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Nick Lucas
Nick Lucas
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Key Information

Dominic Antonio Nicholas Lucanese (August 22, 1897 – July 28, 1982),[1] better known by his stage name Nick Lucas, was an American jazz singer and guitarist.[2] He was the first jazz guitarist to record as a soloist. His popularity during his lifetime came from his reputation as a singer. His signature song was "Tiptoe Through the Tulips".

Background and career

[edit]

Formative years

[edit]

Lucas was born into an Italian-American family in Newark, New Jersey on August 22, 1897, his parents hailing from Ariano di Puglia, Campania. He had eight siblings, five of whom surpassed their formative years.

His father, Otto, a landscaper and tree surgeon, was illiterate in English, although he was able to speak it; owing to his poor health, the family had relocated to the country—particularly Silver Lake—around 1900. A year subsequent, he tasked his son, Frank, a renowned accordionist, to teach the young Nick, then known as Dominic, a musical instrument. Since he was "too small to comfortably handle a guitar or banjo," the mandolin was deemed to be a suitable alternative for the young boy.[3]

By 1905, Dominic had developed a routine comprising both his academics and musical pursuits, the latter used as a means of assisting his family with respect to income. Consequently, he was unable to receive adequate sleep and thus was prone to sleeping through his classes.[3]

In 1913, upon graduating from grammar school, he was presented with a choice from his father concerning whether he would opt for continuing his education or apprenticing; he chose the latter. Given his youth and musical aptitude, his coworkers would find it questionable as to why he was laboring among them.[3]

Upon the commencement of his relationship with his future wife, Catherine Ciffrodella, he decided that it would be best for him to resign and capitalize upon his talent and passion. He henceforth had begun performing at local cafes, during which he adopted his reputed stage name: Nick Lucas.[3]

Recording career

[edit]

In 1912, at the age of fifteen, Lucas delivered his inaugural record performance, in particular for Thomas Edison's phonograph company. He retrospectively described the inventor as a "very nice man who was genuinely interested in the proper recording of string instruments."[3]

In 1922, at the age of 25, he gained renown with his hit renditions of "Pickin' the Guitar" and "Teasin' the Frets" for Pathé. In 1923, Gibson Guitars proposed to build him a concert guitar with a deeper body. Known as the "Nick Lucas Special," it became a popular model with guitarists such as Bob Dylan. It was this guitar's outline that was later used as the basis for the Gibson Les Paul solid body electric guitar. Also in 1923, he began recording for Brunswick and remained one of their exclusive artists until 1932.

In 1929, Lucas co-starred in the Warner Bros. two-color Technicolor musical, Gold Diggers of Broadway, in which he introduced the two hit songs "Painting the Clouds with Sunshine" and "Tiptoe Through the Tulips", which survives in a fully synchronized and preserved Vitaphone disc. The same year, Lucas was featured in the studio's all-star revue, The Show of Shows. Lucas turned down Warner Bros. seven-year contract offer, which went instead to fellow crooner Dick Powell.

In April 1930, Warner bought Brunswick and gave him his own orchestra, billed on his records as "The Crooning Troubadours". This arrangement lasted until December 1931, when Warner licensed Brunswick to the American Record Corporation (ARC). The new owners were not as extravagant as Warner Bros. had previously been and Lucas lost his orchestra and eventually left Brunswick in 1932. He made two recordings for Durium in 1932 for their Hit of the Week series. These would prove to be his last major recordings.

Lucas spent the rest of his career performing on radio, in night clubs and dance halls. He made a number of recordings for small or independent labels, including Cavalier, where he was billed as the "Cavalier Troubadour." In 1944, he reprised some of his old hits in soundies movie musicals and filmed another group of songs for Snader Telescriptions in 1951, including his hit of "Walkin' My Baby Back Home".

He signed with Accent in 1955 and remained with the label for 25 years.[4] Lucas once made an extended eight-month tour of Australia when he was on the road. In the mid-1970s he came to the attention of a new generation, being heard on the soundtracks of a handful of period films, after he was chosen to record the vocal refrains for The Great Gatsby. As of 2025, Nick Lucas has had one of the longest singing careers, spanning 64 years.

Personal life

[edit]

Nick Lucas enjoyed a long marriage of 53 years to Catherine Ciffrodella, whom he married on August 22, 1917. They had one daughter, Emily Lucas Bissell (1918–2013) and three grandchildren.[5]

Later years and death

[edit]

Lucas became friends with Tiny Tim, who considered him an inspiration and who borrowed "Tiptoe Through the Tulips" as his own theme song. Most people believe that Tiny Tim was the original singer of "Tiptoe Through the Tulips". Lucas sang the song to him when he married Miss Vicki on The Tonight Show Starring Johnny Carson on December 17, 1969. Nick Lucas was interviewed all throughout the 1970's and the early 1980's.

In 1974, his renditions of the songs, "I'm Gonna Charleston Back to Charleston", "When You and I Were Seventeen" and "Five Foot Two, Eyes of Blue" were featured on the soundtrack of The Great Gatsby (1974), selected by the film's musical director Nelson Riddle.

In 1975,[6] Nick Lucas performed a sold-out show at Mayfair Music Hall in Santa Monica, California. In 1977, he celebrated his 80th birthday.[7] This footage is available on YouTube. In 1980,[8] Lucas rode in the Rose Bowl Parade on his float 'Tiptoe Through the Tulips'. In 1981,[9] Lucas collaborated with Riddle one last time to sing 4 minutes of his best-selling hits. This was one of his last public appearances.

On July 28, 1982, less than a month before his 85th birthday, Nick Lucas died in Colorado Springs, Colorado, from complications of double pneumonia.[10] He was interred with his wife Catherine in the "Shrine of Remembrance" in Colorado Springs, Colorado.

