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MJ the Musical
MJ the Musical
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MJ
The Musical
Broadway poster
MusicVarious artists
LyricsVarious artists
BookLynn Nottage
BasisThe life and music of Michael Jackson
PremiereDecember 6, 2021 (2021-12-06): Neil Simon Theatre, New York City
Productions2021 Broadway
2023 U.S. Tour
2024 West End
2024 Hamburg
2025 Australia
2026 Asia Tour
2027 UK Tour
AwardsFull list

MJ the Musical is a jukebox musical based on the life of the American entertainer Michael Jackson, focusing on his creative process prior to the Dangerous World Tour. It features Jackson's music, with a book by Lynn Nottage,[1][2] and direction & choreography by Christopher Wheeldon.

MJ was scheduled to premiere on Broadway in mid-2020, but was postponed due to the COVID-19 pandemic in New York City.[3] In November 2019, Ephraim Sykes was cast as Jackson,[4][5] but in June 2021 it was announced that he had been replaced by Myles Frost.[6] The production began previews at the Neil Simon Theatre on December 6, 2021, and officially opened on February 1, 2022.[7] It opened in the London West End on March 27, 2024 until February 28, 2026.

MJ The Musical received mixed reviews from critics but universal acclaim from audiences.[8][9] It was nominated for 10 Tony Awards including Best Musical, with the musical winning four awards, including Best Actor in a Musical for Frost, as well as Best Choreography, Best Lighting Design and Best Sound Design. The original cast recording was also nominated for the Grammy Award for Best Musical Theater Album. By August 2025 the Broadway production had grossed $280 million and sold more than 5 million tickets worldwide.[10][11][12]

Synopsis

[edit]

Act I

[edit]

In June 1992, the cast members are preparing for rehearsals for Jackson's upcoming Dangerous World Tour; the first show in Munich, Germany is in two days. Rob, their manager, tells them to get into their places and warm up. Jackson arrives and watches the process, which leads to the opening number ("Beat It").

As Jackson shares his newest ideas with Rob, Rachel arrives with her cameraman, Alejandro, in hopes of getting an interview with Jackson. He sits with Rachel and recounts some of the terrors he suffered as a child and some of the memorable times when Berry Gordy played his family's hits on his Motown label. Jackson also discusses his collaboration with Quincy Jones and recording his albums Off the Wall, Thriller and Bad with Jones.

Rob and Nick escort Jackson to the press conference at Radio City Music Hall, where he presents his tour and hopes to raise $100 million for the Heal the World Foundation by Christmas 1993 ("Earth Song" / "They Don’t Care About Us").

Act II

[edit]

Jackson proposes new ideas for the tour ("Billie Jean"/"Smooth Criminal"), which Rob and Dave tell him are impractical and that they cannot afford it. Jackson recounts the horrific accident in 1984 when a spark ignited his hair in the making of an advertisement for Pepsi. After listening to Rob's negative feedback, Jackson reminds him of something Quincy said to him, "Keep the faith. Don't let nobody take you down".

As the rehearsal continues, Jackson tells Rachel how the songs open up to him. During a break, a commotion breaks out. Rob tries to keep Rachel away from Jackson and doesn't want her near him, but Jackson manages to find her by disguising himself as a cleaner. He explains to her that the disguise is the only way he can be seen in public, which leads to him singing "Human Nature". After the rehearsal, Jackson explains to Rachel how emotional he feels about being loved by fans and about being teased in the newspapers. He tries to blame everything sad and unusual about himself on others (especially the press) but takes sole credit for his good deeds and success.

As Rob comes to check up on him, Jackson recalls when he played at the Apollo Theater with the Jackson 5 and how he wasn't nervous. Rob tells Jackson that everything they created would be remembered for decades, but the latter replies by asking "Is it perfect?" ("Man in the Mirror"). Jackson appears on stage, prepared to start the first show of the Dangerous Tour, ("Jam (Reprise)", "Black or White" / "Wanna Be Startin' Somethin' (Reprise)".

Cast and characters

[edit]
Character Broadway[13] US National Tour[14] West End[15] Hamburg[16] Australia[17]
2021 2023 2024 2024 2025
Michael Jackson Myles Frost Roman Banks Myles Frost Benét Monteiro Roman Banks / Ilario Grant
Teenage Michael / Young Adult Michael Tavon Olds-Sample Brandon Lee Harris Mitchell Zhangazha Prince Damien Liam Damons
Little Michael Christian Wilson / Walter Russell III Josiah Benson / Ethan Joseph Jaydon Eastman /
Elliot Mugume /
Ethan Sokontwe /
Dylan Trigger
Luan Kizua Blaiyze Barksdale / William Bonner / Cayden Dosoruth / Daniel Makunike
Jackie Jackson John Edwards Jay McKenzie Tavio Wright Prince Orji Kyle Kavully
Tito Jackson / Quincy Jones Apollo Levine Josh A. Dawson Rohan Pinnock-Hamilton DNPRI Conlon Bonner
Jermaine Jackson Lamont Walker II Bryson Jacobi Jackson Simeon Montague William Baugh Loredo Malcolm
Little Marlon Devin Trey Campbell Jaylen Lyndon Hunter Cristiano Cuino / Sekhani Dumezweni / Khanya Madaka / Aidan Oti Nayo Kayleb Alese / Charlie Batchelor / Zavier Pillay / Kael Smith
Marlon Jackson Zelig Williams Brion Marquis Watson Toyan Thomas-Browne Rafael Portela Xavier Gibson
Randy Jackson Raymond Baynard Malcolm Miles Young Aden Dzuda Caleaf Henson G Madison IV
Joe Jackson / Rob Quentin Earl Darrington Devin Bowles Ashley Zhangazha David Hughey Derrick Davis
Katherine Jackson Ayana George Anastasia Talley Phebe Edwards Jessica Mears Josslynn Hlenti Afoa
Berry Gordy / Nick Antoine L. Smith J. Daughtry Matt Mills Perci Moeketsi Wonza Johnson
Rachel Whitney Bashor Mary Kate Moore Philippa Stefani Eve Rades Penny McNamee
Alejandro Gabriel Ruíz Da'von Moody Matt Gonsalves Pedro Reichert Yashith Fernando
Dave Joey Sorge Matt Loehr Jon Tsouras Mario Gremlich Tim Wright

