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Paramount Animation
Paramount Animation
Paramount Animation
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Paramount Animation is an American animation studio, serving as the animation division and label of Paramount Pictures, a subsidiary of Paramount Skydance Corporation.[4] The division was founded on July 6, 2011, following the critical and commercial success of Paramount's own Rango and the end of its distribution deal with DreamWorks Animation in 2012.

Key Information

Paramount Animation produces its own animated features, most of them being distributed by Paramount, while also co-producing movies with other companies such as Nickelodeon Movies, primarily based on franchises from the Nickelodeon brand.

The studio has produced 10 feature films, with its first film being The SpongeBob Movie: Sponge Out of Water, released on February 6, 2015; and its latest being Smurfs, released on July 18, 2025. The studio's next release is The SpongeBob Movie: Search for SquarePants, set to be released on December 19, 2025.

Films produced by Paramount Animation have grossed a total of $842.6 million at the worldwide box office. Its highest-grossing film to date is The SpongeBob Movie: Sponge Out of Water, which grossed $325.1 million. Transformers One and The SpongeBob Movie: Sponge Out of Water ranked among the studio's most critically acclaimed films to date.

Background

[edit]

After the closure of Paramount Cartoon Studios (formerly named Famous Studios) in December 1967, Paramount distributed a few animated films from 1973 to 1992 that were produced by outside studios, including Charlotte's Web, Race for Your Life, Charlie Brown, Bon Voyage, Charlie Brown (and Don't Come Back!!), Heidi's Song, Bebe's Kids, and the live-action/animated hybrid Cool World—the latter of which was directed by former Paramount Cartoon Studios animator Ralph Bakshi.

In the fall of 1993, Canadian animation studio Nelvana signed a multi-year deal to produce five animated feature films in collaboration with Paramount Pictures, with Kathleen Kennedy and Frank Marshall producing; the first two began production the following summer, at a cost of over US$20 million each.[5][6] Three of the projects were based on books by E. B. White (The Trumpet of the Swan), Clive Barker (The Thief of Always) and Graeme Base (The Sign of the Seahorse); an original production called Mask Vision was also in the works.[7] However, none of the films were produced in this deal.

Following Paramount's merger with Viacom, the studio started releasing several animated films based on Nickelodeon's TV shows, including the Rugrats film trilogy, The SpongeBob SquarePants Movie, and Jimmy Neutron: Boy Genius; the films produced by Nickelodeon Movies. The studio also released features based on MTV's Beavis and Butt-Head and Comedy Central's South Park.

In 2005, Paramount's new CEO Brad Grey considered building an in-house animation division, because he saw family films as the "sweet spot" of the movie business.[8] The following year, Paramount signed a distribution deal with DreamWorks Animation, starting with Over the Hedge and ending with Rise of the Guardians. During this deal, the studio released Nickelodeon Movies' Barnyard in 2006 and ImageMovers' Beowulf in 2007.

On March 4, 2011, the studio released its first in-house animated film, Nickelodeon Movies' Rango. The film was critically acclaimed and grossed over $245 million at the box office. The success of Rango helped Paramount discover its potential in making successful animated features on its own. In June of that year, the studio acquired the rights to produce an animated film based on Penny Arcade's 2010 webcomic The New Kid.[9]

History

[edit]

Brad Grey era (2011–2017)

[edit]
Early logo.

In July 2011, in the wake of Rango's success, the high hopes for The Adventures of Tintin, and the departure of DreamWorks Animation upon completion of their distribution contract with Madagascar 3: Europe's Most Wanted and Rise of the Guardians in 2012, Paramount announced the formation of a new animation division. The studio would initially produce one animated film a year with a maximum budget of $100 million. A key portion of the films would be co-produced with Nickelodeon and they would be cross-promoted at Nickelodeon's theme parks and hotels.[4]

In October 2011, Paramount named a former president of Walt Disney Feature Animation, David Stainton, president of Paramount Animation.[10] In February 2012, Stainton resigned for personal reasons, with Paramount Film Group's president, Adam Goodman, stepping in to directly oversee the studio.[11] It was also announced that The SpongeBob Movie: Sponge Out of Water, a standalone sequel to 2004's The SpongeBob SquarePants Movie, would be the studio's first film and would be released in 2014. A short time after, the film was delayed to early 2015.[12]

In August 2012, Variety reported that Paramount Animation was in the process of starting development of several animated films in collaboration with Nickelodeon, Mary Parent, and J. J. Abrams. Besides the SpongeBob sequel, Paramount Animation considered adapting Dora the Explorer, The Legend of Korra, and Monkey Quest into films. The increase in animated film production was due to DreamWorks Animation being in talks with other studios to distribute their post-2012 animated films.[13]

On July 31, 2013, Paramount Animation announced that they were developing a new live-action/animated franchise in the vein of the Transformers series, which was titled Monster Trucks. Jonathan Aibel and Glenn Berger were set to write the film's script, Chris Wedge (director of 2002's Ice Age) was set to direct the film, and Mary Parent was set to produce the film, with an initial release date set for May 29, 2015.[14]

The studio's first film, The SpongeBob Movie: Sponge Out of Water, was released on February 6, 2015, to positive reviews[15] and was a box office success, grossing over $325 million worldwide and becoming the fifth highest grossing animated film of 2015.[16] That same month, Paramount fired Adam Goodman due to the studio's thin film slate and Goodman greenlighting box office bombs at the studio.[17] Paramount announced another SpongeBob film later that year.[18]

In the summer of 2015, Paramount Pictures participated in a bidding war against Warner Bros. and Sony Pictures Animation for the rights to produce The Emoji Movie, based on a script by Tony Leondis and Eric Siegel. Sony won the bidding war in July and released the film in 2017.[19] The studio's head Bob Bacon also left Paramount Animation that summer.[17]

In June 2015, it was revealed that Spain's Ilion Animation Studios (the studio behind 2009's Planet 51) won a bidding war against other animation studios to produce a 3D animated tentpole film for Paramount Animation, which was already in production since 2014.[20] In November 2015, Paramount Animation officially announced the project as Amusement Park, (later renamed Wonder Park) with former Pixar animator Dylan Brown helming. The studio also announced Monster Trucks, The Little Prince, Sherlock Gnomes, and the third SpongeBob film.[21]

The Little Prince, originally released on July 29, 2015 in France, was scheduled to be released on March 18, 2016, in the United States as Paramount Animation's second release, but Paramount canceled the American release due to the French producers not paying an additional, previously agreed $20 million for the North American prints and advertising budget, however they still retained the distribution rights in France. It was later released on Netflix on August 5, 2016, as a Netflix original film.[22][23]

On May 4, 2016, Paramount Pictures announced that it signed a deal with British animation studio Locksmith Animation to co-develop and co-produce three original animated projects to be theatrically released under the Paramount Animation label (with animation produced by DNEG),[24] but in 2017, Paramount abandoned its deal with Locksmith when Paramount chairman and CEO Brad Grey was replaced by Jim Gianopulos.

The studio's second film Monster Trucks was released on January 13, 2017 to mixed reviews[25] and became a box office failure, grossing $64.5 million on a $125 million budget.[17][26][27]

In March 2017, Skydance Media formed a multi-year partnership with Ilion Animation Studios, forming Skydance Animation.[28]

Jim Gianopulos/Mireille Soria era (2017–2021)

[edit]

In April 2017, Paramount ended its deal with Locksmith Animation when Paramount chairman and CEO Brad Grey was replaced by Jim Gianopulos, who decided that their projects did not fit in with Paramount's other upcoming releases. Locksmith formed a multi-year production deal with 20th Century Fox four months later.[29][30]

In July 2017, Paramount Pictures named former DreamWorks Animation co-president Mireille Soria as the president of the studio.[31] Soria restructured the studio, increasing its number of employees from 10 to over 110, and created a new goal of releasing two tentpole animated films a year with different animation styles and genres. She would also look over the completion of Sherlock Gnomes and Wonder Park, which were in production before her arrival. That same month, Skydance announced its first two animated feature films for Skydance Animation — Split (later retitled Spellbound) and Luck.[32] Both films would be distributed by Paramount Pictures as part of their deal with Skydance. On October 10, 2017, Bill Damaschke was hired to head the division as president of animation and family entertainment.[33]

The studio released its third film, Sherlock Gnomes, on March 23, 2018, and became a critical[34] and financial disappointment, grossing $90.3 million on a $59 million budget.[35]

In April 2018, Paramount Pictures named former Blue Sky Studios and Nickelodeon Movies producer Ramsey Ann Naito as the executive vice president of the studio.[36][37] She later left the company in order to become the head of animation at Nickelodeon.[38][39] In the same month, Soria greenlit the studio's first three animated features under her leadership to be released in 2020 and beyond: The SpongeBob Movie: It's a Wonderful Sponge (later renamed Sponge On the Run), Reel FX's Monster on the Hill (later renamed Rumble), and Skydance Animation's Luck.[40]

On January 14, 2019, Mireille Soria announced that the team at Paramount Animation will no longer work with Skydance Animation because of their hiring of former Walt Disney Animation Studios and Pixar CCO John Lasseter as the head of animation.[41] Luck and Spellbound were still going to be released by Paramount Pictures without the Paramount Animation brand[42] until Apple TV+ acquired the distribution rights to both films in December 2020 and made a larger pact with Skydance Animation in February 2021.[43][44] Apple Original Films and Netflix would replace Paramount for Luck and Spellbound respectively.