Filmography

[edit]

Film

[edit]

[11]

Title Director Year and Company
Gold Diggers of Broadway Roy Del Ruth Warner Bros. 1929
The Show of Shows John G. Adolfi Warner Bros. 1929
Nick Lucas Song Vitaphone - 1929
Organloguing the Hits With Nick Lucas Master Art Products - 1931
Home Again Master Art Products - 1933
On the Air and Off Universal - 1933
What This Country Needs Vitaphone - 1934
Nick Lucas and His Troubadours Joseph Henabery Vitaphone - 1936
Vitaphone Headliners Vitaphone - 1936
Yankee Doodle Home Arthur Dreifuss Columbia - 1939
Congamania (Nick sings "In a Little Spanish Town") Larry Caballos Universal - 1940
Goodnight, Wherever You Are Soundies - 1944
An Hour Never Passes Soundies - 1944
Tiptoe Through the Tulips With Me Soundies - 1944
Side By Side Soundies - 1944
Big Time Revue Warner Bros. - 1947
Disc Jockey Will Jason Allied Artists - 1951
I'm Looking at The World Thru Rose Colored Glasses Snader - 1951
I Love the Sunshine of your Smile Snader - 1951
Get Out Those Old Records Snader - 1951
Mexicali Rose Snader - 1951
Marie, Ah, Marie Snader - 1951
Bela Bimba Snader - 1951
Walkin' My Baby Back Home Snader - 1951
The Great Gatsby Jack Clayton Paramount - 1974

(voice only)

The Day of The Locust John Schlesinger Paramount - 1975

(voice only)

Hearts of the West Howard Zieff MGM - 1975

(Voice only) (Final film role)

Theatre

[edit]

[11]

Sweetheart Time 1926
Show Girl 1929
Blackouts Of 1949 1949

Television

[edit]

[11]

The Lawrence Welk Show ABC, 1962-1965

Discography

[edit]
Nick Lucas discography
Lucas in The Show Of Shows (1929)
Studio albums7
Compilation albums16
Singles266

Albums

[edit]
Studio Albums[3]
Title Year Label
Tiptoe Thru The Tulips With Nick Lucas 1953 Cavalier
Tiptoe Thru The Tulips With Nick Lucas - Extended Version 1957 Cavalier
Painting The Clouds With Sunshine 1957 Decca
"The Nick Lucas" Souvenir Album 1968 Accent
Rose Colored Glasses 1969 Accent
An Evening With Nick Lucas 1982 Take Two
The Singing Troubadour 1983 ASV/Living Era
Compilation Albums[3]
Title Year Label
Tiptoe Thru The Tulips 2000 ASV/Living Era
Painting The Clouds With Sunshine 2001 Soundies
The Crooning Troubadour 2002 Crystal Stream Audio
Souvenir Album 2006 Melody Man
First and Last Accents 2007 Melody Man
Singing Troubadour 2010 Hallmark
Nick Lucas #1 2011 M. C. Productions
Nick Lucas #2 2011 M. C. Productions
Nick Lucas–1920's Jazz Vocals and Guitar

Encore 1; 1925-1926

2014 Vintage Recordings
Nick Lucas–1920's Jazz Vocals and Guitar

Encore 2; 1926-1927

2015 Vintage Recordings
Nick Lucas–1920's Jazz Vocals and Guitar

Encore 3; 1928-1932

2015 Vintage Recordings
The Singing Troubadour 2015 Vintage Music
Looking Over A Four-Leaf Clover 2016 Emerald Echoes
Golden Song Spotlight 2018 Melody Man
Presenting Nick Lucas 2022 Universal Digital Enterprises
Picking The Guitar 2024 Transatlantica

