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Marco Goecke (born 12 April 1972)[1] is a German choreographer. He was the director of Hanover State Ballet between 2019 and 2023, and had also held positions at Stuttgart Ballet, Scapino Ballet [nl], Nederlands Dans Theater and Gauthier Dance. He had additionally choreographed works for Paris Opera Ballet, Berlin State Ballet, Les Ballets de Monte-Carlo and Vienna State Ballet, among others. Die Welt's Manuel Brug called him "the most important choreographer in Germany."[2]

Key Information

In February 2023 he smeared dog feces on the face of a female dance critic who had reviewed him negatively[3] and refused to apologise. After the attack he was removed from his position as head of Hanover State Opera’s ballet company. In late May 2024 Goecke was announced to be the director of ballet for the Theater Basel for the upcoming season 2025/2026.

Early life

[edit]

Goecke was born on 12 April 1972 in Wuppertal, Germany.[4][5][6] His father worked in an office at a factory and his mother as a secretary.[6] He has an older sister.[6]

Goecke began ballet training in 1988.[4] He studied at the Ballet Academy Cologne, the Tanzinstitut Heinz-Bosl-Stiftung in Munich, and from 1989 to 1995 at the Royal Conservatory of The Hague.[5][6]

Career

[edit]

In 1997, Goecke began dancing professionally with Deutsche Staatsoper Berlin, then at the ballet of Hagen Theatre.[4][5] In 2000, he made his choreographic debut with a piece entitled Loch, for Hagen Theatre.[6]

In 2005 Goecke became the choreographer in residence at the Stuttgart Ballet.[7] In 2008 he was named resident choreographer at Scapino Ballet [nl] in Rotterdam.[6] In 2013, he was an appointed associate choreographer at the Nederlands Dans Theater.[2][8] In 2018, he became the resident choreographer at Stuttgart's Gauthier Dance.[9] In 2019, he was named the director of Hanover State Ballet, the ballet of Staatsoper Hannover.[9]

Goecke was described as "the most important choreographer in Germany."[2] As of 2023 he has created more than 80 works, some of which are in the repertoires of the Paris Opera Ballet, Les Ballets de Monte Carlo, the National Ballet of Canada, Berlin State Ballet, Vienna State Ballet, and Ballett Zürich.[9][10] Most of his works are less than 30 minutes in length.[5]

Goecke's work is noted for its focus on the upper body; costuming is typically black trousers with taupe tops on the women and bare chests for men.[6][5] Movement is primarily by the arms, hands, and torso and described as fluttering, twitching, shaking, spasming, trembling, with great rapidity and precision.[5] The movements in his pieces are often described as making little sense and seemingly chosen only to be ugly or different.[5]

Goecke's sets are typically dimly lit.[5][6] He often includes items spread on or falling onto the stage or being tossed by dancers such as feathers, rose petals, balloons, or dead leaves or flour.[5] Costumes are sometimes trimmed with items that move, such as fringes, or make sounds, such as walnuts.[5] The dancers also create intentional sounds by pattering their feet or sometimes shrieking or quacking.[5] Musical choices are often diverse within a piece and are chosen for mood.[5]

In 2004 he was invited by Pina Bausch to present his 2003 Blushing and 2004 Mopey at the Tanztheater festival.[5] His 2006 narrative choreography of Tchaikovsky's The Nutcracker was filmed for ZDFtheaterkanal.[11]

Goecke's Nijinski (2016) was called out by the 2022 Deutscher Tanzpreis jury as a milestone in his career.[10]

His In the Dutch Mountains (2023) was about his relationship with the Netherlands, where he studied; it was partially inspired by the 1984 novel In the Mountains of the Netherlands by Cees Noteboom and the 1987 song of the same name by the Nits.[6]

Incident with critic

[edit]

On 12 February 2023, Goecke smeared his dog's feces[12][13] on the face of Wiebke Hüster, a dance critic whose mostly-negative review of the Nederlands Dans Theater premiere of his work In the Dutch Mountains had appeared in that day's Frankfurter Allgemeine Zeitung.[2] He confronted Hüster during the intermission of a show including one of his works at the Hanover State Ballet, telling her that her piece had caused people to cancel their season tickets, and threatening to ban her from the premises.[12][14] He then pulled out a bag of feces and smeared them on her face.[12][14]

