursuit of Kira.[24] Matsuyama's performance shapes L as more arrogantly composed, dressed in white attire and favoring energy drinks over sweets, which subtly shifts the character's eccentric isolation into a sharper, more confrontational dynamic.[24] The 2008 spin-off film L: Change the World centers L in a post-Kira narrative, focusing on his final 23 days as he confronts global bioterrorism threats, including a deadly virus engineered by rogue scientists aiming to eradicate humanity. In this standalone story, L protects a boy and girl connected to the crisis while mentoring his successor, shifting his role from detective to reluctant guardian amid international stakes, diverging entirely from the manga's timeline. In the 2017 Netflix adaptation Death Note, L's pursuit of Light (reimagined as an American high schooler in Seattle) becomes markedly more aggressive, with L traveling from Japan to directly embed himself in the local police investigation led by Light's father.[25] This integration into American settings, complete with cultural nods to films like Donnie Darko, diminishes L's traditional isolation, as he collaborates openly with authorities rather than operating from the shadows, altering the theme of his reclusive genius to one of proactive, high-stakes intervention.[25] Lakeith Stanfield's portrayal further emphasizes this intensity, portraying L as a twitchy, eccentric figure whose deductions drive rapid escalations in the plot.[25]In video games and spin-offs
L features prominently in the spin-off light novel Death Note: Another Note: The Los Angeles BB Murder Cases (2006), written by Nisio Isin under supervision from the original creators Tsugumi Ohba and Takeshi Obata. The story, set as a prequel to the main series, is narrated from the perspective of Naomi Misora, an FBI agent and L's assistant, as she collaborates with L to investigate a series of murders in Los Angeles committed by Beyond Birthday, a former Wammy's House resident and L's rival successor candidate.[26] In video games, L appears as a key non-playable character (NPC) in Death Note: Successors to L (2007, Nintendo DS), a strategy board game adaptation where players control investigators, including L's team, to outmaneuver Kira through deduction-based puzzles and resource management simulating L's analytical methods.[27] L also serves as a support character in the crossover fighting game Jump Ultimate Stars (2006, Nintendo DS), developed by Ganbarion and published by Nintendo, where he assists playable Shōnen Jump protagonists like Light Yagami in battles that emphasize intellectual tactics over physical combat, such as providing deductive buffs or traps.[28] L takes a central playable role in L the ProLogue to Death Note: Spiraling Trap (2008, Nintendo DS), an escape room puzzle game published by Konami, in which players embody a rookie FBI agent trapped in a mysterious facility and must solve intricate traps and riddles in real-time collaboration with L via communication devices, highlighting his eccentric guidance and sweet-craving personality.[29] More recently, L is a selectable role in DEATH NOTE Killer Within (2024, PlayStation 4/5 and PC), an online social deduction game developed by Grounding Inc. and published by Bandai Namco Entertainment, where up to 10 players divide into Kira and investigator teams; as L, the player commands the investigators with unique abilities like transceiver communication and command cards to identify and eliminate Kira while concealing their identity.[30] The game received free updates in 2025, including new roles like Watari and NPA Chief on March 25, and X Kira & N on August 26, which expand L's strategic interactions in multiplayer sessions while preserving his detective archetype.[31][32]Characterization
Personality and traits
L is depicted as an intensely eccentric individual whose behaviors set him apart from societal norms, most notably his habitual slouching posture with knees drawn to his chest and his voracious appetite for sweets, which he attributes to the high caloric demands of his cerebral activities. This quirk underscores his detachment from conventional etiquette and physical presentation, allowing him to maintain focus amid prolonged intellectual exertion.[1] Creator Tsugumi Ohba intentionally crafted L as an "extremely unorthodox character" to provide a stark contrast to the polished demeanor of his adversary, Light Yagami, emphasizing L's role as a disruptive force in the narrative.[1] Beneath these idiosyncrasies lies a profound moral complexity: L is driven by an unwavering commitment to justice, yet he readily employs legally and ethically dubious tactics, such as orchestrating public deceptions and imposing indefinite surveillance, to ensnare wrongdoers. This willingness to transgress boundaries reflects his pragmatic philosophy that the ends justify the means in the pursuit of truth, positioning him as a flawed guardian of order rather than an infallible moral arbiter. L's interpersonal dynamics reveal significant social awkwardness and deep-seated trust issues, largely attributable to his isolated upbringing at Wammy's House, an orphanage that groomed prodigies for detective work. This background fosters his profound reliance on Watari, his sole confidant and logistical support, as L rarely forms genuine connections, viewing most interactions through a lens of suspicion and utility. In supplementary materials, such as the novel Death Note: Another Note – The Los Angeles BB Murder Cases, L's traits evolve to expose greater vulnerability, portraying him in moments of emotional exposure and subtle dependency that humanize his otherwise impenetrable facade.Skills and methods