Singles

[edit]
1922-1949[3]
Year Title US[2] Label Certifications
1922 Picking The Guitar Pathe
1922 Teasing the Frets Pathe
1924 Dreamer of Dreams Brunswick
1924 My Best Girl 4 Brunswick
1924 Because They All Love You Brunswick
1924 Somebody Like You Brunswick
1925 If I Can't Have You Brunswick
1925 I've Named My Pillow After You Brunswick
1925 When I Think Of You Brunswick
1925 The Only, Only One Brunswick
1925 Isn't She The Sweetest Thing Brunswick
1925 By the Light Of The Stars Brunswick
1925 I Might Have Known Brunswick
1925 I'm Tired Of Everything But You Brunswick
1925 I Found Somebody to Love Brunswick
1925 Brown Eyes, Why Are You Blue 2 Brunswick
1925 Sleepy Time Gal 3 Brunswick
1925 Smile, A Little Bit, Smile Brunswick
1925 Who's Who Are You Brunswick
1925 Forever and Ever with You Brunswick
1926 A Cup of Coffee, A Sandwich, and You Brunswick
1926 Always 4 Brunswick
1926 Adorable Brunswick
1926 No Foolin' Brunswick
1926 Bye Bye Blackbird 4 Brunswick
1926 My Bundle Of Love Brunswick
1926 I'm Glad I Found A Girl Like You Brunswick
1926 Let Me Live and Love You Just For Tonight Brunswick
1926 How Many Times Brunswick
1926 Sleepy Head Brunswick
1926 Looking at the World Thru Rose Colored Glasses Brunswick
1926 When You're Lonely Brunswick
1926 Precious Brunswick
1926 Hello Bluebird Brunswick
1926 I'd Love to Call You My Sweetheart Brunswick
1926 Because I Love You Brunswick
1926 I've Got The Girl Brunswick
1927 Put Your Arms Where They Belong Brunswick
1927 In A Little Spanish Town Brunswick
1927 I'm Looking Over A Four-Leaf Clover Brunswick
1927 High, High, High Up In The Hills Brunswick
1927 I'm Looking For A Girl Named Mary Brunswick
1927 Underneath The Weeping Willow Brunswick
1927 Moonbeam! Kiss Her For Me Brunswick
1927 So Blue 13 Brunswick
1927 Side By Side 2 Brunswick
1927 Why Should I Say That I'm Sorry Brunswick
1927 Rosy Cheeks Brunswick
1927 Underneath The Stars with You Brunswick
1927 Sing Me A Baby Song Brunswick
1927 Broken Hearted 10 Brunswick
1927 Sweet Someone Brunswick
1927 I Can't Believe That You're In Love With Me Brunswick
1927 Among My Souvenirs Brunswick
1927 My Blue Heaven 7 Brunswick
1927 The Song Is Ended Brunswick
1927 Kiss and Make Up Brunswick
1927 Keep Sweeping The Cobwebs Off The Moon Brunswick
1927 Together 12 Brunswick
1927 Without You Sweetheart Brunswick
1928 My Ohio Home Brunswick
1928 Sunshine Brunswick
1928 I'm Waiting For Ships That Never Come In Brunswick
1928 I Still Love You Brunswick
1928 It Must Be Love Brunswick
1928 I Can't Do Without You Brunswick
1928 Just Like A Melody From Out Of The Sky Brunswick
1928 When You Said Goodnight Brunswick
1928 You're A Real Sweetheart Brunswick
1928 For Old Times Sake Brunswick
1928 Someday, Somewhere Brunswick
1928 Chiquita Brunswick
1928 My Tonia Brunswick
1928 The Song I Love Brunswick
1928 When The World Is At Rest Brunswick
1928 I'll Never Ask For More Brunswick
1929 I'll Get By 12 Brunswick
1929 You're Not Asking Me(I'm Telling You) Brunswick
1929 Some Rainy Day Brunswick
1929 How About Me Brunswick
1929 Old Timer Brunswick
1929 Heart O' Mine Brunswick
1929 I've Got A Feeling I'm Falling Brunswick
1929 Coquette Brunswick
1929 Painting The Clouds With Sunshine 2 Vitaphone Over 1 Millon

Copies Sold

1929 Tiptoe Thru The Tulips 1 Vitaphone Over 1 Millon

Copies Sold

Stayed At No. 1

for 10 Weeks

1929 In A Kitchenette

(from Gold Diggers of Broadway 1929)

Vitaphone
1929 Go To Bed

(from Gold Diggers of Broadway 1929)

Vitaphone
1929 What Will I Do Without You

(from Gold Diggers of Broadway 1929)

Vitaphone
1929 Just Another Kiss Brunswick
1929 Your Mother and Mine Brunswick
1929 Singin' In The Rain Brunswick
1929 When My Dreams Come True Brunswick
1929 Li-Po-Li

(from The Show of Shows)

Vitaphone
1929 Lady Luck

(from The Show of Shows)

Vitaphone
1929 The Only Song I Know

(from The Show of Shows)

Vitaphone
1930 Dancing with Tears in My Eyes Brunswick
1930 Telling It To The Daisies 15 Brunswick
1930 Singing a Song to the Stars Brunswick
1930 My Heart Belongs to the Girl Who Belongs to Somebody Else Brunswick
1930 Just a Little Closer Brunswick
1930 Don't Tell Her What's Happened to Me Brunswick
1930 The Kiss Waltz Brunswick
1930 Go Home and Tell Your Mother Brunswick
1930 Siboney Brunswick
1930 Wasting My Love on You Brunswick
1930 Maybe It's Love Brunswick
1930 You're Driving Me Crazy 7 Brunswick
1930 I Miss a Little Miss(Who Misses Me in Southern Tennessee) Brunswick
1930 Lady Play Your Mandolin 5 Brunswick
1930 Say Hello to the Folks Back Home Brunswick
1931 You Didn't Have to Tell Me(I Knew It All the Time) Brunswick
1931 Hello! Beautiful Brunswick
1931 When You Were the Blossom of Buttercup Lane and I Was

Your Little Blue Boy

Brunswick
1931 Walkin' My Baby Back Home 8 Brunswick
1931 Falling In Love Again Brunswick
1931 Running Between The Raindrops Brunswick
1931 Wabash Moon Brunswick
1931 Can't You Read Between the Lines Brunswick
1931 Boy! Oh! Boy! Oh! Boy! I've Got It Bad Brunswick
1931 Now You're In My Arms Brunswick
1931 I Surrender, Dear Brunswick
1931 That's My Desire Brunswick
1931 When the Moon Comes Over The Mountain 7 Brunswick
1931 Goodnight, Sweetheart Brunswick
1932 An Evening in Caroline Hit of The

Week

1932 All of Me/Goodnight Ladies Hit of The

Week

1932 Picking the Guitar Brunswick
1932 Teasing the Frets Brunswick
1932 I'm Sure of Everything But You Brunswick
1932 More Beautiful Than Ever Brunswick
1932 Till Tomorrow Brunswick
1932 I Called to Say Goodnight Brunswick
1934 Love Thy Neighbor Brunswick
1934 A Thousand Good Nights Brunswick
1934 Carry Me Back to the Lone Prarie Brunswick
1934 Goin' Home Brunswick
1934 Moon Glow Brunswick
1934 For All We Know Brunswick
1936 Cling To Me Universal
1936 There's Always A Happy Ending Universal
1936 Play It, Mr. Charlie Universal
1936 I'll Stand By Universal
1936 Mutiny In The Park Universal
1936 I Want to Go Where You Go Universal
1936 My Blue Heaven Universal
1936 It Looks Like Rain In Cherry Blossom Lane C. P.

