Recent from talks
Nothing was collected or created yet.
Noveltoons
View on Wikipedia
| Noveltoons | |
|---|---|
The opening card in the 1945 variant. | |
Production company | |
| Distributed by | Paramount Pictures |
Release date | November 26, 1943 – June 1, 1967 |
Running time | 6–10 minutes (one reel) |
| Country | United States |
| Language | English (usually) |
Noveltoons is a series of animated cartoon short films produced by Paramount Pictures' Famous Studios from 1943 to the end of the studio during 1967.[1] The series originated characters such as Casper the Friendly Ghost, Herman and Katnip, Little Audrey, and Baby Huey, all of whom later became stars of Harvey Comics, which purchased the characters in 1959. All shorts from Baby Huey and Little Audrey are included. It was the successor to the series Color Classics produced by Famous’ predecessor Fleischer Studios. Several Noveltoons feature characters which originated in Color Classics, like Spunky or Raggedy Ann. This series was also similar to the two series from Warner Bros., Looney Tunes and Merrie Melodies, in that it features several recurring characters with one general title.
In 1956, Paramount sold all of the pre-October 1950 Noveltoons (ending with Saved by the Bell) to television distributor U.M. & M. TV Corporation. Shortly afterward, U.M. & M.'s assets were acquired by National Telefilm Associates. In the 1980s, NTA changed its name to Republic Pictures, and after a brief period of ownership by Spelling Entertainment in 1994, was acquired by Paramount's parent company Viacom, which placed the cartoons back in Paramount's control (Republic Pictures has been renamed to Melange Pictures since 2006, which in turn was placed in the revived Republic Pictures subsidiary).
Later in 1962, Paramount sold the post-October 1950 to pre-March 1962 Noveltoons (beginning with The Voice of the Turkey and ending with T.V. or No T.V.) to Harvey Films, which in turn was purchased by Classic Media in 2001. Classic Media was purchased by DreamWorks Animation in 2012 (and briefly renamed it DreamWorks Classics), which was purchased by Comcast's NBCUniversal in 2016 and currently distributed by Universal Pictures.
Paramount continues to own the post-March 1962 Noveltoons (beginning with Yule Laff).
Most of the pre-October 1950 cartoons are currently under public domain (with some few post-1950 exceptions as well).
Filmography
[edit]1940s
[edit]| # | Title | Original release date | Reissue release date | Direction | Animation | Story | Scenics | Featuring | Lyrics | Narration | Music | Notes | Video if in the public domain |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 1 | No Mutton fer Nuttin' | November 26, 1943 | Dan Gordon (uncredited) | Dave Tendlar John Walworth |
Carl Meyer | Blackie | Sammy Timberg | First Noveltoon cartoon, only Noveltoon recorded with Western Electric Sound in Miami, Florida, and first appearances of Blackie the Lamb and Wolfie Wolf. First cartoon directed by Dan Gordon. |
|||||
| 2 | The Henpecked Rooster | February 18, 1944 | Seymour Kneitel | Orestes Calpini Reuben Grossman |
Jack Ward Jack Mercer |
Herman and Henry | Winston Sharples | First appearances of Herman, Henry, and Bertha. First cartoon directed by Seymour Kneitel. First Noveltoon cartoon with directorial credit, and first Noveltoon recorded with RCA Sound System in New York City. | Currently awaiting upload. | ||||
| 3 | Cilly Goose | March 24, 1944 | March 10, 1950 | Seymour Kneitel | Graham Place Abner Kneitel |
Joe Stultz | Winston Sharples | Copyright renewed in 1972.[2] | |||||
| 4 | Suddenly It's Spring | April 28, 1944 | December 2, 1949 | Seymour Kneitel | Orestes Calpini Otto Feuer |
Raggedy Ann | Winston Sharples | Second cartoon based on Johnny Gruelle's Raggedy Ann character, after the Fleischer Studios cartoon Raggedy Ann and Raggedy Andy. | Currently awaiting upload. | ||||
| 5 | Yankee Doodle Donkey | October 27, 1944 | May 5, 1950 | I. Sparber | Nick Tafuri Tom Golden |
Jack Mercer Jack Ward |
Sammy Timberg | Featuring Spunky, an alumnus from the Color Classics series produced by Fleischer Studios. First cartoon directed by Izzy Sparber. | |||||
| 6 | Gabriel Churchkitten | December 15, 1944 | Seymour Kneitel | Graham Place Lou Zukor George Cannata Joe Oriolo |
Robert Little | Winston Sharples | Based on three books by Margot Austin. Copyright renewed in 1971.[3] | ||||||
| 7 | When G.I. Johnny Comes Home | February 2, 1945 | Seymour Kneitel | Al Eugster Otto Feuer |
Jack Ward Bill Turner |
Robert Little | Winston Sharples | First use of the Bouncing Ball in an animated cartoon since 1938. | Currently awaiting upload. | ||||
| 8 | Scrappily Married | March 30, 1945 | Seymour Kneitel | Orestes Calpini Otto Feuer |
Carl Meyer Jack Ward |
Anton Loeb | Herman and Henry | Winston Sharples | First use of the "Featuring" card and fanfare. | ||||
| 9 | A Lamb in a Jam | May 4, 1945 | I. Sparber | Dave Tendlar John Gentillela |
Joe Stultz Carl Meyer |
Blackie | Winston Sharples | ||||||
| 10 | A Self-Made Mongrel | June 29, 1945 | Dan Gordon (uncredited) | Dave Tendlar John Walworth |
Carl Meyer | Dog Face | Winston Sharples | First appearance of Dog Face. Second and final Noveltoon directed by Dan Gordon. |
|||||
| 11 | The Friendly Ghost | November 16, 1945 | October 1, 1954 | I. Sparber | Nick Tafuri John Walworth Tom Golden |
Bill Turner Otto Messmer |
Shane Miller | Casper the Friendly Ghost | Frank Gallop | Winston Sharples | First appearance of Casper the Friendly Ghost, and also his first short in the Noveltoon series, and the only short based on the 1939 book of the same name. First Noveltoon short to have a separate "Famous Studios Production" logo card. |
||
| 12 | Old MacDonald Had a Farm | December 28, 1945 | Seymour Kneitel | Orestes Calpini Otto Feuer |
Bill Turner Otto Messmer |
Robert Little | Winston Sharples | A sing-a-long with the Bouncing Ball. | Currently awaiting upload. | ||||
| 13 | Cheese Burglar | February 22, 1946 | October 2, 1953 | I. Sparber | Jim Tyer Ben Solomon William Henning |
Carl Meyer Joe Stultz |
Herman | Winston Sharples | Herman's first solo appearance. Clips of the episode were featured on the 2013 Brooklyn Puppet Conspiracy reboot of The Fuzz. |
||||
| 14 | Sheep Shape | June 28, 1946 | I. Sparber | Dave Tendlar John Gentilella |
Joe Stultz | Blackie | Winston Sharples | ||||||
| 15 | The Goal Rush | September 27, 1946 | I. Sparber | Dave Tendlar George Germanetti |
I. Klein Jack Ward |
Robert Little | Ward Wilson | Winston Sharples | A sing-a-long with the Bouncing Ball. Final Noveltoon short to have "Paramount presents A NOVELTOON" and "A FAMOUS STUDIOS PRODUCTION" sharing the same opening card. |
||||
| 16 | Spree for All | October 4, 1946 | Seymour Kneitel | Jim Tyer William Henning |
Bill Turner Otto Messmer |
Snuffy Smith | Winston Sharples | Featuring Snuffy Smith from the comic strip Barney Google and Snuffy Smith. Previously considered a lost cartoon, and can currently only be seen in black-and-white format. Only Noveltoon produced in Cinecolor. Only Snuffy Smith cartoon released under the Noveltoon series. |
|||||
| 17 | Sudden Fried Chicken | October 18, 1946 | October 1, 1954 | Bill Tytla | Orestes Calpini Otto Feuer |
Carl Meyer Jack Ward |
Herman and Henry | Winston Sharples | Final Herman and Henry cartoon. This cartoon appeared in Smart House. First cartoon directed by Bill Tytla. |
||||
| 18 | The Stupidstitious Cat | April 25, 1947 | October 2, 1953 | Seymour Kneitel | Graham Place John Walworth |
Carl Meyer Jack Ward |
Anton Loeb | Buzzy | Winston Sharples | First appearance of Buzzy the Crow. | |||
