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Mobile Orchestra
Mobile Orchestra
from Wikipedia

Mobile Orchestra
Studio album by
ReleasedJuly 10, 2015
Recorded2014–2015
StudioSky Harbor Studios, Owatonna, Minnesota; The Terrarium (Minneapolis, MN)
Genre
Length35:49
LabelRepublic
Producer
Owl City chronology
The Best of Owl City
(2014)
Mobile Orchestra
(2015)
Reel 1
(2017)
Singles from Mobile Orchestra
  1. "Verge"
    Released: May 14, 2015
  2. "My Everything"
    Released: June 5, 2015
  3. "Unbelievable"
    Released: June 26, 2015

Mobile Orchestra is the fifth studio album by American electronica project Owl City, which was released on July 10, 2015. The album debuted at number 11 on the Billboard 200. This is the project's last album under Republic Records before releasing subsequent albums independently.

Young collaborated with several artists to provide additional vocals for the other songs on the album: English artist Sarah Russell for the track called "Thunderstruck", Jake Owen for the country pop song called "Back Home", vocalist Aloe Blacc for the graduation-themed song "Verge", and Hanson for the song "Unbelievable".

Background

[edit]

In 2014, Owl City released an EP called Ultraviolet and released "Beautiful Times" as the lead single.[3] Following the release, Young stated his intent to release a steady "series of EPs" in 2014 rather than one larger recording.[4] On October 7, 2014, Young released two new songs simultaneously, "You're Not Alone" (featuring Britt Nicole) and "Tokyo" (featuring Sekai no Owari).[5] The former would eventually become part of the international edition of the album while the latter would become the fourth track of the Japanese edition. The song "Up All Night" from the extended play Ultraviolet was included on the Japanese edition of the album as well.[6]

On April 19, 2015, Owl City made an announcement stating that a new full-length album would be released in the summer.[7] On May 12, 2015, the album name was revealed along with its artwork, track listing and release date was announced despite his intentions to release a series of EPs instead of a full-length album.[8] In October 2015, Owl City embarked on a headlining tour called On the Verge Tour, with support from Rozzi Crane.[9]

In an interview with Billboard, he revealed the intent behind the name of the album saying, "The title is kind of a pun on the fact that I have a hard time switching off the creative side of my brain. Therefore, I'm always working on some lyric or some rhyme or some melody that won't leave me alone. The blessing and the curse of how all this amazing technology now fits in a little box, in a laptop. The blessing and the curse is that you can always be working on something, literally anywhere. On the airplane, I'll probably do that later today. I'll probably be on the flight, putting my headphones on, just messing around. You can be on buses and trains. The idea is that, with all the technology, one guy sitting in front of a laptop can create the sound of an 80-person symphony. All the moving parts and all the bells and whistles. That's the cool imagery for what I do."[10]

Singles

[edit]

After the song was previewed on ESPN's "Draft Academy" on May 5, it was announced that "Verge", featuring Aloe Blacc, would be released on May 14 as the album's lead single.[11] A lyric video of "Verge" was later published on Owl City's Vevo channel on YouTube on May 13, 2015, along with an announcement for an upcoming music video.[12] The music video for the song premiered via Yahoo! Entertainment on May 28, 2015.[13] The song peaked at number 44 on the Japan Hot 100.[14]

On June 5, 2015, "My Everything" was released as the second single.[15] The music video for the song premiered that same day via VEVO and YouTube.[16] The song peaked at number 22 on the US Hot Christian Songs chart.[17] The song was serviced to Christian radio on July 31, 2015.[18]

On June 26, 2015, "Unbelievable", featuring Hanson, was released.[19] An animated music video for the song was released on June 29, 2015.[20] The song peaked at number 20 on the US Hot Christian Songs chart.[17]

Critical reception

[edit]
Professional ratings
Aggregate scores
SourceRating
Metacritic53/100[21]
Review scores
SourceRating
AllMusicStarStarStar[22]
The A.V. ClubC+[23]
CCM MagazineStarStarStarStar[24]
Cross RhythmsStarStarStarStarStarStarStarStarStarStar[25]
The GuardianStarStar[26]
HM MagazineStarStarStar[1]
New York Daily NewsStarStar[27]
PPCORNStarStarStarStarHalf star[28]
USA TodayStarStarHalf star[29]
Worship LeaderStarStarStarHalf star[30]