MacGregor

1936 You'll Never Get To Heaven C. P.

MacGregor

1936 Till The Clock Strikes Three C. P.

MacGregor

1936 The Moon Got In My Eyes C. P.

MacGregor

1936 A Sailboat In the Moonlight C. P.

MacGregor

1936 The Dream In My Heart C. P.

MacGregor

1936 We Can't Go On This Way C. P.

MacGregor

1936 Strangers In The Dark C. P.

MacGregor

1936 Tiptoe Thru The Tulips C. P.

MacGregor

1936 Side by Side C. P.

MacGregor

1936 Little Old Fashioned Music Box C. P.

MacGregor

1936 The Miller's Daughter Marianne C. P.

MacGregor

1936 Tomorrow Is Another Day C. P.

MacGregor

1936 Gone With The Wind C. P.

MacGregor

1936 My Cabin of Dreams C. P.

MacGregor

1936 When I Look at You C. P.

MacGregor

1936 Pickin' The Guitar C. P.

MacGregor

1936 Vieni, Vieni C. P.

MacGregor

1936 You Can't Stop Me from Dreaming C. P.

MacGregor

1936 In A Little Carolina Town C. P.

MacGregor

1936 Please Pardon Us We're in Love C. P.

MacGregor

1939 An Apple for the Teacher Columbia
1939 A Man and His Dream Columbia
1939 Go Fly a Kite Columbia
1939 Good Morning Columbia
1939 Over the Rainbow Columbia
1939 The Man With A Mandolin Columbia
1941 Maria Elana NBC
1944 Tiptoe Thru The Tulips Soundies
1944 Side By Side Soundies
1944 Goodnight, Wherever You Are Soundies
1944 An Hour Never Passes Soundies
1944 Tiptoe Thru The Tulips Audio-Scriptions
1944 Side by Side Audio-Scriptions
1944 Tiptoe Thru The Tulips Premier/Mercury
1944 Always Premier/Mercury
1945 My Blue Heaven Sellers
1945 It's Been A Long, Long Time Sellers
1946 Sleepy Time Gal C. P.

MacGregor

1946 I'm Looking Over a Four Leaf Clover C. P.

MacGregor

1946 In A Little Spanish Town C. P.

MacGregor

1946 Three Little Words C. P.

MacGregor

1946 Oh, How I Miss You Tonight C. P.

MacGregor

1946 Always C. P.

MacGregor

1946 It Looks Like Rain In Cherry Blossom Lane C. P.

MacGregor

1946 I'll Get By C. P.

MacGregor

1946 The Song Is Ended C. P.

MacGregor

1946 Mexicali Rose C. P.

MacGregor

1946 Painting The Clouds With Sunshine C. P.

MacGregor

1946 Tangerine C. P.

MacGregor

1946 The Gay Ranchero C. P.

MacGregor

1946 Minnie The Mermaid C. P.

MacGregor

1946 Just Like A Melody From Out of the Sky C. P.

MacGregor

1946 You Are Everything I Love C. P.

MacGregor

1946 Among My Souvenirs C. P.

MacGregor

1946 Charley My Boy C. P.

MacGregor

1946 Broken Hearted C. P.

MacGregor

1946 Coax Me a Little Bit Diamond
1946 If I Had My Way Diamond
1946 What You Gonna Do? Diamond
1946 Painting The Clouds With Sunshine Diamond
1946 Seems Like Old Times Diamond
1946 Give My Heart a Break Diamond
1946 My Blue Heaven Diamond
1946 Everyone Is Looking For the Rainbow Diamond
1947 Tiptoe Through the Tulips Audiodisc
1947 Open Up That Door Audiodisc
1948 Tiptoe Through the Tulips Huckster/Capitol
1948 Side by Side Huckster/Capitol
1948 Bye Bye Blackbird Huckster/Capitol
1948 Broken Hearted Huckster/Capitol
1948 Brown Eyes, Why Are You Blue Huckster/Capitol
1948 I Miss You Most of All(The Chair's in the Parlor) Huckster/Capitol
1948 Don't Gamble With Romance Capitol
1948 Tea Time on the Thames Capitol
1949 Bye Bye Blackbird Capitol
1949 Don't Call Me Sweetheart Anymore Capitol
1951-1981[3]
Year Title Label
1951 Bela Bimba Snader
1951 Mexicali Rose Snader
1951 Walking My Baby Back Home Snader
1951 I Love The Sunshine of Your Smile Snader
1951 Get Out Those Old Records Snader
1951 Marie, Oh Marie Snader
1951 Looking At The World Thru Rose Colored Glasses Snader
1954 Looking At The World Thru Rose Colored Glasses Crown
1955 Did You Ever See a Dream Walking? Crown
1955 Bella Nonna(Little Grandmother) Accent
1955 Paper Roses Accent
1955 Kind and Considerate Accent
1955 Soldier's Guitar Accent
1955 Pasta Cheech Accent
1955 Not Guilty Accent
1964 Hello Dolly Accent
1964 Tiptoe Through The Tulips Accent
1964 While We Danced at the Mardi Gras Accent
1964 Can't We Talk It Over? Accent
1966 Darling, I Love You Accent
1966 It's Been A Good Life Accent
1967 Worryin' Accent
1967 Brown Eyes, Why Are You Blue Accent
1967 I'm Blue for You Accent
1967 Our San Diego Accent
1974 When You and I Were Seventeen Paramount
1974 Five Foot Two, Eyes of Blue Paramount
1974 I'm Gonna Charleston Back to Charleston Paramount
1974 Tiptoe Thru The Tulips Accent
1974 Silver Sails Accent
1974 I Wished on the Moon Paramount
1975 I'll See You In My Dreams MGM
1975 We'll Make Hay While the Sun Shines MGM
1975 My Blue Heaven MGM
1975 Happy Days Are Here Again MGM
1975 Ja Da MGM
1975 Wang Wang Blues MGM
1976 To Be Loved by You Paramount
1976 They're Playing Our Song(Won Ton Rag) Paramount
1980 Are You Lonesome Tonight Accent
1980 How Did You Have the Heart to Break My Heart? Accent
1981 The Magic Waltz Accent