Goecke said the review had angered him,[2] and that Hüster had written only two positive pieces about his work in the twenty years she'd been covering it.[2][15] He said that critics should not write in "a personal and hateful way".[12] He said "I apologize for the fact I finally blew my top, but I also ask for a certain understanding at least for the reasons why this happened."[14] He said he hoped to start a debate on what art critics should be allowed to say in their reviews.[2]

In the wake of the incident Goecke was charged with assault.[2] The Hanover Opera House suspended Goecke after the incident,[13] and on 16 February, the opera house director Laura Berman announced that "by mutual agreement", it was decided that Goecke would step down from his role as the director of the Hanover State Ballet immediately, though his works will remain in the company's repertory. Berman stated it was because Goecke's works are "incomparable" and her belief that his works should be viewed separate from the incident.[2] The Nederlands Dans Theater announced that although Goecke's action was "contrary to our values", after "a difficult companywide conversation" and Goecke's apology, the company decided to maintain its association with Goecke.[2] The Australian Ballet, however, withdrew its plan to tour Kunstkamer, which featured contributions by Goecke and three other choreographers, to the Royal Opera House in London, citing the incident as the reason.[16]

After the incident, four other critics, all based outside of Germany, described receiving "bizarre communications" from Goecke after reviewing his work negatively.[2]

Proceedings against Goecke were discontinued in November 2023, after the prosecution concluded that Hüster did not suffer lasting damage and Goecke donated a four-digit amount to a non-profit association that deals with conflict resolution.[17]

In late May 2024, Marco Goecke was announced to be the ballet director for the Theater Basel from the upcoming season 2025/2026. On the occasion, the theater's Artistic Director Benedikt von Peter praised Goecke as an exceptional artist, who deserved a second chance.[18]

Reception

[edit]

Goecke was awarded the Prix Dom Perignon at Hamburg for his 2003 Blushing.[5] In 2006 he won the Nijinsky Award at Monte-Carlo for most promising choreographer.[5] In 2015 and 2021 the German dance magazine Tanz [de] named him Choreographer of the Year.[9][19][20]

In 2017 Goecke won the Gouden Zwaan for most impressive dance production for Midnight Raga, and the Danza & Danza award for best choreography for Nijinski.[5][6] In 2022 he won the Deutscher Tanzpreis, sharing the award with Christoph Winkler.[21][22] The jury said his work was extraordinary, that he had created an "unmistakable signature", and that he had contributed to the development of modern dance.[10]

The New York Times called him "renowned" and said that as of 2023 he had for more than a decade been "a star" in European ballet.[2] In Thin Skin, the 2016 documentary, he was called "one of the world's leading choreographers".[23]

Personal life

[edit]

The 2016 documentary Thin Skin said that 'outside of the rehearsal room, Goecke is difficult, demanding and self-centered. He is preoccupied with a feeling of "otherness," and suffers from panic attacks that cast a shadow on his life and work'.[23] Goecke is known for wearing sunglasses at most times and has explained that he is constantly being observed and wears the glasses to protect himself.[6]

Goecke is gay.[6]

Works

[edit]
2000
2001
2002
2003
2004
2005
  • Sweet Sweet Sweet, Stuttgart Ballet (music: concept by Marco Goecke, Herbert Schnarr)[5]
  • Äffi, Stuttgart Ballet/International ARDT Ballet Gala, Arnhem (Solo. Music: Johnny Cash)[5]
  • Beautiful Freak, Hamburg Ballet (Music: Chet Baker, Michael Jüllich)[5]
  • The Rest is Silence, Scapino Ballet Rotterdam (Music: Stephen Foster)[5]
2006
2007
2008
2009
2010
2011
2012
2013
  • I Found A Fox, Gauthier Dance (Solo. Music: Kate Bush)
  • Peekaboo, São Paulo Beim Movimentos Dance Company at Wolfsburg Festival (Music: Benjamin Britten, Finnish choral music)
  • On Velvet, Stuttgart Ballet (Music: Johannes Maria Staud, Edward Elgar)
  • I found A Fox II, Gauthier Dance (Solo. Music: Kate Bush)
2014
2015
2016
  • Lucid Dream, Stuttgart Ballet (Music: Gustav Mahler)
  • Woke Up Blind, Nederlands Dans Theatre I (Music: Jeff Buckley)
  • A Spell on Yo, John Cranko School, Stuttgart (Music: Nina Simone)
  • Nijinski, Gauthier Dance, Theaterhaus Stuttgart (Music: Chopin, Debussy)[5]
  • Petrushka, Ballett Zürich (Music: Stravinsky)
2017
  • Midnight Raga, Nederlands Dans Theatre II (Music: Ravi Shankar, Etta James)[5]
  • Dance/Jazz Fusion Vol. 2, Badenes/Robinson/Su/von Sternenfels, Theaterhaus Stuttgart (Music: Ferenc and Magnus Mehl Quartet)
  • We tell each other dark things, Nederlands Dans Theatre II (Music: Schubert, Placebo, Alfred Schnittke)[5]
2018
  • Almost Blue, Stuttgart Ballet (Music: Etta James, Antony and the Johnsons)
  • Hungarian Dance No. 1, Princess Grace Academy, Monte Carlo (Music: Brahms, as part of the Gala de l'Académie 2018)
  • La Strada, Ballet of the Gärtnerplatztheater, Munich (full-length. music: Nino Rota)
  • Infant Spirit, Gauthier Dance, Theaterhaus Stuttgart (Solo, Music: Antony and the Johnsons)
  • Walk the Demon, Nederlands Dans Theatre (Solo, Music: Antony and the Johnsons, Pavel Haas, Pehr Henrik Nordgren)[5]
2019
2020
  • Kiss a Crow, Hanover State Ballet (Music: Kate Bush)
  • Do you love Gershwin?, Gauthier Dance, Theaterhaus Stuttgart (full-length. music: George Gershwin)
2021
2022
2023