Notable cast replacements

[edit]

Broadway (2021–2025)

[edit]

Musical numbers

[edit]

Performances on October 31 also include a special Halloween closing number of "Thriller"[21]

Recordings

[edit]

Recording for the original Broadway cast album took place on February 7 and 8, 2022.[22] The original Broadway cast recording was released on July 15, 2022.[23] The original cast recording was nominated for a Grammy Award for Best Musical Theater Album.[24]

Development

[edit]

The musical was announced in June 2018.[25] with backing of Michael Jackson's estate. [26] Wheeldon spoke about the musical, stating, "The show is very much anchored in one particular moment in time. I always bring up the fabulous movie that Spielberg made about Lincoln: You take one key moment, I suppose, in the history of someone's life and then sort of use that as an anchor point for past storytelling and, perhaps, some kind of prophecy of what's to come. We'll be doing that with this story." Asked about the dance and choreography, he said he "intend[s] to put quite a lot of Michael's work in the show".[27]

Productions

[edit]
Branding on the Neil Simon Theatre, Manhattan

Broadway (2021)

[edit]

MJ was originally scheduled to premiere in Chicago in 2019, at the Nederlander Theatre.[28][29] The Michael Jackson estate canceled the Chicago tryout due to "scheduling difficulties" brought about by an Actors' Equity Association strike.[30][31]

The musical was scheduled to debut on Broadway in mid-2020 but was postponed to 2021 due to the COVID-19 pandemic. The production is directed and choreographed by Christopher Wheeldon, and it features a book by two-time Pulitzer Prize winner Lynn Nottage.[32][33][34] Scenery for the production is designed by Derek McLane with costuming by Paul Tazewell. Natasha Katz and Peter Nigrini are collaborating on lighting and projection designs respectively. Gareth Owen designed sound production, with hair and wig design by Charles LaPointe.[35] Elijah Johnson took over as Jackson in March 2023 until August 2025.[19] Matte Martinez then stepped into the title role of the production in September 2025.[36]

National Tour (2023)

[edit]

A national tour began in Chicago at the Nederlander Theatre on August 1, 2023, and is scheduled to run through August 3, 2025.[37][38] Jamaal Fields-Green took over as Jackson in July 2024.[39][40] Jordan Markus then stepped into the title role of the production in February 2025.[41][42]

West End (2024-2026)

[edit]

The musical opened in the West End at the Prince Edward Theatre, with previews beginning March 6, 2024 and an official opening night on March 27.[43] Frost reprised his role as Jackson.[44][45] Jamaal Fields-Green then went on to reprise the role as MJ in January 2025.[46][47] It is set to close on February 28, 2026, after running for less than two years.[48]

Hamburg (2024)

[edit]

A German production is expected to play the Stage Theater an der Elbe at Hamburg. Dialogue will be in German with the musical numbers remaining in English. Performances are scheduled to begin on December 1, 2024.[49]

Australia (2025)

[edit]

An Australian production opened at the Sydney Lyric Theatre on February 26, 2025.[50] Banks reprised his role as Jackson.[51] After the Sydney production was closed on August 23, the Melbourne production arrived at Her Majesty’s Theatre with Ilario Grant leading the role as Jackson on September 9.[52]

Asia Tour (2026-)

[edit]

The show’s first international tour is set to begin in October 2026 in major cities across Asia for an initial two-year run. More details will be revealed in the coming months.[53]

UK Tour (2027-)

[edit]

The show is set to tour across the United Kingdom in 2027. More details for the upcoming tour will be revealed in due course.[54]

Box office

[edit]

Ticket sales have averaged more than a million dollars per week on Broadway.[55][56][57] Following the Tony Awards, the weekly gross jumped to $1,661,000, with sold-out shows and brisk advance sales; it received the biggest box office jump that week on Broadway and recorded a new high for the show's sales.[58] By September 4, 2022, it broke the Neil Simon Theater's box office record five times with a total cumulative gross of $49.4 million.[59] As of January 2025, MJ the Musical on Broadway had grossed around $245 Million with a total attendance of 1,679,656 after 1,246 performances.[60] MJ The Musical has ranked amongst the top five highest grossing annual Broadway shows each year since its release.[61] By April 2024, MJ the Musical had sold more than two million tickets worldwide [62] eventually reaching sales of over 5 million by August 2025.[63]

Critical response

[edit]

MJ received mixed reviews from critics. Charles Isherwood of Broadway News criticized Lynn Nottage's book, in particular, writing, "where MJ loses its fleet footing is in the bland, exposition-heavy and often trite dialogue supplied by Nottage ... Clichés, preachy speeches, and baldly obvious dialogue abound."[64] Adam Feldman of Time Out wrote, "'Listen to my music,' says Michael to his interviewer. 'It answers any questions you might have.' Does it? I left the theater entertained, but not convinced I had seen the man in the smoke and mirrors."[65] Maya Phillips of The New York Times wrote, "The musical is inherently hollow; the opacity of Michael Jackson and his life of traumas and controversies make it difficult to find material compelling and cohesive enough to tell a story onstage".[66] The Deadline reporter Greg Evans said the musical was "visually and sonically ravishing",[67] while the Chicago Tribune called the show's scenery gorgeous and the show "beautiful to experience throughout, which one almost never can say about jukebox musicals".[68] Peter Marks of The Washington Post also praised the show and the cast, especially the "utterly persuasive" Frost, and called MJ "a riveting, adrenaline rush of a show".[69] Linda Armstrong of Amsterdam News called the production "spectacular", "stunning" and "off-the-charts".[70] Joe Westerfield of Newsweek said, "In many ways MJ is a living, breathing, even breathless, music video, but with that touch of inspiration, drive and art that only Michael Jackson can provide."[71]