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
Nick Lucas (August 22, 1897 – July 28, 1982), born Dominic Nicholas Anthony Lucanese, was an American singer and renowned for his pioneering role as the first jazz guitarist to record as a soloist and for his crooning vocal style that blended intimate singing with guitar accompaniment. Born in , to Italian immigrant parents, Lucas learned , , and from his brother at a young age and began performing at local Italian events and saloons by age nine. His early recordings included test cylinders for in 1912, but his breakthrough came in 1922 with solo guitar tracks like "Picking the Guitar" and "Teasing the Frets" for , marking him as an innovator in instrumentation. Lucas's signature high-pitched voice and persona earned him the nickname "The Crooning ," and he became a prominent figure in the and scene, recording for labels such as Brunswick and selling millions of records worldwide. Lucas achieved widespread fame in 1929 by appearing in the musical film , where he introduced the hit song "Tip-Toe Through the Tulips with Me", composed by and Joseph A. Burke, which became one of the era's biggest successes and later influenced artists like Tiny Tim. He appeared in other films, including (1929), and continued recording and performing into the , while endorsing Gibson guitars—leading to the creation of the Gibson Nick Lucas Special model—and authoring instructional books like The Nick Lucas Plectrum Guitar Method. Known as the "Grandfather of Jazz Guitar," Lucas's work bridged , early film, and , influencing guitarists such as and . He retired in due to health issues and died of double pneumonia in , at age 84.

Early life

Birth and family background

Nick Lucas was born Dominic Nicholas Anthony Lucanese on August 22, 1897, in , to Italian immigrant parents who had arrived in the United States in the early . A week after his birth, he was christened in the family's tradition, reflecting their strong ties to their Italian heritage. His father worked as a , supporting the household in a modest, working-class environment where money was scarce but living costs were low during that era. The Lucanese family embodied the challenges of early Italian-American immigrant life, with young Dominic contributing to the household by taking on early jobs such as selling newspapers as a newsboy. He grew up alongside several siblings, including an older brother named Frank, who was about five or six years his senior and played a pivotal role in the family's dynamics. The family maintained a musical bent despite their economic constraints, with parents fostering an environment where music was a form of home entertainment and cultural preservation. Lucas's initial exposure to music came through the vibrant Italian-American community in Newark, where local events like weddings and christenings featured traditional instruments and songs. At around age seven, he began learning the and from a Sicilian in the neighborhood, as well as from his brother Frank, who taught him using the solfeggio system and introduced him to accompanying on guitar and . These early influences, rooted in familial and communal traditions, laid the groundwork for his lifelong passion for music without formal professional training at that stage.

Introduction to entertainment

Nick Lucas entered the entertainment industry in 1915 at the age of 18, securing his first professional gig playing banjeaurine in a three-piece at Johnson's Cafe. This local venue featured revues, providing Lucas with an entry point into performing for audiences in his hometown, earning $20 per week for the role that lasted two years. Influenced by his family's musical background, particularly lessons from his brother Frank who taught him , , and using solfeggio methods, Lucas had already honed basic instrumental skills through childhood performances at Italian community events and street corners in Newark, beginning around age nine. Transitioning from guitar—initially used as a instrument for waltzes but set aside temporarily due to its softer volume in settings—Lucas focused on during these early appearances, gradually developing a versatile playing style that blended and . His voice also began to emerge, characterized by a soft, intimate delivery that would later define his crooning approach, though at this stage it complemented the instrumental focus in small combo settings. In 1917, he moved to the nearby in Newark, joining a jazz-oriented group and receiving a raise to $25 per week, which allowed further refinement of his guitar technique amid the growing popularity of syncopated music in local scenes. By the late 1910s, Lucas expanded into circuits, forming the "Kentucky Five" ensemble with pianist to tour the Interstate circuit around 1919–1920, where they served as backing musicians for acts like the Zeigler Twins. These early engagements marked his shift toward professional touring, with roles in small bands that emphasized his emerging guitar proficiency in jazz-influenced arrangements. Prior to broader national exposure, he appeared in modest theater venues in the New York area, building experience through these circuit performances that honed his stage presence and instrumental-singing integration without yet achieving widespread acclaim.

Career

Recording and musical achievements

Nick Lucas began his recording career in the early , debuting with in 1922 on the instrumental tracks "Pickin' the Guitar" and "Teasing the Frets," which established him as a pioneering and pop guitarist. He soon transitioned to vocal recordings, signing with in 1923, where he remained an exclusive artist until 1932, releasing numerous sides that blended his smooth tenor with self-accompaniment on guitar. These early efforts, including -influenced pop songs, showcased his versatility and helped solidify his reputation as a leading recording artist of the era. Lucas achieved his greatest commercial breakthrough in 1929 with the release of "Tip-Toe Through the Tulips with Me," recorded for Brunswick on May 9, which topped the U.S. charts for 10 weeks and sold over one million copies, becoming one of the year's biggest hits. That same year, his recording of "Painting the Clouds with Sunshine" also reached significant popularity, further cementing his status as a top-selling vocalist. These successes, both originating from the Broadway musical , marked Lucas as a dominant force in during the late . A key innovation in Lucas's work was his pioneering use of the guitar in recordings; his 1922 "Pickin' the Guitar" is recognized as the first solo recording, predating similar efforts by other artists and influencing the instrument's role in and pop. By the late 1920s, he expanded this to vocal-guitar performances, becoming one of the earliest artists to integrate crooning vocals with guitar accompaniment on record, as heard in his 1929 hits. His recording career spanned over six decades, from test cylinders in 1912 to his final sessions in 1981 for Accent Records, encompassing labels like , Brunswick, and later independent imprints. Lucas's crooning style, characterized by a soft, intimate delivery, earned him the moniker "The Crooning " and contributed to the evolution of the archetype in the and , influencing subsequent singers through his radio broadcasts and recordings. His gentle phrasing and guitar integration popularized the format on airwaves, where he starred in shows during the , enhancing his widespread appeal.