| 19 | The Enchanted Square | May 9, 1947 | October 2, 1953 | Seymour Kneitel | Orestes Calpini Al Eugster |
Shane Miller Orestes Calpini |
Shane Miller | Raggedy Ann | Winston Sharples | Third and final cartoon based on Johnny Gruelle's Raggedy Ann character. | |||
| 20 | Madhattan Island | June 27, 1947 | Seymour Kneitel | I. Klein | Robert Little | Kenneth Roberts | Winston Sharples | A sing-a-long with the Bouncing Ball, first Noveltoon without animation credits. | |||||
| 21 | Much Ado About Mutton | July 25, 1947 | October 2, 1953 | I. Sparber | Dave Tendlar Tom Golden |
Joe Stultz Carl Meyer |
Anton Loeb | Blackie | Winston Sharples | Last appearance of Blackie the Lamb and Wolfie Wolf together in the Noveltoon series. Blackie would later appear in the Screen Song The Circus Comes to Clown. | |||
| 22 | The Wee Men | August 8, 1947 | October 2, 1953 | Bill Tytla | Al Eugster Steve Muffatti George Germanetti |
Ewald Ludwig I. Klein Jack Ward |
Robert Little | Paddy the Leprechaun | Buddy Kaye Dick Manning |
Winston Sharples | |||
| 23 | The Mild West | August 22, 1947 | Seymour Kneitel | Tom Johnson George Germanetti |
Bill Turner Larry Riley |
Anton Loeb | Winston Sharples | A sing-a-long with the Bouncing Ball. | |||||
| 24 | Naughty but Mice | October 10, 1947 | Seymour Kneitel | Dave Tendlar Al Eugster |
Bill Turner Larry Riley |
Robert Owen | Herman | Winston Sharples | |||||
| 25 | Santa's Surprise | December 7, 1947 | October 1, 1954 | Seymour Kneitel | Myron Waldman Wm.B. Pattengill |
Larz Bourne | Robert Little | Little Audrey | Buddy Kaye | Winston Sharples | First appearance of Little Audrey and also her first short in the Noveltoon series. | ||
| 26 | Cat O' Nine Ails | January 9, 1948 | Seymour Kneitel | Carl Meyer Joe Stultz |
Buzzy | Winston Sharples | Soundtrack lost; picture still exists. A 4K remaster sourced from the original negatives with subtitles in place of the missing audio will be released on Blu-ray in April 2026.[4] | ||||||
| 27 | Flip Flap | February 13, 1948 | I. Sparber | Myron Waldman Wm.B. Pattengill |
Bee Lewi Mickey Klar Marks Joe Stultz Larry Riley |
Robert Little | Ken Roberts (uncredited) | Winston Sharples | Only Noveltoon produced in Polacolor. | ||||
| 28 | We're in the Honey | March 19, 1948 | October 1, 1954 | Bill Tytla | George Germanetti Steve Muffatti |
I. Klein Jack Mercer |
Anton Loeb | Buddy Kaye | Winston Sharples | ||||
| 29 | The Bored Cuckoo | April 9, 1948 | October 1, 1954 | Bill Tytla | George Germanetti Steve Muffatti |
Bunny Gough Bill Turner Larry Riley |
Robert Connavale | Winston Sharples | Currently awaiting upload. | ||||
| 30 | There's Good Boos To-Night | April 23, 1948 | I. Sparber | Myron Waldman Morey Reden Nick Tafuri |
Bill Turner Larry Riley |
Anton Loeb | Casper the Friendly Ghost | Frank Gallop | Winston Sharples | Second appearance of Casper in the Noveltoon series | Currently awaiting upload. | ||
| 31 | The Land of the Lost | May 7, 1948 | I. Sparber | Myron Waldman Nick Tafuri |
Isabel Manning Hewson (original)
Larz Bourne |
Anton Loeb | Winston Sharples | First of three animated shorts based on the then-popular children's fantasy adventure radio series of the same name. | |||||
| 32 | Butterscotch and Soda | June 4, 1948 | October 1, 1954 | Seymour Kneitel | Al Eugster Bill Hudson Irving Spector |
Larz Bourne Bill Turner |
Robert Owen | Little Audrey | Buddy Kaye | Winston Sharples | |||
| 33 | The Mite Makes Right | October 15, 1948 | September 30, 1955 | Bill Tytla | George Germanetti Steve Muffatti |
I. Klein | Anton Loeb | Winston Sharples | |||||
| 34 | Hector's Hectic Life | November 19, 1948 | Bill Tytla | George Germanetti Steve Muffatti |
Joe Stultz Larry Riley |
Robert Connavale | Winston Sharples | ||||||
| 35 | The Old Shell Game | December 17, 1948 | September 30, 1955 | Seymour Kneitel | Dave Tendlar Tom Golden |
Joe Stultz Larry Riley |
Robert Connavale | Winston Sharples | Wolfie’s first solo appearance. | ||||
| 36 | The Little Cut-Up | January 21, 1949 | September 30, 1955 | I. Sparber | Myron Waldman George Whittier |
I. Klein M. Marks |
Anton Loeb | Winston Sharples | |||||
| 37 | Hep Cat Symphony | February 4, 1949 | September 30, 1955 | Seymour Kneitel | Dave Tendlar Marty Taras |
Carl Meyer Jack Mercer |
Tom Ford | Winston Sharples | |||||
| 38 | The Lost Dream | March 18, 1949 | Bill Tytla | George Germanetti Harvey Patterson |
Steve Muffatti Bill Turner Larz Bourne |
Shane Miller | Little Audrey | Winston Sharples | |||||
| 39 | Little Red School Mouse | April 15, 1949 | I. Sparber | Tom Johnson John Gentilella |
Carl Meyer Jack Mercer |
Robert Connavale | Winston Sharples | ||||||
| 40 | A Haunting We Will Go | May 13, 1949 | Seymour Kneitel | Myron Waldman Irving Dressler |
Larz Bourne | Anton Loeb | Casper the Friendly Ghost | Frank Gallop | Winston Sharples | Last appearance of Casper in the Noveltoon series before he was given his own series. | Currently awaiting upload. | ||
| 41 | A Mutt in a Rut | May 27, 1949 | I. Sparber | Dave Tendlar Tom Golden |
Carl Meyer Jack Mercer |
Robert Little | Dog Face | Winston Sharples | Second and final appearance of Dog Face. | ||||
| 42 | Campus Capers | July 1, 1949 | Bill Tytla | George Germanetti Steve Muffatti |
Carl Meyer Jack Mercer |
Robert Connavale | Herman | Winston Sharples | |||||
| 43 | Leprechaun's Gold | October 14, 1949 | September 30, 1955 | Bill Tytla | George Germanetti Steve Muffatti |
I. Klein | Robert Little | Paddy the Leprechaun | Winston Sharples | Sequel to The Wee Men (1947). | |||
| 44 | Song of the Birds | October 14, 1949 | Bill Tytla | George Germanetti Steve Muffatti |
Bill Turner Larry Riley |
Robert Little | Little Audrey | Winston Sharples | Short is a semi-remake/reused plot of the 1934 Max Fleischer Color Classic cartoon, The Song of the Birds (1934), featuring Little Audrey. |
1950s
[edit]| # | Title | Original release date | Reissue release date | Direction | Animation | Story | Scenics | Featuring | Notes | Video if in the public domain |
|---|---|---|---|---|---|---|---|---|---|---|
| 45 | Land of the Lost Jewels | January 6, 1950 | I. Sparber | Myron Waldman Gordon Whittier |
Isabel Manning Hewson (original)
Bill Turner |
Anton Loeb | Second of three animated shorts based on the then-popular children's fantasy adventure radio series, Land of the Lost. | |||
| 46 | Quack-a-Doodle-Doo | March 3, 1950 | I. Sparber | Dave Tendlar Tom Golden |
Carl Meyer Jack Mercer Martin Taras |
Robert Connavale | Baby Huey | First appearance of Baby Huey. | ||
| 47 | Teacher's Pest | March 31, 1950 | September 30, 1955 | I. Sparber | Myron Waldman Gordon Whittier |
I. Klein | Tom Ford | Junior | Wolfie’s final appearance in the Noveltoon series, he would be later a reoccurring character in the Casper the Friendly Ghost series. | |
| 48 | Tarts and Flowers | May 26, 1950 | September 30, 1955 | Bill Tytla | George Germanetti Steve Muffatti |
Bill Turner Larry Riley |
Robert Little | Little Audrey | ||
| 49 | Ups an' Downs Derby | June 9, 1950 | Seymour Kneitel | Dave Tendlar Tom Golden |
Carl Meyer Jack Mercer |
Tom Ford | Lightning | |||
| 50 | Pleased to Eat You | July 21, 1950 | September 30, 1955 | I. Sparber | Myron Waldman Wm.B Pattengill |
Larz Bourne | Anton Loeb | The Hungry Lion | ||
| 51 | Goofy Goofy Gander | August 18, 1950 | September 30, 1955 | Bill Tytla | George Germanetti Steve Muffatti |
I. Klein | Anton Loeb | Little Audrey | ||
| 52 | Saved by the Bell | September 15, 1950 | September 30, 1955 | Seymour Kneitel | Dave Tendlar Morey Reden |
Larz Bourne | Tom Ford | Herman | Herman's final solo appearance. Last Noveltoon in the U.M. & M. library. |