The studio's fourth film, Wonder Park was released on March 15, 2019. It received mixed reviews[45] and it became a box office flop, grossing only $119.6 million worldwide on a budget of less than $100 million.[46]

In June 2019, Paramount Animation announced a new slate of animated features, including an animated Spice Girls film, a live-action/animated Mighty Mouse film, an animated film adaptation of The Tiger's Apprentice, a musical film titled Jersey Crabs (later Under the Boardwalk), and the Imagine Entertainment co-production The Shrinking of Treehorn.[47]

The studio's fifth film The SpongeBob Movie: Sponge on the Run theatrically released only in Canada on August 14, 2020, with a March 4, 2021, release in the United States on Paramount+ and a November 5, 2020, release internationally on Netflix due to the COVID-19 pandemic.[48][49][50] The film received positive reviews from critics, and grossed $4.4 million worldwide with a $60 million budget.[51]

In January 2021, Paramount Animation picked up two new films: an adaption of the upcoming Tom Wheeler book C.O.S.M.O.S.[52] and an original animated film from the Comedy Central star Trevor Noah.[53]

Brian Robbins/Ramsey Ann Naito era (2021–2025)

[edit]

On September 30, 2021, shortly after Brian Robbins replaced Jim Gianopulos as the chairman and CEO of Paramount Pictures, it was announced that Ramsey Ann Naito would replace Mireille Soria as the president of Paramount Animation in addition to her current role as the president of Nickelodeon Animation Studio.[1]

The studio's sixth film Rumble was released on December 15, 2021, on Paramount+. It was originally expected to be released in theaters on February 18, 2022, but due to the COVID-19 pandemic, it was later moved to Paramount+. It received mixed reviews.

On January 20, 2022, Latifa Ouaou (a veteran of both Illumination and DreamWorks Animation via Universal Pictures) was hired as the executive vice president of movies and global franchises for both Paramount Animation and Nickelodeon Animation Studio. In this position, Ouaou will oversee both streaming and theatrical films for the two companies. It was also revealed that The Tiger’s Apprentice (which was originally being directed by Carlos Baena) will now be directed by Raman Hui, with Paul Watling and Yong Duk Jhun being co-directors. Bob Persichetti (the Academy Award-winning co-director of Sony Pictures Animation's Spider-Man: Into the Spider-Verse) had also joined the film as a producer.[2]

On July 26, 2023, Robbins revealed in a Variety article that the original film Under the Boardwalk would be released straight to Paramount+ instead of theaters (similar Rumble). He stated, “We’re not going to release an expensive original animated movie and just pray people will come,” while also pointing to the box office underperformances of Pixar animated films such as Lightyear and Elemental.[54] This statement received widespread criticism on social media, including from those in the industry such as Guillermo del Toro, Jorge R. Gutierrez, and Christopher Miller.[55][56][57] This also contradicts an earlier statement by the division’s president Naito, who stated in a Deadline interview that she plans to release original animated features to continue building franchises.[58] Under the Boardwalk, the studio's seventh film was instead given a limited theatrical release under the Nickelodeon Movies imprint. It was released on October 27, 2023, with a video-on-demand release on November 7.[59]

The studio's eighth film, The Tiger's Apprentice, was released on February 2, 2024 on Paramount+, after facing several theatrical delays and its theatrical release being cancelled.[60] It received mixed reviews from critics.

On March 5, 2024, Paramount Animation signed a multi-year first-look deal with the Teenage Mutant Ninja Turtles: Mutant Mayhem director Jeff Rowe. Under this deal, Rowe will produce and direct both animated and live-action films, including the 2027 Mutant Mayhem sequel.[61]

The studio's ninth film, Transformers One, was released on September 20, 2024. It received positive reviews from critics but became a financial disappointment grossing $128.9 million worldwide on a budget of $75–147 million.

Its tenth film, Smurfs, was released on July 18, 2025. It received generally negative reviews from critics and failed grossing only $105 million worldwide on a $58 million budget.

David Ellison/Ramsey Ann Naito era (2025–present)

[edit]

After the merger of Paramount and Skydance was completed on August 7, 2025, David Ellison replaced Brian Robbins as the new CEO and chairman of Paramount Pictures. For the short term, Ramsey Ann Naito would remain as the president of Paramount Animation while stepping down from her role as president of Nickelodeon Animation Studio. Skydance Animation would continue to be operated separately under John Lasseter and focus on its multi-year output deal with Netflix.[62]

[edit]

Initially, Paramount Animation did not have its own opening logo. Its first four features (as well as 2024's Transformers One) just used the standard Paramount logo.

On September 19, 2019, Paramount Animation introduced a new animated logo featuring a character nicknamed "Star Skipper".[63] When Mireille Soria came to Paramount Animation, one of the first goals set by Jim Gianopulos was to make a logo for the division. The crew wanted to put a female character in the logo because the studio's team is mostly female, and according to Soria, it captures "the magic" of the division. The logo and the character of Star Skipper were designed by Captain Underpants: The First Epic Movie lead visual development artist and art director Christopher Zibach and animated by ATK PLN and Reel FX Creative Studios.[63] The music is the same as the standard Paramount Pictures logo, which is composed by Michael Giacchino. This logo debuted in front of The SpongeBob Movie: Sponge on the Run in 2020 and appeared in the next three films: 2021's Rumble, 2023's Under the Boardwalk (except theatrical prints, which used the 2008 Nickelodeon Movies logo instead), and 2024's The Tiger's Apprentice.

Starting with 2025's Smurfs, an updated version of the Paramount Animation logo was introduced, with the Star Skipper mascot being quietly retired, and the logo now starts with the standard Paramount Pictures logo before transitioning into the Paramount Animation logo.[64]

Process

[edit]

Similar to Warner Bros. Pictures Animation, Illumination, and Sony Pictures Animation, Paramount Animation outsources its animation production to other animation studios such as Mikros Image, Reel FX,[65] and Industrial Light & Magic (Transformers One). Rumble was developed outside of Paramount Animation by Reel FX, but the studio acquired the rights to the film and co-produced it.[66][67]

Like 20th Century Animation with animated films under 20th Century Studios, the studio also acts as somewhat of a distribution label for animated films that are made under or acquired by Paramount Pictures. The earliest case of this would be the aborted deal with Locksmith Animation.[24] Additionally, Paws of Fury: The Legend of Hank, originally expected to be distributed by Open Road Films and STX Entertainment, was acquired by Paramount to be distributed under Paramount Animation, later being distributed under Nickelodeon Movies.[68]

Paramount Animation does not have an in-house animation style. According to Mireille Soria, each film has their own unique style created by the filmmakers, which would be helped by outsourcing animation to different vendors.[69]

When Ramsey Ann Naito took charge of Paramount Animation in September 2021, she brought over the culture of the Nickelodeon Animation Studio, which she describes as "artist-driven" and "creative". Both companies are now united under one team, in a move different from Disney and Universal's animation studios (Walt Disney Animation Studios and Pixar post-Lasseter for the former and Illumination and DreamWorks for the latter).[70]

Filmography

[edit]
Release timeline
2015The SpongeBob Movie: Sponge Out of Water
2016
2017Monster Trucks
2018Sherlock Gnomes
2019Wonder Park
2020The SpongeBob Movie: Sponge on the Run
2021Rumble
2022
2023Under the Boardwalk
2024The Tiger's Apprentice
Transformers One
2025Smurfs
The SpongeBob Movie: Search for SquarePants

Released films

[edit]
Films produced by Paramount Animation
Title Release date Director(s) Writers(s) Producer(s) Composer(s) Co-production with Animation services
Story Screenplay
The SpongeBob Movie: Sponge Out of Water[a] February 6, 2015 Paul Tibbitt
Live-Action Direction:
Mike Mitchell 		Based on SpongeBob SquarePants created by:
Stephen Hillenburg 		Paul Tibbitt
Mary Parent 		John Debney Nickelodeon Movies
United Plankton Pictures 		Rough Draft Studios Korea
Iloura
Stephen Hillenburg
Paul Tibbitt 		Jonathan Aibel
Glenn Berger
Monster Trucks[a] January 13, 2017 Chris Wedge Matthew Robinson
Jonathan Aibel
Glenn Berger 		Derek Connolly Mary Parent
Denis L. Stewart 		Dave Sardy Nickelodeon Movies
Disruption Entertainment 		Mr. X
Moving Picture Company
Sherlock Gnomes March 23, 2018 John Stevenson Based on Sherlock Holmes created by:
Arthur Conan Doyle
and the characters created by:
Rob Sprackling
John Smith
Andy Riley
Kevin Cecil
Kelly Asbury
Steve Hamilton Shaw 		Steve Hamilton Shaw
David Furnish
Carolyn Soper 		Chris Bacon
(score)
Elton John
Bernie Taupin
(songs) 		Metro-Goldwyn-Mayer
Rocket Pictures 		Mikros Image
Reel FX Creative Studios
Andy Riley
Kevin Cecil
Emily Cook
Kathy Greenberg 		Ben Zazove
Wonder Park March 15, 2019 Dylan Brown
(uncredited)[71] 		Robert Gordon
Josh Appelbaum
André Nemec 		Josh Appelbaum
André Nemec 		Josh Appelbaum
André Nemec
Kendra Haaland 		Steven Price Nickelodeon Movies Ilion Animation Studios[b]
The SpongeBob Movie: Sponge on the Run[a] August 14, 2020[c] Tim Hill Based on SpongeBob SquarePants created by:
Stephen Hillenburg 		Ryan Harris Hans Zimmer
Steve Mazzaro 		Nickelodeon Movies
United Plankton Pictures
MRC 		Mikros Image
Tim Hill
Jonathan Aibel
Glenn Berger 		Tim Hill
Rumble December 15, 2021[d] Hamish Grieve Based on Monster on the Hill by:
Rob Harrell 		Brad Booker
Mark Bakshi 		Lorne Balfe WWE Studios
Walden Media
Reel FX Animation Studios 		Reel FX Creative Studios
Hamish Grieve
Matt Lieberman
Under the Boardwalk October 27, 2023[e] David Soren Lorene Scafaria
David Dobkin 		Lorene Scafaria
David Soren 		David Dobkin
Dagan Potter
Allison Gardner 		John Debney
Jonathan Sadoff
(score)
Sean Douglas
Jonathan Sadoff
(songs) 		New Republic Pictures (uncredited)
Big Kid Pictures 		DNEG Animation
The Tiger's Apprentice February 2, 2024[d] Raman Hui
Co-directors:
Paul Watling
Yong Duk Jhun 		Based on the book by:
Laurence Yep 		Jane Startz
Sandra Rabins
Bob Persichetti 		Steve Jablonsky New Republic Pictures (uncredited)
Jane Startz Productions 		Mikros Animation
David Magee
Christopher Yost
Transformers One September 20, 2024 Josh Cooley Based on the toy line by:
Hasbro 		Lorenzo di Bonaventura
Tom DeSanto
Don Murphy
Michael Bay
Mark Vahradian
Aaron Dem 		Brian Tyler Hasbro Entertainment
New Republic Pictures
Di Bonaventura Pictures
Bayhem Films 		Industrial Light & Magic
Andrew Barrer
Gabriel Ferrari 		Eric Pearson
Andrew Barrer
Gabriel Ferrari
Smurfs[a] July 18, 2025 Chris Miller
Co-director:
Matthew Landon 		Based on The Smurfs by:
Peyo 		Ryan Harris
Rihanna
Laurence "Jay" Brown
Tyran "Ty-Ty" Smith 		Henry Jackman
(score)
Rihanna
(songs) 		Marcy Media Films
LAFIG Belgium
Peyo Company 		Cinesite Vancouver
Pam Brady

