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Pokiri
Theatrical release poster
Directed byPuri Jagannadh
Written byPuri Jagannadh
Produced byPuri Jagannadh
Manjula Ghattamaneni
Starring
CinematographyShyam K. Naidu
Edited byMarthand K. Venkatesh
Music byMani Sharma
Production
companies
Distributed byVaishno Academy
Release date
  • 28 April 2006 (2006-04-28)
Running time
168 minutes
CountryIndia
LanguageTelugu
Budget10–12 crore[a]
Box officeest. 70-76 crore[3]

Pokiri (transl. Rogue) is a 2006 Indian Telugu-language action thriller film written and directed by Puri Jagannadh. The film was produced by Jagannadh and Manjula Ghattamaneni by their respective production companies Vaishno Academy and Indira Productions. The film stars Mahesh Babu, Ileana D'Cruz, Prakash Raj, Nassar, Ashish Vidyarthi and Sayaji Shinde. In the film, a local goon whose killer instincts earns him not only his girlfriend's disapproval and a corrupt cop's enmity, but also the attention of a wanted crime boss.

The film was made on a budget of around 12 crore. principal photography commenced in November 2005 and lasted until April 2006. Most of the film was shot in and around Hyderabad and Chennai, except for a song which was shot at the province of Phuket in Thailand and the city of Bangkok. Shyam K. Naidu was the film's cinematographer, and it was edited by Marthand K. Venkatesh. The soundtrack and film score were composed by Mani Sharma.

Pokiri was released on 28 April 2006. The film grossed over 70 crore worldwide in its initial theatrical run and was declared an Industry Hit while remaining as the highest-grossing Telugu film for three years until it was surpassed by Magadheera in 2009. The film was also one of the fourteen southern Indian films to be screened at the International Indian Film Academy Awards (IIFA) Film festival, along with V. V. Vinayak's Tagore in 2006. The film won five Nandi Awards and two Filmfare Awards. It was remade in Tamil as Pokkiri (2007), in Hindi as Wanted (2009), in Kannada as Porki (2010).

Plot

[edit]

In Hyderabad, two rival mafia gangs headed by Dubai-based gangster Ali Bhai and Narayana resort to criminal activities such as extortion, contract killings, and coercion to take control of the city. Newly appointed Deputy Commissioner Sayyad Mohammad Pasha Qadri focuses on making the city safer by working on arresting all of them. Pandu, a thug working for money and living in Hyderabad along with his friends, is hired by Narayana to beat up Ali Bhai's henchman Mallesh. Pandu later joins Ali Bhai's gang after being offered money to join. Pandu falls in love with Shruthi, an aerobics teacher, who rejects his advances. Shruthi lives with her widowed mother and brother and her neighbor Brahmi, a software engineer who pesters her to marry him. Corrupt SI Pasupathy, who works for Ali Bhai, lusts after Shruthi. He is determined to make her his mistress, undeterred by Sruthi's and her mother's multiple rejections. After killing Narayana's henchman, Pandu is confronted by Pasupathy and is able to prevent Shruthi from being molested. Shruthi meets him the next day to thank him, and starts to fall in love with Pandu after spending sometime with him. Shruthi tells Pandu about Pasupathy forcing her to be his mistress which angers Pandu.

After being tipped off by Brahmi, Pasupathy confronts Pandu who casually reveals his knowledge of Pasupathy's role in a constable's death during an encounter with a gangster, and warns him to stay away from Shruthi. To escape from Pasupathy's advances, Shruthi meets Pandu and proposes to him, but they're interrupted by an attack by Narayana's henchmen. Pandu brutally dispatches all of them, shocking Shruthi. After revealing his true colors, Pandu urges Shruthi to rethink her feelings. To ensure no decent family ever thinks of marrying her, Pasupathy arranges for some thugs to stage a mock sexual assault of Shruthi. Upon learning of this, an enraged Pandu beats up Pasupathy in a market without revealing himself, then anonymously warns him that if he ever finds out he was responsible, he'll kill him personally. Pandu is eventually tipped off when the same thugs try to molest Shruthi on a train, and brutally kills them. Shruthi eventually admits her love for Pandu despite his violent ways and the risk involved.

Meanwhile, Ali Bhai visits Hyderabad and assassinates Narayana, and meets Pandu to discuss the murder of a minister by blowing up children's balloons. Pandu rejects the plan as it would involve killing innocents. In the middle of their argument, the police raid the club and arrest Ali Bhai. Ali Bhai's gang members retaliate by kidnapping Qadri's daughter, drugging her and creating a lewd video of her which they threaten to release to the media if Ali Bhai is not released, forcing the embattled Qadri to release Ali Bhai, after which they release the video anyway, to Pandu's disgust. However, in her drugged state, Qadri's daughter inadvertently reveals that her father had placed an undercover officer as a mole in Ali Bhai's gang. With the help of Pasupathy, Ali Bhai finds out that the undercover IPS officer, Krishna Manohar, is the son of a retired Inspector Suryanarayana. Confronting Suryanarayana, Ali Bhai kills Pandu's friend and Suryanarayana's son, only for Suryanarayana to reveal that it was actually his adopted son, Ajay. Ali Bhai then kills Suryanarayana to lure the real Krishna Manohar. When Krishna Manohar actually turns up, everyone, especially Shruthi and Pasupathy are shocked to see that he is none other than Pandu. After Suryanarayana and Ajay's funeral, Pandu interrogates Pasupathy and has him call Ali Bhai to find out his location: Binny Mills. After having Pasupathy drive him there, Pandu proceeds to dispatch Ali Bhai's men one by one, and finally confronts Ali Bhai. Forcibly reminded of Qadri's warning about not meeting the right guy, Ali Bhai tries to reason with Pandu and attempts to kill him, only for Pandu to slice his throat, killing him. After calling Qadri to inform him that his daughter's safe, Pandu shocks Pasupathy by informing Qadri of his death. A confused Pasupathy draws his gun on him, but is shot dead by Pandu who reminds him that once he commits to anything, he won't even listen to himself, referencing the earlier threat he made to Pasupathy.

