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Parasmani
Parasmani
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Parasmani
पारसमणी
Promotional Poster
Directed byBabubhai Mistri
Written byC.K. Mast (dialogues)
Screenplay byPandit Madhur
Vishwanath Pande
Story byPandit Madhur
Vishwanath Pande
Produced byPandit Madhur
Bachubhai Mistry
StarringMahipal
Geetanjali
CinematographyPeter Pereira
Edited byKamlakar Karkhanis
Music byLaxmikant Pyarelal
Production
companies
Basant Studio
Ranjit Studios
Shreekant Studios
Release date
  • 1963 (1963)
CountryIndia
LanguageHindi

Parasmani ("Philosopher's stone" that converts iron into gold) is a 1963 Indian Hindi-language film. The film is a musical fantasy drama shot partly in Black and White and partly in colour. It was directed by Babubhai Mistri, who is known as the pioneer of cinematic effects.[1][2] The film was financially successful.[3] The film's music was given by Laxmikant Pyarelal and was their first official release movie. Classic songs like "Woh Jab Yaad Aaye", "Mere Dil mein halki si", "Hansta hua", "Roshan Tumhi se".The film was dubbed into Tamil with the title Maayamani and was released in 1964.[4]

Plot

[edit]

Paras (played by Mahipal) is the son of the Senapati and is lost when his ship meets storms at sea. Paras is then found by a poor villager, who brings him up as his own. Paras grows up and becomes an accomplished swordsman and singer. One day, he encounters the princess (played by Gitanjali) and falls in love with her. His fame soon reaches the palace, and the Emperor summons him to sing for him. Pleased with his singing, the Emperor asks him for a wish, and Paras asks for the hand of his daughter. Enraged, the Emperor decides to punish Paras, but Paras escapes. Appearing defeated, the Emperor asks Paras to seek a rare gem called a Parasmani, because he is under a curse that states as soon as his daughter marries, it will be the last day for the Emperor. If Paras can find the Parasmani, the life of Emperor can be saved. Only then can Paras marry the princess. Parasmani is a hypothetical jewel which is considered to keep the bearer young forever. Paras agrees to this and leaves on the search with his sister and brother.

Paras receives clues from various places and is directed to a cave. From this point, the film is in Eastman Color. Fighting various magical creatures and volcanic lava, Paras meets the Sorceress Mayanagri, who falls in love with the brave Paras. Taking him in confidence, she shows him her real self, which is an old woman. The Sorceress shows him the Parasmani, which Paras gains after killing a giant spider-like creature. Soon the old sorceress also meets her end. Paras and his siblings fly back to their kingdom where, after some crucial fights, he meets his father, Senapati, and is married to the princess.

Cast

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Soundtrack

[edit]

The music of the film is composed by Laxmikant-Pyarelal. The lyrics are by Asad Bhopali and Faruk Kaisar (Hasnta Hua Noorani).

Song Singer Raga
"Mere Dil Mein Halki Si" Lata Mangeshkar
"Ooi Maa, Yeh Kya Ho Gaya" Lata Mangeshkar
"Hansta Hua Noorani Chehra, Kali Zulfen, Rang Sunehra" Lata Mangeshkar, Kamal Barot
"Chori Chori Jo Tumse Mili To Log Kya Kahenge" Lata Mangeshkar, Mukesh
"Woh Jab Yaad Aaye, Bahut Yaad Aaye" Lata Mangeshkar, Mohammed Rafi Yaman Kalyan
"Roshan Tum Hi Se Duniya" Mohammed Rafi

Ustad Zakir Hussain played tabla for the song, Roshan Tum Hi Se Duniya.

This film is the first independent film together of the musical duo Laxmikant-Pyarelal. Before this, they have worked under many musicians separately as well as together. This film also marks the beginning of the long relationship among them, Lata Mangeshkar and Mohammed Rafi.[5]

"Hasta Hua Noorani Chehra" is also used in the film Hum Aapke Hain Koun..! while the characters are playing a game. The Parasmani soundtrack CD was released by EMI & cataloged as CDF 120248. It also included the songs from the film Lootera (1965). The CD is now considered very obscure and rare.