Awards and nominations

[edit]

Original Broadway production

[edit]
Year Award Category Nominee Result Ref.
2022 Tony Awards Best Musical MJ the Musical Nominated
Best Actor in a Musical Myles Frost Won
Best Direction of a Musical Christopher Wheeldon Nominated
Best Choreography Christopher Wheeldon & Rich + Tone Talauega Won
Best Book of a Musical Lynn Nottage Nominated
Best Orchestrations Jason Michael Webb & David Holcenberg Nominated
Best Scenic Design of a Musical Derek McLane & Peter Nigrini Nominated
Best Costume Design of a Musical Paul Tazewell Nominated
Best Lighting Design of a Musical Natasha Katz Won
Best Sound Design of a Musical Gareth Owen Won
Chita Rivera Awards Outstanding Ensemble in a Broadway Show MJ the Musical Nominated [72]
[73]
Outstanding Male Dancer in a Broadway Show Myles Frost Won
Outstanding Choreography in a Broadway Show Christopher Wheeldon Nominated
Drama Desk Awards Outstanding Actor in a Musical Myles Frost Nominated [74]
[75]
Outstanding Featured Actor in a Musical Tavon Olds-Sample Nominated
Outstanding Choreography Christopher Wheeldon, Rich and Tone Taleuega & Michael Balderrama Nominated
Outstanding Orchestrations Jason Michael Webb & David Holcenberg Won
Outstanding Lighting Design Natasha Katz Won
Outstanding Sound Design in a Musical Gareth Owen Won
Outstanding Wig and Hair Design Charles LaPointe Nominated
Drama League Awards Outstanding Production of a Musical MJ the Musical Nominated [76]
Distinguished Performance Myles Frost Nominated
Outstanding Direction of a Musical Christopher Wheeldon Nominated
Grammy Awards Best Musical Theater Album Myles Frost (principal vocalist), Tavon Olds-Sample (principal vocalist), David Holcenberg (producer), Derik Lee (producer), Jason Michael Webb (producer) Nominated [24]
Outer Critics Circle Awards Outstanding New Broadway Musical MJ the Musical Nominated [77]
[78]
Outstanding Actor in a Musical Myles Frost Nominated
Outstanding Direction of a Musical Christopher Wheeldon Nominated
Outstanding Choreography Christopher Wheeldon & Rich + Tone Talauega Won
Outstanding Featured Actor in a Musical Quentin Earl Darrington Nominated
Outstanding Orchestrations Jason Michael Webb & David Holcenberg Nominated
Outstanding Lighting Design Natasha Katz Nominated
Theatre World Awards Outstanding Debut Performance Myles Frost Won [79]

Original West End production

[edit]
Year Award Category Nominee Result Ref.
2024 Black British Theatre Awards Best Musical MJ the Musical Won
Best Musical Director Sean Green Won
Best Graduate Kwamè Kandekore Won
Best Child Performer Dylan Trigger Nominated
Best Supporting Female Actor in a Musical Phebe Edwards Nominated
2025 Laurence Olivier Awards Best New Musical MJ The Musical Nominated [80]
Best Actor in a Musical Myles Frost Nominated
Best Theatre Choreographer Christopher Wheeldon Won

See also

[edit]

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
MJ the Musical is a that explores the creative process and artistry of during the preparations for his 1992 *, featuring over 25 of his iconic songs arranged by David Holcenberg and Jason Michael Webb. The production premiered in previews on Broadway at the on December 6, 2021, and officially opened on February 1, 2022, after delays due to the . It was created by a distinguished team, including a book by two-time winner , direction and choreography by Tony Award winner , music supervision, orchestrations, and arrangements by David Holcenberg and Jason Michael Webb, scenic design by Derek McLane, costume design by Paul Tazewell, lighting design by , and sound design by Gareth Owen. In 2022, MJ the Musical received 10 Tony Award nominations and won four, including Best Performance by a in a Musical for Myles Frost's portrayal of Jackson, Best for Wheeldon, Best of a Musical for Katz, and Best of a Musical for Owen. The show has enjoyed commercial success, grossing over $100 million on Broadway by mid-2023 and continuing to run as of November 2025, while launching national tours across and an international production in London's West End that opened in March 2024 and is scheduled to close in February 2026.

Synopsis

Act I

The musical opens in 1992 at Michael Jackson's , where rehearsals for his upcoming are underway. A fictional journalist named Rachel arrives with her young son, a devoted fan of Jackson, to conduct an about the tour preparations. As the interview begins, Jackson shares glimpses of his life, setting the stage for explorations of his past and present pressures. Jackson's interactions with his mother, , highlight the complex family dynamics rooted in the era. Katherine offers maternal support amid discussions of the harsh upbringing under their father Joe Jackson's strict regime, evoking memories of childhood trauma and the exploitation that propelled their early fame. These conversations underscore the lingering impact of their , origins and the relentless demands of performing from a young age. Throughout Act I, scenes shift to Jackson's creative process during rehearsals, where he collaborates with his team to perfect and staging. Visions of his younger selves—depicting the and Thriller-era performer—interrupt the present, symbolizing the internal conflicts driving his artistry. These hallucinations reveal how past experiences fuel his perfectionism, as he pushes dancers and musicians to match his vision. The narrative builds tension around the tour's mounting pressures, including an encounter with a suspicious doctor who administers painkillers, hinting at Jackson's reliance on without delving into specifics. Subtle allusions to personal allegations surface through media scrutiny during a , but the focus remains on Jackson's professional demands rather than direct confrontation. Key musical sequences integrate hits like "" and "ABC" into flashback performances, illustrating the exploitation of his childhood talent and the joy mixed with burden of early stardom. These numbers, performed by ensemble members portraying the young Jacksons, contrast the innocence of youth with the adult Jackson's reflections on lost normalcy.