|
| 53 | The Voice of the Turkey | November 3, 1950 | Bill Tytla | George Germanetti Steve Muffatti |
Larz Bourne | Tom Ford | First Noveltoon in the Harvey Films library. First appearances of Timothy the Turkey and the farmer. Final cartoon directed by Bill Tytla. |
|||
| 54 | Mice Meeting You | November 24, 1950 | September 21, 1956 | Seymour Kneitel | Dave Tendlar Martin Taras |
Jack Mercer Carl Meyer |
Herman | First appearance of Katnip. | ||
| 55 | Sock-a-Bye Kitty | December 22, 1950 | September 21, 1956 | Seymour Kneitel | Dave Tendlar Tom Golden |
Carl Meyer Jack Mercer |
Buzzy and Katnip | First Buzzy and Katnip cartoon. | ||
| 56 | One Quack Mind | January 12, 1951 | September 21, 1956 | I. Sparber | Steve Muffati George Germanetti |
Carl Meyer Jack Mercer |
Baby Huey | |||
| 57 | Mice Paradise | March 9, 1951 | September 21, 1956 | I. Sparber | Dave Tendlar Tom Golden |
Carl Meyer Jack Mercer |
Tom Ford | Herman | ||
| 58 | Hold the Lion Please | April 13, 1951 | September 28, 1956 | I. Sparber | Steve Muffatti George Germanetti |
I. Klein | Robert Owen | Little Audrey | ||
| 59 | Land of Lost Watches | May 4, 1951 | September 28, 1956 | Seymour Kneitel | Steve Muffatti George Germanetti |
Isabel Manning Hewson (original)
I. Klein |
Tom Ford | Third and final animated short based on the then-popular children's fantasy adventure radio series, Land of the Lost. | ||
| 60 | As the Crow Lies | June 1, 1951 | September 28, 1956 | Seymour Kneitel | Dave Tendlar Morey Reden |
Carl Meyer Jack Mercer |
Robert Owen | Buzzy | ||
| 61 | Slip Us Some Redskin | July 6, 1951 | September 28, 1956 | Seymour Kneitel | Dave Tendlar Martin Taras |
Irving Spector | Tom Ford | |||
| 62 | Party Smarty | August 3, 1951 | Seymour Kneitel | Dave Tendlar Morey Reden |
Carl Meyer Jack Mercer |
Robert Owen | Baby Huey | |||
| 63 | Cat-Choo | October 12, 1951 | September 13, 1957 | Seymour Kneitel | Dave Tendlar Martin Taras |
Carl Meyer Jack Mercer |
Tom Ford | Buzzy and Katnip | ||
| 64 | Audrey the Rainmaker | October 26, 1951 | September 13, 1957 | I. Sparber | Steve Muffatti Bill Hudson |
I. Klein | Tom Ford | Little Audrey | ||
| 65 | Cat Tamale | November 9, 1951 | September 13, 1957 | Seymour Kneitel | Dave Tendlar Tom Golden |
I. Klein | Robert Little | Herman and Katnip | ||
| 66 | By Leaps and Hounds | December 14, 1951 | September 13, 1957 | I. Sparber | Tom Johnson John Gentilella |
Irving Spector | Robert Connavale | Herbert | ||
| 67 | Scout Fellow | December 14, 1951 | September 13, 1957 | Seymour Kneitel | Dave Tendlar Martin Taras |
Carl Meyer Jack Mercer |
Robert Owen | Baby Huey | ||
| 68 | Cat Carson Rides Again | April 4, 1952 | September 13, 1957 | Seymour Kneitel | Dave Tendlar Martin Taras |
Carl Meyer Jack Mercer |
Anton Loeb | Herman and Katnip | Final appearance of Herman in the Noveltoon series, before he and Katnip were given their own series. | |
| 69 | The Awful Tooth | May 2, 1952 | September 13, 1957 | Seymour Kneitel | Al Eugster George Rufle |
Carl Meyer Jack Mercer |
Robert Owen | Buzzy and Katnip | ||
| 70 | Law and Audrey | May 23, 1952 | September 13, 1957 | I. Sparber | Steve Muffatti Morey Reden |
I. Klein | Little Audrey | |||
| 71 | City Kitty | July 18, 1952 | September 13, 1957 | I. Sparber | Al Eugster George Germanetti |
I. Klein | Anton Loeb | Katnip | Katnip's first solo appearance. | |
| 72 | Clown on the Farm | August 22, 1952 | September 13, 1957 | Seymour Kneitel | Dave Tendlar Martin Taras |
Carl Meyer Jack Mercer |
Robert Connavale | Baby Huey | ||
| 73 | The Case of the Cockeyed Canary | December 19, 1952 | September 12, 1958 | Seymour Kneitel | Steve Muffati Morey Reden |
I. Klein | Little Audrey | |||
| 74 | Feast and Furious | December 26, 1952 | September 12, 1958 | I. Sparber | Myron Waldman Gordon Whittier |
Larz Bourne | Robert Owen | Finny | ||
| 75 | Starting from Hatch | March 6, 1953 | September 19, 1958 | Seymour Kneitel | Dave Tendlar Thomas Moore |
Carl Meyer Jack Mercer |
Anton Loeb | Baby Huey | ||
| 76 | Winner by a Hare | April 17, 1953 | September 19, 1958 | I. Sparber | Myron Waldman Tom Golden |
Irving Spector | John Zago | Tommy Tortoise and Moe Hare | First appearances of Tommy Tortoise and Moe Hare. | |
| 77 | Better Bait Than Never | June 5, 1953 | September 11, 1959 | Seymour Kneitel | Dave Tendlar Martin Taras |
Irving Spector | Jack Henegan | Buzzy | ||
| 78 | Surf Bored | July 17, 1953 | September 11, 1959 | I. Sparber | Steve Muffatti Morey Reden |
Larz Bourne | Robert Connavale | Little Audrey | ||
| 79 | Huey's Ducky Daddy | November 20, 1953 | September 11, 1959 | I. Sparber | Dave Tendlar Tom Golden |
I. Klein | Anton Loeb | Baby Huey | ||
| 80 | The Seapreme Court | January 29, 1954 | September 11, 1959 | Seymour Kneitel | Tom Golden Morey Reden |
Larz Bourne | Robert Owen | Little Audrey | Public domain after the failure of renewal. | |
| 81 | Crazytown | February 6, 1954 | September 18, 1959 | I. Sparber | Al Eugster Wm.B. Pattengil |
I. Klein | Robert Little | Public domain after the failure of renewal. | ||
| 82 | Hair Today Gone Tomorrow | April 16, 1954 | September 18, 1959 | I. Sparber | Dave Tendlar Martin Taras |
Irving Spector | Joseph Dommerque | Buzzy | Katnip's second and final solo appearance. Final appearance of Katnip in the Noveltoon series. |
|
| 83 | Candy Cabaret | June 11, 1954 | Dave Tendlar | Martin Taras Thomas Moore |
I. Klein | Robert Little | A sing-a-long with the Bouncing Ball. | |||
| 84 | The Oily Bird | July 30, 1954 | September 1960 | I. Sparber | Myron Waldman Gordon Whittier |
Larz Bourne | John Zago | Inchy | ||
| 85 | Fido Beta Kappa | October 29, 1954 | September 1960 | I. Sparber | Al Eugster George Germanetti |
Irving Spector | Robert Little | Martin Kanine | ||
| 86 | No Ifs, Ands or Butts | December 17, 1954 | September 1960 | I. Sparber | Dave Tendlar Thomas Moore |
Irving Spector | Robert Connavale | Buzzy | First Noveltoon to have titles readjusted for emerging widescreen theatres. Only appearance of Katsy in the Noveltoon series. The ending gag is cut from Harvey Films prints due to the involvement of the Paramount logo. |
|
| 87 | Dizzy Dishes | February 4, 1955 | I. Sparber | Tom Golden Bill Hudson |
I. Klein | Anton Loeb | Little Audrey | |||
| 88 | Git Along Little Ducky | March 25, 1955 | Dave Tendlar | Martin Taras Thomas Moore |
Larz Bourne | Robert Connavale | Baby Huey | |||
| 89 | News Hound | June 10, 1955 | I. Sparber | Al Eugster George Germanetti |
Jack Mercer | Robert Owen | Snapper | |||
| 90 | Poop Goes the Weasel | July 8, 1955 | Dave Tendlar | Martin Taras Thomas Moore |
Carl Meyer Jack Mercer |
John Zago | Waxey Weasel and Wishbone | |||
| 91 | Rabbit Punch | September 30, 1955 | Dave Tendlar | Bill Hudson Thomas Moore |
Larz Bourne | Robert Little | Tommy Tortoise and Moe Hare | Final Noveltoon to feature the Jack-in-the-Box opening titles and Sammy Timberg's opening fanfare. The ending gag is cut from Harvey Films prints due to the involvement of the Paramount logo. |
||
| 92 | Little Audrey Riding Hood | October 14, 1955 | Seymour Kneitel | Tom Golden Thomas Moore |
Larz Bourne | Robert Connavale | Little Audrey | First Noveltoon to feature the updated title design and opening fanfare. | ||
| 93 | Kitty Cornered | December 30, 1955 | Dave Tendlar | Martin Taras Thomas Moore |
Larz Bourne | Robert Connavale | Kitty Kuddles | |||
| 94 | Sleuth But Sure | March 23, 1956 | Dave Tendlar | Morey Reden Martin Taras |
I. Klein | Robert Little | Tommy Tortoise and Moe Hare | |||
| 95 | Swab the Duck | May 11, 1956 | Dave Tendlar | Morey Reden Martin Taras |