The album received mixed reviews from music critics before its release. Brian Mansfield, rating the album two and a half stars out of four at USA Today, opines, "Young's light-hearted approach doesn't always work, though, even when his heart's in the right place".[29] Awarding the album four stars from CCM Magazine, Andy Argyrakis states, "he has never been shy about his faith, which continues alongside the mounds of sugary surges that permeate...Mobile Orchestra".[24] Sarah Brehm, giving the album three stars at HM Magazine, writes, "Mobile Orchestra is a solid electronica album".[1] Rating the album four stars for Jesus Freak Hideout, Scott Fryberger describes, "another solid pop album...Mobile Orchestra is a big, fat, shiny diamond".[28] Jessica Morris, indicating in a four and a half star review by PPCORN, says, "Mobile Orchestra is unpredictable, electric, vibrant and full of meaning...absolutely fantastic".[28] Signaling in a four and a half star review from New Release Today, states, "Mobile Orchestra is easily the best alternative music album of the year...this album is chock-full of optimistic messages about love, faith and life wrapped around some incredibly hooky beats and dance floor tempos".[31] Justin Sarachik of BREATHEcast commended the album commenting, "Overall Owl City's Mobile Orchestra is an intense musical symphony from all fronts that not only tickles the ears, but pulls on the heartstrings with hope, positivity, and encouragement. Adam Young unabashedly expresses his faith and beliefs on these songs, and does so to a mainstream audience without so much of a hint of holding back. Mobile Orchestra is a great release for Owl City, and a sure fire hit with some staying people."[32] Reviewing for The National newspaper, Saeed Saeed also praised the album overall, rating it three stars and cited "Verge", "Back Home" and "My Everything" as the highlights of the album but was less positive to "Unbelievable" and "Bird With a Broken Wing".[33] Ken Capobianco of The Boston Globe commented on the album positively saying, "Six years after the commercial breakthrough "Fireflies," Owl City's Adam Young has virtually mastered his poppy electronica-lite formula, and aims straight for the mainstream with this earnest, eager-to-please new work. These carefully manicured, melodic songs are much too transparent and lightweight, though, to leave much of an impression."[34]

Despite its positive reviews, the album is not without its detractors. Opining for New York Daily News, Jim Farber gave the album 2 stars out of five saying, "Everything on the new album by Owl City sounds as if it was recorded by children, or trolls. In fact, it was largely created by an adult male: Adam Young, who uses Owl City as his stage name. From his first international smash, “Fireflies" in 2009, Young has specialized in candy-coated electronics, kiddie melodies and lyrics that could make a motivational speaker seem suicidally depressed."[27] Rating the album also two out of five stars, Tshepo Mokoena of The Guardian also criticized the album saying, "Mobile Orchestra attempts to package and sell the intimacy of relationships. Unfortunately, the results are so poorly executed they feel almost insulting, employing cliches and metaphors rather than digging into the terrifying vulnerability and pulsating rush that accompanies romantic love." She added that the album is "unoriginal and twee" but "destined for commercial success."[26] Randall Colburn, signaling with a C+ grade from The A.V. Club, believes, "It's both reassuring and mildly disappointing, then, that Mobile Orchestra finds Young branching out both sonically and lyrically...Nothing on Mobile Orchestra indicates he's found his new muse, but it reveals a well of passion for that discovery."[23] Randy W. Cross, rating the album three and a half stars at Worship Leader, writes, "Mobile Orchestra is replete with the beats that brought throngs of fans to the Owl City sound."[30]

In response to negative feedback, Young said in an interview with Billboard that, "There's definitely a trick. With anything that you do, for anybody, there's always going to be somebody who loves it, somebody who hates it, somebody in the middle. I feel like I read a stat once that was like, "If you put something out, there's 5% of everyone who loves it, 5% who hates it, and 90% of people who just kind of check it out and move on." So, it's definitely a trick to not dwell on the good or the bad. In terms of reading reviews online and things like that, I feel like I've nailed down a super healthy approach at that stuff. So, I will definitely check it out a little bit, but the moment it feels like I'm dwelling on it too much or thinking about it too much, I step back and remember at the end of the day, I've just got to do the best job that I know how to do and just be sincere and be honest, try to do the right thing. At the end of the day, people will talk and that's totally cool and I'll just keep fighting the good fight."[10]

Commercial performance

[edit]

Mobile Orchestra debuted and peaked at number 11 on the Billboard 200 selling 16,000 copies first week.[10][35] The album also debuted at number five on the Canadian Albums Chart with first week sales of under 2,000 units.[36]

Track listing

[edit]

All tracks are written by Adam Young except where noted.