Act II

As the preparations for the intensify, the journalist 's investigation delves deeper into Michael's personal struggles, revealing the profound pain inflicted by his relentless fame, the physical and emotional from his during childhood, and the unrelenting media scrutiny that has shadowed his career. Through conversations with Michael's mother, , Rachel uncovers layers of family trauma that have shaped his psyche, highlighting how these experiences have fueled both his genius and his isolation. A tense confrontation unfolds between Michael and his doctor—a figure within his inner circle—who is exposed for exploiting Michael's vulnerabilities for personal gain, including questionable medical practices and financial opportunism that exacerbate his health issues. This revelation underscores the predatory elements surrounding Michael, as his entourage grapples with loyalty versus self-interest amid the tour's mounting pressures. The scene amplifies the external threats compounding Michael's internal turmoil, drawing parallels to real-life controversies documented in biographical accounts of his . Interwoven flashbacks shift to Michael's career milestones, such as his collaboration with on the Thriller album and the creation of iconic performances, alongside reflections on financial pressures, including mortgaging to fund the tour and his charity efforts. These vignettes humanize Michael, showing his desire for artistic innovation and humanitarian impact as a counterbalance to the loneliness of stardom, while subtly referencing the enduring impact of his early family dynamics. The narrative builds emotional depth, portraying these pursuits as anchors in his quest for authenticity beyond the spotlight. The act crescendos with electrifying sequences from the tour's opening night, featuring high-energy renditions of iconic hits like "," with its signature moonwalk, and "," complete with undead dancers and horror-themed choreography that captivates the audience. These performances not only showcase Michael's innovative artistry and command of the stage but also serve as a triumphant release of his pent-up emotions, transforming personal pain into universal spectacle. Additional numbers like "" and "" further explore themes of isolation and vulnerability. In the resolution, Michael reflects on his journey through a press conference highlighting his humanitarian work amid scrutiny, confronting the shadows of his past and reaffirming his unyielding commitment to his creative legacy. The story culminates in a dynamic medley of "Jam" transitioning into "Black or White," emphasizing perseverance and the power of music to heal and connect, leaving the audience with an uplifting message of resilience and the enduring impact of his contributions to pop culture. This closing affirms Michael's identity as an artist above all, on a note of defiant optimism.

Cast and characters

Principal roles

The principal roles in MJ the Musical center on key figures from 's life and the fictionalized narrative surrounding his preparations for the 1992 . The lead role is [Michael Jackson](/page/Michael Jackson) (MJ), portrayed by in the original Broadway production, capturing the pop icon's artistic genius, vulnerability, and relentless dedication to his craft amid personal and professional pressures. Katherine Jackson serves as the nurturing matriarch and emotional anchor of the Jackson family, embodying familial support, spiritual strength, and gospel influences that shaped Michael's early years; she was originated by Ayana George. The role of Joseph Jackson/Rob, a dual portrayal of Michael's strict father and the demanding tour director, highlights themes of authority and exploitation in Jackson's life, first played by Quentin Earl Darrington. Rachel, the journalist and reporter filming a documentary on the tour, acts as the audience's guide and catalyst for exploring Jackson's past, originated by Whitney Bashor. Little Michael represents the child version of Jackson during his era, depicting lost innocence and prodigious talent through a rotating cast of young performers, including originals Walter Russell III, Christian Wilson, and Devin Trey Campbell. Alejandro, the cameraman for the documentary crew, provides an observational lens into Jackson's world, portrayed originally by Gabriel Ruiz. Supporting ensemble roles, such as family members like (John Edwards) and dancers, flesh out the Jackson household and tour environment, with the ensemble contributing to the musical's dynamic choreography and vocal harmonies.

Notable casts and replacements

On Broadway, originated the role of in 2022, earning a Tony Award for his performance. He was succeeded by Elijah Rhea Johnson, who assumed the lead on April 4, 2023, bringing a dynamic vocal and dance interpretation to the production through August 2025. Matte Martinez then took over the title role beginning September 2, 2025, marking a fresh transition in the long-running show. The North American tour launched in August 2023 with Roman Banks starring as , delivering an acclaimed debut that highlighted his vocal prowess and stage command. Jamaal Fields-Green replaced him on July 30, 2024, becoming the first performer to play the role on Broadway, tour, and later West End, with his tenure noted for seamless integration of Jackson's signature moves. Jordan Markus succeeded Fields-Green as of December 31, 2024, continuing as the lead into the tour's third year starting in in September 2025. In the West End production, which opened in March 2024, reprised his Broadway role as until January 11, 2025. Jamaal Fields-Green then stepped in on January 14, 2025, infusing the London run with his versatile portrayal ahead of the show's scheduled closure on February 28, 2026. Internationally, the German-language production premiered on December 1, 2024, at Hamburg's Stage Theater an der , with Benét Monteiro leading as in a cast blending English songs and German dialogue. In , the season began September 9, 2025, at Her Majesty's Theatre, starring Ilario Grant as , who transitioned from a Broadway standby role to headline the local company. Notable ensemble adjustments have supported these leads, particularly on tour, where the third-year cast in 2025-2026 incorporated new swings like Omarion Burke and Jahir L. Hipps to maintain the production's high-energy amid ongoing rotations.