Upcoming films

[edit]
Films produced by Paramount Animation
Title Release date Director(s) Writers(s) Producer(s) Composer(s) Co-production with Animation service(s) Production Status Ref.
Story Screenplay
The SpongeBob Movie: Search for SquarePants[a] December 19, 2025 Derek Drymon Based on SpongeBob SquarePants created by:
Stephen Hillenburg 		Pam Brady
Lisa Stewart
Aaron Dem 		John Debney Nickelodeon Movies
United Plankton Pictures
MRC 		Cinesite
FuseFX
Reel FX Animation 		Completed [72][73][74]
Pam Brady
Kaz
Andrew Goodman 		Pam Brady
Matt Lieberman

In development

[edit]
Title Notes
C.O.S.M.O.S. [75]
Dropz co-production with Gloria Sanchez Productions[76]
I Eat Poop: A Dung Beetle Story co-production with Maximum Effort and Ampersand[77]
Muttnik co-production with Imagine Entertainment[76]
Once Upon a Motorcycle Dude co-production with Sunswept Entertainment[76]
Rainbow Serpent co-production with Imagine Entertainment and Animal Logic[78]
Real Pigeons Fight Crime [76]
Stray Dogs co-production with Image Comics and Coin Operated[79]
Superworld co-production with Temple Hill Entertainment[80]
Swan Lake co-production with Temple Hill Entertainment[76]
Untitled Mighty Mouse film co-production with Maximum Effort[81][82]
Untitled Mindy Kaling comedy [83]
Untitled Spice Girls film co-production with 19 Entertainment[81]
Untitled Trevor Noah animated film co-production with Day Zero Productions and Mainstay Entertainment[53]
Yokai Samba co-production with Nickelodeon Movies[76]
[edit]

All films listed are distributed by Paramount Pictures unless noted otherwise.

Title Release date Studio Animation services Notes
Rango March 4, 2011 Nickelodeon Movies
Blind Wink
GK Films 		Industrial Light & Magic Directed by Gore Verbinski. Led to the creation of Paramount Animation.
The Adventures of Tintin December 21, 2011 Nickelodeon Movies
Columbia Pictures
Amblin Entertainment
WingNut Films
The Kennedy/Marshall Company
Hemisphere Media Capital 		Wētā FX Directed by Steven Spielberg. Based on The Adventures of Tintin by Hergé
Tad, The Lost Explorer April 8, 2012 Telecinco Cinema
El Toro Pictures
Lightbox Entertainment
Ikiru Films
Telefónica Studios
Media Networks 		N/A Directed by Enrique Gato. Only distributed by Paramount Pictures in Spain and Latin America.
The Little Prince July 29, 2015 ON Animation Studios Cinesite Directed by Mark Osborne. Was originally scheduled to be released theatrically under the Paramount Animation label.
Capture the Flag August 28, 2015 4 CATS Pictures
Lightbox Entertainment
Los Rockets AIE La Película
Telecinco Cinema
Telefonica Studios
Ikiru Films 		N/A Directed by Enrique Gato.
Anomalisa December 30, 2015 Starburns Industries HanWay Films Written and directed by Charlie Kaufman.
Tad the Lost Explorer and the Secret of King Midas December 1, 2017 Ikiru Films
Telecinco Cinema
El Toro Pictures
4 CATS Pictures
Lightbox Entertainment
Tadeo Jones y el Secreto de Midas AIE
Telefónica Studios 		N/A Directed by Enrique Gato.
Sonic the Hedgehog February 14, 2020 Sega Sammy Group
Original Film
Marza Animation Planet
Blur Studio 		Moving Picture Company
Trixter
Digital Domain 		Directed by Jeff Fowler. Based on the Sega video game series of the same name.
Paw Patrol: The Movie August 20, 2021 Nickelodeon Movies
Spin Master Entertainment 		Mikros Image Directed by Cal Brunker. Based on Paw Patrol by Keith Chapman
The Loud House Movie Nickelodeon Movies Top Draw Animation Directed by Dave Needham. Based on The Loud House by Chris Savino. Originally slated to be released by Paramount Pictures.
My Little Pony: A New Generation September 24, 2021 Entertainment One
Hasbro 		Boulder Media[b] Directed by Robert Cullen and José Luis Ucha. Originally slated to be released theatrically by Paramount Pictures, later removed in February 2021 due to the COVID-19 pandemic, as eOne sold the rights to Netflix.
Sonic the Hedgehog 2 April 8, 2022 Sega Sammy Group
Original Film
Marza Animation Planet
Blur Studio 		Moving Picture Company
DNEG 		Directed by Jeff Fowler. Based on the Sega video game of the same name. Sequel to Sonic the Hedgehog.
Paws of Fury: The Legend of Hank July 15, 2022 Nickelodeon Movies
GFM Animation
Blazing Productions, Ltd.
Aniventure
Brooksfilms
Flying Tigers Entertainment
Align
HB Wink Animation 		Cinesite[b] Directed by Rob Minkoff, Chris Bailey and Mark Koetsier. Acquired by Paramount Pictures in January 2022 to be released under Paramount Animation.;[68] released under Nickelodeon Movies.
Tad, the Lost Explorer and the Emerald Tablet November 4, 2022 Telecinco Cinema
Lightbox Animation Studios
Ikiru Films
mAnangu Grup
La Tadeopelícula AIE 		N/A Directed by Enrique Gato.
Teenage Mutant Ninja Turtles: Mutant Mayhem August 2, 2023 Nickelodeon Movies
Point Grey Pictures 		Mikros Animation
Cinesite Vancouver 		Directed by Jeff Rowe. Based on characters from Teenage Mutant Ninja Turtles by Peter Laird and Kevin Eastman.
Paw Patrol: The Mighty Movie September 29, 2023 Nickelodeon Movies
Spin Master Entertainment 		Mikros Animation Directed by Cal Brunker. Based on Paw Patrol by Keith Chapman. Sequel to Paw Patrol: The Movie.
IF May 17, 2024 Sunday Night Productions
Maximum Effort 		Framestore Written, produced, and directed by John Krasinski.
Sonic the Hedgehog 3 December 20, 2024 Sega Sammy Group
Original Film
Marza Animation Planet
Blur Studio 		Moving Picture Company
Clear Angle Studios
Fin Design + Effects 		Directed by Jeff Fowler. Based on the Sega video game of the same name. Sequel to Sonic the Hedgehog 2.
Paw Patrol: The Dino Movie August 14, 2026 Nickelodeon Movies
Spin Master Entertainment 		Mikros Animation Directed by Cal Brunker. Based on Paw Patrol by Keith Chapman. Sequel to Paw Patrol: The Mighty Movie.
The Legend of Aang: The Last Airbender October 9, 2026 Nickelodeon Movies
Avatar Studios 		Flying Bark
Productions
Studio Mir 		Directed by Lauren Montgomery. Based on the television series Avatar: The Last Airbender by Michael Dante DiMartino and Bryan Konietzko.
The Angry Birds Movie 3 December 23, 2026 Sega Sammy Group
Prime Focus Studios
Rovio Entertainment
One Cool Films
Flywheel Media
Dentsu 		DNEG Animation Directed by John Rice. Based on the Rovio Entertainment Angry Birds series. Sequel to The Angry Birds Movie 2.
Sonic the Hedgehog 4 March 19, 2027 Sega Sammy Group
Original Film
Marza Animation Planet
Blur Studio 		Directed by Jeff Fowler. Sequel to Sonic the Hedgehog 3.
Untitled Teenage Mutant Ninja Turtles: Mutant Mayhem sequel September 17, 2027 Nickelodeon Movies
Point Grey Pictures 		Mikros Animation
Cinesite Vancouver 		Directed by Jeff Rowe. Based on characters from Teenage Mutant Ninja Turtles by Peter Laird and Kevin Eastman. Sequel to Teenage Mutant Ninja Turtles: Mutant Mayhem.

