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Lucid Interval
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| Lucid Interval | ||||
|---|---|---|---|---|
| Studio album by | ||||
| Released | August 20, 2002 | |||
| Genre | Deathgrind | |||
| Length | 60:13 | |||
| Label | Relapse | |||
| Producer | Cephalic Carnage, Dave Otero | |||
| Cephalic Carnage chronology | ||||
| ||||
| Alternative cover | ||||
LP and 2011 reissue cover | ||||
| Review scores | |
|---|---|
| Source | Rating |
| Allmusic | |
| Pitchfork Media | 8.1/10 [2] |
| Stylus Magazine | B+[3] |
Lucid Interval is the third full-length album released by Cephalic Carnage. It was released in 2002 via Relapse Records. The album was reissued by Relapse Records with a bonus track on September 13, 2011.[4]
Track listing
[edit]| No. | Title | Length |
|---|---|---|
| 1. | "Scolopendra Cingulata" | 1:35 |
| 2. | "Fortuitous Oddity" | 0:44 |
| 3. | "Anthro Emesis" | 6:21 |
| 4. | "The Isle of California" | 1:21 |
| 5. | "Pseudo" | 5:56 |
| 6. | "Friend of Mine" | 0:08 |
| 7. | "Rebellion" | 3:56 |
| 8. | "Zuno Gyakusatsu" | 0:53 |
| 9. | "Black Metal Sabbath" | 6:15 |
| 10. | "Cannabism" | 0:45 |
| 11. | "Lucid Interval" | 4:11 |
| 12. | "Misguided" | 0:56 |
| 13. | "Puff de la Morte" | 2:36 |
| 14. | "Redundant" | 2:44 |
| 15. | "Arsonist Savior" (song ends at 5:20; hidden track begins at 12:28) | 21:16 |
| 16. | Untitled | 0:36 |
Personnel
[edit]Cephalic Carnage
[edit]- Lenzig Leal – vocals
- Zac Joe – guitar
- John Merryman – drums
- Steve Goldberg – guitar
- Jawsh Mullen – bass
Additional musicians
[edit]- Matt Blanks (Happy Pappy) – electronics, ambient noise
- Angela Vigil (Autopsy Commission) – vocals ("Anthro-Emesis")
- Donovan Breazaeale (Autopsy Commission) – vocals ("Anthro-Emesis")
- Diego Sanchez (Disgorge) – vocals ("Anthro-Emesis")
- A.J. Magana (Disgorge) – vocals ("Anthro-Emesis")
- Keith Sanchez (Catheter) – vocals ("The Isle of California")
- Keith Coombes (Deadspeak) – vocals ("Pseudo")
- Dirk (Evulsion) – vocals ("Pseudo")
- Terry Christbutcher (Excommunion) – vocals ("Zuno Gyakusatsu")
- The Choir of the Damned (Dave Otero (Serberus), Dirk Trujillo (Evulsion), Ron (Mandrake), Keith Sanchez, Tina Sanchez, Than Wilson (Deadspeak), Keith Coombes (Deadspeak)) – backing vocals ("Black Metal Sabbath")
- Ron (Mandrake) – vocals ("Cannabism")
- Tony Perez – acoustic guitar ("Cannabism")
- Joe Tapia (Laughing Dog, Noisear) – vocals ("Misguided")
- Alex Marquez (Laughing Dog, Noisear) – vocals ("Misguided")
- Dylan Yost – violin ("Arsonist Savior")
- Jae Foetusgrubber – backing vocals ("Arsonist Savior")
Production
[edit]- Dave Otero – recording, production, mixing, mastering (Hellion II Studios)
- Cephalic Carnage – production
- Steve Sundberg – additional mastering
- Matthew F. Jacobson – executive production
References
[edit]- ^ "Lucid Interval". allmusic.com.
- ^ "Lucid Interval". pitchfork.com.
- ^ "Lucid Interval". stylusmagazine.com. Archived from the original on February 1, 2010.
- ^ "Cephalic Carnage - Lucid Interval - Reissue CD - A/V Media - Relapse Records : Death Metal, Grindcore, Extreme Metal CDS, DVDS, Vinyl, T-Shirts, Hoodies and merchandise". Archived from the original on April 27, 2012. Retrieved December 22, 2012.
External links
[edit]Lucid Interval
View on Grokipediafrom Grokipedia
A lucid interval refers to a temporary period of restored consciousness or mental clarity following an initial loss of awareness, most classically observed in cases of traumatic brain injury such as epidural hematoma, where a patient briefly regains normal function before neurological deterioration sets in due to increasing intracranial pressure.[1][2] This phenomenon, also known as the "talk and die" syndrome in severe instances, typically occurs after a head injury causes brief unconsciousness, followed by a symptom-free phase lasting minutes to hours, during which the individual may appear fully alert and communicative.[1][3] In medical literature, it is particularly associated with extradural hematomas, affecting 20–50% of such cases,[4] and less commonly with subdural hematomas or diffuse axonal injuries, though it appears in under 3% of pediatric moderate-to-severe traumatic brain injuries overall.[5] Prompt recognition is critical, as timely surgical intervention like hematoma evacuation can lead to favorable outcomes, but delays often result in coma, herniation, or death, with mortality rates escalating in posterior fossa cases.[6]
In legal contexts, a lucid interval describes a brief episode of rationality or sufficient mental competence in an individual otherwise impaired by insanity, dementia, or delirium, enabling them to perform acts requiring capacity, such as executing a will or contract.[7] This doctrine, rooted in common law and widely recognized in testamentary disputes, counters challenges to a person's decision-making ability by establishing that capacity existed at the specific moment of the act, even amid fluctuating cognitive states.[8] Courts assess lucid intervals through evidence like witness testimony or medical evaluations, emphasizing the temporal nature of competence rather than a permanent state, though proving such intervals remains contentious in cases involving progressive conditions like Alzheimer's disease.[8] Historically, the concept bridges neurology and jurisprudence, highlighting how transient neurological normality can have profound implications for autonomy and legal validity.[8]
