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Only the Valiant
Only the Valiant
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Only the Valiant
Directed byGordon Douglas
Written byCharles Marquis Warren (novel)
Screenplay byEdmund H. North
Harry Brown
Produced byWilliam Cagney
StarringGregory Peck
Barbara Payton
Ward Bond
CinematographyLionel Lindon
Edited byWalter Hannemann
Robert S. Seiter
Music byFranz Waxman
Color processBlack and white
Production
company
William Cagney Productions
Distributed byWarner Bros.
Release date
  • April 21, 1951 (1951-04-21)
Running time
105 minutes
CountryUnited States
LanguageEnglish
Budget$1,499,000[1]
Box office$3,085,000[1]
$2 million (US rentals)[2]

Only the Valiant, also known as Fort Invincible, is a 1951 American Western film produced by William Cagney (younger brother of James Cagney), directed by Gordon Douglas and starring Gregory Peck, Barbara Payton, and Ward Bond. The screenplay was written by Edmund H. North and Harry Brown, based on the 1943 novel of the same name by Charles Marquis Warren.[3]

Gregory Peck, in a role he considered a low point of his career,[4] plays Captain Richard Lance, a by-the-book West Point graduate who is not very popular with the men under his command.

Plot

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Following the American Civil War, peace is maintained in the New Mexico Territory by Fort Invincible, a fortification set up outside a mountain pass that blocks marauding bands of Apache. The Apache are able to eventually take the fort by cutting off its water supply, then assaulting the fort when its garrison is at its weakest and killing all the defenders.

Captain Richard Lance arrives with a patrol soon after the battle and captures Tucsos, the charismatic leader of the Apache. Lance's scout advises the captain to kill Tucsos, but Lance will not shoot a prisoner.

Back at the headquarters of the 5th Cavalry, the invalid commanding officer orders Lance to assign an officer to command an escort to take Tucsos to a larger post. Lance decides to lead the patrol himself, but at the last minute, the colonel says he needs Lance to stay at the fort in case of an Apache attack, and orders him to assign another (but more popular) officer, Lieutenant Holloway, to lead the small group of men escorting Tucsos. Lieutenant Holloway ends up dead and the Apache free Tucsos. The men at the fort blame Captain Lance, unaware of the colonel's order. They believe that his decision to assign Lieutenant Holloway to the dangerous mission was for a personal reason (both officers were vying for the affection of Cathy Eversham, an officer's daughter). Cathy Eversham believes it too, and bitterly breaks up with him.

Lance's standing with the soldiers at the fort only gets worse when he assembles a group of misfit cavalrymen to hold off the rampaging Indians at the ruins of Fort Invincible, which is considered a suicide mission.

Cast

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Production

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In 1950, David O. Selznick was struggling financially so he loaned Gregory Peck to Warner Bros for $150,000. His co-star Barbara Payton was paid $10,000 per week for her leading role. The film was shot on location in New Mexico and Peck and Payton had a brief affair on set.[5]

Reception

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According to Warner Bros accounts, the film earned $1,796,000 domestically and $1,630,000 foreign.[1]

Time Out said "The often brutal physical confrontations show the kind of edge [the director] could deliver when he put his mind to it, and a sinewy, unsympathetic Peck impresses."[6] Leonard Maltin says it is "unusually brutal."[7] In a review of the 2013 Blu-ray release, Creative Loafing assessed that "This middling Western isn't awful so much as it's awfully indifferent." The reviewer cited a routine and largely nonsensical plot, but praised the fun supporting performances from Ward Bond and Lon Chaney Jr., and gave the film two stars.[4]