References

[edit]

Further reading

[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Marco Goecke

View on Grokipedia
from Grokipedia
Marco Goecke is a German choreographer renowned for his highly distinctive and expressive movement vocabulary in contemporary ballet, characterized by rapid flickering and vibrating motions, sudden moments of stillness, razor-sharp compositions, and intense emotional depth. His works demand extreme virtuosity from dancers and have earned international acclaim for their originality and visceral impact. Born on 12 April 1972 in Wuppertal, Germany, Goecke trained at the Heinz Bosl Foundation ballet academy in Munich and graduated from the Royal Conservatoire in The Hague in 1995. He began his professional career as a dancer with the Berlin State Opera and Theater Hagen before creating his first choreography in 2000 at Theater Hagen. His breakthrough came with early successes in Stuttgart, leading to his appointment as Resident Choreographer at Stuttgart Ballet from the 2005–06 season until 2018, where he developed a signature style that established him as one of Europe's leading dance creators. Goecke has held key positions including Resident Choreographer at Scapino Ballet Rotterdam (2006–2012), Associate Choreographer at Nederlands Dans Theater since 2013, and Artist in Residence at Gauthier Dance (2019–2023). He served as Ballet Director of Staatsballett Hannover from 2019 until 2023, when he stepped down by mutual agreement following an incident in February 2023 in which he assaulted dance critic Wiebke Hüster by smearing dog feces on her face in response to a negative review, resulting in a police investigation, suspension, and discontinuation of proceedings after a donation to a non-profit organization for conflict resolution. From the 2025/2026 season (summer 2025), he has been Artistic Director and in-house choreographer of Ballett Basel, where he continues to create new works, including a reimagined The Nutcracker. His extensive body of work includes over 90 creations staged by companies worldwide, such as Paris Opera Ballet, Vienna State Ballet, and Pacific Northwest Ballet, with notable pieces including Nichts, Woke up Blind, In the Dutch Mountains, and Nijinski. Goecke has received numerous prestigious awards, including the Nijinsky Award (2006), the Dutch Zwaan Dance Prize (2017), Choreographer of the Year from Tanz magazine (2017 and 2021), and the Jiří Kylián Ring (2022). His contributions have solidified his status as a major force in contemporary dance despite controversies in his career.

Early Life and Education

Birth and Background

Marco Goecke was born on 12 April 1972 in Wuppertal, Germany. He grew up in Wuppertal, part of Germany's North Rhine-Westphalia region. Before pursuing dance, Goecke wrote poetry and painted, inspired by art books featuring Pablo Picasso. His art teacher, the Wuppertal sculptor Udo Meyer, served as an early mentor in these pursuits. At age 14, he developed an interest in dance after seeing the film A Chorus Line, prompting him to begin jazz dance lessons.

