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Princess Agents
Promotional poster
Also known asLegend of Chu Qiao
Chinese name
Traditional Chinese特工皇妃楚喬傳
Simplified Chinese特工皇妃楚乔传
Transcriptions
Standard Mandarin
Hanyu PinyinTègōng Huángfēi Chǔ Qiáo Zhuàn
GenreHistorical
Romance
Tragedy
Action
Created byXiao Xiang Dong Er
Based on11 Chu Te Gong Huang Fei
Written byJia Wen
Yang Tao
Chen Lan
Directed byWu Jinyuan
StarringZhao Liying
Lin Gengxin
Shawn Dou
Li Qin
Deng Lun
Opening themeZhang Bichen
Zhao Liying – Hope
Ending themeG.E.M. – Burning Heart
Country of originChina
Original languageMandarin
No. of episodes58 (Uncut)
67 (TV version)
Production
Executive producersLi Cai
Liu Yingxuan
ProducersMa Zhongjun
Zhao Yifang
Production locationsHengdian World Studios
Inner Mongolia
Running time45 minutes
Production companiesCiwen Entertainment
Croton Media
Mitao Media
Original release
NetworkZona China, Hunan TV, WeTV, Viki
Release5 June 2017 (2017-06-05) –
August 1, 2017 (2017-08-01)

Princess Agents (Chinese: 楚乔传, also known as "The Legend of Chu Qiao") is a Chinese tragic television series based on the novel written by Xiao Xiang Dong Er and directed by Wu Jinyuan. It stars Zhao Liying, Lin Gengxin, Shawn Dou, Li Qin, Deng Lun, the drama was filmed in Hengdian World Studios and in Inner Mongolia which aired on various channels from 5 June 2017 to 1 August 2017.

Synopsis

[edit]

The story is set during the Northern Wei dynasty, a period marked by political instability, kidnappings, and violent power struggles. Chu Qiao (also known as Jing Xiaoliu), a slave, is cast into a forest with other captives to be hunted for sport by aristocrats, including Yuwen Huai, Zhao Xifeng, Wei Shuye, Yan Xun, Prince of Northern Yan, and Yuan Song, the 13th Prince of Wei. Chu Qiao is the sole survivor.

She is subsequently assigned as a chamber maid to Yuwen Yue, where she undergoes rigorous training alongside her adopted siblings. During this period, she forms a close bond with Yan Xun. She later encounters Yuan Song and Xiao Ce, the Prince of Liang; both develop romantic feelings for her and support her, though she does not reciprocate their affections. Throughout these events, Yuwen Yue emerges as her primary protector and eventual romantic partner.

Political intrigue escalates when nobles of Western Wei, led by Yuwen Huai and Wei Shuyou, falsely accuse the Northern Yan royal family of treason. Acting on these accusations, the emperor orders the execution of Yan Xun’s relatives. Yan Xun and Chu Qiao are imprisoned, and the massacre of his family transforms Yan Xun into an ambitious and ruthless figure determined to seek revenge, initially with Chu Qiao’s support.

Chu Qiao is later promoted to archery instructor and transferred to the Xiaoqi Camp, where she encounters officers of the Xiuli Army of Northern Yan. Although Yan Xun initially views them as traitors, Chu Qiao persuades him to spare them. Yan Xun maintains lingering regard for Yuan Chun, his childhood companion. When the emperor orders their marriage as part of a plot to assassinate Yan Xun, Yan Xun anticipates the betrayal and launches a rebellion. Yuan Chun pleads unsuccessfully to save him, and their bond is ultimately severed.

After ascending the throne as king of Northern Yan, Yan Xun grows increasingly distrustful of Chu Qiao and distances himself from her while pursuing power through morally questionable means. Disillusioned, Chu Qiao withdraws from him and grows closer to Yuwen Yue, deepening their romantic relationship. Yan Xun eventually orders Yuwen Yue’s assassination, prompting Chu Qiao to formally sever ties with Yan Xun and oppose his campaign of revenge.

Chu Qiao later learns that she is the daughter of Luo He, leader of the Fengyun Order, an intelligence network opposed to slavery and feudal warfare. Trained from childhood in advanced combat techniques, including the Cold Ice skill, Chu Qiao had been forced into hiding after her mother’s assassination, during which she lost her memory and was sold into slavery. Mr. Wu later reveals that Luo He’s death resulted from internal betrayal linked to the Wei and Liang factions and offers Chu Qiao her mother’s former position, which she declines.

As conflict intensifies in the north, Yuwen Yue is lured into a military trap and isolated on a frozen lake. After resisting capture, he is gravely wounded when Yan Xun personally orders an attack. Chu Qiao attempts to reach him but is forcibly separated as the ice collapses. As Yuwen Yue sinks beneath the lake, he urges Chu Qiao to survive. The event devastates her and marks her transformation into a resolute and independent force.

Cast

[edit]

Main

[edit]
Actor Character Introduction
Zhao Liying[1] Chu Qiao / Jing Xiaoliu / Xing'er She is an intelligent, brave and resilient young woman. That after being forced to watch helplessly while her loved ones died, she strives to find a path that allows her to change and thus destroy the injustice that surrounds them.

Her true identity is later revealed, as the daughter of Luo He, the master of Feng Yun's order. After she nearly drowns, she loses her memory and is raised by her adoptive family, the Jings. Later along with her adoptive siblings they become slaves of the Yuwen family. When she meets Yuwen Yue she begins to train with him to become a spy and they eventually develop feelings for each other. Chu Qiao is the only one willing to believe in the Xiuli army, which once caused the fall of two of North Yan's largest cities.