Cast

[edit]
  • Mahesh Babu as Pandu/Krishna Manohar IPS, a thug who works for the underworld but is really an undercover police officer
  • Ileana D'Cruz as Sruthi, a middle-class girl who is Pandu's girlfriend and harassed by a corrupt inspector Pauspathy, and Brahmi's crush
  • Prakash Raj as Ali Bhai, an underworld don, Mona's boyfriend, and is Nayarana's enemy
  • Nassar as Suryanarayana, a retired police officer and Pandu and Ajay's father
  • Ashish Vidyarthi as SI Pasupathy, a corrupt officer who is on Ali Bhai's side and is harassing Sruthi
  • Sayaji Shinde as ACP Sayed Mohammad Pasha Qadri, a police officer who has been trying to catch the underworld don Ali Bhai
  • Brahmanandam as Brahmi, a software engineer, Sruthi's neighbor and who has a crush on her, and is troubled by a beggar association president and general secretary
  • Ali as the president of the beggars' association, and who has been troubling Brahmi
  • Venu Madhav as the General Secretary of the beggars' association, and the second person who has been troubling Brahmi
  • Satya Prakash as Narayana, another underworld don who wants to kill Ali Bhai
  • G. V. Sudhakar Naidu as Banda Ganesh, Narayana's right-hand man
  • Subbaraju as Mallesh, Ali Bhai's right hand Nayak's henchman
  • Ajay as Ajay, Suryanaryana's son, and Pandu's brother
  • Master Bharath as Sruthi's brother
  • Paruchuri Venkateswara Rao as Venkatachalam, Krishna Manohar's father
  • Chandra Mohan as Chandram, Sruthi's father
  • Nadhiya as Prabhavati, Pandu and Ajay's mother
  • Sumitra as Janaki, Krishna Manohar's mother
  • Sudha as Lakshmi, Sruthi's mother
  • Krishnudu as Pandu's friend
  • Satyam Rajesh as Pandu's friend
  • Pruthviraj as Vishwanath
  • Narsing Yadav as Sattanna, a gangster
  • Bandla Ganesh as a reporter
  • Mumaith Khan cameo appearance in the song "Ippatikinka"

Production

[edit]

Development

[edit]

In 2004, after Andhrawala's commercial failure, its director Puri Jagannadh planned a film titled Sri Krishnudu from Surabhi Company starring Chiranjeevi in the lead role. He later decided that explaining the story to Chiranjeevi, talking him into accepting the role, and filming the movie, would be a long, tiring process. He chose instead to revive the script of Uttam Singh S/O Suryanarayana which he had written during the production of Badri (2000).[4] He approached Pawan Kalyan to play the lead role, but he declined it.[5] Later, he approached Ravi Teja who agreed to play the lead; Nagendra Babu was to produce the film. However, Teja was approached by Cheran, an award-winning director, to remake the 2004 Tamil film Autograph in Telugu. Teja was eager to be involved in the remake as he liked the original very much. As a result, the production Uttam Singh S/O Suryanarayana was temporarily shelved. Jagannadh meanwhile directed and produced 143 (2004). Teja had backed out of participating in it, citing scheduling conflicts with other existing commitments. Jagannadh wanted to experiment by casting Sonu Sood in the lead role, but this too failed to materialise.[4]

On 3 November 2004, Jagannadh met Mahesh Babu at the Taj Hotel in Hyderabad to outline the film's plot. It told the story of Uttam Singh, an undercover police officer, infiltrating a mafia gang as a criminal, with the intention of killing its kingpin.[4] Babu liked the script but suggested Jagannadh tweak the script's backdrop to suit the Telugu-speaking peoples' sensibilities. Jagannadh agreed and also replaced the existing title with Pokiri. Babu wanted the film's production to begin in 2005 allowing him to complete his current commitments. While he waited for Babu, Jagannadh directed Nagarjuna in Super (2005).[6] While reworking the script, Jagannadh took inspiration from Marana Mrudangam (1988) and State Rowdy (1989).[6] Pokiri was produced jointly by Jagannadh and Manjula Ghattamaneni's production companies, Vaishno Academy and Indira Productions respectively,[7] on a budget of 10–12 crore.[a]

Cast and crew

[edit]

For Pokiri, Babu sported a longer hair style than in his previous films and shed five kilograms of weight. He used a new wardrobe and the same pair of shoes throughout the film.[8] Jagannadh wanted to cast Ayesha Takia as the female lead. Due to a last minute change, the makers opted to replace Takia and considered several actresses including Deepika Padukone.[6] Jagannadh approached Parvati Melton to play the female lead. She declined the offer because, at that time, her parents were against her decision to become an actress.[9] He also approached Kangana Ranaut who could not accept the role because of scheduling conflicts with the filming of her scenes in Gangster (2006).[10] After seeing stills of Ileana in her Telugu debut Devadasu (2006), Jagannadh signed her as the female lead since he needed a girl who looked like a teenager to play the role of the aerobics teacher.[8]

Prakash Raj and Ashish Vidyarthi were cast as the film's primary antagonists. Raj played a mafia kingpin and Vidyarthi played a corrupt police officer, a villain's role he finds more fun to play than that of a hero.[11] Sayaji Shinde and Nassar played the two other principal characters in the film. Jyothi Rana played the role of the mafia kingpin's moll, marking her debut in Telugu cinema.[7] Isai and Subbaraju portrayed negative roles as well, with the former also making his debut in Telugu cinema.[7] Ali played the role of a beggar and shared screen-space with Brahmanandam and Venu Madhav.[8] Jagannadh added this trio to the film to provide situational humour.[7] Master Bharath played the role of Ileana's brother.[12] Mumaith Khan performed an item number in the film.[13]