Training and Early Dance Education

Marco Goecke completed his ballet training in 1988 at the Heinz-Bosl-Stiftung Ballet Academy in Munich. He continued his studies at the Royal Conservatoire in The Hague, earning his diploma in 1995. Born in Wuppertal, Germany, these institutions provided his formal classical ballet education across Germany and the Netherlands. After receiving his diploma, Goecke transitioned to a professional career as a dancer with engagements at the Deutsche Staatsoper Berlin and Theater Hagen. This early professional experience as a performer marked the conclusion of his student phase and the beginning of his involvement in the dance world before he later pursued choreography.

Career

Early Choreographic Work and Dancer Background

Marco Goecke began his professional career as a dancer after completing his ballet training, performing with the Deutsche Staatsoper Berlin. He subsequently joined the Theater Hagen Ballet, where he continued his work as a performer. In 2000, while at Theater Hagen, Goecke created his first choreography, a piece entitled Loch. This work marked his choreographic debut and the start of his shift from dancer to choreographer. Following this initial piece, he produced several choreographies for the Noverre Society, which featured dancers from the Stuttgart Ballet and provided a platform for his emerging creative voice. These early efforts established Goecke's entry into choreography while he was still active as a dancer.

Resident Choreographer at Stuttgart Ballet

Marco Goecke was appointed Choreographer in Residence at the Stuttgart Ballet for the 2005/2006 season by Artistic Director Reid Anderson. This appointment built on earlier commissions from the company, including pieces for the Noverre-Society featuring Stuttgart Ballet dancers. He held the position until 2018, during which he significantly shaped the company's repertoire through his choreographic output over more than a decade. In December 2006, Goecke premiered his first full-length narrative ballet, Nussknacker (The Nutcracker), at the Stuttgart Ballet; the production was later filmed for the ZDF theater channel. This work represented a key development in his tenure, as he continued to create multiple pieces for the company during his residency.

International Commissions and Other Residencies

Marco Goecke has created works for a wide array of international companies beyond his role at Stuttgart Ballet, establishing a global presence through commissions and residencies. He received early commissions from Les Ballets de Monte Carlo, Norwegian National Ballet, Pacific Northwest Ballet, and Staatsballett Berlin, among others. Additional companies that have commissioned or presented his choreography include Paris Opera Ballet, Vienna State Ballet, Hamburg Ballet, Ballett Zürich, and São Paulo Companhia de Dança. From 2005 to 2011, Goecke served as resident choreographer at Scapino Ballet Rotterdam, creating multiple pieces for the company during this period. His works there included Der Rest ist Schweigen (2005), Äffi (2006), Ring them bells (2007), Supernova (2009), and Pierrot Lunaire (2010). Since the 2013/2014 season, Goecke has held the position of associate choreographer at Nederlands Dans Theater, where he has created numerous world premieres for both NDT 1 and NDT 2. Notable works include Garbo Laughs (2012), Hello Earth (2014), Thin Skin (2015), Woke up Blind (2016), Midnight Raga (2017), Wir sagen uns Dunkles (2017), The Big Crying (2021), I love you, ghosts (2022), and his first full-evening piece for NDT 1, In the Dutch Mountains (2023). Between 2019 and 2023, Goecke served as artistic director of Staatsballett Hannover, overseeing the company's repertoire and creating new works during his tenure. From the 2025/2026 season onward, he has been artistic director and resident choreographer at Ballett Basel, where he premiered a complete reinterpretation of The Nutcracker in December 2025. His choreography has also entered the repertoires of companies such as Compañía Nacional de Danza, which has performed pieces like All Long Dem Day.

Choreographic Style and Reception

Distinctive Style and Techniques

Marco Goecke is recognized for his highly idiosyncratic and original choreographic style, which has established him as one of the most distinctive voices in contemporary dance. His movement language stands entirely independent of classical ballet technique, instead built on clusters of frenetic and electrically charged movement patterns that frequently appear erratic and overwhelming upon initial viewing. These patterns incorporate complex imagery and explosive fragments, delivered through intricate, fast-paced execution that conveys strong emotional intensity. Goecke's approach often confronts darker, unspoken aspects of shared human nature, using dance to make inner fears and demons visible and tangible. He has described this transformative process as turning such elements into beauty, with his work functioning like a waking dream marked by avant-gardism and inventiveness. This results in an aesthetic that is both unsettling and unmistakably personal, relying primarily on the body and movement to evoke unusual emotional states without elaborate staging or production elements.