Lin Gengxin[2] Yuwen Yue He is the fourth master of the Yuwen Mansion and the heir to the Eye of God. He is a cold man of few words, intelligent, observant and an expert in martial arts. He is a powerful and high noble, who only cared about obeying his grandfather and following the strict rules of his family, however he is gradually influenced by Chu Qiao to be more kinder and soon becomes a fair and empathetic ruler. Yuwen Yue plays an important role in establishing peace in the new world, and although he loves Chu Qiao, he cannot show it openly due to the difference in their ranks, however he is always by her side when she needs him most.
Shawn Dou[3] Yan Xun Prince of Northern Yan.He is the prince of North Yan, he is a prudent man and aware of his actions despite his cheerful and carefree facade, it caused him misfortune and pain for the loss of his entire family due to his identity as a captive prince. He forms an alliance with Chu Qiao and learns to trust her during the most difficult times. He also had a beautiful friendship and affection with Yuan Chun (who has always wanted to marry the prince); however, when he witnesses the destruction of his entire clan at the hands of the Wei Empire, he swears revenge and becomes in a bitter and cruel man, he uses Yuan Chun and distances himself from her, he has a great hatred towards the wei empire even the princes that he is willing to kill them, except for princess Yuan Chung (Chun'er) who was kind, attentive and caring with him, Yan Xun considers it and decides never to hurt her, but to take care of herself and be protected.
Li Qin[4] Yuan Chun / Chun’er Princess of Western Wei.She is the princess of Western Wei, she is a kind, considerate, tender, simple and capricious young woman who is in love with Prince Yan Xun, however a series of circumstances, Yuan Chun changes her mind and refuses to marry him due to Yan's uprising. Xun, she suffered at the hands of Yan Xun's soldiers for rape and mistreatment, Yuan Chun believes that she was betrayed by her father who used her in her wedding with Yan Xun, the person who mattered most to her, this humiliation and pain causes her to become in an unrecognizable person, bitter, cold, vindictive and cunning, he starts to hate the wei emperor, Yuan Chun forms an alliance with Wei Shuye organizes an army to finish off the Xiulu troop, Yuan Chun manages to escape death several times due to sacrifice What do the people who love her do, so much is their suffering and pain that Yan Xun caused, she decides to kill him but she does not succeed, at the end of seeing Yan Xun again he sees him sad, asks her to forgive him and to please take care of herself much to him or that she cries so sadly remembering the moments together, she leaves and forgets it.

Supporting

[edit]

Yuwen Manor

[edit]
Actor Character Introduction
Kwok Fung Yuwen Zhuo Master of the 1st household, Yuwen Yue's grandfather. He is crippled due to a sacrifice he made for his loved one when he was young.
Chin Shih-chieh[5] Yuwen Xi Master of the 3rd household, Yuwen Huai's grandfather. A creepy old man who preys on young female slaves.
Wang Dong[6] Yuwen Hao Yuwen Zhuo's son.
Wang Yanlin[7] Yuwen Huai Young master of the 3rd household. He is a sinister and manipulative man who is Yuwen Yue's biggest rival in power struggle. He was killed by Chu Qiao after saving the Xiuli Army.
Xing Zhaolin[8] Yue Qi Yuwen Yue's trusted right-hand man; a loyal and capable warrior who fights alongside him.
Sun Yi Yue Jiu Yuwen Yue's guard.
Yuan Quan Yue Shiwu Yuwen Yue's guard.
Li Ang Zhan Mou Yuwen Zhuo's trusted confidante.
Fu Jia[9] Zhu Shun Housekeeper of Yuwen household. He is under the control of Yuwen Huai and helps him execute his schemes.
Rain Lau[10] Madame Song Head steward of Yuwen household. She is cruel and abusive toward Chu Qiao and the slaves.
Cao Xiyue[11] Jin Zhu A maid at Qing Shan Court. She is actually a spy from Hong Shan Court and works for Yuwen Huai. She often picks on Chu Qiao due to her jealousy toward Chu Qiao and Yuwen Yue's relationship.
Wang Yu[12] Jin Si A maid at Qing Shan Court; Jin Zhu's sidekick.
Li Chunyuan Ah Luo A maid at Qing Shan Court, who is on good terms with Chu Qiao.
Liu Yuqi Ying Tao'er An assassin sent by Yuwen Huai to kill Yuwen Yue.
Jiang Yiyi[13] Curly Hair A maid of Yuwen Manor who was killed on the hunting ground.

Western Wei

[edit]
Actor Character Introduction
Tian Xiaojie[14] Emperor of Wei King of Wei. His distrust and suspicious nature caused him to destroy Yan Xun's family and kingdom.
Sun Ning[15] Royal Consort Wei (Ning'er) Yuan Song and Yuan Chun's mother. She formed a friendship with Yuwen Zhuo, and often aids Yuwen Yue and Yan Xun.
Jin Kaijie[16] Yuan Qi (Prince Mu) Third prince of Wei.
Jin Jia Yuan Che (Prince Xiang) Seventh prince of Wei. He is raised by Royal Consort Wei and is good friends with Yuwen Yue. He is also known for his war experience.
Niu Junfeng[17] Yuan Song (Prince Yu) Thirteenth prince of Wei. He is bright, cheerful and kind-hearted. He likes Chu Qiao, despite all odds and circumstances thrown at him.
Huang Haige Yuan Yang Fourteenth prince of Wei. Son of Consort Zhao. He was used as a political tool by Yuan Chun.
Ying Lingjie Yuan Hao Fifteenth prince of Wei. Son of Lan Shuyi.
Nan Sheng Lan Shuyi A lady sent by Yuwen Huai to stay by the Emperor's side as a spy. She knows Chu Qiao's true identity and was entrusted by Luo He to take care of Chu Qiao.
Chen Yuanyuan[18] Jin Xin Royal consort.
Zheng Shengli Wei Guang Head of Wei Pavilion, Royal Consort Wei's brother.
Jurai[19] Wei Shuyou Young master of Wei family, Wei Guang's son.
Chen Sihan[20] Wei Shuye Young master of Wei family, Wei Shuyou's cousin. He treats Yan Xun as his true friend, and has a one-sided love for Princess Yuan Chun.
Shi Jiantao Zhao Gui Head of Zhao Pavilion.
Jin Han[21] Zhao Xifeng Young master of Zhao family, Zhao Gui's son. He is two-faced and manipulative.
Liu Yuan[22] Zhao Dongting Young master of Zhao family, Zhao Xifeng's brother.
Zhang Rui[23] Jing Han A cruel lord.
Lu Yongjun Eunuch Wang Emperor's personal eunuch.
Yang Liu[24] Cai Wei Yuan Chun's personal attendant.