Carl Meyer | Anton Loeb | Baby Huey | |||
| 96 | Pedro and Lorenzo | July 13, 1956 | Dave Tendlar | Morey Reden Martin Taras |
I. Klein | Robert Little | The ending gag is cut from Harvey Films prints due to the involvement of the Paramount logo. | |||
| 97 | Sir Irving and Jeames | October 19, 1956 | Seymour Kneitel | Al Eugster Wm. B. Pattengill |
Irving Spector | |||||
| 98 | Lion in the Roar | December 21, 1956 | Seymour Kneitel | Al Eugster Wm. B. Pattengill |
Larz Bourne | |||||
| 99 | Pest Pupil | January 25, 1957 | Dave Tendlar | Morey Reden George Germanetti |
Carl Meyer | Robert Owen | Baby Huey | Public domain after the failure of renewal. | ||
| 100 | Fishing Tackler | March 29, 1957 | I. Sparber | Tom Golden Bill Hudson |
I. Klein | Little Audrey | ||||
| 101 | Mr. Money Gags | June 7, 1957 | I. Sparber | Al Eugster Wm.B Pattengill |
Carl Meyer | Robert Owen | Tommy Tortoise and Moe Hare | Final appearances of Tommy Tortoise and Moe Hare. | ||
| 102 | L'Amour the Merrier | July 5, 1957 | Seymour Kneitel | Al Eugster Dante Barbetta Nick Tafuri Wm.B. Pattengill |
Irving Spector | Hector | ||||
| 103 | Possum Pearl | September 20, 1957 | Seymour Kneitel | Tom Johnson Frank Endres |
Jack Mercer | John Zago | Featuring Possum Pearl, a character spun off from the Popeye the Sailor short, Hill-billing and Cooing. | |||
| 104 | Jumping with Toy | October 4, 1957 | Dave Tendlar | Wm.B Pattengill | Jack Mercer | Robert Owen | Baby Huey | |||
| 105 | Jolly the Clown | October 25, 1957 | Seymour Kneitel | Al Eugster Wm.B. Pattengill |
Carl Meyer | |||||
| 106 | Cock-a-Doodle Dino | December 6, 1957 | I. Sparber | Tom Golden | Larz Bourne | |||||
| 107 | Dante Dreamer | January 3, 1958 | I. Sparber | Al Eugster Dante Barbetta |
Jack Mercer | John Zago | ||||
| 108 | Sportickles | February 14, 1958 | Seymour Kneitel | Robert Little | ||||||
| 109 | Grateful Gus | March 7, 1958 | Dave Tendlar | Nick Tafuri Chuck Harriton |
Irving Spector | Final cartoon directed by Dave Tendlar. | ||||
| 110 | Finnegan's Flea | April 4, 1958 | I. Sparber | Tom Johnson Wm.B. Pattengill |
Irving Spector | |||||
| 111 | Okey Dokey Donkey | May 16, 1958 | I. Sparber | Al Eugster Dante Barbetta |
Jack Mercer | John Zago | Spunky | Last appearance of Spunky from the Hunky and Spunky sub-series of Max Fleischer's Color Classics. | ||
| 112 | Chew Chew Baby | August 15, 1958 | I. Sparber | Tom Johnson Frank Endres |
Irving Spector | Robert Owens | ||||
| 113 | Travelaffs | August 22, 1958 | I. Sparber (uncredited) | Al Eugster | Final cartoon directed by I. Sparber. | |||||
| 114 | Stork Raving Mad | October 3, 1958 | Seymour Kneitel | Nick Tafuri Wm.B Pattengill |
Carl Meyer | Robert Owen | ||||
| 115 | Dawg Gawn | December 12, 1958 | Seymour Kneitel | Tom Johnson Nick Tafuri |
Carl Meyer | Robert Owen | Little Audrey | Last appearance of Little Audrey. | ||
| 116 | The Animal Fair | January 30, 1959 | Seymour Kneitel | Robert Little | ||||||
| 117 | Hound About | April 10, 1959 | Seymour Kneitel | Tom Johnson Frank Endres |
Carl Meyer Jack Mercer |
|||||
| 118 | Huey's Father's Day | May 8, 1959 | Seymour Kneitel | Tom Johnson Wm.B. Pattengill |
Carl Meyer Jack Mercer |
Baby Huey | Final appearance of Baby Huey. | |||
| 119 | Out of This Whirl | November 13, 1959 | Seymour Kneitel | Tom Johnson Wm.B. Pattengill |
Carl Meyer Jack Mercer |
Robert Owen | Final Noveltoon in the original Harvey Films library. All pre-March 1962 Paramount cartoons would be sold to Harvey in 1962. |
1960s
[edit]| # | Title | Original release date | Direction | Animation | Story | Scenics | Featuring | Notes |
|---|---|---|---|---|---|---|---|---|
| 120 | Be Mice to Cats | January 15, 1960 | Seymour Kneitel | Nick Tafuri Wm.B. Pattengill |
Carl Meyer Jack Mercer |
Skit and Skat | First appearance of Skit and Skat. | |
| 121 | Monkey Doodles | April 1960 | Seymour Kneitel | Nick Tafuri Morey Reden |
Irving Dressler | |||
| 122 | Peck Your Own Home | May 1960 | Seymour Kneitel | Tom Johnson Jack Ehret |
Irving Dressler | |||
| 123 | Silly Science | May 1960 | Seymour Kneitel | I. Klein Irving Dressler |
Carl Meyer Jack Mercer |
|||
| 124 | Counter Attack | July 1960 | Seymour Kneitel | Wm.B. Pattengill Jack Ehret |
Carl Meyer Jack Mercer |
Skit and Skat | A sequel to this short was produced and was entitled The Planet Mouseola (1960). | |
| 125 | Turning the Fables | August 1960 | Seymour Kneitel | Irving Spector Wm.B. Pattengill |
Carl Meyer Jack Mercer |
Mortimer Tortoise and The Hare | ||
| 126 | Fine Feathered Friend | September 1960 | Seymour Kneitel | Tom Johnson | Carl Meyer Jack Mercer |
|||
| 127 | The Planet Mouseola | October 1960 | Seymour Kneitel | Myron Waldman Jack Ehret |
I. Klein | Skit and Skat | A sequel to Counter Attack (1960). | |
| 128 | Northern Mites | November 1960 | Seymour Kneitel | Nick Tafuri Wm.B. Pattengill |
Carl Meyer Jack Mercer |
|||
| 129 | Miceniks | December 1960 | Seymour Kneitel | Tom Johnson William Henning |
Carl Meyer Jack Mercer |
|||
| 130 | The Lion's Busy | February 1961 | Seymour Kneitel | Martin Taras Al Pross |
Carl Meyer Jack Mercer |
Sir Reginald Tweedledum IV | ||
| 131 | Hound About That | April 1961 | Seymour Kneitel | Martin Taras Al Pross |
Carl Meyer Jack Mercer |
Harry Hound | ||
| 132 | Alvin's Solo Flight | April 1961 | Seymour Kneitel | Nick Tafuri I. Klein |
John Stanley | Little Lulu | ||
| 133 | Goodie the Gremlin | April 1961 | Seymour Kneitel | Martin Taras Jim Logan |
Irving Dressler | Goodie the Gremlin | ||
| 134 | Trick or Tree | July 1961 | Seymour Kneitel | Morey Reden John Gentilella |
Irving Dressler | |||
| 135 | Cape Kidnaveral | August 1961 | Seymour Kneitel | Myron Waldman | Carl Meyer Jack Mercer |
|||
| 136 | Turtle Scoop | October 1961 | Seymour Kneitel | Nick Tafuri George Germanetti Sam Stimson |
Carl Meyer Jack Mercer |
Mortimer Tortoise and the Hare | ||
| 137 | Kozmo Goes to School | November 1961 | Seymour Kneitel | Nick Tafuri Jack Ehret Sam Stimson |
Carl Meyer Jack Mercer |
Kozmo the Space Kid | ||
| 138 | Perry Popgun | January 1962 | Seymour Kneitel | Morey Reden George Germanetti Wm. B. Pattengill |
Carl Meyer Jack Mercer |
|||
| 139 | Without Time or Reason | January 1962 | Seymour Kneitel | Martin Taras George Germanetti Jim Logan |
Eddie Lawrence | Ralph and Percy | ||
| 140 | Good and Guilty | February 1962 | Seymour Kneitel | Morey Reden George Germanetti Wm.B. Pattengill |
I. Klein | Goodie the Gremlin | ||
| 141 | T.V or No T.V | March 1962 | Seymour Kneitel | Irving Spector George Germanetti I. Klein |
Ralph and Percy | Final Noveltoon in the Harvey Films library. | ||
| 142 | Yule Laff | October 1962 | Seymour Kneitel | Martin Taras George Germanetti Jim Logan |
I. Klein | Robert Little | Goodie the Gremlin | Santa Claus' second Noveltoon appearance following from Santa's Surprise (1947). |
| 143 | It's for the Birdies | November 1962 | Seymour Kneitel | Nick Tafuri Dante Barbetta Larry Silverman |
Irv Dressler | Robert Owen | Grumble Cogwell | |
| 144 | Fiddlin' Around | December 1962 | Seymour Kneitel | Nick Tafuri John Gentilella I. Klein |
I. Klein | Anton Loeb | ||
| 145 | Good Snooze Tonight | February 1963 | Seymour Kneitel | Martin Taras John Gentilella Jim Logan |
Irv Dressler | Robert Little | ||
| 146 | A Sight for Squaw Eyes | March 1963 | Seymour Kneitel | Morey Reden George Germanetti Larry Silverman |
Irv Dressler | Anton Loeb | Hip Chick | |
| 147 | Gramps to the Rescue | September 1963 | Seymour Kneitel | Morey Reden | Jack Mercer I. Klein |
Robert Little | Skit and Skat | Final appearances of Skit and Skat. |