Jagannadh wrote the film's story, screenplay and dialogue with Meher Ramesh assisting him as script associate.[14] Though having worked with Chakri many times in the past, at Babu's suggestion, Jagannadh instead chose Mani Sharma to compose the film's music.[15] Shyam K. Naidu was the film's cinematographer and Marthand K. Venkatesh its editor. Chinna and Krishna were the film's art director and executive producer respectively.[14]

Filming

[edit]

Pokiri was shot predominantly in and around Hyderabad, especially in the Annapurna Studios, the aluminium factory near Gachibowli, Gayathri Hills and the Golconda Fort[6] in 100 working days,[8] from November 2005 to April 2006.[16] Most of the scenes were shot in a single take though it took time for Babu to adjust to Jagannadh's style of filmmaking.[6] Chennai-based stylist Chaitanya Rao designed the costume styling for Babu and Ileana.[17] By late February 2006, eighty percent of the film shoot had been completed with the film's climax and two songs remaining. This made it Babu's fastest shot Telugu film with him in the lead role.[18]

The song "Gala Gala" was shot in the province of Phuket in Thailand, and the city of Bangkok.[6] Prior to the filming of the song "Jagadame", Shyam K. Naidu was busy on the set of Munna (2007) and was unable to shoot it so cinematographer K. V. Guhan, who had worked on Babu's Athadu (2005), was recruited instead.[6] The film's climax sequences were shot in March 2006 at the defunct Binny Mills located in Chennai under the supervision of FEFSI Vijayan.[7] He suggested that Jagannadh include a scene where Prakash Raj fails to hear anything for a while after he is hit by Babu during the climax sequence.[6]

Babu stated in an interview that he had to shoot the film's climax and two songs continuously for thirty-eight days, adding that he had to visit a hospital to be treated for shoulder pain.[16] During the shooting of an underwater sequence, a few electrical lights were used. The electricians changed the lines, creating a short circuit which resulted in the death of one of the unit members. Babu had gotten out of the pool two seconds before the accident happened, which he termed a "miracle".[19]

Ileana D'Cruz's T-shirt which was printed with "I May Not Be Perfect But Parts of Me Are Pretty Awesome" had earlier been used in Puri Jagannadh's Hello Premistara (2007).[citation needed]

Music

[edit]
Pokiri
Soundtrack album by
Released26 March 2006 (2006-03-26)
Recorded2005–2006
GenreFeature film soundtrack
Length28:01
LabelAditya Music
ProducerMani Sharma
Mani Sharma chronology
Veerabhadra
(2006)
Pokiri
(2006)
Ashok
(2006)

The official soundtrack of Pokiri was composed by Mani Sharma, with lyrics written by Bhaskarabhatla, Kandikonda, and Viswa. Jagannadh wanted Sharma to compose six songs, with two duets between the lead pair, three solo numbers by the male lead, and an item number.[8] During the shoot of Sivamani (2003), Jagannadh listened to the song "Listen to the Falling Rain," which sounded like the song "Gala Gala Parutunna Godarila" from the Telugu film Gowri (1974). He later came to learn that the latter song was inspired by the former,[6] and he decided to reuse the same tune with modernised instruments and different lyrics.[8] Sharma was accused of copying the tune of the song "Jaleo" composed by Ricky Martin and "Rapture" by iiO for the songs "Devuda" sung by Naveen and "Dole Dole" sung by Ranjith and Suchitra, respectively.[20]

The film's soundtrack, marketed by Aditya Music, was released on 26 March 2006, at Hotel Viceroy in Hyderabad with Babu's father Krishna attending the event as the guest of honour.[21] Sify called the soundtrack a peppy one and chose "Gala Gala" as the pick of the album.[22]

Track list
No.TitleLyricsSinger(s)Length
1."Devuda"BhaskarabhatlaNaveen04:32
2."Dole Dole"ViswaSuchitra, Ranjith04:43
3."Gala Gala"KandikondaNihal04:35
4."Ippatikinka"BhaskarabhatlaSuchitra, Khushi Murali04:38
5."Jagadame"KandikondaKunal Ganjawala04:31
6."Choododdantunna"BhaskarabhatlaKarthik, Mahalakshmi Iyer05:02
Total length:28:01

Release

[edit]

Theatrical

[edit]

Pokiri was scheduled for a worldwide release on 21 April 2006.[18] Due to delays in post-production activities, the film's release was postponed to 27 April 2006,[23] clashing with the release of Bangaram and Veerabhadra.[24][25] The film received an 'A' (Adults Only) certificate from the CBFC for containing obscene sequences and excessive violence.[26] Dil Raju's Sri Venkateswara Creations, Mallikharjuna films and Great India films acquired the theatrical distribution rights of Nizam,[b] Ceded and overseas regions respectively.[8] Pokiri was one of the fourteen southern Indian films that were screened at the IIFA film festival 2006 held at the Dubai International Convention Centre in Dubai, United Arab Emirates.[28]

Re-release

[edit]

Pokiri was re-released in theaters worldwide on 9 August 2022, coinciding with Babu's birthday, with remastered picture and sound, and grossing ₹1.7 crore during its re-run.[29][30][31]

Reception

[edit]

Pokiri received positive reviews from critics with praise for its direction, screenwriting, dialogues, soundtrack, musical score, plot twist, action sequences and Mahesh Babu's performance.