References

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Parasmani

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from Grokipedia
Parasmani is a 1963 Indian Hindi-language musical directed by and produced by Bachubhai Mistry and Pandit Madhur. Starring Mahipal as the titular character, Geetanjali as the princess, and featuring supporting roles by Nalini Chonkar, Jugal Kishore, Helen, and , the story centers on Paras, a talented separated from his father in childhood, who falls in love with a princess and embarks on a perilous quest for the parasmani, a legendary stone said to grant immense power, to overcome royal opposition to their union. The film is renowned for its debutant music directors , whose compositions, including hits like "Ooi Maa Ooi Maa" sung by and "Woh Jab Yaad Aaye" by , propelled their rise to fame and contributed to the movie's enduring popularity despite its modest production values. Released during a golden era of Indian cinema, Parasmani exemplifies the genre's blend of mythology, romance, and spectacle, achieving commercial success and nostalgic appeal through its vibrant songs and dance sequences.

Background and Development

Premise and Inspiration

The core premise of Parasmani revolves around Paras, separated from his father, the army chief, at a young age and raised as a talented musician, who embarks on a perilous quest to retrieve the mythical Parasmani gem—a stone believed to possess transformative powers—to win the hand of a princess despite opposition from the king due to a prophecy foretelling his death at the hands of his son-in-law, weaving together elements of adventure, romance, and mythology. The film's narrative draws inspiration from Indian folklore surrounding the Parasmani, a legendary touchstone gem said to turn base metals into upon contact and fulfill the deepest desires of its possessor, a motif rooted in ancient tales of alchemical wonder and divine intervention prevalent in . This concept was conceived in the early by producer and writer Pandit Madhur, who sought to capitalize on the enduring post-independence popularity of mythological and fantasy genres in Indian cinema, which had captivated audiences since the silent era and continued to thrive amid rising nationalistic . A unique aspect of the film's conceptualization lies in its seamless integration of elaborate musical numbers with magical and fantastical elements, designed to heighten dramatic spectacle through a partly colorized format that transitioned from black-and-white sequences to vibrant hues for key fantasy scenes. Director , brought on for his extensive prior experience with fantasy films such as Aladdin Aur Jadui Chirag (1952), helped shape this vision into a cohesive musical fantasy drama.

Production Team Assembly

The production of Parasmani (1963) began with the assembly of a team experienced in crafting low-budget fantasy films, emphasizing practical to bring the mythological narrative to life. Director was selected for his pioneering work in cinematic effects, particularly his contributions to the 1956 film Hatim Tai, where he handled art direction and that drew large audiences with innovative techniques like travelling matte shots. Mistry's expertise in creating spectacles on modest budgets made him ideal for executing the film's magical sequences without relying on expensive imports. Producers Pandit Madhur and Bachubhai Mistry secured funding through affiliations with established studios such as Ranjit and Shreekant, enabling a cost-effective production model. They planned a hybrid format of black-and-white footage for dialogue-heavy scenes and Eastman Color for fantastical elements, balancing artistic ambition with financial constraints typical of 1960s B-grade fantasies. The initial crew included cinematographer Peter Pereira, hired for his proficiency in capturing dynamic action and illusionary visuals, and art director J.S. Pophaly, who focused on constructing practical sets for magical transformations and creature encounters. This emphasis on in-house effects, overseen by Mistry, allowed the team to simulate sorcery through mechanical tricks and matte paintings rather than optical printing. A key challenge in team formation was onboarding Laxmikant–Pyarelal as music directors, marking their debut in a and bringing innovative compositions to infuse energy into the fantasy's musical sequences. Their selection reflected the producers' aim to blend traditional mythological elements with contemporary film melodies, setting a fresh tone for the project.

