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Key Information

Maxine Nightingale (born 2 November 1952)[1] is a British R&B and soul music singer. She is best known for singing hits in the 1970s, with the million seller "Right Back Where We Started From" (1975, UK No. 8 & 1976, U.S. No. 2), "Love Hit Me" (1977), and "Lead Me On" (1979).

Early life and career

[edit]

One of the three children of Guyanese-born comedian Benny Nightingale and his wife Iris (they also had daughter Rosalind and son Glenn),1 Maxine Nightingale first sang with her school band: she attended Barham Primary (in Wembley, Middlesex), Ealing Grammar School, and the Guildhall School of Music and Drama.[2] When she was thirteen, she and a friend visited a neighbourhood house where Unisound, a band, was rehearsing. They asked her to sing with them; she joined them in performing extensively on the British cabaret circuit. The manager of one of the clubs where they performed asked Nightingale to cut a demo and shipped it to Pye Records.[3] She made her first recordings for them. Although Cyril Stapleton, the label's A&R head, was in charge, Nightingale's three Pye single releases—issued in June and July 1969 and on 26 March 1971—went unnoticed.[4]

In 1969, Nightingale began a tenure of roughly 18 months in the West End production of Hair in London playing a supporting role and understudying the female lead role of Sheila; she relocated to Germany, having formed a relationship with an actor from the German production of Hair whom she had met when he visited the West End production. In Germany, Nightingale continued her stage musical career in Hair (as Sheila), Jesus Christ Superstar, and Godspell She began a relationship with Minoru Terada Domberger, the director of the German production of Hair. They married and had a daughter, Langka Veva Domberger, born in 1973.[5]

First hit

[edit]
Maxine Nightingale (1969)

Nightingale returned to London with her husband and daughter appearing in the West End production of Savages, after which she withdrew from professional performing. According to Nightingale, "I started doing session singing. I didn't do a lot but it was easy to go out in the evening when the baby was sleeping."[6] Her singing on the recording of Al Matthews' "Fool" caught the attention of the session's producer Pierre Tubbs; he asked composer J. Vincent Edwards, who had worked with Nightingale in the West End production of Hair, to co-write a song for her which became "Right Back Where We Started From". Tubbs asked her to sing on the demo; as she told the story in 2013, "he took it straight to United Artists Records [in London], and they loved it too. They paid me 100 pounds (and after that) they (offered) me an advance and a contract to finish recording the single."[7]

After being released on United Artists Records (in Nightingale's true name), "Right Back Where We Started From" reached No. 8 in the UK in the autumn of 1975. It was released in the US early 1976 to enthusiastic reaction, reaching No. 2 on the Billboard Hot 100 in May 1976. Nightingale, who had accompanied her husband to his native Japan, was motivated by her single's US success to go to London to record an album, Right Back Where We Started From. She went to the US which has since remained her home base.[citation needed]. After the song was used in Slap Shot, a hockey comedy 1977 movie, NHL teams including the New York Islanders and Toronto Maple Leafs adopted the song as their victory tune played following every win at home.

Later career

[edit]

Nightingale had some success in the US with "Gotta Be the One". It made it to no. 84 on the Cash Box Singles chart.[8] It also made the New Zealand charts, peaking at no. 19.[9]

Nightingale's only significant UK hit in the period following the success of "Right Back Where We Started From" was with "Love Hit Me," the title cut from her second album. Promoted by Nightingale in a Top of the Pops appearance broadcast 17 March 1977, "Love Hit Me" peaked at No. 11 on the UK chart dated 9 April 1977.

Her third album Love Lines was a 1978 release in the UK and Europe with UK single releases "Lead Me On" and "(Bringing Out) The Girl in Me". Both were overlooked despite her promotion of the latter in another Top of the Pops appearance on 8 June 1978. The US release of "Lead Me On" early in 1979 met with a favorable reception, especially in the easy listening market, and the track reached No. 1 on Billboard's Easy Listening chart that July;2 the track gradually accrued enough mainstream pop support to reach No. 5 on the Hot 100 that September. As with "Right Back Where We Started From", she was unable to follow up her US Top Ten success, "(Bringing Out) The Girl in Me" subsequently marking her final Hot 100 appearance peaking at No. 73. Lead Me On is a re-packaged and slightly remixed version of the previous European LP with the addition of a new song, the disco-styled "Hideaway". The songs "Lead Me On" and "Hideaway" were extended for a promotional 12-inch record.