Critical response

[edit]

The Hindu wrote: "An out and out action flick, one can see the director's thirst to cash in on the audience craze for such films. Nevertheless it's Mahesh Babu's show all the way. Mahesh's understated performance in Pokiri allows him to effortlessly reclaim the title of a star, overshadowing more questionable recent career choices."[32] Sify wrote "Pokiri was designed as a mass masala extravaganza which satisfies the undemanding viewers. Mahesh Babu has strong screen presence that works to the advantage of the film."[22]

Rediff wrote "Sporting a new, rugged look, 'Prince' Mahesh Babu has stolen the show. He carries the film on his shoulders, consolidating his winning streak after last year's Athadu. Another highlight of the film is its well-choreographed action sequences (if you can digest the violence), which give it a slick look."[33]

Box office

[edit]

According to Sify, Pokiri took an "extraordinary" opening across the globe and was able to cash in on the four-day weekend holiday.[34] Pokiri was released in a single screen, the Jayaprada theatre in Chennai, where 98.5% of seats were sold putting it in second place in the city's box office chart, which Sify called an "awesome" feat.[35] The film completed a fifty-day run on 17 June 2006, in nearly 300 centres and had earned US$350,000 to become the highest grossing Telugu film in the United States.[28] By July 2006, the film had earned approximately 35–40 crore and become the highest grossing Telugu film of all time. The film earned 11.70 crore in the Nizam region alone, breaking the previous record set in the region by Indra (2002) and earned approximately 2.5 crore at the United States box office.[36]

The film completed a 100-day run in 200 centres and a 175-day run in 63 centres.[citation needed] The film completed a 200-day run in 15 centres, and a 365-day run at a theatre in Kurnool, becoming the first Telugu film to do so in the last two and a half decades.[37] The film was screened in Bhagiratha theatre, Kurnool for 500 days at the rate of four shows per day and collected a share of 60 lakh.[citation needed] In its lifetime, Pokiri collected a distributor share of 42 crore at the global box office.[38] The film was reported to have grossed over 70 crore,[39] however some estimates, based on the distributor share of the film at the time, indicate that the global gross figure may have been up to 76 crore. It held that position until 2009 when Magadheera pushed it to second place after its nine-day run.[citation needed]

Pokiri grossed over 1.7 crore in its 2022 re-release.[29]

Accolades

[edit]
Ceremony Category Nominee Result Ref(s)
Nandi Awards Best Popular Feature Film Puri Jagannadh & Manjula Ghattamaneni Won
Best Editor Marthand K. Venkatesh Won
Best Fight Master FEFSI Vijayan Won
Best Male Dubbing Artist P. Ravi Shankar Won
Best Audiographer Radha Krishna Won
54th Filmfare Awards South Best Director – Telugu Puri Jagannadh Won
Best Actor – Telugu Mahesh Babu Won
Santosham Film Awards Santosham Film Award Best Actor - Male Mahesh Babu Won
Vamsee Film Awards 2007 Best Actor – Male Mahesh Babu Won

Remakes

[edit]

Pokiri has been remade in various languages across India. It was first remade into Tamil as Pokkiri in 2007 by Prabhu Deva, and marked his debut as a director in Tamil cinema.[42] Deva remade the film into Hindi as Wanted in 2009. Wanted became the second highest-grossing Hindi film of all time.[43] Pokiri was remade into Kannada as Porki in 2010 by M. D. Sridhar.[44][45]

Legacy

[edit]
Ileana (pictured) received her breakthrough with this film's success which catapulted her to superstardom.[46]

Pokiri's success elevated Babu to super-stardom and brought recognition to Jagannadh as a writer and director. The sequences featuring Brahmanandam as a software engineer, the comedy track of Ali and Brahmanandam, Babu asking Ileana to give him upma at the railway station were acclaimed.[6] The fashion trend of wearing doctor sleeves increased in Andhra Pradesh after Babu sported them, and they continue to influence fashion even today.[47] After the film's release, many films were released subsequently that had titles bordering on cuss words including Jagannadh's next film Desamuduru (2007).[48] Babu revealed that he became confused after the film's success:

It was such a huge hit, that if someone came to me with a script, I would approach the result of the film before approaching the character. I only wanted to act in movies that were like Pokiri, I think that was a mistake. It all got to me, and I felt that I needed a break from films itself. Initially, I wanted just a seven-month break. I signed Khaleja after nine months, but it just kept getting delayed, and the break ended up becoming a two-year-long holiday. But I didn't freak out... I relaxed for the first time in life.[49]

Two dialogues spoken by Babu in Pokiri became popular: "Evvadu kodute dimma tirigi mind block ayipotundo, vaade Pandugaadu" (transl. He whose punch makes your head spin and your mind fully blocked: that's Pandu) and "Okkasari commit ayite naa mata neene vinanu" (transl. Once I commit to something, I won't even heed my own words).[50] The film was Ileana's breakthrough in Telugu.[46] In June 2006, Trade analyst Sridhar Pillai said that the Andhra Pradesh trade felt that her glamour, screen presence, and on-screen chemistry with Babu worked to the film's advantage. Pillai called her the "new pin-up girl of Telugu cinema".[51] Talking about being typecast after her success in Ye Maaya Chesave (2010) as its female lead, Samantha Ruth Prabhu cited the example of Ileana being typecast in similar roles after the success of Pokiri saying that it had become mandatory for her to wear a bikini in every film since.[52]

Pokiri was parodied by several films. In Desamuduru, the character Gudumba Shankar, a saint played by Ali, is seen imitating Babu's mannerism from the song "Dole Dole".[53] Brahmanandam's introduction scene in the film Jalsa (2008) is a spoof of Babu's introduction as a police officer in Pokiri.[54] The same sequence was spoofed in the films Sudigadu (2012) where the protagonist is named Siva Manohar I. P. S.,[55] and also in Race Gurram (2014).[56] In Dookudu (2011), Babu is briefly seen as a film director who makes Prudhvi Raj and M. S. Narayana recite the dialogue "Evvadu Kodutge Dimma Tirigi Mind Blockaipothundo, Vaade Pandugaadu" from Pokiri.[57] The protagonist in Eega (2012), a fly, imitates Babu's mannerisms from the song "Jagadame" after injuring the antagonist played by Sudeep.[58] Sayaji Shinde's dialogue in the film, "Tinnama Padukunnama Tellarinda", inspired a film of the same name.[59] In Thank You (2022), Naga Chaitanya is briefly seen as a fan of Babu organizing and enjoying the film in Vishakapatnam.[60]