See also

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References

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Further reading

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Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
Only the Valiant is a American directed by Gordon Douglas, starring as Captain Richard Lance, a who leads a reluctant group of soldiers to defend a remote fort against an assault in post-Civil War . The story, adapted from Charles Marquis Warren's 1943 novel of the same name, follows Lance as he seeks to redeem himself after being blamed for the death of a beloved during a tense escort mission involving Apache leader Tucsos. Produced by under Cagney Productions and distributed by , the film features a supporting cast including as Lance's love interest, , , and , with a screenplay by and Harry Brown. Filmed on location in , it runs 105 minutes in black-and-white with mono sound, highlighted by Franz Waxman's score and Lionel Lindon's cinematography that captures the harsh desert landscapes. Released on April 21, , the movie explores themes of , redemption, and frontier conflict, earning mixed reviews for its intense action sequences and Peck's stoic performance, though some critics noted pacing issues.

Overview

Plot Summary

Set in the shortly after the , Only the Valiant opens with Captain Richard Lance leading a cavalry patrol that discovers the burned ruins of Fort Invincible and captures the leader Tucsos following a raid. Despite scout Joe Harmony's urging to execute the prisoner on the spot, Lance insists on escorting Tucsos to Fort Winston for proper trial, showcasing his adherence to military protocol. Upon arrival, Colonel Drumm, suffering from illness, initially assigns Lance to transport Tucsos to Fort Grant but reassigns the duty to the more popular Lieutenant William Holloway due to Lance's reputation for strict discipline. Lance's fiancée, Cathy Eversham, who harbors feelings for Holloway, joins the escort party, heightening personal tensions. During the journey, Apaches ambush the convoy, resulting in Holloway's death and Tucsos's escape amid the chaos. Lance's troops and Cathy unjustly blame him for prioritizing procedure over safety, eroding his authority and leaving him isolated. With Tucsos poised to lead a massive Apache force through the strategic pass guarded by the now-abandoned Fort Invincible, Lance volunteers for the perilous mission to reoccupy and defend it, buying time for reinforcements from Fort Winston. He assembles a ragtag volunteer unit of misfits and malcontents, including the resentful Sergeant Ben Murdock, Corporal Timothy Gilchrist, and Trooper Joe Harmony, who view the assignment as suicidal and harbor deep animosity toward their commander. As the group fortifies the dilapidated outpost, internal conflicts erupt, with several men attempting and even against amid dwindling supplies and morale. The s, under Tucsos's command, launch a relentless and coordinated assaults that claim lives among the defenders, including betrayals and heroic sacrifices from key group members like Murdock and Gilchrist. 's resolute leadership gradually earns the survivors' respect, forging unity as they repel wave after wave of attacks in the narrow pass. The turning point arrives with the delayed relief column, armed with a , which routs the forces; in the final confrontation, personally slays Tucsos, securing victory and his redemption. Running 105 minutes, the black-and-white film employs stark to underscore the claustrophobic tension and gritty action of the siege sequences.

Themes and Motifs

Only the Valiant explores themes of redemption and under duress through the character of Captain Richard Lance, a strict disciplinarian portrayed as an anti-hero who earns his troops' respect only after enduring and . Lance's arc centers on redeeming his reputation after being blamed for a fellow officer's death, compelling him to lead a ragtag group of misfits in a desperate mission that tests his competence amid resentment from his men. The film underscores the cost of duty in frontier conflicts, depicting Lance's adherence to military protocol as a source of isolation, where personal relationships yield to the harsh demands of command, ultimately highlighting the toll of unwavering responsibility in a lawless borderland. Recurring motifs amplify these themes, with isolation and the siege of Fort Invincible serving as metaphors for personal and military sacrifice, as Lance's small unit holds a narrow against overwhelming odds, symbolizing the futility and heroism of such stands. The Apaches, led by the cunning chief Tucsos, are portrayed as formidable adversaries rather than mere stereotypes, emphasizing the raw brutality of warfare through relentless attacks that force the defenders into primal survival mode. Internal divisions within the troop, fueled by and interpersonal violence, mirror the broader tensions of the post-Civil War era, where lingering animosities exacerbate the chaos of frontier skirmishes. Stylistically, the black-and-white employs shadows and confined spaces to heighten a sense of , transforming the abandoned fort into a gothic trap that intensifies the psychological strain on the characters. This approach creates an atmosphere of unrelenting dread, with lantern-lit darkness and tight framing underscoring the men's descent into despair during the . Unlike lighter siege Westerns such as Rio Bravo, Only the Valiant maintains a darker tone, eschewing camaraderie for grim and focusing on the horror-like erosion of morale under pressure.