Narrative Structure

Plot Summary

Paras, the son of the kingdom's , is separated from his family when a violent storm sinks his father's ship at sea. Rescued by a compassionate poor villager, he is raised as the villager's own son, growing into a strong, skilled swordsman and a talented singer who entertains the locals with his voice. As an adult, Paras ventures into the royal city and encounters Geetanjali during a chance meeting in the , where he saves her from danger. Their instant attraction blossoms into , but this romance draws the ire of the , Geetanjali's father, who views Paras as an unworthy due to a foretelling his death at the hands of the princess's husband. Opposition from the leads to Paras being tasked with a perilous quest, while subplots of royal intrigue unfold, including the 's secret schemes to locate his lost son and consolidate power. To win the Emperor's approval and Geetanjali's hand, Paras must retrieve the legendary Parasmani, a mystical gem said to possess the power to give life to the dead, to counter the prophecy of the Emperor's demise. Accompanied by his loyal adopted sister Roopa and young brother Tipu, Paras embarks on the journey through treacherous landscapes, facing early challenges like a disembodied head that demands riddles and a fiery bridge guarded by flames. These trials, paced within the film's approximately 2-hour-30-minute runtime, build tension in the first half, interweaving moments of song and swordplay. The quest leads the trio to the enchanted realm of Maya Nagari, ruled by the sorceress Mayanagari, who guards the Parasmani in her lair filled with illusions and traps. Paras battles mythical creatures such as a massive spider and electric fungi, outwits demons with clever disguises, and confronts rivals including opportunistic attackers and even his own unaware father, the Senapati, who arrives seeking the gem for his own purposes. Through bravery and quick thinking—such as using a fake gem to distract the sorceress—Paras secures the Parasmani, though not without personal cost, as Mayanagari's infatuation with him leads to her dramatic demise when her youth-sustaining magic fails. Triumphantly returning to the kingdom with the gem, Paras averts the dire foretold by the royal astrologer that the princess's husband would bring about the ruler's death. In a heartfelt revelation facilitated by a bearing Paras's family insignia, the Senapati recognizes his long-lost son, resolving the layers of royal intrigue and father-son confrontations. However, the Senapati ultimately chooses death despite the gem's powers, leading to a bittersweet reconciliation. Harmony is restored as Paras marries Geetanjali, ascending to his rightful place despite the loss.

Characters and Themes

The protagonist, Paras, embarks on a classic hero's journey, beginning with a humble upbringing after being separated from his highborn father during a shipwreck and raised by a poor villager. His arc unfolds as he discovers his true heritage through a symbolic locket, showcasing his valor in rescuing villagers from soldiers and his loyalty to friends like Tippu during perilous quests. Paras's musical talent becomes a pivotal trait, impressing the emperor and fueling his determination in the heroic quest for the Parasmani gem, ultimately leading to familial reconciliation and personal triumph. The princess serves as a strong-willed royal figure, embodying purity and unwavering devotion to Paras after their chance forest encounter sparks romance. Despite the era's constraints on female agency, she actively defies her father's opposition, driven by love and resolve to marry her chosen suitor, even as astrological prophecies complicate their union. Her character highlights romantic idealism, standing firm against feudal pressures while relying on Paras's quest to alter their destined fates. Antagonists in the narrative include the , whose tyrannical rule and fear of a —foretelling his death at the hands of the princess's musician husband—drive opposition to the lovers, and the demonic guardians of Maya Nagri, such as illusory serpents and the seductive queen, who impose trials on Paras's journey. The chief, unknowingly Paras's , adds layers of unwitting tyranny by plotting against the in a music competition, symbolizing blinded and the perils of unrecognized kinship. Central themes revolve around the triumph of good over evil, achieved through divine intervention like the protective role of Paras's Rupa and the gem's mystical properties. The Parasmani itself symbolizes the transformative power of destiny, acting as an alchemical force for the soul that revives the dead but ultimately underscores themes of inevitable loss, as seen in the chief's demise despite its use. Romantic idealism flourishes amid feudal settings, portraying as a force transcending social barriers, fate, and , with moral lessons on perseverance, family bonds, and acceptance of life's cycles. Character dynamics emphasize a subtle love triangle, as the queen of Maya Nagri develops affection for Paras during his quest, testing his loyalty to the princess. Mentor figures, including the loyal Tippu and devoted sister Rupa, provide guidance and aid, reinforcing themes of camaraderie and redemption while aiding Paras's growth from orphan to savior.

Filming and Technical Aspects

Principal Photography

Principal photography for Parasmani was conducted primarily at Basant Studio in , Ranjit Studios, and Shreekant Studios in . The production relied on practical sets constructed for the palace interiors and mythical realms to bring the fantasy elements to life. The production employed miniatures for fantasy elements and matte paintings for the gem cave scene, allowing for dynamic effects on a constrained set. To emphasize spectacle within a modest budget, the film was shot partly in black-and-white and partly in color.