| 148 | Hobo's Holiday | September 1963 | Seymour Kneitel | Morey Reden | Morey Reden | Robert Little | Final Bouncing Ball sing-a-long produced by Paramount Cartoon Studios, ending an on-again-off-again run that lasted nearly 40 years dating to the studio's origins as Inkwell Studios. | |
| 149 | Hound for Pound | October 1963 | Seymour Kneitel | Nick Tafuri Jim Logan Larry Silverman |
Jack Mercer | Robert Owen | ||
| 150 | The Sheepish Wolf | November 1963 | Seymour Kneitel | Nick Tafuri | Irv Dressler | Robert Little | ||
| 151 | Hiccup Hound | November 1963 | Seymour Kneitel | Wm. B. Pattengill | Irv Dressler Jack Mercer |
Robert Little | Goodie the Gremlin | Final appearance of Goodie the Gremlin. |
| 152 | Ollie the Owl | December 1963 | Seymour Kneitel | Nick Tafuri Wm. B. Pattengill Martin Taras |
Irv Dressler Jack Mercer |
Robert Little | Ollie Owl | |
| 153 | Whiz Quiz Kid | February 1964 | Seymour Kneitel | Martin Taras | Irv Dressler Jack Mercer |
Robert Little | Ollie Owl | Final cartoon released in Seymour Kneitel's lifetime. |
| 154 | Laddy and His Lamp | September 1964 | Seymour Kneitel | Martin Taras | Tony Peters | Robert Little | Laddy Ali Presto |
|
| 155 | A Tiger's Tail | October 1964 | Seymour Kneitel | Martin Taras | Tony Peters | Robert Little | Laddy Ali Presto |
|
| 156 | Homer on the Range | November 1964 | Howard Post | Wm.B. Pattengill | Howard Post | Robert Little | First Noveltoon directed by Howard Post. | |
| 157 | A Hair-Raising Tale | January 1965 | Howard Post | Morey Reden | Jack Mendelsohn | Robert Little | ||
| 158 | The Story of George Washington | February 1965 | Jack Mendelsohn | Al Eugster | Jack Mendelsohn | Robert Little | Jacky | |
| 159 | A Leak in the Dike | March 1965 | Jack Mendelsohn | Martin Taras | Jack Mendelsohn | Robert Little | Jacky | |
| 160 | Tally-Hokum | October 1965 | Howard Post | Martin Taras | Eli Bauer | Robert Little | Hangdog Moxie Foxie |
|
| 161 | Horning In | November 1965 | Howard Post | Morey Reden | Howard Post | Robert Little | King Artie | |
| 162 | Op, Pop, Wham. and Bop | January 1966 | Howard Post | Martin Taras | Eli Bauer | Robert Little | Ffat Kat Rat Ffink |
|
| 163 | Sick Transit | January 1966 | Howard Post | Wm. B. Pattengill | Howard Post Frank Ridgeway Bud Sagendorf |
Robert Little | Roadhog Rapid Rabbit |
|
| 164 | Space Kid | February 1966 | Seymour Kneitel Howard Post (uncredited) |
Larry Silverman | Irving Dressler | Robert Owen | Kozmo the Space Kid | Planned by Seymour Knietel and finished by an uncredited Howard Post. Final Noveltoon directed by Howard Post. |
| 165 | Geronimo & Son | December 1966 | Shamus Culhane | Chuck Harriton Nick Tafuri |
Howard Beckerman | First Noveltoon directed by Shamus Culhane. | ||
| 166 | The Trip | April 1967 | Shamus Culhane | Howard Beckerman | Howard Beckerman | |||
| 167 | Robin Hood-winked | June 1967 | Shamus Culhane | Al Eugster Nick Tafuri |
Heywood Kling | Sir Blur | The very last Noveltoon ever produced after the studio closed down. Final Noveltoon directed by Shamus Culhane. |
Home media
[edit]In January 2012, Thunderbean Animation released a restored collection of public domain Noveltoons on DVD entitled Noveltoons Original Classics with the following cartoons:
- Cilly Goose
- Suddenly It's Spring
- Yankee Doodle Donkey
- Scrappily Married
- A Lamb in a Jam
- Cheese Burglar
- Sudden Fried Chicken
- The Stupidstitious Cat
- The Enchanted Square
- Much Ado About Mutton
- The Wee Men
- Naughty But Mice
- Flip Flap
- The Bored Cuckoo
- Leprechauns Gold
- Quack-a-Doodle Doo
- Teacher's Pest
- Ups an' Downs Derby
- Pleased to Eat You
- Saved by the Bell.
In October 2019, Thunderbean Animation re-released Noveltoons Original Classics on Blu-ray. It included the following cartoons:
- Cilly Goose
- Suddenly It's Spring
- Yankee Doodle Donkey
- Scrappily Married
- A Lamb in a Jam
- Cheese Burglar
- Old MacDonald Had A Farm
- The Stupidstitious Cat
- The Enchanted Square
- Much Ado About Mutton
- Quack-a-Doodle Doo
- The Wee Men
- Naughty But Mice
- Flip Flap
- The Bored Cuckoo
- The Old Shell Game
- Teacher's Pest
- Ups an' Downs Derby
- Pleased to Eat You
- Saved by the Bell.
Paramount Home Entertainment released a restored print of Space Kid on the "Paramount Presents" Blu-ray re-release of the 1982 film 48 Hrs. in July 2021, making it the first Paramount cartoon from the 1960s decade to be restored on any form of home media.[5][6]
On January 26, 2026, film preservationist Thad Komorowski announced the Famous Studios Champions Collection, the first officially licensed DVD and Blu-ray release of the Paramount-owned Famous Studios cartoons. The set will contain 18 cartoons, sourced from 4K scans of the original studio materials (in co-operation with the Paramount Pictures Archives), and will be released on April 21, 2026 by Komorowski's Cartoon Logic label and distributed by ClassicFlix. The set will feature 15 Noteltoons (with two Little Lulu cartoons, and one Screen Song) as well as two bonus "mostly lost" Noveltoon shorts: [7][8][9][10]
- No Mutton Fer Nuttin'
- The Henpecked Rooster
- Suddenly It's Spring!
- A Lamb in a Jam
- The Friendly Ghost
- Sheep Shape
- Sudden Fried Chicken
- Much Ado About Mutton
- There's Good Boos To-Night
- Butterscotch And Soda
- Hep Cat Symphony
- A Haunting We Will Go
- Campus Capers
- Our Funny Finny Friends
- Quack-a Doodle-Doo
- Bonus Short: Spree for All (Black and White 35mm print)
- Bonus Short: Cat O' Nine Ails (Restored without soundtrack)
See also
[edit]- Other animated shorts series
- Modern Madcaps (Paramount)
- Screen Songs (Paramount)
- Kartunes (Paramount)
- Cartune Classics (Universal)
- Looney Tunes (Warner Bros.)
- Merrie Melodies (Warner Bros.)
- ComiColor Cartoons (Ub Iwerks)
- Color Classics (Paramount)
- Color Rhapsody (Columbia)
- Happy Harmonies (Metro-Goldwyn-Mayer)
- Rainbow Parade (Van Beuren)
- Silly Symphony (Walt Disney)
- Swing Symphony (Universal)
- Puppetoons (Paramount)
- Phantasies (Columbia)
Notes
[edit]References
[edit]- ^ Lenburg, Jeff (1999). The Encyclopedia of Animated Cartoons. Checkmark Books. pp. 113–114. ISBN 0-8160-3831-7. Retrieved June 6, 2020.
- ^ Copyright Office (1972). Motion Pictures and Filmstrips (Parts 12-13). Catalog of Copyright Entries. Vol. 26. Library of Congress.
CILLY GOOSE, a photoplay in 1 reel by Paramount Pictures. © 24Mar44; L12616. National Telefilm Associates, Inc. (PWH); 3Feb72; R522511.
- ^ Copyright Office (1971). Motion Pictures and Filmstrips (Parts 12-13). Catalog of Copyright Entries. Vol. 25. Library of Congress.
GABRIEL CHURCHKITTEN, a photoplay in 1 reel by Paramount Pictures. © 15Dec44; L13185. Paramount Pictures Corp. (PWH); 17Dec71; R519321.
- ^ https://cartoonresearch.com/index.php/presenting-the-famous-studios-champion-collection-on-blu-ray/
- ^ "Paramount Puts 1966 "Space Kid" as extra on 48 hours Blu Ray! · the Internet Animation Database · About".
- ^ "'48 Hours' and Sequel Joining Paramount Presents Blu-ray Line". April 26, 2021.
- ^ Komorowski, Thad. "Classic cartoon fans rejoice! It's ghosts and mice and wolves not-so-nice! This April 21st, Cartoon Logic brings 18 cartoons to Blu-ray in their Famous Studios Champion Collection". Cartoon Logic. Facebook. Retrieved January 27, 2026.
- ^ Beck, Jerry. "Cartoon Logic/ClassicFlix to Release "The Famous Studios Champion Collection" blu-ray and DVD set on April 21st". Animation Scoop. Retrieved January 27, 2026.
- ^ "Famous Studios Champion Collection (Blu-ray) (1943)". ClassicFlix. Retrieved January 27, 2026.
- ^ Komorowski, Thad. "Presenting "The Famous Studios Champion Collection" on Blu-Ray". Cartoon Research. Retrieved January 28, 2026.