Notes

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References

[edit]

Sources

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
Pokiri is a 2006 Indian Telugu-language action written and directed by , starring Mahesh Babu as Pandu, an undercover police officer who poses as a ruthless and money-minded contract killer navigating conflicts with two rival mafia gangs while protecting his love interest from a corrupt police officer. Produced by Puri Jagannadh and under Vaishno Academy and , the film features Ileana D'Cruz as Shruti, Pandu's girlfriend and an aerobics instructor, alongside Prakash Raj as the Dubai-based don Ali Bhai and Ashish Vidyarthi as the antagonistic cop. Released on 28 April 2006, it runs for 165 minutes and blends high-octane action sequences, romance, and drama, becoming a landmark in for its stylish execution and mass appeal. The film marked a career-defining role for , who underwent intense physical training to portray the tough, street-smart , contributing to its commercial success with a worldwide gross of approximately ₹66 against a ₹12 budget, making it the highest-grossing Telugu film until 2009. Critically acclaimed for its taut , punchy dialogues, and , Pokiri received an 8.0/10 rating on from over 16,000 users and was praised for revitalizing the action genre in Tollywood. It won multiple accolades, including for Best Popular Feature Film, Best Editor, and Best Fight Choreographer, as well as for Best Actor () and Best Film. Pokiri's enduring legacy lies in its influence across Indian cinema, inspiring official remakes in Tamil (Pokkiri, 2007, starring Vijay), Hindi (Wanted, 2009, starring Salman Khan), and Kannada (Porki, 2010, starring Darshan), each adapting its core premise of an undercover operative in the underworld. The movie ran for 1000 days in a single theatre, a rare feat, and continues to be celebrated for redefining Mahesh Babu's superstar status and Puri Jagannadh's directorial prowess in crafting crowd-pleasing entertainers.

Synopsis

Plot

Pandu is a feared rowdy in Hyderabad, deeply involved in rackets and contract killings, operating as a contract killer who accepts any job for the right price. His reputation as a ruthless criminal precedes him, drawing the attention of both the police and the , where he navigates dangerous alliances with precision and without remorse. Amid his criminal pursuits, Pandu meets Shruti, a spirited instructor, in a comedic meet-cute that sparks an instant attraction. Their relationship evolves from playful flirtations to a deeper romance, filled with tender moments and lighthearted banter, though Shruti grapples with her growing affection for someone entangled in the criminal world. Pandu's protective nature shines through as he shields her from threats, including harassment by a corrupt connected to the . Beneath his rowdy facade, is revealed to be an undercover on a high-stakes mission to dismantle the operations of two powerful mafia bosses: the Dubai-based , under whom he pretends to work, and his rival Suryanarayana. Pandu's infiltration involves tense negotiations and betrayals, as he adheres to a personal code that clashes with the gangs' ruthless methods, such as refusing jobs that harm innocents, which sows seeds of suspicion among his supposed allies. The narrative builds through major action sequences, including a chaotic at a dockyard where single-handedly takes on multiple assailants in a display of raw combat prowess and gunfire exchanges. Tension escalates in a dramatic confrontation at a temple, blending high-octane chases with strategic showdowns against the gang members. In the climax, Pandu's true identity as a is unveiled during a fierce battle that resolves the escalating gang wars, allowing him to bring the mafia leaders to while securing his future with Shruti. The film weaves themes of and , highlighting the ethical ambiguities and blurred boundaries between the roles of criminal and cop in the pursuit of righteousness.

Cast

The film stars Mahesh Babu in the lead role as Pandu (alias Krishna Manohar), the protagonist who operates as an undercover cop in the criminal underworld. Ileana D'Cruz portrays Shruti, serving as Pandu's love interest and adding emotional depth to the action-thriller narrative. The ensemble features prominent antagonists, including Prakash Raj as Ali Bhai, a ruthless mafia don central to the film's conflicts. Nassar plays Suryanarayana, a key rival figure in the gang dynamics. Ashish Vidyarthi appears as Inspector Pasupathy, contributing to the antagonistic forces as a corrupt authority. Sayaji Shinde enacts the Police Commissioner, a significant law enforcement character. Supporting roles enhance the film's blend of action and humor, with providing comic relief as a quirky associate. performs as a henchman involved in the underworld operations. Additional minor cast members include and Madhav, who fill out the ensemble with brief but memorable contributions to the supporting narrative.
ActorRoleDescription
Pandu (alias Krishna Manohar)Protagonist and undercover cop
ShrutiPandu's love interest
Ali BhaiRuthless mafia don
NassarSuryanarayanaRival gang leader
Inspector PasupathyCorrupt authority figure
Police CommissionerLaw enforcement figure
BrahmyQuirky associate providing humor
(Henchman)Underworld operative
(Minor role)Supporting ensemble member
Venu Madhav(Minor role)Supporting ensemble member

Production

Development

The development of Pokiri began with director and writer conceiving the story as a stylish commercial entertainer centered on a contract killer navigating the underworld, blending high-octane action sequences with narrative twists to suit lead actor Mahesh Babu's image. Jagannadh drew from his passion for writing, having initially pitched a different storyline to Babu two years prior to the film's release, which was rejected, before presenting the Pokiri concept that was immediately accepted. The scriptwriting process was notably swift, with Jagannadh completing the full script, including dialogues, in just five days, emphasizing his rapid creative approach that typically wraps projects in under 15 days. As both and director, Jagannadh handled the drafts solo, focusing on the protagonist's rogue persona—reflected in the title Pokiri, a Telugu term translating to "rogue" or "hot-tempered"—to craft a mass-appeal thriller with undercover elements and a surprise ending. No external collaborators were involved in the initial scripting, allowing Jagannadh to visualize key action sequences during the writing phase for seamless integration into the film's vision. Production was spearheaded by Jagannadh himself through his banner Vaishno Academy, in joint venture with Manjula Ghattamaneni's , setting a budget of approximately ₹12 to support the ambitious action-thriller scope. The project was formally announced in mid-2005, with activities, including script finalization and planning, concluding by early 2006 ahead of . Initial planning encountered minor hurdles in coordinating locations, particularly for overseas sequences intended to heighten the film's international flavor, though these were resolved without significant delays.