Musical numbers

Songs performed

MJ the Musical features over 25 of Michael Jackson's greatest hits, along with additional tracks from his era, integrated into the narrative to advance the story of his creative process and personal struggles. The production includes 35 songs total, with the cast performing live vocals accompanied by a live band and intricate dance sequences. The show recontextualizes these tracks to fit the plot, often blending them into medleys or using to highlight themes of fame, , and self-expression, while maintaining the high-energy that defined Jackson's performances. All songs are delivered through live by the actors, who emulate Jackson's vocal style, supported by the for an authentic concert-like atmosphere. The first act draws heavily from Jackson's early career with the Jackson 5 and his initial solo efforts, using upbeat and nostalgic tracks to establish his rise to stardom and familial dynamics. The songs include:
  • "Beat It"
  • Jackson 5 Medley: "The Love You Save" / "I Want You Back" / "ABC"
  • "I'll Be There"
  • Medley: "Don’t Stop ‘Til You Get Enough" / "Blame It on the Boogie" / "Dancing Machine"
  • "Stranger in Moscow"
  • "You Can’t Win"
  • "I Can’t Help It"
  • "Keep the Faith"
  • "Wanna Be Startin’ Somethin’"
  • Medley: "Earth Song" / "They Don’t Care About Us"
In the second act, the focus shifts to Jackson's mature solo work, incorporating darker, more intense songs to delve into media scrutiny and global impact. The selections build to a climactic finale, with tracks like: Other songs include "" / "", a medley of "" / "Papa’s Got a Brand New Bag" / "(Your Love Keeps Lifting Me) Higher and Higher", "Climb Ev’ry Mountain", "", and "Workin’ Night and Day" (orchestra). Medleys are edited to flow seamlessly with the dialogue and , ensuring the music drives the emotional arc without altering core compositions. This approach blends his pop, R&B, and rock influences into a cohesive theatrical .

Recordings

The Original Broadway Cast Recording for MJ the Musical was released on July 15, 2022, by , a division of Entertainment. Produced by David Holcenberg and Jason Michael Webb, with co-production by Derik Lee and executive production by Lia Vollack, , and John McClain, the features new studio performances by the original Broadway cast, led by as , singing and arranging 20 tracks drawn from the show's repertoire of Michael Jackson's songs. The recording was made at Power Station at BerkleeNYC in over two days in February 2022. The track listing closely mirrors the musical's sequence, opening with "" and closing with a medley finale of "," "," and "Wanna Be Startin' Somethin'," while incorporating ensemble numbers like the Jackson 5 medley (," "," and "ABC"). Upon release, the album debuted at number one on Billboard's Cast Albums chart, marking a commercial success for the format. It later earned a nomination for Best Musical Theater Album at the in 2024, with principal vocalists and Tavon Olds-Sample, alongside producers Holcenberg, Lee, and Webb. No dedicated cast recordings have been produced for the North American tour, West End production, or other international stagings, such as the German or planned Australian versions; the original remains the sole official audio release and is available digitally worldwide through platforms like and .

Development

Conception and creative team

The development of MJ the Musical began with an announcement on June 19, 2018, from the , in partnership with Columbia Live Stage, revealing plans for a celebrating the pop icon's artistry and legacy through his hit songs, without intending a traditional biographical . The production aimed to capture the essence of Jackson's creative genius, drawing on his catalog to evoke his performances and influence. The book was written by two-time Pulitzer Prize winner Lynn Nottage, who crafted a fictional story centered on the preparations for Jackson's 1992 , emphasizing his artistic process and personal dynamics among his team rather than a direct recounting of his life events. Direction and choreography were led by , a Tony Award winner known for his successful transitions of ballet-inspired works to Broadway, such as An American in Paris. Music supervision, orchestrations, and arrangements were handled by David Holcenberg, who earned nominations for Tony, Grammy, and Drama Desk Awards for his contributions. The creative team was rounded out by scenic designer Derek McLane, a two-time Tony Award winner whose industrial, versatile set facilitated the show's dynamic transitions; lighting designer , an eight-time Tony Award winner who illuminated the production's high-energy sequences; and costume designer Paul Tazewell, who drew from Jackson's iconic wardrobe to blend historical accuracy with theatrical flair. Lead producers included Lia Vollack, alongside and John McClain of the Estate, with development advancing through a first table reading and developmental lab in 2019.

Workshops and pre-Broadway production

The development of MJ the Musical featured a series of industry readings and workshops to refine Lynn Nottage's book, Christopher Wheeldon's direction and choreography, and the integration of Michael Jackson's music catalog. In 2018, shortly after the project's announcement, the production team conducted a 29-hour reading and developmental lab presentation to test early material. By 2019, the creative team and performers were midway through the third such workshop in New York, focusing on narrative structure and staging elements. These sessions allowed for iterative feedback amid initial plans for an out-of-town tryout in , which were ultimately canceled due to union-related issues. The disrupted traditional rehearsals, prompting virtual workshops in 2020 that enabled the team to run through the full script aloud despite remote constraints. Additional virtual sessions continued into 2021, maintaining momentum as the production navigated delays and a postponed Broadway opening. A pivotal full workshop occurred in the summer of 2021, during which Myles Frost was selected for the lead role of after demonstrating mastery of the singer's vocals, dance, and emotional depth. The workshops also addressed challenges in handling sensitive topics, including allegations of child abuse against Jackson, which the creative team approached indirectly by setting the story in 1992—before the first public accusation in 1993—to emphasize his artistic process without direct confrontation. Casting was finalized in August 2021, with principal roles filled by performers like Frost, Whitney Bashor, and Quentin Earl Darrington. Technical rehearsals began in late 2021, culminating in previews at the Neil Simon Theatre on December 6, 2021, ahead of the February 1, 2022, opening; the show's runtime was established at 2 hours and 30 minutes, including intermission.