External links
[edit]Noveltoons
View on GrokipediaHistory
Origins and Launch
The Noveltoons series was launched on November 26, 1943, as a Paramount Pictures production under the newly formed Famous Studios, marking the studio's effort to expand its animated short film output following the transition from Fleischer Studios.[4] Famous Studios had been established earlier that year as a successor to Fleischer Studios, after Paramount Pictures assumed full control in 1941 amid escalating financial disputes and production delays, leading to the resignation of founders Max and Dave Fleischer in 1942.[5] The studio, led by production heads Sam Buchwald, Isadore Sparber, Seymour Kneitel, and Dan Gordon, relocated operations from Miami to New York to streamline costs and maintain Paramount's distribution commitments.[5] Noveltoons served as a direct successor to Fleischer Studios' Color Classics series (1934–1941), which had aimed to deliver high-quality, full-color animated shorts competitive with Walt Disney's Silly Symphonies but encountered significant production challenges, including elevated costs for color processes and the studio's ongoing budget constraints during the Great Depression and early wartime years.[6] With Fleischer's financial instability culminating in the 1942 acquisition, Paramount restructured the animation division to prioritize efficient output, positioning Noveltoons as an anthology format to introduce one-off stories, test new characters, and fill gaps in the annual cartoon slate alongside established series like Popeye and Superman.[5] The inaugural short, "No Mutton fer Nuttin'," debuted the series with an original tale featuring Blackie the Lamb and Wolfie Wolf, setting a tone for whimsical, self-contained narratives.[4] Early installments emphasized adaptations of fairy tales, nursery rhymes, and inventive concepts, such as barnyard adventures and moral fables, to appeal to family audiences in theaters.[7] Seymour Kneitel emerged as a primary director from the outset, contributing to the series' foundational episodes alongside Sparber, leveraging his experience from Fleischer's later years to guide the shift toward more streamlined, character-focused animation. This approach allowed Famous Studios to experiment without the high-stakes commitments of ongoing character franchises, though the series would later evolve toward recurring protagonists.Evolution and End
The early years of the Noveltoons series were influenced by World War II, with several shorts incorporating morale-boosting themes related to wartime efforts, such as enlistment and home-front contributions, as seen in "Yankee Doodle Donkey" (1944).[8] Post-war, the series experienced significant expansion under Famous Studios, growing from its 1943 launch into a mainstay of Paramount's animation output and culminating in a total of 167 shorts produced by 1967, each typically running 6–10 minutes.[9] In the 1950s, Noveltoons evolved from primarily anthology-style one-off stories to incorporating more serialized elements centered on recurring characters, a shift that emphasized ongoing narratives and character continuity.[10] This change was exemplified by the prominence of Casper the Friendly Ghost, first introduced in the 1945 short "The Friendly Ghost," and Baby Huey, who debuted in "Quack-a-Doodle-Doo" in 1950, both of which transitioned into dedicated sub-series and supported tie-in comics.[11][12] Production began to slow in the 1960s amid intensifying competition from television, which drew audiences and resources away from theatrical shorts, and Paramount's reduced commitment to in-house animation amid broader industry shifts.[13] Budget constraints led to downsizing at Famous Studios (renamed Paramount Cartoon Studios in 1956), with fewer new shorts greenlit and reliance on cost-effective formats.[14] The series concluded with the release of "Space Kid" on February 1, 1966, after which Famous Studios ceased operations in 1967, marking the end of Paramount's theatrical animation era.[15][16]Production
Studio Operations
Famous Studios was established on May 25, 1942, by Paramount Pictures as a successor to Fleischer Studios following the latter's acquisition and the departure of its founders, Max and Dave Fleischer.[17][18] The studio was headquartered in New York City at 25 West 45th Street, maintaining the East Coast operations inherited from Fleischer.[19] As a fully owned subsidiary of Paramount, Famous Studios operated under contractual obligations to produce theatrical animated shorts, with Paramount handling all distribution to cinemas.[17] This arrangement ensured steady output but tied the studio's creative decisions to Paramount's commercial priorities. The production pipeline at Famous Studios followed the industry standard for cel animation of the era, beginning with storyboarding to outline sequences and character actions, followed by detailed pencil animation drawn frame-by-frame on transparent cels.[20] These cels were painted on the reverse side, layered over painted backgrounds, and photographed using a rostrum camera to create the illusion of movement. Sound synchronization was integrated post-animation, with dialogue, music, and effects recorded and aligned to the visuals, often featuring lively scores by composers like Winston Sharples. For color, the studio employed the three-strip Technicolor process to achieve vibrant, eye-catching visuals that enhanced the appeal of series like Noveltoons.[21] Budget constraints at Famous Studios, which were notably lower than those at Disney, necessitated efficient workflows and occasionally led to rushed productions to meet quotas.[20] The studio typically output 20–30 shorts annually across multiple series, such as 34 titles in the 1948–49 season alone, including contributions to Noveltoons, Popeye, and Screen Songs.[22] Technical specifications included the 35mm film format for theatrical projection, with selective use of depth simulation techniques, such as the stereoptical process adapted from Fleischer innovations, to add depth and parallax effects in certain shorts, though not as extensively as at Disney.[23] This approach prioritized volume and cost-effectiveness while delivering colorful, comedic content suited for cinema audiences.Creative Personnel
The primary directors of Noveltoons at Famous Studios included Seymour Kneitel, who helmed a substantial portion of the series' output, often focusing on whimsical and character-driven stories, and Isadore Sparber (credited as I. Sparber), who specialized in fast-paced chase comedies.[24] Dave Tendlar also contributed as a director on several entries, bringing a distinctive style influenced by his earlier Fleischer Studios experience.[24] Notable animators such as Myron Waldman, a veteran from the Fleischer era who continued at Famous Studios, were renowned for their fluid character movements and expressive animation in Noveltoons, particularly in scenes emphasizing personality and emotion.[25] Nick Tafuri collaborated frequently with Waldman on animation units, contributing to the smooth, dynamic action sequences that defined many of the series' comedic chases.[26] Gordon Sheehan, another key animator from the studio's early days, added to the polished, lively motion in character interactions across multiple productions.[7] Voice talent played a crucial role in bringing Noveltoons characters to life, with Mae Questel providing the distinctive voices for Little Audrey and Casper the Friendly Ghost, infusing them with charm and youthful energy.[27] Arnold Stang lent his unique, nasal timbre to Herman the Mouse in the Herman and Katnip segments, enhancing the character's hapless appeal.[28] Jackson Beck handled narrator roles and various authoritative voices, adding gravitas to storytelling elements in the shorts.[27] Writers like Larz Bourne and Carl Meyer crafted scripts for Noveltoons, often adapting comic strip inspirations or developing original tales that blended humor with light fantasy, ensuring narrative accessibility for young audiences. Music director Winston Sharples composed original scores for the series, incorporating orchestral elements to underscore comedic timing and emotional beats, as part of his extensive work scoring over 700 cartoons for Paramount and Famous Studios.[29]Characters
Main Protagonists
Casper the Friendly Ghost debuted in the 1945 Noveltoons short The Friendly Ghost, where he is portrayed as a young, pacifist ghost who rejects the frightening antics of his spectral peers in favor of seeking companionship with the living.[30] Unlike traditional ghosts, Casper's gentle nature often leads to misunderstandings, as his attempts at friendship inadvertently scare people away, highlighting themes of loneliness and kindness in the series. He became the most enduring protagonist of Noveltoons, starring in over 50 shorts produced by Famous Studios from 1945 to 1959, evolving into a symbol of wholesome animation during the postwar era.[30] Little Audrey, introduced as a replacement for the licensed Little Lulu character after Famous Studios lost the rights, first appeared in the 1947 holiday short Santa's Surprise as a proto-version before starring in her own solo adventures beginning with Butterscotch and Soda in 1948.[31] This adventurous young girl, designed by animator Bill Tytla in 1946, embodies curiosity and imagination, often embarking on whimsical escapades involving everyday objects that come to life or fantastical journeys driven by her inventive spirit. She featured in 16 Noveltoons shorts through 1958, showcasing her as a clever problem-solver in scenarios blending humor and mild fantasy, such as radio-inspired baking disasters or rainmaking mishaps.[32] Baby Huey, a colossal and naïve duckling endowed with unintended super strength, made his debut in the 1950 Noveltoons short Quack-a-Doodle-Doo, created by animator Martin Taras for Famous Studios.[33] His dim-witted personality frequently results in comedic chaos, as his innocent actions—like playful wrestling—overwhelm his surroundings and smaller companions, turning simple outings into slapstick spectacles. Based on a character that transitioned seamlessly to Harvey Comics in 1952, Baby Huey starred in 13 shorts until 1959, emphasizing recurring motifs of his protective yet bumbling role within duck family dynamics.[34] Over the series' run, character designs evolved for greater expressiveness, particularly Casper's sheet-like form, which started pudgier and more rounded in his 1945 debut to convey childlike vulnerability but was refined in later shorts with sleeker lines and exaggerated facial features to enhance emotional range and animation fluidity.[30]Recurring Antagonists and Supports