Cast and Characters

Principal Cast

Gregory Peck stars as Captain Richard Lance, the stern and by-the-book commander of a U.S. Cavalry unit who is initially despised by his troops for his rigid adherence to orders and unfairly blamed for the death of a popular lieutenant during an Apache raid. Throughout the film, Lance's character undergoes a redemption arc, evolving from an isolated and resented leader to one who earns the respect of his men through demonstrated valor in defending a strategic pass against overwhelming odds. Peck, already an established leading man in Westerns following roles in films like The Gunfighter (1950), took on the part as a follow-up to his against-type performance in Duel in the Sun (1946), though he later regarded Only the Valiant as one of the low points of his career due to its script and execution. Barbara Payton portrays Cathy Eversham, Lance's conflicted romantic interest and the former fiancée of the deceased lieutenant, whose emotional turmoil adds personal stakes to the captain's isolation as she initially shares the men's resentment toward him. Eversham's role underscores the interpersonal costs of military duty, highlighting the tension between duty and personal relationships amid the frontier conflict. At the time of filming, Payton was an emerging star whose career had gained momentum with supporting roles in films like Dallas (1950), positioning Only the Valiant as a key opportunity before personal scandals derailed her Hollywood trajectory later in 1951. Ward Bond plays Corporal Timothy Gilchrist, a gruff and reliable subordinate who embodies loyalty tinged with resentment, providing comic relief through his stereotypical Irish demeanor and occasional bouts of drunkenness while remaining steadfast during moments of potential mutiny. Gilchrist's character contributes to the film's depiction of unit dynamics, serving as a foil to Lance's formality with his earthy pragmatism and unwavering support in crisis. Bond, a prolific character actor known for his work in John Ford Westerns, brought his signature robustness to the role, enhancing the ensemble's authenticity as frontier soldiers.

Supporting Roles

Gig Young plays Lt. William Holloway, an idealistic junior officer and romantic rival to Captain Lance, whose leadership of a prisoner escort results in his death during an Apache ambush, galvanizing the troops' resentment toward Lance and emphasizing sacrificial heroism within the command structure. portrays Joe Harmony, the grizzled scout whose streetwise counsel on Apache tactics and sardonic exchanges with fellow soldiers inject , easing the mounting strain of the fort's isolation. Lon Chaney Jr. embodies Trooper Kebussyan, a rugged enlisted man whose boisterous, tough-guy demeanor adds levity through banter while highlighting the raw survival instincts of the rank-and-file during the prolonged defense. Neville Brand depicts Sgt. Ben Murdock, a bitter harboring a grudge against Lance for past slights, whose simmering hostility erupts into a near-mutinous scheme that amplifies internal divisions amid the external . Michael Ansara's Tucsos serves as the formidable chieftain, a captured whose escape sparks coordinated raids marked by strategic ambushes and , intensifying the volunteers' desperation. Complementing these are Dan Riss as Lt. Jerry Winters, a steadfast subordinate aiding logistical efforts, and Hugh Sanders as Capt. Eversham, the officer whose orders frame the mission's stakes while linking to personal subplots through his . The supporting ensemble, encompassing more than ten named troopers including Steve Brodie's Trooper Onstot and Warner Anderson's Trooper Rutledge, fosters a vivid sense of a mismatched unit—comprising resentful veterans, reluctant draftees, and opportunistic scouts—whose clashing personalities generate friction, from verbal sparring to crises, ultimately forging tension and realism in the portrayal of a hastily assembled force holding against overwhelming odds. appears uncredited as a .