Nightingale reached the top 20 on Billboard's R&B chart for the first time in 1982 with "Turn to Me", a duet with Jimmy Ruffin. She then dropped out of the pop mainstream, working for some 20 years as a more jazz-oriented live performer. She reportedly recorded an album of her live performance at B.B. King's Club at Universal Studios Hollywood although it remains unreleased. Since 2000, she has become active on the retro music circuit, appearing in the 2004 PBS music specials Superstars of Seventies Soul: Live and My Music: 70s Soul Superstars in 2012.[10]

Discography

[edit]
Main article: Maxine Nightingale discography

See also

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Notes

[edit]

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Maxine Nightingale

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Maxine Nightingale (born 2 November 1952) is an English R&B and singer best known for her international hits in the 1970s, particularly the million-selling single "Right Back Where We Started From," which peaked at number eight on the UK Singles Chart and number two on the in 1976. Born in , , Nightingale began her musical career early, singing with a and joining the group Unisound at age 13 to perform on the British cabaret circuit. She signed with in 1969, releasing three singles that received little attention, before transitioning to theatre work, including roles in the West End production of from 1969 to 1970 and later in with productions of and . Her breakthrough came in 1975 when she recorded "Right Back Where We Started From," co-written by Pierre Tubbs and J. Vincent Edwards, leading to a contract with and her relocation to the in 1976. Nightingale's debut album, Right Back Where We Started From (1976), reached number 65 on the US Billboard 200. Subsequent releases included Night Life (1977), featuring the single "Love Hit Me" which reached number 11 on the UK Singles Chart, Love Lines (1978), featuring session work with notable musicians, and Lead Me On (1979), which peaked at number 45 on the US Billboard 200 and number five on the Adult Contemporary chart with its title track. Her final major album, It's a Beautiful Thing (1982), charted at number 176 on the US Billboard 200, after which she focused on session singing and occasional performances; as of 2025, she continues to perform live and work on new material. Personally, she married Minoru Terada Domberger, the director of the German production of Hair, and gave birth to their daughter, Langka Veva Domberger, in 1973; the family has resided in Los Angeles since the mid-1970s.

Early Life

Childhood in London

Maxine Nightingale was born on November 2, 1952, in , a suburb of , . She grew up in this area, which provided the backdrop for her early years. Nightingale was one of three children born to Benny Nightingale, a comedian originally from , and his wife Iris; her siblings included a sister named Rosalind and a brother named Glenn. The family resided in during her formative years, where she developed an initial interest in music. At the age of 13, Nightingale and a friend attended a rehearsal session for a local band called Unisound, sparking her involvement in performing; she soon joined the group and began appearing on the British cabaret circuit. Her early school experiences further nurtured this passion. Nightingale attended local schools in , and by the age of 16, she had become the lead singer in her , marking her first formal foray into vocal performance. These adolescent activities laid the groundwork for her transition toward professional musical pursuits.

Initial Musical Influences

Maxine Nightingale's early musical development was shaped by her exposure to R&B and genres, which she encountered through broadcasts and performances during her youth in . Her initial singing experiences began in school, where she first vocalized with a , providing a foundational platform for her vocal talents. At the age of thirteen, Nightingale and a friend visited a neighborhood house during a rehearsal by the band Unisound; impressed by her impromptu , the group invited her to join them, marking her entry into more structured amateur music-making. Through Unisound, Nightingale honed her vocal style in R&B and , performing on the British cabaret circuit and in local clubs, where she gained practical experience in front of audiences. These amateur gigs, including a demo recording sent to that led to her signing with the label and releasing her first singles in 1969, built her confidence and repertoire in these genres. By age sixteen, having left school, she committed to pursuing music professionally, taking on club performances despite initial setbacks described as "a whole string of flops in my teens."