Cancelled or inactive projects

[edit]
Main article: List of unproduced Paramount Pictures animated projects
Title Description
The New Kid Feature film based on the comic Penny Arcade. Announced in June 2011,[9] the project was canceled by 2016 due to leadership changes at Paramount Pictures despite the script being complete.[84]
Shedd Announced in January 2014 with John Kahrs joining as the director and was based on an original idea by Adam Goodman.[85]
Giant Monsters Attack Japan Originally announced in 2006 as a live-action Nickelodeon Movies production from Matt Stone and Trey Parker, the film moved to Paramount Animation in 2015 with a script written by Matt Lieberman.[86]
Bodacious Announced in October 2015 as an animated feature produced by Eddie Murphy based on the infamous bull of the same name.[87]
Untitled sci-fi film Paramount Animation acquired the rights to an untitled sci-fi pitch from screenwriter David Frigerio in October 2015, which was described as "tonally Cars set in space".[88]
The Flamingo Affair Announced in June 2016 as a co-production with J.J. Abrams through Bad Robot with a script written by Pamela Pettler. The film was described as a comedic Ocean's Eleven-style heist film with animals in Las Vegas.[89]
Adventures in Wonder Park Prior to Wonder Park's release, Paramount Animation announced a television series based on the film, titled Adventures in Wonder Park, to debut on Nickelodeon after the film's theatrical release.[90] Although a trailer for the series was attached to the Blu-ray release of the film, and its first season, consisting of 20 episodes, was completed between 2019 and early 2020, there have been no updates from Nickelodeon on the project as of 2023. The animatic of the pilot was later posted online in December 2022.[91]
The Shrinking of Treehorn Announced in June 2019 with Ron Howard directing.[47] The film was slated for release on November 10, 2023,[92] but in May 2022, Netflix acquired the distribution rights.[93] However, in July 2024, it was reported that the film was cancelled.[94]

Reception

[edit]

Box office grosses

[edit]
Film Budget North America Overseas
gross 		Worldwide gross
(unadjusted) 		Ref(s)
Opening Gross
(unadjusted)
The SpongeBob Movie: Sponge Out of Water $74 million $55,365,012 $162,994,032 $162,192,000 $325,186,032 [95]
Monster Trucks $125 million $10,950,705 $33,370,166 $31,123,749 $64,493,915 [96]
Sherlock Gnomes $59 million $10,604,774 $43,242,871 $47,254,907 $90,497,778 [97]
Wonder Park $80–100 million $15,853,646 $45,216,793 $74,342,317 $119,559,110 [98]
The SpongeBob Movie: Sponge on the Run $60 million $865,824 $4,810,790 — $4,810,790 [99]
Transformers One $75–147 million $24,613,970 $59,054,170 $69,833,933 $128,888,103 [100]
Smurfs $58 million $11,075,090 $31,042,503 $78,200,000 $109,242,503 [101]

Critical and public response

[edit]
Film Critical
Rotten Tomatoes Metacritic
The SpongeBob Movie: Sponge Out of Water 81% 62
Monster Trucks 32% 41
Sherlock Gnomes 27% 36
Wonder Park 34% 45
The SpongeBob Movie: Sponge on the Run 67% 65
Rumble 43% 48
The Tiger's Apprentice 53% 60
Transformers One 89% 62
Smurfs 21% 33

Accolades

[edit]

Annie Awards

[edit]
Year Film Category Recipient(s) Result Refs
2016 The SpongeBob Movie: Sponge Out of Water Animated Effects in an Animated Production Brice Mallier, Paul Buckley, Brent Droog, Alex Whyte and Jonothan Freisler Nominated [102]
Voice Acting in an Animated Feature Tom Kenny

Golden Raspberry Awards

[edit]
Year Film Category Recipient(s) Result Ref.
2018 Sherlock Gnomes Worst Actor Johnny Depp Nominated [103]
Worst Screen Combo
His fast-fading film career

Notes

[edit]

See also

[edit]

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Paramount Animation

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Paramount Animation is the feature animation production arm of , a division of , specializing in the development and production of animated feature films for theatrical release. Established in July 2011 following the success of Paramount's Rango and the expiration of its distribution agreement with , the studio aimed to create original animated content to bolster Paramount's portfolio. Its inaugural production, The SpongeBob Movie: Sponge Out of Water (2015), marked the division's entry into the market and became its highest-grossing film to date, earning $325 million worldwide against a budget of $74 million. Since its launch, Paramount Animation has expanded its slate to include family-oriented adaptations and original stories, often in collaboration with Nickelodeon Animation and other partners. Notable releases encompass The SpongeBob Movie: Sponge on the Run (2020), Paw Patrol: The Mighty Movie (2023), which grossed $205 million globally, and Teenage Mutant Ninja Turtles: Mutant Mayhem (2023). More recent projects like Transformers One (2024), an animated origin story for the Transformers franchise, achieved critical acclaim with a 89% approval rating on Rotten Tomatoes while grossing $128.7 million worldwide. The division has been led by various executives, including Mireille Soria until 2021 and Ramsey Naito, who served as president from 2021 until her departure in October 2025, with Jennifer Dodge appointed as the new president in November 2025, effective January 2026. Paramount Animation continues to focus on innovative storytelling and partnerships, with upcoming films such as a live-action/animated hybrid Mighty Mouse produced by Ryan Reynolds and a new Smurfs movie. Building on Paramount's century-long legacy in entertainment, the studio emphasizes bringing together top talent to deliver visually striking and emotionally resonant animated experiences for global audiences.

Background and Formation

Origins in Paramount Pictures

Paramount Pictures' engagement with animation originated in the late 1920s through its distribution of short films produced by Max Fleischer's studio, then known as Studios. This partnership began with the release of the "" series, featuring the innovative character , which showcased early techniques in combining live-action and animation. In 1929, , recently renamed from , entered a formal distribution agreement with Paramount, enabling the studio to handle the theatrical release of Fleischer's growing catalog of cartoons. This included pioneering sound-era shorts such as (1930), which introduced the iconic character, and subsequent series like the and that blended music, humor, and experimental . The arrangement marked Paramount's initial foray into animated content as a major distributor, capitalizing on the rising popularity of cartoons in theaters. The collaboration expanded in the 1930s as Paramount commissioned Fleischer to produce color feature-length animated films to compete with Disney's Snow White and the Seven Dwarfs (1937). Fleischer delivered Gulliver's Travels in 1939, a groundbreaking Technicolor feature that grossed over $3 million domestically and established Paramount as a key player in animated features. However, financial strains and creative disputes led Paramount to take direct control of the studio in 1942, firing the Fleischer brothers and reincorporating it as Famous Studios in New York City. Famous Studios became Paramount's dedicated in-house animation division, producing over 500 shorts from 1942 to 1967, with a focus on established characters and new originals. Notable series included revamped adventures, the debut of in (1945), and anthology formats like and . The studio innovated with full-color production and character redesigns to appeal to wartime and postwar audiences, maintaining a output of 16–26 shorts annually. In 1956, amid corporate restructuring, was renamed Paramount Cartoon Studios to reflect full ownership by the parent company, though creative operations remained consistent. Production emphasized cost efficiency and television potential as theatrical shorts waned. The division closed in December 1967 due to the shifting industry landscape, with Paramount outsourcing future until the establishment of its modern animation arm decades later.

Establishment in 2011

Paramount Pictures formally announced the creation of Paramount Animation on July 6, 2011, establishing it as an in-house division dedicated to producing feature-length animated films. This initiative was spearheaded by Paramount's chairman and CEO , with the unit reporting to Adam Goodman, president of the Paramount Motion Picture Group. The formation occurred amid negotiations over the expiring distribution agreement with , which had been in place since 2006 and provided Paramount with an 8% revenue share; the new division positioned Paramount to develop its own original animated content independently. The division's primary focus was on creating high-quality, computer-generated (CG) animated features aimed at family audiences, with production budgets capped at $100 million per film. Paramount Animation planned to release its inaugural film in 2014, followed by one animated feature annually to build a sustainable pipeline. To enhance its slate, the studio intended to leverage intellectual properties from its sister company Nickelodeon, integrating familiar characters and stories into theatrical releases. At launch, no specific projects were publicly detailed beyond the 2014 target, emphasizing a long-term strategy for growth in the competitive animation market. In October 2011, Paramount appointed David Stainton as president of the new division to oversee its operations and creative direction. A veteran executive with prior experience at , Stainton had served as president of Walt Disney Feature Animation from 2003 to 2006, overseeing the studio's transition to digital animation and films such as (2003) and Chicken Little (2005). His appointment was seen as a strategic move to bring established expertise to Paramount's nascent animation efforts, ensuring alignment with the studio's goal of delivering innovative, high-caliber animated entertainment.

Historical Development

Brad Grey Era (2011–2017)

Under the leadership of Chairman and CEO , the studio established as its in-house division on July 6, 2011, following the success of the computer-animated film Rango, which had been released earlier that year. The initiative was positioned as a long-term growth strategy, with plans to produce one high-quality animated annually beginning in 2014, focusing on artist-driven projects with broad appeal similar to Rango and the then-upcoming . Rango, directed by , earned critical acclaim and grossed over $245 million worldwide, marking a significant milestone for Paramount in the space. , a motion-capture animated adventure directed by , followed in October 2011, generating $374 million globally and further solidifying the studio's entry into family-oriented . In October 2011, Paramount appointed David Stainton, former president of Walt Disney Feature Animation, as the division's first president to oversee development and production. Stainton, credited with overseeing Disney hits like Mulan and , aimed to build a robust slate of original and franchise-based animated films. However, he resigned in February 2012 for personal reasons after less than five months in the role. Following his departure, Adam Goodman, president of the Paramount Film Group, directly supervised the division, ensuring continuity in its expansion. The division ramped up its pipeline, partnering with to prioritize franchise extensions alongside original concepts. In 2012, Paramount announced The SpongeBob Movie: Sponge Out of Water as its first fully in-house animated release, slated for 2014 (delayed to 2015), blending traditional 2D animation with live-action elements for a hybrid adventure that grossed $325 million worldwide. Development also included ambitious originals, such as a multi-picture deal in 2016 with U.K.-based to co-produce family films under the Paramount Animation label, though this partnership emphasized international collaboration and innovative storytelling. Additional projects in active development encompassed concepts like Lucky, an original story about a young girl discovering a magical world, and other tentpole animations aimed at theatrical release. By mid-decade, Paramount Animation released Monster Trucks in 2016, its first live-action/CGI hybrid directed by , which combined practical effects with animated creatures and earned $64 million despite a challenging performance. The era emphasized building a diverse slate blending established IP with new IP, though output remained selective to prioritize quality over volume. Grey's tenure concluded in August 2017 when he stepped down as CEO, leading to shifts in the division's direction, including the termination of the Locksmith deal under incoming leadership. This period laid foundational infrastructure for Paramount's animation ambitions, transitioning from opportunistic launches to structured production amid evolving industry dynamics.