Film, stage, radio, and television work

Nick Lucas made his film debut in the 1929 musical , where he introduced the hit song "Tip-Toe Through the Tulips with Me" on screen alongside "Painting the Clouds with Sunshine," marking one of the earliest instances of a performing in a feature-length talkie. He followed this with an appearance in the all-star revue (1929), performing in the "Chinese Fantasy" sequence opposite , singing "Li-Po-Li." Lucas appeared in a total of 23 films from 1929 to 1975, including early shorts, late-1930s musical shorts for Universal and such as Yankee Doodle Home (1939) and Congamania (1940), four Soundies shorts in 1944, and seven Snader Telescriptions in 1951; his later contributions were primarily vocal cameos, such as in (1974), (1975), and (1975). These roles highlighted his smooth style and guitar accompaniment, adapting his recording hits to visual media during the transition from silent films to sound. On stage, Lucas established himself in Broadway musical revues during the 1920s and 1930s, leveraging his intimate crooning for live audiences in vaudeville-inspired productions. He understudied and performed in Sweetheart Time (1926) opposite , then starred as Rudy in Show Girl (1929) with , a Ziegfeld-backed show that showcased his vocal talents amid chorus numbers and sketches. In the late 1940s, he headlined Ken Murray's Blackouts for 100 consecutive weeks at Hollywood's starting in 1947, before bringing the act to Broadway as Blackouts of 1949, where his guitar-backed solos drew on his established . Later stage work included a revival titled The Blackouts of 1966 at Cal-Neva Lodge in , extending his live theater presence into the mid-20th century. Lucas achieved radio stardom from the through the as a regular on major networks, performing live with his guitar in an era when broadcasts featured intimate, unamplified vocals. Early in the decade, he sang with Ted Fio Rito's band on Chicago's WEBH station, establishing his "Crooning Troubadour" nickname through nightly spots. By the 1930s, he starred in his own programs on and Columbia (later ), including a stint as main vocalist on Al Pearce's CBS comedy-variety show from 1936 to 1938, where he delivered hits like "In a Little ." His radio career peaked with a 1939 weekly series in , , and continued into the with guest spots, before transitioning to and dance hall tours as network radio waned post-World War II. In television, Lucas adapted to the medium during the and through guest spots and short-form performances, often reviving his hits for nostalgic audiences. His national TV debut came in on Ken Murray's program and (then Toast of the Town), followed by appearances on You Asked for It (1952) and the seven Snader Telescription shorts aired in the early . The 1960s brought renewed visibility via spots on (1965), The Art Linkletter Show, , and Starring (1969), where he performed "Tip-Toe Through the Tulips" amid a revival sparked by Tiny Tim's cover. Into the , he made occasional guest appearances on similar variety programs, demonstrating his enduring appeal in broadcast .

Personal life

Marriage and family

Nick Lucas married Catherine Cifrodella on August 22, 1917, in a union that lasted 53 years until her death in 1970. The couple had one daughter, Lucas Bissell, born on April 7, 1918, in , who lived until 2013. Emily married Leonard Bissell, and the couple had three children. The family initially resided in , where Lucas was born, before relocating to to support his early career opportunities with orchestras such as Vincent Lopez's. They later moved to Hollywood during his film work in the and , and eventually settled in , before retiring to Colorado Springs in the mid-20th century. Despite the demands of his touring and recording schedule, which occasionally required extended separations, Lucas maintained close ties with his family throughout his professional life.

Later years and death

In his later years, following the death of his wife Catherine in 1970, Nick Lucas continued with sporadic performances and recordings, including appearances on television shows and contributions to film soundtracks, until 1981, when advancing age and illness compelled his retirement. Lucas relocated to , for his final years, where he confronted significant health challenges, including a that necessitated care at the Nursing Home. He passed away on July 28, 1982, at age 84, following a . A memorial service was held on August 28, 1982, in , and he was interred alongside his wife at the Mausoleum in Colorado Springs. Lucas's career, spanning from 1917 to 1981, endured for 64 years, marking it as one of the longest in history.

Legacy

Nick Lucas is recognized as one of the pioneering figures in the development of crooning during the , a vocal style characterized by intimate, microphone-enhanced delivery that contrasted with the belting techniques of earlier entertainers. He introduced this style in recordings such as "My Best Girl" in 1924, earning the moniker "The Crooning " and helping to shift toward more personal, emotive singing. As an early adopter, Lucas paved the way for subsequent crooners, including and , who built upon his approach to achieve widespread success in the late and . Lucas's innovations extended to guitar playing, where he became the first jazz guitarist to record as a soloist, releasing tracks like "Pickin' the Guitar" and "Teasin' the Frets" in that featured syncopated, -inflected solos. These early -vocal recordings, combining his crooning with rhythmic guitar accompaniment, influenced the integration of the guitar into and pop ensembles, encouraging its use beyond rhythm sections in both genres. His signature 1929 hit "Tip-Toe Through the Tulips," performed with guitar, exemplified this fusion and later inspired adaptations in . A notable direct influence was on performer Tiny Tim, who in the 1960s revived "Tip-Toe Through the Tulips" on and openly modeled his singing and playing style after Lucas's crooning technique. At Tiny Tim's invitation, Lucas appeared on in 1969, where the connection between their styles was highlighted, bridging early 20th-century crooning with mid-century novelty acts.