Northern Yan

[edit]
Actor Character Introduction
Li Haohan Yan Shicheng Duke of Northern Yan. Yan Xun's father. He was sworn brothers with Emperor of Wei, but the latter's suspicions caused their relationship to turn sour.
Li Ying[25] Bai Sheng Yan Shicheng's wife, Yan Xun's mother.
Wang Yitong Yan Hongxiao Yan Xun's sister.
Li Ruojia[26] Zhong Yu Leader of Northern Yan's pugilistic forces. She is fiercely loyal to Yan Xun and aids him in his rise to power. She is in love with Wu Daoya.
Wang Zijie[21] Feng Mian Yan Xun's personal attendant.
Hu Chunyoung[27] Cheng Chi A general serving under Yan Xun. A ruthless man.
Wei Tianyang Sun He A general serving under Yan Xun, Cheng Chi's assistant.
Liu Kenan Ah Jing Yan Xun's subordinate.

Southern Liang

[edit]
Actor Character Introduction
Deng Lun[28] Xiao Ce Crown prince of Liang, and later the Emperor. He appears to be unruly but is sharp and intelligent. He is in love with Chu Qiao but keeps a distance for her sake and remains as her best friend who helps her when she's in need.
Huang Mengying[29] Xiao Yu Elder princess of Liang, who is also the top spy of Liang. She wields a great responsibility of protecting her kingdom and family. She has mixed feelings for Yuwen Yue as her pen pal and archenemy.
Cao Xinyue Qing Wei A spy assassin of Liang, Xiao Yu's subordinate.
Zhao Xuanqi Yin Xin A spy assassin of Liang, Xiao Yu's subordinate. He tried to assassinate Chu Qiao in the past.
Sun Yi[30] Tao Yeji A spy assassin of Liang, Xiao Yu's subordinate. She likes Zhao Xifeng.
Lu Qianxi Lu'e Xiao Ce's personal attendant.

Han Shan alliance

[edit]
Actor Character Introduction
Ding Ziling[31] Luo He Chu Qiao's birth mother. Leader of Han Shan alliance, Master of Feng Yun order.
Wang Xinghan[32] Zuo Mancang A spy from Han Shan alliance. He disguises as the boss of a trading shop, but he actually sells deadly weapons.
Wei Lu Snake Lady A spy from Han Shan alliance. She is extremely loyal to Chu Qiao and saved her multiple times.
Hou Yansong Dong Fangji Yan Shicheng's military strategist. A spy from Han Shan alliance.
Hu Bing[33] Wu Daoya A sage of Northern Yan. A good friend of Luo He, and the former strategist of Han Shan alliance. He later comes to assist Northern Yan army. He is in love with Zhong Yu.

Xian Yang

[edit]
Actor Character Introduction
Huang Jiaqi Xing Xing A girl Chu Qiao met when she was in Xian Yang.
He Yucheng[34] Ouyang Mo / Mo'er An orphan abandoned by the Ouyang family of Xianyang. He was adopted by Yuwen Yue.
Yu Aiqun Ouyang Qian Wealthiest merchant of Xianyang.
Dong Chunhui[35] Liang Shaoqing A silly scholar who befriends Chu Qiao in Xianyang.
Yuan Ziyi[36] Meng Feng A killer of Past Life Camp who later becomes a follower of Yuwen Yue.
Huang Haibing Zhan Ziyu A respected figure in the pugilistic world who is linked to the Past Life Camp.
Ma Ximi[37] Xia Chong A killer of the Past Life Camp who resembles Chu Qiao, and whom was accused of killing Luo He when she in fact saved Chu Qiao. She is imprisoned by Xiao Yu.
Zhang Zhiwei Tian Shoucheng

Chu Qiao's family

[edit]
Actor Character Introduction
Liu Bao Chu Qiao (Jin Xiaolu)'s adoptive father.
Jia Shuyi Chu Qiao (Jin Xiaolu)'s adoptive mother.
Peng Doudou[38] Jin Zhixiang Chu Qiao's elder sister.
Ding Nan Jin Linxi Chu Qiao's fifth elder brother.
Miao Miao[39] Jin Xiaoqi Chu Qiao's seventh younger sister.
Zhu Shengyi[40] Jin Xiaoba Chu Qiao's eighth younger sister. She has a crush on Yuwen Yue.

Xiu Li Army

[edit]
Actor Character Introduction
Ruan Shengwen[41] He Xiao Chu Qiao's trusted subordinate. Second commander of the Xiuli army.
Huang Yi[42] Du Pingan / Du Gouzi An ordinary young guy who joined the Xiuli army, and becomes a loyal follower of Chu Qiao.
Liu Yuhang[43] Ge Qi Chu Qiao's loyal follower and soldier of the Xiuli army.

Bahatu

[edit]
Actor Character Introduction
Kang Ning[44] Zha Ma Princess of Bahatu.
Zhan Yunfeng Zha Lu Prince of Bahatu. Zha Ma's brother.
Zhang Haoran Tu Da Zha Ma's subordinate.

Production

[edit]

The series is directed by Wu Jinyuan (Chinese Paladin, Beauty's Rival in Palace, Scarlet Heart). The script is written by Yang Tao and Chen Lan, and reportedly took two years to be completed. Huang Wen (Tiny Times) acts as the style director, while Li Cai (Painted Skin: The Resurrection) serves as the stunt coordinator. The original soundtrack is composed by Roc Chen who worked on the soundtracks of Kungfu Panda 3.[45][46]

Principal photography began on 30 May 2016, at Hengdian Studios, and wrapped up on 21 November 2016.[47][48] Zhao reportedly lost 8 kg for her role.[47] The filming set was opened to fans and the media for viewing in August.[49]

Soundtrack

[edit]
No.TitleLyricsMusicSingersLength
1."Gaze (望)[50]" (Opening theme song)Liu Chang, Tan XuanTan XuanZhang Bichen & Zhao Liying01:32
2."Burning Heart (心之焰)[51]" (Ending theme song)Lin Qiao, Zhang YingLuo KunG.E.M.02:16
3."Star and Moon (星月)[52]" (Chu Qiao and Yuwen Yue's relationship theme song)Liu Chang, Cao YunTan XuanYisa Yu and Reno Wang04:33
4."Unable to Learn (學不會)" (Chu Qiao's theme song)Ni ShanshanLei Li, Tan XuanXiang Xiang04:16
5."Grassland (原上草)" (Chu Qiao's theme song)Lin QiaoChen XueranLiu Xijun 
6."The Furthest Heartbeat (最远的心跳)" (Yuwen Yue's theme song)Liu ChangTan XuanElvis Wang 
7."Because of a Person (因为一个人)" (Yan Xun's theme song)Tan Xuan, Cao YunTan XuanZhang Lei 
8."Breaking a Persistent Thought (断执念)" (Yuan Chun's theme song)Hua TianqiChen ShimeiHe Jie 
9."When We Are Only Left With Me (當我們只剩下我)" (Chu Qiao's relationship theme song)Duan SisiTan XuanZhang Xianzi 