Jim Gianopulos and Mireille Soria Era (2017–2021)

In April 2017, Jim Gianopulos was appointed as chairman and CEO of , succeeding and overseeing the studio's overall strategy, including its animation division. Under his leadership, Paramount emphasized rebuilding its franchise portfolio, with animation positioned as a key area for growth through leveraging intellectual properties and expanding merchandising opportunities. In July 2017, Gianopulos appointed Mireille , former co-president of feature animation at , as president of Paramount Animation, reporting to motion picture group president . , whose prior credits included producing hits like Trolls (2016) and (2017) at DreamWorks, focused on restructuring the division to prioritize high-quality, original animated features alongside established franchises. She aimed to foster creative development from inception through release, emphasizing stories with broad appeal. The era saw the release of several animated features, though commercial performance was mixed amid competitive market conditions. (2018), a co-production with and Rocket Pictures, marked the division's first fully animated theatrical release under Soria's oversight; directed by John Stevenson, it grossed $90 million worldwide against a $59 million budget but underperformed relative to expectations. This was followed by Wonder Park (2019), an original story about a girl's bringing an amusement park to life, co-produced with ; it earned $119 million globally on an $80–100 million budget, facing challenges from critical reception and competition. The significantly impacted The SpongeBob Movie: Sponge on the Run (2020), the third film in the franchise, which received a in select markets before shifting to premium video-on-demand; it grossed just $4.8 million at the box office on a $60 million budget due to theater closures. Soria's tenure also involved strategic partnerships and internal hires to bolster production. In April 2018, she brought on Ramsey Naito, producer of , as executive vice president of creative development and production, enhancing the team's expertise in family animation. The division acquired and co-produced Rumble (2021), an animated sports comedy about monster wrestling originally developed by Studios; directed by Hamish Grieve, it premiered on Paramount+ in December 2021 after multiple release date shifts caused by the . Other developments included announcing an original feature with comedian in January 2021 and unveiling a new division logo featuring the character Star Skipper in September 2019 to strengthen branding. A notable shift occurred in January 2019 when ended creative collaboration with following the hiring of as head of the studio, citing concerns over his past allegations of misconduct; this severed ties on projects like a potential adaptation, though Paramount retained distribution rights for Skydance's output. The era concluded amid broader Paramount reorganization, with Gianopulos departing as CEO in September 2021 and exiting as president shortly thereafter, paving the way for new leadership under .

Brian Robbins and Ramsey Naito Era (2021–2025)

In September 2021, was appointed chairman and chief executive officer of , succeeding Jim Gianopulos, and he elevated Ramsey Naito to the role of president of and Animation, where she reported directly to him. Under their leadership, the division emphasized revitalizing established franchises while introducing innovative original content, with a focus on theatrical releases and streaming distribution via Paramount+. Naito, who had previously overseen production on films like The SpongeBob Movie: Sponge on the Run, brought her experience in blending creative development with commercial viability to guide the studio's output. The era saw the release of several notable animated features, including Rumble (2021), a Paramount+ original about a monster wrestling league directed by Hamish Grieve, which marked the division's pivot toward streaming amid the pandemic. Theatrical successes followed, such as Paw Patrol: The Mighty Movie (2023), which grossed $205 million worldwide and expanded the franchise's appeal to family audiences, and Teenage Mutant Ninja Turtles: Mutant Mayhem (2023), a hybrid 2D-CG film that earned $180 million globally while earning praise for its youthful, graffiti-inspired animation style. Other key projects included Under the Boardwalk (2023), a Paramount+ musical about anthropomorphic crabs, and Transformers One (2024), an that revitalized the toy-based franchise with a $129 million worldwide . In 2024, co-productions like The Tiger's Apprentice further diversified the slate, blending Eastern folklore with modern techniques for Netflix distribution. Naito's strategy centered on the "secret sauce" of franchise management: leveraging iconic intellectual properties like Paw Patrol, TMNT, and Transformers for broad accessibility while infusing fresh creative voices and diverse storytelling to attract new generations. She oversaw operations from development through production, prioritizing collaboration with external directors and animators to innovate within budgets, as seen in the boundary-pushing visuals of Mutant Mayhem. In a 2024 interview, Naito highlighted the balance between franchise reliability and original risks, noting animation's role in Paramount's streaming growth and theatrical recovery post-COVID. This approach addressed earlier industry challenges, including a 2023 clarification that the studio remained committed to originals despite cost-cutting discussions. The Robbins-Naito era concluded amid significant corporate changes following the $8.4 billion merger of and , completed on August 7, 2025. Robbins departed as co-CEO of and president/CEO of on August 6, 2025, reflecting on the "bittersweet" transition in a farewell memo that praised animation's contributions to the company's portfolio. Naito initially stayed on to lead Paramount Animation post-merger but exited on October 29, 2025, as part of a broader restructuring that included 1,000 layoffs across the company under new CEO . On November 11, 2025, Paramount announced Jennifer Dodge, formerly of Entertainment, as the new president of Paramount Animation, effective January 5, 2026. , led by , was not fully merged with Paramount Animation in the immediate term, allowing the latter to continue projects like the upcoming Smurfs film slated for 2025.

Operations and Production

Leadership and Key Personnel

Paramount Animation's leadership has evolved through several key figures since its inception in , reflecting the studio's shift from initial development to more integrated operations with Animation. The division was launched under the oversight of Paramount Motion Picture Group president Adam Goodman, who guided early strategic planning following the end of Paramount's distribution deal with . In October 2011, David Stainton was appointed as the first president of Paramount Animation. A veteran executive who previously served as president of Walt Disney Feature Animation from 2003 to 2006, Stainton was tasked with building the division's creative team, business plan, and production pipeline for feature films. His tenure focused on establishing in-house capabilities, but he resigned in February 2012 for personal reasons, after less than five months in the role. Following Stainton's departure, the studio reported directly to Goodman until a dedicated president was appointed. Mireille Soria succeeded as president in July 2017, bringing experience from her role as co-president of , where she oversaw hits like . Soria restructured Paramount Animation to emphasize family-oriented features, greenlighting projects such as The SpongeBob Movie: Sponge on the Run and forging partnerships for co-productions. Her leadership emphasized creative development from concept to release, but she parted ways with Paramount in September 2021 amid a strategic realignment. Ramsey Naito was promoted to president of Paramount Animation in September 2021, expanding her existing role as president of Animation since 2020. Naito, who joined in 2018 as executive vice president of animation production and development, integrated efforts with the broader ecosystem, prioritizing franchise extensions like PAW Patrol: The Mighty Movie and original IP development. Her dual oversight fostered synergies between television series and theatrical releases, enhancing global franchise strategies. Naito's tenure ended on October 29, 2025, when she announced her departure in an internal memo, coinciding with company-wide layoffs after the August 2025 merger of with . The merger positioned as CEO and chairman of the combined entity, with as president, prompting a broader shakeup across divisions. On November 11, 2025, Jennifer Dodge was named as the new president of Paramount Animation, succeeding Naito and starting in January 2026. Dodge, formerly at Entertainment, brings experience in animation production and family content development. In parallel, Animation—historically intertwined with Paramount Animation through shared IP and production resources—saw new co-leaders appointed on November 4, 2025, by George Cheeks, chair of TV media at the merged company. Ashley Kaplan, executive vice president of current series, and Alec Botnick, executive vice president of development, now jointly head the studio, overseeing animated content for digital, television, and streaming, including flagship series like and PAW Patrol. This duo reports to Cheeks and focuses on cross-platform development across networks such as , , and . Notable key personnel have included producers and executives driving specific projects and franchise growth. Latifa Ouaou served as executive vice president of movies and global franchises from January 2022 to July 2024, managing theatrical expansions of properties and contributing to films like . Her prior experience at informed strategies for international co-productions and merchandising. Eryk Casemiro, promoted to executive vice president of animation development and production in 2022, has overseen creative pipelines for both TV and features, emphasizing diverse storytelling. The merger also preserved Skydance Animation as a distinct unit under , head of animation since 2019, which produces features like independently but within the Paramount ecosystem, without direct integration with Paramount Animation's team. This separation allows for specialized focus, with Lasseter driving Skydance's creative direction.

Animation Process and Techniques

Paramount Animation primarily employs (CGI) techniques for its feature films, relying on collaborations with external animation studios rather than a fully in-house production facility. This approach allows the division to leverage specialized expertise in , , , , and rendering, following a standard pipeline that begins with elements like and storyboarding, progresses through asset creation and animation, and concludes with and integration. For instance, in producing Transformers One (2024), Paramount partnered with (ILM), where the team utilized (mocap) for rapid prototyping of character movements and virtual story reels to iterate on sequences efficiently. Key techniques in Paramount's projects emphasize performance-driven animation and real-time tools to enhance realism and dynamism. In Transformers One, ILM integrated mocap data with their proprietary HELIOS rendering engine to enable real-time playback during animation reviews, allowing directors to refine camera work and character interactions on the fly, mimicking live-action cinematography principles such as lens choices for scale and depth. This method facilitated the creation of fluid, high-energy action sequences depicting Cybertron's vast environments and robotic transformations. Additionally, machine learning tools supported artists in tasks like procedural asset generation, though human animators retained control over core creative decisions to ensure emotional authenticity in character performances. For other productions, the focus shifts to tailored stylistic elements within the CGI framework. In Rumble (2021), animated by Reel FX, the process involved extensive previsualization (previs) to choreograph wrestling matches between giant monsters, testing animation for weight, athleticism, and unique fighting styles that reflected each character's personality and backstory. This included early exploration of physics simulations to balance exaggerated scale with believable impacts, drawing from kaiju and WWE influences. Similarly, The Tiger's Apprentice (2024), handled by Mikros Animation, incorporated Houdini software for complex character effects like magical transformations and environmental interactions, alongside custom rigging to support fluid animal-human hybrid movements rooted in Chinese mythology. Technical animation supervisors oversaw pipeline optimizations to handle intricate fur simulations and dynamic lighting in fantastical settings. Overall, these techniques underscore Paramount Animation's emphasis on hybrid workflows that blend traditional storytelling with cutting-edge digital tools, enabling scalable production across global partners while prioritizing visual spectacle and narrative immersion. Cloud-based collaboration and virtual production elements are increasingly integrated to streamline feedback loops, as seen in recent projects adapting to remote artistry demands.