Critical Reception and Influence

Marco Goecke has established himself as one of the world's leading choreographers in contemporary dance, recognized for his original and distinctive approach. His work is characterized by a unique dance vocabulary that spans the spectrum from ballet to contemporary forms, delivering an unmistakable signature through feverish, lively, energetic, and powerful gestures that consistently produce unusual and convincing images. The jury for the prestigious Tanzpreis 2022 praised his constantly evolving language that reveals new ideas and structures, while highlighting his striking contribution to the development of modern dance and his ability to bring out dancers' personality and expressiveness while pushing them to their limits. Although Goecke's unconventional style initially met with some negative reactions, he persisted undeterred, and his pieces have since entered the repertoires of numerous established dance institutions worldwide, reflecting his growing acceptance and influence. Critics have lauded the precision and intensity of his choreography in performance contexts; for instance, his work The Big Crying was commended for its sharp, glitching angles, fast-forward speed, and precise articulation that convey angry jolts akin to compulsive thoughts and a sense of disconnect, with dancers displaying exceptional technical command and cleanliness. Similarly, Woke Up Blind was noted for sparking into life with thrumming, fire-in-the-belly energy that burns through polished technique. Goecke's Le Chant du Rossignol has been described as startlingly impressive and powerful, fitting Stravinsky's score seamlessly with quirky yet classically influenced movements that evoke urgency and flight, performed with terrific sharpness and precision by the dancers. His artistic and choreographic impact continues to hold unprecedented importance for both the German and international dance scene.

Notable Works

Selected Major Choreographies

Marco Goecke has created an extensive repertoire of works, with several standing out as major contributions during his time as resident choreographer at the Stuttgart Ballet and associate choreographer at Nederlands Dans Theater since the 2013–2014 season. For Nederlands Dans Theater 1, notable pieces include Garbo Laughs (2012, nominated for the Dutch dance Zwaan Award), Hello Earth (2014), Thin Skin (2015), and Woke up Blind (2016). Woke up Blind, premiered as part of the Somos programme between February and March 2016, is set to two Jeff Buckley songs: You and I (with stretched-out vocals) and The way young lovers do (featuring hectic guitar). The choreography draws dancers into an acoustic world of emotional intensity, portraying young lovers propelled by longing through highly complex movements that reach the core of human feelings. At the Stuttgart Ballet, Lucid Dream stands as a significant work, receiving its world premiere during the 2015/16 season. Additionally, A Spell on You was created for the John Cranko School, set to music by Nina Simone, and has been reworked and performed in various settings, including a 2017 version for three male and one female student dancers that highlighted snappy, fast-paced, fluttering movements and challenging shifts between tension and softness.

Awards and Recognition

Major Awards Received

Marco Goecke has been recognized with several major international and national awards for his distinctive contributions to contemporary choreography. One of his earliest significant honors was the Nijinsky Award, presented in Monte Carlo in 2006 for most promising young choreographer. He received the Culture Prize of the State of Baden-Württemberg in 2005 and the Prix Dom Pérignon in Hamburg in 2003 for his early work Blushing. In 2022, Goecke was jointly awarded the Deutscher Tanzpreis (German Dance Prize), sharing the main prize with choreographer Christoph Winkler; each received 10,000 euros. The jury, chaired by Dr. Patricia Stöckemann, praised his feverish, energetic, and original style, his unmistakable signature vocabulary spanning ballet and contemporary dance, and his persistent evolution of ideas that have convinced audiences worldwide and influenced modern dance development. They noted his intensive collaboration with dancers to reveal personality and expressiveness while pushing physical limits, as well as his recent receipt of the Jiří Kylián Ring that same year. Goecke has also earned repeated recognition from critics, including Choreographer of the Year designations in surveys by the German magazine Tanz in 2015, 2017, and 2021. Further international accolades include the Dutch Gouden Zwaan in 2017 for the production Midnight Raga and the Italian Danza&Danza prize in 2017 for best choreography for Nijinski.