International edition[37]
No.TitleWriter(s)Length
1."Verge" (featuring Aloe Blacc)3:33
2."I Found Love" 3:39
3."Thunderstruck" (featuring Sarah Russell) 4:07
4."My Everything" 3:45
5."Unbelievable" (featuring Hanson)
3:13
6."Bird with a Broken Wing" 3:55
7."Back Home" (featuring Jake Owen)
  • Young
  • Thiessen
  • Wright
3:09
8."Can't Live Without You" 3:11
9."You're Not Alone" (featuring Britt Nicole) 3:54
10."This Isn't the End" 3:23
Total length:35:49
Japanese edition[38]
No.TitleWriter(s)Length
1."Mobile Orchestra" 0:35
2."Verge" (featuring Aloe Blacc)
  • Blacc
  • Young
  • Thiessen
  • Wright
3:33
3."Up All Night" 3:51
4."Tokyo" (featuring Sekai no Owari) 3:39
5."I Found Love" 3:39
6."Unbelievable" (featuring Hanson)
  • Young
  • Hanson
  • Thiessen
  • Wright
3:13
7."My Everything" 3:45
8."Back Home" (featuring Jake Owen)
  • Young
  • Thiessen
  • Wright
3:09
9."Bird with a Broken Wing" 3:55
10."Thunderstruck" (featuring Sarah Russell) 4:07
11."This Isn't the End" 3:23
12."You're Not Alone" (featuring Britt Nicole) 3:54
13."Can't Live Without You" 3:11
Total length:43:54

Personnel

[edit]

Source: Mobile Orchestra (Liner notes). Owl City. 2015.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)

Charts

[edit]
Chart performance for Mobile Orchestra
Chart (2015) Peak
position
Australian Albums (ARIA)[39] 33
Belgian Albums (Ultratop Flanders)[40] 161
Belgian Albums (Ultratop Wallonia)[41] 144
Canadian Albums (Billboard)[42] 5
Dutch Albums (Album Top 100)[43] 83
Japanese Albums (Oricon)[44] 40
South Korean Albums (Circle)[45] 59
Taiwanese Albums (Five Music)[46] 3
UK Albums (OCC)[47] 98
US Billboard 200[10] 11

Release history

[edit]
Region Date Edition Format Label Ref.
Various July 10, 2015 Standard [48]
Japan
  • Bonus track
  • Commentary
Universal [49]

References

[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
Mobile Orchestra is the fifth studio album by the American electronica project Owl City, led by singer-songwriter Adam Young, released on July 10, 2015, by Republic Records. Featuring a blend of electropop and orchestral arrangements, the 10-track record includes collaborations with vocalists such as Aloe Blacc on the lead single "Verge," Hanson on "Unbelievable," Jake Owen on "Back Home," Sarah Russell on "Thunderstruck," and Britt Nicole on "You're Not Alone." The album debuted at number 11 on the US Billboard 200 chart, marking Owl City's continued presence in the electronic music landscape following the multi-platinum success of prior releases like Ocean Eyes. Produced primarily by Young at his Sky Harbor Studios in , Mobile Orchestra emphasizes uplifting themes of love, resilience, and self-discovery through its synth-driven soundscapes and layered . "Verge," released to radio on May 12, 2015, highlights the album's collaborative spirit and became a focal point for promotion, blending Young's ethereal vocals with Blacc's soulful delivery. Reception to Mobile Orchestra praised its polished pop accessibility and energetic vibe. The album supported Owl City's "On the Verge Tour" and contributed to the project's cumulative sales exceeding 2.5 million albums worldwide by the time of release.

Background and development

Announcement and concept

Following the release of the Ultraviolet EP in June 2014, which was announced as the first in a planned series of EPs that would compile into a full-length album, the project evolved and expanded into the full-length studio album Mobile Orchestra, marking Owl City's fifth overall and serving as the final release under its Republic Records contract. This evolution allowed Adam Young, the project's sole creator, to incorporate a broader range of influences and collaborations into a cohesive 10-track effort. The album's title, Mobile Orchestra, serves as a pun on Young's portable music-making process, enabled by like laptops and apps that let him compose and produce anywhere, anytime—essentially carrying an "orchestra" with him . This concept stemmed from Young's extensive touring and global experiences during the album's development, emphasizing the freedom and immediacy of modern electronic production tools in fostering constant creativity. In April 2015, Young revealed plans for a new album slated for summer release. The official announcement came on May 11, 2015, via , disclosing the title, July 10 global release date, and "Verge" featuring ; the full track list and artwork followed the next day on May 12. Pre-orders began shortly after, aligning with the industry's shift to unified release dates worldwide.