Productions

Broadway production (2022–present)

MJ the Musical began previews on Broadway at the on December 6, 2021, following multiple delays due to the that had originally postponed its debut from summer 2020. The production faced additional interruptions from cases among the cast and crew, including cancellations of performances through December 26, 2021, during its preview period. It officially opened on February 1, 2022, directed and choreographed by with a book by . The original cast was led by in the central role of , earning him a Tony Award for Best Performance by a in a Musical. The , with a of 1,467, has hosted the production continuously since its opening, aside from brief pandemic-related pauses. Notable technical innovations include projection design by Peter Nigrini, which employs pixel-perfect mapping to create immersive illusions, such as the dynamic and simulated flying sequences during the "" performance. The show marked its third anniversary on Broadway on February 1, 2025, with celebrations highlighting its enduring popularity and the current cast led by Matte Martinez as , who assumed the role on September 2, 2025. Subsequent replacements in principal roles, including Frost's successors in the title role, have maintained the production's high energy and fidelity to Jackson's artistry. As of November 2025, no closure has been announced, and tickets are available through July 5, 2026.

North American tour (2023–present)

The first North American tour of MJ the Musical launched with previews on August 1, 2023, at Chicago's James M. Nederlander Theatre, opening officially on August 9, and is produced by Lia Vollack, John Branca, and John McClain in association with Michael Jackson's estate, with presentations by Broadway Across America. The tour adapts the Tony Award-winning Broadway production for regional theaters and arenas across the United States and Canada, centering on Michael Jackson's creative process during preparations for his 1992 Dangerous World Tour. As of November 17, 2025, the production has recently concluded its engagement at the Jubilee Auditorium in (November 11–16) and is scheduled for the Jubilee Auditorium in (November 18–23), followed by the Queen Elizabeth Theatre in (November 25–30). The tour's multi-year itinerary extends through May 2026, encompassing major stops such as the Orpheum Theatre in (March 24–April 5, 2026). Jordan Markus stars as in the tour's third year, having originated the role in the before ascending to the lead in 2024; he is joined by DeAundre' Woods as the alternate MJ, performing the role twice weekly. The production maintains a runtime of 2 hours and 30 minutes, including one intermission, and features the same core creative team as Broadway, including director-choreographer and book writer , while accommodating diverse venue sizes with its projection-heavy scenic design by Derek McLane and Peter Nigrini.

West End production (2024–2025)

The West End production of MJ the Musical began previews on March 6, 2024, at the Prince Edward Theatre in London's district. The show officially opened on March 27, 2024, marking the UK premiere of the musical inspired by Michael Jackson's life and artistry during the preparation of his 1992 . Directed and choreographed by , the production retained the core creative elements from its Broadway counterpart while adapting to the intimate scale of the Prince Edward Theatre, which has a seating capacity of approximately 1,650 across three levels: stalls, dress circle, and grand circle. Myles Frost, who originated the role of Michael Jackson on Broadway and won a 2022 Tony Award for his performance, reprised the lead at the West End launch, bringing his acclaimed portrayal of the pop icon's charisma and vulnerability to London audiences. Frost's tenure concluded on January 11, 2025, after which Jamaal Fields-Green assumed the role starting January 14, 2025, drawing on his prior experience from the North American tour to infuse the production with fresh energy. Subsequent cast rotations included Mitchell Zhangazha as Michael (the younger version) by April 2025, with Jamaal Fields-Green continuing in the lead role of Michael Jackson since January 2025, ensuring continuity in the ensemble's dynamic portrayal of Jackson's collaborators and family. The production's marketing strategy emphasized Michael Jackson's enduring global appeal, targeting core fans through and paid digital campaigns tailored to the competitive West End landscape, while highlighting the musical's celebration of his innovative artistry and hits like "" and "Thriller." This approach helped build anticipation in a market saturated with musicals, positioning MJ as a high-energy accessible to both longtime admirers and new audiences. Originally slated for a limited run, the West End engagement proved successful enough for multiple extensions, with performances continuing through February 28, 2026, for a total duration of nearly two years from opening. The closure will pave the way for a UK tour and further international expansions, allowing the production to reach broader audiences beyond London's theatre district. In April 2025, the cast performed "" at the Olivier Awards at the Royal Albert Hall, showcasing the show's choreography and earning acclaim for its high-octane execution. The production received the Olivier Award for Best Choreography that year, recognizing Wheeldon's innovative fusion of Jackson's signature moves with narrative storytelling.

German production (2024–present)

The German production of MJ the Musical, titled MJ – Das Michael Jackson Musical, premiered on December 1, 2024, at the Stage Theater an der in , marking the first German-language adaptation of the show. Produced by Stage Entertainment, the staging features spoken dialogue translated into German while retaining 's original English songs performed live, allowing audiences to experience the music in its authentic form alongside localized narrative elements. Brazilian performer Benét Monteiro stars as the titular , bringing his extensive musical theater experience from previous productions to the demanding lead role. The venue, with a of approximately 1,500, has hosted the production on an open-ended run, reflecting strong initial demand in Hamburg's vibrant musical theater scene, which has long been a European hub for major Broadway imports. As of November 2025, performances continue without an announced closure date, with tickets available through at least August 2026, underscoring the show's sustained popularity. Critics and audiences have particularly commended the production for its faithful reproduction of the original , capturing the high-energy sequences that define Jackson's legacy while integrating seamlessly with Hamburg's tradition of elaborate musical spectacles. The ensemble's precise execution of these elements has been highlighted as a standout feature, contributing to the show's immersive appeal for local theatergoers.