Reception

[edit]

On 26 June, the drama achieved a 2.01% rating with an audience share of 14.88%, according to National Average ratings.[53] This set a record for a drama airing in a non-primetime time slot on a non-holiday weekday.[54] The series also became the first Chinese drama to surpass 40 billion views while still airing.[54] Princess Agents gained popularity in overseas markets as well.[55][56][57] The series received praise for its distinctive storyline, strong performances, and its use of complex plot developments and scenic visuals.[58][57]

Despite its commercial success and initial positive reception, the series later faced criticism regarding production quality, including the use of photoshop and green screen effects, an overly bright color palette, and inconsistent dubbing.[59] The writing was also criticized for portraying the female protagonist as a "Mary Sue" beneath a facade on independence, as well as for incorporating unnecessary subplots and excessive screen time for minor characters, which some reviewers felt weakened pacing and narrative coherence.[60] Additional controversy arose over the heavy emphasis on the second male lead’s storyline, leading some viewers to sarcastically refer to the series as “Yan Xun’s revenge story.” The drama was further criticized for concluding with a cliffhanger ending.

Ratings

[edit]
Episode # Original broadcast date Average audience share (CSM52) Average audience share (National Average) Ranking on its timeslot
Ratings Audience share Ratings Audience share
1–2 5 June 2017 0.841 5.526% 0.89% 7.27% 1
3–4 6 June 2017 0.937 6.430% 1.01 8.46% 1
5–6 7 June 2017 1.120 7.424% 1.37 10.27% 1
7–8 8 June 2017 1.273 8.354% 1.40 11.30% 1
9–10 12 June 2017 1.193 8.049% 1.15 9.680% 1
11–12 13 June 2017 1.400 8.139% 1.30 9.62% 1
13–14 14 June 2017 1.480 9.691% 1.36 11.13% 1
15–16 15 June 2017 1.233 7.957% 1.41 10.97% 1
17–18 19 June 2017 1.299 8.387% 1.28 10.09% 1
19–20 20 June 2017 1.246 7.930% 1.34 10.38% 1
21–22 21 June 2017 1.455 9.284% 1.60 12.63% 1
23–24 22 June 2017 1.584 9.793% 1.71 12.80% 1
25–26 26 June 2017 1.705 10.424% 2.01 14.88% 1
27–28 27 June 2017 1.815 10.922% 2.07 15.05% 1
29–30 28 June 2017 1.899 11.547% 2.05 14.78% 1
31–32 29 June 2017 2.125 12.556% 2.28 15.33% 1
33–34 3 July 2017 1.892 11.272% 1.94 13.66% 1
35–36 4 July 2017 1.785 10.560% 2.28 15.65% 1
37–38 5 July 2017 2.005 12.338% 2.24 15.84% 1
39–40 6 July 2017 1.936 11.488% 2.48 15.33% 1
41–42 10 July 2017 1.999 11.854% 2.09 14.52% 1
43–44 11 July 2017 2.236 13.051% 2.36 16.51% 1
45–46 12 July 2017 2.289 13.936% 2.82 18.99% 1
47–48 13 July 2017 2.193 12.993 2.86 19.29% 1
49–50 17 July 2017 2.277 13.312% 2.70 18.19% 1
51–52 18 July 2017 2.232 12.638% 2.71 18.04% 1
53–54 19 July 2017 2.525 14.644% 2.78 19.11% 1
55–56 20 July 2017 2.358 13.743% 2.68 17.83% 1
57–58 24 July 2017 2.137 12.441% 2.52 17.44% 1
59–60 25 July 2017 2.101 12.117% 2.55 17.56% 1
61–62 26 July 2017 2.199 13.585% 2.57 18.11% 1
63–64 27 July 2017 2.3457987253df 12.54% 2.86 19.12% 1
65 30 July 2017 0.794 7.250% 0.93 10.26% 1
66 31 July 2017 1.760 17.694% 1.64 19.28% 1
67 1 August 2017 1.841 16.964% 1.88 20.58% 1
68 2 August 2017 0.941 1.964% 0.18 10.58% 1
Average 1.741 10.84% 1.97 14.62% 1

Note: One week before the drama concluded its broadcast, Hunan Television altered its airing schedule, moving the series to Sunday-Tuesday at 23:00 CST in order to promote an upcoming drama during Princess Agents' original time slot. The change significantly affected ratings, as many viewers were unaware of the new schedule, and episodes were broadcast one hour later than usual.

Awards and nominations

[edit]
Year Award Category Nominated work Result Ref.
2017 Weibo TV Impact Festival Drama of the Year Princess Agents Won [61]
The First Annual Asian-American TV & Film Festival Golden Oak Award Best TV Series Won [62]
8th Macau International Television Festival Best Actress Zhao Liying Nominated [63]
11th Tencent Video Star Awards Television Actress of the Year Won [64]
Most Popular Actor Lin Gengxin Won [65]

Plagiarism allegations

[edit]

The source novel 11 Chu Te Gong Huang Fei (11处特工皇妃), was alleged to have been plagiarized from several other works, including Novoland: Pearl Eclipse (斛珠夫人) by Xiao Ruqin, Novoland: Eagle Flag (九州缥缈录) by Jiang Nan and Kun Lun (昆仑) by Feng Ge, among others. In August 2015, the author Xia Xiang Dong'er admitted to the plagiarism allegations.[66] In a public statement, she promised to provide a "clean" version of the novel, in which all plagiarized content would be removed, in order to ensure tha the adapted television series would not infringe upon the copyrights of the original authors.