Recording and production

The recording sessions for Mobile Orchestra spanned from 2014 to early 2015, primarily at Sky Harbor Studios in —Adam Young's personal home studio—and The Terrarium in . These locations served as the core hubs for the project's development, allowing Young to maintain creative control in familiar environments while incorporating external contributions. Adam Young managed the bulk of the production responsibilities, including vocals, instrumentation, engineering, and mixing, all conducted at Sky Harbor Studios. As , Steve Bursky provided oversight on the album's direction, ensuring alignment with broader artistic and commercial goals. Young's process typically began with demos built around motifs and guitar elements, to which and additional layers were added iteratively. A key aspect of the production was the fusion of electronic synthpop foundations with live instrumentation and guest performances, often captured remotely to accommodate collaborators' schedules. For example, Aloe Blacc's vocals on "Verge" were recorded separately at Grand Scheme Mobile Studio in , , and integrated into Young's pre-existing demo track. Similarly, other features, such as Sarah Russell's contribution on "Thunderstruck," were tracked at SAM Studio in the , highlighting the album's distributed recording approach. The decision to feature multiple high-profile artists, including , Hanson, and , aimed to broaden Owl City's signature sound by introducing diverse vocal styles and genre influences beyond solo electronic production. This collaborative strategy, applied to roughly 15% of the tracks during writing sessions in Nashville and , allowed Young to layer guest elements onto completed beds, enhancing the album's textural depth without compromising its core electronic identity.

Music and lyrics

Musical style

Mobile Orchestra is characterized by its predominant synthpop and electronic foundation, blending upbeat tempos with lush synthesizers that create a vibrant, expansive evoking the collaborative energy of a "mobile" . The album incorporates and electro elements, drawing on Adam Young's signature dreamy production while introducing orchestral swells for added depth and drama. This marks an evolution from his earlier solo efforts, shifting toward a fuller texture through layered vocals and occasional live instrumentation like drums and bass, which enhance the collaborative feel without abandoning his electronic roots. Tracks showcase varied influences, with "Verge" featuring fusing electronic pop with R&B-infused grooves and subtle rhythms for an uplifting, danceable vibe. In contrast, "Unbelievable" brings power-pop energy through Hanson's pop-rock harmonies, layering nostalgic synths over anthemic choruses that nod to indie and alternative styles. These dynamic shifts—from high-energy hooks to more introspective bridges—contribute to the album's overall runtime of 35:50 in its standard edition, maintaining a cohesive yet diverse sonic palette. Guest artists' contributions, such as those from and Hanson, further enrich the electronic core with organic vocal textures.

Themes and songwriting

The album Mobile Orchestra explores central themes of wonder, , , and human connection, often infused with subtle Christian undertones that reflect Adam Young's personal beliefs. Songs like "My Everything" emphasize redemption and divine reliance, portraying as a source of comfort amid fear and loss, with lyrics such as "When my hope is lost... I run to you and you alone," intended to encourage those feeling spiritually weary. Similarly, tracks such as "You're Not Alone" and "Thunderstruck" highlight God's grace and romantic wonder, using phrases like "Your grace is beyond compare" and "I’ve never felt so /’Cause I’m wonderstruck" to convey and . Young's songwriting style draws from personal, optimistic narratives rooted in his life experiences, such as touring and returning home, evolving from earlier works that favored imagined worlds to more grounded, real-life reflections. He employs metaphors of light, flight, and orchestration to symbolize joy and transcendence, as seen in nature-inspired that blend with celebratory anthems, marking a confident shift toward explicit without overt preaching. This approach aligns with the album's "mobile" theme, representing adaptable creativity, as Young composed much of it on a during travels, including in , balancing solitude with broader inspiration. Collaborative elements enrich the lyrics, with co-writing "Verge" to explore embracing life's edges through themes of uncertainty, hope, and seizing the moment at milestones like , urging listeners to "make a promise to be true to [themselves]" amid future possibilities. Likewise, Hanson contributed to "Unbelievable," infusing upbeat, nostalgic vibes via '90s cultural references like and , evoking a joyful trip down memory lane to celebrate past happiness and shared formative experiences.