Casting

Mahesh Babu was cast in the lead role of Pandu after the commercial success of his 2003 action film Okkadu, marking another collaboration with director Puri Jagannadh, who had previously narrated multiple story ideas to the actor without success before pitching Pokiri. To embody the rough-edged contract killer, Babu underwent a significant makeover, altering his hairstyle and wardrobe to project a street-smart, rugged persona that resonated with younger audiences. For the female lead role of Shruti, newcomer was selected shortly after her Telugu debut in Devadasu (2006), chosen for her youthful, fresh appeal to contrast Babu's intense character as an instructor entangled in the . Initially, Bollywood actress had been finalised for the part following auditions during her early career, but she opted out due to scheduling conflicts and other commitments, paving the way for D'Cruz's breakthrough. The antagonist roles were filled by seasoned actors to heighten the film's tension: Prakash Raj portrayed the menacing Dubai-based don Ali Bhai, leveraging his commanding presence in Telugu cinema, while Nassar played the rival gangster Surya Narayana, drawing on his established reputation for authoritative villainous turns. Key crew selections emphasized the film's high-octane action and stylistic elements. Composer Mani Sharma was brought on board for his proven ability to deliver pulsating, mass-appeal tracks, building on prior successes like Okkadu and his synergy with Jagannadh to craft energetic scores that amplified the thriller's intensity. Stunt choreographer FEFSI Vijayan handled the demanding action sequences, particularly the climactic confrontation, infusing realistic and dynamic fight choreography tailored to the narrative's underworld clashes.

Filming

Principal photography for Pokiri commenced in late 2005 and wrapped up by early 2006, with the majority of the film shot in Hyderabad and . Additional sequences, including a song, were filmed in and Phuket, . The production faced minor scheduling adjustments due to logistical challenges abroad but completed efficiently within the planned timeline. Key locations included sets constructed for action scenes under the production banner Vaishno Academy in Hyderabad, while the high-intensity climax was captured at the abandoned Binny Mills in beginning March 1, 2006. Underwater elements for select sequences were shot in Phuket, contributing to the film's dynamic visual style. The action choreography, emphasizing raw and realistic stunts, was handled by , who directed several pivotal fight set pieces. The film was lensed on 35mm film by cinematographer K. D. , capturing the gritty urban aesthetic central to the narrative. For its re-release, the original footage underwent 4K upscaling to enhance visual clarity while preserving the theatrical experience. Delays from inclement weather in briefly impacted the foreign schedule, leading to slight adjustments, though the shoot adhered closely to its overall efficiency. A tragic incident during a swimming pool shoot in Phuket, caused by a , resulted in the death of a member, prompting stricter safety protocols for the remainder of production.

Soundtrack

Composition

Mani Sharma was chosen as the composer for Pokiri on the recommendation of lead actor Mahesh Babu, who preferred him over director Puri Jagannadh's usual collaborator, Chakri, to craft a soundtrack blending high-energy mass numbers with narrative-fitting situational pieces suitable for the film's action-thriller tone. Sharma composed six songs for the album, drawing on his experience in Telugu cinema to create tracks that amplified the movie's macho protagonist and romantic undercurrents. The recording took place in studios during the film's phase, with lyrics penned primarily by Ravikumar, alongside contributions from Viswa and Kandikonda, ensuring the words aligned with Jagannadh's vision of raw, street-smart extended into song. Among the key tracks, "Devuda" was designed to capture romantic intensity through its pulsating and emotive vocals by , evoking the lead character's conflicted passion. Similarly, "Gala Gala" served as an energetic dance number, featuring upbeat percussion and folk influences to highlight celebratory action sequences. The soundtrack faced allegations of shortly after release, with "Devuda" accused of resembling Ricky Martin's "Jaleo" in melody and structure, while "Dole Dole" drew comparisons to iiO's "" for its electronic beats and chorus progression. These claims sparked debates in Telugu music circles but did not derail the album's popularity, as defended his inspirations as stylistic homages common in commercial film scoring. Songs were integrated into the film through picturizations that balanced action and romance, including "Gala Gala" shot in exotic foreign locales like Phuket's Maya Bay in , adding visual flair to the high-octane narrative. Complementing the songs, Sharma's background score employed tension-building cues with layered strings and percussive swells to underscore thriller elements, such as chase scenes and confrontations, heightening the film's suspenseful atmosphere.

Track listing

The soundtrack album of Pokiri features six tracks composed by Mani Sharma, with a total duration of approximately 24 minutes. The lyrics for the songs were penned by Bhaskarabhatla Ravikumar, Viswa, and Kandikonda. The tracks blend romantic, mass, and devotional elements, each integrated into key narrative moments in the film.
No.TitleDurationSinger(s)LyricistFilm placement
1"Out of Control"4:23Karthik, Mahalakshmi IyerViswaRomantic introduction to the protagonists' chemistry.
2"Devuda"4:32NaveenBhaskarabhatla RavikumarRomantic sequence highlighting the hero's passion.
3"Gala Gala"4:35NihalKandikondaCelebratory mass song following an action climax.
4"Dole Dole"4:43Ranjith, SuchitraViswaEnergetic dance number in a lively sequence.
5"Ippatikinka"4:29Muralidhar, SuchitraBhaskarabhatla RavikumarIntimate duet during a tender romantic interlude.
6"Pokiri Brothers Theme"1:30Instrumental-Background score underscoring the brothers' bond.
No remixes or alternate versions were released for subsequent re-releases of the film.