When the television series was first released in June 2017, the original authors continued to allege that the adaptation contained plots and dialogue plagiarized from their works. Xiao Ruqin, author of Novoland: Pearl Eclipse (斛珠夫人), stated on Weibo that she intended to pursue legal action to protect the copyrights of the original works.[67][68]

International broadcast

[edit]
Country Network Airing dates
China China Hunan TV, iQiyi 2017, 5–2 June, 017, 2 August
Malaysia Malaysia Astro Quan Jia HD 2017, 7 September
Singapore Singapore CHK 2017, 2 October
Thailand Thailand Channel 9 MCOT HD 2017, 9–2 December, 018, 18 March
Mexico Mexico Imagen Televisión 2018, 11 November
Peru Peru Panamericana Televisión 2019
Colombia Colombia Señal Colombia 2020, 26 March –
Bangladesh Bangladesh Deepto TV 2023, 1 May –

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Princess Agents

View on Grokipedia
from Grokipedia
Princess Agents (Chinese: 楚乔传; pinyin: Chǔ Qiáo Zhuàn), also known as Chu Qiao Chronicles, is a 2017 Chinese historical action drama television series starring as the titular slave girl Chu Qiao, alongside as Yuwen Yue and as Yan Xun. Adapted from the novel The Legend of Chu Qiao: Division 11's by Xiao Xiang Dong Er, the series follows Chu Qiao's perilous journey from enslavement in the chaotic dynasty to becoming a skilled agent entangled in political intrigue, revenge, and forbidden romance amid power struggles between noble families. Directed by Wu Jinyuan and written by Yang Tao and Chen Lan, it consists of 67 episodes and aired daily from June 5 to August 1, 2017, on Hunan TV and various online platforms like and . The drama is set during the period (circa 300-500 AD), blending elements of , , and romance as Chu Qiao navigates betrayal, alliance, and warfare after being rescued from a deadly slave hunt by the prince Yan Xun, only to face further trials within the influential Yuwen clan under Yuwen Yue's tutelage. Produced over five months at and locations in , the series emphasizes themes of resilience, loyalty, and social injustice through intense action sequences and character-driven narratives. Upon release, Princess Agents achieved unprecedented popularity, amassing over 50 billion views on Chinese streaming sites and setting a record with more than 230 million views, making it the most-watched Chinese drama internationally at the time and solidifying Zhao Liying's status as a top-rated actress. It received acclaim for its production values, strong female lead, and gripping storyline, earning high user ratings of 7.6/10 on and 8.2/10 on MyDramaList, though some critics noted pacing issues in later episodes. The series' success sparked discussions on a potential sequel, with announcements in 2024 for Rebirth (冰湖重生, also referred to as Princess Agents 2: Rebirth or Chu Qiao Zhuan 2: Bing Hu Chong Sheng), which began filming in early 2025 and has since been completed with a new cast led by Huang Yang Tian Tian and Li Yun Rui, positioned as a narrative continuation rather than a direct season 2 with returning leads, and tentatively scheduled for release in April 2026, though no exact release date has been officially confirmed.

Background

Source material

Princess Agents is adapted from the novel 11 Chu Te Gong Huang Fei (11 Special Agents Imperial Concubine), also known as Chu Qiao Zhuan, written by the author Xiao Xiang Dong Er under the pen name Xiaoxiang Dong'er. The novel was first serialized online in 2007 on Chinese web platforms, including Xiaoxiang Book City, and completed in 2010, amassing a large readership due to its gripping narrative of a female protagonist navigating and power struggles. It was later published in print form as a three-volume set by Phoenix Literature and Art Publishing House starting in May 2011, with the story centering on themes of , , and romance set against a fictionalized backdrop of the Wei dynasty during a period of war and political intrigue. The novel gained widespread popularity on platforms like Jinjiang Literature City, where it resonated with audiences through its exploration of the protagonist Chu Qiao's transformation from a lowly slave to a influential figure, blending elements of with modern sensibilities. Its serialization contributed to the rise of web novels in , highlighting themes of female empowerment amid betrayal and ambition. The print edition, spanning approximately 1,200 pages, retained the core plot while refining some details for broader accessibility. In late 2014, Ciwen Media acquired Mitao Film Industry, which held the adaptation rights to transform the into a television series, marking a significant step in bringing the story to a visual medium. This acquisition involved negotiations to address prior controversies surrounding the novel's content, ensuring a version suitable for broadcast. The series introduces notable differences from the source material to align with regulatory constraints and dramatic pacing. A primary alteration is the removal of the time-travel element, where the novel's Qiao is a modern reborn in ancient times; the series reimagines her as an ordinary slave girl in a purely historical setting, complying with China's ban on time-travel themes in dramas. The timeline is condensed, reducing the expansive scope of the novel's multi-year narrative into a more streamlined 67-episode arc focused on immediate conflicts. Character developments diverge as well, with Yan Xun's arc emphasizing a sharper descent into villainy and moral ambiguity compared to the novel's more nuanced portrayal, shifting emphasis from internal monologues and intricate political machinations to heightened action and visual . These changes enhance the series' and excitement but sacrifice some of the original's psychological depth and thematic complexity.

Development

The development of Princess Agents was initiated in late when Ciwen Media acquired the adaptation rights to the novel 11th Bureau Special Agent Imperial Concubine by Xiao Xiang Dong Er, laying the groundwork for transforming its core premise of a modern reborn as an ancient slave girl into a television series. By 2015, subsidiary Mitao assumed full production responsibilities, officially announcing the project as a with Kotone Media's Syndicate Film and Television, signaling a commitment to a high-profile historical action drama. Hong Kong director Wu Jinyuan was chosen to helm the series due to his proven track record in historical dramas, including acclaimed works like (2011) and (2010), where he demonstrated expertise in blending intricate palace intrigue with period authenticity. Screenwriting duties were led by Yang Tao, alongside co-writers Chen Lan and Jia Wen, who undertook an intensive 18-month process starting in late 2014 to condense the novel's expansive three-volume narrative—originally serialized across hundreds of chapters—into a 67-episode format suitable for weekly broadcasting. This emphasized character growth and streamlined the source material's time-travel elements into a cohesive tale of resilience and , with multiple draft revisions ensuring dramatic pacing and thematic depth. Casting auditions began in early , prioritizing performers with backgrounds to execute the production's demanding fight choreography and physical demands. The project's reached approximately 200 million RMB, with substantial investments directed toward historical fidelity in , set construction, and props to evoke the turbulent era of the dynasty.