Branding and Visual Identity

Paramount Animation's branding draws heavily from the iconic visual elements of its parent company, , while incorporating distinctive features to highlight its focus on animated . Established in , the division initially relied on the standard logo for its productions, which features a bright blue circular frame enclosing a white, snow-capped mountain peak known as Majestic Mountain, surrounded by 22 white stars symbolizing the studio's early film releases. This emblem, inspired by the Ben Lomond mountain in , evokes a sense of grandeur and aspiration, aligning with Paramount's cinematic heritage. In September 2019, Paramount Animation unveiled a dedicated and to foster a unique brand identity tailored to its animated output, marking a shift toward a more playful and magical aesthetic. The new retains the core Paramount mountain and stars but integrates an animated sequence featuring Star Skipper, a tween girl designed to represent youthful and creativity in animation. Star Skipper, who skips stones across a river to activate the stars around the mountain, embodies the wonder of animated worlds, differentiating the division from Paramount's live-action branding. The logo and Star Skipper were designed by Christopher Zibach, a lead visual development artist previously at , where he contributed to . The animation was produced by creative agency ATK PLN in collaboration with Reel FX Creative Studios, ensuring a polished, cinematic reveal that plays before Paramount Animation's feature films starting with Rumble in 2021. Visually, the branding maintains a primary color palette for the circular frame, accented by shimmering white and silver tones for the mountain and stars, which convey prestige and enchantment without deviating from Paramount's established identity. This visual identity emphasizes conceptual themes of exploration and magic, using the mascot to infuse energy into the static mountain symbol, thereby signaling family-friendly, imaginative content. As of 2025, no major redesigns have occurred, with the 2019 logo continuing to serve as the division's hallmark, appearing consistently across trailers, credits, and promotional materials to reinforce brand recognition in the competitive animation landscape.

Filmography

Released Feature Films

Paramount Animation's released feature films encompass a mix of theatrical and streaming titles, primarily family-oriented animated adventures that leverage franchises from the Paramount and libraries, as well as original stories. Since its first production in 2015, the studio has emphasized CGI animation with occasional hybrid elements, collaborating frequently with and external partners like for distribution. These films have varied in commercial success, with franchise entries like the SpongeBob series and PAW Patrol achieving strong performance, while originals have targeted streaming platforms for broader accessibility. The studio's inaugural release, The SpongeBob Movie: Sponge Out of Water, marked Paramount Animation's entry into feature production with a live-action/CGI hybrid format, directed by Mike Mitchell and Paul Tibbitt, blending underwater antics with surface-world adventures and grossing $325.2 million worldwide. Subsequent entries expanded into fully animated fare, including The SpongeBob Movie: Sponge on the Run (2020), directed by Tim Hill, which followed SpongeBob's quest to rescue Gary and was released on Netflix internationally while premiering on Paramount+ in the U.S., earning praise for its vibrant animation amid the pandemic-era shift to streaming. In 2021, Paramount Animation delivered PAW Patrol: The Movie, directed by , adapting the popular preschool series into a theatrical CGI feature about the pups saving , which grossed $144 million globally and solidified the studio's franchise adaptation strategy. The same year saw Rumble, directed by Ham Tran, a fully animated sports comedy featuring monster wrestling voiced by and others, released on Paramount+ after a COVID delay, highlighting the studio's exploration of original concepts with diverse voice talent. , a live-action/CGI hybrid directed by , adapted the classic children's book with voicing the titular pup, grossing $116.6 million worldwide and demonstrating the studio's hybrid production capabilities. The 2023 slate included Teenage Mutant Ninja Turtles: Mutant Mayhem, directed by Jeff Rowe, a stylized CGI with a teen-focused narrative and voices by and others, which earned $181.8 million at the and critical acclaim for its fresh animation style. Also in 2023, PAW Patrol: The Mighty Movie, directed by Jamie Whitney, continued the franchise with the pups gaining superpowers, grossing $205.1 million worldwide and reinforcing Paramount Animation's reliance on established IP for commercial viability. (2023), directed by David Soren, was a direct-to-Paramount+ musical romance about anthropomorphic crabs, emphasizing the studio's push into diverse, inclusive storytelling for streaming audiences. In 2024, , directed by Xian Gao and , adapted Barry Deutsch's with voices by and , focusing on a boy's magical journey and streamed on , noted for its cultural representation in animation. Transformers One, directed by , offered an animated origin story for and voiced by and , grossing $129.4 million theatrically and praised for revitalizing the franchise through animation. By mid-2025, The Smurfs Movie, directed by with voicing in a musical adaptation, was released theatrically on February 14, 2025 (international) and July 18, 2025 (U.S.), grossing $124.2 million with its pop-infused take on the classic characters. Later in 2025, The SpongeBob Movie: Search for SquarePants, the fourth installment in the animated franchise, was directed by Derek Drymon and produced in association with Nickelodeon Movies. The film follows SpongeBob, desperate to prove his bravery to Mr. Krabs, as he embarks on an epic quest with the ghost pirate the Flying Dutchman to the deepest depths of the deep sea, featuring voices including Tom Kenny as SpongeBob, Bill Fagerbakke as Patrick, and Mark Hamill. It was released theatrically on December 19, 2025.
TitleU.S. Release DateDirector(s)FormatWorldwide Gross (if applicable)
The SpongeBob Movie: Sponge Out of WaterFebruary 6, 2015Mike Mitchell, Live-action/CGI hybrid$325.2 million
The SpongeBob Movie: Sponge on the RunMarch 22, 2020 (VOD); August 22, 2020 (international theatrical)Tim HillCGIN/A (streaming primary)
PAW Patrol: The MovieAugust 20, 2021CGI$144 million
RumbleDecember 15, 2021 (Paramount+)Ham TranCGIN/A (streaming)
November 10, 2021Live-action/CGI hybrid$116.6 million
Teenage Mutant Ninja Turtles: Mutant MayhemAugust 2, 2023Jeff RoweCGI$181.8 million
PAW Patrol: The Mighty MovieSeptember 29, 2023Jamie WhitneyCGI$205.1 million
Under the November 10, 2023 (Paramount+)David SorenCGIN/A (streaming)
The Tiger's ApprenticeMarch 8, 2024 ()Xian Gao, CGIN/A (streaming)
Transformers OneSeptember 20, 2024CGI$129.4 million
The Smurfs MovieJuly 18, 2025CGI$124.2 million
The SpongeBob Movie: Search for SquarePantsDecember 19, 2025Derek DrymonCGIN/A (as of release)

Upcoming Feature Films

Paramount Animation's upcoming feature films slate, as of December 2025, emphasizes sequels to established franchises, aiming to capitalize on family-oriented with a mix of adventure, comedy, and action elements. The division has scheduled several high-profile releases through 2027, including continuations of beloved properties and licensed brands, produced in collaboration with partners like and Rovio. These projects reflect the studio's focus on CG techniques to deliver visually dynamic for theatrical audiences. The nearest release is PAW Patrol: The Dino Movie, directed by , arriving on August 14, 2026 after a series of date adjustments from its original July slot. This third feature in the PAW Patrol series transports the pup heroes to a prehistoric world filled with dinosaurs, voiced by stars including , , and , emphasizing themes of teamwork and exploration for young viewers. Co-produced with Entertainment, the film builds on the franchise's success in blending education with . The Legend of Aang: The Last Airbender, directed by Steve Ahn, William Mata, and , is slated for October 9, 2026. This original animated feature adapts elements from the acclaimed series, centering on 's journey as the Avatar in a bending-filled world, with voicing a key antagonist. Delayed from an earlier date to allow for enhanced production quality, it marks Paramount Animation's return to the epic fantasy genre. Rounding out 2026 is The Angry Birds Movie 3, directed by John Rice, set for December 23 after moving up from a 2027 slot. The sequel to the features returning voices like and , joined by newcomers and Salish Matter, in a holiday-timed story of bird-pig rivalry escalating to new heights. Produced with Rovio and , it promises expanded action sequences and humor tailored for broad appeal. Looking further ahead, Teenage Mutant Ninja Turtles: Mutant Mayhem 2, directed by Jeff Rowe, is scheduled for September 17, 2027, following a delay from 2026 to refine its teen-focused narrative and animation style. The sequel expands on the 2023 hit's success, with the turtle brothers facing intensified threats, voiced again by Micah Abbey, Shamon Brown Jr., and others, while producer returns to guide the irreverent tone. This project underscores Paramount Animation's commitment to evolving its superhero lineup.
TitleRelease DateDirector(s)Key Production Notes
PAW Patrol: The Dino MovieAugust 14, 2026Third PAW Patrol film; co-production.
The Legend of : The Last AirbenderOctober 9, 2026Steve Ahn, William Mata, Original Avatar adaptation; delayed for quality enhancements.
The Movie 3December 23, 2026John RiceThird installment; Rovio and co-production.
Teenage Turtles: Mayhem 2, 2027Jeff RoweSequel to 2023 hit; delayed from 2026.