Release and promotion

Singles

The lead single from Mobile Orchestra, "Verge" featuring , was released on May 14, 2015, as a collaboration highlighting Owl City's electronic pop sound blended with Blacc's soulful vocals to create an uplifting anthem about pushing personal boundaries. The track peaked at number 44 on the Hot 100 chart, reflecting its international appeal in electronic music markets. Its official , directed by Matt Stawski and released on May 29, 2015, featured surreal visuals of oversized everyday objects and dreamlike sequences, emphasizing themes of exploration and wonder. The second single, "My Everything," followed on June 5, 2015, serving as a heartfelt that continued Owl City's use of inspirational, faith-influenced within his signature synth-driven production. It achieved a peak of number 22 on the Hot Christian Songs chart, gaining traction in contemporary formats due to its emotional resonance. An official was released on June 5, 2015, featuring performance elements to promote the song and engage fans ahead of the album launch. "" featuring Hanson was issued as the third single on June 26, 2015, incorporating the guest band's harmonious pop-rock elements to add a nostalgic, vibe that complemented the album's collaborative ethos. The track reached number 20 on the US chart, bolstered by its crossover potential in both pop and Christian audiences. Promotion centered on live performances, including a notable appearance by and Hanson on NBC's Today show on July 14, 2015, which amplified pre-album excitement through energetic onstage chemistry. These singles were strategically sequenced to spotlight key collaborations—Aloe Blacc's soul infusion, solo introspection in "My Everything," and Hanson's retro pop—building anticipation for Mobile Orchestra by teasing its diverse guest features and thematic depth. All three achieved modest charting success primarily in Christian and Japanese markets, helping to generate buzz without dominating mainstream .

Marketing efforts

Owl City initiated pre-release marketing for Mobile Orchestra on May 14, 2015, with an official announcement across the project's website and platforms, accompanied by digital pre-orders that included an instant download of the "Verge" featuring . A promotional teaser video was uploaded to on May 21, 2015, featuring of the album cover and encouraging pre-orders to build anticipation. Additional content, such as clips for individual tracks, was shared online in the months leading up to and following the release, providing insights into the production process. The standard digital and physical editions were offered through major retailers, with pre-orders bundled as digital downloads including exclusive instant tracks to incentivize early purchases. In , the edition released by featured three exclusive bonus tracks—"Up All Night," "" (featuring ), and a brief "Mobile Orchestra" intro—tailored to the local market to enhance appeal and drive sales. Promotional activities included live performances of select Mobile Orchestra tracks at summer 2015 events, such as the Fuji Rock Festival in Naeba, , on July 24, where debuted songs like "My Everything" and "Thunderstruck" to an international audience shortly after the album's July 10 launch. The project also appeared at Christian music-oriented gatherings, aligning with 's ties to the genre through Capitol CMG. In a July 22, 2015, interview with , Adam Young elaborated on the album's "mobile" concept, portraying it as portable, connective music designed to accompany listeners on the move, emphasizing themes of accessibility and emotional transport. Tie-ins with collaborators extended promotion through shared media appearances, including a joint live performance of "Unbelievable" with Hanson on NBC's The Today Show on July 14, 2015, which aired nationally and aimed to merge fanbases from pop and family-oriented music scenes. Similarly, the collaboration with on "Verge" was amplified via radio airplay—shipped to stations on May 12, 2015—and online video content, fostering between Owl City's audience and Blacc's soul-pop following. These efforts helped integrate collaborator networks into broader online and broadcast campaigns.