Release

Theatrical release

Pokiri was theatrically released on 28 April 2006. The release leveraged the growing popularity of in the region, aiming to capture a broad audience base in urban and rural theaters alike. Distribution in Andhra Pradesh was managed by Indira Productions, the primary production banner, which facilitated a widespread rollout primarily targeting Telugu-speaking markets. The film had releases in neighboring areas such as Karnataka, Tamil Nadu, and Orissa, where it achieved a 100-day run in Chennai, as well as overseas screenings including at the International Indian Film Academy Awards Film Festival. This regional and international focus underscored the film's emphasis on domestic Telugu viewers, with plans for dubbed versions in other languages developed post-release to expand its reach. The marketing strategy centered on trailers that prominently showcased Mahesh Babu's rugged mass hero persona, emphasizing high-octane action sequences and his charismatic screen presence to appeal to the youth demographic. Promotional activities included events in Hyderabad, where the cast interacted with fans and media to heighten excitement. The censor board awarded the film an 'A' (adults only) certificate. The premiere event took place in Hyderabad, attended by key cast members including and director , building on the positive reception from the soundtrack's audio launch earlier that month, which had already generated substantial pre-release buzz through hit tracks like "Devuda Devuda." This initial momentum contributed to strong opening day collections in major theaters across the state.

Re-releases

The Telugu film Pokiri experienced a notable re-release on August 9, 2022, coinciding with lead actor 's birthday, presented in a remastered 4K version with enhanced audio-visual quality to suit modern theater standards. Fans organized special screenings across locations in and overseas, generating ₹1.73 on its worldwide, with overall re-release collections reaching approximately ₹2.10 . The proceeds from these shows were donated to charitable causes, including support for underprivileged children through the Mahesh Babu Foundation. This 2022 revival ignited a broader trend of re-releases in Tollywood, capitalizing on nostalgia and technical upgrades to draw audiences back to theaters, which subsequently influenced revivals of other classics like . The success underscored the enduring popularity of Pokiri, prompting fan-driven events and special screenings in subsequent years, including commemorations for its 18th anniversary in April 2024. The film's global appeal extended to audiences, with screenings in the and during the 2022 re-release, where fans in these regions contributed to the international buzz.

Reception

Critical response

Upon its release in , Pokiri garnered positive critical acclaim for its engaging action thriller elements, with reviewers highlighting director Jagannadh's taut screenplay that balanced high-stakes drama and commercial appeal. Mahesh Babu's portrayal of the dual-shade was widely praised as his career-best performance, blending rugged intensity with subtle emotional depth, which carried the film effectively. The action choreography, particularly in the film's intense confrontations, was commended for its slick execution and energy, contributing to the movie's status as a mass entertainer. Idlebrain.com awarded Pokiri a rating of 3.5 out of 5, lauding the entertaining first half, strong characterizations, and the buildup to a satisfying climax, while noting its appeal to both commercial audiences and those seeking a more serious . Critics appreciated the engaging plot twists that kept viewers hooked, along with Mani Sharma's background score that amplified the tension in key sequences. However, some reviews pointed out negative aspects, such as a dip in tempo during the second half and formulaic elements in the storytelling that occasionally felt predictable. Over-the-top dialogues and underwhelming tracks involving supporting actors like and were also critiqued as needing trimming to maintain pace. The portrayal of the female lead, Shruti (played by ), elicited mixed responses, with some appreciating her as a relatively independent instructor who initiates the romance, but others viewing her role as stereotypical within 's conventions, where she primarily serves as the hero's love interest with limited agency beyond romantic subplots. In later evaluations, the film's enduring appeal was evident during its 2022 re-release, where special screenings drew enthusiastic crowds and highlighted its timeless action and nostalgic value for fans. On its 18th anniversary in 2024 and 19th anniversary in 2025, nostalgia pieces celebrated Pokiri as a landmark in , emphasizing its lasting impact through Mahesh Babu's iconic performance and Jagannadh's direction. Overall, Pokiri holds an aggregate user rating of 8/10 on , based on over 16,000 votes, reflecting its strong reception among audiences for its blend of action, romance, and suspense.

Commercial performance

Pokiri was produced on a budget of ₹10–12 , encompassing production and costs. The film achieved an initial worldwide gross of approximately ₹70 , including a distributor share of ₹38 from alone. This performance marked it as the highest-grossing Telugu film of and established multiple records, including a 100-day theatrical run in 200 centres. Overseas markets contributed around ₹5 to the total, primarily from the and other regions. In 2022, a special re-release for Mahesh Babu's birthday generated an additional ₹1.73 worldwide on its opening day across over 200 theatres, with funds directed to charitable causes. The film's success also received indirect boosts from the strong performance of its remakes in other languages. Overall, Pokiri delivered profit margins exceeding 500% , solidifying its status as an industry hit.

Accolades

Pokiri garnered significant recognition from various award bodies in the Telugu film industry, particularly for its performances, direction, and technical achievements. The film secured five in 2006, presented by the government, highlighting its impact as a popular entertainer. These included Best Popular Feature Film for and , Best Editor for , Best Fight Master for , Best Male Dubbing Artist for , and Best Audiographer for . At the 54th Filmfare Awards South in 2007, Pokiri won two honors: Best Actor for Mahesh Babu and Best Director for Puri Jagannadh. The film also received nominations in this ceremony for Best Film and Best Supporting Actor for Nassar. The Santosham Film Awards in 2007 further acknowledged the film with wins for Best Actor (Mahesh Babu) and Best Director (Puri Jagannadh). Pokiri did not receive major international awards. Post-2006, while the film inspired retrospective fan events in 2022 celebrating its 16th anniversary, no additional formal accolades were conferred by 2025.