Production

Development and Pre-Production

The development of Only the Valiant originated from the 1943 novel of the same name by Charles Marquis Warren, which Warner Bros. Pictures adapted into a screenplay for the screen. In 1947, the project was initially announced in the Los Angeles Examiner as a vehicle for James Cagney, intended to reunite him with members of the cast from the 1948 film The Time of Your Life, though ultimately only Ward Bond from that ensemble appeared in the final production. The screenplay was written by and Harry Brown, adapting Warren's novel into a narrative centered on post-Civil War Apache conflicts in the American Southwest, emphasizing themes of military duty and redemption amid frontier tensions. Production was handled by Cagney Productions, Inc., with —the brother of actor —serving as producer; the company distributed the film through . Direction was assigned to Gordon Douglas. Pre-production decisions included casting as Captain Richard Lance, capitalizing on his recent critical success in the Western (1950), which had solidified his status as a leading man in the genre. Location scouting focused on to capture authentic Southwestern terrain, with portions of the film ultimately shot in Gallup to represent the story's Apache war setting.

Filming and Technical Aspects

Principal photography for Only the Valiant commenced in July 1950 and wrapped in September 1950, allowing the production to capture summer conditions in the American Southwest. The bulk of exterior scenes were shot on location in , where the area's stark, arid landscapes and red rock formations effectively simulated the harsh territory central to the film's narrative. This choice of terrain provided authentic visual grit, with director Gordon Douglas utilizing the natural canyons and mesas to stage dynamic maneuvers and ambushes. Interior sequences, including those depicting the besieged fort's confines, were filmed at Warner Bros. studios in , where production designer constructed detailed sets to replicate a remote military outpost. These studio environments enabled controlled replication of tight, claustrophobic spaces during the siege action, contrasting the expansive outdoor shots. The film was lensed in black-and-white 35mm by cinematographer Lionel Lindon, whose stark lighting and deep-focus compositions heightened the tension in both wide desert vistas and shadowed fort interiors. Editing duties were handled by Walter Hannemann and Robert S. Seiter, who paced the 105-minute runtime to build suspense through rapid cuts during combat sequences. Practical stunts dominated the action, with performers executing horseback charges and hand-to-hand fights to portray the Apache assaults, eschewing optical effects in favor of on-location authenticity.

Release and Distribution

Theatrical Release

Only the Valiant premiered in New York on April 13, 1951, and received its general theatrical release in the United States on April 21, 1951, distributed by . The film runs 105 minutes and was produced in black-and-white with a 1.37:1 . Marketing efforts highlighted Gregory Peck's starring role in this Western adventure, with promotional posters featuring intense action sequences depicting a unit under siege by forces. The campaign positioned the movie as a gripping tale of heroism on the , drawing on the historical context of Apache conflicts to appeal to audiences interested in Western epics. Following its U.S. debut, the film rolled out internationally through Warner Bros., including screenings in starting June 22, 1951, in ; on October 18, 1951; and on October 26, 1951. Versions were adapted for foreign markets, with dubbed audio in languages such as Spanish and Italian to broaden accessibility. Initial theatrical showings focused on major urban centers like New York and . In the pre-MPAA era under the , the film was approved for general audiences as a family-oriented adventure, though it included depictions of violence typical of the genre.

Box Office Results

Only the Valiant was produced on a budget of $1,499,000. The film achieved a worldwide gross of $3,085,000, with U.S. rentals totaling $2 million. The picture represented a modest success for Warner Bros., as it recouped its production costs without attaining blockbuster status, in contrast to Gregory Peck's prior Western The Gunfighter, which earned $4.1 million. Released during the post-war boom in Western cinema during the early , Only the Valiant encountered competition from other notable entries in the genre.