Recognition and cultural impact

Nick Lucas is noted for one of the longest careers in history, spanning over 60 years from his early performances in the 1910s to his final recordings in the late 1970s. His enduring presence in the industry was marked by continuous activity across , recordings, film, and television until health issues prompted retirement shortly before his death in 1982. A significant revival of interest in Lucas's work occurred in the , highlighted by his vocal contributions to the of the 1974 film , where he sang several period songs, reintroducing his crooning style to a new generation of audiences. Following his death, Lucas received posthumous recognition through scholarly works and music histories that celebrate his pioneering role in and vocal performance. The 2023 biography Nick Lucas: The Crooning Troubadour and His Guitar by Michael R. Pitts, published by McFarland, provides a comprehensive account of his life and contributions, drawing on archival materials to underscore his influence on American entertainment. Additionally, he has been featured in publications such as The Syncopated Times, which profiles him as a key figure in early , and in guitar history texts like Jas Obrecht's Talking Guitar, where interviews and tributes affirm his legacy as "America's first ."

Filmography

Feature films

Nick Lucas's film career spanned nearly five decades, beginning in the pivotal transition from silent films to sound era musicals, where he leveraged his reputation as the "Crooning Troubadour" to perform hit songs and showcase his guitar skills. His debut came in the landmark musical Gold Diggers of Broadway (1929), directed by Roy Del Ruth for , in which he introduced two enduring standards: "Tiptoe Through the Tulips with Me," which topped the charts and sold over two million records, and "Painting the Clouds with Sunshine." This role established Lucas as a key figure in early talkies, blending charm with cinematic performance. He followed immediately with an appearance in the lavish revue (1929), directed by John G. Adolfi, where he delivered solos in segments like "Lady Luck" and "Chinese Fantasy," contributing to the film's showcase of talent amid the studio's push into synchronized sound. In the ensuing years, Lucas maintained a presence in musical features, often portraying himself or a singer-guitarist character, emphasizing lighthearted entertainment over dramatic acting. Postwar, he appeared in (1951), directed by Will Jason for Allied Artists, a role that reflected his ongoing appeal in radio-inspired narratives. These films underscored his adaptability, from full musical numbers to supporting vocal spots, as Hollywood evolved beyond the early sound boom. Lucas's later contributions shifted toward uncredited vocal work, capitalizing on his vintage style for period authenticity in major productions. In The Great Gatsby (1974), directed by Jack Clayton for Paramount, he provided era-appropriate renditions of "I'm Gonna Charleston Back to Charleston," "When You and I Were Seventeen," and "Five Foot Two, Eyes of Blue," enhancing the film's Jazz Age atmosphere without on-screen presence. His voice similarly enriched the soundtracks of The Day of the Locust (1975), directed by John Schlesinger for Paramount, and Hearts of the West (1975), a Howard Zieff comedy for MGM, marking poignant cameos in his final years. Overall, Lucas appeared in six feature films, primarily as a musical performer, bridging vaudeville roots with Hollywood's golden age and beyond.
YearTitleDirectorStudioRole/Contribution
1929Roy Del RuthWarner Bros.Singer; introduced "Tiptoe Through the Tulips with Me" and "Painting the Clouds with Sunshine"
1929John G. AdolfiWarner Bros.Performer; solos in "Lady Luck" and "Chinese Fantasy" segments
1951Will JasonAllied ArtistsSinger-guitarist
1974ParamountSinger (uncredited); vocals for multiple 1920s standards
1975ParamountSoundtrack vocalist (uncredited)
1975MGMMusic department/singer (uncredited)

Television appearances

Nick Lucas began appearing on television in the early 1950s, transitioning his signature crooning and guitar accompaniment from radio broadcasts to visual variety formats. On the December 7, 1952, episode of You Asked for It, hosted by Art Baker, Lucas performed classics like "Tip-Toe Through the Tulips," delighting audiences with his troubadour style in a segment fulfilling viewer requests for the jazz pioneer. He also guested on The Liberace Show multiple times during the decade, including a 1952 appearance where he sang "Tip-Toe Through the Tulips" alongside host Liberace and Gilda Gray, and further episodes in 1954, 1955, and 1958 that highlighted his guitar-driven renditions of 1920s hits. These performances showcased Lucas's adaptation of intimate radio-style singing to television, often featuring close-up shots of his flatpicking technique on ukulele-banjo or guitar. Throughout the and , Lucas made frequent guest spots on major variety programs, capitalizing on his enduring appeal as a . He was a regular on , appearing multiple times to perform standards that evoked the , such as during live broadcasts from New York where his smooth vocals and guitar work entertained diverse audiences. On in 1962 and 1965, Lucas delivered nostalgic sets of his hits like "Tip-Toe Through the Tulips" and "I'm Looking Over a ," blending seamlessly with the program's wholesome . His 1968 interview on The Tonight Show Starring and subsequent 1969 appearance during Tiny Tim's on-air wedding further demonstrated his career longevity, as he sang "Tip-Toe Through the Tulips" to celebrate the event's thematic revival of his 1929 signature song. In the , Lucas's television presence surged with nostalgia-driven specials, prompted by Tiny Tim's popularization of his repertoire. He featured in interview segments on programs like , discussing his pioneering role in and crooning, often performing snippets of early hits for late-night viewers. Mid-decade appearances on variety revues emphasized his legacy, with guitar-accompanied medleys of 1920s tunes in formats reminiscent of his roots. One of his final televised outings came in on a Nelson Riddle-conducted special, where the 83-year-old Lucas sang "I've Got a Feeling I'm Falling" in a brief guest spot, marking a poignant close to his small-screen career.