Stage Career

West End Beginnings

Maxine Nightingale entered the professional theatre scene in 1969, debuting in the West End production of the groundbreaking rock musical Hair at the Shaftesbury Theatre. She began her tenure as a chorus member in the ensemble, contributing to the show's vibrant depiction of 1960s counterculture, which had opened in London in 1968 and quickly became a cultural phenomenon. This role marked her transition from local performances to the high-stakes environment of London's commercial theatre district. Within a short time, Nightingale was promoted to understudy the female lead role of Sheila, a position that required her to prepare extensively for potential substitutions while continuing ensemble duties. Her involvement in Hair lasted approximately 18 months, providing intensive on-the-job training in musical theatre amid the production's demanding schedule of nightly performances and matinees. This progression highlighted her emerging talent and adaptability in a cast that emphasized communal energy over individual stardom. The Hair production exposed Nightingale to diverse theatre audiences from across and beyond, drawn by the show's provocative themes of peace, love, and social rebellion, including interracial relationships and anti-war sentiments that resonated with the era's youth movement. Performances often blurred the lines between and , fostering an interactive atmosphere that attracted a broad demographic, from hippies to curious traditional theatregoers. This visibility also facilitated networking opportunities with influential figures in the British entertainment industry, such as fellow cast member J. Vincent Edwards, whose later collaboration with her would prove pivotal. As a young woman breaking into late 1960s West End , Nightingale confronted the racial barriers inherent to the period, where performers often encountered , , and unequal access to leading roles despite their skills. Contemporary accounts noted that excelling as a could unsettle the white-dominated establishment, limiting opportunities and perpetuating a hierarchy that favored white talent. Yet, 's progressive ethos, with its integrated cast, offered Nightingale a relatively inclusive space to hone her craft amid these broader challenges.

International Theatre Work

After her London tenure, circa 1970 Nightingale relocated to , where she performed in productions of (taking on the lead role of for the first time), (as a featured singer), and during 1969–1971. This move marked the beginning of her expanded international stage career, allowing her to immerse herself in European theatre scenes beyond the . These productions, staged in German, highlighted her adaptability to multilingual environments and contributed to her growing reputation across . Through her work in these shows, Nightingale cultivated a dedicated fanbase in , engaging audiences with live performances that blended her soulful vocals with the dynamic energy of rock musicals. Her experiences under international directors honed her stage presence and vocal techniques, fostering professional growth that would later influence her transition to recording. In 1973, Nightingale returned to with her husband and daughter, appearing in the West End production of Savages before withdrawing from professional stage performing to focus on family and her emerging recording career.

Recording Breakthrough

Signing with

In 1975, while performing in stage productions such as , , and in , Maxine Nightingale was persuaded by her friend J. Vincent Edwards to record a song he had co-written. This marked a pivotal shift from her established theatre career to the recording industry, as she initially agreed to record under a but the track was ultimately released in her name. Following the recording, Nightingale signed a with in late 1975. She subsequently relocated from back to the with her husband and young daughter to focus on studio work in . Her prior extensive experience in had honed her vocal abilities, providing a strong foundation for the demands of professional recording. The recording sessions for her debut single began soon after, under the production guidance of Pierre Tubbs and J. Vincent Edwards. These early studio efforts were complicated by initial challenges, as Nightingale balanced ongoing stage commitments—including a return to the West End production of —with her new obligations in the music industry. Despite her initial reluctance to revive her recording pursuits after earlier setbacks, the support from enabled her to navigate this transition.

Hit Single "Right Back Where We Started From"