Reception and Legacy

Initial Critical Response

Upon its theatrical release in April , Only the Valiant elicited a mixed critical response, with reviewers appreciating its tense action sequences while faulting the formulaic narrative and character dynamics. of described the film as possessing "good qualities as ," highlighting the high tension in the siege at the abandoned fort and praising director Gordon Douglas for staging "a pip of a battle" that culminates dramatically with the arrival of reinforcements bearing a . Crowther also commended Gregory Peck's portrayal of the stern Captain Richard Lance, noting the actor's "physical authority and his ability... to imbue a synthetic character with a degree of conviction," though he critiqued the overall "banality of the plot" and the "absurd impression of soldiering" conveyed by the ensemble. Critics commonly lauded Peck's intense depiction of the unpopular disciplinarian , whose unyielding both alienates his men and drives the story's central conflict, as well as the film's gripping depiction of the , which builds suspense through interpersonal rivalries amid the threat of attack. However, the protagonist's unlikeable traits were seen as a drawback, contributing to a of , while the was often dismissed as wooden and the romantic involving Barbara Payton's character as underdeveloped and unconvincing. Themes of heroism and sacrifice were viewed as clichéd, recycling familiar Western tropes without fresh insight, leading to perceptions of the film as routine despite its vigorous pacing. The film garnered no major awards or Academy Award nominations, reflecting its status as a mid-tier Western entry. Douglas received minor acclaim in genre-specific outlets for his handling of the action-oriented sequences, though broader recognition eluded the production.

Modern Reappraisal

In the , Only the Valiant has garnered a modest among Western enthusiasts, with users on rating it an average of 3.3 out of 5 based on nearly 500 reviews, often highlighting its tense dynamics and as strengths despite production limitations. On , it holds a 47% approval rating from 10 critic reviews. The IMDb user rating stands at 6.5 out of 10 based on over 1,900 votes as of November 2025. Retrospective analyses, such as a review on DVD Savant, praise the film as a "smart production that adroitly mixes genres," noting its blend of adventure and interpersonal while acknowledging its low-budget constraints. These modern viewer appreciations contrast with earlier dismissals, positioning the movie as an underrated entry in the Western subgenre, where a small band of soldiers defends a remote outpost against forces. Gregory Peck, who starred as the abrasive Captain Richard Lance, later reflected on the film as a significant low point in his career, expressing regret over the unlikable nature of the role and the script's demands that forced him into a character he found challenging to portray sympathetically. In interviews, Peck described the project as one he was coerced into accepting, labeling it among his least favorite works due to its tonal inconsistencies and the personal toll of embodying such a figure. Scholarly reassessments have examined the film's portrayal of Apache characters through a contemporary lens, critiquing the stereotypical depictions common to mid-20th-century Westerns, as explored in Liza Black's Picturing Indians: , 1941–1960.

Home Media and Availability

Only the Valiant was first released on in the United States on by in 1996. The film received its DVD debut on July 1, 2008, through a manufactured-on-demand release distributed by Lionsgate, featuring the black-and-white film in full screen format with closed captions and Spanish subtitles. A subsequent Warner Archive edition followed on January 6, 2017, preserving the original and audio track. In 2013, Olive Films issued the first Blu-ray edition on August 27, utilizing a 1080p AVC-encoded transfer from original film elements, which provided solid video quality with improved detail over prior formats, though minor grain and softness were noted in darker scenes. This release included mono in English but offered no subtitles or special features such as trailers or commentaries. Due to lapsed copyright renewal, Only the Valiant entered the in the United States, enabling free availability on platforms like the since at least 2009. As of November 2025, the film streams for free on ad-supported services including Plex and , with rental and purchase options on ; it rotates periodically on ' on-demand offerings but is not consistently available on major subscription platforms like . No significant restorations beyond the 2013 Blu-ray transfer have been documented, and there are no 4K UHD releases to date.

References

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