Visual Style and Effects

The visual style of Parasmani blended traditional black-and-white cinematography with selective color sequences to heighten its fantastical narrative, a technique that was innovative for mid-1960s Indian cinema. Shot in the standard 35mm format, the film utilized dynamic camera movements during action sequences to convey energy and scale, while strategic lighting highlighted the mystical glow of the central gem artifact, drawing viewer attention to key plot elements. Cinematographer Peter Pereira employed these methods to create a sense of wonder in the mythological setting. The color sequences were filmed in Eastman Color, providing vibrancy and visual contrast without the expense of full-color production. This hybrid approach marked an early adoption of mixed color processes in Bollywood. Special effects were masterminded by director , a pioneer in Indian trick , adapting Hollywood-inspired fantasy methods to the constraints of Indian studio production. These innovations contributed to the film's immersive mythical world.

Music and Soundtrack

Composition Process

Lakshmikant–Pyarelal, a duo renowned for their and rhythm expertise, were selected by director as newcomers to compose the music for the 1963 fantasy film Parasmani, marking their debut as independent music directors. The recording sessions took place in early 1963 at in , utilizing a live that included 36 s—exceeding the typical 20 used by or 30 by Shankar-Jaikishan—to achieve a grand, layered sound. The composition process involved creating six songs in a folk-classical fusion style, carefully integrated to propel the narrative forward, such as romantic duets accompanying the protagonists' quests in the fantastical storyline. Lyricists , , and collaborated closely to craft verses that harmonized with the film's mythical and adventurous themes, ensuring the music enhanced the plot's emotional and dramatic arcs. This project represented a pivotal breakthrough for Lakshmikant–Pyarelal, as their innovative blend of Western orchestral arrangements with Indian ragas delivered a vibrant, unprecedented sound tailored to the fantasy genre, setting the stage for their enduring legacy in . The complete , encompassing songs and background score, spans approximately 30 minutes.

Key Songs and Singers

The soundtrack of Parasmani prominently features songs that punctuate key emotional and narrative moments, blending romance, , and triumph within the film's fantasy adventure. The romantic duet "Woh Jab Yaad Aaye", sung by and , serves as a heartfelt declaration of love between the protagonists during their perilous travels, underscoring themes of longing and reunion. Similarly, "Mere Dil Mein Halki Si", a solo by , captures the heroine's subtle awakening of affection, adding depth to her character's internal conflict. A standout track is the lively duet "Hansta Hua Noorani Chehra" by and Kamal Barot, which introduces the princess's radiant beauty in a celebratory sequence, enhancing the film's visual spectacle. This song achieved significant popularity, ranking seventh on the 1963 Binaca Geetmala annual chart and marking an early chart success for composers . Other notable songs include the secretive rendezvous number "Chori Chori Jo Tumse Mili" by and Mukesh, the comedic "Ooi Maa Ooi Maa Yeh Kya Ho Gaya" by , and the action-themed triumphant anthem "Salamat Raho Salamat Raho" by . Prominent playback singers dominate the album, with contributing to five songs, including multiple duets that highlight her versatile range. Mohammed Rafi provides vocals for two tracks, bringing emotional intensity to romantic and celebratory moments, while Mukesh adds a poignant touch to one duet. Kamal Barot's participation in "Hansta Hua Noorani Chehra" offered a debut-like opportunity for a fresh voice, complementing Lata's melody and aiding the film's musical innovation. The track "Hansta Hua Noorani Chehra" became an enduring hit on the , significantly enhancing the film's commercial and cultural appeal.

Release and Commercial Performance

Theatrical Release

Parasmani was theatrically released on 5 April 1963 in theaters, distributed by Basant Studios, Shreekant Studios, and Ranjit Studios. The film premiered in key urban centers to reach broad audiences. These initial showings aligned with the film's mythological fantasy elements suitable for all ages. Marketing efforts highlighted the film's innovative mix of black-and-white and color sequences, a novelty in 1963 Indian cinema, through vibrant promotional posters featuring the star duo of Mahipal and Geetanjali in dramatic poses. These posters, along with advertisements, emphasized the visual spectacle and musical allure to draw crowds during mythological festival seasons like . The campaign also promoted tie-ins with regional cultural events to capitalize on the story's fantastical themes. The film received a U rating from the Central Board of Film Censors, confirming its suitability for universal audiences, and runs for approximately 137 minutes. A dubbed Tamil version titled Maayamani followed in 1964, expanding distribution to South Indian markets.