In the Noveltoons series, Katnip the Cat served as a primary recurring antagonist, debuting alongside Herman the Mouse in the 1947 short Naughty But Mice as part of a cat-and-mouse chase dynamic inspired by classic rivalries like Tom and Jerry.[35] Voiced by Sid Raymond, Katnip was portrayed as a bullying, scheming feline who relentlessly pursued Herman across over two dozen shorts through 1959, often employing gadgets or disguises in failed attempts to capture his prey, which fueled the series' slapstick humor.[35] This antagonism highlighted themes of clever evasion, with Herman consistently outsmarting Katnip's aggressive tactics in a total of 33 co-starring appearances within the Noveltoons framework.[36] Buzzy the Crow emerged as another mischievous recurring character, first appearing in the 1947 Noveltoon The Stupidstitious Cat and gaining prominence in the 1950s with several shorts featuring his trickster persona. Voiced by various actors including Daws Butler in later entries, Buzzy was depicted as a sly, opportunistic bird who frequently outwitted human characters or feline foes like Katnip through pranks and deceptions, such as in Sock-a-Bye Kitty (1950) where he sabotages Katnip's sleep with absurd schemes.[10] His role emphasized chaotic comedy, appearing in 13 Noveltoons shorts from 1947 to 1954, often allying temporarily with antagonists only to betray them for personal gain. Supporting characters in Casper the Friendly Ghost segments of Noveltoons provided ensemble dynamics, with Wendy the Good Little Witch debuting in the 1958 short Which is Witch as Casper's benevolent ally.[37] Voiced by Mae Questel, Wendy assisted Casper in resolving supernatural mishaps, using her magical abilities to counter evil witches or spells, appearing in multiple Casper-related Noveltoons thereafter as a foil to more malevolent supernatural elements.[37] Complementing this, the Ghostly Trio—Casper's rowdy uncles Fatso, Stretch, and Stinkie—first appeared in the 1956 short Fright from Wrong, serving as comic relief through their boisterous, mean-spirited antics that contrasted Casper's kindness.[38] Voiced by Jackson Beck, Jack Mercer, and Sid Raymond, the Trio often pressured Casper into ghostly mischief, only to be thwarted, adding layers of familial tension and humor in over a dozen subsequent appearances.[38] One-off supporting antagonists, such as eccentric professors in sci-fi themed Noveltoons like Rocket to Mars (1947), occasionally drove plots with mad-scientist pursuits, embodying the era's fascination with space adventure while emphasizing slapstick failures.[2] Overall, these recurring antagonists and supports enriched Noveltoons' narratives by creating conflict through bungled chases and rivalries, underscoring the series' reliance on physical comedy and character interplay to engage audiences.[10]Filmography
1940s Shorts
The Noveltoons series began in 1943 as an anthology of animated shorts produced by Famous Studios for Paramount Pictures, with the 1940s output comprising approximately 40 entries that tested new characters, adapted fairy tales, and incorporated nursery rhyme motifs. These early films often served as creative experiments, introducing protagonists like Casper the Friendly Ghost in "The Friendly Ghost" (1945) and exploring whimsical themes amid World War II, such as morale-boosting narratives in "When G.I. Johnny Comes Home" (1945), which depicted soldiers returning home to joyful reunions. Many shorts drew from folklore and children's literature, emphasizing lighthearted adventures and moral lessons, while reflecting the era's wartime optimism through patriotic or uplifting stories.[1][31] Several 1940s Noveltoons were reissued by Paramount in the 1950s under the "Champions" branding for renewed theatrical distribution, extending their reach to postwar audiences. A notable aspect of this decade's shorts is their public domain status; due to lapsed copyright renewals after Paramount sold pre-1950 titles to U.M. & M. TV Corp. in 1956, many—such as "The Friendly Ghost"—entered the public domain in the 1970s, enabling widespread availability on home video and online platforms today.[9][39] The following table highlights representative 1940s Noveltoons, focusing on key examples that illustrate the series' fairy tale adaptations, character introductions, and thematic diversity:| Title | Release Date | Director | Notable Features |
|---|---|---|---|
| No Mutton fer Nuttin' | November 26, 1943 | Isadore Sparber | Debut of Blackie the Lamb; wolf pursuit comedy |
| Suddenly It's Spring | April 28, 1944 | Seymour Kneitel | Nursery rhyme adaptation with Raggedy Ann and Andy; seasonal fairy tale theme |
| When G.I. Johnny Comes Home | February 2, 1945 | Seymour Kneitel | WWII morale booster; sing-along Screen Song format |
| The Friendly Ghost | November 16, 1945 | Isadore Sparber | Introduction of Casper; ghost folklore twist; public domain |
| The Wee Men | August 8, 1947 | Bill Tytla | Leprechaun fairy tale; eviction comedy with mythical beings |
| Santa's Surprise | December 5, 1947 | Seymour Kneitel | Debut of Little Audrey; holiday nursery rhyme adaptation |
1950s Shorts
The 1950s marked the zenith of the Noveltoons series, producing 80 shorts from 1950 to 1959 that solidified its status as Famous Studios' primary anthology outlet for character-driven tales. Recurring Harvey Comics stars like Baby Huey, Little Audrey, Herman and Katnip, and occasional Casper appearances dominated, with stories emphasizing slapstick humor, moral fables, and imaginative scenarios tied to comic book source material. This period reflected growing Harvey Comics influence, as the studio expanded licensing deals to adapt popular characters, boosting cross-media synergy. Color experimentation flourished through Technicolor processes, enabling vivid visuals in fantasies like the space adventure "Boo Moon" (1954), where Casper explores an alien world. Many 1950s shorts underwent theatrical reissues in the 1960s and entered public domain status in the 1990s due to unrenewed copyrights, facilitating their preservation and accessibility via home video and online archives.[3][13][44][45][46][47] Key trends included serialized character arcs, such as Baby Huey's bumbling escapades and Little Audrey's clever problem-solving, alongside one-off tales experimenting with UPA-inspired stylized animation by the late decade. Directors like Isadore Sparber, David Tendlar, and Seymour Kneitel frequently collaborated, often pairing with animators like Tom Johnson or Nick Tafuri to craft concise 6-7 minute narratives.| Title | Release Date | Director(s) | Featuring/Notable Elements |
|---|---|---|---|
| Quack-a-Doodle-Doo | March 3, 1950 | Sparber/Tendlar | Baby Huey debut; duck chases a worm |
| Teacher's Pest | March 31, 1950 | Sparber/Eugster | Junior Owl outsmarts a wolf teacher |
| Cat-Choo | October 12, 1951 | Tendlar/Johnson | Katnip and Buzzy; remedy-themed slapstick |
| Audrey the Rainmaker | October 29, 1951 | Kneitel/Reden | Little Audrey causes and fixes a drought |
| Mice Capades | October 3, 1952 | Sparber/Tendlar | Herman tricks Katnip with fake mice funeral |
| Of Mice and Magic | February 20, 1953 | Tendlar/Eugster | Herman uses magic to save Louise from Katnip |
| Boo Moon | October 22, 1954 | Kneitel/Reden | Casper's space adventure to the moon |
| Fido Beta Kappa | October 29, 1954 | Sparber/Eugster | Martin Kanine attends dog college |
| Dizzy Dishes | February 4, 1955 | Sparber/Golden | Little Audrey dreams of alien invasion |
| Git Along Lil' Duckie | March 25, 1955 | Tendlar/Taras | Baby Huey as a cowboy |
| Little Audrey Riding Hood | October 14, 1955 | Kneitel/Reden | Little Audrey encounters a burglar |
| Swab the Duck | May 11, 1956 | Tendlar/Reden | Baby Huey pirate play |
| Pest Pupil | January 25, 1957 | Tendlar/Reden | Baby Huey in kindergarten trouble |
| Cock-a-Doodle Dino | December 6, 1957 | Sparber/Golden | Chicken hatches a dinosaur; studio in-jokes |
| Dawg Gawn | December 12, 1958 | Kneitel/Johnson | Little Audrey saves her dog from catcher |
| Huey's Father's Day | May 8, 1959 | Kneitel/Johnson | Baby Huey honors his father with chores |
1960s Shorts
The 1960s represented the waning years of the Noveltoons series, characterized by diminished output and adaptations to evolving industry dynamics at Famous Studios (later Paramount Cartoon Studios). Between 1960 and 1967, the studio produced 47 shorts, a sharp decline from the prolific 1940s and 1950s, as resources were increasingly diverted to television animation and cost-cutting measures took hold. This period saw the introduction of more experimental narratives, including science fiction elements and contemporary social themes, amid efforts to refresh the anthology format before the studio's closure in 1967.[21] Stylistic shifts were evident in the reliance on limited animation techniques, influenced by the rise of TV cartoons, which prioritized quick production over fluid motion and detailed backgrounds. Budget reductions, particularly after 1958, resulted in simpler visuals, such as static poses and reused cels, while color processes like Eastmancolor became standard to economize on film stock. Directors like Gene Deitch brought innovative storytelling, as seen in Oscar-winning entries, but overall, the shorts reflected a transition toward more formulaic, TV-friendly content.[21] Several shorts from this era, including post-1960 releases, entered the public domain due to lapsed copyrights by Paramount, making them widely available through archival collections and contributing to their cult following despite initial neglect.[21] The following table highlights representative examples of 1960s Noveltoons shorts, showcasing their thematic diversity and production details:| Title | Release Date | Director(s) | Featuring/Notes |
|---|---|---|---|
| The Planet Mouseola | October 14, 1960 | Dave Tendlar | Skit and Skat in a sci-fi mouse invasion plot; exemplifies experimental alien themes. |
| Munro | December 2, 1960 | Gene Deitch (Rembrandt Films) | A young boy drafted into the army; Academy Award winner for Best Animated Short, highlighting creative, non-traditional narratives. |
| Miceniks | December 30, 1960 | Dave Tendlar | Beatnik mice evading a cat; incorporates modern teen counterculture elements. |
| Cape Kidnaveral | July 28, 1961 | Dave Tendlar | Kids building a rocket; sci-fi adventure reflecting space race era interests. |
| Kozmo Goes to School | November 3, 1961 | Nick Tafuri | Kozmo confronting a school bully; introduces a new character in a relatable teen story. |
| Space Kid | April 8, 1966 | Seymour Kneitel | Kozmo babysitting amid urban chaos with sci-fi twists. |
Distribution
Theatrical Releases
The Noveltoons shorts were distributed theatrically by Paramount Pictures from 1943 to 1967, typically paired with the studio's live-action feature films as supporting programs or second bills in cinemas across the United States. These animated shorts served as family-oriented entertainment, accompanying major releases to attract audiences of all ages, particularly children, during an era when theatrical cartoons were a staple of moviegoing.[44] Paramount maintained a consistent release schedule, producing and distributing approximately 24 to 30 animated shorts annually across its various series during the 1940s, with Noveltoons comprising a significant portion aimed at broad family viewership through humor, music, and recurring characters. By the late 1950s, output declined to around 16 shorts per year overall as television competition grew, but Noveltoons continued until the studio's closure.[45][13] Marketing strategies emphasized visual promotions, including colorful posters highlighting stars like Casper the Friendly Ghost and tie-ins with Harvey Comics publications to build character recognition and drive theater attendance. These efforts contributed to modest box office success, with popular entries in the 1950s released amid declining short-subject popularity.[44] Internationally, Paramount handled limited exports of Noveltoons to Europe and Latin America through its subsidiaries, focusing on dubbed versions for select markets to capitalize on the studio's global feature distribution network.[5]Reissues and Syndication