Controversies

2023 Incident with Dance Critic

In February 2023, Marco Goecke confronted dance critic Wiebke Hüster during the intermission of a performance at the Hanover State Opera and smeared dog feces on her face from a paper bag. The act stemmed from his anger over a negative review Hüster had written for the Frankfurter Allgemeine Zeitung of his choreography In the Dutch Mountains, in which she described the work as alternating between driving the viewer insane and killing them with boredom. During the confrontation, Goecke accused Hüster of causing audience members to cancel subscriptions and threatened to bar her from the opera house. Hüster screamed upon realizing what had been done to her and promptly reported the incident to the police, who opened an investigation into bodily harm and insult. Goecke was suspended from his position as ballet director at the Hanover State Opera with immediate effect following the incident, and he was barred from the premises. He later issued a public apology, describing his response to the criticism as impulsive and inappropriate. On February 16, 2023, the Hanover State Opera announced the mutual termination of Goecke's contract as ballet director with immediate effect after discussions with him. Artistic director Laura Berman described the assault as an ill-conceived attack that violated fundamental principles of the theater, massively damaged its reputation, and carried legal consequences, while emphasizing that Goecke's artistic works would remain in the company's repertoire. Following the police investigation, the criminal proceedings against Goecke were discontinued in November 2023 after he paid a 5,000-euro fine.

Personal Life

Privacy and Known Details

Marco Goecke was born on 12 April 1972 in Wuppertal, Germany. Publicly available biographical information about him is limited to this fact and his professional training and career, with no details disclosed regarding family members, romantic relationships, marital status, or children. Goecke has not made public statements or given interviews discussing his private life, and profiles from ballet companies and theaters where he has worked focus exclusively on his artistic contributions rather than personal matters. This reflects a deliberate preference for privacy, as no verified information on his current residence beyond past professional associations in cities like Stuttgart and Hanover, or other non-professional aspects, appears in reputable sources.

References

  1. https://www.ndt.nl/en/team/marco-goecke/
  2. https://www.stuttgart-ballet.de/blog/birth-marco-goecke/
  3. https://www.theater-basel.ch/en/ensemble-team/marcogoecke
  4. https://www.bbc.com/news/world-europe-64664563
  5. https://www.nytimes.com/2025/12/19/arts/dance/marco-goecke-feces-critic-nutcracker.html
  6. https://www.staatsoper.de/en/biographies/goecke-marco
  7. https://www.munzinger.de/register/portrait/biographien/Marco+Goecke/00/31664
  8. https://www.stuttgarter-ballett.de/blog/geburt-marco-goecke/
  9. https://www.imdb.com/name/nm3663571/bio/
  10. https://www.pnb.org/repertory/marco-goecke/
  11. https://www.gaertnerplatztheater.de/en/personen/marco-goecke.html
  12. https://grandsballets.com/en/choreographers/detail/marco-goecke/
  13. https://www.narodni-divadlo.cz/en/profile/marco-goecke-146392352
  14. https://www.nadjakadel.de/en/representation/choreographers/marco-goecke/
  15. https://www.stuttgart-ballet.de/company/history/reid-anderson/
  16. https://www.scapinoballet.nl/en/choreographers/marco-goecke
  17. https://inba.gob.mx/actividad/9305/programa-contemporaneo-i-programa-ii
  18. https://www.ndt.nl/en/story/associate-choreographer-marco-goecke/
  19. https://www.ndt.nl/en/close-up-magazine/close-up-5/marco-goecke/
  20. https://heinz-bosl-stiftung.de/en/bjbm/repertoire/all-long-dem-day
  21. https://videotanz.ru/marco-goecke/
  22. https://www.operadeparis.fr/en/season-18-19/ballet/goecke-lidberg-cherkaoui
  23. https://artstalkmagazine.substack.com/p/learn-from-marco-goecke-at-amare
  24. https://www.ndt.nl/en/news/marco-goecke-wins-prestigious-tanzpreis-2022/
  25. https://www.theguardian.com/stage/2022/feb/17/ndt2-review-sadlers-wells
  26. https://sanjoyroy.net/2018/06/nederlands-dans-theater-crystal-pite-marco-goecke-sol-leon-paul-lightfoot/
  27. https://www.seeingdance.com/sao-paulo-dance-company-251125/
  28. https://www.ndt.nl/en/agenda/somos-2/
  29. https://stuttgartballet.wordpress.com/tag/lucid-dream/
  30. https://ilona-landgraf.com/2017/07/impressive/
  31. https://www.t-bunka.jp/en/stage/14264/
  32. https://www.theguardian.com/world/2023/feb/13/german-ballet-director-smeared-poo-face-of-critic-who-wrote-negative-review-hanover-state-opera
  33. https://www.bbc.com/news/world-europe-64630181
  34. https://www.nytimes.com/2023/02/13/arts/dance/marco-goecke-dog-poop.html
  35. https://www.dw.com/en/german-ballet-director-axed-over-dog-feces-attack-on-critic/a-64730450
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