Box Office Results

Parasmani was produced on an estimated budget of 35 lakhs INR, which was relatively low for a 1960s Indian film, owing to the production efficiencies of the studio involved. Despite this modest investment, the film was an above average grosser, earning an estimated 0.45 crore nett (4.5 million INR) and 0.90 crore gross (9 million INR) in India, ranking as the 17th highest-grossing Indian film of 1963. This success spanned both urban and rural circuits, demonstrating broad appeal among audiences. The film's profitability was notable, with costs recovered within weeks of its release, marking it as a commercial triumph that bolstered the studio's lineup of fantasy productions. It performed particularly strongly in , where mythological and fantasy genres resonated with local viewers. Furthermore, the Tamil-dubbed version titled Maayamani contributed additional revenue from southern markets, enhancing its overall financial outcome.

Reception and Legacy

Critical Response

Upon its release in 1963, Parasmani was generally well-received as an entertaining fantasy , particularly for its musical elements that elevated a standard mythological narrative. The debut score by Laxmikant-Pyarelal was a highlight, contributing significantly to the film's appeal. Critics appreciated the vibrant songs, such as "Woh Jab Yaad Aaye," which showcased the duo's innovative compositions and strong vocal performances by and . However, the film's formulaic narrative and predictable plot drew criticisms for lacking originality, with some reviewers labeling it a typical B-grade production despite its box-office success. The visual effects and direction by were seen as serviceable for the era but unremarkable, focusing more on spectacle than depth. Mahipal's portrayal of the lead role was noted for its charisma, providing a steady anchor amid the fantastical elements. In retrospective analyses, Parasmani has garnered appreciation for its pioneering use of color sequences in an otherwise black-and-white film, marking an early experiment in Indian cinema's transition to Technicolor. Modern viewers and critics continue to celebrate it primarily for launching Laxmikant-Pyarelal's illustrious career, with the soundtrack remaining a enduring strength that overshadows the dated storyline and effects. Aggregate user ratings reflect this mixed legacy, averaging 6.5/10 on IMDb as of November 2025 based on viewer feedback. The film received no major awards, underscoring the score's impact amid competitive 1963 releases.

Cultural Impact

Parasmani played a pivotal role in launching the composing duo , marking their debut as independent music directors in 1963 and propelling them to dominate Bollywood s for over three decades with hits across genres. The film's , featuring timeless tracks like "Woh Jab Yaad Aaye" and "Hansta Hua Noorani Chehra," remains enduringly popular, frequently included in compilations and streamed widely even today. The movie reinforced the appeal of fantasy musicals during the and , blending elaborate song sequences with mythological elements to captivate audiences and influence the era's low-budget productions. Its innovative partial color filming technique, transitioning from black-and-white to vibrant hues for dream sequences, inspired similar cost-effective visual approaches in subsequent B-grade fantasies. For lead actor Mahipal, Parasmani served as a career milestone, solidifying his status as a go-to star in mythological and stunt-driven B-movies throughout the decade. Similarly, South Indian actress Geetanjali's portrayal of the princess marked one of her prominent film roles, bridging regional cinema and expanding her visibility in Bollywood. The film's dubbed Tamil version, titled Maayamani, broadened its reach to South Indian audiences, contributing to its nostalgic revival in media retrospectives on 1960s Hindi fantasy cinema.

References

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  33. https://laxmikantpyarelal.com/2019/11/01/laxmikant-pyarelal-and-filmfare-awards/
  34. https://vocal.media/fyi/the-musical-journey-of-laxmikant-pyarelal-from-struggles-to-stardom
  35. https://scroll.in/reel/995683/music-and-lyrics-laxmikant-pyarelals-story-is-as-much-about-friendship-as-it-is-about-their-tunes
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  37. https://www.indiatoday.in/movies/regional-cinema/story/telugu-actress-geetanjali-ramakrishna-dies-at-72-in-hyderabad-1614384-2019-10-31
  38. https://apnaarchive.wordpress.com/2013/03/04/parasmani-mayamani/
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