Reception

Critical reception

Mobile Orchestra received mixed reviews from critics, with a Metacritic aggregate score of 53 out of 100 based on five reviews, indicating generally average reception. Positive reviews highlighted the album's uplifting faith-infused themes and accessible pop sensibilities. CCM Magazine awarded it 4 out of 5 stars, praising its delightfully quirky arrangements, diary-styled lyrics that reflect Young's faith, and the pop/electronica blend's broad appeal through catchy collaborations like "Verge" with Aloe Blacc. Similarly, Jesusfreakhideout.com gave a favorable assessment across multiple staff opinions, commending the infectious optimism, fun synthpop hooks, and effective guest features with artists such as Hanson and Jake Owen that added variety and energy. Critics, however, pointed to significant shortcomings in originality and depth. The Guardian rated it 2 out of 5 stars, describing the album as overly twee, bland, and formulaic, with unoriginal clichés undermining its on-trend EDM and country-pop experiments. AllMusic assigned 3 out of 5 stars (60/100), critiquing the lack of innovation in the electronic pop landscape and noting that while collaborations widened the palette, the nerdy, lightweight sensibility prevented meaningful evolution from Young's prior work. The overall consensus appreciated the album's joyful energy and standout guest appearances but faulted its predictability and minimal departure from previous efforts, resulting in a mixed but not transformative reception.

Commercial performance

Mobile Orchestra debuted at number 11 on the US chart in July 2015, with first-week album-equivalent units of 16,000. The album achieved a number 5 debut on the Canadian Albums Chart, selling under 2,000 units in its opening week, reflecting modest initial uptake in that market. International sales were similarly restrained, primarily propelled by digital downloads and early streaming platforms rather than physical copies. The album's performance was bolstered in the Christian music sector through successful singles like "My Everything," which resonated with faith-based audiences and peaked at number 22 on the Hot Christian Songs chart, yet it experienced limited crossover into mainstream pop despite high-profile collaborations with artists such as and Hanson. No certifications were attained for the project.

Track listing and credits

Track listing

The standard edition of Mobile Orchestra consists of 10 tracks with a total duration of 35:49. All tracks were written and produced by Adam Young unless otherwise noted, with guest features credited where applicable.
No.TitleFeaturingLength
1."Verge"3:33
2."I Found Love"3:39
3."Thunderstruck"Sarah Russell4:07
4."My Everything"3:45
5."Unbelievable"Hanson3:13
6."Bird With a Broken Wing"3:38
7."Back Home"3:06
8."Can't Live Without You"3:46
9."You're Not Alone"3:03
10."This Isn't the End"3:24
The Japanese edition includes three bonus tracks: "Up All Night" (3:28), "" (3:07), and "Mobile Orchestra" (0:55, instrumental intro). A separate digital release features track-by-track audio commentary.

Personnel

Adam Young served as the primary artist, performing lead vocals, keyboards, and programming while producing, recording, and mixing all tracks at Sky Harbor Studios in . All instruments and programming by Adam Young unless otherwise noted. Guest vocalists
  • : additional vocals and production on "Verge" (track 1), recorded at Grand Scheme Mobile Studio in , .
  • Sarah Russell: vocals on "Thunderstruck" (track 3), recorded at SAM Studio in the .
  • Hanson: vocals on "Unbelievable" (track 5).
  • : vocals on "Back Home" (track 7).
  • : vocals on "You're Not Alone" (track 9).
Additional musicians
  • Jasper Nephew: guitar on "I Found Love" (track 2).
  • Background vocals on "Verge" (track 1): Stephanie Lauren (recorded at Dirty Denim Studios in Nashville, Tennessee), Matthew Thiessen, Emily Wright, and Abbey Olmsted.
  • Bryan Fowler and Jerrico Scroggins: assistant mixing on tracks 4 and 9.
Production and technical staff

Charts and release details

Chart performance

Mobile Orchestra entered international charts in July 2015 following its release. In the United States, the album debuted and peaked at number 11 on the , selling 16,000 copies in its first week and spending one week in the top 50. The album performed strongly in Canada, peaking at number 5 on the Canadian Albums Chart. In Australia, it debuted at number 33 on the ARIA Albums Chart. On the Japanese Albums Chart, Mobile Orchestra peaked at number 40. It achieved a high position of number 3 on the Taiwan Albums Chart. The album demonstrated longevity particularly in digital sales categories, remaining on relevant charts for several weeks post-debut.

Release history

Mobile Orchestra was released globally on July 10, 2015, by in digital download and CD formats. The standard edition features 10 tracks and was made available for streaming on platforms including and from the release date. A special Japan edition was also issued on July 10, 2015, through , including three bonus tracks: "Mobile Orchestra (Intro)", "" featuring , and "Up All Night". This edition, cataloged as UICU-1263, contains 13 tracks total and was distributed in a standard jewel case with an obi strip. This album marked Owl City's final release under , preceding a shift to independent distribution for subsequent projects such as Cinematic in 2018 and in 2023.

References

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