Projects in Development

Paramount Animation maintains an active pipeline of original animated feature films in various stages of early development, emphasizing diverse genres from sci-fi comedies to musical adaptations and family adventures. As of November 2025, the studio's development slate reflects a focus on innovative storytelling, often in collaboration with high-profile producers and based on popular books or concepts. These projects are overseen by the division's , with an eye toward expanding the studio's portfolio beyond established franchises. As of November 2025, the slate remains active with no major cancellations announced post-Skydance merger. One prominent project is Dropz, an original animated film produced by Bad Bunny and Will Ferrell, described by Paramount Animation president Ramsey Naito as an "extraordinary" story blending humor and heart for family audiences. The film is being developed as a potential tentpole, highlighting the studio's interest in star-driven . Another key development is Once Upon a Motorcycle Dude, a fairytale subversion co-produced by Karen Rosenfelt and based on Kevin O'Malley's book Once Upon a Cool Motorcycle Dude. The story follows a teaming up with a post-apocalyptic rider, positioning it as a "fairytale disrupter" aimed at young viewers with action and wit. In the sci-fi genre, Muttnik explores a comedic tale of a puppy launched into space who evolves into a rogue bandit and confronts his abandoning , produced by Ron Howard's . This project underscores Paramount's push into space-themed adventures. Swan Lake reimagines the classic and in a modern animated format, with screenwriter Kourtney Kang () penning the script and producing. It draws from the iconic narrative while updating themes for contemporary audiences. Additional collaborations with Ryan Reynolds' Maximum Effort include I Eat Poop: A Dung Beetle Story, a humorous take on an unlikely hero, alongside Boy Band, Starter Villain, Eloise (an adaptation of the beloved children's books), Reality Vice, and an untitled conspiracy thriller, all in early script stages to broaden the studio's original content. Further projects encompass Real Pigeons Fight Crime, adapting Andrew McDonald's book series about avian superheroes, with James Corden attached as producer following its initial Nickelodeon series announcement; Superworld, based on Blake Howard's fantasy book series about a hidden magical realm; an untitled K-pop musical starring Ji-young Yoo and Eric Nam; and C.O.S.M.O.S., a children's sci-fi adventure from Tom Wheeler's forthcoming book series, optioned for its weird-science elements. These developments signal Paramount Animation's strategy to diversify its output, prioritizing book adaptations and genre blends while navigating post-merger transitions under Skydance, with no confirmed release dates yet assigned.

Additional Productions

Paramount Animation's feature films frequently draw from or expand upon established animated television franchises developed by , a sister division under that specializes in TV series and specials. These related projects form a interconnected ecosystem, where successful TV shows often lead to theatrical adaptations, enhancing brand synergy across platforms like and . This collaboration allows for shared creative resources, character development, and audience building, with Nickelodeon Animation handling episodic content while Paramount Animation focuses on big-screen storytelling. One of the most prominent examples is , a long-running animated series created by and produced by since its 1999 debut on . The show follows the adventures of the optimistic sea sponge SpongeBob and his friends in Bikini Bottom, blending humor and absurdity for all ages; it has aired over 310 episodes across 16 seasons as of November 2025 and remains a cornerstone of Nickelodeon programming. This series has directly inspired multiple Paramount Animation feature films, including The SpongeBob Movie: Sponge Out of Water (2015) and The SpongeBob Movie: Sponge on the Run (2020), which incorporate TV characters and lore while introducing new cinematic elements. Spin-off series like Kamp Koral: SpongeBob's Under Years (2021–present), a exploring young SpongeBob at camp, further extend the universe on Paramount+, with potential for additional film tie-ins. Another key franchise is PAW Patrol, an animated preschool series launched in 2013 by Entertainment and animated by in association with . Centered on a team of rescue pups led by a boy named , the show emphasizes , problem-solving, and emergency response, amassing over 280 episodes across eleven seasons as of November 2025 and becoming a global phenomenon with merchandise exceeding $15 billion in sales. Its transition to features includes PAW Patrol: The Movie (2021), co-produced by Paramount Animation, , and , which grossed $142 million worldwide and introduced upgraded animation techniques for theatrical viewing. The sequel, PAW Patrol: The Mighty Movie (2023), continued this momentum, earning $201.7 million globally and featuring superhero-themed episodes that mirror ongoing TV storylines. An upcoming third film, PAW Patrol: The Dino Movie, is slated for 2026, underscoring the franchise's enduring crossover appeal. The Teenage Mutant Ninja Turtles , rebooted as Rise of the Teenage Mutant Ninja Turtles (2018–2020) and followed by Tales of the Teenage Mutant Ninja Turtles (2024–present) on Paramount+, exemplifies action-oriented TV animation produced by . These shows reimagine the turtle brothers—Leonardo, Raphael, , and —as mystical warriors battling urban threats, with the latter series comprising 12 episodes that build on and film lore. This foundation supported Paramount Animation's Teenage Mutant Ninja Turtles: Mutant Mayhem (2023), a hybrid 2D/3D film that grossed $182 million and revitalized the property for modern audiences through TV-familiar character dynamics. Additional related projects include revivals like the CG-animated series (2021–present), which updates the 1990s original about infant adventures and has spawned a Paramount Animation , (2021), blending nostalgia with new episodes. Similarly, (2016–present), a slice-of-life comedy about a boy in a large family, has produced specials and shorts that align with Paramount's family-focused animation slate. These TV efforts, often streamed on Paramount+, not only sustain viewer engagement but also provide testing grounds for concepts that evolve into feature-length narratives.

Short Films and Specials

Paramount Animation has primarily focused on feature-length productions since its establishment in , but it has ventured into short films as companion pieces to its theatrical releases, often expanding universes from popular franchises. These serve to bridge narratives between films and upcoming series or sequels, leveraging the studio's partnerships with and other ViacomCBS entities. While TV specials are not a core output, the division's emphasize high-energy styles and character-driven adventures tailored for family audiences. In 2023, Paramount Animation distributed Dora and the Fantastical Creatures, a 5-minute produced by , which premiered exclusively in theaters ahead of PAW Patrol: The Mighty Movie. The short follows Dora as she embarks on a quest through a magical forest to befriend fantastical creatures, introducing a refreshed visual style for the character's revival and teasing her new slated for 2024 on Paramount+. Directed by Kaan Orhan, it features the voices of returning stars like and introduces new elements like hybrid techniques blending 2D and 3D for vibrant, exploratory storytelling. This marked Dora's first big-screen appearance in form, emphasizing themes of curiosity and friendship while aligning with Paramount's family entertainment strategy. Building on the success of Teenage Mutant Ninja Turtles: Mutant Mayhem (2023), Paramount Animation released Teenage Mutant Ninja Turtles: Chrome Alone 2 – Lost in in 2025, a 7-minute theatrical short directed by Kent Seki that played before The SpongeBob Movie: Search for SquarePants starting December 19. Set in the Mutant Mayhem universe, the short riffs on as the Turtles—voiced by Micah Abbey, Shamon Brown Jr., Hagen Butler, and —investigate a shady toy company exploiting their fame, leading to chaotic antics across New Jersey landmarks. Produced with a focus on the film's signature cel-shaded, graffiti-inspired aesthetic, it expands the brothers' post-hero dynamics and sets up elements for the upcoming Mutant Mayhem sequel, Mutants Unleashed, while highlighting themes of celebrity and . The project underscores Paramount Animation's commitment to franchise continuity through bite-sized, action-packed extensions.

Unproduced Projects

Cancelled Feature Films

Paramount Animation has announced a number of feature-length animated projects since its in that failed to materialize, often due to shifts in studio leadership, creative challenges, or strategic priorities. These cancellations reflect the volatile nature of animation development, where early-stage pitches and scripts may not advance amid broader industry changes. The New Kid was one of the studio's earliest announced projects. In June , Paramount acquired the rights to adapt a one-off by creators and into an animated feature. The story centers on a young boy navigating adolescence after his family relocates to a distant planet for his father's interstellar job, blending humor with themes of alienation and belonging. Screenwriter , known for his work on , was attached to pen the script, with the film positioned as a key launch title for the newly formed animation division. Despite initial momentum, the project stalled and was ultimately cancelled without entering production. Another early casualty was Shedd (initially titled Fin), revealed in January 2014 as an original animated adventure. Directed by John Kahrs, an Academy Award winner for his Disney short , the film featured a script by Tripper Clancy and followed an undersea narrative involving a young fish's journey of self-discovery. Paramount highlighted Kahrs' expertise in blending emotional storytelling with innovative animation techniques. However, the project did not progress beyond script development and was shelved, marking an early setback for the studio's ambitions in original IP. In October 2015, Paramount Animation picked up an untitled sci-fi pitch from screenwriter David Frigerio, co-writer of the thriller The Signal. Described as a space adventure tonally akin to Pixar's but featuring sentient machines in a cosmic environment, the concept aimed to capture high-stakes action with relatable character arcs. Frigerio's sale underscored the studio's interest in genre-blending for broad audiences. The project remained in early development and was later abandoned without further updates. Giant Monsters Attack Japan originated as a live-action concept in 2006 from South Park creators Trey Parker and Matt Stone under Nickelodeon Movies but transitioned to an animated feature at Paramount Animation around 2015. The satirical story depicted colossal monsters rampaging through Tokyo, poking fun at kaiju tropes with over-the-top humor and visual spectacle. Parker and Stone were set to produce, drawing on their experience with irreverent animation. Despite periodic revivals in development talks, the film was never greenlit for production and faded from active pursuit by the late 2010s. , announced in September 2011, was an adaptation of the children's book series by Parry Heide and . was attached to direct and produce through , with a script by the . The story follows a boy who shrinks after playing a , exploring themes of and . Despite early development, the project entered limbo and remains unproduced as of November 2025. Mosquito, pitched in 2015 by Jordan Roberts, was an original animated film about a boy who discovers he can talk to . The project advanced to script stage but was cancelled amid changes, with no further developments reported.