In January 1956, Paramount sold the pre-October 1950 Noveltoons to U.M. & M. TV Corporation for $3 million for television syndication, which were later acquired by National Telefilm Associates (NTA) in 1958.[5] Following the original theatrical runs, many Noveltoons shorts were reissued to theaters by Paramount Pictures in the 1950s and early 1960s as part of the "Paramount Champions" series, which initially combined them with live-action shorts before shifting to all-animation packages featuring Casper the Friendly Ghost, Herman and Katnip, and other anthology entries to appeal to evolving audiences.[21] These reissues often updated title cards and packaging but retained core content, with examples including a 16mm Kodachrome print of Cilly Goose (1945) bearing the distinctive "Paramount Champion" logo.[21] In July 1958, Harvey Comics acquired the post-October 1950 Noveltoons (along with related character copyrights and merchandising rights) from Paramount for $1.7 million, while Paramount retained theatrical distribution and original negatives.[47] This enabled syndication to television, beginning with a 30-year ABC deal that launched Matty's Funday Funnies on October 11, 1959, as a Sunday afternoon anthology showcasing Harvey-owned Noveltoons alongside other Famous Studios properties like Baby Huey and Little Audrey.[47] The program ran on ABC until 1961, after which the package entered local syndication under the "Harveytoons" banner, airing on independent stations through the 1960s and beyond with modified openings to unify branding.[47] During the 1970s and 1980s, select Noveltoons appeared in video compilations, primarily through public domain releases, as copyrights on many pre-1950 shorts had lapsed due to non-renewal under pre-1978 U.S. law (initial 28-year terms expiring without extension).[48] British distributor Vidage issued VHS tapes of public domain entries like Cheese Burglar (1946) and The Wee Men (1947) in 1988–1989, often in budget collections.[49] Harvey Home Entertainment, in partnership with Universal, also released official VHS anthologies in the mid-1980s featuring restored Harvey-era shorts, such as Casper and Herman and Katnip episodes.[50] These tapes, alongside occasional festival screenings of 16mm prints at animation retrospectives, helped sustain interest amid declining theatrical viability.[21] By 2025, copyright lapses have placed the majority of the series' 167 shorts into the public domain, with most pre-October 1950 entries (over 60 confirmed) qualifying due to unrenewed registrations, plus exceptions like The Seapreme Court (1954), Crazntown (1954), and Pest Pupil (1957) from later years.[48] This status has facilitated widespread availability on digital archives and low-cost media, though a subset remains under NBCUniversal (post-Harvey acquisition) or Paramount control.[48] Modern revivals include digitally restored screenings of select Noveltoons at animation festivals, such as Thunderbean Animation's 2012 DVD presentations of HD-remastered prints from original 35mm elements, featured in retrospective programs highlighting Famous Studios' output.[21] These efforts, often tied to public domain restorations, continue to draw audiences at events like free classic cartoon showcases in Los Angeles.[51]Home Media
Physical Formats
Thunderbean Animation released the first major home video collection of Noveltoons shorts with the 2012 DVD set Noveltoons Original Classics, featuring 20 public domain cartoons digitally restored and remastered in high definition from original 35mm and 16mm film elements.[52] This edition highlighted one-shot stories and early appearances of characters like Buzzy the Crow, with bonus materials including audio commentaries by animation historians and galleries of original artwork.[53] In 2019, Thunderbean upgraded the collection to Blu-ray format under the same title, featuring the 20 shorts with new high-definition scans from 35mm IB Technicolor prints sourced from private collectors.[54] The restoration process improved color vibrancy and image clarity compared to the DVD, emphasizing the original Technicolor palette for titles like Suddenly It's Spring and The Wee Men. During the 1980s and 1990s, Harvey Comics, which held rights to characters like Casper the Friendly Ghost and Baby Huey, distributed VHS tapes compiling relevant Noveltoons episodes through partnerships with Universal Studios Home Video. These releases, such as Casper Classics and Baby Huey Cartoon Classics, focused on family-friendly selections from the 1940s–1950s shorts, often bundling 4–6 cartoons per tape for home viewing.[55] By 2025, complete editions of Thunderbean's Noveltoons Original Classics sets in DVD or Blu-ray formats have become collectible items, with market values typically ranging from $20 for used copies to $100 for sealed or mint-condition versions on secondary markets.[56] These physical releases remain prized by animation enthusiasts for their archival quality and limited production runs.[57]Digital and Streaming
Many Noveltoons shorts produced before October 1950 have entered the public domain due to lapsed copyright renewals, making them freely accessible online since the late 1990s through public domain VHS releases and early digital uploads. By 2025, over 60 such titles are available for free viewing on platforms like the Internet Archive, which hosts a comprehensive collection of 164 Noveltoons shorts amassed from various sources including DVDs and YouTube, and on YouTube via dedicated playlists featuring restored and original uploads of series like Casper the Friendly Ghost and Baby Huey.[58][48][59] Select episodes featuring characters like Casper the Friendly Ghost and Baby Huey, drawn from the 1950–1962 shorts licensed through former Harvey Comics rights holders (now under DreamWorks Classics/NBCUniversal), are available on ad-supported streaming services such as Tubi and Amazon Prime Video, offering compilations totaling over 10 hours of content.[60][61] These platforms provide paid or ad-free access, contrasting with the no-cost public domain options, though full series availability remains limited by ongoing licensing arrangements. Copyright ownership for Noveltoons is fragmented: Paramount Global retains rights to post-1962 shorts, while the 1950–1962 titles are held by DreamWorks Classics, complicating comprehensive digital distribution and restorations.[48] This split has led to challenges in centralized streaming, with some efforts toward digital remastering evident in high-definition YouTube uploads of individual shorts from the 2020s, enhancing accessibility for preserved pre-1950 titles.[62] Free public domain viewings dominate online access, while copyrighted episodes require subscriptions like Amazon Prime Video at $14.99 per month or Tubi's free ad-supported model.[63]Legacy
Character Adaptations
In 1958, Paramount Pictures sold the rights to its post-1950 Famous Studios cartoons, including key Noveltoons characters such as Casper the Friendly Ghost, Baby Huey, and Little Audrey, along with associated merchandising rights, to Harvey Comics.[47] This transaction allowed Harvey to expand these characters beyond theatrical shorts into new media formats.[64] Harvey Comics launched extensive comic book series featuring these characters, beginning with Casper the Friendly Ghost in 1952 through an appearance in Harvey Comics Hits #61, followed by a solo title that ran for 260 issues from 1958 to 1991.[65] Little Audrey initially appeared in St. John Publications' comics from 1948 to 1952, spanning 24 issues, before Harvey acquired licensing and continued her stories in various titles.[66] Baby Huey received his own Harvey series starting in 1956, with crossovers in anthologies like Harvey Hits Comics that paired him with characters such as Richie Rich.[67] The acquisition facilitated television adaptations, notably The New Casper Cartoon Show, which aired on ABC from 1963 to 1964 and combined new animated segments with repackaged Famous Studios shorts featuring Casper and supporting characters like Wendy the Good Little Witch.[68] This series marked the characters' transition to broadcast media under Harvey's control.[69] Later adaptations included the 1995 live-action film Casper, produced by Universal Pictures in collaboration with Harvey Entertainment, which grossed over $287 million worldwide and introduced the character to a new generation through a blend of CGI and practical effects.[70] Baby Huey appeared in comic crossovers with Richie Rich during the 1970s and 1980s in Harvey's shared-universe publications.[67] Rights to most Noveltoons characters remain with Harvey's successors; Classic Media acquired the properties in 2001, followed by DreamWorks Animation in 2012, and ultimately NBCUniversal (via DreamWorks Classics) in 2016, distinct from Paramount's retention of non-character-specific shorts.[71] In modern contexts, these characters support ongoing merchandise lines and digital media, including Casper-themed mobile games and apps released in the 2020s, such as interactive adventure titles available on platforms like Android.[72]Cultural and Historical Significance
The Noveltoons series, produced from 1943 to 1967 by Famous Studios for Paramount Pictures, bridged the Golden Age of theatrical animation and the emerging television era, upholding hand-drawn cel animation and vibrant Technicolor visuals amid declining studio budgets and shifting audience preferences.[21] This transitional role preserved core techniques of the era, such as fluid character movements and musical scoring by Winston Sharples, even as competitors like Warner Bros. innovated in limited animation for TV.[20] Through syndication packages distributed to television in the 1950s, Noveltoons influenced the anthology format of early TV cartoon programming, introducing young audiences to classic theatrical styles and paving the way for mixed-character blocks that blended shorts from various studios.[20] These broadcasts, often under repackaged titles like Harveytoons, familiarized viewers with the language of American animation, emphasizing recurring gags and ensemble casts that echoed but softened the structure of earlier series.[21] Critically, Noveltoons received praise for their colorful, high-production visuals and engaging scores, which rivaled contemporaries in aesthetic appeal, though they were often critiqued for formulaic plots and uneven storytelling that prioritized gags over narrative depth.[21] The series holds an average rating of 7.2 out of 10 on IMDb, based on user reviews highlighting its nostalgic charm despite these limitations.[1] By 2025, a significant portion of the series—particularly the pre-1950 shorts—has entered the public domain due to lapsed copyrights, enabling broader scholarly analysis, restorations, and fan-driven distributions via VHS and DVDs that have cultivated a dedicated cult following.[73] In 2025, Thunderbean Animation released additional restored Noveltoons shorts on Blu-ray, further supporting preservation efforts and revitalizing interest in the series.[74] This accessibility has revitalized interest, allowing researchers to examine the evolution of mid-century animation without proprietary restrictions. While structured as an anthology similar to Warner Bros.' Merrie Melodies, featuring both one-shot stories and recurring characters, Noveltoons adopted a softer, more child-friendly tone with less acerbic wit and violence, aligning with Famous Studios' family-oriented approach.[21] This distinction contributed to their enduring appeal in educational and nostalgic contexts, distinct from the edgier humor of their predecessors.References
- https://commons.wikimedia.org/wiki/File:Seymour_Kneitel_-_Noveltoons_-_Scrappily_Married_%281945%29_%28raw_HD_version%29.webm
_(1945_variant).jpg)