Adaptations

Remakes

The Tamil remake of Pokiri, titled (2007), was directed by and starred Vijay as the lead alongside , closely following the original's narrative of an undercover operative posing as a criminal. Produced by Kanagarathna Movies, the film was released on January 14, 2007, and emerged as one of the highest-grossing Tamil films of the year, collecting approximately ₹50–75 worldwide against a budget of ₹20 . It received widespread acclaim for Vijay's mass-appeal performance and a nomination for Award South for – Tamil. The adaptation, Wanted (2009), retained as director and starred in the titular role, with as the female lead, adapting the story for Bollywood audiences while emphasizing high-octane action sequences. Released on September 18, 2009, by , it marked a major comeback for and became a blockbuster, grossing ₹60.24 nett (≈₹80 gross) in and over ₹93 worldwide, making it one of the highest-grossing Bollywood films of 2009. The film's success revitalized the action genre in and earned the . In , the Porki (2010) was helmed by M. D. Sridhar and featured Darshan as the protagonist, with making her debut opposite him, localizing the with regional flavor while keeping the central twist intact. Produced by Parameshwara Art Productions and released on January 28, 2010, it achieved moderate commercial success, running for 100 days in theaters and grossing around ₹15 crore, buoyed by Darshan's star power despite mixed reviews on its execution. These official remakes in Tamil, , and incorporated localized dialogues, cultural nuances, and star casts tailored to their respective industries but preserved the core revealing the hero's dual identity, ensuring the thrill element remained central. Unofficial versions have appeared in Bengali cinema, such as Moner Jala (2011), a partial . Collectively, the remakes amplified Pokiri's legacy by reaching diverse linguistic audiences across , contributing to its pan-Indian cult status.

Legacy

Cultural impact

Pokiri significantly elevated the stardom of its lead actors in . , who portrayed and his real identity Krishna Manohar IPS, credited the film with transforming his career, stating that it was Pokiri that made him a superstar. The film's success propelled him to unprecedented heights of popularity, solidifying his status as a mass hero capable of drawing massive audiences with his commanding screen presence and action sequences. Similarly, , in her second Telugu film after Devadasu, emerged as one of the most sought-after leading actresses in the industry following Pokiri's phenomenal run, marking her breakthrough into mainstream stardom. The film's stylistic elements, particularly Pandu's rugged yet casual attire including jeans, t-shirts, and doctor sleeves, influenced youth fashion trends in and during 2006-2008. This look, characterized by its urban, street-smart vibe, resonated with young audiences and encouraged a wave of stylized appearances among aspiring actors and fans, shaping casting and marketing aesthetics in subsequent Telugu films. Iconic dialogues from Pokiri, such as "Evadu kodithe dimma tirigi mind block aipoddhi... vaade gadu," permeated , becoming staples in memes, social banter, and even referenced in other media, underscoring the film's enduring linguistic impact on Telugu youth. Pokiri played a pivotal role in fostering fan culture within Tollywood, notably by sparking the re-release trend for classic films. Its 2022 re-release on Mahesh Babu's birthday, screened across over 135 theaters worldwide, set records and inspired similar events for other blockbusters like Ghilli and Chatrapathi, highlighting the deep-rooted devotion of fans and the industry's strategy to capitalize on . This not only boosted theater attendance but also reinforced communal celebrations of cinematic heritage among Telugu audiences. The film's themes of vigilante justice, where the operates outside legal bounds to combat crime, prompted media discussions on , retribution, and the appeal of anti-heroes in , reflecting broader societal views on justice systems. By 2024 and 2025, Pokiri continued to inspire celebrations, with its 18th milestone in April 2024 drawing nostalgic tributes from fans and the industry, affirming its status as a landmark in Telugu history. The 19th in April 2025 featured personal reflections from Mahesh Babu's family, including a behind-the-scenes post by , emphasizing the film's lasting emotional resonance. These events, coupled with ongoing analyses of its narrative twists, kept Pokiri relevant in contemporary discourse. The film's success also extended through remakes like the Tamil Pokkiri (2007) and Wanted (2009), which achieved commercial triumphs and broadened its cultural footprint across Indian cinema.

Influence on cinema

Pokiri significantly shaped the action-thriller genre in Telugu cinema by popularizing the undercover cop narrative, blending high-stakes action with moral ambiguity in the protagonist's persona. This template influenced a wave of similar films, including Puri Jagannadh's own Businessman (2012), which adapted elements of the rogue anti-hero archetype while diverging in plot focus. The film's directorial approach, characterized by Puri Jagannadh's "mass formula"—fast-paced editing, stylized visuals, and punchy, attitude-driven dialogues—established a blueprint for commercial Telugu entertainers. This style inspired successors in Tollywood, such as hybrid action-dramas that prioritized hero elevation and crowd-pleasing sequences, redefining narrative momentum in the industry. Its success sparked a remake wave across Indian cinema, with the 2009 Hindi adaptation Wanted revitalizing Bollywood's action genre by introducing South-inspired mass heroes and revenge-driven plots. This cross-industry adaptation contributed to Bollywood's post-2000s action renaissance, encouraging producers to tap proven Southern formulas for pan-India appeal and boosting Salman Khan's career as an action icon. Technically, Pokiri elevated action standards in Telugu films through innovative fight sequences that emphasized raw intensity and practical stunts, influencing later productions to prioritize visceral, hero-centric combat. Composer Mani Sharma's score, featuring high-energy mass anthems like "Dole Dole," set a precedent for rhythmic, adrenaline-fueled tracks that became staples in Telugu commercial cinema, ruling charts and enhancing film energy. The 2022 re-release of Pokiri demonstrated its enduring economic influence by reviving theater attendance amid OTT competition, with minimal investment yielding substantial returns for distributors and exhibitors. These screenings provided a "new lease of life" to single-screen theaters, fostering nostalgia-driven crowds and strategic box-office fillers that sustained the industry's theatrical ecosystem. However, Pokiri's formulaic reliance on mass elements drew criticisms for Puri Jagannadh's later works, where repetitive tropes led to commercial inconsistencies and audience fatigue, prompting shifts toward more experimental narratives in his career.

References

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