Discography

Albums

Nick Lucas's recording career, spanning over six decades, included several studio albums that showcased his evolution from to long-playing record artist. His early output in the 1920s consisted of collections on , typically bound sets of 78 rpm discs featuring his signature guitar-accompanied vocals on popular tunes of the era, such as "Picking the Guitar" and "Sleepy Time Gal." These collections captured his pioneering role as one of the first guitarists to record as a soloist, blending lighthearted pop with instrumental flair. As recording technology advanced, Lucas shifted to long-playing records in the 1950s, embracing the format's capacity for extended performances and higher fidelity. This transition marked a revival of his career, allowing him to re-record and reinterpret his classics for modern audiences. Notable among these later studio efforts is the Souvenir Album (1968, Accent Records), a nostalgic collection of standards like "It Happened in Monterey" and "My Blue Heaven," reflecting his enduring appeal as the "Singing Troubadour." Other key releases include Rose Colored Glasses (1969, Accent Records), featuring tracks such as "Painting the Clouds with Sunshine," and An Evening with Nick Lucas (1975, Take Two Records), which highlighted intimate live-style renditions. Beyond his studio work, Lucas's discography encompasses 16 compilation albums, many serving as retrospectives that preserved his influence on . These include focused collections on his 1929 hits, such as "Tip-Toe Through the Tulips with Me," which topped charts and defined the crooning style, as well as anthologies highlighting his contributions from the Brunswick era. Representative examples are Painting the Clouds with Sunshine (1958 reissue compilation elements, Decca) and later retrospectives like Tip-Toe Thru the Tulips with Nick Lucas (1954, Cavalier), which gathered his early vocal hits alongside instrumental tracks. Additional compilations include The Singing Troubadour (1983, ASV Living Era), a posthumous release featuring recordings from 1924–1939. These compilations, often released by specialty labels, have kept his music accessible, underscoring his role in bridging and traditions.

Singles

Nick Lucas began his recording career with singles for Actuelle in the early 1920s, marking his debut as a solo and vocalist. His first notable releases included the instrumental tracks "Picking the Guitar" and "Teasing the Frets," recorded in July 1922 and accompanied by , which showcased his innovative fingerpicking style and helped establish him as a pioneering . These early singles, totaling several sides under his own name and with groups like the Lucas Novelty Quartet, laid the foundation for his rise in the vaudeville and recording scenes. Lucas's most prolific and successful period came with Brunswick Records starting in 1923, where he recorded dozens of singles as a solo artist and with his Crooning Troubadours, blending crooning vocals with guitar accompaniment. Key hits from this era include "My Best Girl" (1925, peaking at No. 4), "Sleepy Time Gal" (1926, No. 3), "Always" (1926, No. 4), "Bye Bye, Blackbird" (1926, No. 4), "Side by Side" (1927, No. 3), and "My Blue Heaven" (1928, No. 7), all of which demonstrated his smooth, intimate style that influenced later crooners. The pinnacle was his 1929 recording of "Tip-Toe Through the Tulips with Me" (Brunswick 4418), introduced in the film Gold Diggers of Broadway, which topped the charts for 10 weeks and sold over two million copies, becoming one of the era's biggest-selling records and solidifying his nickname as the "Crooning Troubadour." Other Brunswick successes like "Painting the Clouds with Sunshine" (1929, No. 2) and "Brown Eyes, Why Are You Blue?" (1925, No. 2) further highlighted his chart dominance in the late 1920s. In the 1930s, Lucas made a brief but innovative shift to Durium's Hit of the Week series, recording single-sided flexi-discs on cardboard for weekly distribution. His 1932 releases included "All of Me" and "Good Night Ladies" with his Troubadours, as well as "An Evening in Caroline," which captured his enduring appeal amid the Great Depression's economic constraints on traditional records. Following a hiatus from major labels, Lucas resumed singles output in the 1950s with smaller independent companies, progressing to Cavalier Records in 1952 and 1956, where he recorded tracks like "Brown Eyes, Why Are You Blue," "I'll Get By," "Francine," "Teardrops," and "Til the End of Forever," accompanied by Jimmy Diamond's orchestra in a nostalgic jazz-pop vein. From the mid-1950s through the 1980s, he primarily worked with Accent Records, releasing around ten singles that mixed reissues of his classics with new material, such as "Paper Roses" / "Bella Nonna (Little Grandmother)" (1955), "Hello Dolly" / "Tip Toe Thru the Tulips" (1964, a re-recording), "A Cup of Coffee, a Sandwich and You" / "I Want to Hold You in My Arms" (1970), and "Silver Sails" / "Tip Toe Thru the Tulips" (1974). His final single, "Are You Lonesome Tonight?" recorded on November 26, 1980, for Accent, exemplified his late-career focus on sentimental standards, bridging his early hits with contemporary interpretations. These later releases, often in limited runs, reflected rekindled interest in his pioneering sound without achieving the commercial peaks of his Brunswick years.
Key SinglesYearLabelPeak Chart PositionNotes
Picking the Guitar1922Debut solo guitar instrumental
My Best Girl1925Brunswick4Early vocal hit
Tip-Toe Through the Tulips with Me1929Brunswick1Over 2 million copies sold; from
All of Me1932Durium (Hit of the Week)Flexi-disc format
Brown Eyes, Why Are You Blue?1956 (re-recording)CavalierNostalgic revival
Are You Lonesome Tonight?1980AccentFinal single release
Overall, Lucas's singles discography encompasses more than 180 historical recordings from the to alone, plus additional later sides, totaling over 200 releases that traced the evolution from solos to ballads.

References

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