L exhibits exceptional deductive prowess, employing logical inference and probability assessments to unravel complex cases. He frequently uses probabilistic estimates to evaluate suspects, such as initially assigning Light Yagami a 5% chance of being Kira after their first meeting—a figure that masked his near-certainty, exceeding 90%, as a deliberate deception tactic.[33] This approach allows L to systematically eliminate possibilities, as seen when he connected patterns in criminal deaths to narrow Kira's location to Japan and inferred the killer's likely demographic profile, including age and gender, based on victim selection and timing.[34] A hallmark of his method is the deployment of decoys, exemplified by broadcasting a death row inmate, Lind L. Tailor, posing as L during a live telecast restricted to the Kanto region; Kira's immediate retaliation not only confirmed remote killing capabilities but also pinpointed the perpetrator's geographic area.[35] Technologically, L depends on an extensive network coordinated by his assistant Watari, enabling sophisticated surveillance and data analysis. He constructs a fortified headquarters—a skyscraper outfitted with advanced computers, security cameras, and monitoring systems—to centralize global intelligence on the Kira killings.[35] This infrastructure supports hacking operations, real-time forensic examinations, and widespread deployment of bugs and hidden cameras, such as those installed in the homes of National Police Agency families under investigation, to capture behavioral evidence without direct intervention.[34] Wammy's House, an orphanage for prodigies founded by Watari, further bolsters these efforts by providing a secure facility for training analysts and conducting detailed forensic work on case artifacts.[1] In psychological warfare, L masterfully manipulates adversaries to induce errors, leveraging insights into human behavior to outmaneuver Kira. He provokes reactions through bold exposures, such as revealing his identity to Light during a university entrance exam and subsequently recruiting him to the task force, thereby observing responses under pressure and forcing deviations from calculated caution.[35] These mind games, rooted in L's unorthodox intuition, aim to exploit emotional vulnerabilities, as when the Lind L. Tailor broadcast taunted Kira's sense of justice to elicit a hasty kill.[34] L's methods, however, reveal limitations, including his unconventional appearance and posture, which often lead others to underestimate his physical capabilities. Despite his sedentary habits, L possesses exceptional athletic ability, demonstrated through proficiency in tennis and martial arts. His heavy reliance on intuition, while yielding breakthroughs like gut suspicions of Light, occasionally exposes him to unnecessary risks by prioritizing instinct over empirical safeguards.[33]Reception and legacy
Critical analysis
Critics have examined L's portrayal as an anti-hero, highlighting his moral ambiguity and unconventional methods in the pursuit of justice, often drawing parallels to iconic detectives like Sherlock Holmes who operate outside traditional ethical boundaries. This ambiguity underscores L's role not as a straightforward hero but as a counterpoint to Light Yagami's vigilantism, emphasizing the series' exploration of relativism in law enforcement.[36] Thematic critiques frequently link L's investigative tactics to broader concerns about the surveillance state, particularly in the context of post-9/11 ethical debates on privacy versus security. Academic discussions from around 2010 onward portray L's global monitoring network as a metaphor for expanded state powers in the war on terror, where individual rights erode under the guise of preventing catastrophe. For instance, a 2024 essay applies modern surveillance theory to Death Note, arguing that L's actions reflect real-world tensions between ethical oversight and authoritarian overreach.[37] These interpretations position L's narrative function as a cautionary examination of how justice can devolve into unchecked control.[38] Reviews of L's character arc often critique its perceived incompleteness, noting his early dominance gives way to underutilization as Light's story takes precedence, potentially diminishing the intellectual rivalry at the series' core. Evolving critiques incorporate feminist and gender studies lenses, particularly on L's androgynous presentation as a subversion of masculine detective tropes. Articles in anime-focused feminist scholarship analyze L's gender fluidity—evident in his disheveled appearance, ambiguous mannerisms, and lack of traditional heroism—as challenging binary norms, though often within a series critiqued for sidelining female characters. Such readings frame L's traits as contributing to queer-coded elements in the narrative, enriching interpretations of power dynamics.[39]Popularity and cultural impact
L has garnered significant fanbase appeal, consistently ranking highly in popularity polls among anime characters. In Newtype magazine's polls, L has been recognized as a fan favorite detective. Merchandise featuring L, such as figurines and apparel, has contributed to the series' commercial success, with the Death Note manga alone surpassing 30 million copies in circulation by 2015, underscoring the character's role in driving sales. Cosplay of L remains prevalent at anime conventions, where his distinctive appearance and pose make him a frequent choice among attendees, as highlighted in compilations of standout Death Note cosplays.[40] L's cultural impact extends to internet memes, particularly his signature crouched sitting pose, which has gone viral on social media platforms and inspired humorous content since the series' release.[41] This pose and other quirks have influenced detective archetypes in subsequent anime, such as the analytical enforcers in Psycho-Pass (2012), echoing L's blend of eccentricity and brilliance in crime-solving narratives.[42] In the 2020s, L's legacy has seen renewed global interest through TikTok trends recreating his mannerisms and fan theories speculating on his survival beyond the original story, which have correlated with increased streams of Death Note on Netflix.[43]References
- https://strategywiki.org/wiki/Jump_Ultimate_Stars/Characters