"Right Back Where We Started From" is a song written by British songwriters Pierre Tubbs and J. Vincent Edwards in mid-1975, inspired by a Edwards had composed years earlier; the duo finalized the lyrics during a short drive to the hospital for the birth of Tubbs' child. Following her signing with , Nightingale recorded the track that year at Central Sound Studios in , with production handled by Tubbs and Edwards themselves. The upbeat number features prominent basslines, strings, and a rhythmic groove that captures the era's transitional sound between soul and emerging influences. Released as a single in the United Kingdom in late October 1975 on United Artists, the song entered the Official UK Singles Chart the following month and peaked at number 8, spending eight weeks in the Top 40. In the United States, United Artists issued it in January 1976, where it climbed to number 2 on the Billboard Hot 100 chart in June, held off the top spot by Wings' "Silly Love Songs," while also reaching number 46 on the Billboard Hot R&B/Hip-Hop Songs chart. The track proved even stronger in Canada, topping the RPM Top Singles chart and the RPM Adult Contemporary chart. Its international success marked Nightingale's breakthrough as a recording artist, blending soulful vocals with pop accessibility and subtle disco elements that broadened its appeal across genres and audiences. Promotion for the single included key television performances that amplified its visibility, such as Nightingale's appearance on BBC's in November 1975, where she delivered a live rendition amid the show's signature chart-topping energy. Stateside, she performed on in July 1976, showcasing the song's infectious hook to a wide American audience and contributing to its crossover momentum on both pop and R&B airwaves. These outings, combined with radio play, propelled the single to sell over one million copies worldwide, earning it status as a million-seller and cementing its place as a staple. The song's cultural reception highlighted its genre-fusing qualities, merging 's emotional depth with pop's catchiness and disco's danceable pulse, which resonated with diverse listeners during a time when acts were increasingly venturing into mainstream pop territories. Critics and fans alike praised Nightingale's warm, versatile delivery, which helped the track bridge racial and stylistic divides in scene, influencing subsequent -pop hybrids.

Peak Recording Years

Follow-Up Hits and Albums

Following the momentum from her breakthrough hit, Maxine Nightingale released her debut album Right Back Where We Started From in 1976 on , which peaked at number 65 on the US 200. The LP featured the title track alongside other originals and covers, including the follow-up single "Gotta Be the One," which peaked at number 53 on the US Hot 100. Produced by Pierre Tubbs, the album blended soulful ballads and upbeat pop-soul arrangements, highlighting Nightingale's expressive vocals on tracks like "Bless You" (a cover) and "In Love We Grow." Nightingale's sophomore effort, Night Life, arrived in 1977, introducing the single "Love Hit Me," which climbed to number 11 on the US Billboard Hot 100. Drawing on themes of romance and urban nightlife, the album incorporated lively R&B grooves with subtle jazz undertones, evident in selections such as "Will You Be My Lover," "You Are Everything" (a Thom Bell and Linda Creed cover), and "Get It Up for Love." Session musicians including guitarist Lee Ritenour, bassist Anthony Jackson, and saxophonist Wilton Felder contributed to its polished, ensemble-driven sound. In 1978, Nightingale issued Love Lines exclusively in the UK, aligning with her European promotional tours, before its US reworking as Lead Me On in 1979, which peaked at number 45 on the US Billboard 200. The standout lead single "Lead Me On," co-written by and David Lasley, achieved a peak of number 5 on the US Billboard Hot 100. Co-produced by Denny Diante and Ray Parker Jr., the project leaned into disco-infused rhythms and contemporary soul production, with key tracks like "You Got to Me," "(Bringing Out) The Girl in Me," and "Your Love's Too Strong" emphasizing empowering lyrics and danceable beats supported by studio players such as drummer and guitarist Eddie Watkins Jr. This phase solidified her output as a fusion of heartfelt storytelling and the era's pulsating musical trends.

Chart Success and Collaborations

Maxine Nightingale's chart performance in the late 1970s marked her as a prominent figure in the soul-disco landscape, with several singles achieving notable placements on the Billboard Hot 100. Her debut single "Right Back Where We Started From" climbed to number 2 in May 1976, spending 19 weeks on the chart, while follow-ups like "Love Hit Me" reached number 11 in 1977 and "Lead Me On" peaked at number 5 in 1979, also topping the Adult Contemporary chart. These entries contributed to a cumulative success that included at least three Top 40 positions on the Hot 100, underscoring her breakthrough from British theatre to American pop prominence. "Right Back Where We Started From" earned a certification from the in for sales exceeding 50,000 copies. Nightingale collaborated closely with producers J. Vincent Edwards and Pierre Tubbs, who shaped her early recordings and helped craft the infectious energy of her hits; Edwards, a former colleague from her stage work, co-wrote her signature track. She also made guest appearances on 1970s television specials, including live performances on shows like the Spotlight Music Show, which amplified her visibility alongside her radio success. Internationally, Nightingale's music resonated strongly beyond the U.S., with "Right Back Where We Started From" peaking at number 8 on the UK Singles Chart. The track's appeal extended across , where it became a Top 10 hit in several markets, contributing to robust album sales and establishing her as a crossover artist blending , , and pop elements. Her rapid ascent drew media attention, with Billboard magazine frequently charting her progress and profiling her as an emerging soul-disco talent amid the era's dance music boom. Rolling Stone featured insights from Nightingale on her recording experiences, noting her transition from reluctant demo vocalist to international star and emphasizing the genre-blending impact of her work.