Plot

Synopsis

Princess Agents is set during the period (5th–6th centuries AD), a time of intense political turmoil and warfare among rival kingdoms including , Northern Yan, and Southern Liang. In this era of corruption and brutality, innocent civilians are frequently kidnapped and enslaved to serve the whims of the , fueling a relentless struggle for dominance. The story centers on the harsh realities of and power, where survival demands cunning, strength, and unwavering resolve. The protagonist, Chu Qiao, begins as an enslaved girl captured from her village and thrust into the opulent yet treacherous Yuwen Manor, a powerful household in . Her journey transforms her from a vulnerable survivor enduring brutal hunts and servitude into a formidable and who rises to become a pivotal figure in the brewing rebellions against oppressive regimes. Throughout her arc, Chu Qiao navigates a web of shifting alliances and betrayals, honing her skills in combat and while grappling with the moral complexities of in a world ruled by ambition. Central to the narrative are Chu Qiao's evolving relationships with two key figures: Yuwen Yue, the stoic young master of the Yuwen family whose rigorous training of her sparks romantic tension, and Yan Xun, the disinherited prince of Northern Yan whose initial friendship with her deepens into a complex bond marked by shared hardships and diverging paths. These connections underscore the series' exploration of themes such as , , and the corrupting influence of power. Adapted from the 11 Chu Te Gong Huang Fei by Xiao Xiang Dong Er, the plot emphasizes Chu Qiao's personal growth amid these dynamics. The major plot phases trace Chu Qiao's progression from desperate survival in the slave pits of Yuwen Manor, through her daring escape and integration into the Han Shan alliance—a coalition of outcasts and rebels—to her leadership role in the Xiu Li Army during escalating conflicts and climactic wars between the kingdoms. Each stage highlights her ingenuity and resilience as she forges her destiny, balancing personal vendettas with broader quests for justice and freedom in a fractured empire.

Cast

Main cast

Zhao Liying as Chu Qiao
portrays Chu Qiao, a resilient slave girl who evolves into a formidable and leader during the Northern Dynasties period. Her character is depicted as clever, courageous, and unyielding, surviving brutal hunts and political intrigues while seeking justice for the oppressed. Liying's performance highlights Chu Qiao's transformation through intense action sequences, for which she underwent extensive physical training to execute the demanding fight scenes authentically. Lin Gengxin as Yuwen Yue
plays Yuwen Yue, the intelligent and stoic heir of the powerful Yuwen family, grappling with internal conflicts between duty and personal loyalties. As a noble strategist, his character provides crucial support to Chu Qiao, aiding her in forging a path amid power struggles. Gengxin's portrayal emphasizes the character's emotional depth, particularly through his palpable chemistry with Liying, which enhances their on-screen dynamic as allies and romantic interests. Shawn Dou as Yan Xun
embodies Yan Xun, the prince of Northern Yan and Chu Qiao's childhood friend, whose journey shifts from loyal ally to vengeful following his clan's devastation. Beneath his cheerful exterior lies a prudent and conscientious nature, driven by a quest for over eight years. Dou's showcases Yan Xun's emotional range, capturing the complexity of his arc from hopeful companion to tormented ruler with memorable intensity. Li Qin as Yuan Chun
Li Qin stars as Yuan Chun, the eighth princess of , a noblewoman entangled in romantic rivalries and the harsh realities of court politics. Initially portrayed as kind and naive, her character develops bitterness after betrayal in love, particularly her unrequited affection for Yan Xun, positioning her as a key figure in the series' interpersonal conflicts. Qin's nuanced performance underscores Yuan Chun's evolution from simplicity to determined scheming in pursuit of power and retribution. Deng Lun as Xiao Ce
depicts Xiao Ce, the crown prince of Southern Liang, serving as a sharp-witted and steadfast ally to Chu Qiao in her battles. Appearing outwardly unruly, his intelligent and selfless demeanor shines through as he harbors deep feelings for Chu Qiao while prioritizing her happiness. Lun's role marked a significant breakthrough in his career, earning praise for bringing charm and depth to the character's supportive yet poignant presence in the ensemble.

Supporting cast

The supporting cast in Princess Agents is organized around the major factions, illustrating the intricate alliances, rivalries, and power dynamics that drive the narrative's political and military conflicts. These ensemble roles, numbering over 20, provide depth to the group interactions, from familial betrayals to strategic coalitions, without overlapping with the main characters' personal arcs. In the Yuwen Manor faction, the supporting actors depict a dysfunctional noble family rife with internal competition and patriarchal control. plays Yuwen Huai, the manipulative third young master and primary antagonist within the clan, whose schemes against his cousins highlight the manor's cutthroat dynamics for succession and influence. Samuel Kwok Fung portrays Yuwen Zhuo, the wheelchair-bound patriarch who enforces family loyalty while navigating court politics, emphasizing the tension between tradition and ambition in the household. Additional family members, such as Jin Shijie as Yuwen Xi and Wang Dong as Yuwen Hao, further illustrate the faction's hierarchical structure, where sibling rivalries and elder authority fuel broader imperial intrigues. The faction's supporting cast focuses on the imperial court's bureaucratic and advisory elements, showcasing how courtiers manipulate power struggles to maintain the empire's stability. Xiaojie appears as the , a pivotal political figure whose decrees on nobility and warfare underscore the court's centralized control and paranoia toward potential rebels. Courtiers like Li Hongtao as Wei Guang and Huang Haibing as Zhan Ziyu represent influential officials who advise on military and diplomatic matters, highlighting the faction's of factionalism and loyalty tests amid threats from external kingdoms. Within the Northern Yan faction, the supporting roles emphasize espionage and close advisory circles that bolster the kingdom's rebellious aspirations. Jiao Junyan plays Liu Yue, Yan Xun's key advisor, whose intelligence-gathering and covert operations reveal the faction's reliance on secretive networks to counter Wei's dominance. This group dynamic portrays Northern Yan as a tight-knit circle of exiles and spies, where trust and betrayal shape their fight for independence. The Southern Liang and Han Shan alliance is brought to life through supporting actors who depict coordinated efforts across borders. Sun Jian portrays He Lan, the leader of the Han Shan forces, whose tactical coordination with Southern Liang allies demonstrates the faction's emphasis on unified military strategy against common enemies like . Huang as Xiao Yu, a from Southern Liang, adds layers to the alliance's diplomatic ties, showing how personal bonds and shared grievances foster cross-faction cooperation in uprisings. Other groups, including the Xian Yang merchants, Chu Qiao's adoptive family, the Xiu Li Army, and the Bahatu tribe, are represented by key figures that provide tribal and military support. Xing Zhaolin plays Yue Qi, Chu Qiao's adoptive brother from the slave camp, whose protective role in the early family unit highlights the grassroots dynamics of survival and loyalty among the lower classes. In the Xiu Li Army and Bahatu tribe, actors like Dong Chunhui as Liang Shaoqing and various ensemble members portray disciplined soldiers and nomadic warriors, illustrating how these peripheral groups offer logistical and combat backing to larger rebellions without dominating the central conflicts.