Australian productions (2025–2026)

The Australian premiere of MJ the Musical commenced with previews at the Lyric Theatre on February 26, 2025, followed by the official opening night on March 8, 2025. The production starred Roman Banks as and was presented by the Michael Cassel Group in the 2,000-seat venue. It concluded its Sydney run on August 23, 2025, after a six-month engagement that drew strong attendance amid high demand. The show then transferred to 's Her Majesty's Theatre, a venue with approximately 1,700 seats, opening on September 24, 2025, under the same production banner. Ilario Grant assumed the lead role of for the Melbourne season, which is set to continue until March 1, 2026. Following , the Australian tour will proceed to Brisbane's (QPAC) Lyric Theatre for a run beginning in March 2026, before concluding the initial national itinerary at Perth's Crown Theatre in June 2026. These engagements feature the Michael Cassel Group's commitment to staging the musical in major 1,500- to 2,000-seat theaters across the country.

Planned future tours

Following the success of its North American tour, MJ the Musical has announced expansions into new international markets. The production's first is scheduled to launch in October 2026, visiting major cities across for an initial two-year run with a global cast. Produced by the Michael Cassel Group in association with the Lia Vollack Company and the , further details on specific venues, dates, and casting remain pending as of November 2025. A tour is set to begin in 2027, shortly after the West End production closes on February 28, 2026, at the Prince Edward Theatre. This roadshow will follow a model similar to the North American tour, performing in cities across the , though exact locations and schedules are to be announced. The tour is produced by the Vollack Company alongside co-executors of the Estate, and John McClain, aiming to bring the show to Jackson's extensive fanbase. As of November 2025, no additional tours have been announced for other regions, including potential extensions in beyond the ongoing German production, or plans for or . These developments reflect the Estate's broader approach to global expansion of the musical, building on over five million worldwide attendees to date and leveraging Jackson's enduring international appeal.

Box office

Broadway grosses

MJ the Musical's Broadway production was capitalized at $22.5 million. The show recouped its full investment by May 15, 2023, approximately 15 months after its official opening on February 1, 2022. As of November 9, 2025, the production had generated a cumulative gross of $297 million across 1,574 performances, including 39 previews. This financial success reflects the show's sustained popularity in its ongoing run at the since 2022. In 2025, weekly grosses for the production have typically ranged from $1.2 million to $1.4 million, demonstrating steady performance amid a competitive Broadway landscape. Notable peaks include $1.46 million for the week ending October 12, 2025, driven by seasonal demand. The highest weekly gross to date remains $2.61 million, achieved during the 2023 holiday season. Capacity utilization at the 1,387-seat has been consistently high since recoupment, often reaching 95-100% and supported by robust tourism recovery. Recent weeks show attendance percentages around 87-99%, with averages contributing to average ticket prices of 126126-130. Among jukebox musicals, MJ the Musical's earnings place it on a trajectory comparable to , which amassed $558 million over 4,642 performances during its long run. MJ's faster pace toward $300 million underscores its strong market position in the genre.

Touring and international performance

The North American tour of MJ the Musical, launched in 2023, has performed across multiple cities, underscoring the production's strong appeal in regional markets driven by Michael Jackson's enduring popularity. In the West End, the production at the Prince Edward Theatre opened in March 2024 and is scheduled to close on February 28, 2026, demonstrating solid commercial viability in London's competitive theater landscape despite mixed critical reception. The Australian productions ran at the Sydney Lyric Theatre from February to August 2025 and continue at Her Majesty's Theatre in since September 2025. These engagements highlight the musical's resonance with audiences in the region, contributing to expanded touring plans. Germany's production premiered in at Stage Theater an der Elbe in December 2024. As of August 2025, MJ the Musical had sold more than 5 million tickets worldwide.

Critical reception

Initial reviews

Upon its Broadway premiere on February 1, 2022, at the , MJ the Musical received mixed reviews from critics, who lauded the technical brilliance and performances while faulting the narrative for sidestepping Michael Jackson's personal controversies. Myles Frost's portrayal of Jackson was widely acclaimed for its energy and precision, with Variety describing his execution of the choreography as "nimble" and capturing the icon's signature moves, including the moonwalk, with remarkable fidelity. Director-choreographer Christopher Wheeldon's staging was similarly praised for its innovative integration of dance, transforming Jackson's hits into a visually stunning spectacle that evoked his concert tours. However, Lynn Nottage's book drew criticism for evading the allegations that shadowed Jackson's later years, with calling the production a "strange" avoidance of the "big story" at its core, awarding it an effective mixed assessment in line with its 3/5 equivalent sentiment. Aggregate critic scores reflected this divide, with BroadwayWorld compiling a 68.1% "thumbs sideways" rating from professional reviews, indicating a generally middling reception focused more on value than dramatic depth. Audience responses, in contrast, were overwhelmingly enthusiastic from the outset, with Show-Score aggregating a 92% positive rating based on thousands of user submissions, highlighting the show's appeal as a high-energy tribute. Early attendee feedback was highly positive, emphasizing the exhilarating live renditions of songs like "Thriller" and "." The West End transfer, which opened on March 27, 2024, at the Prince Edward Theatre, garnered a more favorable critical response, with reviewers appreciating its escapist joys amid ongoing debates about Jackson's legacy. The Guardian awarded it 3 out of 5 stars, praising Wheeldon's "gravity-defying" choreography as a "triumph of dance" that overshadowed narrative shortcomings, while noting the production's careful navigation of UK audience sensitivities around the allegations through a focus on artistic process rather than explicit confrontation. Overall, critics across outlets like The Times described it as "unbeatable entertainment," with Show-Score user ratings reaching 93%, underscoring its status as a crowd-pleasing spectacle. Common themes in initial reactions to both productions highlighted the show's prioritization of visual and musical spectacle over psychological depth, positioning MJ as a thrilling but superficial homage that nonetheless captivated audiences with its infectious energy and faithful recreation of Jackson's performative genius.