Later Career

Theatre and Voice Acting Roles

Following the decline of the disco era in the late 1970s, Maxine Nightingale transitioned back to the performing arts to seek creative variety after her recording peak. This move allowed her to draw on her early stage experience in musicals such as Hair (where she understudied and later played Sheila), Jesus Christ Superstar, and Godspell.https://maxine-nightingale.com/biography-discography/ https://popdose.com/soul-serenade-maxine-nightingale-right-back-where-we-started-from/ In the late and , Nightingale resumed an active career as a session vocalist, contributing to recordings by artists such as , , and .

Performances and Releases Post-1980s

Following the commercial peak of her recordings, Maxine Nightingale continued her musical output with the release of her fifth studio album, Bittersweet, in 1980 on the RCA Victor label. The album featured a blend of and pop influences, showcasing Nightingale's versatile vocals on tracks that reflected a more introspective tone compared to her earlier hits. In 1982, Nightingale issued It's a Beautiful Thing through Highrise Records, an effort produced in the that incorporated elements. The album reached number 176 on the US chart and number 35 on the US chart, demonstrating sustained interest in her work amid shifting musical trends. During the and , Nightingale shifted focus toward live performances, engaging in nostalgia tours that highlighted her signature hits such as "Right Back Where We Started From" and "Lead Me On." These events capitalized on renewed interest in and , drawing audiences eager for live renditions of her classics. In August 2003, she headlined the Get Up & Dance US Arena Tour alongside other artists, performing to packed venues across the country. The following year, she appeared in the television special Superstars of Seventies Soul: Live, contributing to a celebration of the era's influential performers. By February 2008, Nightingale extended her touring to , conducting a series of club shows featuring her enduring hits for enthusiastic local crowds. Throughout this period, Nightingale's catalog saw inclusion on various compilation albums, such as Super Hits of the '70s: Have a Nice Day and Her Rarest, which repackaged her earlier singles for new generations. These releases, along with digital reissues on platforms like and in the and , ensured accessibility and introduced her music to streaming audiences, often as sped-up or remastered versions of originals. Into the 2020s, Nightingale maintained an active presence through select live engagements at soul and nostalgia-focused events. In early 2020, she performed aboard the Ultimate Disco Cruise, a multi-day at sea celebrating icons, and joined and for a soul concert at Meyerhoff Symphony Hall in . Despite pandemic disruptions, her music endured via online streams and compilations. In 2023, she participated in the Ambrosia and Friends nostalgia tour, delivering sets at venues including Graton Resort & Casino in and Hard Rock Hotel & Casino in , where she shared the stage with contemporaries.

Personal Life

Family and Relationships

Maxine Nightingale began a long-term relationship with Minoru Terada Domberger, the director of the German production of the musical , in the early 1970s after meeting him during her involvement in that production. The couple married, and their daughter, Langka Veva Domberger, was born in 1973. Following the birth of their , Nightingale prioritized , temporarily withdrawing from professional theater to focus on parenting while residing in after returning from . She balanced early motherhood with selective session work, such as contributing vocals to recordings like Al Matthews' "Fool" during quiet hours when her daughter was asleep. This period marked a deliberate shift toward domestic stability amid her emerging music career. Nightingale and her family experienced several relocations that influenced their , including a move to in the early 1970s tied to Terada Domberger's professional commitments, a return to post-1973, a brief stay in accompanying her husband, and a permanent relocation to the in 1976 where she has remained based. These transitions, driven partly by her rising fame and international opportunities, occasionally disrupted family routines but allowed Nightingale to maintain a low-profile centered on her and . Details of any subsequent partnerships remain private, reflecting her emphasis on beyond her public career.