Inactive or Shelved Developments

Several projects announced by Paramount Animation have stalled without further development or release, entering inactive status after initial announcements. One such development is Bodacious, an animated feature centered on the infamous of the same name known for its exploits in the and . In October 2015, comedian was attached to develop and produce the film through his production company, with Paramount Animation overseeing the project as a family-oriented animated story exploring the bull's adventures. No script details, directors, or release timelines were publicly advanced beyond the initial pitch, and the project has seen no updates since its announcement as of November 2025. In June 2016, Paramount Animation announced The Flamingo Affair, an animated comedy co-produced with ' Bad Robot Productions and scripted by Pamela Pettler, known for Monster House. The story was envisioned as a heist tale set in featuring anthropomorphic flamingos pulling off a casino caper, with Abrams producing and potentially directing to infuse high-stakes action with whimsical . The project generated early buzz for its unconventional premise but progressed no further, with no casting, attachments, or release plans emerging afterward as of November 2025. A more recent shelved development is an untitled animated movie, revealed in June 2019 as part of Paramount Animation's expanded slate under then-president Mireille Soria. The film was pitched as a adventure reuniting all five original members—, , , , and —in animated form, complete with new music and nods to their 1990s pop legacy. Produced by and written by and Kirsten Smith (), it aimed to empower themes through the group's iconic personas transformed into heroic archetypes. Although the band expressed enthusiasm and early story outlines were discussed, the project stalled amid executive changes at Paramount and shifting animation priorities, with no production advancements reported by November 2025.

Reception and Impact

Box Office Performance

Paramount Animation's released feature films have collectively grossed over $1.26 billion at the worldwide as of late 2024. This total reflects a mix of franchise-driven successes and standalone efforts, with strong international performance often bolstering domestic earnings. The studio's output, primarily family-oriented animated and hybrid features, has demonstrated profitability on modest-to-midrange budgets, though results vary due to market conditions such as the . The highest-grossing release remains The SpongeBob Movie: Sponge Out of Water (2015), which earned $325.2 million worldwide against a $74 million budget, capitalizing on the enduring appeal of the franchise. More recent hits include PAW Patrol: The Mighty Movie (2023), grossing $201.7 million globally on a $30 million budget, and Teenage Mutant Ninja Turtles: Mutant Mayhem (2023), which achieved $180.3 million worldwide from an estimated $70 million production cost. These films highlight Paramount Animation's strength in leveraging licensed IP for broad audience appeal, particularly among younger demographics. Challenges emerged during the , exemplified by The SpongeBob Movie: Sponge on the Run (2020), which managed only $4.8 million worldwide due to limited theatrical releases and a pivot to streaming. In contrast, post-pandemic recoveries like PAW Patrol: The Movie (2021) at $143.6 million underscored the resilience of preschool-targeted . (2024), the studio's most recent release, grossed $128.7 million worldwide on a $75 million budget, performing solidly in international markets despite a softer domestic opening. Overall, Paramount Animation's track record emphasizes efficient production and IP synergy, with average returns exceeding budgets by 2-3 times for top performers.
RankTitle (Year)Worldwide GrossBudget
1The SpongeBob Movie: Sponge Out of Water (2015)$325.2 million$74 million
2PAW Patrol: The Mighty Movie (2023)$201.7 million$30 million
3Teenage Mutant Ninja Turtles: Mutant Mayhem (2023)$180.3 million$70 million
4PAW Patrol: The Movie (2021)$143.6 million$26 million
5Transformers One (2024)$128.7 million$75 million

Critical and Audience Response

Paramount Animation's output has elicited a mixed critical response since its inception, with early entries often lauded for bold and visual flair, while later in the mid-2010s faced for formulaic plots and uneven execution. reception has generally been more forgiving, particularly for family-oriented titles that emphasize humor and , though some have divided viewers on their tonal shifts or deviations from source material. The studio's debut film, The SpongeBob Movie: Sponge Out of Water (2015), was appreciated for its meta-humor and live-action segments, though some found the plot meandering. In contrast, Monster Trucks (2016), (2018), and (2019) drew rebukes for predictable narratives and underdeveloped characters, with reviewers noting the latter's mishandling of grief themes amid production controversies. , a to the series, was particularly panned for its cluttered animation and strained celebrity voices, including those of and . SpongeBob franchise installments have shown variability: The SpongeBob Movie: Sponge Out of Water (2015) was appreciated for its meta-humor and live-action segments, though some found the plot meandering, while The SpongeBob Movie: Sponge on the Run (2020) received lukewarm praise for nostalgic callbacks but criticism for feeling like an extended TV episode amid its pandemic-era release. Recent releases mark a resurgence, with Teenage Mutant Ninja Turtles: Mutant Mayhem (2023) celebrated for its fresh, graffiti-inspired visuals, youthful voice cast, and irreverent tone that appealed across generations. Similarly, Transformers One (2024), focusing on the origins of and , was commended for its emotional depth, dynamic action, and avoidance of franchise stereotypes, marking the highest-rated Transformers film to date. PAW Patrol films, such as The Movie (2021) and The Mighty Movie (2023), have been viewed positively by young audiences for their empowering messages and vibrant energy, though critics often describe them as competent but unremarkable preschool fare.
FilmYearCritic Score (%)Audience Score (%)
The SpongeBob Movie: Sponge Out of Water20158054
Monster Trucks20163247
20182836
20192852
The SpongeBob Movie: Sponge on the Run20206673
PAW Patrol: The Movie20218290
Teenage Mutant Ninja Turtles: Mutant Mayhem20239598
PAW Patrol: The Mighty Movie20237292
Transformers One20248998
Overall, the studio's trajectory reflects a shift toward more diverse partnerships and styles, leading to stronger recent acclaim that underscores its growing reputation in the competitive landscape. Audience scores frequently outpace critics for kid-centric films, highlighting their appeal to families despite occasional narrative critiques.

Awards and Recognition

Subsequent releases from Paramount Animation have earned nominations across various industry awards, particularly in family-oriented categories. The SpongeBob SquarePants franchise films, including The SpongeBob Movie: Sponge Out of Water (2015) and The SpongeBob Movie: Sponge on the Run (2020), each received nominations for Favorite Animated Movie at the Kids' Choice Awards, reflecting their popularity with younger audiences. Sponge on the Run further earned a Visual Effects Society Award nomination for Outstanding Animated Character in an Animated Feature. More recent productions have continued this trend of recognition in animation-specific honors. PAW Patrol: The Movie (2021) won a Canadian Screen Award for Achievement in Sound Editing – Animation and was nominated for Favorite Animated Movie at the . Teenage Mutant Ninja Turtles: Mutant Mayhem (2023) secured nominations at the 51st for Best General Audience Animated Feature and Best Storyboarding in a Feature Production, as well as a Critics' Choice Award nomination for Best Animated Feature. Transformers One (2024) received nominations at the 23rd Awards for Outstanding Visual Effects in an Animated Feature and Outstanding Modeled Character in an Animated Feature, as well as nominations for Favorite Animated Movie and voice acting categories at the 2025 Kids' Choice Awards. Additionally, (2024) was nominated for Outstanding Animated Special at the 3rd Annual .
FilmNotable Awards and Nominations
The SpongeBob Movie: Sponge Out of Water (2015)Kids' Choice Award for Favorite Animated Movie (Nomination)
The SpongeBob Movie: Sponge on the Run (2020)Kids' Choice Award for Favorite Animated Movie (Nomination); Visual Effects Society Award for Outstanding Animated Character (Nomination)
PAW Patrol: The Movie (2021)Canadian Screen Award for Achievement in Sound Editing – Animation (Win); Kids' Choice Award for Favorite Animated Movie (Nomination)
Teenage Mutant Ninja Turtles: Mutant Mayhem (2023)Annie Award for Best General Audience Animated Feature (Nomination); Critics' Choice Award for Best Animated Feature (Nomination)
Transformers One (2024) Award for Outstanding Visual Effects in an Animated Feature (Nomination); Kids' Choice Award for Favorite Animated Movie (Nomination)
(2024)Children's & Family Emmy Award for Outstanding Animated Special (Nomination)
These accolades underscore Paramount Animation's contributions to family entertainment, with a focus on innovative and that appeal to both critical and audience acclaim.

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  98. https://deadline.com/2025/07/k-pop-movie-paramount-ji-young-yoo-eric-nam-1236465127/
  99. https://www.hollywoodreporter.com/movies/movie-news/paramount-animation-tom-wheeler-team-for-weird-science-adventure-c-o-s-m-o-s-exclusive-4120442/
  100. https://variety.com/2022/tv/features/nickelodeon-animation-monster-high-1235388967/
  101. https://variety.com/2023/tv/focus/nickelodeon-animation-spongebob-rugrats-25th-anniversary-1235666531/
  102. https://variety.com/2022/tv/news/spongebob-squarepants-spinoff-movies-dora-the-explorer-live-action-series-paramount-plus-1235182693/
  103. https://www.paramountpressexpress.com/nickelodeon/shows/paw-patrol/releases/?view=104533-paw-patrol-animated-motion-picture-from-spin-master-and-nickelodeon-movies-with-paramount-pictures-distributing-set-for-august-2021-release
  104. https://time.com/7221756/paw-patrol-tv-merchandising/
  105. https://www.the-numbers.com/movie/Paw-Patrol-The-Mighty-Movie-(2023)
  106. https://variety.com/2023/film/news/paramount-nickelodeon-animation-ramsey-naito-teenage-mutant-ninja-turtles-spongebob-squarepants-original-movies-1235681356/
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  119. https://www.tracking-board.com/j-j-abrams-spreads-his-wings-with-animated-comedy-the-flamingo-affair-at-paramount-exclusive/
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  125. https://www.boxofficemojo.com/title/tt11832046/#tab=summary
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  127. https://www.rottentomatoes.com/m/monster_trucks_2017
  128. https://www.rottentomatoes.com/m/sherlock_gnomes
  129. https://www.rottentomatoes.com/m/wonder_park
  130. https://www.rottentomatoes.com/m/the_spongebob_movie_sponge_on_the_run
  131. https://www.rottentomatoes.com/m/teenage_mutant_ninja_turtles_mutant_mayhem
  132. https://www.rottentomatoes.com/m/paw_patrol_the_movie
  133. https://www.rottentomatoes.com/m/paw_patrol_the_mighty_movie
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