Subsequent responses and legacy

Following its Broadway premiere, perceptions of MJ the Musical's script evolved through the 2023–2025 North American tour, where reviewers noted refinements that enhanced narrative clarity and emotional depth amid ongoing performances. Tour critics praised the production's accessibility for diverse audiences, with the Chicago Tribune describing it as "a brilliantly choreographed, gorgeously executed celebration" that introduced Jackson's artistry to new viewers. By 2025, updates in staging and casting further emphasized the show's ability to balance spectacle with introspection, as seen in reviews highlighting its role in sustaining audience engagement over multiple runs, including the ongoing North American tour through November 2025. The production faced renewed controversy in 2024 and 2025 over its handling of allegations against Jackson, with critics arguing it sanitized his story by prioritizing artistic tribute over accountability. Playwright defended the approach as an intentional artistic choice to focus on Jackson's creative process rather than litigation, stating in interviews that the narrative aimed to explore complexity without endorsing or denying claims. This backlash, echoed in international , underscored ongoing debates about biographical theater's ethical boundaries. In its legacy, MJ the Musical has revived interest in Jackson's catalog, with monthly Spotify listeners increasing from approximately 24 million in 2020 to over 67 million as of November 2025. The production influenced trends by demonstrating how hit-driven formats could incorporate and to educate on pop history, serving as a gateway for younger audiences to Jackson's innovations in music and performance. Internationally, responses varied by cultural context; Australian critics in 2025 lauded the dance sequences for their precision and innovation, with the Sydney Morning Herald highlighting director-choreographer Christopher Wheeldon's adaptation of Jackson's style as a "conquest" blending rigor with pop energy, though overall reviews were mixed due to concerns. In , the 2024 production at Stage Theater an der Elbe was praised for its universal appeal, emphasizing themes of creativity and fame that transcended cultural specifics through energetic performances. These variances reinforced the musical's adaptability while amplifying its role in global pop discourse.

Awards and nominations

Tony Awards

MJ the Musical received ten nominations at the in 2022, marking a significant recognition for the Broadway production. The show was nominated for Best Musical, Best Book of a Musical (), Best Performance by an Actor in a Leading Role in a Musical (), Best Direction of a Musical (), Best Choreography of a Musical (), Best Scenic Design of a Musical (Derek McLane), Best Costume Design of a Musical (Paul Tazewell), Best of a Musical (), Best Sound Design of a Musical ( Owen), and Best Orchestrations (David Holcenberg and Jason Michael Webb). It ultimately won four awards: Best Performance by an Actor in a Leading Role in a Musical for 's portrayal of , Best Choreography of a Musical for , Best of a Musical for , and Best Sound Design of a Musical for Owen.
CategoryNomineeResult
Best MusicalMJ the MusicalNominated
Best Book of a MusicalNominated
Best Performance by an Actor in a Leading Role in a MusicalWinner
Best Direction of a MusicalNominated
Best Choreography of a MusicalWinner
Best Scenic Design of a MusicalDerek McLaneNominated
Best Costume Design of a MusicalPaul TazewellNominated
Best Lighting Design of a MusicalWinner
Best Sound Design of a MusicalGareth OwenWinner
Best OrchestrationsDavid Holcenberg and Jason Michael WebbNominated
The production featured a live performance of "Smooth Criminal" during the ceremony, showcasing the choreography and energy that contributed to its awards success. Following the wins, MJ the Musical experienced a substantial box office increase, with weekly grosses rising significantly due to heightened visibility and audience interest.

Olivier Awards

At the 2025 Laurence Olivier Awards, held on April 6 at the Royal Albert Hall, the West End production of MJ the Musical at the Prince Edward Theatre earned three nominations. These included Best New Musical, Best Actor in a Musical for as , and the Award for Best Theatre Choreographer for . The production secured one victory, with Wheeldon winning for his , which was praised for its innovative fusion of Michael Jackson's dance legacy with narrative . No other categories, such as design or lighting, resulted in wins for the show. During the ceremony, the West End cast, led by , delivered a high-energy performance of "," showcasing the award-winning and highlighting the musical's tribute to Jackson's iconic style. This live rendition underscored the production's visual and kinetic appeal, drawing applause for its precise execution and ensemble dynamics. The Olivier win for represented a key milestone for MJ the Musical in the , affirming its artistic merit following its March 2024 West End and contributing to heightened visibility that preceded announcements of a major UK tour starting in 2027. This accolade helped solidify the show's status as a prominent in circles.

Other accolades

At the 66th Annual Drama Desk Awards in 2022, MJ the Musical received seven nominations, including for Outstanding Musical, Outstanding Actor in a Musical (), Outstanding Featured Actor in a Musical (Tavon Olds-Sample), and Outstanding Choreography (, Rich + Tone Talauega, and Michael Balderrama). The production won three awards: Outstanding Lighting Design for a Musical (), Outstanding Orchestrations (Jason Michael Webb and David Holcenberg), and Outstanding Sound Design for a Musical (Gareth Owen). The musical also earned recognition at the 71st Annual in 2022, with nominations for Outstanding New Broadway Musical, Outstanding in a Musical (), and Outstanding Choreography ( and Rich + Tone Talauega). It won the award for Outstanding Choreography. For its original Broadway cast recording, released in 2022, MJ the Musical was nominated for Best Musical Theater Album at the in 2023. In regional theater honors, the production's pre-Broadway tryout at the in , in 2022 contributed to its recognition, while the first national tour received three nominations at the 41st Annual Awards in 2025, including for Outstanding Non-Resident Musical; performer Jamaal Fields-Green won Outstanding Performer in a Non-Resident Production. Internationally, the Australian premiere in earned 10 nominations at the 2025 Helpmann Awards, Australia's premier honors for live performance.

References

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