Production

Filming

Principal photography for Princess Agents commenced on May 30, 2016, at Hengdian World Studios in Zhejiang Province, China, where the majority of interior palace and manor scenes were shot. The production later relocated to the grasslands and deserts of Inner Mongolia for exterior battlefield and nomadic sequences, capturing the series' expansive historical landscapes. These diverse locations were selected to authentically depict the turbulent Wei Dynasty setting, with Hengdian providing built sets for urban and court environments, while Inner Mongolia offered natural terrain for action-heavy outdoor filming. Principal photography began on May 30, 2016, and wrapped up on November 21, 2016. Crew and cast endured extended workdays, often exceeding 20 hours, to maintain momentum amid the demanding production. Logistical challenges arose from , including scorching summer heat at Hengdian reaching 40 degrees in photography sheds, which exacerbated conditions for actors like , who managed chronic sinus issues during stifling indoor scenes. In , sudden sandstorms delayed progress and intensified physical demands, particularly for lead actress , who performed many stunts without a double, crawling through harsh winds and dunes to ensure realism. Zhao Liying underwent rigorous training for the role's wire-fu and martial arts elements, contributing to minor injuries, though she persisted with on-set action work; reports noted she employed around 32 body doubles overall but prioritized personal involvement in key sequences. Zhao Liying reportedly lost 8 kg for her role. Post-filming, she experienced a severe waist injury that left her unable to stand immediately after wrap, highlighting the toll of the production's intensity. Editing and post-production wrapped in early 2017, enabling the series' premiere on June 5, 2017, on Hunan TV and iQiyi. The development team, including director Wu Jinyuan, oversaw these final stages to align with the broadcast timeline.

Visual effects and action

The action sequences in Princess Agents were choreographed by martial arts director Li Cai, who brought his experience from high-profile films such as Painted Skin: The Resurrection to create dynamic sword fights and wirework that evoke traditional traditions. The series emphasizes intense, character-driven combat, with lead actress performing several demanding stunts herself after requesting additional fight scenes to heighten realism. A standout sequence is the opening forest hunt, where protagonist Chu Qiao navigates a deadly pursuit by aristocrats using slaves as prey; this scene blends practical location shooting in with CGI elements, including digital wolves that enhance the peril despite some noticeable . Large-scale battle scenes similarly combine on-location practical effects for authenticity—such as choreographed group fights and horseback maneuvers—with CGI to depict expansive armies and environmental hazards like ice lakes, though the digital augmentation occasionally appears dated compared to contemporary standards. The visual style employs desaturated to convey the grim historical setting of the Wei and Jin dynasties, underscoring tactical combat's amid political intrigue. While praised for its fluid editing and immersive stunt work that prioritizes performer safety and physicality, the production faced critiques for uneven CGI quality in crowd simulations and , particularly in high-stakes chases where green-screen artifacts detract from immersion.

Music

Soundtrack

The original score for Princess Agents was composed by Xueran Chen, a Chinese composer known for his work on film and television soundtracks, including contributions to (2018). Chen's score blends orchestral arrangements with traditional Chinese instruments like the and to heighten emotional resonance in scenes of heroism, betrayal, and tension. The theme and insert songs were composed by Tan Xuan. A digital album featuring select vocal tracks from the series was released on , 2017.

Theme songs

The opening theme song for Princess Agents is "" (望), performed by and . The lyrics, which emphasize themes of enduring fate's trials and struggling through adversity, include lines such as "Those who gaze upwards from the thorns will see through the dust; the light that pierces the sky is the gaze in my heart," reflecting the protagonist's resilient journey amid hardship. Recorded prior to the series' premiere in June 2017, the song's incorporates dramatic clips featuring the lead cast, and was released through Hunan TV's official platforms to build anticipation. The ending theme is "Burning Heart" (心之焰), sung by G.E.M. (Deng Ziqi). Its lyrics highlight inner resilience and the fervor of battle, with verses evoking a "flame in the heart" that endures chaos and loss, such as "The wild wind blows through the moonlight, born from the initial release, the heart hides the flame," symbolizing unyielding spirit in the face of war and betrayal. Like the opening, this track was produced before the broadcast and accompanied by a promotional music video with series footage, aired on Hunan TV. Several insert songs enhance key emotional moments throughout the series. Notable examples include "Star and Moon" (星月) by and Reno Wang, which underscores romantic and turbulent relationships with lyrics about eternal longing under the stars, such as "A lifetime of love is burning, returning to the heartbeat." Another is "When We Are Only Left With Me" (當我們只剩下我) by Xian Zi, used in introspective scenes to convey isolation and . These vocal tracks, integrated into pivotal sequences, were also recorded pre-premiere, with accompanying music videos released on TV featuring cast highlights to tie into the narrative's themes of struggle and fate.

Release

Broadcast

Princess Agents premiered in on Hunan TV, the video streaming platform , and on June 5, 2017. The series aired two episodes per night from Monday to Thursday at 22:00 China Standard Time (CST), spanning a total broadcast period that ended on August 1, 2017. offered VIP subscribers early access to episodes ahead of the television schedule, allowing premium users to view content up to a day in advance. The television version consisted of 67 episodes, each approximately 45 minutes in length, while the uncut online release on comprised 58 episodes. This discrepancy arose from requirements imposed by the State Administration of Press, Publication, Radio, Film and Television (SARFT), which mandated reductions in and romantic scenes to align with broadcast standards. The extended episode count in the also involved splitting longer uncut segments to fit regulatory guidelines on content pacing and sensitivity.