Residence and Legacy

Nightingale resided in in the early 1970s, where she pursued her stage career in musical productions such as , , and . Following the international breakthrough of her 1976 single "Right Back Where We Started From," she relocated to the to capitalize on her growing popularity, briefly returning to to record her debut album before settling there permanently. She has since made her primary home base, facilitating her ongoing work in the American . Nightingale's contributions to music have left a lasting influence on subsequent artists within the genre, exemplifying the vibrant R&B and scene that emerged from the in the mid-20th century. Her signature tracks, particularly from the , continue to resonate, with elements of "Right Back Where We Started From" sampled in modern hip-hop productions such as Yung Gravy's 2018 track "Gravy Train" and "Love Enough" sampled in Ransom's 2020 song "." These interpolations highlight her enduring impact on , bridging disco-era with hip-hop and electronic genres. While Nightingale has not been inducted into major halls of fame, her legacy persists through tributes and retrospective features in compilations and articles during the 2020s, including contributions to a tribute album where she recorded three tracks. As of November 2025, at age 73, she occasionally performs but has no confirmed touring schedule.

Discography

Studio Albums

Maxine Nightingale released six studio albums during her recording career in the 1970s and 1980s, primarily through and later RCA Victor, showcasing her evolution from upbeat -disco to more introspective ballads. Her debut album, Right Back Where We Started From (1976), features 10 tracks blending and elements, highlighted by the title track's infectious groove and covers like "Bless You" and "Reasons." Produced by Pierre Tubbs, it captured the era's pop- sound inspired by influences, peaking at number 65 on the US and number 38 on the R&B chart. The follow-up, Night Life (1977), contains 9 tracks exploring urban nightlife and romantic encounters, with standout interpretations of "You Are Everything" and "Didn't I (Blow Your Mind This Time)." Arranged by Michel Colombier, the album emphasized Nightingale's versatile vocals in a soulful context, though it did not chart prominently. Love Lines (1978), an 8-track release issued in the UK, focuses on romantic ballads and empowerment themes, including originals like "Lead Me On" and "Darlin' Dear." This collection highlighted a softer, more ballad-oriented direction, reflecting Nightingale's stage-honed emotional delivery. Lead Me On (1979), an 8-track album, featured the title track as a major single and peaked at number 45 on the US Billboard 200 and number 35 on the R&B chart. In 1980, Bittersweet marked a shift to a mature soul sound across its 8 tracks, featuring self-penned material like "I'm Givin' It All to You" alongside covers such as "Work On It." Produced with a polished R&B edge, it did not chart prominently. Nightingale's final major studio effort in the early , It's a Beautiful Thing (1982), comprises 8 tracks in a pop-soul blend, with uptempo numbers like "Never Gonna Be Another One" and a cover of "Anyone Who Had a Heart." Despite its vibrant production, the album reached number 176 on the and number 35 on the R&B chart. A later release, Cry for Love (1986), followed but received limited commercial attention.

Notable Singles

Maxine Nightingale's breakthrough single, "Right Back Where We Started From," released in 1975, marked her entry into international stardom. Written by Pierre Tubbs and J. Vincent Edwards, the upbeat soul track featured "Make It Easy for Me" as its B-side in some editions and achieved top 5 peaks across multiple countries, including #2 on the US , #1 on the Cash Box chart, #8 in the UK, #3 in , and #4 in . The follow-up single, "Gotta Be the One," issued in 1976 with "You Are the One" on the B-side, reached #53 on the US , reflecting a more modest performance compared to her debut but maintaining momentum from her debut album. In 1977, "Love Hit Me" was released, backed by "I Wonder Why" in certain markets, and it climbed to #17 on the US Billboard R&B chart while peaking at #11 in the UK and #30 on the US Hot 100. Nightingale's final major US hit came with "Lead Me On" in 1979, featuring "Too Late" as the B-side in select releases; the song soared to #5 on the US Billboard Hot 100, #1 on the Adult Contemporary chart, and #37 on the R&B chart. Post-1980, Nightingale's output shifted toward album tracks and compilations, with singles like "All the Way" appearing on 1980s collections but failing to secure significant chart placements in major markets. European releases during this period, such as additional singles from her later albums, often lacked comprehensive international charting data beyond regional airplay success.

References

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  53. https://pophits.org/songs/maxine-nightingale-right-back-where-we-started-from
  54. https://www.musicvf.com/Maxine+Nightingale.songs
  55. https://www.discogs.com/release/8435551-Maxine-Nightingale-Lead-Me-On-Love-Me-Like-You-Mean-It
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