International distribution

Princess Agents has achieved significant international distribution since its 2017 , expanding the reach of Chinese dramas globally. The series aired in on Astro Quan Jia HD starting September 7, 2017, marking an early broadcast in . In , it was broadcast on Channel 8 starting October 2, 2017, contributing to its popularity among local audiences. In , it aired on Channel 9 MCOT HD from December 9, 2017, to March 18, 2018. The series is available on multiple streaming platforms worldwide. It can be watched on Rakuten Viki with English subtitles and other languages, offering accessibility to international fans. WeTV provides episodes with multilingual options, including English dubs in some regions. Netflix added the series in select regions, such as , starting in 2020, with subtitles in over 10 languages including English, , Croatian, Czech, Dutch, Finnish, and French. In , a Bangla-dubbed version aired on in 2023, broadening its appeal in . By 2018, Princess Agents had amassed over 40 billion global views across streaming sites, a that highlighted its massive international impact and boosted the of Chinese dramas to markets like , , and . This success underscored the series' role in popularizing historical action genres abroad, with high ratings such as 8.4 on MyDramaList. As of 2025, re-runs and full episodes continue on in , with no new dubs announced, maintaining its enduring availability on digital platforms.

Reception

Ratings

Princess Agents garnered significant viewership during its initial broadcast on Hunan TV, averaging 1.74% in nationwide ratings according to CSM52 data. The series reached a peak rating of 2.525%, marking it as a strong performer in its timeslot. It became the first non-holiday weekday drama on the channel to achieve this milestone. Online, the drama amassed over 50 billion views across platforms by the end of its run, with reporting daily peaks exceeding 100 million views during peak episodes. This total outperformed contemporaries such as , which recorded around 40 billion views, particularly resonating in youth demographics aged 18-35. Regionally, viewership was strongest in urban areas, contributing to the series' strong performance.

Critical response

Princess Agents received mixed critical reception upon its release, with praise for its ambitious scope and strong performances tempered by critiques of its execution in later episodes. Critics and audiences alike commended lead actress Zhao Liying's portrayal of Chu Qiao as a resilient and empowering female protagonist, highlighting her ability to embody a character who rises from to through determination and skill. The series' intricate plotting in the early arcs, blending political intrigue, revenge, and survival themes, was noted for its engaging world-building and high-stakes drama, while the action choreography, particularly the fight sequences, was lauded for its intensity and visual appeal. On aggregated user platforms, the drama holds an 8.2/10 rating from nearly 10,000 reviewers on MyDramaList, reflecting its enduring appeal among international viewers for these strengths. However, the series faced criticisms for pacing issues in its later arcs, where the narrative reportedly slowed with excessive filler content and a shift in focus to secondary characters, diluting the momentum of the central storyline. Reviewers pointed out underdeveloped subplots, such as unresolved romantic tensions and abrupt character motivations, which left some arcs feeling rushed or inconsistent. Historical inaccuracies were also a point of contention, with deviations from the source novel and period details contributing to a sense of uneven authenticity in the depiction of Northern Wei-era politics and society. On Douban, the Chinese review site, it scores 5.3/10 from over 217,000 users, indicating broader domestic dissatisfaction with these structural flaws despite initial popularity. The drama's cultural impact lies in its contribution to discussions on within Chinese television, portraying a "kick-ass" female lead who challenges patriarchal structures and asserts agency in a male-dominated world, inspiring viewers with themes of empowerment and resistance. This resonated in the genre, influencing subsequent series like The Story of Yanxi Palace (2018), which similarly emphasized cunning and independent women navigating palace intrigue and societal constraints. By 2025, Princess Agents endures as a benchmark for web-novel adaptations in Chinese dramas, demonstrating the potential and challenges of translating expansive source material like Xiao Xiang Dong Er's 11th Division's Special Agent Imperial Concubine to screen. Fans have launched ongoing campaigns advocating for spin-offs or continuations featuring the original cast, though no second season with has been confirmed, leaving the story's ending a point of lasting debate.

Awards and nominations

Princess Agents garnered several accolades following its premiere, recognizing both the series and its lead performers. The series won Outstanding Ancient Drama at the 2019 Asia Rainbow TV Awards. received the Jury Award for in a TV Series at the 2017 Tencent Video TV and Movie Awards for her portrayal of Chu Qiao. At the same event's 11th , she was honored as Television Actress of the Year, while co-star won Most Popular Actor for his role as Yuwen Yue. The production also secured the Golden Oak Award for Best TV Series at the inaugural Asian-American TV & Film Festival in 2017. Additionally, received a for (Ancient Drama) at the 8th Macau International TV Festival for her performance. Across various platforms, the series and its team accumulated over 15 nominations, highlighting its widespread impact in the industry.

Controversies

Plagiarism allegations

In June 2017, just before the television series premiered, the source novel 11th Division's Special Agent Princess Agent (also known as Princess Agent Chu Qiao) by author Xiao Xiang Dong'er (pen name for Zhao Na) faced widespread accusations of from multiple works, including Xiao Ruse's Novoland: Pearl Eclipse (斛珠夫人) and elements from Jiang Nan's series. Critics pointed to substantial overlaps in plot structures, such as the central trope of a female protagonist rising from to a position of power and influence, and character parallels, including similarities between the series' Yuwen Yue—a stoic, high-ranking military figure with a complex backstory—and the male lead in Novoland: Pearl Eclipse. The controversy intensified after Weibo users and authors publicly highlighted verbatim copies of dialogues, taglines, and descriptive passages, prompting formal legal action. Xiao Ruse filed a in 2018 against Xiao Xiang Dong'er, Jiangsu Phoenix Literature and Art Publishing House, and Century Excellence Information Technology Co., alleging through the copying of specific stylistic expressions from her 2005 novel. The case, heard in 's Chaoyang District Court in April 2018, ruled in the first instance on July 5, 2019, that partial infringement was established due to in expression, though no unfair competition was found. The court ordered Xiao Xiang Dong'er to delete the 15 identified infringing segments from the novel, cease distribution of affected editions, issue a apology on her official account for 10 consecutive days, and pay approximately 49,000 RMB (about $7,200 USD) in compensation for economic losses and legal fees. In June 2020, following the upheld ruling on appeal, Xiao Xiang Dong'er issued a formal apology on , admitting to incorporating elements from Novoland: Pearl Eclipse during the novel's 2009 serialization and agreeing to the compensation. The novel was subsequently removed from major online platforms for revisions, though the television series faced no direct legal halt and continued broadcasting. The led to immediate financial repercussions for the production companies, including Huace Film & TV and Ciwen Media, with affiliates' stocks dropping up to 7% in July 2017 amid investor concerns over potential investigations. It tarnished the production team's reputation and spurred broader industry discussions on , resulting in heightened scrutiny and stricter regulatory guidelines for adapting web novels into .

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